#its about autonomy of course

[crplpunkklavier]

im at the chronic pain. im at the masochism. im at the combination chronic pain and masochism

[scruncheduppaper]

can’t remember if i saved it or not but that one mouthwashing post i saw that said that “curly rehab aus are ableist” is insane and you guys should really think before you post

[sholmeser]

my transfem raiden vision…walk with me

[tanadrin]

still annoyed by the tiktok i saw once of someone smugly declaring the Federation was “an empire” and that this point was so obvious it brooked no debate

like

you have to apply for membership! it’s a post-scarcity utopia that has transcended the need for money! this meets no definition of an empire, except that it has some of the aesthetic trappings of liberal democracy, and edgy online types like to refer to liberal democracies as “empires” when trying to discuss the more general phenomenon of imperialism.

[asyipyip]

hold on everyone shut up im getting super emotional about jonathan sims

[faith--in-the-future]

I agree with you, not everyone has the same boundaries like I’m speaking for myself I’d be terrified to go on the barricade tbh lol but Louis clearly loves it, it’s so obvious so I feel like this whole barricade discussion and people trying to spin this convo into “if it was a woman” i’d so weird because people are different and different people have different boundaries. Louis is clearly adrenaline junkie, let him have his fun lol as long as his security is watching it’s all good. He’d stoped doing the barricade long time ago if he didn’t like it, he’s very good at setting boundaries.

yeah ! i used to like talk about this by citing what you said all the evidence of how and why he enjoys it etc but I really think we need to take a step back and before even talking about louis specifically the conversation should start with "are you aware that someone can enjoy something that you find uncomfortable?" (as long as they're not harming other people obviously) like otherwise we'll never see eye to eye on this ya know?

and yeah the whole feminist spin is kind of useless at best and purposefully misused at worst. not to be that person but a man will never feel the same way about being in that situation as a woman and the societal forces at play in that situation would be completely different. saying the two situations are equivalents means completely disregarding the entire patriarchal structures our lives are based on and their consequences on women

[eggfriiedrice]

hate how inflammatory birth control Discourse has become in the last few years à la current political climate yes there are synthetic and foreign chemicals in my body and its not how Women Should Be. i have a CHRONIC ILLNESS nothing is how it should be i had sciatica at 14 i do not care if you think big conspiracy is trying to poison my uterus i think progesterone is yummy <3

[disco-troy]

I don't feel like people have a nuanced enough view of Kory what she thinks about killing. She's not blindly wanting to murder criminals, nor is she delighted by the actions of murder. She sees murder as a necessity because of her upbringing in the middle of an existential war, and also as a way to regain autonomy on her life. Autonomy is a key theme in many of the people Kory chooses to kill.

The idea of autonomy over the body and her life is extremely important to Kory. This makes sense, Kory spends six years in slavery, her life not her own, and grew up knowing her planet could lose its own autonomy and freedom at any time.

When she was a slave, the few times that she was able to control her life in those times. Her first kill was her kill of what would become her last master, starting the chain of domino that would result in her freedom.

Note her words: "His very touch sickened me". It wasn't just about her imprisonment or her anger, but about her body, her autonomy. She couldn't handle being touched like that anymore, and killed knowing that it would solve nothing, knowing that it would lead to more punishment for her later down the line.

Her next kill allowed her to escape, securing her freedom and her own autonomy.

To escape she must pretend Kory has completely given in to her captors. That she is fine, even happy with the Gordonian touching her. But by doing this she is bringing him close, giving him the illusion of control over herself to secure her own freedom.

She is pretending to be a slave, while affirming to herself that she is still a soldier.

In this way we can see a dichotomy that has ruled Kory's life until now. On one side, you have succumbing to subjugation, which involved a loss of bodily autonomy. On the other side you had her claiming her freedom and her autonomy which comes with the need to kill or be destroyed.

In addition to this, you need to think of the context of Kory's upbringing. Of course Kory is used to killing her enemies. She grew up in a climate of fear in which there was a real possibility of total annihilation. Millions of her people died in the war that eventually lead her to being sold as a slave.

She grew up during a society that could have been destroyed in war, where everyday killing was not a questions but an existential threat. Killing and war was literally the only way for her people to conserve their autonomy.

This disconnect between Dick/Donna and Kory is not because Kory is an alien, but because the Titans are living in a world where they are superheroes and Kory is living in a world where she is a solider. Would a Kory that didn't kill even been able to come out alive from war? From her enslavement? To her its about her autonomy and her independence, she doesn't have the luxury of morals, of thought, of choice.

Later we see Kory not change, but shift. She realizes that killing will never be easier for her again.

This makes sense! her interpretation of killing has changed a lot because she's been exposed to a new environment. On earth she is not facing a literal war, she has real power, she has backup, she doesn't have to fight every second for her freedom and autonomy.

I think this is demonstrated in an incredibly narrative compelling way in Titans (1999) when Kory kills to give another character autonomy over her own body; Adaline Kane. Adaline is about to die, but her blood can still be harvested for Vandal Savage's experiments. She begs for death, instead of living that fate.

Kory gives it to her.

(much like Slade gave Joey in Titans Hunt but this post only has the space for one parallel right now)

When it comes to protecting the greater good, and especially when it comes to bodily autonomy Kory is not only willing to kill, but sees it as her duty.

She's never stopped being a soldier, she's never stopped being the Tamaranian who was forced to kill and see her people die to preserve her home, but more than that, she never stopped being the little girl for whom killing was her only way of reclaiming her autonomy.

[acid-ixx]

✮ — 𝐎𝐏𝐄𝐑𝐀𝐓𝐈𝐎𝐍 𝐃𝐎𝐌𝐈𝐍𝐈𝐎𝐍 : in which control is your only friend . . . (concept idea)

guys let me cook on this one but i suddenly want to post about an isekai trope au with modern! reader being transported into the world of dc comics. of course you're sentient, but sentience doesn't mean autonomy, because you're forced to don a new identity as a vigilante; guided by a malicious system only you can perceive.

a superhero, a new canon to the world, whose body is still adjusting to its given powers. you are not omnipotent, you are not a deity, and you most certainly could not adapt at such a timely rate; but you were once omniscient to the multiple plots and universes of the world you now live in. that is the only advantage you have amongst the unease you feel at the knowledge that eyes are now plastered all over your existence; a twisted game toying with you, with the price being your very life.

turns out, your existence is controlled by the very viewers (you guys, the commentors, the voters) who determine whichever fate you land on, a rule told by the system from when you were once transported into the world. whether it'd be mere yes or no answers to awkward questions, or even something as major as choosing to save others, or yourself in a life or death situation, and even as far as your love interests— only they can choose, and you'd be left to commit upon such acts, with or without your consent.

imagine, not only your presence is bared naked to the entire world, but every word you say are remembered, are criticized weekly. each and every action of yours that aren't determined by your cruel fans will gain both equal and opposite reactions.

your superhero name is chosen by whoever is the sick mastermind of this entire game. and you! for now, silly you would enjoy the momentary lapses of excitement meeting your favorite characters, but happiness in such a world does not exist. the longer you stay, where every week, your own destiny dictated by phone calls, comments, likes, reactions, and polls; the more you wish you never once set out to abide within the rules of this... game.

it is only your emotions, your thoughts that you can control, but never certain actions at major events. there is no such thing as discontinuity, or changing plotlines once you're able to catch a moment on what you truly wish to say.

as your story is published amongst thousands of people, it is up to your viewers, your deities, to decide whether or not you should live, die, or give you a chance to try to survive without them.

and it is up to you whether to fight back, or to allow their choices to destroy your very life.

either way, your tale is set to capture the hearts of many. and the only destiny nobody, not even your fanbase, nor you, could change, are the multiple set of characters within your world to eventually set their eyes on you.

and my, oh my, it is never once mentioned within these lines of texts that these characters are controlled by anybody, no?

