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#it's so good I tell you.
necrotic-nephilim · 3 days
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Do you have any fucked up babscass headcanons? This is vaguely for the ask game but I’m curious. I’ve also had a vision of dick being drawn into their dubiously consensual mommy kink thing, probably unwillingly. I just love the idea of babs being her teacher for everything normal, like yes on some level it is grooming but cass knows everyone’s intentions automatically, could babs really make her do anything she didn’t want to do?
for the ask game!
GOD YES. i love BabsCass. just. so dearly. they're so fucked up. and adding Dick to the mix is *also* so so fun. the concepts of how consent plays into it all when Cass knows everyone's intentions and feelings (sometimes before they themselves do) but Babs still holding clear power over Cass and how vulnerable Cass is emotionally it's just. good soup i tell you.
so, i think it's fun, if in a way, Babs has always been slightly jealous of Bruce. after becoming Oracle by means out of her control, she works with other heroes sure, but she doesn't have a protege. she watched with Dick and Bruce, how close of a bond Batman and Robin is. how Bruce got to shape and mold Dick into the hero he's become and the reverence Dick has for Bruce. there's such a nuance to that relationship, and Babs wants it for herself. the first person to carry on the Batgirl torch is Helena, something she violently disapproves of. so for her to give Batgirl to Cass, that's significant. it's both a sign of acceptance, and a sign of ownership. it's basically her way of saying to Bruce "this one's mine." and thus, their relationship reflects it. because it's easy to seak out a close bond with Cass, who's never had anyone show her love and affection with no strings. Babs' love is unconditional. and Cass wants to bury herself in it. she knows it's romantic and possibly sexual, but Babs doesn't sexualize Cass the way men do. there's no leering comments or objectification. Babs is kind and respectful, so Cass doesn't mind. she even leans into it. there's something nice in being appreciate for something other than how good of a weapon she makes. and Babs' touch is just. something Cass craves. Babs wants to respect boundaries, but Cass is practically crawling into her lap after certain rough missions, just for the companionship.
i think it's fun if the mommy kink starts with Cass. sure, Babs has been carefully guiding Cass toward being comfortable with sexual things. Cass is regularly naked around Babs with no problem, she lets Babs touch her anywhere. but it's when Babs is holding Cass that Cass talks about how she doesn't know who her mother is and she wishes she knew what having a mother felt like. and sure, Cass knows that Babs isn't entirely motherly. not when her hand is resting inside of Cass' pants at that very moment. but this is the closest thing she has. i enjoy the idea of Cass knowing that this isn't normal. sure, she doesn't fully understand relationships, but she knows mother/daughter and dating are different. but it's a two birds one stone kind of thing. she's so convinced she's not going to find enough people to love her to fill all the "roles" in her life, why not combine the two. after all, Dick and Bruce are doing it. so when Cass brings it up, Babs lets Cass call her mommy. it's a soothing thing, more than a kink thing. and it delightfully plays into Babs' hand for how she wants to groom Cass, giving her more control and trust over Cass. it's easy to get Cass to side with her instead of Bruce when she just has to stroke Cass' hair and praise her whenever she does what Babs want. Cass is so used to negative reinforcement that she'll take any kind of positive reinforcement, even if she knows it's slightly manipulative. sometimes, what matters to her the most is just that someone wants to protect and take care of her in the first place.
i love the idea of Dick getting dragged in unwillingly so much. Cass has very high standards for what a mentor/partner/mother figure should look like because of how reverently Babs treats her. and Cass is known for being critical of Bruce's methods. so when Bruce is particularly cruel to Dick, or that have a nasty argument that Cass witnesses and Bruce possibly even hits Dick, that's when Dick gets dragged in. it starts with Babs inviting him to just eat dinner and chill out with Babs and Cass in the Clocktower. then he's being invited to stay the night more and more often so he doesn't have to crash at Wayne Manor when he's in Gotham. the first time he wakes up with Cass sleeping next to him, he doesn't comment on it. he knows what it's like to be so tired you just crash on the nearest bed. it's when he notices that he's being more and more separated from Bruce, that Dick starts to notice something is off. he's never commented on what's going on between Babs and Cass bc well, he's one to talk. but now he's caught between them. Cass and Babs don't even have to talk, they just wordlessly know they're on the same page about bringing Dick into the fold. for Cass, it's genuinely to protect him. she's happy with Babs, and she wants Dick to feel happy in that way too, with someone who's not as emotionally closed off as Bruce. and Cass just wants as many close relationships as she can get. and for Babs, there is genuine attraction there. she and Dick almost flirted with dating before, and nows her chance to have him and finally beat Bruce. and as unwilling as Dick is, it's hard to say no when they're being so gentle with him. he keeps telling himself he's going to set hard boundaries and tell them no, eventually. but Babs has the manipulation down pat, and Cass is so gentle and loving, Dick just gets swept in too deep. they both know he's unwillingly, but to Cass, that's just how love works. you have to be talked into it sometimes because you don't realize you deserve it.
