#it's pretty meat imo

[da-shrimping-station]

★

so #1 is when their ult is ready

#2 is the "Intro/Outro Skill Meter" as i call it (if you can manage it correctly, you can have 3 consecutive Intros in a short window)

★

#1 is your current character's "Intro/Outro Skill Meter" and element

#2 is the current character's passive charges/Forte Circuit, color coded based on element (if it's full or if you can use it, it glows and looks like a mini audio visualiser, which is cool af imo)

.....i see

[lucienne-thee-librarian]

Reminds me of this bit, the one with the famous quote about Harry Styles wearing a dress and "Give me a little freak...put him in a dress at Madison Square Garden and see how the American teens treat him, He woUlD gO To jAIL!!!"

movies will be like "THIS is the most bullied outcast unpopular girl in school... the Thin White Heterosexual Brunette"

[singlecrochet]

have said it before and I’ll say it again: people on tumblr have the weirdest hang ups about vegetarianism and veganism

[arolesbianism]

Sigh. Nikola why must you be one of the more interesting oni characters. I don't wanna think abt you with your stupid spiky blond hair and your unethical science that mostly just serves to make Jackie more shitty by proxy. But I do. Because you're kind of orbo blorbo. Fuck you Nikola I hope you explode again

[bulkheadbignaturals]

GOODRA ART POST GOODRA ART POST EVERYBODY REJOICE AND CHEER

The brainrot has spread so much i am now making my own Transformers AU

Here's my designs for the main Autobot cast! (for now...... Also i can't design cars for SHIT)

[morikittie]

Ideal Type

Characters included: Suna, Kenma, Tsukishima, Oikawa, Kuroo, Ushijima, Atsumu, Bokuto

Suna ୨୧

He wouldn’t mind if you were the same height as him or shorter than him, but he wouldn’t like if you were taller than him imo. He likes to tease you so someone easy going or someone who just goes with the flow. Someone who can just sit and chill with him in silence would be perfect for him. Someone who had a bit more meat on them would also be perfect for him, i feel like he finds comfort in just laying on you.

Kenma ୨୧

I feel he would love someone extroverted but not a loud person. Someone motherly and easily lovable would be perfect for him. He would need someone to remind him to do certain things because he easily forgets. He wouldn’t really care about what you looked like, but he would love if you were into coloring hair. An alternative kind of person would be perfect for him.

Tsukishima ୨୧

He’s 100% into nerdy girls, no doubt about that. Girls with glasses are such a turn on for him, he loves it. I feel like he wouldn’t care too much about height because no matter what he’s going to be taller than you. I feel like he’s also into the quiet clingy type. It just makes him feel so much better about himself. Like yea they only really talk to me.

Oikawa ୨୧

Smart popular girls that are secretly losers. Like yea you have an obsession with scps and collect everything minion themed. He would love a girl with some sas and someone willing to tell him off when he’s being conceited. He just wants someone who supports him and isn’t trying to use him. I feel with Oikawa, if he finds you pretty, he finds you pretty, he doesn’t have an exact look that he’s into.

Kuroo ୨୧

He would love someone smart, he thinks it’s so attractive. He’s desperate for a girl with long hair. Overall someone that’s similar to him, someone who knows how to have fun but serious when need be. He loves chubby girls too. He can’t keep his eyes to himself, 100% a leg guy too.

Ushijima ୨୧

Ushijima needs someone that’s shows him how to let loose. He loves someone who can joke with him and someone he can have a real conversation with. He wouldn’t really care about physical attributes at all. If he likes you, he likes you. Ask him about his interest and he will get on his knees for you, he loves when someone asks him about himself.

Atsumu ୨୧

He’s into chubby girls 100%. I will die on this hill, he needs a chubby girl. He just finds them so cute. I also feel he loves short girls, you can’t be taller than him or the same height, it would make him feel bad about himself. I feel like he’s into girls that have cute lil hobbies like baking, knitting or reading.