*ੈ✩‧₊˚ are you interested to join your journey ?

♛ —⠀YES !⠀ yes, i'd love to see where this goes.

♚ —⠀NO !⠀⠀i'd rather not endanger myself, no thank you.

[mooncleaver]

Love Is The Reason

ღ pairing: gojo satoru x fem!reader, familial fushiguro megumi x fem!reader

ღ warnings: MAJOR JJK268 SPOILERS. pls don't read if you don't wanna know!! slightly cannon divergent

What the hell.

His ears didn't stop ringing as he brought his body up from its position on the surprisingly soft surface, feeling every ache known to man throbbing all over. Megumi felt the cosmic numbness ebbing away like a flash, and suddenly, he could discern the warm cotton wrapped around his upper body along with the linen sheets that lay beneath him. The three—out of many—scars on his face pulled his skin tautly, so close to his eyes where that devil's face wore his for however long this limbo period was. It hurt to open his eyes. Well, it hurt to do anything, but he's thankful that he can see the world through his own view.

Megumi's ears perk up to the sound of poorly attempted hushed arguments. The sound was so familiar that for once in his life, he was relieved to hear it. To feel that irritation ticking in his chest, the mindless crease that's fully starting to make itself known on his forehead and that growing scowl—he could truly cry at the return of bodily autonomy.

Nobara was trying to fit herself inside a present-shaped cardboard box while Yuji stood next to the thing, pushing down the lid on top of her head, which ruffled the strands like crazy. Of course, the girl would not stand for this butchering of her beauty. She spent a lot of time trying to look presentable. Not that this pink-haired fool would understand.

Megumi is hit with a deep sense of dejavu as he sits up against the headboard, looking back at the memory of Gojo doing the same exact surprise tactic to announce that Yuji was, in fact, not dead after his literal heart got ripped out of his chest. The boy can feel a smile forming on his lips, and he makes no move to try and stop it.

"What are you two doing?"

He sees Yuji and Nobara freeze in their spots, both eyes widening comically. A second passes before the two let go of whatever it was they were contending about, rushing forward to stick their faces into Megumi's. The former vessel looks—well, he looks like he's had better days. He's thankfully clean of all the blood oozing out of his skin when he fought Sukuna for the last time, his usual uniform with the red hoodie looking incredibly pristine, absent of any rips or blood. Still, some are sticking onto his face, notably a darker shade cutting down across his eyebrows as the dried blood clings onto his wounds. Nobara looks happier. God, he thought she died. He was ready to mourn her with all the losses he'd suffered, but for once, Megumi was glad to hear her voice. He welcomes it. She's wearing a black eyepatch on top of the eye that she lost fighting Mahito, and her uniform is equally as clean as Yuji's—Megumi can tell that she's relieved by that fact.

Finally, they're back together again. The trio of first years with lost dreams who've gone through horrible, terrible things now have found hope again—hope that never died within each other.

"Fushiguro!!" The two yell in unison, going in to hug him despite knowing he didn't usually like that kind of thing. But to their honest surprise, Megumi returned the gesture, fully and truly, closing his eyes and letting out a breath. Yuuji and Nobara didn't hesitate to tighten their arms around the spiky-haired boy, be damned the near-death exhaustion clinging to their bones. They may be battered and bruised, but they survived.

After a quiet moment, the momentum was back again as Nobara looked at the two boys with a disgruntled expression, her exaggerated self on display at the lack of reaction to her return. "You know, the class's Madonna, who everyone thought was dead, by the way, turned out to be alive?! You two should be either wetting yourself or crying with joy!"

Megumi didn't even bat an eye, unlike Yuji, who was scrambling out of his mind, replying to her in his usual stoic and flat voice. "I see. My bad."

"So, the bastard is dead then." The Fushiguro didn't phrase that like a question, more so stating a fact. The fact that he was here in his own body, alive and breathing, undoubtedly meant that the curse was dead. It was still surreal to utter, knowing that this was the one thing they'd all been fighting for since forever. Maybe now, everyone who was gone didn't die in vain.

Nobara sounded like she was still in disbelief, shaking her head slightly while she grinned and exclaimed, "Ha! Yeah! Itadori beasted that guy like it was a piece of cake!"

"Eh.. well, it was pretty tough, I'm not gonna lie. I cried a little when resonance was hit." Yuji himself could only scratch the back of his neck at the rare praise, his eyes crinkling into thin lines as he admitted his own emotions. It was kind of daunting to be the one who killed Sukuna with the fact that he used to be the curse's vessel. But out of everything, making that final blow was something he didn't once hesitate on. Yuji was going to finish all this madness. It all started with him and ended with him—the way it should be.

Megumi didn't sound too surprised at the boy's admission, only giving him a look in response. "I know. I saw everything happening inside Sukuna."

"Ugh... don't even remind me. Well, at least you two have the shared experience of being a vessel now." No matter how sour the fact was, it was true.

Breaking his thoughts, Yuji suddenly lit up as he shifted through his pants pockets, haphazardly pulling out the crumpled pieces of paper in his hand. "Oh, wait guys. I have something for you two. It's from Gojo-sensei. Gojo-san, too, I think."

The pink-haired boy grew incredibly sullen at the mention of both his teachers. He'd miss calling out to the two Gojo's, mixing the couple up despite your previous urgings to the students of simply calling you by your first name. Of course, your husband would not absolutely have that, sneakily going behind your back and basically forcing his students to call you Gojo, too. If he couldn't get the second years to follow, he'd make his own kids do it. The man would not pass on the chance of hearing people call you by your shared last name.

"A letter.." Megumi looked shocked at the fact. His sensei (and self-proclaimed dad who stepped up) never did this kind of thing—seriously, that is.

Growing up with Gojo and his wife, Megumi knew the white-haired sorcerer never strayed away from being lighthearted and childlike. Despite witnessing the lanky heir change from the bratty 18-year-old who approached him as a child in the streets into the mature, married man he was the last time, it just wasn't in his nature to be doing some sentimental things like this. That was more like something you'd do. From the daily lunch notes, deep-meaning gifts (that he still kept to this day), and the affectionate texts you'd always send, he would wager that you might've been the one to drag your husband to write the letters. But, knowing that Gojo probably had a feeling that he wouldn't make it out of the fight, it's not impossible that this truly came from him.

Nobara chuckled at his tone of voice, silently agreeing with his disbelief. Gojo was definitely not the type to do this.. it unsettled her.

"I feel you.. this is totally not like him. It's slightly gross to even imagine him writing letters.."

