#its literally like the last episode that the character is revealed to be trans and now i want to analyze every little thing about the show | Explore Tumblr posts and blogs

miraculouscontent · 3 years ago

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Didn’t Need Burrow (May 30th-July 5th)

Anonymous asked:

Don't Need a Burrow: Narrative basically ret-cons bad behavior of someone who isn't Marinette.

Oh yay! Alya V2!

Anonymous asked:

Don't Need Burrow to know that Mouse!Mylene will be called Multimouse.

I read somewhere that her name will be Polymouse but the source was broken.

Please be a mistake back when we saw the hero names and Mylene didn’t get her own name.

I’d also like to add a bonus that either Mylene gets named that without her consent (like someone calls her that), or Mylene names herself that without any knowledge of Multimouse!Marinette at all.

Anonymous asked:

Didn't need burrow: Assuming Luka×Zoe actually happens, there will be no build up whatsoever. In one episode, they just happen to get trapped together somewhere, talk for like ten seconds and start dating immediately afterwards. Basically the same as Alya×Nino bc none of the ships in this show (other than Lukanette and Adrigami) had any sort of meaningful developement before happening

A relationship beyond the love square getting development??? That’s cute.

Anonymous asked:

Didn't need burrow: Nino is gonna realize that Alya has the fox miraculous full time now and because of that he's gonna get pissy and so somehow Alya will be outta commission and Nino will be there so Marinette will give him a miraculous, Alya will probably say something encouraging about Nino, and then HE'LL get a full time miraculous to.

The only reason I don’t feel like this won’t happen is that it doesn’t direct anywhere near as much blame onto Marinette.

Anonymous asked:

Don't need burrow to know Chat will get angry at Ladybug and maybe Rena because Rena is now a permanent hero and he'll spend the day being a dick, but he'll be forced to work with Rena and realize things are good, but he'll only apologize to Rena.

Ladybug is just used to being chopped liver I assume.

Anonymous asked:

Don't Need a Burrow: Adrigami is restored, while Lukanette isn't.

Marinette will be too busy being forced by the narrative to continue caring about Adrien.

Anonymous asked:

Didn't need burrow, Su Han will only reappear at the end of the season and then disappear again.

“Hi, Su-Ha--oh, there he goes.”

Anonymous asked:

Don't Need a Burrow: Adrien decide to confess his secret identity as Chat Noir to Nathalie. She decide to don't tell him that his father is Hawkmoth (but also decide to don't tell Gabriel that his son is Chat Noir)

God, the Agreste drama intensifies. Kill me.

Anonymous asked:

Didn't Need Burrow: Marinette actually REJECTS Adrien after the identity reveal after it hits her all at once that HE did all the awful, questionable things Chat Noir did. This allows the Love Square Drama to continue, with Marinette being slammed for DARING to be upset/have STANDARDS - everyone claims that she's set the bar too impossibly high and is responsible for her own romantic misery, while Adrien continues being coddled by other temporary love interests while waiting for her to wise up.

Uggggggh.

I’m just waiting for Ladybug to loudly reject Chat Noir and then she falls for him soon after and bonus if Chat rubs it in her face that she’s moved on or the narrative ignores Chat’s past actions as Ladybug is all like, “WOW HE’S SO RESPECTFUL NOW.”

Anonymous asked:

Didn't Need Burrow: Ladybug's continued rejections of Chat Noir are directly compared to Gabriel's shitty parenting -- both of them are denying Adrien things he wants, and these crimes against Sadrien are depicted as equally awful. (If not weighted towards Ladybug being worse because sHe'S bReAkInG hIs WiDdLe HeArT~~~)

This one wins for making me the most upset.

Anonymous asked:

Didn’t need burrow: Juleka will become the tiger hero in another Julerose-centric episode, but this time Rose is akumatized (into princess fragrance again, but this time with a sentimonster so it’s DiFfErEnT). It will chronologically take place after guilt trip, but Rose’s disability will not be acknowledged, even in passing.

I swear, if I have to see a repeat akuma ONE MORE TIME!!!

Anonymous asked:

Didn’t need burrow: The major conflict of the season will be Marinette repeating “mistakes” (this can be similar to not keeping chat 100% in the loop till he throws a fit or having a human to depend on emotionally about miraculous stuff) Bonus: The show doesn’t show the good that came out of her actions and only the bad (Not having a breakdown and etc)

Yup. Definitely Marinette’s fault that she needed to rely on someone so she didn’t have a breakdown. She should’ve buried her emotions and broke down every day instead.

Anonymous asked:

Didn’t Need Burrow: After the show runners give into another fan theory of new permanent heroes, they will quickly show why this was a mistake. Bonus if it’s the very next episode (because if Marinette did it then it has to be bad)

This already felt super likely and then you added “because if Marinette did it then it has to be bad” and now I’m just sad because it’s doubly right.

Anonymous asked:

Didn’t Need Burrow: Marinette, who dreams of being a fashion designer, designs something that’s just ugly. Bonus if it’s never addressed/characters just say it’s great so the show doesn’t look bad at designing clothes

Does Ladybug count? Still can’t believe Chat Noir gets the “complex” outfit with actual thought and Ladybug gets the onesie.

Anonymous asked:

Didn't Need Burrow: It's revealed that Emilie intended to use the Miraculi they'd found to 'give Adrien the world'. This is treated as a sympathetic motive because, as Word of God constantly insists, Adrien is perfect and deserves everything he desires, regardless of how anyone else feels about it. Thus it doesn't matter what horrific things his parents did or intended; their goals are treated as righteous, with Ladybug being Wrong to oppose them.

They just want what’s best for their son!!

Anonymous asked:

Didn't Need Burrow: There will be a plot in which LADYBUG is accused of not caring about civilians, with Adrien/Chat Noir getting to lecture her as if HE has the moral high ground. Or any ground to stand on. His abysmal track record is completely ignored, retconned, or otherwise treated as inapplicable; we likely get a singular moment where he suddenly Gives A Shit about protecting one of his friends/classmates, which is treated as proof that he Always Cares About Such Matters.

Bonus if it’s Ladybug choosing not to defend/save someone who spited her/deserves it, which is “clearly worse” than Chat Noir threatening to let Paris drown in “Syren.” Ladybug is not allowed to be human and also not allowed to show people that there are consequences for their actions, proving that they/Chat can take advantage and mock her as much as they want with no repurcussions.

Anonymous asked:

Didn't Need Burrow: Sabrina and Chloe have another Friendship Breakup; when Sabrina seems poised to actually get away from her abusive 'BFF' for good, Adrien intervenes/whines at Marinette to help him fix it, because it's nOt FaAaAaIr for Chloe to be aLl AlOoOoOoNe...

Is it too late to make Adrien disappear and have it look like an accident.

Anonymous asked:

DNB: In a Shocking Twist, Cats are revealed to be cursed - the majority suffer some catastrophic fate as the Ring eventually causes their Destruction. Only True Love can break it, making Ladybug's refusal to give in to Chat Noir's advances a literal matter of life-and-death and 'justifying' all of his behavior. Bonus if it's retconned that *Adrien always knew this*, despite nothing in his behavior ever indicating he believed himself to be on borrowed time. Because Angstrese.

Also bonus if this is also used as just another way to make him seem sympathetic. Double bonus if this information is brought up after Ladybug snaps at Chat Noir, and she’s told this information to make her feel guilty.

Anonymous asked:

Don't Need a Burrow: If Adrien reveal someone his secret identity, it will be ... obviously Wayhem.

Nino: hello darkness--

Anonymous asked:

Didn't Need Burrow: Goat!Marc, Rooster!Nathaniel and even Ox!Ivan will be buffed out because not even the boys in this show are allowed to keep their own body shapes when they become superheroes.

I’m positive Ivan especially will be beefed up. The civilian models are really awkward at times and clearly not prepared to be put in onesies (it’s hard to explain and maybe someone more experienced with propotions/anatomy will be able to say it better, but their limbs don’t have a lot of “shape” to them I guess?).

Anonymous asked:

Didn’t need burrow: Alya’s miraculous looks exactly the same in it’s “camouflage” mode solely so Lila can easily switch her necklace with Alya’s. (seriously why does it not change that bothers the hell out of me)

If that happens, I’d put money on Alya not getting called out on it. Good to know you put so much priority on “secrecy,” Alya.

Anonymous asked:

Didn’t need burrow: A kwami swap will happen again somehow. Marinette will uncharacteristically scold Adrien way more harshly than normal AGAIN to make him feel bad about himself and this will further the (Adrien melodrama depression arc) of him feeling useless/ replaced. Bonus points if Alya picks up his slack.

Honestly, I was here for the scolding in “Reflekdoll” just because there weren’t consequences for her for once.

Anonymous asked:

Didn’t Need Burrow: There will be Sad Noir galore. Its all Ladybug’s fault, naturally.

Naturally.

Anonymous asked:

Don't Need a Burrow: Episode where Sabrina gets Dog Miraculous will be Chloe-centric (or Bourgeois sisters centric)

Anonymous asked:

Didn’t Need Burrow: the episode where Sabrina gets the Dog Miraculous (which seems inevitable now, ugh) will heavily feature or even focus on Chloé, despite the fact that Chloé has already had a couple of episodes focusing largely on her this season. Sabrina’s introduction as a hero will have about as much focus as Kim’s or will be jammed into the last five minutes of the episode. Bonus points if they manage to deny her a proper transformation sequence like they did Kagami.

Roger: *exists and desperately needs development on his policy that caused Sabrina to become Chloe’s slave in the first place*

show: okay but--

Anonymous asked:

Didn't Need Burrow: Under pressure, Marinette admits to Alya and/or Tikki that she doesn't mind the attention (aka constant harassment) Chat Noir gives her; parroting common claims by sexual harassers, she says it makes her feel *special* and *noticed*. She may also insist that she still wishes he would focus on the AKUMA/their responsibilities more, but the obvious point of this scene is to 'justify' his behavior with evidence that 'she enjoys it'.

MARINETTE

PLEASE

YOU DESERVE SO MUCH BETTER

Anonymous asked:

Didn't Need Burrow: There will be a joke about Chat Noir *copping a feel* on Ladybug after an akuma sends them into an awkward position. Ladybug's shock and discomfort is played for laughs; bonus if he quips about her suit not leaving much to the imagination. Adrien is in a fantastic mood afterwards, considering that to be the 'best battle yet'. (Alternatively, another heroine is victimized and Ladybug is visibly jealous/her annoyance at Chat is treated like jealousy.)

I’m not adding this to the spreadsheet just because a scene like that is too dicey for a kid’s show (though, believe me, if it were to happen, I’m putting that on it’s own damn card), but I will say that this would 100% happen if this were an anime/aimed towards an older audience.

Anonymous asked:

Didn't Need Burrow: Adrien tricks Alya into thinking that Chat Noir already knows Ladybug's secret identity, thusly learning that she's Marinette. This is passed off as all MARI's fault, naturally. If Alya apologizes at all, it's in a backhanded, "But why didn't he know this already?" sort of fashion.

It’s Marinette’s fault for telling Alya her identity in the first place.

Anonymous asked:

Didn't Need Burrow: Post-Reveal, Marinette struggles to reconcile how her crush is also her abusive slacker 'partner'. Adrien, by contrast, accepts her as Ladybug immediately... though his words make clear that he doesn't give a shit who SHE is, just that she's Ladybug. Naturally, this is treated as Mari needing to learn how to accept Adrien for who he is, all while insisting that his many flaws and failings aren't issues at all.

i hate it, thanks

Anonymous asked:

DNB: The RLBS is EXPLICITLY punishment for Marinette: after a mutual reveal, Adrien declares that they can't get together as civilians until she accepts him as Chat Noir. Mari is forced to awkwardly pursue Chat as Ladybug while he strings her along/humiliates her; meanwhile, Adrien trolls her with shallow gestures to fluster her/rile up their shipper classmates, who ride her ass for not 'sealing the deal' and making their relationship official. Alya, aware of everything, is the WORST about it.

I presume that “RLBS” is “Reverse Love BS” which... yes.

Also, that whole “she needs to accept him as Chat Noir” infuriates me because that’s been a fandom thing forever.

Anonymous asked:

Don't Need a Burrow: The only reason Sabrina got Dog Miraculous is because of a scene where Chloe literally "Kick the Dog".

