#its just very white and palatable

[anewbrainjughead]

i will say that the way poor things handles disability and disfigurement left a bad taste in my mouth

[t4tpumpkinduo]

man.

[llycaons]

cult mention

I don’t want to disrespect their experience and I have no interest in arguing the point but it’s kind of wild that someone made a post comparing people begging on the internet for food, housing, and medical care to...a financially abusive cult they were in

[aliosne]

I think, and kind of want to do a poll about it, that some of us mean something a bit broader when we say “spicy.” Like I absolutely have White People Palate im not denying that, but either there are some compounds that just hit some of our tongues differently like the cilantro soap gene, and/or a lot of people specifically identify “feeling of capsaicin” as spice and not other spicy compounds. I feel like I could go down a very deep rabbit hole here but im restraining myself bc i should go to bed

[39472034658449305249465224devils]

ok i know this is a 3 year old post but i wanted to say- no AFAIK there has never been an explaination for Leo's green eyes, and it seems the concept art version of leo that had green eyes continued later into production- late enough to be on the box art.

But, it wasnt simply a mistake of the colorer- it WAS leo's design back then! if you look closely at the cover art, and then his concept drawing, you can see Leo actually is wearing the same outfit as his concept art design, with a white shirt collar with a cutout. (we cant see his white leggings due to his placement in the pic)

I wont get into it, but the design choices for Leo that seem to run much later into the development of fates than simple concept changes should, paired with Fate's really, really mindful useage of colors, does support a theory of mine about the original script of fates before it was cut super small and strangely to fit into the way the game was supposed to go.... There's actually a TON of weird loose ends surrounding Leo as well as more depth than the game likes to bring attention to. A lot seems to imply Leo could have been a part of a more major role at some point before being redesigned to fit more carefully with Xander instead of with Corrin and Azura.

Was Leo’s green eyes on the box cover ever explained? Like was it an early look for him that was overlooked in the finished product? Well, anyway, I like the look on him.

[rosemaze-reveries]

― enclosed with love

spending valentine's day with you eli, mary, michiko, naib, norton, percy, philippe

i adored this year's vday café designs so i wrote some hcs for them ^^

⚠️ modern AU

♡ Mary

With a delicate and highly sophisticated palate, Mary is always searching for something new to satisfy her. For Valentine's Day, she books a private tour at a high-end champagne house.

Her driver is scheduled to pick you up in the early afternoon. She arranged your date so “late” to give herself ample time to settle on an outfit. Her room is littered with hat boxes and empty hangers and piles of ‘maybes’. Everything must be perfect for you. But, every second without you feeds into her restlessness, and she ends up calling you to fill the time. Hours go by on the phone & she still refuses to hang up until she pulls outside your residence.

When she first greets you from the backseat of her car, her hands are on you immediately. She smoothes out the collar of your jacket and peppers a couple of warm kisses all across your face, somehow never quite landing on your lips. She quickly dabs away all the lipstick stamps she left with her handkerchief and apologizes for being so forward,,, only to end up doing it again.

Mary takes high pride in her outfits and never compromises on looking classy. But somewhere in the back of your head, you think: All white? To a wine tasting? What if she gets red stains on her dress? From anyone else, this comment would insult her ― she doesn't take kindly to the insinuation that she's a klutz. Coming from you, she laughs it off saying she's always looked better in red anyway.

She waits until arriving for your tour to present her gifts. Mary gives VERY generously. There's an entire table prepared for you. Mountains of roses, desserts, tickets to that trip you've always wanted to take, luxury spa packages -- she has everything.

♡ Norton

This Valentine's Day is the first Norton will be spending with someone. He'll act like he's not that invested in it, that he's just indulging you.

He keeps up a haughty smirk when you first meet for your date. You had a love letter delivered to him that morning, and he's 100% taking the opportunity to tease you about it. You wrote some pretty embarrassing things about him. How's the real deal living up to your expectations? Dying to bring some of those thoughts to life already? Unfortunately, you insisted on having a traditional date for Valentine's, so you'll have to keep yourself in check until tonight. ← He knows he makes you crazy & he loves having that effect on you.

He gives you chocolates as a gift. They're clearly homemade, shaped like rocks of various sizes with a little gold-dusted heart hidden among them. But just in case you wouldn't be able to recognize them as rocks, he also provided a little toothpick "pickaxe."

Presenting something homemade is a little embarrassing, even if he hides it with that big grin of his. He gives your present a little too fast before switching back to teasing you again.

♡ Philippe

As a perfectionist, Philippe starts planning for Valentine's Day very early. He experiments with all sorts of gift ideas. You're not sure what's going through his head, but he has a highly specific vision and won't rest until he achieves it. He seems to find it important that he gives you something handmade.

Matching photo lockets? A decoden case (if you're into fun phone cases)? Not meaningful enough. A flower vase modeled after his own hand, to sit on your desk? Too tacky. A wax figure? Maybe, but that's too predictable on its own. Maybe he should learn guitar to serenade you.

His final choice is ambitious, but Philippe always is. He builds a little table out of resin, and preserved inside it are your favorite flowers, with detailed wax figurines of you and him dancing among them. It sits in a corner of his favorite room, where he often does dance with you ♡

On the day itself, Philippe would prefer to stay home. It's one of the rare times he gets to have you to himself free of work constraints.

He's the type that always needs to be doing something with his hands. He'd enjoy making chocolate sculptures together -- it's a cute idea, he thinks, to watch you make something so passionately. Whatever your skill level, he loves anything you make.

In the evening, he'll take over all the cooking. A quiet night with steak and good wine (or your preferred drink) is a little cliche, but you both deserve it. Plus, he loves nothing more than casually chatting with you while he works in the kitchen.

♡ Naib

Naib isn't really into the idea of Valentine's Day. He might not even realize it's coming up unless you tell him about it. You'd have to be explicit that you're looking forward to spending the day with him, and even then, he's totally unprepared.

Gifts have never been his forte. Neither have grand romantic gestures. But he's good at working his pragmatic side into the little things: so rather than push himself to be this lovey-dovey, chocolates-and-roses type of lover for the day, he focuses on being 'present' for you.

He brings you breakfast in bed. He's a mean cook, and knows all your favorites. Everything he makes tastes like home, warm and full of love.

Most couples give each other flowers, he knows that, so he goes shopping for one. You're surprised when he presents you with a bouquet of lemons. In his mind, they're cool and refreshing like you, everyone could find a use for some lemons, and personally he finds the colors to be appealing. It doesn't occur to him that lemon bouquets might be an unusual thing to give.

He relies on you to direct the date. Whatever you say, he'll agree. In public, he never leans in for kisses but wouldn't oppose yours. You can try to stand closer to him & he'll slink an arm around your waist briefly, as if to reassure you that he'll always have a secure hold on you, but he'll pull away again before long.

♡ Percy

In spite of all of his eccentricities, Percy is surprisingly traditional when it comes to romance. He invites you to a nice dinner date & arrives much earlier than you, waiting with a bouquet and chocolates. When he first sees you, he wraps a secure arm around your shoulders to tenderly kiss your forehead.

Getting to see this side of him is the payoff of building such a deep relationship with him. Percy is a difficult person to get through. He's obsessive to a fault and cloisters himself away in his studio for days at a time ― no one else would have been able to breach his heart like you have. He will take proper measures to express your importance to him.

His first real kiss leaves tiny particles of something on your lips, but they're sweet in taste. He laughs at the startled look on your face and reassures you it was just a sugar cube. At first he says he was just fishing for a reaction, but later confesses: he was afraid the lips of an undead man might have an odd taste, so he crunched a sugar cube to sweeten it.

♡ Eli

Eli spends the morning delivering roses to other couples on his bicycle. People tend to get especially flattered when their flowers arrive via owl, so his services are very popular this time of year.

He enjoys the little bouts of happiness he can bring to others, but of course you are the one he wants to spend this day with most. With every bouquet he delivers, his mind wanders to you, imagining your reaction when he finally gets to deliver his gift.

He asks you to meet him at an ice cream parlor when his shift is done, around noon. Before you even see him, Brooke Rose flies over to tuck a thornless rose behind your ear, and you turn to find Eli already waiting at a table.

He gives you a small homemade cake and a letter he won't let you read until he's gone. He's a pretty sappy guy even in person, so you aren't sure how his letter will be much different. But having something to be excited about, even after you have to say goodbye, makes it worth it.

His bike rides have left very familiar with all the best spots around town. After splitting ice cream, he takes you for a ride to all the little places he thinks you'll love. A flower meadow, a bridge with a superstition attached: if you whisper the name of your love while crossing it, you'll be bound for life. Part of you suspects he made that up, but the way he says your name over and over makes your heart skip a beat.

Once the sun goes down, he brings you to a forest. Somehow he manages to time it just right. He gestures for you to stay very quiet, gently takes your hands, and suddenly you're encircled by hundreds of fireflies.

♡ Michiko

Since losing her ex-husband, Valentine's Day has become a bitter thing for Michiko, especially since it's so close to their anniversary. She has treated it as a day of mourning for some years. Of course, she keeps up a smile for you ― it's not in her character to impose her struggles on others.