Though, after reading, she crushed the piece of paper in her hand, pursing her lips. Yuji noticed this, facing her to ask what it said. With slight hesitation, Nobara revealed that it contained information about her mother's whereabouts. To be honest, she wasn't sure how to feel. Some part of her still longed to feel her love.

"Oh, did you even want to know in the first place?"

She shook her head as she looked down, leaving no room for the topic to be continued. "Not at all."

Suddenly, they heard the very, very rare sound of Megumi's laughter ringing out from the bed. Gojo would've bawled knowing he made his son laugh. It took a moment for them to snap out of the shock, seeing the fresh face of their friend's smile. He looked like a brand new person—content, young and carefree. It was refreshing.

Megumi hasn't felt this happy in a long while. He expected that the message wouldn't be some deep, meaningful thing, but out of everything, it was a joke about how he killed his biological dad. He wasn't sad, surprisingly. Megumi never really knew the man that left him and his sister to fend for themselves, and the memories he had of him weren't great. At least he found some closure. The boy shook his head, reading the familiar and large handwriting of his father figure. You'd think that it'd be messy, but as the former heir of the Gojo clan, Satoru was a trained guy in the art of handwriting. He wouldn't be caught dead with scribbles.

Unfortunately your father isn't around anymore!! Cuz I killed him!! Sowwy!! :P

Short, simple, and kind of foolish.

He bit back a grin. Even in death, the man couldn't take anything seriously.

Beneath it was a softer and more serious note. From you, of course. Megumi did not doubt that you wrote this to make up for your husband's short message, writing a heartfelt one that he could sense even before reading. The two of you must've known that this was not a fight you would come out of. And as much as that hurt him, Megumi was glad that he was in your last thoughts. It meant a lot to know that you and Gojo believed he, Nobara, and Yuji would live through everything.

Firstly, don't take this idiot too seriously. If you're reading this megs, we're probably gone, but hey, you're okay! Live your life fully okay? Don't forget that you're still a kid in the end. We're always looking out for you, sweetheart. ♡

There was a chibi doodle in the bottom and a sweet greeting that said,

— Love you beyond infinity, mom & dad

Megumi could tell that this was Gojo's handwriting. It was meant as a joke (the boy didn't call Satoru dad very often, despite calling you mom. It was kinda cringe.) but he accepted that sincerely. You two were his parents, biological or not. He loves you so much.

And he'd promise that for you. For Satoru, too, to be honest.

To live life fully.

Ever since he knew what living meant, he never intended to live a proper life. The absence of his biological father and the death of his mother left an untreated wound in his heart, altering his mind in a way that left him isolated—a recluse from the world, almost. The only thing that used to keep him going was his sister, Tsumiki. Now she is really gone. But then, everything shifted when he first saw Gojo Satoru.

It was a big change to have people to look up to. To have a mother. Megumi called you mom way before he even considered Satoru as his father figure, and it was one of the most precious things in life. You never took that for granted, always spoiling him and treating him like he came from your own womb. You knew you'd never take the place of his biological mother, but you wanted to be someone the boy could rely on in such a cruel world. It was a bit strange when Satoru first brought up the idea of raising the Fushiguro boy. You were both still 18, barely even adults with so much pressure and responsibilities. But you knew, from the moment you saw this poor boy getting dragged home by your boyfriend, that you'd love him like no other.

You and Satoru gave him and Tsumiki a home. An unlikely one, but a home nonetheless. You gave him a love like no other, an unconditional, wholehearted, and absolute kind of love, even when the two of you were struggling. It was a type that couldn't be described by words and only felt. That, along with the friendship and true family he found within Nobara and Yuji, made him realize that even if he didn't live his life for himself, there were others in the world. Other people, whether that'd be a mother, a father, a sister, or a brother could give everything meaning. A reason to keep going.

At first, he only lived for Tsumiki. To use everything he had to save her. But then he found himself living for you, for Satoru, for Nobara and Yuji. Once more, he would try again. This wasn't a chance he'd take for granted.

Reading the note made Megumi feel a kind of warmth he hadn't felt in a long time. The kind that he last felt when you hugged him tightly and kissed his forehead before everything in Shibuya happened. That was probably the last time he saw you happy and alive. The world was dull when you died. A victim of that son of a bitch curse Mahito. That was a loss like no other, so incredibly painful and numbing.

At least you died in an honorable way.

After that, he didn't know how to function. Tsumiki, Nobara, and now you. The boy felt half of his soul chip away.

Your husband was even worse. Inconsolable. Watching his wife die in front of his eyes before getting sealed the second after. When the man came out of the prison realm, anyone could tell he wasn't the same. There was no chance the old Gojo would ever return. And sure, he was still lighthearted, but Megumi could tell there was a weight in his gait—the heavy burden of the loss of his darling wife dragging down every word that came out of his mouth. He saw the sadness, longing, anger, and pure vengeance in his eyes. It never did go away. Not even when Sukuna butchered the man in half. At least now, the two of you were together in the afterlife. Megumi truly hoped that. He didn't believe much in that kind of stuff, but for his mother and his father, he prayed for a final peace to be granted.

That hope—along with the one amongst the living pushed Megumi to go on. To not just survive but to really live. Even beyond that, there were others too. His cousin, Maki, who was thankfully alive, and even Toge and Panda.

This was love. That unanswered purpose of life. It's to give love and find love in others. Love is why people do crazy things: to sacrifice the world, to sacrifice themselves. That's why he kept living even when his own dad disappeared or why he kept fighting to keep his sister alive. Love is why, despite the grief, Satoru still fought for you, for your memory, and for your efforts. Love is the reason he's alive.

And if anything, Megumi learned that when you have people in your life, you'd do anything to keep them in it. That's what you and Satoru taught him. Waking up in his own body again and greeted by the sight of his best friends—that was one of the biggest blessings he has ever received.

For his family, he would do anything.

i'm fucking crying. like actually. 3 chapters to go until this manga ends and i still can't fathom everything happening bruv

btw, this is what i imagine the letter would look like haha. half cannonical cuz it's the panel translation!! excuse my handwriting um

also sorry this isn't really proofread lol, i really wanted to post!!

dividers @cafekitsune @i-mmaculatus

[prokopetz]

I've remarked in the past that first-wave literary cyberpunk's skepticism of body modification is typically rooted in concerns about capitalist intrusion upon bodily autonomy and ownership of human bodies, with the "prosthetics eat your soul" stuff developing later in order to allow authors to continue to write about angsty cyborgs without any political subtext which might be uncomfortable for mainstream audiences.

(Which is not to say that "prosthetics eat your soul" is, itself, apolitical, of course – it merely exchanges a potentially uncomfortable political subtext for one which able-bodied audiences found more palatable!)

While this is true as far as it goes, I think it's also important to recognise that, while first-wave literary cyberpunk did have all that bodily autonomy stuff, it was almost invariably being written by able-bodied authors who treated it as a metaphor for the artist's loss of intellectual freedom under the corporate state, rather than as a topic worth exploring in its own right. Like, give credit where credit is due, but don't give those guys too much credit; they largely weren't taking disability rights issues seriously, either.

