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threewaysdivided · 2 years

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hi 3wd. i’ve tried to write before and i’ve never gotten far in the process, despite having many ideas im enthusiastic about. all your blogging about being a planner-writer has got me thinking i might have the same style of writing as you l- and a lot of the reason im struggling to put words on paper is because i don’t have a direction or fleshed out emotional/plot beats to write towards. what would be your advice to any fledgling planner-writers that don’t know where to start? how did you start writing with this writing style?

Hey nonnie 💜

It can be super frustrating to have a bunch of pieces you want to play with but not have them come together in a way that maintains traction. Outlining could definitely be a potential tool to help sustain momentum, so let’s see if I can get some gears turning for you.

For me personally, the outline-approach is one I just sort of fell into naturally. Part of it comes from my school days; we were encouraged to write dot-point plans to structure our arguments/ research/ storytelling for assignments ahead of drafting (some teachers even counted evidence of it towards the final grade), which set it as a habit early. Fun fact: I actually outlined this answer before writing it; I do it for most long posts. Another part of it is that I tend to come at writing from a very analytical angle - there’s a degree to which I try to solve or understand stories as I consume them. One of my earliest casual jobs was working as an English/Lit tutor for high-schoolers. I find a lot of joy in picking narratives apart, figuring out how they work and finding ones that hold up through several layers of examination, so as a writer I like to construct stories that way.

Part of it is also that, when I want to write something for release, I’m conscious of the fact that it will have an audience. A question that hangs around in the back of my mind is “if I found this story and wasn’t the writer, would I enjoy reading it?”

There’s another aspect that has to do with respect, in a way. I love the worlds and the characters that I use in my stories, and for me that means writing things that feel true to their spirit, giving significance to the times when that changes and making sure they have a meaningful journey (even if it’s not a happy one).

For me outlining suits this ethos, since having a map of future directions makes it easier to place foreshadowing fairly, identify themes, build character arcs and keep explanations/ lore consistent.

I’m also going to admit that I just got lucky with Deathly Weapons. There was a very specific emotional idea that I wanted to centre a story around, and the inspiration happened to come with both a starting premise and a concept for the ending. Then I also had wish-lists; some tropes I wanted to play with, and some existing series whose storytelling structure I wanted to emulate and pay homage to. Something I realised a few years after starting DW is that I’m a very project-and-output-oriented person. In a way, Deathly Weapons’ came to me as a project brief where I already knew the end-goal and a lot of what I wanted to work towards.

With that said, let’s talk outlining:

The value of having a plan

To me, an outline is a bit like having an itinerary for a road-trip. It gives you an idea of where you’re going, how long things will take, what key things you want to do, how much it might cost and it helps you anticipate potential problems. But, like an outline, an itinerary isn’t binding. There might be some things that take more effort to change (distance to travel, bookings you need to cancel/ reschedule/ extend - key plot points that a story hinges around or that need more preparation/ payoff to be effective) but you can adjust as you go; take extra time to explore an interesting spot, add a detour based on local recommendations, skip things that turn out to be less compelling than they first seemed, take a shorter route to get to a key destination faster, extend the trip to see a few more sights or decide to cut things short because something came up. The itinerary gives you the security of already knowing where you’re headed, letting you put down the mental burden of having to work out each stop as you go and enjoy the moment more.

Ways an outline can help:

Reassurance: if you have a tendency to be anxious/ self-critical/ have high standards about characterisation, plot holes etc. then an outline can be a good way to workshop the story and get ahead of potential challenges, as well as to concept-test whether this is a project you feel like committing to.

Scoping: blocking out an overview can help you get an idea of the size and complexity of the project, and how much time/resources/teamwork it might need.

Motivation: having a plan of future story moments that you’re looking forward to can provide a goal to help you push through the less exciting parts (e.g. connective scenes) and/or help you re-find your enthusiasm if you’re returning from a break or are feeling creatively flat for reasons outside the story itself.

Iteration: if you tend to come up with stories primarily by exploring and assembling ideas, then an outline method can be a way to quickly put a concept on paper, examine it and then decide if/how you want to use it, without the restriction of needing to write it all out as polished paragraphs first.

Splitting up the steps: useful if you tend to think faster than you can type full sentences, find that you move between ideas non-sequentially or if prose-writing/ sentence construction is something that takes a lot of mental energy or stop-and-starting from you. An outline can be a way to separate the processes of story crafting and story telling into more-distinct stages rather than trying to juggle both at once. Find the story first, then write it.

Non-sequential writing: having a roadmap of your story’s structure and direction can give you more freedom in how you choose to approach it, letting you jump ahead to work on planned future sections/scenes where the inspiration is flowing rather than waiting for the next scene to “come to you”.

For a more direct comparison, Screenwriting Bibles are a form of outline for professional TV/Film production. These “bibles” are key reference documents used by writers for information on the premise, characters, settings and other project elements, as well as to plan future episodes and seasonal arcs. (This podcast transcript, article and template are good starting sources if you want to learn more about TV Bibles.)

Much like a series bible, an outline can help you keep tabs on:

Consistency and continuity: this can be minor stuff like names of background characters or small details (running gags, item descriptions, character trivia) but can also be major stuff like character motivations, who has what abilities, event timelines or story-themes.

Direction: your outline can capture the overall arc(s) and conflict source(s) of your story and their intended resolutions, as well as mapping out how those conflicts are progressing.

Causality: whether planned events and character choices feel consistent and reasonable within the internal logic of your story.

If any of this sounded helpful to you then you might benefit from experimenting with an outliner/ planner approach. There are a bunch of different planner techiques (here’s a link for some) as well as hybrid “plan-tser” methods that you could try. But for now let's talk about the general process, starting with a focus question:

What is it that makes you want to tell this story?

This might seem like a daunting place to begin but it can help with figuring out the core of your story and what you find compelling.

It’s okay if you don’t have a neat-and-clean answer straight away. Sometimes inspiration just strikes out of the blue, and that’s fine. Sometimes you have a vague directional pull but you’ll need to do some story-work before you can identify what’s calling to you. However, if you did have a specific itch or passion that drove you to write then thinking about what and why that is can help you understand what you want from the story – and in turn what might connect with other people.

I also want to be clear that this is not about judging your motivations or their “artistic merit”. I had a specific story to tell is fine, as is I wanted to explore this concept/theme/emotion/issue, or this was a gift/commission for someone else, and so is I wanted to try writing a specific genre, or I wanted to experiment with a specific medium, or I wanted to do my own version of [existing idea] or I am fascinated by this character/relationship/world or I needed some vicarious catharsis, or I was horny. And a whole bunch of other things.

Knowing what you’re trying to get out of a story can help you decide what type of story you want to tell, as well as the overall scope and what medium/format/genre to tell it in. Maybe it’s a single-scene character/aesthetic study, or a one-shot vignette. Maybe it’s one long story, or it could be series of connected stories, or it could be a story-anthology centring on a common idea. Maybe this story would work well as a comic, or art piece(s), or podcast, video, or something interactive like a choose-your-own-adventure or a videogame.

Understanding where you’re coming from can also help you answer the questions of what is your story about? and what happens in your story? which are related but not the same.

What is your story about concerns the themes and thesis of your story, which can help you figure out the story’s tone, main emotional or thematic conflict(s), and how you want them to resolve by the ending. Put simply, it’s the message.

What happens in your story is the synopsis of planned events, character actions, worldbuilding and other content. Put simply, it’s the stuff your story has in it.

Let’s take my Deathly Weapons fanfic as a case study:

What made me want to write this story? Deathly Weapons started with me being unsatisfied with what felt like a gap in the Danny Phantom x Superheroes crossover fanfic space at the time. There was a trend where stories would kill Danny’s friends and family to justify placing him with the crossover’s other hero team but very few of those stories felt like they acknowledged the emotional consequences of doing so; the ones that allowed him to grieve frequently using it for nonspecific angst about Loss™ or mourning the generic archetypes of A Love Interest™, A Sister™, Parents™ or A Best Friend™ rather than the specific characters and bonds from the series. There were also some smaller itches around plot construction and mysteries that I couldn’t find many stories to scratch. I wanted to try writing something to fill those gaps. What is this story about? Thematically Deathly Weapon’s central emotional arc is about grief and healing: in particular the uniqueness of the bonds between people and how grief reflects the specific hole each individual leaves behind, as well as the process of finding closure, making new connections and moving forward in the aftermath of loss. What happens in this story? A lot. In my youthful hubris and overambition I planned out basically a half-season of a TV show. For the sake of not dragging this section out by a mile, here’s an arc/mission plot teaser list I made a little while ago.

Since Deathly Weapons Arc II is deliberately structured to emulate a TV show, you can sort of see how that summary has accidentally ended up mirroring parts of a top-down Pitch Deck. But, of course, that’s not the outline I actually use when writing.

Different levels and types of outline

Like a lot of creative terms, “outlining” covers a pretty broad umbrella’s worth of stuff.