The morning goes by slowly and comfortably. You wake up to a gentle massage and the smell of fresh baked pastries. She writes you a sweet letter in her neat script, and she adorns her letter with pressed flowers & a mini bouquet of your favorite candy.

She makes sure to get you a proper gift, too. She follows a rule of getting 1 indulgent and 1 practical thing: a box of luxury chocolates alongside a fine new coat.

Her ideal date would be something intimate and relaxing. Maybe the theatre, in a box reserved for two, or a shaded flower garden where you can enjoy a cup of tea.

[chaosheadspace]

You KNOW I’m gonna request 21 with Dreamling for the kissy prompts 🥺

🤘five-and-dimes

Hello @five-and-dimes, thank you for sending in an ask! Here you go.

At first, Dream does not really notice.

After all, he has so much to do when he finally escapes, and Hob is a welcome distraction, a haven where he shores when his duty and the voices of others become too much, too heavy. Hob is safety, Hob is respite, Hob is a breath after surfacing after diving.

Hob helps him acclimatise again, makes humanity palatable in a thousand tiny morsels. Where Dream still feels cold glass, still tastes stale air, still sees painted stars, Hob slowly but surely replaces one hundred years of solitude with little flickers of colour.

Hob feeds him, just a few bites, of every meal he eats in Dream's presence. At first, Dream is hesitant, but he owes Hob, owes him for his loyalty, and a little food cannot harm him, can it? And Dream is surprised, the first time, how hungry his body is. Not for the offered sustenance, no, but for the care with which Hob offers a forkful of his dinner.

Hob's other offerings are easier to accept.

Soft blankets, clothes, even a black plushie called, according to Hob, mothman. He wraps Dream in warm softness, encloses him in the promise of a barrier between him and the recent past.

Television, which Hob is very enthusiastic about. Shows, films, video games. It runs human emotion through Dream on an infinitesimal scale, one at a time, easy, distinct. He tastes laughter again, fear, sorrow, lust, even allows himself to dip his toes into his sister Despair’s realm, but only briefly. The emotion does not have to be his, when he is watching. It is not overwhelming. He can feel it, and let it go. It leaves him exhausted but better, small chunks of himself puzzled into the cracks the past put there.

But Hob does not touch him, not really.

He offers hugs, and cuddles, and readily lets Dream treat him as part of the sofa, putting his feet or his head or his whole self into Hob's lap. But, Dream realises, he has never really felt Hob's touch. A squeeze on his coat-clad shoulder, at most.

It puzzles him, because Hob readily offers and gives touch to other people close to him, Dream has had time to observe. Tight hugs, claps on the back, ruffled hair, clasped hands in earnest conversation, Hob always reaches for people.

But not for Dream.

He recalls countless situations where Hob changed his mind, though. Tentatively lifted his hand, just to take it away again, uncharacteristically shy. If it is shyness at all.

And so it happens that in the middle of the game show they are supposed to be watching, Dream takes one of Hob's hands, startling him.

Hob turns his head, puzzled, trying to jerk his hand away. Dream does not let him. “Wha—”

“Why do you not touch me?” Dream asks softly. He loosens his hold on Hob's hand, turns it over in his grip and gently smooths his index finger over Hob's palm.

Hob releases a trembling breath. “Dream—”

“Please,” Dream says, even quieter, not looking Hob in the eye. Instead, he watches Hob's fingers curl slightly in the flickering light from the TV, trails the mounds of Hob's fingers from index to pinkie.

Hob switches off the TV sound.

“My hands aren't pretty,” he finally says. “They're not soft. They're warrior’s hands, craftsman’s hands, and I thought—” he swallows. “I thought you've had enough roughness in your life for once.”

Dream smiles, just a little. “Tell me,” he says, taking Hob's hand in both of his, “have you not been gentle with me?”

He raises it, cradled, moon white on sun-kissed. “Will these hands not protect me?”

He places a kiss on the knuckle of Hob's thumb, and Hob takes a sharp breath.

“These hands have fed me,” Dream continues, touching his lips to the pad of Hob's index finger. “They have clothed me, garbed me in blankets to ward off the cold.”

Dream's mouth slowly continues its way, feeling out the shape of Hob's calluses and scars, breathing the words into the space between Hob's fingers.

“Your hands will not harm me,” Dream says, carefully placing Hob's hand palm first against his own cheek, “and neither will you.”

A hitching breath, almost like a sob, and then Hob reaches for him with his other hand, drawing Dream in by the back of his head, twining his fingers into Dream's hair. And Dream goes gladly, leans forward into Hob's warmth, follows the call of Hob's lips with his own, tasting care and love and fierceness all for himself.

Send me a kissy prompt or read the other ones here

[iron-sparrow]

Elftober 【第十二天】 Knowledge

Yeah, that's a cup of pearl milk tea in Yein's hand. I'm using today's prompt ✨KNOWLEDGE✨ as an excuse to drop some mad unsolicited facts about the popular Taiwanese beverage. What's the occasion? Some dumb racist motherfuckers going viral, particular in the English-speaking Asian social media sphere.

So anyway, pearl milk tea (珍珠奶茶) originated in Taiwan (ROC) back in the 1980s. Some of you likely hear bubble or boba milk tea more; the "bubble" refers to the literal bubbles (泡泡) that form when shaking the tea, while "boba" refers to the enlarged tapioca balls. Yes, "boba" is actually derived from Chinese slang for large breasts, coming from Hong Kong sex symbol Amy Yip.

You'll find plenty of trivia all over the Internet about tapioca milk tea, but I want to stress the importance of this drink as a cultural icon for an entire nation that has struggled for decades to be recognized by world governments as its own country.

In Taiwan, bubble tea has become not just a beverage, but an enduring icon of the culture and food history for the nation. In 2020, the date April 30 was officially declared as National Bubble Tea Day in Taiwan. That same year, the image of bubble tea was proposed as an alternative cover design for Taiwan's passport. According to Al Jazeera, bubble tea has become synonymous with Taiwan and is an important symbol of Taiwanese identity both domestically and internationally. Bubble tea is used to represent Taiwan in the context of the Milk Tea Alliance.

Ignore your own feelings about pearl milk tea for a moment to simply appreciate its cultural impact around the world and how much that means to the millions of Asians spread around the globe. Here is a drink that came out of a Chinese-speaking nation that's been so widely accepted in its most basic form, without having to be altered ten different ways to be more palatable and marketable toward locals. It's a big deal, really, especially given the Western world's longstanding xenophobia toward Chinese people and just about everything we do or eat or whatever. While Japanese and Korean cuisines have enjoyed elevated pop status (double-edged blade there), the information war against Chinese continues and affects how we are perceived versus other Far Eastern ethnicities.

And how many instances have we seen by now of White people attempting to "rebrand" Chinese food (and mahjong lol) by claiming to have discovered a healthier, cleaner way to make it? Further perpetuating the belief that Chinese food is unhealthy or dirty, which can't be separated from the enduring sentiment that we are vermin or a virus since immigration out of China to NA became a noticeable trend in the 1800s.

The latest racist nitwits attempting to colonize for profit is a couple who appeared on Dragon's Den (like Shark Tank but Canadian, for those who didn't know) trying to get backing for their Montreal-based company, Bobba. Yeah. They fucking called it "Bobba."

"Yes, I'm talking about bubble tea: that trendy, sugary drink you are queueing up for, and you are never quite sure about its content. Those days are over with Bobba."

With their whole chests, these people had the caucasity to pitch this company to a panel that included Simu Liu, who has always been very outspoken about struggles unique to the Asian diaspora.

When grilled by Liu over their disrespect toward the origin culture, the idiot with the leopard-print collar went on to say "it's not an ethnical product anymore," because he and his business partner threw in popping bobas and fruit teas and juices. Hey, newsflash, chucklefucks ⸺ popping boba pearls and fruit teas/juices are also staples for most modern Chinese tea shops.

Simu Liu was the only one of the three panelists to offer scrutiny, even pointing out that the products the couple offered did not mention anything about Taiwan, despite the one guy's attempts to win Liu over by saying they're working with a Taiwanese manufacturer.

The couple is being torn apart online for very good reason, and I'm an even bigger fan of Simu Liu after his very eloquent summation of why Bobba (ugh) and the way it's being pitched is so problematic.

To quote author and journalist Kat Lieu, who founded Subtle Asian Baking ⸺

It's not that selling boba or other Asian products is wrong, but the issue arises when they're marketed as superior or "better" while portraying the original product as inferior, strange, unhealthy, or dirty and make a profit. It's crucial not to erase the identity and culture from which these products originate. To the person who said I appropriate the French when I make madeleines, tell that to my colonized Vietnamese ancestors who were forced to bake baguette for their colonizers

Before you come at me about not liking the texture of boba pearls or the flavor of traditional milk tea or whatever, bear in mind most legit tea shops will offer a variety of drinks with different toppings. Look around, explore your options, and most importantly, do not support colonizers.

Now if you'll excuse me, I think I'm gonna go get me some fruit teas with diced kiwi and aiyu jelly.