I'm saying this because I've noticed an increasing tendency in certain circles to characterise modern self-styled "cripplepunk" incarnations of the cyberpunk genre as in some sense reactionary – i.e., like they're merely rolling back the clock to before cyberpunk sold out. The fact of the matter is that the golden age of disability-aware cyberpunk literature never existed, and folks who are taking a hard look at that aren't trying to "turn back the clock": they're giving the literal text of this shit the attention it deserves for possibly the first time.

[artsninspo]

COUNTERFEIT - one

➨ rio's library - good girl nbc

「 ✦ full library & archive ✦ 」

🍒 author's Note: back with another story! this is a multipart story. formerly known as cherries. it's a mix of the drinks series and forgiveless. Rio's more 'gang-friend' in this one. Enjoy ♥️

🍒 pairing: Rio (Good Girls) X Faith (Original Character) All my characters are black women.

🍒 word count: ~1.7K

🍒 summary: bad days lead to bars, friends, drinks and strangers.

🍒 one ~ cherry margaritas

If one more person calls me ungrateful I don't think I'll ever stop screaming. I shoot my sister a glare and her voice catches in her throat leaving her mouth open with words that will be left unsaid. Traitor. My anger is clear as day, and Char knows better than anyone that I've reached my limit. Amber, our ‘friend’ stops too looking up at me as I stand. I didn't invite Amber over for an earful, I invited her over for support. For fucks sake. The stare down comes to an end when Char closes her big mouth, swallowing.

“Faith” her tone is what it should have been all along but its too little too late. The call comes again but I'm halfway down the hall and to my bedroom. I walk into my closet angry at myself for thinking my sister would back me. I grab a coat and slip into a pair of baggy jeans. I kick my pumps from this evening's date night aside and grab a monogrammed bumbag.

“Faith” Amber says, wearing on my thinning patience.

“What?” I respond, casting a look over my shoulder.

“It’s not that we don't think you're great - I mean of course we do your the life of the party, you're so smart and funny”

“I’m glad I provide entertainment for you Amber” I respond and she places a hand on her chest. I brace for the perpetual state of victimhood that follows nice-nasty and outright mean.

“I didn't mean it like that!” Amber says. Whether it's fact or fiction makes no difference to me - my goal was to shut her up and when her nostrils flare I know I've achieved my goal.

“Don't be like that Faith, Jason is – being bored isn’t a reason to leave him. He literally worships you” Char continues. I wish her position was disappointing or surprising but it’s what I expect from Char now that she's been fully indoctrinated by our mothers social climb. Years of private school, country clubs and tennis lessons have her disillusioned.

“It’s fine, I don't expect you to understand” I snap, pushing past the both of them. 

“Where are you going, do you want me to come?” she asks, eyeing my casual attire.

“No, finish the wine and talk about how ungrateful I am” I respond slamming the front door to our condo. I rush to the elevator hoping they won't follow me and call a cab once I'm in the lobby. The wait is less than a minute. I turn off my location, blocking my sister, Amber and Jason for the night.

I’m too young to be so stressed, I've felt like I've been drowning for weeks as Jason turned the intensity up in our relationship in all the wrong ways. Trying to become bffs with my mother and Rick. Talking with the future, talking about expectations and children and houses. Why would anyone think I would sign up for a lifetime of the one I didn’t choose. The one Ma laid on her back and threw away everything she knew and held dear for. I’d never so eagerly trade my autonomy. I rate the driver five stars for the much appreciated silence and smile as my feet touch the pavement. I smell cigarettes and weed as patrons partake outside the bar. I can see it’s busy when I head in. Unlike anything in the heart of the city D’s place is truly one of one. Traditional wood counters, stools, a pool table, a jukebox, booth seating on one side, open space in the middle and a few table configurations for those who want to sit and talk. Everywhere is full tonight and it makes me happy for my friend as I head to the bar a man getting up to give me his stool. I look around for Diego smiling when I find him.

“Hey” I wave, and he comes over with top shelf tequila.  Smiling at my presence he makes a show of making my favorite drink a cherry margarita and tops it with five cherries. “Thanks” I beam saluting him before my first sip. “Perfection” I wince and he laughs.

“What’s up?” He asks and I chew on one of the cherries pushing the rest of them into the liquid in the hopes they absorb some of the liquor.

“Nothing much, I can help you bartend if you drive me home…” I suggest.

Diego dries a glass. “I don’t get off until three” 

“It’s fine” I shrug while having another swig.

“Doesn’t Jason usually get tickets to the big games? I was looking for you court side” He asks, looking up at the mounted TV in the bar.

“We broke up” I confess and he frowns, pausing his task.

“What’d he do? Do I need to fuck him up for you?” D asks, ready for war.

“Nothing, it just wasn’t going to work.” I admit taking another cherry. D gives me an unsure look before manning his bar. I watch the clock run out and drain the liquid from my glass, then I get behind the bar and get to work. Diego and I grew up together on the same block as kids. He spent a lot of time with me and my sister before the whispering started. People thought it was poor parenting to have him sleeping in a room with two girls. D would’ve never laid a finger on us. He moved away when I was ten and we reconnected after college. He became the big brother I never had. Now, he has his life together and I’m the wreck.

Time goes by when you’re having fun and D and I are an excellent team. Working, being busy, accomplishing something and being around D is grounding for me. There’s nothing we want from each other or hope to gain from our association and honestly it’s refreshing. D really has put everything into this place and it’s a pleasure to help him keep his patrons happy with good drinks and excellent customer service. It’s a sausage fest and the flirtation is harmless. Almost all of them are regulars and regular guys here to drink a few beers and watch the game. I make a show of eating the cherries from my glass gaining an audience, extra tips and looks of disapproving amusement from D. It's harmless rebellion, the kind of thing that Jason would spend hours scolding me for - not understanding I’m just joking around. Having a bit of fun. D’s bar is the kind of place that would make Jason itch. There’s no VIP seating, back room or slipping someone extra money to get better service. Honestly that behaviour may lead him to a black eye and pressing assault charges for his uppity ways. The thought makes me smile as the patrons file out,  I have so many tips there's no more space in my pockets so D gets me a jar. 

 By the time it’s three AM I’ve forgotten all about my breakup. D and the security clean off the tables and put the chairs up. I get the mop ready and clean the floors to save them from sticky floors when they come in later on today. The bell rings and the door opens to three men walking in. I wait for someone to tell them we’re closed but no one does. The tall slim one in all black sits at the bar and the other two go into the back. My heart rate slows as I look around for D, when I don't see him I keep my head down mopping until D comes from in the back. He greets the man and pours him something top shelf.I continue mopping until I see Diego motioning for me to come over. I do and he looks nervous. He hands me his keys. “Go wait in the car” he says handing me his keys.

“My coat” I remind D, and he nods, getting it from behind the bar for me.

“I don’t remember hiring you,” the guy drinking at the bar says, stopping me in my tracks. His voice is smooth and his eyes are too easy for him to be anything but trouble. The tattoo on his neck tells me he’s bad news, as well as how rigid D’s posture is behind me.

“She’s a friend, came to help me out” Diego says, being oddly submissive. I look up at him confused. He has at least a hundred pounds of muscle on this guy and he’s afraid of no one. The guy turns to face us and his hands go in his pockets as he gives me a slow once over. He’s hard to read.