Methods-wise there are plenty of different approaches: from specific story-writing software (Scrivener, Campfire etc.), to word documents, to binders and notebooks, to honest-to-goodness sticky-notes, thumbtacks and string. Personally I alternate between a documents folder on my computer and a physical notepad/sketchpad for when I’m on the go, but you should pick whatever format feels most comfortable for how you process/visualise information.

Functionally, I think it helps to conceptualise three main levels of outline: Brainstorming, Structural and Detail. To be clear, you don’t have to do all three. A short story or one-shot might be served by writing directly from a brainstorming or light structural outline. You also don’t have to keep them strictly separate. A brainstorming document might cover some early structure notes or test paragraphs. A structural or detailed outline might have some brainstorming or research sections as you uncover and solve smaller questions. Heck, you can have detail notes inside your initial drafts if they help you keep the story flowing. These are tools you can use, not prescriptions you need to follow.

Let’s talk about the levels:

Brainstorming

Brainstorming is the least structured. Like the name suggests it’s mostly about getting concepts down and coming up with ideas – this could include early notes for plots beats/ scenes/ character interactions, sketches, screenshots/quotes and possibly research questions for stuff you want to confirm or find out about (e.g. checking source material, or researching systems and potential setting-locations). You could consider this like early research notes for a class essay – where you know what your subject is and might start with some initial thoughts or focus questions but are still learning and figuring out the broad strokes of your content and stance.

Despite that comparison, brainstorming is probably the most creatively fun step in the process. This is not where you worry about things like “quality”, “cohesiveness”, “accuracy/canon compliance” or “cliches” – this is the time for rolling with whatever inspiration strikes you, pouring out any idea you find interested/compelling/cathartic, asking questions, going down internet rabbit holes and generally just enjoying unabashed creation. This is your raw material: you’re going to cut and shape it later.

Structural

Structural outlines probably have them most utility in giving your story shape and form, especially if your story is long or has a lot of components. If you were doing an essay, this is the part where you’d figure out your thesis and start grouping each main argument and its supporting points into planned body paragraphs. For a story, this is where you start sorting your ideas and putting them in order; deciding on your arcs, conflicts and resolutions, working out the order and causality of events, your character motivations and dynamics, where to place key foreshadowing, major scenes and the like. This is the level where you’re going to try and solve potential story problems – to come up with in-universe explanations and identify possible plot-holes before you write yourself into them. You’ll likely do extra brainstorming or research in this phase too but it’ll be more targeted – aimed at filling gaps, connecting dots or serving specific needs.

For longer or more complex stories you might have multiple structural outlines tracking different levels of granularity; some providing an overview of the whole story/ series arc, while other focus on specific characters/ subplots or break things down into individual plot beats and scenes. You might also spin some of your initial brainstorming into reference or meta documents – content that you aren’t going to directly cover in-story but that will inform or add depth/consistency to other elements. If you enjoy puzzle-solving then this can be a very satisfying part of the process: there’s nothing quite like hiding a subtle piece of symbolism/foreshadowing, coming up with a sneaky red-herring or finding a rock-solid explanation to make you feel extremely clever.

It’s also worth repeating that you are not beholden to whatever structural outlines you first come up with – your outlines can and should evolve with you as you develop your story and come up with new or alternate ideas. (Just last year I re-ordered two major subplots and added an extra character arc for Deathly Weapons).

Some stuff to think about for structural outlining:

Remember that, as the storyteller you have full control of the narrative and what happens inside it. Like I said at the start of my case study on YJ: Invasion’s writing, even the rules of a fiction piece are made up: there is nothing physically stopping you from making the sky be a different colour every five minutes if you felt like it. If you want something to happen then you can work backwards to reverse-engineer a specific scenario where those things would reasonably occur. Start at Scene B and figure out what needs to happen to get there from Established Starting Point A. If you need a character to act a certain way, then you can tailor a situation to trigger that response based on their established personality/ insecurities/ flaws. You can manufacture specific story problems whose solutions play toward or against the skills and abilities of different characters, or create scenarios which situationally discourage characters from using skills/abilities/tools that might otherwise be overpowered. You can also make the call to deviate from what has been established in order to facilitate a scene or plot point - temporarily imposing a trait for narrative purposes (sometimes referred to as carrying a ball) or Rules Lawyering your worldbuilding to create a technical loophole. This risk here is that this can feel artificial, jarring or unfair if not reasonably justified within the story logic. There’s also a limit on how often/ how far you can push this before it risks breaking the story. If things start to contradict or situations arbitrarily turn on a dime then your audience can lose trust that the characters and world will follow the expectations set by the narrative – they can start to feel narratively unsafe, until it reaches a point where the only way for them to reconcile the dissonance and inconsistencies in the story is to acknowledge that it’s all an artificial construct being externally steered by the hand of the author. You can do whatever you want… provided you do the work to make audience to believe it.

That being said, try not go get too wedded to the specifics of your early ideas. Sometimes an element is just not going to fit with the direction your story ends up taking; whether because it’s not compatible with the eventual trajectory of the characters/events/lore or simply because it would be hard to include without disrupting/diverting/distracting from the flow of the story at that point. In some instances you can take the core of an idea and modify it to find a new place in the narrative; for example by repurposing a scene or piece of dialogue, repackaging information, rescheduling a conversation, fusing concepts together or deconstructing them and integrating the component parts across other scenes. But in other cases you may decide that the potential problems (whether structural or narrative) introduced by including an element outweigh the value it could add – in which case it’s time to lovingly set it aside. This is what they mean when they say kill your darlings. Having a designated document for future story ideas and/or outtakes can help with this (or you could do what I did with Defining Moment and turn an idea into its own side-story).

This can be also a good place to consider more technical story elements, like pacing. Think about the peaks and valleys of intensity (suspense, intrigue, action, character drama etc.) across the beats of your story; where you might want to ramp things up or down, and how you might use scene and/or chapter breaks to space out information, create breathing room or hold the audience at a certain level of emotion/anticipation. (For a good short primer, try these videos about Pacing and Tension Cycles in games).

You may also like to use the structure overview as an opportunity to take stock of Tropes and Patterns. Not to avoid them – you can’t really avoid tropes – but just to see if any are showing up and what they might be saying, even if you didn’t intend for that to happen. (For a topical example: consider what tropes are showing up around different minority/minority-analogous characters - either in their depictions or how the story treats them - and what message that might be sending. There’s a lot of bias to the way certain groups and issues have historically been portrayed in media, some of which have baked themselves into now-common stock plots and archetypes. That isn’t to say you should never use them; just be conscious and careful, especially if your story intends to make some sort of commentary on those topics.) On a more positive note, this can be another way to learn about what story mechanics you like, both in your own writing and others’.

Detail

Detail notes are the most granular level of outlining, getting down into the specifics of an individual scene or conversation. These are the least strictly necessary – depending on the length/ complexity of your story, the granularity of your structural outline(s) and your personal writing preference, you may prefer to jump directly from a structural outline into a first draft. That said they can still be useful, especially if you want to hammer out the fine details of action, dialogue or information-flow while staying a step back from specific prose. This is where you get things like a bullet-point breakdown of each line/action/piece of narration (for when you have a detailed idea of what’s going to be said/done but not the specific words to describe it) or script-style notes (for when you have the character voices and lines but not the narration or action surrounding it). As mentioned earlier, you can blend detail notes and rough drafting together – writing some sections out in prose as the words come to you, then breaking into note-form to keep the ideas flowing in sections where wording might be starting to stick.

An example

Let’s look at my outlining system for Deathly Weapons:

Now, I want to make it clear: this is not the standard. This is not even the standard for me. Deathly Weapons got a bit out of hand, ballooning into a half-season of a TV show: it’s more a series of 12+ self-contained stories in a trench coat than your standard fanfiction. However, it is a decent example of complex outlining. I have multiple levels of structural outline – some covering the entire story arc, some covering the individual missions. I also have quick-notes that I made as a consistency-reference from canon, and some worldbuilding meta I did as a thought exercise to develop one of the character-backstories (the one shown ended up published here on Tumblr). You can see how I blend the outline types together in my detailed notes, as well as how my approach to outlines has evolved from more brainstorming-focused to more structurally-focussed as the story has solidified. Again, this is not the standard, but hopefully it gives you an idea of what you can get up to with outlines for a complex long-term project.

Okay, so that’s the basic breakdown of outlining as a process (at least the version I use). Hopefully it’s got some gears turning.

However, I also know that it’s more of a framework through which to approach story-building; it’s an organisational tool that helps you set out current and future-planned content in a way that lets you take stock, identify things that need attention and keep track of important details. On its own it’s not necessarily going to be able to help address the challenges it reveals; in the same way that knowing how to plan an essay won’t necessarily teach you how to research one effectively.