Anonymous asked:

Didn’t Need Burrow to know that despite Sabrina almost certainly getting a miraculous and becoming a hero, the fact that she deserves better than being abused by Chloé and is a worthwhile individual in her own right will not be addressed. Because StATuS QuO!

I just had a horrible thought that they’ll do the episode like--

Chloe treats Sabrina terribly like usual, Sabrina ditches Chloe and Chloe is miserable + takes it out on everyone else for it, then Chloe gets akumatized over it and Sabrina gets the dog (for “loyalty”), which leads to Sabrina going back to Chloe so that Chloe will direct the abuse more solely towards Sabrina because “she takes it out on others otherwise”/she’s “used to it”/”it’s her responsibility and this is the right thing to do.” This will also be presented as the “right choice” and Chloe and Sabrina’s relationship will basically not change for the sake of leaving Chloe the way she is.

Anonymous asked:

Didn’t Need Burrow: Cat Noir is gonna throw a Syren-Sized fit if/when he finds out that Ladybug dares to have a support network through Alya (not a very GOOD support network, but one nonetheless).

Still waiting for the “lesson” where Ladybug is told she’s not allowed to have emotions/be vulnerable.

Oh wait, that’s the show.

Anonymous asked:

Didn't need Burrow: Adrien/Chat Noir will angst and fish for sympathy points instead of apologizing for the 40th time in the series.

Every time.

Anonymous asked:

Didn’t Need Burrow: Luka is gonna say that Adrien and Marinette are made for each other. This is the last appearance that he will make in the show (with exception to background/shipping fuel between him and somebody else w̶h̶o̶ ̶i̶s̶ ̶p̶r̶o̶b̶a̶b̶l̶y̶ ̶e̶i̶t̶h̶e̶r̶ ̶Z̶o̶è̶ ̶o̶r̶ ̶K̶a̶g̶a̶m̶i̶).

Considering the ““““parellel”“““ episodes of “Truth” and “Lies,” I’m just ready for the same thing that happened with Kagami in “Mr. Pigeon 72.”

Anonymous asked:

Didn't Need Burrow: Trixx plays pranks on Alya's family and is a little troll; he particularly loves teasing the twins, since any claims they might make about seeing a 'magical flying fox' will be passed off as childish imaginings. Alya blames Marinette for this more than she does Trixx.

Marineeeette, raise your “children” better!!

Anonymous asked:

Didn't Need Burrow: Alya will wind up spilling Ladybug's secret identity to Nino because 'she needs to talk to SOMEONE about this!' (and Mari CLEARLY doesn't count for anything) and trusts her boyfriend.

I would also imagine Alya going on about Marinette’s secret to Nino without explicitly telling him.

Also, this will be an episode in this season because Alya couldn’t even keep it in for ONE SEASON (”Animan” all over again).

Anonymous asked:

Didn't Need Burrow: Ladybug will be seriously injured during an akuma battle, with circumstances preventing them from winning the fight/repairing the damage with Miraculous Cure right away. Adrien/Chat Noir attempts to exploit the situation to learn 'his lady's' secret identity. The narrative REFUSES to call him out on this; it's entirely on Marinette to protect herself by hiding the truth despite her injuries.

Bonus because “Ladybug” seemed to imply that their almost invincible in their suits, though I imagine if they get hurt, it’ll be Chat Noir and used for angst (like in “Miraculer”).

Anonymous asked:

Didn't Need Burrow: Marinette will combine Miraculi more often to cut down on having to track down others all the time and put them in danger. (And also because the merch guys want more stuff to base toys off of.) She gets condemned for being a 'glory hound' and 'taught' that she needs to rely upon others more often, no matter what sort of risks that might entail (she'll get blamed for that anyway) or how they might let her down (again, always her fault).

Marinette: *tries not to burden others and instead does what the narrative has convinced her of; bearing the world’s weight alone until she breaks*

show: gOd, mArIneTtE--

Anonymous asked:

Didn't Need Burrow: Chat Noir's tendency to screw around, flirt, and not read or work with his allies at all gets Rena Rouge, Vesperia or one of the other heroes hurt. Naturally, this is played for Sadrien above all else -- if Ladybug or anyone else DARES to show any anger towards him for it, it's depicted as completely unjustified and unfair. Bonus if the injured party insists that it's okay.

They neeeed Chat Noir to lighten the mood! He’s worth the risk!

Anonymous asked:

Didn't Need Burrow: RLBS is kicked off by Marinette being utterly HUMILIATED by Adrien publicly rejecting her once he can't ignore her crush anymore, spurring her to give up on him 'for good'. Adrien decides that he misses her chasing after him and starts pursuing her, with Alya and others encouraging her to accept his advances/telling her that she's crazy to reject him even after what he did. Marinette's utter misery over the whole ordeal is treated as HILARIOUS.

It’s not like he mEaNt to embarrass you, Marinette!!!

Marinette didn’t meant to do a lot of things too but you don’t see the show giving her any slack.

Anonymous asked:

Didn't Need Burrow: Adrien/Chat Noir starts treating Alya/Rena Rouge with exactly as much 'respect' as he gives Ladybug -- which is to say, nothing but lip service paired with stunts like refusing to help unless she spills Ladybug's secrets. Alya naturally blames Marinette for this.

I’m torn on whether he’d “””respect her””” as much as Ladybug or give her even more respect, probably on the premise that “Ladybug chose her,” and that somehow proves that Chat Noir is a good guy in all this (while, again, disrespecting/not trusting Ladybug/making his own decisions at every corner).

Anonymous asked:

Didn't Need Burrow: Adrien/Chat Noir attempts to charm Alya/Rena Rouge into sharing Ladybug's secrets with him, possibly making Nino jealous in the process.

*sees “Rocketear” trailer*

oh no...

Anonymous asked:

Didn't Need Burrow: We get another 'Bad Future' episode centered on Sadrien; this time around, it features him losing the Ring, painting this popular plotline as a horrible idea because Adrien is Perfect and Never Does Anything Wrong, and should never be punished for his actions. No matter how it happens, Marinette is blamed for it; bonus if somebody angrily tells her that SHE should have lost HER Miraculous instead.

Wouldn’t be surprised, but that would also mean making a new model of a cat hero.

Anonymous asked:

Didn't Need Burrow: It's revealed that part of the reason Alix/Bunnix refuses to share any 'Spoilers' about how the future is 'meant to go' is because Marinette Suffers Incredibly in the process, and Alix knows that she'd try to find some other way... and assumes that she'd fail in the process. This is treated as entirely valid and Marinette, if she learns that this is part why Bunnix won't tell her shit, has to accept that she's just doomed to be Fate's personal punching bag. Sucks to be her!

It’s “meant to be.”

Anonymous asked:

Didn't Need Burrow: Marinette/Ladybug is told outright that she's a horrible person for not respecting Chat Noir's feelings for her. Bonus points if it's Alya, citing Mari's crush on Adrien as proof that she should know how it feels to constantly fail at getting your crush's attention. (Alternately, Adrien venting to her about how *unfair* it is that Ladybug's so cruel to her partner, unaware of the dramatic irony.) Triple-7 Jackpot of Shit if this contributes to the RLBS becoming a thing.

UGGGGGH.

And of course Chat Noir wouldn’t get the same treament and it’ll be like, “WELL ADRIEN DOESN’T kNoW sO--”

Anonymous asked:

Didn't Need Burrow: Instead of Lila, Chloe is revealed to be the next holder of the Butterfly Miraculous. This shows Chloe as "irredeemable" while successfully writing Lila out of the show.

Meanwhile, the writers’ script is frantically scribbled on with red marker.

Anonymous asked:

Don't Need a Burrow: Reveal that post about Lila being future Hawkmoth was Red Herring (or in this case orange herring)

Dumb herring.

Anonymous asked:

Didn't need a burrow;

By the end of the series, Gabriel will have a redemption arc to feel sympathy for him :o

guys he’s so sad don’t you see--

Anonymous asked:

Didn't Need Burrow: Adrien's inability to choose between the 'love of his life' and the abusive shitbag excuse of a sire who'd just smacked him like a ping-pong ball foreshadows that he will ultimate choose Gabriel after learning that he's Hawk/Shadowmoth. This will be entirely blamed on Marinette not being able to keep him by her side because 'she didn't love/cherish/appreciate him enough'!

After “Guiltrip” and the whole, “I don’t say this enough--” line, I’d buy it and now I’m sad.

Anonymous asked:

Didn't Need Burrow: The RLBS is kicked off by Chat Noir switching sides and joining Hawk/Shadowmoth. Ladybug is forced to appeal to Chat's 'love' for her, with Alya, Tikki, and various other 'friends'/allies blaming her for his defection. Meanwhile, Sadrien starts pursuing Marinette as an outlet for his mangst, 'unintentionally' making her more miserably conflicted in the process.

She rejected him and therefore he’s in his right to switch sides. She never even gave him a chance!!!

Anonymous asked:

Didn't Need Burrow: Adrien is a Sentimonster/was created by other Miraculous magic by the Agrestes, who desired a 'perfect/model son'. This is used to further the narrative that his entitlement is actually a Good Thing: Adrien was not MEANT to have any wants/needs/desires of his own, but mysteriously developed them anyway. Thus Marinette NEEDS to cater to his every whim because it's sO mIrAcUlOuS that he HAS them in the first place. Hooray...?

His very EXISTENCE is MIRACULOUS, Marinette!!!

Also, Astruc will act like this was amazingly foreshadowed in “Ladybug” where Ladybug comments on Sentibug’s perfection.and with Astruc always called Adrien perfect (either on his own or through other characters).

Anonymous asked:

Didn't Need Burrow: Another Shocking Familial Connection is revealed: Felix is not Adrien's cousin, but Gabriel and Emilie's original son, whom they shunted off on her sister and replaced with the 'perfect' Adrien. 50-50 split on whether this is used to excuse all of Felix's shitty behavior or if he's demonized further -- 'See, THIS is why they replaced him! ANYONE would choose the Perfect Adrien over someone like THAT!'

Why not both????

It’s like the Chloe-Zoe situation but male.

Anonymous asked:

Didn't Need Burrow: After learning that Rena Rouge has become Ladybug's confidant, Chat Noir outright REFUSES to help at a critical moment, sneering about how 'you ladies CLEARLY don't need me'. As with everything else, the blame for his latest stunt is laid neatly at Marinette's feet, because Adrien is never EVER responsible for his own actions.

They’ll probably blame Marinette because Ladybug “didn’t tell him right away.”

Anonymous asked:

Didn't Need Burrow: Circumstances force Adrien to be Mr. Bug again (since they already have the models). Much is milked from how HAAAAAAAARRRRD his temporary responsibilities are on him, and he reiterates afterwards how happy he is that he doesn't have to deal with that all the time. No actual sympathy for Ladybug's situation is displayed, though stans treat it as such; what we're actually SHOWN is that Adrien only cares about the burden when HE'S the one stuck carrying it.

As per usual, no one cares about Marinette’s problems until it directly affects THEM, and then they’ll go back to not caring.

Anonymous asked:

Didn't Need Burrow: With all of the other abusive behavior Adrien has shown towards Ladybug, it's only a matter of time before we get a 'Why did you make me hit you?' moment. No akuma influence; just him physically lashing out at her because he's an entitled little shit upset over not getting his way, followed by the inevitable bleating about how bad HE feels and how he'll 'never do it again'. Naturally, this is presented as though Marinette 'deserved it' and must accept his apology.

Show, don’t do this to me, I swear--

I’d be surprised if this did happen, but more because it’s like wow the lack of self-awareness is even worse than I thought.

Anonymous asked:

Didn't Need Burrow: We get a Very Special Episode about sexual harassment... which not only refuses to acknowledge Adrien's behavior as such, but asserts that he would NEVER touch 'his lady' in any kind of inappropriate fashion. Bonus: he harasses her in that very same episode to 'prove' that his behavior isn't inappropriate.

So “Felix” but worse...

Anonymous asked:

Don't Need a Burrow: The reason why ML Writers made Zoe an actress is to justify why she managed to recognize that Lila is "Liar that lies" instantly after meeting her.

Waiting for the moment where Zoe talks to Marinette to address Marinette “acting like she’s not in love with Adrien.”

Anonymous asked:

Didn't Need Burrow: Lila steals the Fox Pendant from Alya/does something that affects her *personally*. Alya then reads Marinette the riot act, demanding to know "Why didn't you WARN ME about her?!" (None of the times that she DID count because Alya dismissed them as her 'just being jealous', which is, of course, entirely Mari's fault.) Bonus if we allude back to her claiming that 'good reporters do their research' and how she expected MARI to provide her her with proof of her claims.