“I didn’t know we needed help and I don’t remember getting a text that you’d have someone else closing with you” he adds. His speech is slow and calm which adds to the sense of danger about him.

“I was headed home, came by for a drink and it was getting crazy in here. I just wanted to help out” I explain and the man gives a half smile but it only makes me more uneasy.

“There are health codes, forms, certifications and things we need in case something comes up or a by-law officer stops by.  I need to know who’s behind my bar. Who’s serving my customers.” he doubles looking at D.

“I said she’s a friend,” Diego grits in response. The man’s jaw clenches but he turns around.

“Shit hits the fan, you’ll have to deal with it, not me” he says going back to his drink and I hurry out of the bar. I have a million questions but I don’t ask any the entire ride home. My mind goes to a hundred scenarios, landing on one every time if D needed money why didn't he ask me for some. If it was for protection didn’t he know better than to get mixed up with men like … whoever that was? The car slows to a stop in front of my condo and he puts it in park handing my tips.

“Take care, and if Jason needs a clue let me know” he says before kissing my cheek.

“Thanks” I smile and he hands me another jar. I smile when I realize they’re tequila soaked cherries. “Sorry for the trouble” I apologize.

“My cousin is OCD about people,” he shrugs.

“Ok” I nod wondering why I don't know this one of Diego’s cousins or that he was the bar owner. I don't push, instead I hug my friend and trust our bond before heading into the building, into the elevator and into the apartment I share with my sister.

authors note: well that's all for now folks. see you around for the next part. don't forget to ❣ Like, ❝ Comment, ↺ Reblog

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tags: @meadows5 @wnbweasley @becauseimher @ariiaeltheedonn @woahthatshitfat @miniaturehideoutmentality @kokobells @ffenthusiastt @sowhatariyana @1xtral1983 @theegoddessofmelanin @fictionalreads @roxytheimmortal @fairytale07 @rampsen

[lesbianherald]

Hi! Just curious. What exactly is that you didn't like about Viktor's arc? I've seen a few people saying the same thing and idk if I'm missing something or I'm just too over the moon about him that my brain has gone smooth haha.

oh no oh no i'm probably going to write like a whole dissertation about this I am so sorry I'm literally cracking my knuckles I have so many thoughts and not all of them I'll even get to articulate here.

Saying this upfront: you aren't smooth-brained for disagreeing with me or liking it. I want to say that outright as I'm a very opinionated person and I am going to state my very strong opinions very plainly.

That being said : I genuinely feel like season 2 needed like... character writing 101 for a lot of these characters, especially the two characters whose names start with a 'V'. I'm so serious if one of my students brought in a story like this, I would (gently) take it apart.

If you don't want to read the whole thing I'm about to unleash, the crux of it is this for me:

Throughout the course of the season, it's very hard to discern how many of Viktor's decisions are his own. He lacks the baseline autonomy that's necessary for satisfying development. The magic of the hexcore becomes a shiny distraction that makes meaningful development impossible. Additionally, season 2 forgets so many of the themes and threads they explored with Viktor in season one explicitly in terms of class and his position on war and weapons manufacturing.

And, like almost everything in season 2, these issues are compounded because his story is done at a pace that's completely lightning-fast and prioritizes the wrong things.

Here's my thesis:

How Does a Man Like Viktor Become the Machine Herald? Arcane's Answer: Magic orb or vague sadness or something idk.

Harry Lloyd said in a season 1 commentary somewhere that one of the main appeals for Viktor is knowing who he is in the game and wondering how you take a man like him, who is so kind and has people's best interests at heart, and see him slowly become the machine herald.

I agree 100% that this is part of the story's appeal for players. And it would be a delight and surprise for non-players.

We... get that very juicy premise ripped from us. We don't see him making decisions grounded in the character they set up in season 1 at all, really. And its very unsatisfying seeing him be rendered a mere victim of circumstance with vague attachments to his past self.

This is not necessarily a complaint about arcane herald vs machine herald (I did not play league and am not attached to the lore) but a complaint that a lot of what happens with Viktor in season 2 seems very unattached to his psychology.

Christian Linke himself said (and I forget where, so I am sorry if I'm paraphrasing terribly) that part of the question he wanted the audience to ask with Viktor is how much of this is really him? Bluntly. That is incredibly silly. It's such an important question that it makes all other interesting questions one might have about him really hard to parse.

That's not compelling. That's a mistake. That's not rooted in character anymore but a vague magical orb.

Here are some questions that would have been more interesting for us to ask, Christian.

How does his desire to tamper out human emotion prompt him to do the unspeakable? What leads him there?

How far is he willing to go to take away human pain and suffering?

Is his version of pacifism really, in actuality, a form of violence?

Will his connection with others be enough to bring him back to his humanity? (this is a question we were not prompted to ask, and if we were, it would have made the final scene (which I love regardless) a lot more satisfying.

What is the root of his hunger for power? How much of his quest is a hunger for power and control over others (rooted in a fractured and tragic sense of self)? and how much is it rooted in his desire to help? Where is that line?

Any of these questions or any other questions we could enjoy exploring with Viktor become tampered with and weakened by the fact that a vague magical entity is controlling him in a vague and unrelatable way.

In short, 'How much of Viktor is still Viktor?' is a far less interesting question than. 'how is Viktor going to act, change, and learn? ' We are forced to ask the first at the cost of the second. He clearly is not fully himself this season.

The Dropping of Themes and Traits

Season 1's exploration of Viktor was multi-layered and fascinating. I feel like we got to see the establishment of a kind-hearted, sometimes awkward yet quite funny, passionate scientist.

I don't feel we see much of any of this in season 2. The stupid fucking orb overrides a lot of the traits we've come to know and love. This would have been cool if done with an ounce of care, understanding, or autonomy.

In season 1, we see Viktor in a position of powerlessness over and over. We see Viktor ignored and looked down upon by those in power both for his disability and, crucially, for his status as a Zaunite.

We're introduced to him as someone who is desperate to prove himself and carve a place for himself. He knows he's brilliant. And he knows he can help people with that big brain of his. That's all he wants. And he wants to make his mark (something I theorize is rooted in his loneliness as well as his ambition)

(Side note: I find a lot of the debate on whether or not Viktor is insecure a little silly because you can be both confident and insecure. He's incredibly secure in his abilities as a scientist, but I fully do believe he places all his worth on his work because he's not as confident in other places - represented visually by him trying to point out his boat when Sky is looking at him in the flashback. A 'don't look at me look at what I've made' type thing.)

Anyways. Viktor is willing to risk his position as an assistant and, honestly, his position at the academy and in Piltover as a whole to help Jayce. This is not just because he's 'lol so chaotic' or whatever. This is actually quite calculated. He knows he will get nowhere in Piltovian society without bending rules, because Piltover was not built for people like him.

"Do you think it was my life's ambition to be an assistant?"

But even in taking that huge step for himself, his new role is complicated.