Back to your regularly scheduled Elftober tomorrow.

ELFTOBER PROMPT LIST

[juwaiin]

Racism in F1 is so, so prevalent and normalized and I’m sick and tired of everyone saying ‘these conversations are SO important’ only to 1- go about them in the most reductive way possible, and 2- only accept these ‘conversations’ from WHITE people who water them down. These conversations are ugly. They aren’t meant to be palatable and presenting them that way just takes away from the weight of it all??

The racism in F1 is very deep-rooted. Listing every incident would necessitate its own post (and raise my blood pressure). We could talk about the abuse that Lewis Hamilton has received from the FIA, the media, and other drivers; the way Zhou Guanyu is spoken about generally; the way Yuki Tsunoda is CONSTANTLY painted as aggressive and receiving severe punishments while other drivers get away with being more aggressive and offensive; The way GP organizers played the Mexican hat dance instead of the national anthem for Pedro Rodríguez; and so on. My point is, racism has been integrated into and accepted in this sport since its inception, and that has cultivated a fanbase that also normalizes racism!!

Obviously, the governing body of the sport is racist, but so are your favorite drivers! I know it’s an uncomfortable truth, but the way some of you actively defend these actions is insane. I won’t give any examples lest I get accused of targeting anyone and dog-piled again (see: the barrage of racial slurs in my anon box lol).

Besides the drivers, some of YOU actively engage in racism. I am specifically speaking about the fandom here because this is something we can actually recognize and change. I received SEVENTY anon messages calling me various slurs after criticizing a driver, which I feel like I don’t need to explain why that was a deranged reaction. A creator was also recently under fire for excluding THREE hijabis specifically, which,,,, One is a coincidence. Three is intentional. The fact that the creator was comfortable doing this so blatantly, and that nobody around noticed, just goes to show how normalized all of this is.

A lot of the phrases that are commonly thrown around are also, frankly, rooted in xenophobia. One example is when hosting countries in the middle east and Asia as a whole are labeled as ‘human rights violators’ when the United States (which hosts THREE GPs) and the continent of Europe (which makes up the majority of the calendar!) are funding multiple genocides? Listen, I lean as left as left goes and it goes without saying that all of these countries have ethical issues, but why are the ones that are constantly highlighted somehow coincidentally the ones that aren’t in the west?

It isn’t enough to ‘have these conversations. Stop defending drivers who don’t deserve the defense. Stop regurgitating phrases without considering the implications of them. Stop engaging in active racism!!

[umbralsong]

Racism in Astarion's Writing

There is a fascist takeover happening in Europe. Again. With pogroms targeting racialized and marginalized groups. Being at all silent about how media affects our perception of reality would be irresponsible of me. I stand in solidarity with you all. I will polish this as I go along, but this is for anyone who wants to understand.

Block, report, and move on from the inevitable racist shitheads. We have work to do.

Donate to Gaza here: https://gazafunds.org/ Support good causes with a click here: https://arab.org/ Ceasefire Now: https://ceasefire-now.com/ Donate to the [Sidewalk School] [Pay your rent], settlers. [KOSA Resources]

There is a... let's be charitable for a moment and call it "knee-jerk" reaction to discussions of racism in fandom. To call it character assassination, exaggeration, slander - anything but to acknowledge the dehumanizing system of power that underlies every part of this imbalance. It's only scary if you don't understand it, and as part of another group under siege for half a millenia, I am intimately familiar with it.

There are Romani perspectives on Astarion's storyline I would encourage everyone to read before mine. I don't wish to link them in case this post gets targeted. Please lend them your kind support and sincere gratitude for their contributions.

I do not "forgive" a character for questionable biases. I wonder why the writers put it there. I question its purpose in the narrative and the effect it has on the story and audience.

Let's discuss the effect:

The racism in Astarion's storyline serves no purpose, but the effects are harmful.

I've played evil (poorly). But I also have a very fucked up sense of humor and understand the appeal of a well-written fucked up little dude. Take, for instance, this Warlock from a BG3 playthrough:

Absolutely vile, but a clearly theatrical/satirical look at a classist piece of shit, you know, that sort of character. Take it as a palate cleanser after reading, and then gather your strength.

This is not a post about liking flawed characters. Please take your strawman, dust behind you, and move along.

I often find the trouble with depicting racism is the inherent unfamiliarity with the subject in a majority-white writer's room and company. There is an idea of what it entails, but not its purpose, and not its day-to-day application.

There is a veritable treasure trove of knowledge out there that I've ended up having to take in small parts. It is not easy hearing about the ways people have hurt others, systemic and otherwise. I genuinely want us to learn from this and be better for one another.

So when I see depictions of people who are Indigenous and Romani and Sinti, I wonder... why? And why were these writers chosen for this character/storyline?

In Astarion's storyline, from what I can tell, he makes light of stealing the Gur children. I can tell this is meant to be a depiction of guilt and deflection. What sucks is the fact that he's ultimately a white man making light of the fact that's... historically what they do.

The point, I believe, of him "following Cazador's orders" is to invoke the Nuremberg Defense. The tragedy is that Astarion, by D&D logic, literally couldn't do anything but follow his command. It's implied because he's defensive as hell, but he feels exceedingly guilty regardless. For all we know, it's earned.

Is Racist Magistrate Astarion still canon? If so, his "grudge" against the Gur is motivated by racism. Is that something we are prepared to confront with more than a line? Was he just a (maybe recently?) privileged asshole exercising his newfound power? In that case, his use of systemic power over the Gur may be read as a parallel to his storyline. But then the Gur need autonomy as well.

There is something to be deconstructed here, but I would not know its intimacies from my perspective. Others would. They may restructure it altogether so that it makes sense for their experience.

Here is what I know, and it should not be on this group alone to point it out: The inappropriate misuse of these tropes has encouraged racism in the fandom at large.

Performing a script well is not the fault of the voice actor, nor is the twisted logic of fans the fault of the writers. I am pointing out that reckless inclusion of certain ideas can have very unfortunate implications:

So stealing their children, expressing little remorse, and then "sparing" them the pain of executing stolen marginalized children is a good ending? I'm adding some untagged comments here for emphasis:

I find it interesting the game recognizes the complexity of the situation regarding the spawn and doesn’t punish the players or Astarion whatever the choice as long as they aren’t doing it for selfish reasons. Some good, thoughtful writing there.

Wow, even as a dedicated Astarion romancer, I was beginning to feel like it was a little unfair how much more recognition Neil is getting over the rest of the cast, but now I’m reminded of why. I’ve finished the game 3 times and never even considered not sparing the spawn, because if he deserves a chance, why don’t they? But the conviction he has behind his words in this makes me think I’ve been making the wrong choice.

Person 1: I really dislike Ulma. She’s such a judgmental Monday morning quarterback. Person 2: same, no matter what you do she'll blame Astarion for things that were outside his control

Spawn Astarion sparing their children as spawn is better and in line with his story, but for some reason, that isn't acknowledged through commentary, dialogue, or mechanics... thus, again, unfortunate implications:

To the spawn Astarion, Greetings from the family of Ulma, hunters of monsters and keepers of peace across Faerun. We know this letter finds you well, for although we hunt you no longer, we do sometimes keep a watch. Your restraint and control over your bloodlust has been admirable. Indeed, it has been an inspiration for our children, who have struggled with their own hunger. These last months have been a difficult time for our people. We have protected and nurtured our children as best we can, and we have learned much. Herbs we once used to dull our foes' minds are now sedatives to ease hunger and pain, restraints built to hold the undead now protect them from themselves. There has been a lot of pain, but a lot of progress too. Our children learned discipline and control, while we learned compassion and patience. There was a time when we would have destroyed any undead creature, our own blood or not, and called it a mercy. But then we met you. Wer saw that redemption was possible. Difficult, yes. Painful. But possible. You saved our children first from Cazador, and then from us. For that, we thank you. We will watch you still, but with more admiration than fear. Walk in peace, Astarion.

And, according to these commenters, it's better to kill them because the marginalized Elder is never satisfied with the man who stole their children?

It sounds so casual, I think. Perhaps they don't know what stealing children from a community really means.

60s scoop/residential school/reeducation camps trigger warning:

(The Scream by Kent Monkman. Alt text in link.)

Look at this painting.

Take it in with me for a moment. It is a scene taken from many memories and one. Look at how these families fought to stay together. Look at how they fight priests, nuns, and state officials - ones who my friend assured me are very friendly - how they grasp at their children with such painful desperation on their faces. It is a way for one to bear witness to unfathomable love and heartbreak.

When genocide deniers play their games, this is what they want you to pretend never happened. Don't mind the tens of thousands of child graves, or the stolen land. Just pretend these people are criminals out to swindle you, or steal your wives.

Growing up, listening to survivor testimonies, and the sweet reverberance of the remnants of survivors of slavery, you appreciate what you have. You remember every kindness. You love what you lost, and what you gained through gritted teeth.

And, you remember the unfathomable pain. It's why you promise to stop it from ever happening again, to anyone.