In Part 2 of this series (yep it's a series now) I'm going to go over some concepts for story-building and editing that might help you during the structural phase. Click here to go to the next part >>

#Writing advice #Outlining #Planner writing #Story planning #Stories #Post Series: Outlining Tips #this was originally meant to be one post but then Tumblr decided it was too long so here we go #Sorry this took ages for me to answer nonnie #I moved cities again and the burnout after last year whacked me very hard. Brain go (half-hearted raspberry noise)#Hopefully there’s enough stuff in here to make up for the wait #It might amuse you to know that I did 3 different outlines trying to figure out what would be useful #Learn from my example but maybe don’t try to follow it #Outlines Divided (who lives in a state of derangement and writes over 10000 words of background notes per paragraph)#is an outlier and should not have been counted #There’s a lot of talk about DW in here. How very self-indulgent telling you all about me. me. me.#(It’s mostly because I’m the creator in its case so I can talk about the processes used to make it without making guesses)#Anonymous #3WD #3WD Answers

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saintobio · 6 months

Text

blank canvas. (2)

after offering a painful ultimatum to finally be enough for him, things ultimately get worse as he decides between keeping you or losing you as the only resolution.

pairings. ryōmen sukuna, fem!reader

genre. florist x tattoo artist au, mild angst, opposites attract

tags/warnings. strong language, defloration (kinda), explicit smut, undertones of manipulation and gaslighting, toxic relationship, undertones of cheating

notes. 11.2k wc! thanks for the love on bc1, i didn't expect it to gain traction at all but tyty. last part will come soon, but that will be the final chapter to this mini-series.

part 1 | part 3

The ride back home was uncomfortable.

It wasn’t because you had promised to give yourself to him that night, but rather because his uncharacteristic silence was not what you had expected after delivering your ultimatum. You already proposed a wonderful solution to his needs, so why was he acting like you were the one being ridiculous? This was why you hated it whenever Sukuna chose silence over open communication, as it left you a hard time guessing about what was running through his mind. His expression didn’t offer any clues either, because he did pretty well at concealing his emotions behind a facade of indifference.

When you said you would do it with him, you meant it. But what did he think of it?

The sharp wind cut through your skin, the roar of his motorbike deafening your ears as your boyfriend accelerated his vehicle upon entering the tunnel. The vibrant yellow lights offered a cinematic view, tempting you to imagine yourself embracing the wind with open arms, though you knew better than to do so. Instead, you held onto him tightly, wrapping your arms around his waist and leaning forward as he sped through the empty lane.

It was nearing midnight, and the sparse traffic allowed Sukuna to indulge in one of his habits: riding his bike in the late hours of the night through this particular tunnel and onto the highway. You knew this ritual helped him clear his mind since it offered a rush of danger that sharpened his focus on the road. His choice to take this route tonight also only confirmed to you that he was grappling with internal thoughts. The last time he rode this fast was when your parents made you choose between them and him, slapping it in his face that he was and would never be welcomed in your family.

To be honest, it frightened you. The speed at which he was riding was dangerous for both of you. Moreover, his bike was a YZF-R1, although street-legal, it was still a high-performance sport bike more suited for the track. It required agile and precise handling with its 1000cc engine. Yet, no other vehicle seemed more fitting for Sukuna than this.

Whatever was on his mind, he didn’t care to let you know. You two didn’t really speak throughout the ride while you clung to him like a backpack, praying in your head that you two wouldn’t get into an accident. Thankfully enough, he did safely take you home as you arrived at your shared apartment at exactly midnight.

“Please don’t ride like that again,” you muttered as he helped you out of his motorbike. “You could’ve gotten us killed.”

His fingers then reached to unclasp your helmet, pulling it up to reveal your face. “Well, we’re still alive.”

You looked at his face despite his best effort to avoid yours, standing centimeters apart while he switched off the engine. He didn’t return your gaze as though he was drowned by guilt. Should you speak at this? Or should you let him do it first?

“Baby.” After a minute or so, it was your boyfriend who sighed and finally gave in, pulling you close and resting his forehead against yours. He kept his eyes closed even when he was cupping your cheeks. “You don’t have to do this.”

Yes, you certainly shouldn’t. You didn’t have to do things unwillingly, but that wouldn’t change the fact that this on-going issue was putting a strain on your relationship and this would be your last shot at trying to salvage it. And you couldn’t have him looking for sensual gratification from anyone else other than you, so what other option did you have, really?

“I want to do it.”

“Not if you’re forcing yourself like this.”

You raised an eyebrow. “Who said I’m forcing myself?”

“Your face tells me you are,” replied he, staring at your face in defeat. “So, let’s not—”

“What, and let this issue haunt us over and over?” You smiled bitterly, shaking your head adamantly. “This has to be done. I need to experience it so I’ll finally understand.”

Understand what? His face almost spelled out those words, but he chose not to say anything of the sort and instead leaned in to kiss your forehead. “Alright. I’ll make it memorable.”

— —

Easier said than done, of course. You kept overthinking about whether your performance would be satisfactory to him given that you didn’t have enough experience to learn anything at all, aside from the make out sessions that you did once in a blue moon. Around thirty minutes of your time was spent hyperanalyzing your situation in the shower, while the other half of it was spent doing a little more than your nightly routines. Since Sukuna liked powdery scents, you placed a good effort in applying lavender-scented oil and perfume on every inch of your body. You also shaved any unwanted hair, especially on all the intimate places you knew he would be seeing. And by the time you were done, you stepped out of the bathroom blooming like a fresh flower, wrapped in nothing but a thin towel that hugged your womanly figure.

It didn’t feel right at all. It didn’t feel good knowing that you were preparing yourself like that, when these things should only happen on the first night after your wedding. It didn’t feel great that you were going to lose your virginity to a man who had not even proposed to you. This wasn’t even your honeymoon, but you had to pretend like it was.

Did Sukuna feel the same?

He wasn’t lying in bed when you walked out of the bathroom. Instead, he had just returned from outside—shirtless, wearing his favorite gray sweatpants, and holding a box of condoms and a tube of lube in his hand. It was clear he had made a quick visit to the convenience store nearby and got the essentials for your first night.

Immediately, he eyed your towel-wrapped body with restrained lust, clearing his throat as he walked towards the nightstand. “You look nice.”

Really? Did he really have to make this more awkward than it already was?

“Thank you,” was all you could softly reply. It was funny how he pretended to be busy placing the box and tube above the bedside table instead of lunging at you like a desperate man. But because you wanted to get this over with, you were the one who approached him from behind, wrapping your arms around his waist, and touching the firmness of his abs. For someone who had zero experience, you were definitely trying hard enough and that should please him. “You have to help me out here, my love. Guide me.”

When Sukuna turned around, your heart started racing. Of excitement? Maybe. Of anxiety? Perhaps. He made it better though when he finally caved in and looked straight into your eyes, tucking a few strands of hair behind your ear before lifting your chin with his hand. “You smell extra nice, too,” he added, leaning close enough that you could feel his warm breath fanning your face.

You were feeling it now. The equal lust. The carnal desire. The feeling of his sweet kisses, which he made true as soon as he crashed his lips onto yours. His kisses usually ranged from tender to rough, but this time, it was an altogether different type of kiss. It was passionate and demonstrative, as if showing you exactly what he had been wanting to do to you the first time you got together. This must be the result of being celibate in over a year. He was clearly a man deprived of sexual pleasure, and you were responsible for it. You actually turned him into a monk.

Now, he wasn’t holding anything back anymore. With his hand on your nape, he deepened the kiss to the point where you could feel his tongue exploring your mouth. You followed whatever he was doing like a good girl, like a very good girl, as he completely devoured your mouth with his. It didn’t take long for him to advance his kisses in other places too, being your jawline his next target, and then your neck as he feathered kisses around the soft flesh, leaving marks that would need a few days to be concealed.

Because his arms were tight around your waist, yours were locked around his neck. Where else should you be putting them? What does the girl usually do in this situation? You tried not to think much of it and listened to your own body while your boyfriend was sucking the skin around your collarbone. At first, your hand traced his toned chest, then it moved southwards to feel his abs, and further down to his…

“Y-You’re hard.” Your eyes widened as you felt his growing erection behind the fabric of his sweatpants. It wasn’t your first time seeing his boner, but it was the first time you touched it with your own hand. It was the first time you had your palm stroking his length, swallowing hard as you realized just how hard and thick he was.

“It wants to be inside you,” he whispered through your mouth, kissing you back again, “so bad, baby.”

Gosh. Your knees felt weak and you two hadn’t even really started yet. How much more when he starts putting that thing of his inside you? You were breathing hard, trying to catch air as your boyfriend continued to lap his tongue with yours, guiding your hand to continue fondling his wood while it grew bigger the more stimulated it got. By letting you touch his hardened crotch together with his own, you realized that you had just unlocked a newfound fetish of yours. “D-Do you… do you think about doing it with me often?”