Babs teaching Cass about sex my *beloved*. first, it's just Cass and Babs. Babs showing Cass how she can feel good, how she can make Babs feel good. but now with Dick, they have a whole new person for Babs to see to teach Cass about sex. Dick has to be talked into it by Babs, who paints it as a learning opportunity for Cass. I just. I love throuple dynamics where one person is basically being used as a toy for the dom to tell the third person to use, and that fits them so well. Dick is just a toy, a prop basically. and Babs is guiding Cass through it, teaching her how to make Dick feel good, how to ride him. I like the idea of Babs edging both of them until she feels like Cass has "learned" enough. which is clearly just part of the kink, corrupting Cass. and they all know it, but it's an unspoken thing. even more fun if Babs gives Cass some token form of control, letting Cass control when Dick can come. and to Cass, edging is a natural part of sex, so she also tortures Dick like that, bringing him to the edge and holding him there no matter how much he begs. sometimes, Dick just watches Cass and Babs have sex and learns what they like through that. he learns Babs is a sadist, but she has to be careful with it. Cass views pain strictly as a very negative punishment and the last thing Babs wants to do is lose the trust she has built up with Cass. so she avoids pain for the longest time. it's Dick who notices Babs itching to hurt someone, so to make sure it's not Cass, Dick offers himself. and Cass watches as Babs hurts Dick, and Dick *likes* it. maybe impact play, maybe some CBT, that sort of stuff, just testing the waters of how far Babs can take it with Dick. it makes Cass curious enough to try it, both sadism and masochism. she finds it takes a lot for her to enjoy masochism, but in the right applications, it's nice. there's something about letting herself feel pain, which she was never allowed before. pain is something to be compartmentalized and worked through. so there's something nice about turning her brain off and just feeling. especially if she's being hurt while she's in Babs or Dick's arms, bc she knows she's safe. both of them have become her safe space to explore new things during sex.
eventually, Dick comes to mostly accept being part of the relationship. he realizes he's in too deep when Cass casually calls him her boyfriend in front of Bruce just to make Bruce stutter. they're all adults, so it's not something Bruce can fight too hard. and Dick does have to admit, Cass has a point. there's far less arguing and fighting in this relationship. the grooming practically works better on Dick than it did Cass, bc now he's just accepted it and is going along with everything. he starts initiating sex, with either of them separately or together, just bc he likes giving up control to them. he likes the way Cass is gentle when she's domming, taking control from him without even asking and just taking care of him. and when Babs is in control, she's a little meaner, a bit rougher, but sometimes, he needs that too. sometimes he just likes to watch the two of them, see Cass call Babs mommy while she's crying and begging for anything. it's carnal and just fascinating to watch, even if he doesn't get off to it. seeing how much they love each other and how much they love him makes his head spin, because being with Bruce was nothing like this. Bruce rarely talks about his feelings, rarely said he loved Dick. meanwhile Cass and Babs will say it about a dozen times a day. maybe it's manipulative, but they make it sound so genuine, he can't bring himself to care. and Cass is pleased Dick is finally giving him, letting himself be loved. Babs is pleased to have control of both Dick and Cass. all of them are getting something out of it so really, what's there to complain about?
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mynnthia · 4 months
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was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.