Bokuto ୨୧

Someone who can match his energy would be perfect for him. He just wants someone who just needs to have fun all the time. He would love if you were supportive of him, going to all his games and cheering for him. I also feel like he would love if you played a sport too, it doesn’t matter what it is, he’d love for you to teach him it and him teach you volleyball.

[wispstalk]

Some writing advice for hunting, bc I see a lot of hunting scenes in fantasy that make me itch. More under the cut. Don't read if you're sensitive to blood-and-guts discussion or animal death.

Finding game:

- I don't hunt much these days bc I don't feel like getting my ass out of bed at shitfuck o'clock every weekend during the season. Which you have to do, because much of the time you come home empty-handed. Successful hunts come about when you're out there often.

- You don't really have to be a good tracker to hunt, but you do have to know the basics of your prey and you have to be able to interpret the landscape even if it's unfamiliar. It's less likely a tracker is looking for "bent blades of grass" or whatever and more likely they are noticing game trails, sheltered areas where nests and burrows are, a spot of thick vegetation which would indicate a water source.

- Scat and footprints are useful too ofc but to varying degrees. If I'm hunting deer it's just confirmation that they're in the area; more often I use knowledge of their habits to actually find them. If I were hunting something elusive and solitary like a cougar I would pay more attention to the tracks but that's also a reason people hunt with dogs!

Actually hunting:

- Bows are not the only hunting weapons, though would be most common in ur typical medieval fantasy type setting. Spears and lances, slings with stones, and clubs would also be used. And knives and swords but in this hunter's opinion, FUUUUCK that.

- Lung shot is a quick death. Heart shot and head shot too but that is much harder. Other shots might mean tracking a wounded animal as it runs away. This is where things like broken twigs/bent grass are especially telling, and ofc blood. Small game bleed out faster and won't get as far but you might spend quite a while running after an elk shot in the flank.

- This highly depends on the prey but hunting often involves more sitting around than people realize. I bring a small pad for my booty ass bc sometimes you'll spend hours in a strategic spot waiting for the game to pass by. Also hides (the shelter, not the skins) are a thing and most hunters would consider shelter-building an essential skill.

- Hunting seasons are not entirely a modern convention -- there are better times of year to find different animals. But there would be less concern, historically, about killing animals during the breeding season than we have today.

- Even when I was hunting regularly and more confident, I got a huge adrenaline spike EVERY time I had an animal in my sights.

Big game:

- A deer has a lot of meat on it and though it's not a bad thing to leave a carcass for scavengers, your party of two or three adventurers probably will not go to the trouble of hunting deer unless they have some nearby place to cache, preserve, or trade what they can't eat before it spoils. Are they leaving it behind or do they have some way to take full advantage of such a large kill?

- If your character gets a large game animal they're probably going to field dress it: deal with all the blood and guts on site, then quarter it so it can be packed back to the campsite or whatever. My dad is a big burly mutant man and he cannot carry a deer by himself. You can carry game on poles or horseback too but field dressing is pretty typical in a situation where u can't just fling it in the back of the truck and hang it at home.

- I grew up eating bear and when it comes up I'm often surprised how many people don't know that people hunt bear for meat. It's tasty imo, especially makes a good sausage

- I can hunt deer alone, though company is nice. I wouldn't attempt hunting something more dangerous by myself. Large animals especially are better taken down as a group effort. In the TES context for example it would be kind of insane to hunt horker alone. Not that some folks wouldn't try.

Small game:

- A character who subsists mostly on hunting is going to be eating a lot of small game. They are probably going to use traps and snares in addition to actually going out on hunts.

- Look up "rabbit starvation." Small game is often (but not always) lean and going without fat for a long time can cause serious health issues.

- I joke that you don't hunt turkey, you just go get one. Game birds are kind of stupid. I plan a deer hunt, but I have gone out and shot grouse on a whim.