He bit your lower lip before pulling away, animalistic eyes sending you into an orbit of pleasure. “Do you mean if I touch myself to the thought of you a lot?” he teased, chuckling darkly at the obvious heat on your cheeks. You couldn’t help but feel excited at how vulgar he could be with his words. “I do jack off a lot, angel. And it’s always you in my mind.”

You didn’t even have the time to melt from his words, because before you knew it, he was already peeling the towel off your body to reveal your completely naked figure. Obviously, your first reaction was to get shy—with your heated cheeks, your inability to look him in the eyes, your little efforts in covering your breasts and crotch, but he made sure to pull your hands away while keeping his eyes on you. “…Don’t stare.”

Sukuna, however, didn’t listen. His dark eyes scanned every curve of your body, particularly around your chest area before he sighed and threw his head back. “Fuck,” he cussed under his breath. “You’re so fucking sexy. I can’t believe no other punk has seen you like this.”

Your confidence grew little by little because of his praises. “But isn’t that a good thing?”

“For sure.” He almost laughed at his own words, more so in disbelief, before he reached out to touch your bosom. “No one can touch you like this, either, baby.”

“That’s—”

“Hmm?” Your boyfriend smirked at your reaction. While his other hand went to squeeze your breast, the other traveled to your bum, squeezing the cheek with equal fervor. “Can I have a taste of you, baby?”

He fondled your breasts with both hands now, massaging the rounded mass like they were his property. You had to admit to yourself that the feeling of being touched actually transcended your expectations. Or maybe it was only because of how erotic it was, but you couldn’t deny how turned on you were as his veiny, manly hands cupped your bosom.

And as soon as you nodded and permitted him to ‘taste’ you, he took no time in gently pushing you down the mattress, allowing you to lay at a comfortable position under him and his wanton stare. Taste you? He was more like eating you, when he pinned you against the mattress and sucked the skin on your chest. At first, his tongue rolled along your cleavage, inching closer and closer to your right breast while he had his hand squeezing the left. Your body naturally gravitated towards him as you arched your back so he could have better access to your chest. Not only your chest, but also your crotch as he started grinding his clothed manhood in between your folds.

“Mm…”

Sukuna’s mouth was on your breast now, suckling on your flesh and playing his tongue around your nipple. You couldn’t tell if it was pleasurable or painful because his tongue felt ticklish on your skin, but the suction definitely was an entirely different feeling. Both weren’t bad, anyway. They were just new to you. But even if they were foreign, you were curious and all the more interested, studying every little thing he was doing with your body and trying to make mental notes out of it.

Maybe you should have watched porn. That way, you could have been more aware of the step-by-step process of having sex. Who knew there were steps to follow at all? You didn’t think that foreplay could draw this much delay in your session because all you thought was that he was going to insert his cock straight inside you as soon as he saw you naked.

With all the touching, fondling, and kissing… what were you supposed to do? He was doing all the work here.

“Baby,” you spoke softly, staring at the ceiling, “C-Can I… touch you?”

Instead of pulling away, his mouth latched onto your left boob, giving it the same attention before moving south. “Not yet.”

When he said that, you didn’t expect his hand to land on your crotch. Your heart was thumping at an irregular rhythm as you felt his fingers moving in circles around your bud, playing with your clit before spreading your folds apart. “Nghh—!” you let out an embarrassingly loud moan, eyes widening at the sound of your voice, but your boyfriend shushed you by placing a peck on your lips before spreading your legs into a V.

“You’re so wet,” he said, pointing out the obvious as he positioned himself in between your legs, spreading your labia to reveal your entrance. Something about the situation made you increasingly self-conscious, but his undeniably hungry gaze kept you from covering your most sensitive area. It seemed like he was enjoying the sight of your pussy, especially with how wet and ‘untouched’ it was. “Your pussy’s so pretty, baby,” he mumbled, lowering his face closer to the area, “Can’t wait to put my dick inside it.”

You whimpered at the feeling of his tongue in between your folds. No, you couldn’t even think straight after he started teasing your vagina, alternating between flicking his tongue around your bud to french kissing your entrance. His tongue was so deep in your cavern that you were raising your hips involuntarily, going insane from the pleasure it sent your body. Your hands even gripped the sheets and your back arched into a C as you held back from moaning like a wild animal. At some point, the slurping sounds and the feeling of his mouth kissing your vagina had your legs shaking.

Though, you could ask yourself: what turned you on the most? Was it him actually eating your pussy or just the idea of him doing it?

And just when you thought he was done, he replaced his mouth by inserting a finger inside your cunt, garnering a much louder whimper out of you. “B-Baby!”

“Does it hurt?” he asked, eyes locked with yours as he slowly moved his middle finger in and out. “It’s so tight.”

“It hurts…” You nodded, feeling his finger moving in circles inside your cunt as though he was trying to get a feel of your walls, measuring the tightness and such.

He kissed you for a good minute. “Relax, angel. Don’t clench too much.”

Clench? You didn’t even know you were doing such a thing. “How to…?”

“Just relax.” Sukuna placed a hand on your abdomen, pressing it down while he was inserting yet another finger inside of you. “This’ll help you prepare so it won’t hurt as much later.”

Now, you were goddamn nervous. What did he mean it wouldn’t hurt as much? Because you were overthinking the pain of having him his actual cock inside of you. If you couldn’t even bear having his two fingers inside you, how much more with his clearly thick shaft? It was ridiculous to feel both anxious and yet aroused at the same time. Anxious, because you knew he could rip you open. Aroused, because his fingers were currently doing a great job at hitting your most sensitive spot. Whatever it was that he was reaching, it was certainly sending waves of ecstasy throughout your body.

His fingers continued to move. In. Out. In. Out. In. Out. Around. When he pulled his digits out, he sucked the juices on them, tasting every drip of your essence from his fingers. “Sweet.”

Were you? You started to get curious at how he tasted, too. Sweet? Salty? Bitter? You seemed to be moving on autopilot when you pulled yourself up and sat in bed on your knees. “Your turn?”

You asked the question as if you knew what you were doing, which was why Sukuna found it adorable and humorous at the same time. He did help you pull down the sweatpants that had been covering his erection for what felt like eternity, only to reveal a monstrous size that sprung out of the garment.

Holy fuck was all you could say.

He stood at the edge of the bed, a devilish smirk displayed on his saintly face as he saw the length of his cock compared to your face. You obviously hadn’t seen many cocks in your lifetime to be able to compare his size, but in your eyes, he was definitely big. He was girthy. He was lengthy. He was veiny. Meaty.

“Wanna suck it for me, baby?” he encouraged, pumping his shaft while looking at you. Fuck. “Open your mouth.”

You did as told, wrapping a hand at the base of his length while placing his tip on your mouth. You pressed your tongue flat on the surface of his tip, rolling your tongue around the head as if it were a lollipop. Was that what you were supposed to do?

“Eyes on me.” His voice deepened an octave. And it was also raspier.

Why did he want you to look up at him? It was already embarrassing.

“I said, eyes on me, angel.” He grabbed your chin and forced you to lock eyes with his darkened ones. Damn. No wonder girls were desperate to see him in his shop every single day. This was probably what they had been daydreaming about. “Suck my cock.”

In your head, you became a slut. In reality, you were still a shy, inexperienced virgin who didn’t know what to do. You relied on his instructions and looked at his expressions to know if you were doing a good job and to see what he liked and didn’t like. He definitely liked it when you sucked the head, liked it even more when you started to let him go deeper in your mouth, and surely liked it a hell lot better when you gagged after his cock hit the back of your throat. But in spite of the string of saliva that left your mouth after gagging from his cock, his arousal only grew harder, this time holding your hair in his fist as he began thrusting his hip forward. You were bobbing your head at a rhythm that satisfied him, feeling the stretch on your scalp as he tightened his grip on your hair.

“Tighten your mouth around it,” he instructed, fucking your mouth senselessly like hitting your throat was driving him nuts. Your eyes were already filling up with tears because of your urge to gag again, but you didn’t think it would be a good idea to stop now while he was just starting to pleasure himself.

This was the first time in your life to give someone a blowjob, and you weren’t sure what to make of that experience. It personally didn’t give you pleasure, but you liked hearing his desperate moans. You liked hearing him curse and get vulgar with his words. You liked seeing him get rough. His taste, on the other hand, was somewhat a different experience. Since you were only sucking his flesh, it was a tad bit salty at first contact but didn’t taste anything much after tongue got used to the skin around his shaft. Perhaps his cum would have a stronger flavor, though it looked like he had no plans in releasing his load into your mouth as he pulled his member out.

“Fuck it,” he grunted, gently pushing you back and spreading your legs wide open again, “I wanna feel your pussy so bad. Can I fuck you raw, babe?”

All those condoms, and he wanted to have you raw?

“But… I don’t wanna get pregnant.”

His face was full of assurance, shaking his head and denying any chance of knocking you up. “You won’t be. I’ll pull out, I just… I have to feel you raw the first time. I have to.”