It is very sad. A heart is a heavy burden. Embrace it. To love is to live again, and to live again means you understand Never Again. Because people deserve to be happy. And that's worth a fight. That's why it's worth depicting with care and love, even when the subject matter threatens to choke you.

Let's get into Cazador Szarr.

I've played the game and understand that he has a backstory and some depth. What disturbs me is that an Asian man has the bloodiest, most brutal scene in the game with a white man killing him.

I can't let this be undiscussed as sinophobia rises in a pandemic. I am no authority, but I'm not ignorant. These posts are found in discussions of racism in BG3 and I would, again, prefer not to put a target on their back. Instead, show them support.

In terms of diverse storytelling, casting, and roles, I would only ask that a historical and sensitive look be applied. Hire people from these communities to act, direct, and write for that role. Writing is never easy. There is a weight and responsibility to it, but it's worth it to touch as many souls as possible.

I respect this history. That is why it is not something I believe should be thrown in as flavor text. It's why history needs to be respected as a great backstory to everything we create. We need each other, and we need art we create together.

The debt is yet to be paid.

[verysium]

『02』 出発: departure

ft. rin itoshi, sae itoshi

summary: a star's life is its counteraction against death, an endless deadlock against the brute force of gravity. in the constant struggle between space and time, rin cannot tell if he is being held up or held down. perhaps he has already dictated the terms of his own demise. cw: epistolary montage, mentions of blood in film, rin violently crying and throwing up, highly implied hallucinations, swearing, suicidal ideation, disillusionment and lots of hard angst. word count: 4.9k

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Two weeks after Sae took off from Haneda Airport, his words still lingered inside Rin's mind. His brother had left with a fiery flick of a grin—a gaping, white-hot maw right where his mouth should have been. It blazed then sputtered cold in his gums by the time he turned back around, but Rin still knew what he saw. The smoke never lied.

A triple tap of tongue against hard palate, the message moving fast as light. Something had flickered between Sae’s teeth. Something about split knuckles and brotherly love. Something about calling him back.

But Rin couldn’t hear over the boarding announcements, the roar of engines propelling out of the runway, the heat waves of people out in front. At half past noon, his brother had already departed from Tokyo, ten thousand miles westbound in a floating aluminum dream, reeling contrails through the sky. 

And Rin still stood on Earth, waiting. Like some dumb thing left behind.

It wasn’t until his mother laid a gentle hand on his shoulder that he finally tumbled back to reality, an empty gate at his feet, no arrival or departure calling. The afternoon sunlight had grown dim, splintering against the glass windows and whirring the blood through his ears. His chest felt strangely suspended.

It was in the backseat where it all began. Three floors down in the parking garage. Fumbling through his pockets, his coat had snagged between the door and car frame, ten digits on a crumpled paper sent fluttering to the ground. Looking back on it now, he should’ve thrown that damn thing away. But he was stupid then, drunk on a heat stroke and the beginnings of terminal grief. Right on the exit of the Shuto Expressway, he made his parents turn the car back around and drive ten miles down to the nearest World Mobile, a wretched inhale of hope stuck squirming in his chest. 

It took him several weeks before he finally decided to punch in those numbers, and then another several weeks to call after that. His body shuddered, sweat-faced and suffocating, as he trailed sticky fingers down the waiting screen. The phone rang once then twice. Then rang on forever.

Nobody ever bothered to pick up.

─── ⋆⋅☆⋅⋆ ───

2013 年 6月 17日 Nii-chan, 

It still feels like you never left. And I say this with a miserable lack of sincerity because you did in fact leave just two weeks ago. Kaa-san still makes your bed. Square corners and all. Your duvet goes in the pile with the rest of my laundry. 

Just the other day, I think I saw your shadow. I was sunbathing on the roof when I felt something brush against my back. Does Spain have big shadows too? I hope so. A country with so much sun must leave those poor shades short and stunted. Maybe they’re just a little shy. Be nice to them, will you Nii-chan? Not everyone can shine as bright as you do.

I hope you’ll make friends soon. Write to me often. I want to know everything.

2013 年 7月 7日 Nii-chan,

How are you? I didn’t receive anything in my inbox, and I checked with Kaa-san twice. She said you didn’t text me, but there is no way such a thing could have happened. Perhaps old age has finally gotten to her, or maybe something’s just wrong with this phone. Either way, I should’ve asked her to buy me a newer model.

On second thought, if you don’t text me, I will be very upset. But it will be a childish sort of anger. You wouldn’t be very proud. You will be pleased to know, however, that I have grown a total of ten centimeters this summer, and my bones are looking very strong and wide. My shots have improved too, and I scored three goals today.

Otou-san took us out to dinner for Tanabata this weekend. He told me it is about time I became a man. I smiled and said I didn’t want to disappoint. But then he said ten and three quarters is no longer a youthful sort of age, and I suddenly felt a little mad about it. I don’t want to grow up without you. 

The festival was crowded as usual. I ate every selection of wagashi then chased it down with some of the sake Otou-san lent me from his cup. Pretty sure that was illegal, so I threw it all up on the way home. But then we all went and saw the tanzaku, so I guess something went right. I wrote down a wish, but I won’t tell you. Otherwise it won’t come true. I hung it up on the highest branch though, so that someday it might reach you. 

Tell me what you think. Text back soon.

2013 年 8月 31日 Nii-chan, 

I did not receive your reply from last time. I think this phone must still be broken. Perhaps you should check on your end. Even if it’s just a greeting, I will be content. Anything from you is fine, really.

I visited the beach again. It was peaceful until the wind blew hair in my face, and I went blind for almost fifteen minutes. I tried cutting it, but Kaa-san got mad at me. After your disaster five years ago, she said she’d never let her sons hold a pair of scissors ever again. Don’t tell her, but I laughed. Inside, you know?

Sometimes I still see the waves in my sleep. The ones at Koshigoe Beach. They cradle me, and suddenly it feels like my head is floating even though my body isn’t. You’d probably think I’m crazy. But lately dreams are the only way I can reach you. 

I do watch the news though. And I train hard. Very hard. I can pass like you now, though not nearly as good as your highlights on TV. Coach says I still need to learn. You always said the same thing. But I am nearly as tall as Otou-san now and twice as strong. That must count for something, right? I hope the guys overseas will like this new me. When I finally come over there, that is.

Make sure you aren’t training too hard. I don’t want you to overstrain yourself. And if you don’t like it there, promise me you won’t force yourself to stay. You’ll pack your bags and come home early. 

Promise me. Please. 

That you’ll come home to me.

─── ⋆⋅☆⋅⋆ ───

For the second time in his life, Rin finds himself on his knees, heaving up everything that has ever made him whole. The bathroom mourns with every dry retch of his throat, and suddenly he’s laughing into the porcelain, clutching at the sides in a mad form of desperation. His ribs shudder—tough in their hurt—yet nothing of substance ever lies between them. He’d smiled out his guts a long time ago. 

Is empty space still a space or just the photonegative of presence? 

Sometimes Rin feels like his body can never truly filled, but it can never be completely emptied either. No matter how much he regurgitates, there will always be more to come. The space inside him widens until it hangs on a threadlike line of limbo: so much to give yet so much to keep. It tugs at him—a crude form of baptism—pulling him up for air and then crashing his head beneath the waves again. 

Another harsh hurl reverberates across the bathroom tiles, this time accompanied by the loud smack of spit. He’s emptied out so much his bowels might just prolapse at any second, the boy inside him turned into some sort of liquid slop, sloshing back and forth in his ribcage. It’s all over the front of his shirt now, the stomach contents soaked for hours in bodily brine, the grief his body tries to hold. No amount of bleach is going to erase the stench.

Some days Rin just wants someone to cradle him like a child does a bird, gentle and afraid to hurt. He had a dream about this once, many moons ago. After wringing himself out to dry, he had gone to work, looping the washing line around his feet until it resembled some sort of upside down noose. Once the wind picked up, he let go of the string like a pendulum, watching his body sway in third person: up and down and up and down. In this reality, he was a creature of feathers and clothespins, his body molting in the breeze. So long as he swung back and forth in this state of suspension, he would remain in the middle, not tethered down enough to live but not free enough to die either. 

He’d simply exist. 

Some nights Rin still can’t sleep. His eyes lay limp in their sockets, two dead weights sinking into bone. He tried to pry them out with his fingers, but they only pressed deeper into his face, rigid and wax-cool to the touch. No matter what he does, Rin knows he will be too late. He can never reverse this decay—the post-mortem withering of his own heart. 

Just this afternoon, he died once again, his body slumped with the hollow weight of disappointment, his spirit sinking like a fault line into earth. He had been drying his hair in the locker room after practice, the friction of the towel’s loops causing small pinpricks of static to echo along his nape. The static had carried over hushed whispers, trailing along his scalp down to his ears. God, he hadn’t meant to overhear.

“Damn it, we’re really done for this season, huh? I’m telling you it’s the striker. We could’ve won this match if it weren’t for him.”

“I mean, if Itoshi were here, he would’ve destroyed their whole team by himself.”

“You mean the older one?”

“Of course I do. Who else did you think I was referring to? The younger one’s just been blessed up until now.”