Processing:

- Draining blood, skinning, plucking, butchering, dealing with all the bones and guts, storage and preservation: pretty time consuming and involved. It's a good excuse for social activity.

- The moneyed classes likely would not process their kills themselves, unless they're doing some kinda randyll tarly masculinity flex for the symbolism. Kitchen staff or a local butcher would handle it.

- A good skinning knife is kinda wide and short. Some game knives have a rounded tip which keeps it from puncturing the skin in case of accidental slippage.

- Skinning is done with a light hand bc puncturing the digestive system means you've poisoned the meat. I will say it is less difficult than I expected it to be the first time I tried it.

- We don't eat a lot of offal in the US but a deer liver, for example, would be considered prime meat by many and eaten first. Bear, walrus, and seal liver contain toxic amounts of vitamin A and would be thrown away.

- I've been told every animal has enough brains to tan its own hide, but I think there are some exceptions. It's definitely true of deer and elk. With small animals like rabbits it's hardly worth the effort of getting the brains out and other things can be used but brain tanned leather is soooo soft and nice.

- Hides and pelts are useful and valuable and would be kept or traded if circumstances allowed. You can tightly roll a hide to keep it from drying out before tanning, or you can freeze it, basically indefinitely. You can also air dry it once scraped clean and soften it later, which is what fur hunters would most likely do for efficiency's sake. Tanning is also so so so fucking gross imo. Really slimy process, and tanneries REEK.

That's all I can think of for now and this is already hella long but the takeaway is that it is generally a pretty involved activity and more impactful on lifestyle than I usually see depicted. So there ya have it

[shalomniscient]

Thoughts on this?

Since arlecchino is from Fontaine, I'd imagine her native language being French, or I guess, Fontainian. So imagine as she's pounding into you from behind, grunting and groaning your name as she gets pussydrunk off of you, and she starts whispering in your ear? Like, praising you in Fontainian, telling you how good you feel, how good you're taking, how good of a wife you are? Imo it's one of the hottest fucking things. You literally got Arlecchino so pussy-whipped her brain has to resort to its default settings.

ANON AHDHSHSJSKSKDJSHSKSL ??? the way this would be a 4k word fic if i knew how to speak french……. ASHDHHD IM GOING CRAZY ANON [nsft utc]

cw. breeding, mild bondage

the way she’d have you face down ass up on the bed, maybe with your wrists tied above your head as she fucking pounds into you from behind. strong, blackened hands dig into the meat of your hips as she holds you steady, all the while driving her cock into you with deep, brutal thrusts that have you seeing stars. she drapes her body over yours, firm breasts pressing into your sweaty back and hair tickling the skin of your nape as she leans down to whisper absolute fucking filth in your ear.

“taking me so well, hm? s-such a good fucking girl for me, so fucking good, baby, sucking my cock in so deep. c’mon, cum for me. i know you can, baby, give me one more, yeah? just one more, pretty baby, wanna feel this tight fucking cunt cum around my cock again like it was made to do—“

and when you do inevitably cum with a hoarse wail, her words turn into low yet equally hot growls and grunts as she rockets to her own high and spills thick cum into your clenching, pulsing cunt. each spasm of your muscles seem to pull her cum in deeper, and arlecchino feels nearly delirious with pleasure. she ruts into you like an animal, fat cockhead bumping against your cervix every now and then as if trying to deposit her cum right into your womb itself. once it’s over she flops onto her side, still holding onto your hips and pulling you with her. the movement draws a whine from you, the friction making your overstimulated cunt clench and arlecchino groans from behind you as another small spurt of cum leaks from her cock into your overstuffed pussy.

she doesn’t pull out, of course, not for a while. she needs to make sure it takes, after all.