“Okay…”

You were nervous as hell. You had butterflies in your stomach, your heart pounding in your chest like a drumbeat you couldn’t silence. You had imagined this moment countless times, but now that it was here, the reality of it was too overwhelming. Your mind yet again raced with a whirlwind of doubts and insecurities, and every nerve on your body seemed to be on high alert while you watched him getting occupied with rubbing his entire length with lube, ensuring a smooth entrance inside you.

He was nervous too, right? You couldn’t be the only one. You couldn’t be.

You just wanted everything to be perfect. To show him how much you cared. To feel that you were enough. But the thought was paralyzing. Tonight was more than just physical intimacy; it was a step forward in your relationship, a moment of connection you wanted so badly to cherish. This first intimate encounter should be filled with love, respect, and mutual understanding.

But what if after this, he’d come to realize that you weren’t the one? What if he’d get disappointed and tell you that you weren’t worth it? What if he’d leave you for someone else who could pleasure him better? What if, after you had given yourself to him, no one else would ever appreciate you anymore?

You wanted this, didn’t you? You wanted to feel the heat of his touch, the intensity of his gaze, the intimacy of your connection. You wanted to explore this uncharted territory with him, to dive headfirst into the unknown and discover what lay on the other side. But were you really ready for this? Did you truly want this? Would it be everything you had imagined, or would you regret losing your virginity to him?

The fear of inadequacy gnawed at your confidence as Sukuna positioned himself back in between you, his tip rubbing at your slit a couple times before he finally sunk it into your entrance.

“Haaa—!”

“Shh. It’s okay, it’s gonna be okay.”

“N-No, I—!”

It felt like your walls were being stretched so painfully, like your flesh was being torn open in the most agonizing way. This was not the kind of pain you pictured out when he put his member inside. Sukuna even tried to grab hold of your hips to keep you steady, but you were withdrawing your hips back, wanting nothing but for him to remove his cock.

“It hurts… It hurts… please, stop. Please!”

“Baby, I’m trying to be gentle—”

“I SAID STOP!”

Both of your eyes widened at the same time, and that was the only time you two were ever in sync. He was clearly shocked by your outburst, while you yourself were surprised at how you raised your voice at him. Neither of you expected that situation. As a result, he did pull away and completely withdrew himself from you.

Frustration was evident on his visage and he couldn’t even hide it anymore. “Fuck this,” he spat in exasperation, taking a deep breath as he reached to slip his sweatpants back on. “I knew it.”

“No, I…” You swallowed. “It just… You kinda forced it, I wasn’t ready.”

“I forced it, really? I forced you?” His laugh was out of complete disbelief. “I never forced you into anything, angel. I’ve asked you since the beginning if this is really what you want.” He took a pause, a very uncomfortable one, before he went on murmuring, “It was just my tip and you’re overreacting like this. I’m not even halfway in.”

His agitation had finally awakened you to your senses, realizing that you did end up doing what you were scared of doing. You ruined the moment. You were so caught up in your bubble of negative thoughts that you had once again failed to fulfill what you were supposed to do. No wonder he was aggravated, now sitting away from you and wearing his clothes as if telling you that he was done. Done being blue balled by his own girlfriend. Done expecting something he was never really bound to have.

You reached out to touch his arm. “Baby, I’m sorry… I just got scared, but we can still—”

“Still do it?” he continued your sentence by ironically cutting you off, “No, the fuck, I won’t. I’m not in the mood anymore.”

His reaction brought tears to your eyes, because the way he was acting stung your fragile heart. You didn’t mean to ruin anything. More importantly, you didn’t wish for everything to just turn out like this. “I-I’m sorry. Let me try again, please.”

The weakness of your voice seemed to have softened him, becoming calmer and more composed after a few minutes of contemplation, but he still held his ground when he massaged his temple and sighed. “Let’s just not push it, Y/N.” He looked at your eyes, with hurt and rejection reflecting on them. “Even if you say you wanna do it, you think I can’t see it in your face that you’re not really into it? You’re never ready for me and maybe it’s my fault, maybe there’s something about me that you’re so scared of. Maybe it’s because you don’t feel secure with me, maybe you wanna save yourself for someone better, someone who can give you a brighter future—”

“That’s not true!” You shook your head desperately, your eyes blurring from the pool of tears while you clung to his arm. Where was all this coming from? It sounded like he had been harboring those feelings for so long. “That’s not true. What are you even saying?”

“I don’t even know what I’m saying. I’m just…” Trying to give a reason why you won’t give it to me. That must be what he had wanted to say. “Look, I don’t wanna pressure you into this bullshit anymore. I don’t wanna make it look like I’m begging for your affection like this. Intimacy should happen normally for couples, and if we can’t have that, then we can’t. That’s it.”

Why did he sound like he was giving up?

You tried to keep your emotions at bay while listening to him battling with his internal thoughts. “I understand I disappointed you tonight, but…”

He was adamant at shaking his head, distancing himself from you by getting up from the bed. “No, you got nothin’ to apologize for. It’s your body and your choice. I’d never force you into anything.”

Then… then…

“I just think it’s not the perfect time,” he continued, shooting you a glance before looking away. Each step he took added another crack on your fragile heart. “From now on, I’m never gonna initiate anything intimate nor will I expect anything from you, aight? I’m over it.”

Alone in your vulnerability, you could feel the cold air hugging your naked body as you watched him walk towards the door, leaving you in the dark both literally and figuratively. “Where a-are you going? Come on… Please.”

He no longer cared to turn around. He no longer bothered to comfort you as he walked away, muttering, “Just gonna go for a ride. Don’t wait on me.”

— —

Nearly three weeks had passed since that night and you would be lying if you said everything was okay.

No, everything was not okay. You could feel the distance growing each day even when you two still did everything together. Your normal routines didn’t feel normal anymore because he was acting too detached ever since he told you that he wouldn’t initiate anything intimate ever again. And to be honest? It hurt. A whole fucking lot. Hearing your partner say that they would never wish to do anything intimate with you was probably the worst way to experience heartbreak. Because he was truthful with it, and he showed it very openly.

Now, he’d lock the door whenever he would take showers. He’d spent most of his time outside riding his bike until midnight. He stopped texting you sweet messages while on tattoo shop duty. He seldomly joined you to eat breakfast and dinner together. His back would face you whenever you two slept in bed. His eyes avoided you even when you walked around in underwear. His hand wouldn’t touch you even when you were centimeters close to him. There were no kisses exchanged either, unless obliged to do so when leaving the house. No hugs. No hair-stroking, hand-holding sweetness ever shared. You were simply cohabiting in your shared apartment like strangers who had barely even said I love you’s.

“Man, that’s rough,” remarked Suguru Getou, your cousin and the barista, as he tidied up the counter behind the elevated bar. Having just served his friend an Americano, he listened intently as you vented about your situation with Sukuna. “I’ll be honest with you, Y/N. It’s not looking good for you.”

You knew that. You just refused to acknowledge it. “I mean, all couples fight.”

Suguru shook his head, however. “You two aren’t even fighting. Dude just gave up and started detaching himself from you. If that’s not a sign already, then I don’t know what is.”

“What sign?” you asked, hiding the obvious worry in your voice. You need not be dense about his words, but you wanted to have some kind of hope to grasp on.

“Sign that he’s falling out of love?” he continued.

And somehow, his white-haired friend thought it would be okay to chime in. “More like a sign that the tool's not interested anymore and is about to dump her.”

Your face felt hot and in the most terrible way. “Sorry, what was your name again?” you asked, your tone dripping with sarcasm. You hadn’t expected the guy to suddenly chime in, considering he had been quietly typing on his laptop just moments before. “I don’t remember asking for your opinion, so don’t go listening to somebody else’s business when you’re not part of the conversation.”

“Jeez,” said the albino guy, grinning at your cousin as if amused by your barrage of a response. “She’s a yapper, too. I thought she was supposed to be this sweet and innocent type, Suguru?”

“Not always.” Suguru chuckled at his friend before turning to you, apologetic eyes now attempting to soothe your nerves. “Sorry ‘bout that, Y/N. Satoru just likes to tease people. Don’t mind him.”

You kept a straight face. “Well, then maybe tell your friend to keep his nose out of conversations he’s not invited to.”

“Yes, ma’am.” Satoru gave you a playful salute before extending his hand towards you. “Look, I didn’t mean to overhear, but I actually sympathize with you. If it were me, I’d never do that to you, baby.”

Oh, God. You were so bad at this. Was he flirting with you or was he simply playful like this?

Nevertheless, you rolled your eyes and ignored the hand he offered, essentially brushing off his advances. “I don’t need sympathy. All I’m here for is to talk to my cousin to try and have his advice on the matter,” you emphasized pointedly, making it clear to Satoru that he was the last person you wanted advice from. “I don’t need a stranger listening to my personal life.”

“Doesn’t hurt to receive advice from another guy,” countered Satoru, shrugging. “Right, Suguru? I mean, we’re both guys. We can give you some insight into how men think.”