“Without his brother, he’s just an ordinary guy.”

“Oi, Haruto, shut up! What if he hears?”

“Hear what? It’s not like it isn’t the truth!”

Rin still remembers how his surname burned on their lips, the tip of the tongue caught raw between teeth, the vowels seared into flesh. Itoshi was a burden coming apart at the seams, a title for something he could never possess. They were right and it left him smarting, reeling. He hadn’t laughed a day since Sae’s departure, but in that moment he wanted to shove his whole fist up his mouth and choke for the first time in five resentful months. The laugh had been a silent one, with tears on his waterline and a smile bruised onto his face. 

Ha.....ha.....hah.....

There comes a point in every boy’s life when he simply exists. Still young but no longer impressionable. Salt in the eyes. Salt in the mouth. Take it like a man. When he hawks back the knife, it must come out breathing and clean. Living but not dead. 

His teammates had every right to blame him. 

He can’t score goals like he used to. Can’t run and bleed. Can’t love like before. There’s nothing but shame waiting for him when the realization finally breaches the bathroom air and his teammates scramble off the benches, cleats stained with guilt. They saw his reflection in the mirror, weeping right above the communal sinks.

“R-rin! W-we didn’t know you were here.”

“Y-yeah! You didn’t hear much, did you?”

Rin had never hated his name more in that moment. They uttered it like a euphemism, hand over his stupid bullet-riddled heart, the blood too runny to salvage. It only hurt him more. So he did what he knew best. He clenched his fist, the nails fisted into the meat of his palm, eyes caught on a hardened edge. It didn’t matter if Haruto was his senior. He’d beat him within an inch of his life.

“So you call me Rin now? Wasn’t I just younger Itoshi to you earlier?”

“I didn’t....We didn’t mean...”

“Then what did you mean?”

Only the scurry of shoes answered—two scuff marks against the dirty floor, Haruto’s yelp in the distance. Rin was left all alone again, his thin shadow blown wide across the whitewashed walls of the locker room. 

“Damn coward,” he wanted to yell after him. “Run! Run and tell them how it’s not your fault!” 

But he was just talking to himself.

Is empty space still a space or just a pseudonym for absence?

He hadn't been thinking at the time. Within the liminal space of the abandoned shower stalls, he lent himself a moment of weakness. He let himself cry. The shower head was cold and dirtied, and he stood there for forty-five minutes, waiting to be filled with a warmth that never came. In the end, he let his tears mix with the brackish water, staring at the evidence of his failure before it swirled down the drain. 

He realized he must have been a mistake. There was no other explanation. The real Rin Itoshi was swapped at birth and replaced with someone else. Inside the four-walled confines of the shower stall, his imposter reared its head through the mist, long baby hair drowned down to the ears. He didn’t belong. Not in this body bathed in condensation. Not in this namesake crowned in tempered glass. But by the time the water trickled down to his nose, Rin was already knee-deep in self-doubt, wading his way into misery. What more did they want from him? No one could ever replace Sae Itoshi. Not even his younger brother. 

Not even him.

─── ⋆⋅☆⋅⋆ ───

Six hours post-death in the locker rooms, Rin went home and passed out with his head on the toilet seat, two slick fingers shoved up his throat and his luminous guts buried somewhere down the pipe drain. Six hours later, his lids peel back scarlet, gelatinous with haze—a ringing in his ears. Some fucker is calling him again. 

He doesn’t answer. Twice. But the telemarketer is either underpaid or rudely insistent, so Rin finally picks up just to curse him out on the line. He doesn’t need any scripted intimacy. Doesn’t need other people counting his own losses. He just needs to be left alone.

At midnight, he staggers out of the bathroom, fingers absentmindedly flicking off the lightswitch before collapsing into bed. The sheets aren’t even his own. He doesn’t notice until he sniffs the pillow and stiffens. It smells god-awful. Like tiger balm and soothing menthol. Like somebody he used to know. And much to his chagrin, the images come stumbling back: knee-deep in the salted sea, shirasu swimming around his toes. What color were his eyes again? Blue ice between teeth. Sour like a bad star. Oh, what can he remember? Disappointment peeled into spirals. Happiness running down the back of his hand. The blood of an orange, sweet and dripping. He’s forever staring at someone’s back. Always a few steps behind.

Fuck you, Sae.

There’s haunting laughter coming out from the window panes, and he can hear the waves crash on shore in the distance. Two children run across sand. Muted footsteps. One soft thump then another. The vision is so close he can practically taste it. Salt in the wind, in the eyes, in his mouth. The seagulls pluck at his eyes, but he takes it like a man, breathing and clean. Living but not dead.

One of the children stands with his arms behind his back, face hidden by the shadows of the horizon. The ocean spray nips at his burgundy fringe, the hunger of a whole world engulfed in his gaze. In the distance, a younger boy shouts his name, dark hair framed by a cowlick, turquoise eyes smoothed over by water. He runs as fast as his little legs can carry him, his arms filled with bone-white shells.

“Nii-chan, wait for me!”

Sae’s face blurs before he can turn around, and Rin is left staring at the wooden slats above his childhood bed, resenting something he can no longer remember. Why did people have to go and change? Three years later and his brother had gone straight from stealing seashells to swindling stars clean out of the sky. Three years and he still had nothing to show for himself.

He imagines the look on Sae’s face when he tells him this. Conversations over Sunday dinner. The family gathered round the kotatsu, piss-yellow light slicing every dish into halves. He spoons pickled radish and chokes Sae’s teacup till it breaks. Would it be disappointment he sees on his face? His brother’s features crumpled mid-smile, blue-green eyes wounded into a porcelain state. Why? Why haven’t you done anything with your life while I was gone? 

Or perhaps it was anger. Smoke on the lips, bruised fists, and the heat of his mother’s blazing scream. Her son bares teeth and scrapes every syllable of their surname clean. Wrestles her other son’s shoulders down to the ground and shakes until the boy—the real Rin—gurgles and sloshes up inside. Do something, Rin. Do something! Or else you’ll never make it this lifetime.

Both, he could live with. But not this. The silence that burrows into his mind while he sleeps. The constant calling and the phone that just rings and rings and rings. It’s a circle, some sick sort of cycle. Every night he dreams of war—of sights and slights and stars. Things that end then don’t end then never end. He dreams until he wakes up screaming, on his hands and knees begging. Say something, will you? Anything. Fuck, why won’t you just say something?

Three years later and his brother still can't love him in a way he understands. 

But what did he expect? Sae was like that: pale and blistering, beautiful even when burning. Last dream cycle, his brother fell down three stories and erupted into flames, limbs compacted into fine dust. Should’ve screamed but didn’t. By the time Rin got down to him, Sae was already on his feet, sputtering soot from his lungs then flaring back up like nothing had ever happened. As if his hurt was merely bursts of light gathering and bunching, violence in free fall. 

And he was beautiful, Rin thinks. A boy of the blaze, man in the making, hair aorta-red, staring right back at him. By the time Sae opened his mouth, Rin’s arms were already open, ready to embrace the glittering shards. He crumpled before him as a building does a god, set alight on his brother’s palm. Strike me. He begged, blood around his mouth. Strike me anywhere and set me free. 

But that’s not what happens when you die. Not when his brother said it best.

I think I’d die and become a star. 

So he holds onto this life. Bunches it between fingers and twines it around his fist until he knows the person he’s dying for. Until he’s blacked out and dreaming in that damnable backseat again. Experiencing everything in the third person—the news, the screen, the slow-motion reels of an astral body wound up in constant replay. He can only watch as his brother slowly becomes a stranger in his own life again, and it guts him every time.

Sae Itoshi Dominates at Junior Championships, Secures Victory with Hat-Trick. Future Star? Sae Itoshi’s Sensational Performance Stuns Fans and Scouts Alike.

Who the hell is Sae Itoshi? Man, celebrity, celestial body? Not even his brother knows. But what Rin has learned over these past few years is that all stars are really just dead people, housed in a mausoleum of glittery beginnings and explosive endings. It’s binary—circling, really. A blinking eye in the sky, ticking time bomb, crying corpse, then everything wailing before its implosion. Sae could never comprehend this. The smoke-sputtering reality beyond tangible substance. This form of dying. 

But dying isn’t even the worst part of it all. It’s people like him who suffer. Unlucky stars are cursed with another, forced to revolve around each other. If one collapses, the companion gets ejected out the deep end of space and time—stumbling, groping, searching. 

Three years later and he’s still searching. 

Hey Google: Can stars still be seen from Madrid? 

The results for light pollution pop up. In a city of light, even light cannot be seen. How ironic, he thinks, that Sae is now a shining thing, flaring tendrils a million light years away. Post-nebula and he still loses himself in people who look exactly like him.

But that past has already come and gone, leaving nothing but the future behind. In the next dream cycle, Rin too will die, sputtering and choking, like a firework lit from within—violence in free fall. And when the time comes, he will leap off the fire escape, the city blocks spinning and spinning, every second a little death. The faster he falls, the more alive he’ll feel. He’ll drop all the way down until the only way he can go is up. And then he’ll ascend, floating past the skyscrapers, the streets, the sprawling metropolis. His toes curled, caught on the hook of night, the burnt flesh peeling back on bone. Floating until he disappears, his body nothing but white light.