Marinette: *thousand yard stare*

Anonymous asked:

Didn't Need Burrow: When Lila is exposed, Marinette gets blamed for all the harm she caused with her various deceptions, since she tried to warn others and couldn't convince anyone of the truth. Adrien 'taking the high road' is largely glossed over; if anyone finds out that HE knew too and never did anything to warn anyone, he's quickly forgiven for 'not knowing any better'.

See, Marinette, if you just hadn’t tRiEd--

And Adrien was just trying to “be nice to everyone equally” so he’s forgiven.

Anonymous asked:

Didn't Need Burrow: Adrien/Chat Noir outright admits that he dislikes Rena/the other heroes being around since they make him feel unnecessary. This is treated as a perfectly reasonable and valid complaint rather than a slacker piss-moaning about being shown up by others making actual EFFORT.

*flashbacks to “You’re not trying to replace me with a turtle, are you?” after Carapace shows up LITERALLY ONCE*

Anonymous asked:

Didn't Need Burrow: We get a retread of the NYC Special's Angstrian when he accidentally ('accidentally?') Cataclysms Rena/somebody else. Bonus if the victim once again argues that THEIR experiences/trauma are FAR less important than his. (Especially if it's Alya, Nino, Max... somebody who ALSO happens to be a character of color temporarily killed off to make the spoiled white rich brat feel sorry for himself.)

It’s an accident and also probably “Ladybug’s fault.”

Anonymous asked:

Didn't Need Burrow: Adrien/Chat Noir skips an akuma attack/shows up late to find it was resolved without him, and mopes about how 'his lady doesn't need him anymore', requiring somebody else to massage his ego. Bonus points if somebody (likely Ladybug) is demonized for getting annoyed at him for being late/a no-show, because HOW DARE they take defending Paris seriously?!

Well excuse us, Chat, next time we’ll just awkwardly stall for twenty minutes.

Anonymous asked:

Didn't Need Burrow: Chat Noir will 'accidentally' Cataclysm one of the protective Charms so that its holder can be akumatized again. Bonus if he does this to Alya/one of the other heroes.

Probably Chloe.

Anonymous asked:

Didn't Need Burrow: The protective charms are ultimately rendered effectively pointless when Adrien switches sides and starts using his powers to destroy them. Naturally, Marinette is held completely responsible for his actions, because God FORBID he ever be called to account for himself. Not when his 'partner' is around to absorb all the blame.

You didn’t make him feel loVeD, Marinette.

Anonymous asked:

Didn't Need Burrow: Adrien pulls a Chloe with his own attempt at engineered heroics, putting the lives of others on the line to 'prove his value'. Ladybug is completely blamed for the stunt; bonus if someone accuses her of 'not learning anything' from what happened with Chloe.

Hate it. Hate it a lot.

We already got him trying to cause/hoping for akuma, so this isn’t too far off.

Anonymous asked:

Didn't Need Burrow: Adrien gives Zoe better advice for dealing with her bullies. His policy for handling Chloe and Lila remains the same as ever. (In other words, only Marinette has to 'be the better person' and keep suffering at the hands of her abusers, since it maintains his preferred status quo. But it's no skin off his nose if Zoe's situation changes/improves.)

I also imagine that Adrien would give this advice without Marinette onscreen, so Adrien won’t be called out on it.

Anonymous asked:

Didn’t Need Burrow: Alya will reveal Marinette’s identity to someone (possibly Nino) and the show will then punish Marinette for trusting Alya in the first place. Bonus point if the show then says she should have trusted Adrien/Chat Noir because he would never have betrayed her trust.

I’m just remembering the fandom’s complaints and wow I hate it.

Anonymous asked:

Don't Need a Burrow: Ladybug Miraculous basically change into Poor man's version of Green Lantern's Ring

*stares at the phone in “Optigami” that somehow picks up on the kwamis’ voices* hm

Anonymous asked:

Didn’t Need Burrow: Marinette will look through the future and see one where she and Luka get together, except it’s portrayed as bad and abusive, more so if he knows her secret identity, and the only way for her to escape it is by getting with Chat Noir(and not...you know, anybody else. Or being single. Or MAKING THE RELATIONSHIP WORK!!!). Chat Noir sees it too, and gloat about in her face, since it proved that they were “meant for each other, m’lady!” Bonus points if someone calls Thomas Ass Truck out on this shit, and he either replies that it was the best thing to do, claims it doesn’t matter how Lukanette is treated/the love square ends up together because they’re “made for each other” anyway, or even tries to pass it off as “girl power”, because how could we let the female lead get with the respe—oops, I mean abusive guy over the one who treats her te—oops, I mean respectfully and like a “gentleman” would?! And then he’ll follow up by blocking them for daring to question the Ridiculous Relationship Rhombus and respect the “non-endgame” ship. Even wor—oops! I mean, better, if love square shippers use this opportunity to gloat about how “I always knew Adrien and Marinette(notice how they always place his name first?!) were perfect for each other, Luka wasn’t good enough for Marinette, take that, Lukanette shippers!” declaring it “anti-salt”.

bfgkdjfgdfg god

Also, the only problem with this idea is that it would mean making an adult model for Luka.

Bonus if another “disadvantage” to Marinette dating Luka is that Luka isn’t high class.

Anonymous asked:

Didn't Need Burrow: Marinette will be told outright to 'Get over yourself' and stop bringing up valid complaints about Chat Noir's shitty behavior, as the series becomes increasingly overt with its subtext about how one of Marinette's Biggest Mistakes is having STANDARDS.

Ignoring that Luka exists, of course, and if it’s mentioned that Luka exists then cue, “OH BUT SHE DOESN’T AAAACTUALLY LOVE LUKA.”

Anonymous asked:

Don't Need Burrow: SentiWiFi (Lady WiFi Sentimonster)

SentiEveryone at this point...

Anonymous asked:

Don't Need a Burrow: Nino is again robbed of screentime by Sentimonster based on him.

*sees “Sentibubbler” title and trailer*

Did--did you predict the future??

...I mean, we’ve been doing that the whole time, but damn.

Anonymous asked:

Didn't Need Burrow: Alya will continue shoving Marinette towards Adrien, then mockingly ask 'Didn't you want to give romance a break?' or something along those lines. Showing that not only is she fully aware of Marinette's wishes and doesn't give a damn, but implicitly blaming Marinette for her inability to stick to them, despite how SHE is the one forcing the issue.

“We all know that you WANT HIM, Marinette! Stop denying yourself!!!”

Anonymous asked:

Didn't Need Burrow: When Marinette gets a spot of hope regarding her relationship woes, Alya leaps in to take all the credit for the apparent success. Once the light turns out to be an incoming Drama Train that blindsides Marinette and leaves her humiliated and heartbroken, Alya insists that it's entirely MARI's fault that things went off the rails.

Waiting for a line from Alya about how she’s doing everything right and Marinette must be really hopeless if Alya’s schemes aren’t working...

Anonymous asked:

Didn't Need Burrow: Alya and Nino will get into a bit of Relationship Drama in order to further reinforce the series' double standards. (Such as 'It's OK for boys to lie, but girls shouldn't have any secrets.' Or 'Boys can hold grudges, but girls must forgive every trespass.' Or 'Girls shouldn't told boys to impossible standards like expecting to be treated with basic human decency.') Bonus points if Marinette gets blamed for it.

Yup.

Anonymous asked:

Didn't Need Burrow: The subtext about Marinette not deserving a GOOD love interest is further emphasized by Kagami and Luka getting together. Kagami comments on how she can trust Luka not to lie to her; this is the closest she gets to explaining to Marinette WHY she broke things off with Adrien in the first place. After all, it doesn't matter if Adrien lies to Marinette; they're 'meant for each other'.

I’m still not over Kagami saying that the guy who lied to her is “made for” her only friend????

Anonymous asked:

Didn't Need Burrow: Zoe learns a valuable lesson about the importance of Being Herself with Luka's help, teasing the idea of the two of them getting together.

“Bonus” for Marinette saying that Zoe and Luka are made for each other.

Anonymous asked:

Didn't Need Burrow: Chat Noir deliberately strings Vesperia along in a ploy to make Ladybug jealous. Zoe is naturally heartbroken when she learns the truth. Her pain is blamed entirely on Marinette, since Adrien can NEVER be held accountable for his own actions.

Ladybug, you should’ve seen this coming!!

Anonymous asked:

Didn't need burrow (kinda?), Astruc apparently is aware that his perfect Adrien is flawed as Chat Noir (he said so on twitter), and I fear that if anyone ever asks him why the two sides of Adrien so different, he'll reveal that the cat miraculous changes the holder's personality or some shit, which will cause "Anti Adrien Salt" to explode, screaming "the salter's claims aren't valid anymore, it's not Adrien's fault, it's the miraculous!!!1!!111!!!!¡¡!¡¡¡!!!"

I feel like he denied that back when he still had a Tumblr but gosh I’m just waiting for it to be confirmed because FANON THEORIES.

Anonymous asked:

Didn't Need Burrow: Adrien gets a taste of what Marinette goes through constantly when he/Chat Noir suffers a bit of minor humiliation over his crush. His pain and angst over this is played DEAD SERIOUS, treated as though he's suffering through the WORST THING EVER even though whatever happened pales in comparison to what Marinette has endured. Anyone who dares so much as chuckle at what happened is villainized, since only a MONSTER would find his suffering funny.

I’m seething.

Anonymous asked:

Don't Need a Burrow: Return of Sentibug (for fanservice)

Bonus if they kill her off again. Something something “only one Ladybug” something.

neyla9 asked:

Didn't Need Burrow: So if Zoe gets sent to a new boarding school after being in Paris for a few months (there is a chance the writers will just completely ignore that this was established in Sole Crusher, in which case this probably won't happen), I predict that Zoe was brought in specifically to redeem Chloe, rubbing it in Marinette's face that she failed at redeeming Chloe, and force Marinette to give Chloe the bee miraculous back

Most likely. Apparently needed to bring someone else in to make Marinette feel worse.

Anonymous asked:

Didn't Need Burrow: Adrien abandons/ditches his responsibilities as a hero because he's too busy sulking over his ego being bruised by some slight (real or imagined). Marinette is naturally blamed for this.

Oh, of course!

Marinette probably had to be late for patrol so he was intentionally late for something, and then was like well you did it to me, so--

Anonymous asked:

Didn't Need Burrow: Chloe will get another tiresome 'Will she or won't she be redeemed?' arc, only to backstab/betray everyone again. Astruc will preen and croon on social media about how gullible anyone that thinks she could ever be redeemable is. Bonus points if Chloe's damning act that proves she's unsalvageable is something ADRIEN has done.

Meanwhile, Nino is back here absolutely collecting DUST!!!

I guess you gotta be a horrible person/make Marinette suffer to get screen time.

Anonymous asked:

Didn't Need Burrow: Chloe will discover Vesperia's secret identity and steal the Bee Miraculous, then spitefully out Zoe so that SHE can't be a heroine anymore.

Marinette is running out of teens at this point but finding new ones would mean more models.

Anonymous asked:

Didn't Need Burrow: Zoe is used to teach Marinette that she's too harsh on others for lying, and should accept that they can be dishonest sometimes. (Especially Adrien.) As a natural follow-up, Marinette is blamed/punished for falling for a friend's lies -- because CLEARLY it's not Alya/Adrien/anyone else's fault if she believes their bullshit!

No one’s perfect, Marinette! People are human!!

...Except you, of course.

Anonymous asked:

Didn't Need Burrow: Despite the incident with SentiNino, Shadow Moth will *successfully* obtain a miraculous by using the same trick. Bonus points if it's Marinette/Ladybug who falls for it... though really, she'll be blamed regardless.

Double bonus if she doesn’t fall for it but it still goes through.

Anonymous asked:

DNB: The 'Shocking Twist' of Adrien/Chat Noir betraying Team Miraculous and joining his father will be presented as though it's entirely Marinette/Ladybug's fault, with Adrien acting as though he Had No Choice and angsting about being 'forced' to betray his lady and friends. The series never acknowledges how self-serving his motives actually are, and any call-outs he gets are treated as Wrong and Awful and Blaming Poor Innocent Victim Adrien.