to sum up kabru's situation via a self-contained modernized metaphor:
kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him
#dungeon meshi#delicious in dungeon#kabru#kabru already added laios as a discord friend. everyone else in the server can see laios excitedly asking kabru to go with him#what would You even Do in this situation. how would YOU feel?#basically: kabru isnt a laios-hater! hes just in shock bc Thats His Trauma. the key part is kabru still says yes#bc he wants to get to know laios. to understand why laios would be so fascinated by something horrific to him#and ALSO bc even while in shock kabru can still tell laios has unique expertise + knowledge that Could be used for Good#even if kabru doesnt fully trust laios yet (bc kabru just started talking to the guy 2 hours ago. they barely know each other)#kabru also understands that getting to know ppl (esp laios) means having to get to know their passions. even if it triggers his trauma here#but thats too much to fit in this metaphor/analogy. this is NOT an AU! its not supposed to cover everything abt kabru or laios' character!#its a self-contained metaphor written Specifically to be more easily relatable+thus easy to understand for general ppl online#(ie. assumed discord users. hence why i said (a non-specific) 'discord server' and not something specific like 'car repair subreddit')#its for ppl who mightve not fully grasped kabru's character+intentions and think hes being mean/'chaotic'/murderous.#to place ppl in kabru's shoes in an emotionally similar situation thats more possible/grounded in irl experiences and contexts.#and also for the movie punchline#mynn.txt#dm text#crossposting my tweets onto here since my friends suggested so
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may12324 · 7 months
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Halsin- Archdruid of the Emerald Grove
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elodieunderglass · 1 year
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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science-bastard · 2 years
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y’know what? FUCK you. i’m putting your ass in the control group. *injects you with boring saline instead of the fun and exciting glowing green goo i originally had planned*
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crispyliza · 3 months
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Fanfiction in the late 2000s-early 2010s was wild bc you'd find a beautifully written story with the most compelling heart-wrenching plot you've ever seen and the author's note would be like:
Author with a username like ~SasukesWaifuxD~ : Ohayo gozaimasu! ↖(^▽^)↗, I'm sowwy it took me so long to update (๑•́_•̀๑)
tsundere twink from their fic : It was about damn time you idiot (눈‸눈)
~SasukesWaifuxD~ : Hey now! It's not my fault the plot bunnies kept wunning away fwom me (╥﹏╥)
tsundere twink: W-watever, it's not like I missed you or anything (💢,,>﹏<,,) b-baka!
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poorly-drawn-mdzs · 2 months
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HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!
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lotus-pear · 1 month
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he’s begging kuni to let them eat pancakes for dinner
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inkskinned · 1 year
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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jitterbugbear · 1 year
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malanya the horse god - mixed media
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forecast0ctopus · 10 days
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hey its still star trek day in a few timezones
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largemandrill · 1 month
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I made another one
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canisalbus · 11 months
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✦ Trick or treat ✦
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cozylittleartblog · 2 months
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Columbo and the Knight (1984)
put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.
Autism W!
#columbo#knight rider#art#michael knight#kitt#comic#highlight reel#crossover#telebeast#there are two small easter eggs here. can you find them. they were somehow not Entirely lost when i resized these for the public#this is what i mean when i say I Draw And It's Everyone Else's Problem. look at my INCREDIBLY niche crossover comic boy#if the knight rider fandom has like 12 people in it. how many of y'all have seen columbo#this comic is for like 4 people and me and phoenix are already two of them#niche is my specialty lets be real. weird niche obscure shit and ships nobody's paid attention to yet#not to suggest this is ship art. columbo has his wife and michael has his car lmfao#stylizing real people is EXTREMELY hard btw sorry for when they get off model. its partly a 'better imperfect than never finished' situatio#cant tell you how much i redrew some of these panels. weeps#this took me 2 weeks but i think i thumbnailed it all in may and the ideas been rollin around in my head since march#is anybody good at editing. please edit michael and columbo into an image together like its a screenshot. NOT generated. edited.#it would be so cool#ive drawn columbo a lot but i haven't drawn a lot of michaels. i was learning things about his outfit AS I WAS DOING THE DAMN#COLORS ON THIS. all the lines done. it was too late to change anything. i did all the lines and colored page by page#i realized my mistakes on like page 3. 1 and 2 were already done. it was Too Late.#imagine it though. them working a case together. switching between the more serious tone of columbo vs the goofier#action antics of michael and kitt. columbo being so impressed by Modern Technology. there's more i could say but phoenix may write#more of this crossover and i don't want to spoil it :'3#there's opportunity here though i swear. there's gold to be dug.#i like how kitt gets shading but columbo's junker peugeot doesn't. kitt looked wrong without any. columbo's car is matte and dirty#i also applied effects to this to make it look a little film-grainy and VHS like. some CRT TV vibes#the only question left is. did they put knight rider into columbo; or columbo into knight rider 🤔
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starleska · 18 days
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as a cringe selfshipper who's been in fandom for decades and draws nothing but blushy ship art, i feel so seen and so attacked right now 😂💖💖💖
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charlie-artlie · 6 months
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I think the death weirdos should hang out
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