You felt the urge to bury your face in your hands. It was clearly a mistake going there and putting yourself in that situation, and now having two guys aware of your sex life with your boyfriend. That alone was so wrong on many levels. But could it be helped? Suguru was your closest cousin, the only one who didn’t turn his back on you after you left your parents’ home. He was working at a cafe three blocks away from your flower shop and you happened to be delivering a batch of fresh floral decorations for their cafe. You obviously found it a good opportunity to open up to him about your struggling relationship and hoped he could offer some male perspective on Sukuna’s behavior. You just hadn’t anticipated his friend eavesdropping on the conversation the entire time.

Well, that should have been expected anyway, since only the three of you were in that cafe on a lazy Wednesday afternoon.

“I don’t kiss and tell, by the way.” Satoru was beaming as he gave you that assurance and you couldn’t help but admit that the man had some charm in him. He was attractive, no doubt about it. He was also tall, toned, and seemingly well off based on the way he dressed. He had a casual yet preppy style, something you would normally see from guys who went to private school.

“Do you work?” you asked out of sheer curiosity. “You don’t seem like the type.”

“Oh, now she’s interested.” Satoru seemed to have found your sudden interest in him humorous. “I’m finishing my MBA, miss. Thank you for asking.”

“He’s a privileged rich kid with generational wealth and a family business,” Suguru remarked, playfully gesturing a cutting motion across his neck. “Definitely not your type, huh, Y/N?”

“Why, what’s her type?” The white-haired man looked intrigued, pulling his stool closer. He had that stupid grin on his face as though the topic just sparked his curiosity. “What’s her boyfriend like?”

Suguru, who wanted to play along, jokingly hummed in deep thought. “He’s got tattoos, likes to tattoo other people, is a college dropout, rides a big bike, smokes and drinks, listens to heavy metal, was probably a delinquent and a juvie alumni—”

“Excuse you, he’s never been in a juvenile detention center,” you defended your man, feeling like your cousin’s categorization of Sukuna was becoming a little too derogatory and you had to correct him for that, “and he’s a good man. He’s sweet and caring, he’s passionate, and he loves me sincerely.”

“Sincerely, not?” Satoru quipped, earning your glare in return. He immediately raised his hands in surrender. “I'm just joking. If you believe he’s all that, that’s your choice. I don’t judge booktok girls who romanticize typical bad boys.”

You rolled your eyes at his audacity. Each word that left his mouth seemed to stoke the flames of your irritation. “You’re so offensive, I’ll have you know that.”

The white-haired guy smugly took a sip from his coffee. “At least I don’t make girls feel guilty for not having sex with me.”

“Oooh.” Suguru was clearly enjoying the show, unaware that you were one step closer from smacking his friend across the face. “Touché. He kinda has a point, Y/N.”

“Be serious,” you warned.

To which he agreed to. “Okay, I am being serious now,” he said, abandoning his playful stance to lean in on a more solemn posture against the counter, “If you think Sukuna makes you feel guilty for not doing it with him, then shouldn’t that speak for the kind of relationship you two have? He wants something you can’t give. His reaction tells you everything you need to know about him.”

You tried to absorb his words with a better understanding and without any bias. “Isn’t his reaction normal? He’s a man, too. I understand his needs and I made him feel somewhat rejected.”

“It’s all about respect, Y/N,” answered Suguru, “If he’s a decent man, he wouldn’t make you feel that way. No mixed signals, no guilt tripping, no nothing. If you can’t do it, then don’t.”

“So, you’re saying you wouldn’t feel the same if your girlfriend keeps rejecting sex with you?”

Suguru smirked. “I never said I’m a decent man, either. All I’m saying is if what you want isn’t exactly aligned to what he wants, then maybe it’s best you break it off with him because this shit won’t get you anywhere, Y/N. Trust me. He’s gonna dump you before you know it. I mean, it’s one thing to pretend he’s all fine with it, and it’s another to distance himself from you like he’s silently protesting.”

“Yeah, that’s true,” Satoru joined in once again. “It’s impossible for a guy like that to be in a relationship for so long and not have any pussy. We think of sex 24/7, some of us are just better at restraining ourselves than others. He’s putting up with it now, but it’s only a matter of time he gets sick and tired of waiting. You do realize he can get any girl he wants, anytime he wants, right?”

Although you were still uncomfortable at Satoru casually chiming in on the conversation, it was true when they said they could give you the exact male perspective you needed to hear. This allowed you to go deeper into Sukuna’s psyche and understand why he was acting that way. You just didn’t know how to save the connection you have with your boyfriend when both your cousin and his friend were describing all the red flags on Sukuna’s behavior.

“I don’t know,” you spoke in a tone of defeat. “I kinda understand where he’s coming from, so I can’t just leave him for it. I love him.”

Satoru looked at your cousin like you couldn’t be saved. “She’s in too deep.”

“Yeah, gaslighted as fuck.” Suguru was shaking his head in disappointment.

The taller man chuckled and brought up a ridiculous offer to lighten the situation up. “Honestly, Y/N. I know we just met and all, but if you ever need someone to teach you how to do good in bed, just hit me up. He’ll never know.”

“Shut up,” you shot back at Satoru, eyes rolling at his remark.

“You’re out here feeling bad for that guy when he could be fucking his clients at the tattoo shop.”

You argued. “No, he’s not—”

“Are you sure he isn’t?”

It wasn’t Suguru nor Satoru who posed that question; it was Yuki Tsukumo, the café’s manager and Suguru's respected senior. She was in a relationship with one of your boyfriend’s stepbrothers, Choso, and was also a fellow biker, which allowed her to cross paths with Sukuna in their community. Despite this connection, she was never particularly close to him. In fact, Yuki didn’t personally get along with Sukuna and she was very vocal about it. She was, however, a regular client of yours and ordered floral arrangements from your shop on a weekly basis.

It had been awhile since you last saw her, and didn’t expect that the first greeting you would give her was a question. “Yuki, what do you mean?”

Great. Now, three people know about your relationship quagmires.

She was placing her helmet at the counter and sitting on a stool before answering you, “I really think you should talk to him about it, Y/N.”

No, no. Why did you suddenly feel a pang of anxiety out of nowhere? Something about the sympathy in Yuki’s eyes felt unsettling, and it sent a wave of fear through you. She definitely knew something. What was Sukuna doing behind your back?

“Can you please just tell me?”

Her gaze studied your face intently, as if deliberating on the right thing to do. “Well... I spotted him riding with a girl the other night. Initially, I thought it might be you, but last night, I saw them together again. I recognized her... because it was his ex. I think he’s been giving her rides home lately.”

Amidst the quiet of the room, your heart felt like it was breaking in two. The sudden revelation sent you into an abyss of pain.

“You might wanna visit his tattoo shop later.” Yuki encouraged me with a comforting smile. “It may be best to confront him about it.”

— —

Sukuna wasn’t sure how to act around you anymore. It wasn’t like he was purposely avoiding you, but he just didn’t feel comfortable acting like everything was fine and dandy. Because if he was damn honest, the sexual frustration was fucking with his head. So much so to the point where he started questioning himself if he should still put up with a relationship like this.

First of all, there were pros and cons involved. He had to consider that it was a special connection filled with special memories, too.

If he was talking about the pros, he knew he would have a loving lifetime partner with you. You were beautiful, kind, and pure. You inspired him and motivated him to be better. You were unmaterialistic and happy with the littlest things. You gave his dominant side the urge to be a better man, like he was made to protect and provide for you. You became his muse; a blank canvas that was all for him to paint on. A canvas that no one had ever touched. Or, in your world, a white lily that was associated with chastity and virtue.

But then, there were also cons, and the foremost of it being you were too conservative for your own good. You grew up in a strict environment with uptight parents who wanted to control your life. He could never voice it out, but he really hated that you were square like your parents sometimes. You were too traditional and afraid to explore new experiences, oftentimes policing him for living his life as free as he wanted it to be. The ‘opposites attract’ thing did seem to work in your relationship at first, with your differences being exciting for each other, but as time went by, it became clearer to him that you two were too different to actually be in sync together.

Hence why your relationship became rigid and suffocating, forcing him to take a breather by distancing himself from you for some time. He did this for your benefit, because he had to clear his head before risking losing you for good. He didn’t want to jeopardize a relationship that he knew meant the world to him. Perhaps this was just a phase, a challenging period following the honeymoon phase, where all your differences seemed to become more pronounced.

But to repeatedly make him look forward to sharing intimacy with you, only for you to back out at the very last minute? Man, was that so frustrating.

It didn’t help that it was destiny itself that seemed to be stirring the pot. Because while you two were going through a rough time in your relationship, the irony presented itself outside of Sukuna’s tattoo shop late at night just as he was about to close.

“Ryo?” A tall woman with athletic build, long dark hair, and beautiful doe eyes came into view with a wide smile on her face.

His ex-girlfriend of three years.