“hE’s jUsT tRyinG tO sAvE hIs mOm”

Anonymous asked:

Didn't Need Burrow: 'Borrowing' from many a Salt Fic, Marinette will thank her for 'proving who my *real* friends are'. This entails giving Adrien, Alya and possibly others credit for always standing by her, believing in her, and various other things that they never actually did.

I’m presuming “her” means “everyone”/”the girl squad” and yup.

Better tell than show I guess.

Anonymous asked:

Didn't Need Burrow: Alya will be retconned into having 'never believed anything Lila said'. Or at least, she will CLAIM that she never believed her.

I WILL BE SO UPSET

Also prepared for them to handwave it, like, “oh whatever, now I’m helping you since I know so it’s all good!”

Anonymous asked:

Don't Need Burrow: Similarities between Luka and Zoe were only red herring. Zoe will become Kagami's new love interest (and Kagami and Zoe's dynamic will be suspiciously similar do Fanon!Marigami)

But that would imply they care enough about LGBT rep.

Though they could always pull a Voltron and slip it in at the very end.

Anonymous asked:

Didn't Need Burrow: Marinette will suffer the toll/backlash from using multiple Miraculi ONLY for the sake of making that her Latest Mistake. Her past successes are only acknowledged as a way of painting her as arrogant for assuming she could continue doing so safely.

She’ll probably be yelled at and told not to “keep doing everything herself” even though that’s what the narrative keeps telling her to do.

Anonymous asked:

Didn't Need Burrow: Adrien discovers his father's secret identity and hides it... and this is painted as an act of incredible self-sacrifice rather than selfishness. Rather than treating it as a betrayal of Ladybug/Team Miraculous, the series focuses on his angst and 'inner struggle', pretending there's something heroic about him refusing to expose Hawkmoth and potentially put an end to his terrorizing Paris.

Deep breaths, Clarity.

Anonymous asked:

Didn't need burrow: Alya will get to keep her boyfriend despite her being involved with the miraculous box n stuff, unlike Marinette. Why, you ask? Easy, the bond between Luka and Mari just isn't sTrOnG eNoUgH for them to last through difficult times, like Alya and Nino do so easily.

Ignoring that Marinette and Luka only just got together and also that Marinette has it WAY different than Alya.

But no I guess. Adrien and Marinette are “made for each other” so gotta discredit Lukanette whenever. Marinette isn’t allowed to be happy, we know.

Anonymous asked:

Didn’t Need Burrow: The one time Marinette gets a break from akumas and her responsibilities all hell breaks loose and the lesson for that episode will be that Marinette and Marinette alone must carry the burden of being Ladybug and Guardian.

Marinette: *gets five minutes of sleep*

Paris: *catches on fire*

Anonymous asked:

Didn't Need Burrow (Can I do two at once?): "Crocoduel" will not acknowledge the Lukanette breakup at all, and the titular Akuma will just be Guitar Villain and Captain Hardrock again.

(You’re allowed two, absolutely!)

I’d like to add as well that, even if they do acknowledge the Lukanette breakup, Marinette will talk to Luka about it but then be like, “I’m not focusing on love right now and I’m too busy so I’m sorry for everything that happened,” even as everyone keeps pushing for the love square.

#category: salt #Didn't Need Burrow #other: ask and answer #((This was supposed to come out earlier but I've been SUPER nauseous lately.))

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tendercoretroglodyke · 4 years ago

Note

... I’m interested in legitimately gay Reese (I assume one piece of evidence is “look at what they’re doing and tell me you’re not gay”)

okay this is like 2 days late but this is why reese malcolminthemiddle is legitimately gay:

(side note: did anyone need a queer media thesis paper or something... I am willing to share lmao)

so none of this is like... rock solid evidence or anything but I need to believe at least one main character of a show is gay and/or trans to maintain interest and reese is the most plausible gay character. also it’s early 2000′s so he just gets a lot of vaguely homophobic jokes lmao

first of all, yes, the biggest piece of evidence he’s gay is those lines from that episode I quoted the other day--thinking malcolm is gay, he tries to show his support by giving him a gay porno: “’Naught Pool Boys 3!’ I watched 10 or 12 of these, and this one seems to have the most stuff you guys like.” and when malcolm says he isn’t gay, reese responds “Malcolm. Check out what those guys are doing in that movie, and THEN tell me you’re not gay.”-- so, 1) reese sat down and watched like a dozen gay porn movies to ““find a good one for his gay brother”” and 2) he thinks malcolm would reconsider his heterosexuality if he watched what was in that movie, implying that HE reconsidered his sexuality after watching that movie, or at the very least found it hot

in the same episode, the character tricking malcolm into thinking reese is gay lists the following as evidence: he obsesses over his hair and his looks, loves his gourmet cooking, has a bunch of magazines covered in comically muscular men, and that he’s angry and acts like a jerk because he’s “dealing with something weird and confusing.” now obviously, the obsession with hair/looks can be chalked up to the fact that he’s a teenage boy, and there’s nothing inherently gay about enjoying cooking. the dozen magazines of muscle-bound men could certainly be taken as gay evidence, though, and it IS established in the show that his entire bully persona is his way of masking his inner feelings and insecurities. there’s literally a whole episode where he & malcolm realize they have no friends because they act like little shits to push people away because they’re afraid of rejection and/or abandonment from their peers. they ostracize themselves before they can be ostracized by the other students at school. I could probably write a whole other essay on reese’s psyche tbqh lmao there’s a shocking amount there!!

of the brothers who are actually old enough to be attracted to girls (reese, malcolm, and francis), he shows the least interest. now bear with me here. you might be thinking, “well, yeah, it’s malcolm’s show, we’re not gonna see things from other people’s perspective!” but that is actually surprisingly untrue, the show is very much equally shown from each family members’ perspectives. starting about s2, when malcolm is in early middle school, he starts getting crushes on girls and pursuing them. francis goes after a few women in the first couple seasons and then marries a woman we see a lot throughout the show.

in the roughly... 130?? episodes I have watched so far, nearly all of reese’s “interest” in girls involve either: competition with malcolm, genuinely just liking her as a friend, or some completely ulterior motive. the only exception to this I can think of is in the early seasons where he has a crush on a cheerleader and tries to get on her good side by joining the cheerleading squad, which the writers clearly set up as a way to make gay jokes about reese. let me give you a few examples of his relationships with girls

the first relationship we see him in is with a “stupid girl” that malcolm tried (and failed) to date, and the main reason they get together is that they think on the same wavelength and genuinely seem to enjoy hanging out. they take breaks from their bro chats to make out every once in a while. eventually he gets her to break up with him because he doesn’t want to go to the school dance with her (he doesn’t want to go at all). years later, he’s dating some girl we meet for like 5 minutes, before he goes to confess to her that she’s the first girl he’s ever loved. she then breaks up with him. he’s sad, but taking it fairly well. he’s about to leave when he sees malcolm hiding under the bed, and learns that he stole his girlfriend. he then runs away to join the army. he was clearly MUCH more upset that his brother stole his girlfriend than he was that his girlfriend broke up with him. there are many more instances of him and malcolm competing for a girl’s affections, and he seems mostly motivated by the competition itself.

in addition to “stupid girl,” he also manufactures an “attraction” to his female army buddy in the last season. the premise of this episode is that his old army buddy (a girl he play-wrestles with and insults like he would his own brothers) comes to visit him, and malcolm convinces reese that she’s attracted to him, and that reese’s nervousness at learning that fact is proof he’s in love with her. there’s a misunderstanding where reese asks her if she has certain “feelings” and she says she does, but what she ACTUALLY means is that she has a crush on reese’s MOM. she’s a lesbian. reese later propositions her (saying he’s saved his virginity for this--he’s probably about 18 here), and when she says omg no im gay, he is HUGELY relieved they can go back to being friends. CLASSIC mlm/wlw friendship moment.

there’s an episode where these cute girls pick up reese (& nerds) to kiss in front of their boyfriends to make them jealous. reese is all for it, and when malcolm argues that it’s not worth his dignity and the beating he’ll get from the girl’s boyfriend, reese counters that that’s WHY he wants to do this--he’s completely invisible at school, and thinks getting beaten up for kissing some guy’s girlfriend will at least make him known around school. at no point does he indicate he’s actually attracted to this girl, and when it comes time to kiss her, he finds the weakest excuse to run away at the last minute.

im not gonna list all of these but there’s more lmao

the following is a random assortment of one-off gay jokes and out-of-context lines with gay reese implications, often homophobically bc its early 2000′s writing:

says “I’m gay” to a girl to give malcolm a better shot at her

(again in competition with malcolm) tries to flirt with a girl by spraying milk in her face as the punchline to a joke, which is. well. hm. self-sabotaging, to say the least!!

Reese: “Do you think it’s right to totally change who you are and turn your back on EVERYTHING you believe in, just to impress a hot guy??” [his dad gives a long, blank stare, before asking:] “...Burt Reynolds hot, or Sting hot?”

“YEAH I like clouds! I call them sky kittens :)” (I just think that one’s sweet!)

“Look, Christie, here’s the thing. When I first met you, I was just messing around. But we’ve gotten so close that, now... I really like you! I can’t keep this up anymore. I’m not the person you think I am. I’ve been pretending since the day I met you. It’s so hard having to constantly cover my tracks to keep my story straight... and I don’t WANT to anymore! I’m tired of living this lie! I’m done with it. I’m sorry.”

he catfishes some guy to blackmail him, but is implied to continue the flirtation even after the catfishing/blackmail is revealed

reese is, technically, married to a man. this particular plot point is played as a joke and manages to be both racist and homophobic, so I won’t go into it. but I believe he is still married to that man. technically.

reese takes care of a huge box full of caterpillars until they pupate and become beautiful butterflies. I feel like there’s some kind of gay coming out metaphor here somewhere.

I think there are a couple other times where he comments on a guy’s attractiveness but I couldn’t find specific instances.

In conclusion: Reese is a deeply repressed gay kid who was socialized SO thoroughly as an early 2000′s straight boy that, despite his attraction for men and his obvious compulsory heterosexuality, he still cannot admit to himself that he is gay even as he enters adulthood. Furthermore, his subconscious frustration about this fact is turned outward to form the “schoolyard bully” costume he uses to mask his insecurities and keep others from getting too close to him.

Thank you for coming to my Ted Talk. I could be convinced to come back for another talk about how Dewey is trans or about how each and every member of that family is neurodivergent in entirely different ways. Assuming anyone has read this far in the first place!!

#sorry this was so long lmao I legit spent 2 hours on this #I have 2 modes: not doing the thing and overdoing the thing #hey anon if you actually see this I'd appreciate a quick message saying so lmao I'd hate to write all this only for you to miss it #I'll probably rb sometime tomorrow at least #also liz if you're reading this i was GONNA add a bit about francis' gay potential like you mentioned but I ran out of steam so remind me t #i think reese has the most gay potential tho #mitm #malcolm in the middle #anonymous #Anonymous

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natsspammityspamspamham · 4 years ago

Text

Why You Should Watch SKET Dance

If I were to tell you what I took away from SKET Dance from old lessons to new, I would say that it said something along the lines of this:

“You are not the mistakes you made in the past. You are not defined the person you were before. If anything, the past is something that you cannot change, but you can surpass those regrets and try to change for the better. Trauma is something that cannot be left behind, but it can get better, especially when you are surrounded by the right people and support. Helping people doesn’t always change the world, but it can change the world of that person and maybe even yours.”

That cheesy quote took a while to write (so did this whole post), but that’s because I wanted to get it right. I wasn’t even sure where to start with this post of sorts.

I will warn ahead of time that if you aren’t familiar with anime, SKET Dance might be an overreach. It does have some references that are niche, and it has a lot of “manzai” (tsukkomi/boke) jokes with tons of mentions. There is fanservice, but no more than you’d see in some of the other series that were released under Shonen Jump. Sometimes the humour and everything can be a little cringy, but I think that’s a given with the fact that you are watching anime.

(This is spoiler-free, gluten-free, no trans fat, and took me too much time.)

Story

I get that it’s like Gintama, but I wouldn’t say it’s a “poor man’s Gintama”. Instead, take it for what it is. It’s like comparing a younger sibling to the older sibling. You’re not letting SketDan shine on its own, and it deserves to.

SketDan has a really simplistic story. It’s about a school club that wants to help people. There is no big war, massive battles, or over-the-top villain that needs to be crushed. I can’t say that it’s episodic, but it definitely leans towards the more “slice-of-life” approach. It has its own arcs that come one after another in good bits and pieces. This series balances itself so well with its drama and comedy. The backstories were done so well, and they didn’t even get to all of them! In fact, one of the best ones was left just in the manga.