Someday his brother will drown himself in his own artificial brightness. And Rin will follow, screaming, rearing, and set ablaze.

If you die Nii-chan, I think I’ll die along with you.

─── ⋆⋅☆⋅⋆ ───

There are rare moments when seasons die a sunless death, quiet and wilting into the earth. Rin’s final birthday without Sae falls on one such month—a red September during which nature bleeds, the autumn leaves rusting around Engakuji Temple. He’s taken up long walks during that time, pacing for hours around the park nearby. Something about taking his mind off things. Something about counting his own losses.

By late afternoon, his hands are shoved fist-deep into his coat pockets, on track to finish his ninth lap around the perimeter. The daylight has long pooled down his back, tiny dollops of brightness slow-dripping and honeyed, settling into the hollow divots of his spine. The mise-en-scène frames him in a languorous ochre—the kind of lighting reserved solely for an aged romance. And the wind plays his lover, its post-meridian breath tender as it brushes against his cheek. It’s all a range of motions from there. He takes another step, adjusts a stray earbud, then tugs his scarf all the way up to his nose. Ten laps now, and he still walks. The only time he ever stops is when he stalls mid-way to check his phone. 

Zero messages received. Message not delivered.

His thumb hovers briefly over the send button. The cursor at the end blinks with an almost human hesitancy before it opens its mouth, swallowing everything back up. The screen clears itself again, reduced to nothing but absence: a small square of light where silence reigns. Rin sighs before trudging home, a thousand words lodged into the back of his throat.

Nii-chan, I miss you. 

The kitchen is empty by the time he slides open the shoji, removing his shoes with practiced ease before padding across the soft tatami. His mother’s gone on an errand for groceries, her hastily scrawled note tucked under his door with a bowl of persimmons. The house is empty, the joss sticks still smoking in the living room, tips warm and powder-soft. He grows heady on their incense, locking himself away in his bedroom and drawing the curtains. His old Fujitsu laptop whirrs to life, propped up against two pillows and an oversized owl plush. This time he puts on a splatter film, splayed on his stomach as he reels through the opening credits.

He can watch without the subtitles now, even converse with tourists at the station in Enoden. He recalls his teammates’ faces last Saturday—breaths held tender, jaws slackened with faux horror—when he gave out directions in perfect English. Sae would’ve been proud, if only he knew how much it meant. But lately, there hasn’t been a single interruption to Rin’s nights alone, despite how desperately he longs for one. The most his English is good for nowadays is translating the kooky foreign films he puts on rotation, ninety minutes of runtime for thirty-one evenings.

He must have gone through a dozen franchises by now: Halloween specials, 90’s vintage, slashers, the paranormal. The American flicks still remain his favorite, mostly because of the chainsaws. Something about the suspense of disembodiment scratches an itch inside his brain. Like the adrenaline before a final goal, moments before he implodes—naked body slathered in pools of primary color.

In the darkness, the films weave together: a tidal wave of light that washes down his bedroom walls. The victim shrieks before she is bathed in an eerie swathe of red, pierced at the helm of a bloodshot lens. Something about her death is both alien and terrifying, and Rin feels himself come alive again. 

At climax, the light from his laptop is nothing short of searing, carving-knife intensity digging slowly into thin, rousing bodies. He can only watch as the killer sharpens his blade, each stroke a day-bright epiphany, cutting little wounds into the night. His figure is lit up from behind, illuminated in such a way that Rin can see his organs and count every one of his ribs. The scene peels back like water, reflecting montage after montage on the glass display case next to his closet. The trophies electrify themselves in the shadows, each silhouette splayed neatly on the shelf and serrated round the rim. The metal handles distort the characters’ faces in two-frame slashes, decapitating nose from ear, eye from mouth. Another scream rips through the background as Rin digs graves into his palm. This time the murderer chases a mother down the stairs, gleeful when her child fails to keep up. 

He’s seen this scene play out before—three years and eleven months ago, when he first got himself killed. It’s the final match against Tokyo Metropolitan Youth, and he’s running on fumes, ten minutes into additional time. There’s only a few more meters to the goal area, the footsteps fast approaching from his left. He has to make an escape. The opponent closes in behind him, knife in hand, and all he can do is run, body barreling straight toward the camera. 

The impact hits him right before the shot, his leg flaring out in some desperate attempt at a goal. The ball soars as he stumbles forward—violence in free fall, the boy inside him lit from within. In the final moments before he combusts, time stretches itself thin over his bones, smoking and exorcized from the fire. The shadow of his killer looms behind him, arm raised with the promise of metal and memory, the blade gleaming in sparse light. 

Got you.

The child on screen turns around, facial features contorted in dramatic horror. Rin can hear her scream before the lips even part. He can already predict this ending. He can predict the next one after this too. Plight of the final girl: last to die but forever immortalized in her own grief and helplessness.

In six months, he will be named the most valuable player for Kamakura United Youth. In another six, he will be hollowed from the inside out, cursed to feel only the loss inside every win. This motion picture has rewound itself one too many times, the credits rolling and taking him along with them. End scene and he’s standing there in a pool of his own triumph—the grass strewn with painted carcasses—a thousand boys dead at his feet. His knees make hard contact with the earth, nothing but penitence in his eyes. This is all he knows: love and its smoking aftermath, the weight of it iron-hot on his tongue. Victory has never tasted so bitter. 

But it always ends the same. For the final girl, the film star, everyone crucified by the crowd. All good auteurs come from a long line of men who have already run out of time, color pooling past their waists, crashing in over their heads. They don’t want to die, so they preserve their souls into billboards, spool strands of silence into substance. They only shoot what is in their blood: the sensational guts, glory, and gore. Because what better way to keep your memory alive than burn it onto the emulsion side of thirty-five millimeter filmstrip?

The red lights have begun to feel suffocating—the last of his breath now a belt around his neck—as the cameras pan down to a mutilated body. Rin secretly envies the child’s soaked shirtsleeves, the ground beneath her perfused in violent color. If only he could be filled with something that beautiful. But instead he was given the body of a pale child filled with longing, constantly waiting for a change and constantly wishing for something to flow out of him. 

Eventually the clock strikes twelve and Rin closes his laptop, the backs of his eyelids whited out, brain overstimulated from the psychedelic screams. His brother’s portrait blurs in his peripheral vision, overexposed from the red glow, staring up at him from the cluttered nightstand. And in the moment, he briefly wonders if Sae left Japan in search of a new image. Perhaps Spain was just ninety minutes of solid technicolor screen where people could scream without horror, where the protagonist could freely bleed. And in the end, there was no death. The audience remains seated in theaters, their memories replaying over and over, bodies forever housed in cinema.

At the director’s cut, Rin’s consciousness falls under, hand still clutching the frame. End scene and Sae’s blown-out face smiles just a little into the darkness.

© verysium 2024 / please do not translate, repost, or plagiarize any of my works

[annievrse]

[college] basketball!eren

—ᡣ𐭩 headcanons a/n: guys i’m back in the waiting room (& it’s fkn hot today)……… let’s write some headcanons!!

a few points i've made in my bf!eren headcanons:

in basketball games against certain colleges, bf!eren gets so fired up and aggressive and lippy. he talks so much shit on the court (he's known for it), and isn't afraid to take shit either (which pisses off the other team, and the whole cycle starts again). but, it's a bonus for you when he gets off the court because he's looking extra hot..... and he knows it...... asshole

you wear bf!eren's spare jersey to his basketball games

bf!eren with a chain under his basketball jersey, his hair tied back and a thin headband, tape on his dodgy shoulder......... oh lordy

bf!eren's post-game meal is 3 big macs and 2 mcchickens AND a kids nugget meal (he wants to give you the toy that comes with it because he’s cute) but don’t forget dessert!! he sips his *diet* coke as a palate cleanser and then inhales an apple pie

bf!eren gets a job coaching a kids' basketball team, and that is a canon event

now i will elaborate....

basketball!eren wears nba jerseys in everyday life with sweat shorts & dunks/vans/birkenstocks (with socks) he is an effortlessly stylish college athlete ok he can pull off anything

basketball!eren has a piece of sports tape around his wrist with your name written in marker <3 (points to it whenever he scores if you aren’t there (e.g. games on the other side of the country), otherwise his finger is on you in the crowd)

whenever his favourite team is playing (call him basic, call him a bandwagon, but my man is in love with steph curry, so you know he supports golden state) & he can’t watch at home on the tv, basketball!eren sits and watches it on his phone (warning: he will speak to the phone like the team can hear him so keep an eye on him in public, especially at the library because he will yell)

basketball!eren got mvp in sophomore year (jean was like 2 points behind him) and he holds it over jean’s head because he is cheeky and a dick

basketball!eren wears a suit to and from his games (specifically a navy one with a white shirt, no tie, and its just so rahhhhhh) with his headphones on and a large cup of black coffee

now, i don't want to expose basketball!eren here, but in his headphones, only on game days, he plays taylor swift & rihanna

basketball!eren texts you nonstop when he's on the bus/plane to games (because connie is his seatmate (he loves him to death) but connie knocks the fuck out on these trips so eren gets very bored)

basketball!eren wears his hair in 2 styles when he plays: completely tied back with a thin headband or fully out with a thin headband (frothing over here sorry don't look at me: heavy emphasis on the 2nd style though)

basketball!eren has like a couple hundred thousand followers on instagram because he's a college basketball player and he's good and hot as fuck

basketball!eren posts photo dumps once a fortnight as a wrap-up for that time period because his life is so crazy hectic that he always has content for a new dump (i wish he was real guys)

basketball!eren loves loves showing you off (private but not secret on social media) & buying you gifts (instagram stories of your wrist with the new bracelet he gifted you for your birthday)

basketball!eren gets drafted in his senior year of college :') (chooses to graduate first and then go to the nba - he wasn't studying biomedical science for nothing!!! (not that he needs it anymore.......))

basketball!eren gets rookie of the year in his first season (crying)

[ultra-raging-ghost]

All my egg designs!!