We see him sit through meetings where his people are talked about like burdens. We see his closest (and honestly only) ally and partner speak over him in meetings and overrule his desires and wants when it comes to the future of hextech in massive ways. We see Jayce call all Zaunites 'dangerous' (I love jayce... don't shoot me please. But we do often forget that this does canonically happen and what makes Jayce so incredible is that he grows from this point)

The moment on the bridge directly causes him not to tell Jayce about what he's doing to himself. Jayce apologizing right after doesn't matter so much as it reinforces one of Viktor's fears: he is alone.

We see his illness, !!!!caused by Piltover's oppression!!!!, take over. We see him and Jayce grow apart. We see the way his loneliness impacts his desperation and the way his desperation impacts his loneliness and we see the way he's so damn afraid and just wants to live. We see how much he wants to help people, and how even though he's tried so hard he never got to achieve that because the limits of this society just don't allow for it.

Season 1 Act one is Viktor taking action for himself. season 1 Acts 2 and 3 are a brutal reminder that no matter how hard he works. No matter how hard he claws. He will always be who he is. And that makes him Powerless in this society. I honestly find it a really compelling storyline in terms of the 'bootstrap theory' and debunking that - but a different topic for a different time!

At the end of the season, he's able to gain a huge amount of power - speaking at the council about freeing his city - through Jayce's platforming and allyship. But at the end of the day it doesn't matter, because what the council is doing is too little too late - people in Zaun are too tired and too hurt - and he gets caught in the crossfire.

Despite all this, Season 2 does not engage with Viktor's being a Zaunite outside of the fact that he returns to Zaun first. But the themes explored related to class and power are gone - as they are with everyone else really.

It makes sense to me that one of the first things Viktor would do when granted a new body and new power would be to go and try to help people in Zaun, but the ambiguous mechanisms of the magic inside him, the immediate divorce with Jayce, and the bizarre way he goes about it don't make this land.

And even the return is rendered sort of meaningless. Where is the personal connection to this place? Why are we given no details related to his past here? Why doesn't he return to somewhere more personal for him?

He speaks in this cold, unaffected monotone. This healing ability seems to be the 'recursive impulse' - so him finally getting to help people just like he wanted feels rooted so much in the arcane influence it becomes murky and strange.

This is more nitpicky, and I'd be okay with it being ignored in the right context - but another aspect of his character that gets dropped is his work as a scientist. His desire to help people not through magic, but through invention. This would have been fascinating. (They try to keep this alive through vague allusions to 'look at what I've created' blah blah but again, so much of it is all ORB)

What inventions would a fully autonomous Viktor who decided to leave Jayce and return to Zaun of his own fruition create? Would they toe the line between inventions of progress and inventions of destruction?

Guess we'll never know!

Speaking of weapons. Let's talk about weapons. Let's talk about Viktor's vehement opposition to weapons not being explored within the context of his relationship with Jayce or outside of the rule that there are none allowed in the commune - which becomes quite meaningless when he agrees to work with Ambessa. Yes - he saw those blueprints on the table. But that's all we get.

Also, the fact that Jayce just unquestionably builds hextech weapons in the finale, and they're used as a good thing and a way to fight off Noxus, makes me want to claw my own hair out. Like - my themes ! Not my precious themes !

Let's also talk about him working with Ambessa. There's no build-up to that decision, not near enough character work to make that believable and considering the way the plot is written elsewhere, I fully believe this is a huge part of the problem of the writer's room dropping the issue of class. The idea that Viktor, the character that they set up, would ever willingly work with Ambessa is laughable. There are so many other ways he could have gotten to the hexcore in his fully evolved form, easily bested Jayce, and evolved. And they did absolutely nothing in the writing of season 2 to make that an interesting or satisfying choice.

An arc is only an arc if there is substance between point a and b. There's no substance here. There's vague orb. There are little glimpses of the pain he's in because of his separation from Jayce. Teeny tiny allusions to him trying to shut down his emotions. That's simply not enough.

You cannot bring a character who values choice and autonomy, whose been made to feel so powerless and is empathetic, to "choice is meaningless" without a deep study of his psychology and pain. Viktor taking away the autonomy of others, inhabiting their bodies. Being super chill with it. Okay. Coo.

Where does his desire for evolution even come from? For real? Because they seem to mistake Viktor's ambition with his desire for perfection, which is something that was never really... brought up? It could be believable that he felt this way. But where were the signs of this? Not just in season 1 but in season 2. He always wanted to help, not make humanity perfect. Because this is grounded in so little emotional logic I assume we're supposed to be satisfied with the idea that magic orb + machine herald form = ??? this ??? like ??? why???

If he wants to create a world where nobody can feel pain or complex emotions of any sort anymore, which is not psychologically where he was at the end of season 1 at all despite all he went through, you have to give us an event (ideally multiple) in season 2 that could break his mind this badly. Jayce killing him could have been this, but it happened so fast and was executed so impersonally that it doesn't work. He doesn't really acknowledge it happened the next time they see each other. Which... would probably be important to do... again emotional logic where?

His entire speech about humanity at the end of episode 6 feels like it's trying to be a catalyst. But it also feels... incredibly generic and impersonal. It felt written to play over a flashy montage of all the other characters fighting. Not for Viktor. If this was Viktor's moment where he finally snaps, we should probably focus on Viktor. And, of course, it doesn't help that he has this odd monotone this whole time, as if he's not fully in control of himself (this is not a rip on Harry Lloyd at all. He did what he was told and did it very, very well.)

Because remember. They wanted us to ask this. They wanted us to ask how much of this was orb. I think because they knew on some level they could not create a compelling enough story to get viktor where they wanted him to be for some reason without orb. That none of this would make sense without the vague spice of the arcane. And guess what it still doesn't.

Becuase people will not relate to a vague arcane influence. Connect to it. We would want to see what actually in his life made him become this. What in his psychology outside of magic orb made him do this? They provide vague tastes of this in the same way La Croix flavors its drinks.

Brought Back Wrong Can Work: Here's Why This One Didn't

I also really hate the trope of killing off characters only to bring them back. And back again. And... again. Because guess what. It takes one of the core elements of the human experience - death- and cheapens it. This for sure happens with Viktor the second time he dies.

But what i do like about bringing someone back from the dead is when you consider how doing so can bring someone back wrong. Or changed.

But because the orb is so impersonal. So bland. Such a vague sinister force that has very little to do with character, it doesn't... work. It doesn't hit. Viktor doesn't really grapple with being brought back from the dead against his will in a meaningful way.

Timing

You can see concepts of a plan, if you will, within this story. I can see how Viktor would naturally go to the undercity after waking up changed with new healing powers. But it happens way to fast. So bizarrely. I can see how he would build a society like this (of course, the power of that is dulled because orb and by the fact that we don't see it happen). I can see how the pain of being rejected and left behind by the only person who made him feel like he wasn't alone (Jayce) could have lead to a category 5 'make me evil' sort of meltdown.

Becoming the Herald, asking Singed to begin the transformation, is the only true time in this show in act 2 (before his final moments) where it feels like he's making a choice for himself. But again, we get so little time with him. To see his emotions. To elegantly point from that moment with Jayce to Viktor's need to transform and in doing so rid himself of emotion (something that they did not expand on enough ) Like oh my god, how much more satisfying would it have been to see Viktor torn apart by his own emotions - in his own viktor way - and to have singed offer him a way out of his pain - and then have viktor take it. There are certain things that should be obvious.