The story is made by the characters. It doesn’t rely on the environment or the world around them. Instead, the world to them are the people they are surrounded by. No aliens, samurai, ninjas, or great big event, it’s just them, their high school, and their unconventional club.

Characters

This has got to go down as one of the best ensemble trios in anime. All of them do get their time to develop, and they balance each other out so well. You’d think these characters were friends for their entire lives. I can’t even say who’s the best because I think they’re all the best!

Bossun is a sensitive guy who’s insecure about being the main character of this series (yes, he does mention that). He doesn’t have any spectacular “Shonen Jump” skills. He has no “bankai”, “rasengan”, or “Kamehameha”. He has a hat and goggles. His power is concentration. These are completely valid reasons to be worried about your character status because, on the surface, Bossun sounds downright pathetic (and he knows it). But through the story, you get to see why he’s actually one of the best main characters out there (even if the cast doesn’t want to acknowledge it).

Himeko is one of the coolest characters in this series. I haven’t seen a weapon of that kind… ever. She isn’t afraid to slap the stuff out of anyone and will do anything for a friend. I don’t want to get into her character too much due to spoilers, but it’s revealed early on that she is quite legendary. She’s quite important for the humour of this story. It’s often brought up that she’s the “tsukkomi” (the one who responds to the “boke” stupid).

Last but not least of the great trio, we have Switch. This is probably the character I was most blindsided by. Even though I knew his backstory beforehand (nobody stops me from clicking from “show spoiler” button, it’s quite a problem). He’s the local otaku and database. And he’s probably the most observant. Even though he never “talks”, he’s one of the funniest characters in the series even when he isn’t in the limelight. I legally cannot dig into more about his character due to spoilers. You really need to see it for yourself.

The supporting cast is nothing to put aside either. A lot of them become more and more important as time passes, and the roles they play soon play right into the main plot of the story. We’ve got someone who speaks in “yabasu”, a ghostly occult member, a samurai, a captain, a tsundere, a visual kei star who doesn’t speak in any actual language, a 1.8m tall woman who can literally murder you with a slap, a voice actress idol movie star, and a teacher who makes drugs and bombs. That doesn’t even touch on the student counsel. Anyways, discovering these characters is part of the charm.

Art

There are too many good faces in this anime. While the art isn’t always consistent, it’s never “bad”.

The faces in this anime are on-par with other comedy anime. This is just the tip of the iceberg.

Music

*downloads all the music*

I’m going to pretend like I haven’t listened to some of these on repeat since I finished the anime. Not all anime will literally have a designated band that are made after the characters. That was a really nice touch. There are a ton of special insert songs that go with certain arcs too.

SKET Dance is like any other anime in a way. It benefits from having a good OST. A good OST will add to the story. It will add to the anime, and it will convey all the right feelings. It helps with the comedy, the drama, and the random “what am I watching” moments.

Seiyuu

I wanted to save this category for last. This anime actually changed the way that I look at all the main seiyuu of this anime. It’s not that often that the Vomics (voice acted comics) have the same cast as the anime. They fit their characters so well, and I really can’t express that enough. I associate their voices with their character. It’s like how you can look at a picture of your favourite character and remember exactly what they sound like (or maybe that’s just me).

I haven’t actually heard a lot of lead roles by Hiroyuki Yoshino because he has such a uniquely odd voice. I think the last anime I watched where he actually played the protagonist was Kekkaishi which was quite a while ago. He did well for that role too. Another anime where he played one of the main characters was in Hai to Gensou no Grimgar which didn’t have a very enjoyable cast compared to other anime including SKET Dance (but still worth checking out if you like tamer isekai). I’ve also seen him play a suave character, but I actually skipped most of his lines going, “Not this again.” Present Mic is a character that he seems to be popular for, but those specific niche characters didn’t give him nearly the range that Bossun did. From the moments we were laughing with him and at him to the serious moments that really made me go quiet, it felt like he was truly the character.

Ryouko Shiraishi is such an underrated seiyuu. She admits that she doesn’t have a very cutesy voice, and due to that, the number of female characters she can play goes down, but I wouldn’t dismiss how great she is. For one, she’s really good at the Kansai dialect. Second, she plays a lot of younger male characters. She makes Himeko really cute but also really tough and spunky. She carries a lot of the humour as the reactor “tsukkomi”. And if you’ve watched Demon Slayer, she plays one of the demons and is so good at it. I really like her unique voice because it deviates from the norm just like Himeko’s character.

Gintoki—I mean Tomokazu Sugita is great as Switch, and even though sometimes we forget that he’s a legitimate voice actor who can actually voice act and not just scream on command. Of course, he’s funny. That goes without saying. Almost all of his well-known characters are known for being funny. Even the guy in real life is really funny. I’m not sure how much explanation would be needed for him.

Summary

Overall, I had such a good time with this anime. It made me laugh, feel the feels, and really smile (I mean the type that people really ask you what the heck you’re watching because you’re smiling like you just watched someone you hate fall down the stairs). It reminded me of what I liked from comedy anime, but it also reminded me what I like about anime that take it to basics with just its characters. Actions and battles are good once in a while, but the characters are the heart, soul, and being of this anime. If you’re looking for a good laugh or smile with a ton of gags and jokes with a great ensemble cast, look no further! SKET Dance is here!

I’m going to recommend this anime to anyone who has read this, @azroazizah, @brettyblease, @tsukiomoon, and anyone else who likes those Shonen Jump shenanigans.

P.S. It is totally worth picking up the manga after watching the anime.

#sket dance #anime recommendation

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scottymcgeesterwrites · 5 years ago

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10 Underrated Movies of the 2010s

1. John Carter (2012)

Before Snow White and the Seven Dwarves was even produced in 1937, Disney was considering producing an adaptation of Edgar Rice Burrough’s A Princess of Mars as Disney’s first animated film. During its pre-production stage, producers weren’t quite receptive to the concept. The story was about a man being transported to Mars, where its gravity gave him super powers, and he fought with four-armed green-skinned aliens. Back then, space ideas were the last things on people’s minds in the ‘30’s. They wanted something uplifting from The Great Depression. Disney didn’t quite scrap the story; they shelved it for later and decided to go with Snow White and the Seven Dwarves as Disney’s (and the world’s) first feature-length animated movie. John Carter holds the award for the movie with the longest time spent in “development hell”. For the next 75 years, different directors and producers would try to bring back the classic tale of daring-do on the planet Mars. Growing up reading Edgar Rice Burrough’s novels, I was enthralled to hear that they finally produced a live-action film to be released on 2012 – and it was even near my birthday! March of 2012 marked 100 years since Edgar Rice Burroughs published A Princess of Mars. It was like all the stars were truly aligned for something great. The movie finally came out and it . . . didn’t do well at all. It’s also notable for being one of the most expensive movies ever made – and it was all for nothing. What happened? Most of you reading this may even be unaware of the hero John Carter or A Princess of Mars. I find that the main issue was the problem of John Carter being largely unknown because it has been long overshadowed by Flash Gordon, Superman, Star Trek, Star Wars, Battlestar Galactica, and literally everything else that owes its inspiration to John Carter. Superman got its concept of gravity-granting superpowers from John Carter. Flash Gordon got its human-on-another-planet heroics from John Carter. Star Wars derived nearly everything from Flash Gordon. The domino effect goes on. The further you go, the more people forget the original inspiration, and we live in a world now where people don’t really care about who did it first, but who did it best.

There’s a particular scene in the movie John Carter where the titular hero has to fight monsters in an arena. Many critics were bored of the scene, claiming they saw it already in Star Wars Episode II: Attack of the Clones; which is ironic being that the arena scene was written almost a full century before Attack of the Clones. Scantily clad Carrie Fisher in Return of the Jedi? That’s a Deja Thoris reference from A Princess of Mars.

It can be difficult to judge a movie or story by itself aside from other derivative works. When that source material is some obscure adventure tale that is literally older than World War I, you should realize that probably not a lot of people have heard about it nowadays.

The film suffers from two other major points: the runtime and the combination of books one and two of Burrough’s original trilogy. A Princess of Mars is a rather simple tale of a man saving a princess on Mars. Its sequel, The Gods of Mars, goes into more complex matters as the evil Therns are revealed as a group of mysterious aliens controlling all culture and life on Mars for their benefit. The movie John Carter tries to combine the two, and I see why. Modern audiences are uninterested in seeing another adventure tale about a guy saving a princess. Ironically, that would have worked much better in the 1930’s, but the Disney board at the time was like, “Space? What’s that? Mars? What’s this newfangled spaceship business?” John Carter ultimately had the unfortunate and unique experiences of being both too ahead and too dated for its time.

I still highly recommend it because the production value is amazing and it’s still highly entertaining. The score is fantastic (Michael Giacchino), and the performances are great, albeit with some cheesy dialogue. The screenwriters added more depth to the character of John Carter that really pulls some heartstrings, especially during one particular scene where he’s bashing hundreds of aliens to a pulp.Unfortunately, the poor performance of John Carter prevented its sequel and the planned trilogy from ever being produced. At the end of the day, I’m still content with seeing the world’s very first space adventure that ultimately inspired Star Wars finally put on screen. 2. Solo: A Star Wars Story (2018)

I was frankly surprised when nobody else cared about a Solo movie coming out. Having read A.C. Crispin’s Han Solo Trilogy when I was a kid and having overall grown up loving the character, I thought ANY Star Wars fan would be pumped. That was the issue right away before the movie even hit theaters – Nobody. Fucking. Cared. The previous year’s Last Jedi left a sour, divisive taste in the Star Wars fandom. Toxic fans threw their hands in uproar and an entire debacle unseen since the prequel trilogy exploded. Like with Jake Lloyd in The Phantom Menace, fans had continually harassed and bullied Kelly Marie Tran for playing Rose to the point where she quit Instagram. YouTube videos nearly 30 minutes long were dedicated to bashing the film and “SJW culture” and “virtue signaling”. The entire debacle was a nightmare that makes me shudder to even think about. It was like everyone was tired of Star Wars by the next year. Some people like to say that “Star Wars fatigue” wasn’t the thing because nobody was tired of Marvel movies. I disagree. First of all, I witnessed immediate responses to people’s reactions at the trailer. They said “I don’t care” and “Why do we need that?”. Second, Star Wars and Marvel are two completely different universes. Marvel has a nearly infinite range of various stories with various atmospheres and moods and characters. One Marvel fan can “specialize” in Doctor Strange while another mostly loves Thor. Star Wars follows the same group of characters over the same damn story that we’ve already known for the past 42 years. Like John Carter, Solo had the same problem by being too confident and throwing too much money into its production. Solo also happens to be on the list of the most expensive movies ever made. Its poor performance and inability to make a return on the total costs scrapped the possibility of any more future standalone Star Wars films. Further dissections of why it didn’t work out vary. Some people hate the droid L3-37 and claim unnecessary SJW content. I disagree with that too. In my rulebook, something in a story is not unnecessary unless it proves crucial to the plot; L3-37 is the reason why the Kessel Run worked. Were it not for her fanatic desire of starting a droid revolution, Han wouldn’t have survived. The idea of revolution is also crucial and foreshadows the coming Rebel Alliance. I wonder if people would have had the same reaction to L3-37 if the movie had been released years before the current political situation; if we would have just seen her as a cool, kooky and rebellious droid instead. Solo: A Star Wars Story reveals that Han has always been around instances of rebellion, which he has tried to ignore. It isn’t until A New Hope that he finally gives in for good. I honestly don’t see why some people say it doesn’t fit with A New Hope when it clearly does. One of my favorite parts is when Q’ira tells Han, “I know who you really are.” From the trailer, you would expect her to say “A scoundrel.” But in the film, she says, “The good guy.” The film cements the idea that Han has always tried to look and act cool but deep down he gives in to doing the right thing, which separates him from the other scoundrels at the cantina. It’s because of this adventure that he ends up helping to blow up the Death Star later on. Also, like John Carter, the score is absolutely fantastic. I could go on about it but that would derail the topic for another time. 3. The Gift (2015)