Click for better quality!!!

Design gushing under the cut vv

SO my height hc's for the eggs may be a lil controversial but i have several reasons lol

-Dapper, tallest, obviously in cannon bbh is a tall mf and dapper's the oldest demon it would make sense to me for her to be the tallest. A lot of ppl draw them in full suit but i prefer the sweater + button up look? I still gave him the bow that i enjoy drawing him with - sometimes i put it on his hat sometimes i put it on his neck lol also!!! i gave him blue accents and freckles for skeppy!!!

-Tallulah, second tallest, have you fucking seen wilbur soot?? wilbur soot is possibly the second tallest man ive seen in my entire life only preceeded by a 7 ft tall blonde man i met at the hospital, his daughter's gonna be tall. If dapper wasnt there she would be the tallest egg nobody can convince me otherwise. Obviously i gave her the classic wilbur sweater and beanie but i wanted her clothes to be pretty intentional - in my heart the death family all wear the cancer bows, so her and chayanne both have one and for Tallulah it's the only cool color in her palate aside from her matching shawl. Also it pained me to give her short hair but unfortunately its cannon :') oh also!! her hearing aid :D I also gave her little underdeveloped wings - theyre still growing in!! Alongside that theyre very downy, still got a bunch of pinfeathers and fluff <3

-Ramon, third tallest, in my mind ramon in a fucking unit. I gave him thick clothing and leather accents, good materials for hands on work and such, itll last a long time it makes sense Fit MC of 2b2t would dress ramon for function rather than fashion (although he still looks adorable). I normally see people drawing him with this wind breaker hat and goggles i dont really understand, ive always envisioned him with a welding mask (is that what theyre called??)!! I gave him pac's big doe eyes and a pair of soundproof pacman over-the-head headphones!!

-Chayanne, i dont know a ton about him but i do know hes a protector and i have seen what people draw of him!! Obviously i gave him the cancer pinned to his jacket, and as for his jacket its just a simple hoodie with a duck print on the front pocket. I wanted his palate to be yellow and purple - yellow for phil, purple for missa, wow revolutionary/s. His pants are tore up a lil and have stitching and patches in them (see the anarchy patch). His wings are more developed than his sister's and are pretty full with a dark, organized feathers. I gave him a shield, it has two wings on it (one light for missa, one dark for phil) i just feel like he'd carry one.

-Leo, i may have projected on her a lil <3 She's a softball girl in my heart!! Shes average height and kind of stocky cause in my mind shes very athletic. She mostly resembles Foolish, appearing mostly as a Totem, but she has purple accents such as in her clothing and eyes that are reminiscent of Vegeeta!

-Empanada, very short but still the tallest of the newest batch of eggs. She's the string bean of the bunch but i imagine under all the fluffy clothing shes a little muscular, gets it from her mamae bagi!!! I dressed her in mostly neutral and pink tones to match her sign and hat color - and as for her hat i imagine it as a VERY stylized beret, similar to pommes but it designed to look like a stack of pancakes with syrup pooling beneath them and the button on top is supposed to appear like a little square of butter!! Her horns, wings, and tail are white like mouse and tina's and she wears them proudly, even if she only has one horn <3 Her hair's split in two, black and pink.

-Pomme is very short, and she's dressed very fancily!! I like to imagine theres a stark contrast between the lolita/semiformal fashion of pomme and dapper to the informal wear of the rest of their siblings. The pattern on her dress is big apples trailing along the bottom of her skirt, and she's got star pattern tights to represent Etoiles <3 She's kind of a lil cryptid child, with a mouth at the back of her head just above her neck grinning away and two twin braids that float alongside her head.

-Richas!!! The shortest of the older eggs, his designs very simple mostly because he already wears a shirt which is the main focal point of his design for me. He's always been a cargo shorts egg to me, i dont know why!! But he lives in cargo shorts!! Richas chooses to be barefoot, its how he came into this world its how he'll leave. I actually looked up a prosthetic leg for reference for him and the top portion of prosthetic legs are usually patterned for the person wearing them, and i cant help but imagine that richas would choose for his leg to be the most atrocious yellow to ever exist and have all his family sign it. This is unseen, but under his hair he's wearing a bandanna with the brazilian flag on it! When viewed from behind you can see the knot tied around the back of his head, and when his hair's out of his eyes you could see it plastered to his forehead. I gave him lil horns because in my heart of hearts he's a demon, that lil egg is bad's egg too in my heart nobody can tell me otherwise.

-Sunny, one of the first eggs i designed - shes dressed just as i was as a child and by that i mean shes 100% a trailer park princess. They sport a "2 COOL 4 SCHOOL" shirt, with a plastic silver crown with jewels in it, and a pair of light up sketchers!! She has bear ears and paws and a bear-like nose and tail, they view Fred as their step-pa and he was the second parent they ever knew, it makes sense she'd wanna look like him!!

-Codeflippa looks almost identical to Juanaflippa, except she floats and is slightly greener... and is glitching..... and the shirt heart's on the other side than charlie remembers, but who's counting aye?? after your third death and revival maybe things get messy - hes not judging!!! I have this HC that the fed's aren't the only ones who can revive the eggs - theyre just the ones who've perfected it. I like to imagine codeflippa is the code/the rebellion's attempt at egg revival.

-Pepito, the smallest egg alive!! smallest ever so itty bitty so tiny!! only two months old!! Pepitos the smallest egg obviously, Pepito's wearing a cute little jumper with matching socks that dont really fit properly but are still just the cutest little thing to me <3 Pepito has devil horns and a tail because bad was the only person to really care for pepito properly before Q came along. Pepito mostly looks like a mix of roier and quackity, sporting a matching yellow pair of duck wings <3 I was tempted to put pepito in pepito's xmas bows because they were just the CUTEST but i restrained myself

-The dead eggs, the smallest.... Most of these babies were less than a month old when they passed for one reason or another so theyre all very tiny :') Flippa mostly looks like charlie, but she's got layered shirt and layered her skirt on top of her pants because he nor marianna know how to dress a baby </3 Tilin is a carbon copy of Q, she's a very shy young lad, shoeless and wearing one of Q's jackets which are absolutely huge on her. Not seen is his yellow pair of duck wings - theyre still baby wings so theyre very small and hidden behind him, full of downy feathers <3 Trumpet we didnt know for very long, but they were very fun to design!! Maxo definitely loved him, so i modeled his clothing after him mostly. I was trying to go for something like Blacklight aesthetic?? black paired with bright, contrasting patterns that would look good under a blacklight. Bobby is dressed the most ummm domestically id say. Very simply, like he was living on a farm and spent his days in the soft grass. I imagine he was shoeless by choice, because it was fun!! It was very obvious jaiden and roier loved him, so i tried to give him a kind expression and well taken care of wings. His feathers are still kind of downy and muted, but theyre more developed than Tilin's and are very well taken care of! I wanted his bandana and overalls to be the centerpiece of his design so aside from those he's got a plain white baggy shirt. I imagine its made of linen or something, bobby would smell like fresh laundry all the time..

-Gegg.