But It's both the timing of and the structure of the story - how quickly we cut between plotlines - that makes this really hard to follow. That makes moments that could be something feel rushed and sloppy.

Let's Talk about Sky

Viktor's guilt over sky was absolutely reasonable to explore, but it was not.... all that haunted him. To make Sky the sole guide/companion to him in the astral/arcane headspace I found to be a bizarre and honestly kind of offensive choice.

Amanda overton said she was used as a "Jayce substitute" essentially. And... why? Literally why. Why would you write a character whose sole deal is having an unrequited crush on a man only to bring her back to be 'the embodiment of his guilt and loneliness' as well as a 'substitute' - it feels... icky to me? Just in a writing women and especially women of color point of view? And it didn't feel true to Viktor's character either.

I think if we actually got to know sky better in season 1, this would have worked because it would have been obvious how different she was, how she was a product of his mind or the hexcore or whatever (the lore being vague here doesn't help...)

Plot Twist because I keep hating on Orb: They Could Have Made The Orb Really Cool

Here's the thing. Magic influence on its own can be used to write extremely compelling plots. Walk with me.

Imagine Viktor wakes up. Immediately knows something's wrong with him. That something inside him is toying with him. Making him see things (visions of not only sky, but maybe his parents, Jayce, Heimer). He wakes up earlier in act 1. Despite his anger, he stays with jayce in order to better understand himself and his powers. All the while, he is haunted by whispers and visions of the hexcore. What if it whispers to him of his own insecurities and failures?

What if Things with Jayce are tense. Jayce has to admit to making weapons again, in an argument leading to more haunting visions from the hexcore offering him an out: emotional numbness. You would never have to feel again Viktor. If you let me in fully, you would never have to be alone again. You'd be more powerful, Viktor.

Imagine Viktor is there during that attack ambessa orchestrated. That he has the horror of witnessing Jayce wield his hammer in a genuine attempt to defend himself and the people he loves. He sees first hand how hextech is being used for destruction in a way that horrifies him.

Imagine him being accused of being a part of it because he's a Zaunite - humiliated in some way. Publicly. Imagine the emotional trauma of this resulting in a falling out so devastating he embraces his visions of the hexcore - gives into the numbness. And only then leaves. With the hexcore... he feels better than he has in years. He hopes he can give the gift of this to others. Now he is under orb influence, but now the way he's gotten there is more satisfying to me at least.

Now imagine him fighting the orb influence in key moments. Imagine the color in his eyes coming back. Imagine Viktor's relationship with the arcane being more of a dance than a vague entanglement. Imagine its influence haunting him in the same way Jinx's visions haunt her. Imagine it being personal rooted in his character.

Old Man Viktor

Listen. I am the old man Viktor connoisseur. I love him. I love the idea of him. I wrote a whole fic about him, during which I had to spend a lot of time with the story. It's sort of... very much impossible to make much sense of?

I'm not mad at the fact that it's an obvious retcon. Honestly, because I think from a storytelling perspective, it worked a lot better than most of the decisions they made this season.

But I'm not a fan of (shocking) how little time we spend with him. How little chance we get to understand his motivatons. And also. What the fuck he said to Jayce to make Jayce's first line of action killing him? In my fic, I made it that Jayce needed to shoot Viktor to get the hexcore out, so he could communicate to viktor without influence. But that felt like heavy lifting I shouldn't necessarily have to do for something so important. It also doesn't feel like a compelling or satisfying question to make your audience have to wrestle with.

The Final Scene

Want to say upfront I am not one of the people who did not like Jayce's speech.

I was quite moved by it. And aside from the perhaps out of place mention of the illness brought on by Piltover which I can understand the criticism for, I felt it was beautiful. (I am disabled btw)

That being said. I think i'd be a sobbing mess on the floor if the themes Jayce is presenting in his speech were more present throughout season 2. Because we really don't see this enough - the desire for perfection.

I'm also not one of those people who thinks Viktor's insecurities weren't present in season 1. To me, they were and were obvious, but not enough in his motivations and actions in season 2 to make Jayce's speech land like it could.

I really loved Jayce's arc in season 2. Him immediately embracing Viktor after he woke from the goo was surprising but felt right. But I wish they had more genuine conflict rooted in their conflict in season 1 that would allow their final moment to land even harder.

I really liked the final scene, and it made me an emotional mess. But weirdly, I'd almost like it as a short film removed from the context of the season two, which says just how little Viktor's arc this season contributed to the moment.

Final Thoughts

I'm so sorry I went so in-depth. I just love him as a character and feel he was very much not done justice.

We can attribute some of this to the lack of time. But when you know you have a lack of time, you need to write with that in mind instead of trying to do it all. And ultimately, I found a lot of scenes this season a waste of precious time. They had so many characters alone contemplating something intangible or alone and trapped for episodes. They didn't plan this with the care and precision needed to pull it off.

I also want to note that I know I say here a lot that there's a lot they needed to make "more obvious". This is not because I'm stupid. But when you're a writer, you need to know what to highlight and what you can leave vague so you leave your audience exploring the right nuances and asking the satisfying questions.

Anyways umm. The end. Holy shit, I'm so sorry I wrote so much.

[taliabhattwrites]

Less Fearmongering about Testosterone, Please, Or: There is no "Boy HRT"/"Girl HRT" Dichotomy

Hello folks, I'm a trans woman and I'm on testosterone gel.

As an immigrant to a regime that is currently setting trans standards of care on fire, there is no way I can acquire any of the drugs I need to put in my body through the official channels. I've been on E monotherapy (weekly injections, no T-blocker, works out really cheap and I have a few years' worth stockpiled) for a while now, and started T-gel about a year ago.

We initially grabbed it because my wife was interested in microdosing and I decided to do so with her (though she's on injections now). Most feminizing HRT regimes nuke our T levels to lower than the healthy range for cis women, and that frankly isn't good and can lead to various health issues. T is, ultimately, just a hormone, and even if I had too much of it in the past, I still need some of it to be healthy. One noticeable effect for me is that it's helped a lot with my energy levels.

In terms of acquisition, T is actually relatively abundant compared to E because a lot of cis men buy and take steroids, while most cis women who need E are just getting it prescribed by their doctors without much fuss. Our community is the only one that really has a need for E-compounders, while the population of people who consume steroids is way higher.

Funnily, our biggest challenge in acquiring the gel was just finding a forum that would point us to a gel supplier instead of just insisting that "Gel doesn't lead to enough gains, bro! Here just buy these injections." All very well-intentioned advice, of course, but that was very much not my goal and not what I needed.

Where I am, it's legal to purchase and own T, just not to sell it. T possession is not particularly harshly cracked down upon, given that its use amongst a certain crowd is basically an open secret. Gauge your level of risk but ultimately, the official policy on trans existence is discouraging transition and making it harder for us to be able to change our sex. A friend from Germany showed me this extract that explicitly advocates for therapy to dissuade bodily transition:

It's from the guidelines for transition-related care by the association of German health insurances!