I ended up seeing this movie on a whim by myself after someone bailed on me at the last minute to hang out. I had nothing to do but wanted to do something and checked what was playing in theaters at the time at my local theater. The synopsis hadn’t told me enough about what was really going on while at the same time enticing me. Jason Bateman though really surprised me in this role.I really don’t want to give anything away other than what you can find on the basic synopsis. Jason Bateman is married to Rebecca Hall and the two share a completely content life, until an old school friend of Jason’s starts visiting them. Joel Edgerton plays the school friend, and it’s quite amazing that he both wrote and directed this film too. 4. Prisoners (2013)

This movie was great – and absolutely nobody talks about it. I recall wanting to see a movie with my mom around fall of that year. We realized there was really nothing interesting in theaters. It was a lull where there was nothing really interesting playing. No blockbusters and no Oscar buzz. We chose Prisoners solely based on the fact that we like Hugh Jackman and Jake Gyllenhaal, and I guess we also gathered the general sense that it was a mystery.I became glued to the screen during the entire movie. The story revolves around Hugh Jackman’s daughter supposedly abducted by Paul Dano, who plays a mentally ill suspect. Jake Gyllenhaal plays the detective tasked with finding the daughter. With Paul Dano being unable to articulate his thoughts, everyone is left distraught on how to solve this case. Hugh Jackman and Jake Gyllenhaal take drastically different routes in trying to find the girl.Out of everything on my list of underrated films here, this was the most nail-biting. Highly recommend. That ending. Whoo. 5. Source Code (2011)

This movie is a real mindbender. It might be so much of a mindbender that it’s the reason why people didn’t talk about it more. They probably just thought, “Huh?” and wanted to rewatch the previous year’s Inception again instead.Jake Gyllenhaal is on a mission to find a bomber on a train in a computer simulation. That’s how it starts at least. . . Another movie I probably shouldn’t explain too much, but it explored themes about a post 9/11 world and the nature of self. 6. The Big Short (2015)

This movie was a hit and then everybody forgot about it. Heck, I know a bunch of you didn’t even see it. I find this really concerning. Brought to you by the director of none other than Anchorman, Adam McKay directed a very entertaining but distressing take on the Great Recession. It has an ensemble cast of Brad Pitt, Steve Carrell, Ryan Gosling, and Christian Bale. The movie manages to translate complicated, bullshit concepts in Wall Street into layman’s terms. Every performance delivers, yes, but it was also staggeringly prophetic in what would come a year later in the 2016 election – “I have a feeling, in a few years people are going to be doing what they always do when the economy tanks. They will be blaming immigrants and poor people.” This movie should have seriously started a riot. But it didn’t. Watch it. 7. Spectre (2015)

Many Bond fans hated Spectre, and it’s often compared to the supposed high-and-mighty Skyfall. I beg to differ. Spectre brought back the fun in Bond without also resorting to the really obnoxious misogyny. The Daniel Craig era of Bond films went back to Ian Fleming’s original intention of Bond being more of a “blunt instrument” than the tongue-in-cheek action hero he came to be known in the film series. And that’s okay. But you can’t help but be bored once and a while by the recent trend of “making things gritty in the new millennium”. Spectre brought back the evil Blofeld, Bond’s nemesis. Fans hated it because this movie implies that every other Daniel Craig movie has been tied to Spectre, ruining the standalone nature of Skyfall and feeling like Spectre was a shoe-in.

This situation requires a lot of explaining, but I’ll be brief.

The creative entities of Spectre and Blofeld were tied up in a copyright battle for almost half a century. Back when Ian Fleming was still alive, he was working on a script for Thunderball with a screenwriter named Kevin McClory. Long story short, there was a dispute on who created Spectre and Blofeld – Fleming or McClory. McClory won the dispute and MGM (the producers of the Bond films) were prohibited from using the names and characters of Spectre and Blofeld.

The last time we officially saw the character in name was in 1971’s Diamonds are Forever. Blofeld made a cameo in 1981’s For Your Eyes Only but was never mentioned by name, but you knew it was Blofeld because he was always the man with the white cat. McClory did eventually make his own version of Thunderball in 1983’s Never Say Never Again, which was an unofficial Bond movie yet it still starred Sean Connery (crazy, I know).

Fast-forward to when the Daniel Craig era started in 2006 with Casino Royale. Spectre and Blofeld were still under copyright protection of McClory. Instead of using the name Spectre, the writers had to come up with another Specter-inspired evil corporation. So they came up with “Quantum”, the evil company behind the plots of Casino Royale and Quantum of Solace.

BUT THEN, the McClory estate officially settled the matter with MGM in 2013, and Spectre and Blofeld could now be used. The writers jumped on it and that’s why to some Spectre feels like it was a shoehorned at the last minute.In my opinion, Skyfall had more issues being a standalone film. The villain Silva was supposed to be working alone and yet somehow create all these elaborate, time-sensitive plots that was just too much for one man with maybe a few henchmen to pull off. In Spectre, it’s implied that Silva used Spectre’s resources to help him plan his revenge. This would realistically make more sense. After all, it’s in the name: SPecial Executive for Counter-intelligence, Terrorism, Revenge, and Extortion. One would go to Spectre in order to enact revenge on someone if one didn’t have the means or resources.

And the whole Quantum being a part of Spectre thing – so what? Quantum was meant to be the same thing anyway. Lastly, there is some dispute on to the nature of Blofeld’s relationship with Bond. Bond suddenly has an evil foster brother now? Some complained about it. I thought it was fine. It gives a reason for Blofeld to go out of his way to torture Bond rather than just shoot him, which is a point always parodied in Bond spoofs. So again, it actually makes sense. I thoroughly enjoyed Spectre. It was virtually not misogynist out of the new Bond films. It treated the main girl, Madeline, very well, as well as the “other” girl Lucia. Yeah, some of the action is dumb and more out of spectacle than realism. It’s still done with the same wit and style of the old Bond films. 8. Shazam! (2019)

Yeah. I get it. Everyone’s tired of the god-awful, insipid DC Cinematic Universe (except for Wonder Woman), which pales in comparison to the Marvel Cinematic Universe. But Shazam! was finally a very fresh, funny, and lively DC movie. What makes it stand out to me was how it ended up revolving around the main character’s friends standing together with him, rather than just simply being an origin story of one superhero. Nothing felt like it fell flat. The humor was spot on. The action was good. You had a really pained, terrible villain. Some of the plot may be simple but it had a satisfying ending. Shazam! has the same kind of energy as Spider-man: Homecoming, but by doing its own thing and having its own theme of what a family really means. It revels in the genre by literally putting you in the shoes of a child’s wish fulfillment. 9. Safety Not Guaranteed (2012)

I saw this movie on a whim on Netflix. Nobody has made any fuss about it. I think it was fantastic. It’s a quirky sci-fi comedy with Aubrey Plaza playing a newspaper reporter investigating an ad someone put in the classifieds asking for a time travel companion. She goes along with two other co-workers, played by Jake Johnson and Karan Soni (who later becomes the taxi guy in Deadpool). I have to be honest – I don’t find Jake Johnson that funny. In most things I’ve seen him in, I feel like his reactions are forced. But his deadpan deliveries in this movie are on the spot. Mark Duplass was still relatively unknown at this time, and played the oddball guy who placed the ad and firmly believes he made a time machine. The entire movie only costed $750,000! Movies today need to spend over $10 million in order to try and make something as compelling as this. This movie alone influenced the modern indie film industry by combining forces with Netflix. Maybe Netflix and chill wouldn’t have been a thing if it weren’t for this movie. 10. The Nice Guys (2016)

I saved my personal favorite for last. The Nice Guys is my favorite underrated movie that I have seen this past decade. It has everything I love in a buddy film; wit and style. Written and directed by Shane Black, this movie has some real zingers and hilarious deliveries. Ryan Gosling plays a jittery private detective, who unwillingly teams up with Russel Crowe, who beats up people for a living. The story revolves around a missing girl who is a key witness to a grander conspiracy involving the automobile industry. This is one of those movies that never fails to make me laugh. I can rewatch the same scenes over and over and still crack up with laughter. My only gripe is that the final confrontation can be a bit unrealistic at times, which can be close to breaking that border of “Okay, is this witty satire like Coen Brothers or just outright comedy sketch like The Naked Gun?” So to me it felt a little imbalanced in the last quarter. Still, the rest of the movie really hits the right marks.

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escapekissed · 4 years ago

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Lucky do you have any favorite pieces of media from the psychological horror genre? Feels like its a genre that matches ur interests very well 👉🏽👈🏽

there are a couple that really speak to me!

first is rule of rose, which is a game that is incredibly formative to me. in a time where i was looking for representation as a young gay person and REALLY into looking up wiki pages for horror games, rule of rose showed me the symbolic trauma of puberty and toxic ‘love’ between girl children and the violence of patriarchal figures that i was looking for. it showed such cruelty but also such strength in its main character, and the symbolism? exquisite.... it also just has such a creepy atmosphere and the fact that the game is near impossible to play along with its shitty graphics for the enemies makes it so. peculiar and creepy in a very special way to me.

catherine is another atlus game near and dear to my heart, tho i dont think i’m ever going to be playing full body for that exact reason. it’s a game basically about eugenics and misogyny, about gods&devils thinking of women as only reproductive objects and the men in their lives that ‘waste their reproductive time’ being tortured and killed for it, taking away a woman’s choice. i always thought it would be so interesting to do trans and lesbian takes on this game, and i have never really? stopped thinking about how this game is so thrilling in its themes of entitlement and stopping people’s freedom to love as they wish. this is also one of the only horror games in which the ‘human element’ actually interests me. so many horror games give u terrible people and i dont give a FUCK ABOUT THEM. but the way this game shows u just snippets of his life as a ‘break’ from the excruciatingly scary (to me, because time limits scare me LOL), stressful as hell puzzles. and u get to figure out the mystery of what is going on in people who would otherwise be boring to you, but in this game are shrouded in just enough mystery that ur actually interested in their boring day-to-day lives. its so satisfying just to drink with ur buds. its like really great gameplay to me tbh. i also just love katherine and catherine and they frusturate me so much and that’s exactly what they’re supposed to do which i LOVE. extremely effective atmosphere setting and worldbuilding, basically.

the lighthouse is my favorite horror movie tbh because it does suspense so well. the movie is literally themed around suspense, the suspense of not getting sexual satisfaction to completion, of being touch starved and lonely and repressed, of being able to hold ur boss but never kiss him, of being fed lobster but it tastes flavorless and bland and u can smell ur boss’s farts the whole time while he prattles on with disturbing sailor’s tales and barks out orders until he’s lulled into his drink. i honestly love this movie. and the acting is brilliant and unhinged

there’s a few indie games i really like that have been either formative to me or i just??? really like their vibe and i can basically tell from them i would like every game in the ‘genre.’

pocket mirror to me is like, this beautiful game about your own inner toxicity and escaping from yourself. i love indie 64-bit games like this, the background art is so beautiful, and while i’ve never played all the way through it because it scares me too much---i love ib and all the games in the ‘ib’ genre LOL.

doki doki literature club i know is a very strange game to like, but i enjoy it for letting the women be actual characters with their own thoughts and feelings. the pychological horror movie ‘i’m thinking of ending things’ is the exact opposite of this game.'i’m thinking of ending things’ is a backwards approach to feminist horror in my opinion. it’s from a male’s perspective of his hallucinations of a girl that once didn’t give him a second glance and his violence towards her in these fantasies. it takes itself painfully seriously. it pretends to deconstruct something that the director helped soldify (the manic pixie dream girl trope) in the public eye. doki doki literature club on the other hand, the passive character who ‘things happen to’ is the man. the active roles all go to the women in the game and what they do to themselves in order to be loved by not just a man, but the player, and in doing so they often become the all-knowing god of their own prison. like tell me that’s not the dopest thing u’ve ever heard of!

twilight zone is a big one for me but 5 episodes in particular have shaped how i view horror forever. ‘to serve man’---where the greatest, scariest thing in the world is not being able to understand the language another person is actually using and for them to manipulate u using ur own, actually wishing u harm as they placate you with your own interpretations. the episode where a rich man’s last will and testament is for his vain, selfish relatives to wear a mask until midnight that reveals symbolically how ugly they are to him. they bicker all night with petty squabbles, and then at midnight he reveals the mask has permeanantly shaped their faces to reveal who they really are and the abuse he suffered under them. the cornfield episode still scares the shit out of me as someone with an entitled younger brother whose entitlement and anger is often enabled by those around us, and i’ve always thought that it was such a good show of like, how patriarchy enables little boy’s violence. the episode ‘all the time in the world’ where an abused man with a shitty life is finally the last man on earth and he can do anything he’d like to do and all he wants to do is read but then he breaks his glasses. and finally! the episode where toys in a box come to life and bemoan their fate as they realize they will be trapped there forever in clothes and identities they do not recognize. these episodes always scare the shit out of me LOL.