Sukuna held the door for her albeit the confusion in his eyes. “Yorozu?”

The only difference he noticed was that she had become a lot sexier, with the curves on her body more womanly than ever. It was obvious that she was active in the gym to achieve such a fit physique. But other than that, her facial features were the same. Her heart eyes still shone bright at the mere sight of him, as if they carried stars and galaxies.

“I think I came too late,” said Yorozu, smiling in disappointment, “I should probably just return tomorrow.”

“No, you’re good.” Sukuna insisted on letting her enter his shop, closing the door as soon as she was inside. “What brought you here?”

She stood confidently in front him, wearing nothing but a blank tank top and some loose white pants. “Funny story ‘cause I actually just moved to this city recently and I just found out you had a shop in this area.”

Oh? That was interesting, indeed. Sukuna wondered how she even found his shop in that case, while he was leading her to the tattoo chair. “Are you here to get a tattoo or?”

“Yeah, yeah I am.” She was sprinkling some charm in her grin. He knew her too well. “I think it’s amazing that I’m gonna get it from you again.”

While Yorozu was talking to him, he couldn’t help but ask: was it wrong for him to be in the same vicinity as his ex? Considering how jealous you could get, this was definitely wrong in your eyes. But as he wasn’t doing anything sketchy, he figured there was nothing wrong about what he was doing. Yorozu was technically a client and he couldn’t deny her his services since she was basically a friend of his, too. So, was he breaking any code here?

“Well, only if you have time now, of course,” she added out of consideration, “It’s kinda late so I can always come back.”

Sukuna shook his head and headed to get his book of tattoo art samples. “It’s fine. I got clients lined up all day tomorrow, so,” he said, placing the book on her lap, “You wanna check that or do you have a design in mind already?”

Yorozu’s eyes fell on the tattoos marking Sukuna’s body, her gaze landing on every familiar inch as though she had seen them all the time before. It was true. She had seen more of him, actually. She had done more with his body, too. “I kinda wanna get a sleeve, but I want you to choose the design for me.”

A tattoo sleeve? Damn. It was something he would never in a million years see from you, but for Yorozu, it was totally normal. She was as obsessed with ink as he was. And although she’s had a couple of tattoos in her body already, which were done by him, it would be her first time to get a full sleeve.

“I get to choose, really?” Sukuna chuckled lightly. If he were to think of Yorozu’s traits, she was definitely a classic red rose. A seductress, alluring woman was how he saw her and the said flower would be a true-to-life representation of her personality. She was passionate when it came to loving someone, and was completely devoted to him back when they were together. The only reason they broke up was because they were too similar, as if she was his counterpart, and he saw fit to leave a relationship where they both constantly battled for dominance. Yorozu could get too aggressive on loving someone and he didn’t particularly like that. He made her understand why they weren’t working as a couple, and it took her some time, but she eventually accepted his decision. Now, you could say, they were somehow on good terms. “Alright, I’ll do your sleeve, but I’ll keep the design as a surprise.”

Her eyes sparkled in excitement at the thought. “I’d love that!”

“Since you want a sleeve, we’re gonna do some stencil application today.” Sukuna didn’t waste any more time in getting ready with his equipment, biting on the glove while wearing the other on his hand. “It’ll take fifteen to twenty hours to complete a sleeve, and each session could last two to six hours depending on your pain tolerance. My schedule’s actually full all day until next week, but you can come around the same time every night so I can finish yours.”

“Yeah, I’m absolutely fine with that,” she enthused. For some reason, Yorozu was happy with the idea. The idea of coming to visit Sukuna every night in his shop. The idea that they get to be alone. The idea that they would be able to reconnect just like old times. Those were the things that Sukuna assumed was going through her head.

And as he did start with his ‘client’, it was probably best to admit that the sexual tension was high. The room felt stuffy as the both of them remained there until midnight, with her sitting on the tattoo chair, and him doing her tattoo to her left. His eyes were intently focused on the intricate patterns he was doing on her arm, but also couldn’t avoid seeing the contours of her breasts since she was wearing such a thin tank top. It wasn’t like he hadn’t seen them before. He’d seen every part of her body from her neck down to her toes. He’d put her in every position from missionary to doggy. Goddamn, he could even remember how warm she felt around his cock. Didn’t she like it when he came inside her? Or when he made her swallow every drop of his seed?

Sukuna cleared his throat, shaking his vulgar thoughts away as he continued with Yorozu’s arm. He may not be cheating, but thinking back on those intimate experiences with someone else other than his girlfriend was definitely not morally right either. But what sexual experience could he reminisce about with you? That ridiculously embarrassing night you two had shouldn’t even be counted since he was trying so hard to forget about it.

He cleared his throat. Again. For the third time. “What, uh, what’ve you been up to?”

Yorozu, who had no clue about his thoughts, turned her face to look at him happily. “Not much, actually. The bar I worked at closed down, but I got myself a new job in this club as a full time hostess and part-time promoter. You should come by. Drinks on me.”

By not exactly accepting or refusing, Sukuna decided to just smile it off. “That’s why you moved to this city?”

“Yeah, I mean… obviously, the rent here is higher, but it’s closer to my job. I get paid decently, too.”

“That’s nice.” He was just trying to make small talk at this point. “Do you know your way ‘round here? How are you gonna get home?”

She considered her options. “Probably a bus or something?”

Sukuna paused, contemplating the situation. “There's no bus here at midnight,” he remarked, concerned for the girl who would have to navigate her way home alone at such a late hour. She was new to the area and clearly still adjusting to the commuter lifestyle. Unlike her, he had a vehicle that could safely transport her home. There would be no harm in offering, right? “Look, I have a bike and I usually take midnight rides, anyway. I can drop you off on my way home.”

“Really?” Her voice echoed excitement in them. “I’d appreciate it, Ryo. Thanks so much.”

Life was ironic, truly. He didn’t see this situation coming because he never expected that he would even come across Yorozu ever again. They didn’t have any contact prior, but he still saw her on social media whenever he (on very rare occasions) decided to check his accounts. He never had her blocked, either, which was why you knew about Yorozu after snooping through his phone and reading through some of his old messages with her. Sukuna used to tell you not to worry about her, and that she was just his ex, and that she had nothing on you—which were all true, of course, but it was funny to him now that the woman his girlfriend was most threatened by was back in his life.

And she was riding at the backseat of his motorbike, her arms latching at nothing else but around his torso. She was seated at the seat reserved for you, wearing the helmet that was bought for you, and holding onto a man that was rightfully yours. It all didn’t feel right.

But because Yorozu delighted in his habit of speeding on the highway, he had somehow forgotten about the guilt that was forming in his heart.

“You still have your ex’s Instagram?” Your questioning eyes met his defensive ones as he joined you in the living room, finding his space on the couch next to you. “I read your dms. Why haven’t you blocked her?”

Sukuna’s breath remained steady. “Only toxic people do that shit.”

“But I’m not comfortable with it!” you nagged, letting him snatch his phone from your grasp.

“Do you see me talking to her still?” he asked, trying to be as patient as he could be, “Baby, I don’t even talk to her. I don’t think she’s active there, either.”

You crossed your arms. “Then, block her?”

“You’re being ridiculous.”

“I’m being fair. You shouldn’t be keeping tabs with an ex.”

“What are you—” Sukuna decided to cut his own sentence after realizing that the argument was plain stupid. “You know what, I’ll just delete my insta.”

“How many times do you two do it?” you asked out of nowhere, sitting at the waiting area while he was closing his shop. “Your ex. How often do you have sex with her?”

What kind of trap were you setting now? If he told you an honest answer, you would get mad. If he lied or even sugar coated it, you would also get mad.

“Does it matter? Why do you keep asking questions about her and then get upset with me?” Sukuna’s frustration resonated in his sigh as he tidied the space where he tattooed his client a few minutes ago. “She’s an ex for a reason, so get over it.”

He was starting to get annoyed by your never-ending questions about his past experiences, but he knew you were simply coming from a place of no experience. You probably wanted to know what he liked in bed, what pleased him the most, what kept him from wanting more. Was that too much? No. Were you overdoing this entire thing? A little bit.

“Why are you defensive?” you asked softly, still sitting on the couch as you watched him avoid your eyes. “You make me feel so insecure every time.”

He scoffed, shaking his head as he turned around. “I don’t know, baby. If you’re feeling insecure, then do something about it.”

“Thanks so much for the ride, Ryo.”

Yorozu stood by her door, returning the helmet back to him while she kept her eyes locked on his. Her gaze was inviting, tempting him to give in and submit to his carnal desires. Any man would read her intentions the same way; Yorozu stared at him like that because she wanted to invite him to her place. She wanted him to spend the night and do unforgivable things. To remember the passionate exchange they once shared.

But Sukuna wasn’t like that. No, he wasn’t a cheater. “I, uh, gotta get going.”

“Oh…” Disappointment clouded Yorozu’s face. “Okay, then.”