If you can get it from a doctor, good. Do that and don't forget you'll constantly have to advocate for yourself. Even if you can, however, you should frankly have your back-up options sorted out, because we live in times increasingly hostile to transitional care, and we all need to have fallbacks.

Maybe the world will eventually become less trans-eliminationist, but in the meantime, transition is always going to carry with it a certain level of risk. All I can really advise is to take charge of your own bodily autonomy, to decide how you want to shape your sex, and if you feel like you can't currently do that, to start making plans for when you eventually can. That kept me going for five years in the closet, and eventually paid off.

Good luck, and death before detransition.

[thorough-witness-enjoyer]

(Small, frivolous rant incoming, apologies)

One thing I wish the Destiny fandom did more of was dabble in the utter horror this universe holds, especially when it comes to portraying the vile atrocities committed by many of the cosmic level characters.

Destiny‘s T rating holds it back so much in my opinion (but it still manages to lay down excellent foundations for horror and more mature themes!!) and I really wish there was more fan works that explored the unimaginable tragedies that occur in lore!!

When you really dwell on the scale of many of the disasters that happen in lore, it really dawns on you just how sinister and monstrous many of the larger villains are. Antagonists like Eramis are much more grounded, certainly not saints though, but some of the antagonists we have encounter are truly odious in their behaviors, even if they are deluded into thinking what they are doing is correct (like the Osmium siblings ravaging whole star systems in pursuit of the sword).

For example, it’s no secret that I LOATHE the Witness like no other. This wicked entity has me fighting bile at the mere thought of it and I truly think the way it delivers cruelty with such a sense of compassion and righteousness to be the most stomach wrenching form of being baneful. I could not think of an entitlement more deplorable than the Witness‘ and it’s existence is a travesty that has caused irreparable harm that spans EONS.

Yet, in my experience, I never see much content that taps into the horrors experienced by those touched by the Witness and its pawns, such as the Noesis and humanity during the collapse. There are INCREDIBLE artistic and written works that tap into the psychological horrors of exos and the unethical hell Clovis was putting people through, but not as many on the more cosmic horrors from what I have seen!!

This may just be a me thing and the personal reasons why I want the Witness put under a hydraulic press speaking, but I often see plenty of depictions of the Witness being uncharacteristically soft and having deeper feelings towards its disciples, but works about its vengeful rage, simple mindedness, violation of the autonomy of others, and predatory grooming are quite barren.

I wish to see just how HEINOUS it is displayed in all its turpitude and how it leaves a festering rot on everything and everyone it touches. I love the Witness because it is so evil in it‘s actions and my heart SINGS any time I see people tap into the trauma it causes, especially for characters like Rhulk or Savathûn!!

There is so much room for exploring just how vast the Destiny universe is when you decenter perpetrators in stories and focus on the incomprehensible number of victims.

Destiny genuinely has a character running around with the title „The Final God of Pain“ haunting people and refusing to permanently die, but there is only so much a T rated game can do and I feel like Destiny enjoyers can go beyond what’s in game in such creative ways!! Just thinking of the fall of Torobatl has me going „Wow, I’m actually so sick to my stomach, I need to honor Caiatl and really capture the pain of such an event!“

The latest lore on the Qugu? My chest HURTS.

Some of the hive experimentations? The hive in general? Hell is not hot enough for what the Witness lead them into.

But you know what they say, be the change you want to see in the world! Create the content you want to enjoy and promote the content you do enjoy!! I wish to dabble into the darker areas of lore, and of course, promote Witness hatred any chance I get!! Hopefully I get more time to write about these things and really value the work the Destiny writers have put into portraying such strong feelings of loss time and time again!!

And also!! PLEASE PLEASE PLEASE read The Garden‘s Witness by Titanmaster_117 !!! ESPECIALLY THE FIRST CHAPTER, I COULD RANT ABOUT THIS BEAUTIFUL PIECE OF PROSE ALL DAY, IT GENUINELY MADE ME CRY!! PROMOTE THE CONTENT YOU ENJOY ALL DAY, EVERYDAY!!

But this is just something I’ve been thinking for some time now. This isn’t condemning anyone in the fandom or saying there is an issue, just a desire I would love to see (and hopefully fulfill if I ever get back into writing for Destiny!) If you guys have any recommendations for Destiny works that are horrific, focus on themes of loss and devastation, or hate on the Witness, feel free to mention them so other people can find them!!

Not enough Witness hate going around for my liking… this looks like a job for me.

[anonity]

heartthrob -- drabble

merry christmas! i thought i had a christmas eve drabble in my drafts but apparently not, so i'll give everyone this instead. i'm still very new to this whole tumblr thing i'm afraid

asks are open for prompts as i ease back into writing!

WC: 506 summary: paige has a newly discovered interest in your heartbeat.

“why’s your heart beating so fast?”

paige’s voice comes out suddenly, laced with amusement. 

for the record, it was her idea: your apartment was a dreadful 10 minute drive away (“so dark,” she had lamented), it was snowy out, and it was much too cold in the living room for you to sleep on the couch. 

all very convenient, you think, now that her arm is draped lazily around your waist. 

of course, that's awfully presumptuous of someone whose heart is racing approximately 900 beats per minute. which has led you to your current predicament. 

“it’s not.”

paige laughs at that, shifting slightly and coincidentally inching into your side. you’re not facing her, but you can hear the smug grin in her voice. 

“well, i can feel it,” she murmurs, “and it definitely is. like you’re nervous?” 

you scoff despite the heat now rising to your cheeks. “about what?” 

paige hums thoughtfully and sits up on her elbow, putting some much needed space between you. you think, for one perfect moment, that she's going to let up. but then her hand is drifting upwards, and you lose track of every single thought you’ve ever had as it settles firmly in the middle of your chest. 

earth's gravitational reliance be damned, you briefly hope that the moon will disappear from the sky and prevent paige from seeing what has to be an evident blush on your face. 

you’re actually so distracted by her hand placement that it entirely slips your mind where your heartbeat is. the thought only re-enters your thoughts when paige's grin widens inexplicably more. 

“i think it just sped up again.”

suddenly gaining your autonomy back, you bark out “paige!” and move to shove her off. 

of course she’s a D1 athlete. of course she hardly budges. 

instead, she drawls out “relaax”. to her credit, she moves her hand back down to your waist, her laughter melting into something softer when she looks back up at you.

you scowl, trying to look anywhere except the paige that truly felt like she was somehow getting closer. 

and she was, you discover, as her next breath comes out warm against your face. you think that you are going to die in this bed. 

“i’m just messing with you," she whispers, inches away from you. her hand moves, again, because of course it does, wrapping loosely around your wrist. “‘this okay?”

you have half the mind to nod, a microscopic movement that’s immediately met by soft lips on yours. its over too quick, paige pulling away and searching your eyes -- the first sign of nervousness she has shown all night.

you don’t let her debate, fingertips brushing her jawline as you pull her in again. it’s gentle, sweet, and so very paige that you shouldn’t be surprised when she pulls away again, a grin plastered on her lips. frustration etches your face as you try to lean into her again, only for her to pull further away. her gaze lands on your wrist under her thumb, pressing insistently into it. your brows furrow in a blissful moment of confusion before it clicks — pulse point. 

“shit is zooming again.”

“paige, i swear!"