besides that i really like. low-budget passion project indie games. the first that comes to mind is ‘the path’ which is about a family of four sisters of various ages all inspired by little red riding hood who stray from the path and are hunted by the woodsman. and then the game that YOU my dear myers! showed me! that haunts me to this day. basically a tape talks to you about the areas of a house and then starts to talk about the house as a living creature. and the living creature is hungry, without you inside it. the living creature is tired of being alone, it’s tired of being abandoned, it’s tired, and it’s eyes are empty with no one in the windows, and it’s mind is blank with no one in the bedroom, and it’s hangry there’s no one in its basement to feast on, to torment as it has been tormented by disuse.

last but not least, i really enjoy the book ‘sharp objects.’ which is not technically a horror novel. but it is about a serial killer, and about women and abuse and it has some of the best writing ever. so i highly recommend it AND the miniseries (watch the miniseries first then read the book bc the miniseries is like. directed better? but the novel is written and characterized better. it’s also very short u can finish it in like a day and a half).

honorable mentions for horror In General (not necessarily psychological horror) are: 1) the birdcage. i honestly consider this movie entirely unsettling. robin williams failing to portray a man that is actually attracted to nathan lane, which could be because they have simply been married so long but also is just awful to me in general bc it makes me feel like even our outwardly gay but still more masc gay men can’t love and be attracted to femme camp gays even when they’re married to them. the fact that both these men that could be so in love, that were so in love at one time, you can at the very least imagine, are told by their only son that they need to go back in the closet to impress some old ass republicans, giving the message that no matter how succesful you are in the gay community, no matter how bright and wonderful a presence you are, no matter how loving you are, no matter how much you love, no matter how interwoven you are in lgbt-ness, the straight people you love most will still try to change you to impress the wold. horrifying.

2) coraline. its children’s horror but that’s still horror baby! i think lately about how much the movie talks about mothers and birth. coraline calls whybie ‘why born’ and i just think about how much she thinks about creating a new life with a new mother, and how going through that small door into a long tube... it’s like crawling into a new womb and being reborn to a new mother that loves you. and that’s horrific from a feminist perspective in and of itself---that your child would feel so unloved and unimportant to you that she would literally... rather die in this life, technically, rather be ‘unborn’ to you and born anew to someone, someone just like you but better, someone just like you but what SHE wants a mother to be, feminine and skirted and smiling. and then there’s the fact that coraline only gives this up when she realizes her other mother basically wants to change her more to suit her liking in ways that would cause her pain, at which point she realizes this whole fantasy is a lie, not real, something meant to entice her and control her and make her ‘perfect’---the same way she wants her mother & father to be ‘perfect’ in a way that causes her to act out and hurt them. it’s psychological horror that’s technically not psychological horror in the best way, something you can really dig your teeth into, something that has so many layers to it. and the animation! gorgeous!

3) finally i have recently watched annihilation. and it kind of changed my life a little bit.... so often we’re used to viewing monsters as either 1) malicious or 2) romantic/sad/sexy. but the monster in this movie is literally a metaphor for cervical cancer.

to me, the monsters and the corpses and all the beautiful scenery in this movie, in every color u can think of, a muted rainbow of flowers and nature at its best and most bizarre and sprawling. i often say that monsters are beautiful, but tbh, i feel like... somehow i always mean that in a way that is near-fetishitic, somehow self-depcrating way, where i want to consider what other people think is ‘ugly’ is ‘beautiful to me’ because what i am also ugly to other people as a monster to the cishet white patriarchy. there are things i consider beautiful, certainly, purely beautiful. but when i talk about monsters being beautiful, it is in the way the sublime is beautiful. it scares me, it haunts me, i love it, i want to possess it as part of me, a totem to carry in my back pocket to make the strength in my own ugliness stronger.

when i saw the monster in this movie (SPOILERS) i was immediately unnerved at this bad cgi abomination that bloomed from the most beautiul cgi cancer death cosmos imaginable. it scared me and i had to sleep with a light on for 2 days after LOL. but i was also moved by its gentleness. by the fact that the cervical cancer alien, when it tried to hurt you, wasn’t trying to hurt you at all. it was simply copying your movements. in the movie, it says that the creature wants nothing. it was simply copying. it was simply changing. it’s a prism of nature---and it corrupts yes, and it can hurt people and things and turn them into scary but still terribly unique and beautiful things that also kill---but the movie says that it wants nothing. it simply exists. it’s a part of nature, same as us, a part of the same universe and cosmos, despite being alien to us and stange and hurting us sometimes in ways that it doesn’t understand.

i don’t know. if i quite believe the movie when it says that, though. because i think if you copy someone, like a child would, you are trying to understand them. you are trying to understand yourself. you are trying to form yourself in another’s image when you have none, and you are failing at that, and hurting people and creating monsters in the process, but you are trying as best as you can to be whole and beautiful and sane like the lovely creatures you’ve met on this earth, or this body. to be part of something great and beautiful. to be part of another world.

maybe it doesn’t want anything. but do WE want anything as children, when we copy adults? why did the bear and the alligator try to eat our heroes if they were not hungry? did the bear and the alligator not WANT to eat? i think everything wants to live, and everything wants to grow, and if it can learn to live better and grow better it Will learn even if that is not its explicit intention. does the alien have feelings? does nature? do we have to personify things to understand them? no. does personifying things make us understand them less? no, yes, sometimes. we ask animals and nature to copy us, follow us, so that we can understand them better. the relationship in between----from the hurt, from the pain, from the droughts and the food shortages and the hurricanes and the fireworks---forms from our kindness and understanding. that our crops are useful, and the man-made mutation of our crops and the help of the ran and the sun is also useful. that our animals may not love us, but they need us, and we love them for putting their paw on our thighs to be pet, for following us into the bathroom even when we just wanted a moment alone.

regardless of its intentions, the alien, cancer, every creature, every human, they simply want to grow. in copying others---in trying to touch, to change, to understand, and be close---we learn to live in the same body, learn to live in the same world. the togetherness--the new sight the prism brings---it’s beautiful. it is beautiful to copy, however poorly. it is beautiful to try. we all shape others to our own standards---we sometimes forget we too, were made in own own perception of others’ image.

#ooc: replies #this took me all day to answer because i had to go to COSTCO in the middle. LOL #destructiveglitch

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ponett · 5 years ago

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Welp... it’s over. After nine years, My Little Pony: Friendship is Magic is over. I just got done watching the series finale with Anthony and, just like I knew I would, when the credits rolled, I cried my eyes out

I should probably say something, huh. I’ve been sharing thoughts like this mostly on Twitter lately, but I started using Tumblr to blog about MLP, so I don’t think it would be right to post this anywhere else

I have a complicated relationship with MLP:FiM. It’s a show that got really hit or miss after the second season, and it has a fandom so toxic and so full of edgy libertarians that it scared me off from formally participating in fandoms for the rest of my life. But it’s also probably my favorite TV show of all time. There are other shows that are much better written, that have more to say, that are more consistent, even including several other cartoons from the same decade. But I think I’d be lying to myself if I said it wasn’t my favorite show

No other piece of media has had as massive of an impact on my life as My Little Pony

I grew closer to some of my closest high school friends because of our shared enthusiasm for the show. I started PonyPokey with Jake and Derek and made a bunch of bad videos and got invited to be on a wildly disorganized BronyCon panel with Jenny Nicholson in 2012. (We went on stage immediately after Lauren Faust’s panel. I barely said a word due to stage fright.)

After years of being too afraid to share my art online, I started putting more effort into learning digital art so that I could draw ponies. It started out rough, but with the drive to improve, I quickly got better. I started Fluttershy Replies. For the first time, I had an audience. I had people who cared about my work and supported me. Even as times have changed, many of you have been following me since way back then

Around the time I came out as bi in 2012, I got really into MLP shipping. Writing sappy comics and drawing sappy art became an outlet for my years of pent up feelings, and helped me sort out a lot of stuff. My Little Pony also completely changed the views on femininity that had been beaten into my skull since childhood. Suddenly, it wasn’t this strange, alien thing to be afraid of. MLP, at its heart, is a show about how there’s no wrong way to be a girl. That’s an incredibly powerful message. Rarity wasn’t a vapid snob. Fluttershy wasn’t a background character who got made into the butt of the joke. Pinkie wasn’t a ditz. These were characters written to be empathized with. And writing about my own feelings from the perspective of Fluttershy felt... right. It took me a few years to fully process those feelings, but eventually, I realized the truth. I was a trans woman. And a cartoon about horses was the first step on my path to realizing this

In 2013, one of the roughest years of my life, I decided to download RPG Maker on a whim to give myself a distraction. Naturally, my first instinct was to make a game where Fluttershy and Rainbow Dash kiss. What was initially supposed to be a short, Fantastic Game-esque playground of silly little jokes spiraled out of control and became Super Lesbian Horse RPG, a game that I poured my heart and soul into over the course of a year. And then, a couple years later, my desire to preserve the ideas from my copyright-infringing fangame also spiraled out of control, as all my creative projects do, and became SLHRPG’s successor: Super Lesbian Animal RPG. SLARPG isn’t really a reskinned MLP fangame anymore--it’s more like a new game inspired in part by my old project. The story has been drastically rewritten, the characters changed, the levels and gameplay redesigned. Most of the cast of the new game wasn’t in the original project in any form. There’s much, much, much, much, much more new content than old left in the game. And the original game had already strayed so far from the canon anyway. But I’m also not sure it would exist without MLP

I made a bunch of friends online, including close friends I still have to this day. I met the people like Bee and Thomas who I’m still working with on SLARPG. Most importantly, because we both blogged about MLP and had some mutual friends, I met Anthony, the love of my life. We’ve been together for five years now and supported each other through good times and bad. This is the lamest, corniest, stupidest thing I will ever say in my life, but he’s the Rainbow Dash to my Fluttershy

...

So what about the finale itself? (spoilers, obviously)

I have... mixed feelings on the finale. There were some things that really annoyed me in there. But also, like I said, I cried, so I think it’s safe to say they did good overall

I think the thing that stuck in my craw the most was Discord. Which I guess shouldn’t be surprising. I’ve been saying for years now how I hate Discord, how he spits in the face of everything the show stands for. He’s an obnoxious elderly manchild who constantly causes problems on purpose and torments his so-called friends the second they stop paying attention to him. But they have to put up with him and give him infinite second chances, because he’s a god and Celestia said they had to reform him

The overarching plot of the final season is that Queen Chrysalis, King Sombra, Tirek, and Cozy Glow (a Darla Dimple-esque filly villain from season 8) had teamed up with Grogar, a “new” villain taken from G1. While this goes on in the background, Twilight is making her preparations to become Celestia’s successor, as we’d known would be her destiny since the day she got wings six years ago. The villain team-up stuff was genuinely fun, and a highlight of the season for me. But then, in the three-part finale, it’s revealed that Grogar was actually Discord in disguise, and that he’d been intentionally trying to orchestrate a big attack on Twilight’s coronation so that she and her friends could save the day and get a big confidence boost going into her reign as princess. This is like... one of the most bafflingly stupid plot twist of all time. It’s literally the end of the show, and Discord has learned nothing. He’s “nice” now, but he’s still intentionally causing huge problems and putting everyone’s lives in danger to solve his problems. He freed four different villains they’d already defeated just so Twilight could beat them again, and in the process they literally blew up the goddamn castle in Canterlot and nearly killed everyone. And yet... they still forgive him, because they have to

I did, however, think that the last two-part adventure episode was fun overall. It tied a nice bow on much of the series, bringing back a bunch of old friends (including cameos from the movie cast!) to band together and save the day. Of course, in the end, they beat the bad guys with a big rainbow laser and sealed them in a statue. You know, even though a previous season finale was all about how solving their problems with a friendship laser and sealing the villains away never worked. Also, Cozy Glow might be evil, but she’s still literally a child? And now her petrified body is on display in the center of Canterlot? What the fuck????

I’m complaining a lot, but again. It was fun overall. It was nice to have one last big adventure, and to have the mane six reflect on how they’d grown since Twilight moved to Ponyville

...