“See you tomorrow?”

“...Alright.”

“Okay.”

“Wait!” Yorozu pulled his arm just as he was heading back to his motorbike. The sudden closeness in their proximity made his heart race fast. He knew what was coming. “I missed you, Ryo.”

He knew what she was about to do next.

And holy fuck did he guess right, as he was taken aback when Yorozu suddenly leaned in to press her lips onto his. Her soft, cherry lips moved desperately to taste his sweet kisses.

But he didn’t return it. Instead, he immediately pushed her away. “Yorozu,” he spoke softly, “I have a girlfriend.”

“You do?” She didn’t need to hide it. He could see the heartbreak on her face.

“Yeah,” Sukuna confirmed, maintaining a more appropriate distance now. “We’ve been together for some time, and I live with her.”

Yorozu tried to maintain her facade of indifference, making it appear as though she was unfazed by his revelation. “That’s... That’s cool,” she said, “I’m sorry for, uh, the kiss.”

Sukuna nodded, “It’s fine. I should’ve told you sooner.”

“You’re alright,” she reassured him, “It's totally my fault. I hope she won’t be upset with you or something.”

Sukuna had no plans to tell you, knowing well the additional turmoil it would bring to your already strained relationship. However, he realized the importance of clarity in his intentions and the need to set boundaries. “We’re just friends. We’ll keep things civil. I’ll finish your tattoo in a couple more sessions, and then we’re done. Sounds fair?”

Yorozu nodded her head with a reluctant smile. “Fair enough.”

— —

5 more days. Her sleeve required five more sessions, and days went by too fast for him to count. He had busied himself with his clients, while you had busied yourself with yours. He couldn’t even spend time with you because his shop took a chunk of his time from him, and even at home, things had become too awkward ever since your unspoken night.

So, in some ways, Yorozu became his routine. She visited his shop for the past four nights and he had taken her home afterwards. She was in absolute love with her rose sleeve and they weren’t even complete yet. He still owed her one last session and told himself that it should also be the last time she should be around him. It wasn’t right and he didn’t want to create another source of argument with you.

And in truth, he certainly felt a little guilty for spending more time with his ex than his own girlfriend. But did he purposely do it? No, it was fate that brought her to his door about a week ago.

In spite of his stubbornness to admit his wrongdoing, he still ended up stopping by the flower market to get you a nice bouquet of white lilies. He knew you could make a prettier bouquet than that, but he thought it would be a perfect opportunity to surprise you with flowers that didn’t exactly come from you. Besides, he had some making up to do.

Later that night, when he returned to your shared home, he found you sitting at the couch seemingly waiting for him to come home. The lights were dimmed and the television was turned off. For some reason, you were wearing outside clothes and had a somber expression on your face, too. That alone caused the loud thumping of his heart.

“Hey,” he greeted, nonetheless, sitting next to you on the couch and kissing your cheek. “Everything okay, baby?”

Your eyes carried sadness in them as you looked at him and searched for answers you couldn’t find. “Where were you?”

Sukuna handed the bouquet over. “Got you flowers.”

You didn’t accept them. Instead, every second seemed to torture you. “Where were you before that?”

“In the shop…?” He didn’t know where to start, but he was definitely scared. “Why? Sorry I’ve been busy lately. I’ll make it up to you, angel.”

“You close your shop at nine,” you pointed out, voice breaking in the middle of your sentence. “Why do you always come home at two in the morning?”

Fuck. Fuck! What should he say? Should he make an excuse for it? Should he say he’d been checking on Yuuji after his shifts? Should he say he’d been riding to other cities to clear his mind? He didn’t fucking know what to say, especially not when you were clearly on the verge of bursting out.

“Answer me!” you cried, finally releasing the bottle out in the open. The tears that welled in your eyes now streamed ceaselessly down your face. “You’re an asshole. I-I hate you! I fucking… you think I don’t know? You think I’m too stupid to know?!”

Sukuna calmly received the fists you had swung on his chest as he tried to grab ahold of your arms. “Baby, I’ll explain everything.”

“No, damn y-you!” The tremor in your voice squeezed his heart in the most painful way because he hated seeing you breaking down in front of him and over him. This wasn’t the first time he had made you cry, but this was the first time he had seen you actually sob like this. “I-I gave myself to you! I left my p-parents for you! And this is what you do to me? You’re cheating on me with your ex?!”

He was desperate to hold you, hug you, cage you in his arms. He wanted to take your pain away. Wipe your tears away. However, you didn’t allow him to touch even a strand on your hair as you kept on pushing him off. Sukuna felt like he was going to lose his mind. “Baby, listen to me please. It’s really not what you think—”

“I don’t care!” you spat, moving away to wipe the tears off your face. “I don’t fucking care! You sleeping with her or not doesn’t change a thing. Don’t you get it? I’ll never be enough for you!” Despite your loud voice, the cracks in her facade only revealed your longing for validation and acceptance, etching into every tear-stained moment you two had shared over the course of your relationship. He watched you, paralyzed by the sight of you breaking down, as you grabbed a luggage you had been hiding behind the couch as if you were ready to leave. “I’ll never be the person you want me to be and staying with you will always remind me of it!”

“No, no, no… Let’s talk.” Sukuna had to suppress his own tears while he tried to reach out for you. “Baby, please. I don’t feel anything for her, or anyone. It’s just you. You are enough for me, baby. I’m sorry, please.”

You, on the other hand, were adamant at your decision. “I can’t stand what you’re doing to me anymore. I don’t like how you make me feel about myself. I hate how you make me question my own choices!” Tears continued to flow, and your voice wavered, transitioning from anger to a more subdued, pained tone. “I hate… I hate that I love you so much, that I lost all my backbone just to make you happy.”

“You don’t need to.” He was feeling more and more miserable now, his heart sore from all the emotions he had seen from you. “Y/N, you don’t need to. I’m sorry, I love you. I love you so fucking much.”

…

“It’s over, Sukuna,” were the last words he could recall hearing before passing out drunk in his bed that afternoon. “We’re done.”

— —

It was your first heartbreak. Your first actual relationship. Your first everything. Surely, people shouldn’t expect you to move on easily, especially not when the subject of your heartache worked across the street from you.

You were a mess. You had cried enough tears after you moved out of his apartment that night, screamed your heart out as you suffered from the pain of loneliness once more. You couldn’t even bear the thought of returning to your parents and hearing them say they told you so, because loving Sukuna was a choice you thought was good for you.

In the end, he was just a poison without any antidote. A toxin without remedy. The most effective solution was to sever all ties to prevent further contamination.

But strangely enough, you hadn’t seen him in his shop ever since that night, either. The tattoo parlor remained closed for more than two weeks without any notice. While a small part of you worried for him, a bigger part of you cared for yourself. He no longer held any importance to your life, and you should let it remain that way.

What you should focus on, instead, was living your life without any trace of him. A life of independence, away from the toxicity of a manipulative man who constantly made you doubt yourself and what you offered. As they say, you have to learn to love yourself first before you can fully learn to love others.

And in your journey of knowing the truth of that saying, a certain white-haired man entered your floral shop on a somber Friday afternoon just as you were arranging preordered bouquets for multiple customers to pick up.

“Hey,” you greeted the man, surprised at his sudden appearance at your shop.

Satoru grinned as he approached you closer. “I’m here to pick up two bouquets.”

“Oh, it was your order?” Your eyes widened. Silly you. Of course, Suguru would order on his friend’s behalf. He wouldn’t even get his girlfriend some flowers, let alone his mother. So this being Satoru’s order made much more sense. “Okay, you got a bouquet of blush peonies and another bouquet of pink tulips, am I correct?”

He smiled handsomely, displaying his set of perfect white teeth while listening to you talk. “Correct.”

“For your mom?” you asked before you made your way to pick up the bouquets, handing them to him carefully.

His response came with a soft, affirmative hum. “Mhm. One for her,” he said, taking only the bouquet of tulips, “The other is for you.”

Oh, no, no, definitely no. You had seen this before and it didn’t go well.

“That’s lovely, but…” You offered a smile. “I’m not taking those peonies.”

Satoru acted innocent, his vibrant blue eyes coruscating under the ambient lights. “But it’s mother’s day.”

You playfully shook your head. “I’m not even a mother.”

“Yes, you are,” he went on teasing, “the mother of my future kids. I like to think in advance, you know.”

Honestly? This man started off with a bad impression on you, but he wasn’t actually so bad. He was an easygoing, happy-go-lucky person who carried positive energy around him. That, and he was decent, too. He was the type of guy your parents would have surely approved of. He was a degree holder like you, even pursuing graduate studies to run a business that was already generating an income that you could only imagine of getting. He was set for life with no uncertainty with what he wanted for his future.

“Satoru?”

He met your gaze. “Yeah?”

“About your offer last time,” you recalled, recalling his earlier jest about teaching you some things in bed, “I think I'd like to take you up on that.”

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