[robertseanleonardthinker]

house and wilson r both autistic and on complete opposite ends of the spectrum

(bear with me here i'm autistic myself and it's hard to articulate my thoughts)

wilson masks heavily. he knows he's different than everyone else and he tries so desperately not to be. he wants to be seen as a normal guy. he's the furthest thing from it but nobody needs to know that if he can help it. he knew he was different since he was a kid and it upset him. he worked so hard to create an image of himself that is palatable. he is very concious abt it. he clings to normalcy. his knuckles r white and his nails r digging into it. the only person he is ok with letting go of it for is house. house is is safe space. house is the one person he knows will not care if he acts a little different.

house, however, doesn't mask very much at all. if he wanted to, he probably could (although i also partially think he couldn't) but he doesn't. he just doesn't give a shit. he doesn't care abt what ppl think and he doesn't rlly care how he affects them either. he says what is on his mind. he is the way he is and he feels no shame for it. social rules r stupid and he doesn't respect them. he doesn't respect any rules.

wilson is primarily sensory avoident. he likes peace and calm. he especially doesn't like visual overstimulation. he likes things to be neat and pristine. when his space is organized, he can function. his environment influences the state of his head.

house is very sensory seeking. he thrives in chaos. he needs the outside world to be as fast and loud and hectic as his mind is. he needs noise and things to look at and something in his hand (his stupid red autism ball). he's never doing nothing when he's thinking. he likes soap operas and crappy reality tv partially because it's good background noise. it doesn't take up much brain power, but it's still a constant noise.

wilson has big body language. he is very expressive. i know this is rlly bc rsl is a stage actor and that's what they do but. let me have this. but that's just how he is. every symptom of autism exists on its own spectrum. some autistics have a very flat affect, very little body language, and very little expressions. some (wilson) have the exact opposite.

house doesn't outwardly show many of his emotions. he definitely feels them, they're very intense, but he doesn't display them. he isn't expressive, and it's not by choice. that's just naturally how he is.

this is more of a headcanon but whatever. wilson likes stim toys. he stims subtly (part of him trying to cling to normalcy. he needs to stim and he knows that but he won't do anything like hand flapping or rocking.), like with a fidget cube or one of those spinny rings. when he's alone, he'll sometimes let himself stim in bigger ways and it's a great release. he doesn't rlly need to stim as much as house does tho. also i think he'd love pressure and cuddling for stimulation. he'd like to be squished.

house is always stimming. this isn't a headcanon. this man is always doing something! pacing, playing with his ball, listening to music, he's always doing something for some sort of stimulation. he likes vestibular stimming and big full body stims best. he likes to move and do things. he likes to be busy. a fidget toy won't do much for him. he was a pretty active person before the infarction, and that was a great release for his emotions. but now he can't do the things he used to so he needs to constantly be moving. he doesn't get a big release so he's just constantly letting it out.

they're both very particular abt their ways of living, but they do not live the same way. wilson likes calm, house likes chaos. if this is disturbed, they get upset and distressed.

wilson has more shutdowns, house has more meltdowns. not to say they don't have both, tho.

also i feel the need to say this: house's special interest is humanity. he loves puzzles and humans are the greatest one of them all. everything he does is motivated by his need to know why people do what they do. oh and also monster trucks.

[seawing-vibes]

HI THAT WAS ME IM SORRY TUMBLR ATE UR ASK. PERIL IS TRANS I KNOW HER ALSO INTEGRAL TO HER CHARACTER AND IM THE ONLY ONE WHO SEES IT(THATS BASICALLY THE ASK)

HII NO NEED TO BE SORRY TUMBLRS SYSTEM IS ASS!! THANK YOU SM FOR RESENDING THE ASK A <33 OKAY PERIL POST DO-OVER!!

SPECTRUM USED FROM THIS POST!!!!!!!!!

OKAY SO I JUST DECIDED TO FILL THE WHOLE THING OUT! I headcanon Peril as Intersex and nonbinary!! AND SAME FOR ME, they fall fight between “I know them” and “their lore is literally impacted by their transsexualism”!! Peril is a very Nonbinary character to me, the way she was raised to view things as very “black & white” and hosting a sense of little self autonomy— makes them finding a comfortable identity in a very “”in the middle”” gender compelling! Especially within the understanding of how Peril was raised and brought up in someone else’s vision, being able to find self-identity in that nature of breaking down the “black & white” structure that was forced on them through the act of finding identity in neutrality. I find the development of self-love extended through gender expression in that nature something that works well in-unison with Peril’s pre-existing themes! Especially in regards to the layered metaphors of the Necklace. As a nonbinary person myself - I found that to be a pinnacle moment of forced suppression of identity into something more “palatable” to the public perception - in this analysis that being the forcing of femininity onto a gnc aligning identity - speaking to the way many nonbinary identity’s are expected to lean “one direction or the other”. So that moment being involved in Perils story - and her breaking free of it and having a self-realization/control moment - very reflective of nonbinary/gender non conforming experiences !!

With that though - thats just my own interpretation and connection to those aspects of Peril’s characterization! I find her lore and themes within her character to speak to many universal experiences of identity that can be interpreted in a fluid way. Like I personally read it as a very compelling arc about non-conformity and applied my own experiences with gender expression onto it, but other interpretations/analyses are just as strong! Thats why I put this headcanon in the middle, because I find it connects heavily to their lore, but is similarly just an extension of it and not necessarily interwoven in-full. Its a lot of personal interpretation which is why the personable “I know them” also 100% fits my perception of transgenderism onto Peril <33

Also the Intersex headcanon is purely a me thing, I always thought Peril was intersex just like. Factually lmao (one of those “I somehow convinced myself this was canon and was surprised to learn it was not” moments lmao). The reason I included it as well is because within my headcanon I think Peril would similarly absorb her being intersex to a further extension of gender identity! Again, breaking down those “black & white” views that were forced on them through themself - literally! Notably being intersex does not inherently mean gender identity is going to be impacted as well, just for this headcanon I feel Peril’s relationship to their gender identity would be strongly impacted by them being intersex <3 !!

OKAY SORRY THIS GOT LONG BUT THIS WAS FUN TO WRITE! TWICE ! LMAO! I have lots of thoughts on these guys so feel free to ask any questions about the other characters if ya want!!! I have many thoughts lmao…

Also I love analyzing these dragons so if anyone has a different interpretation of the characters & wanna share PLEASE DO!!!! I love hearing other perspectives, especially if they contrast my own interpretations, it’s all so cool!!!! <333

[theoarfishexpress]

Plants are not generally thought to move much. Of course, there are dramatic exceptions, such as a venus flytrap’s predatory snap, or a sunflower’s daily turn to track the sun, but the truth is that many, if not most, plants move to a degree. Over time, leaves can be angled to catch the light from a new opening in the canopy, and tendrils can search the open air for a new anchor to climb from. And in shady, moist forests from the tropics to the temperate zones, a Germite demonstrates clearly that plants can be more active than anyone gives them credit for. Admittedly, they are most frequently seen as a crown of palm-sized, heart-shaped leaves nestled in the dark undergrowth, but just below the leaf litter, a 30-cm taproot dominates the mass of the plant. It is largely a quiet, peaceful life, but there are certainly dangers. The soil can get swamped by heavy rain if in a low-lying area, or it can dry out, the dappled sunlight that they rely on can get too sparse, or a fallen tree can expose them to too much, or herbivores can simply become too eager for their tender, palatable leaves. Now, no plant is helpless against these threats, but Rhizopods can simply leave. Stress causes hydraulic vacuoles in that big root to kick into action, pressurizing canals that loop into the many rootlets that line one side. Each is able to feel and taste its surroundings, making independent decisions that collectively dig the whole plant out. Now slowly roaming over the forest floor, the Rhizopod earns its name, and somewhat resembles a sea cucumber in the way it moves. If the quality of the light is the most important factor in the next place it settles down, it will move crown-first, using its leaves as makeshift eyes to pick up light intensity as it travels. Conversely, if it is in search of nutrients, it will move root-first, the rootlets at the end of the taproot guiding it by the taste of the soil and the air.

Due to the energetic demands of moving this way, Rhizopods on the move will often make pit-stops at any carrion or feces that they happen upon, nestling into it and secreting weak solvents to more easily absorb it. Their nutrients and calories topped up, they continue on their way. They hold their crowns of leaves up to protect them from damage, giving the impression of alertness, and they are indeed on guard while uprooted. If harassed, they will turn and flee, even burying themselves to escape the curiosity and hunger of other wildlife. Nevertheless, they aren’t difficult to collect for human foragers, and productive forests can yield hundreds in one day of work. Their roots are bland and spongy, but their leaves are very agreeable and nutritious raw or cooked. The tradition in most areas is to take half the leaves, and release the Rhizopod to regrow them. Though kinder to the population than simply taking the entire plant, the stress of repeated collecting tends to shorten their impressive lifespans. Unstressed Rhizopods regularly achieve 15 years, and the oldest surpass 30. They first set flower in only their third summer, putting out globe-shaped clusters of tiny, white blossoms that are visited by gnats and other flies. Once fertilized, these become dry capsules, and the fruiting Rhizopod will travel more frequently to scatter the tiny, black seeds more widely over the forest floor. Rhizopod seedlings are translucent and worm-like, just a couple millimeters long, and much more mobile than adults. Though moving frequently does burn some of the sugars needed to grow, their long seedling-hood is spent in relative safety compared to most plants. The biggest dangers to a sprout are an unstable microhabitat, and insect herbivores, but Rhizopod seedlings need only move to a safer patch of leaf litter to overcome these. As such, a higher percentage of seedlings reach adulthood than most plants, meaning their populations are both stable, and capable of bouncing back quickly in the wake of habitat damage or overharvesting.

The germ bodies of Rhizopods emerge from the center of their leaf crown, and resemble the leaves surrounding them as they are flattened, heart-shaped, and green. They drift slowly and aimlessly over the vegetation, their luminescence easily mistaken for fireflies at night.