And then we got the actual final episode. And boy did this one hit me HARD

I’m so glad that they ended on a quieter episode about the main cast’s friendships, because that’s what the show is actually about. The two-part adventures to save Equestria every season are fun, but that’s not the real show. We all came back every week for Twilight and her friends

There are things I can complain about here, too. Spike being a buff adult dragon with the voice of a child is fucked up. I’m still not used to seeing Twilight be Celestia’s size. But more than anything, I was always worried that we’d get a Harry Potter ending, where all the characters are paired off into arbitrary marriages so they can all have kids. Thankfully, this didn’t really happen. The only one who had a kid was Pinkie, who apparently got married to Cheese Sandwich (Weird Al’s character) at some point. Like, they literally shared two episodes together, with no hint of romance? But then they got married and had a kid off-screen??? What the fuck???? A lot of people also think that Fluttershy ended up with Discord, and I know I’m massively biased against that ship, but... I mean, they teased the FlutterCord shippers, but there wasn’t really any actual textual evidence that they were any closer than they had been previously. Y’all weirdos who ship Fluttershy with an obnoxious elderly man can interpret that as being “canon” if you want, I guess, but it’s not

The other relationship that shocked everyone in the finale was Applejack and Rainbow Dash, who... appear to be a couple? It’s definitely hinted at. I have... very, very mixed feelings about this. I mean, okay, obivously I’m the big FlutterDash fangirl. But I think AppleDash is cute, too! The problem is that, like... they’ve barely interacted in years? Like, they had a lot of episodes together in the first two seasons, but then the writers barely ever had them interact past that point. I can’t even remember when the last time we got an actual episode focusing on them was. And no, the one where Rainbow takes Granny Smith to pony Vegas doesn’t count

Like... yeah, it’s cute. It’s a nice gesture. Lyra and Bon Bon getting married in the background was also cute. But we can do so, so much better in 2019. We have so many explicitly canon lesbian couples in cartoons. Couples that actually kissed, or got married, or showed feelings for each other. Rainbow and AJ barely even fucking talked to each other in the final few seasons. I dunno, it just feels very hollow to me. Even the Equestria Girls crew admitting they were pushing RariJack felt more substantial to me, because at least they were given on-screen chemistry and lots of canon interaction

But in the end, complaints aside, the finale was about Twilight moving back to Canterlot, and worrying that her friendships would fade because of it. Honestly, I think this is what the finale of the show always would’ve been. It was the perfect story to end on. And boy, it hit really close to home

And then the last song happens, reflecting on how things have changed, but how they’re all still friends. And we see all the other friends they made along the way. And the camera zooms out, and the book from the opening of the very first episode closes, bringing the entire nine-year saga full circle

And then I started sobbing really hard in Anthony’s arms

...

I dunno. I just got done nitpicking a lot, but I still think that the last episode was a good and very emotional ending for the show

I’m going to miss this show dearly. I know it will be back in a new form, and that the leaks indicate that it’ll still star slightly different versions of the Mane Six. I’m also used to shows like this getting rebooted. Hasbro cartoons are honestly lucky to last past three seasons. FiM, on the other hand, got over 200 episodes, a theatrical film, a few specials, some shorts, a bunch of comics (which I still need to read), and a spinoff human AU series that was also really great. There’s no shortage of content, and I’m sure I’ll be returning to the series for years to come. I’m also glad that the show managed to go out on a high note

But still. It was a constant presence in my life for nearly nine years. Even as the quality got really hit or miss, even as they took the premise in strange directions, even as the crew of the show grew more and more dominated by men, it was still a show I could rely on to always be there, 26 episodes a year. I’ll miss it. I hope what comes next is just as good, if not even better. I also hope it’s gayer

I was going to end my ask blog, Fluttershy Replies, around the time the show ended. I’m not sure if I’ll do that just yet. I don’t know. I think that might be a bit much for me to process emotionally. Too many doors closing in my life in quick succession. But I do want to do more with it. These characters will be special to me for the rest of my life

I mean shit, I haven’t even drawn StarTrix yet. I’ve still got a lot of work to do with these horses, folks

#bobby thinks about horses

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jmsa1287 · 5 years ago

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A Year in Review: The 31 Best Episodes of TV of 2019

There's never been more TV than this year. Thanks to the launch of new streaming services like Apple TV+ and Disney+ (with more to come in 2020!), there is an infinite number of hours of content out there. And while not all those TV shows are worth a watch, mot seasons of shows genuinely contain at least one great-to-amazing episode. The 31 episodes listed below are the ones that stood out the most; that either became part of the cultural conversation or were not well-watched but still resonated in a way that deserved more attention. Whether it was the writing, the acting, a visual moment or a hilarious scene, these selected episodes rose above the cut to show what TV can do in this unprecedented era.

31. “Striking Vipers,” Black Mirror Season 5, Netflix

30. “Smell Ya Later,” Killing Eve Season 2, BBC America

29. “Chase Gets the Gays,” The Other Two Season 1, Comedy Central

28. “Refugees,” Ramy Season 1, Hulu

27. “Finish It,” The Deuce Season 3, HBO

26. “Chapter 7: The Reckoning,” The Mandalorian Season 1, Disney+

25. “Life’s a Beach,” Pose Season 2, FX

24. “Easter,” Better Things Season 3, FX

23. “Chapter 8: Overview,” The OA Season 2, Netflix

22. “Reborn,” Servant Season 1, Apple TV+

21. “Stories,” Broad City Season 5, Comedy Central

20. “Blondie,” High Maintenance Season 3, HBO

19. “The Trials and Tribulations of Trying to Pee While Depressed,” Euphoria Season 1, HBO

18. “The Bad Mother,” Big Little Lies Season 2, HBO

17. “405 Method Not Allowed,” Mr. Robot Season 4, USA

16. “1:23:45,” Chernobyl Season 1 HBO

15. “Dundee,” Succession Season 2, HBO

14. “Episode 9,” Mindhunter Season 2, Netflix

13. “401 Unauthorized,” Mr. Robot Season 4, USA

12. “Take Me as I Am, Whoever I Am,” Modern Love Season 1, Amazon

11. “Part Four,” When They See Us Season 1, Netflix

Ava DuVernay's achingly painful "When They See Us" miniseries about the persecution of the Central Park 5 is capped off with its brilliant final episode; a showcase for Jharrel Jerome ("Moonlight") who undergoes a transformation here unlike any other actor on TV this year. Playing Korey Wise, we see Jerome go from happy-go-lucky New Yorker to a victim of the vicious prison system who is beholden to his truth despite its consequences. It is a harrowing 88 minutes of TV that is both devastating and beautiful, carried on the shoulders of Jerome's unparalleled performance.

10. “A God Walks Into a Bar,” Watchmen Season 1, HBO

The penultimate episode of "Watchmen," the buzziest show of the fall, is the most Damon Lindelof has been during this stellar season of TV. "A God Walks into a Bar" is a revealing episode in the same way as the last season of "The Leftovers," Lindelof's previous project. The episode reveals that for all of its surrealness and commentary about race and gender in our world, the "remix" of the popular comic book series is, at its core, a love story. Lindelof sets the episode as a classic cosmic joke but as it goes on, it exposes itself to be full of heart and emotion; about two people from different parts of the universe (and different parts of the space-time continuum?) connecting. At a bar. Over beer, conversation, and eggs.

09. “Strawberries,” Ramy Season 1, Hulu

Unlike anything depicted on TV, "Strawberries," the peak of Hulu's comedy "Ramy," created by standup Ramy Youssef, is told in flashback, tracking a young Ramy in the days leading up to and after 9/11. Seeing the event play out from the perspective of a young Muslim child in middle school is heartbreaking and raw; a highlight that is thoughtful, meditative, funny and surprising.

08. "Shook One Pt. II,” Euphoria Season 1, HBO

It's not until "Shook One Pt. II" that "Euphoria" finally clicks and finds its groove. Playing out at a carnival, the episode raises the dramatic stakes for the show's young cast, where creator Sam Levinson's bold aesthetic choices complement the intense tension on display. Part thriller, part romance and all edge, this episode of "Euphoria" features stellar performances from Zendaya, Hunter Schafer, Jacob Elordi and more.

07. “Volume 7: The Magician" + "Volume 8: The Hanged Man,” Too Old to Die Young Season 1 Amazon

It was hard to pick just one episode of Nicolas Winding Refn's twisted noir cop saga "Too Old to Die Young." The controversial auteur made a perfect thing for streaming age; somewhere between a film and a series. NWR said himself that you can watch the episodes out of order, or start from anywhere, which is sort of true. But it's the back-to-back episodes towards the back half of the series, "Volume 7: The Magician" and "Volume 8: The Hanged Man," that stand out the most; a chaotic and insane set of events that turn "TOTDY" on its head.

06. “Posh,” PEN15 Season 1, Hulu

"PEN15" is hands down the funniest show of 2019 but it's the Hulu series episode "Posh" — a thoughtful and insightful examination of racism in the 00s — that is the show's highlight. In the episode, BFFs Maya (Maya Erskine) and Anna (Anna Konkle) make their own version of the Spice Girls with a group of mean girls at their middle school for a class project. They force Maya, who is Japanese-American, to play Scary Spice — the only woman of color in the insanely popular British girl group, because Maya is the only girl of color among them. It sparks a deep divide between Maya and Anna that is explored in the short episode with maximum effect.

05. “DC,” Succession Season 2, HBO

Over the last few years, Americans have made Congressional hearings they're own sort of perverse reality show. So, it's no surprise that "Succession" would go there and put members of the Roy family on display and under scrutiny. The main targets here are Tom (Matthew Macfadyen) and Cousin Greg (Nicholas Braun), who have to answer a number of questions about Waystar Royco's handling of alleged sexual assaults and crimes involving the company's cruise line. "Succession" had been building up to this moment since early Season 1 and the payoff is both cringe-worthy and hilarious.

04. “The Great War and Modern Memory,” True Detective Season 3 HBO

Filmmaker Jeremy Saulnier's ("Green Room," "Hold the Dark") crack at a TV show is nothing short of spectacular. With "The Great War and Modern Memory," he establishes an unsettling mood and tone to the third installment of "True Detective," a somber story about two cops investigating the disappearance of two young children over the span of several decades. The episode is poetic and solemn, featuring two mind-blowing performances from its stars Mahershala Ali and a career-best Stephen Dorff. They're both in tune with what kind of show they're in, selling creator Nic Pizzolatto's writing, which coming out of the mouths of other performers would likely sound dreadful.

03. “Episode 1,” Fleabag Season 2, Amazon

Filming a dinner scene is not as easy as it looks. For the first episode of the second season of the outstanding "Fleabag" both writer/creator/star Phoebe Waller-Bridge and director Harry Bradbeer hit out of the park. It's a whirlwind of an episode where PWB's Fleabag character literally tells the audience Season 2 is a love story, which, of course, involves the so-called Hot Priest (Andrew Scott). "Episode 1" is fast, zippy, and manages to get most of the show's cast in one room, featuring wonderful performances from not only PWB and Scott but also Olivia Coleman, Sian Clifford and Brett Gelman. It's a chaotic half-hour of TV that has a kinetic energy unlike anything else this year, taking an awkward family dinner to its limits.

02. "Series Finale Part 2: Hello, Elliot,” Mr. Robot Season 4, USA

The series finale of “Mr. Robot” is as emotional as it is shocking. Sam Esmail sticks the landing with his hacking drama, turning a story about a vigilante and his crew trying to right the wrong world into a personal journey of a young man struggling with deep trauma. It’s a beautiful sendoff, that is fully satisfying and a magnificent accomplishment of modern television.

01. “Never Knew a Love Like this Before,” Pose Season 2, FX

"Pose" proved itself to be an uplifting and hopeful show, uprooting cliched and tragic stories about trans people we've come to see on screen and instead, opts to show us something beautiful. But its "Never Knew a Love Like This Before" that is 2019's best episode of the year — a heart-wrenching and unexpected boom and a reminder that trans people, especially trans women of color, are often in danger. Here, Candy (an out-of-this-world performance from Angelica Ross), who orbited around the main cast in the series, is murdered. She returns to her funeral in spirit, having in-depth conversations with her friends, enemies and frenemies. Pray Tell (Billy Porter) honors her by moving forward with her wish — a lip-synch category for the balls that he previously rejected. It's a beautiful story about the history of queer culture that's personalized in an unexpected way.

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