[asexual-shelly]

In honor of lesbian visibility week, I present a full list of female characters from Total Drama who have canonically shown no attraction to men! (as far as I'm aware)

Staci - Only present for one episode and only spoke for one episode, having no lines in the finale. None of these lines hint at Staci displaying any interest in men.

Dawn - The closest thing I could find was the "I didn't know you were a beetle whisperer!" scene, but even then, that could easily be read as platonic. Svetlana - Similar case to Staci in that her lines are pretty limited due to being actively suppressed by Mike or Mal. However she has not, in fact, said anything that hints at her liking men in those few lines.

Sammy & Amy - Other than that one "Topher thinks you're fat" line of dialogue (which could easily be played off as Amy trying to mess with her), neither of them have shown any on-screen interest in men.

Scarlett - The only extensive interaction she has with men are Max, whom she DESPISES, and their alliance is only romantically framed for the sake of a gag.

Sugar - Nothing in canon hints at her liking men. She admires Leonard, but this is most likely due to his perceived magical abilities rather than any sort of attraction as she displays a similar interest in Max later on.

Tammy - Similar case to Staci, she only had a very brief speaking role in episode 1 and never in these lines was it implied she was attracted to men.

Mary & Ellody - Only here for a short time (with Mary only having dialogue in the episode she was eliminated in rip), but neither of them express interest in guys.

Laurie & Miles - Same deal as Mary and Ellody, they go pretty early overall but haven't been shown to like men.

Jen - You'd expect someone of her character archetype to mention looking for 'cute guys' or something similar, but surprisingly no? The closest thing she has would be her friendship with Tom, which is treated as 100% platonic by the show even if you don't take into account the fact that Tom is gay.

Taylor - Another surprising one imo, it's never stated or implied that she likes guys in the show, not even a passing mention from what I've seen which I could've sworn happened on first watch. Mandela effect I guess 🤷

Josee - Similar deal to Jen as far as I'm aware, being that her closest relationship to a guy is with a gay man and treated as platonic throughout the race.

Sanders - Pretty clear-cut, no scenes of her expressing interest in men or romance in general.

MacArthur - "What about Brody?" The only time she's shown to return his affection is during the finale and she's actively trying to throw him off his game by using his crush against him. She only asks Brody to call her in the Surfers ending, which she doesn't do at all in the Cadets ending implying that she's most likely only in it for the money.

Scary Girl/Lauren - While she does hold an interest in Damien, nothing in canon says she's attracted to him, only to the sound of his screams.

Nichelle - Too busy having no lines to talk about boys. seethingwithrage

Millie - Zero attraction to men in canon, the most interactions she has are with and about Priya. She's sorta friendly with Damien, but it doesn't rise anywhere above platonic (probably because she shoved him into a meat grinder but who knows) and actively seems to be disgusted by or otherwise pretty averse to most of the male cast.

MK - Has never been shown to be interested in guys or even romance in general. In fact, she actively seems to dislike it as seen in the episode where Caleb and Priya kiss where she goes “Yeah, that was sweet, but it’s also how you get mono” (this is ace mk propaganda btw). There was also Nichelle's intro in season 1 when she was looking at her starry-eyed, clearly a joke but yk still noteworthy.

Julia - My favorite lesbian <3 zero attraction or hints at attraction to men in canon + listen... we all watched season 2 you know what I'm talking about don't lie. The closest things she has to romantic interactions with men in canon are at most one-sided and always with her actively disliking said man on the other side (Wayne + maybe Ripper in season 1).

[yunhoszn]

ateez & the carne

i think im pretty vocal about being latina bc im proud of being a brown queer woman #tripleminority but one of my favorite things to do is headcanon idols as latine and the teezers are no different so here’s how i think they would be at a carne + their latino names <3

@atzhouse @juyofans

𖥔 hongjoong would be a hit at the carne tbh. like alllll the tias would be on him asking him all these questions about what he does and stuff LOL he has the most latino energy imo and i feel like he would be chopping it up spilling chisme and learning all the family drama 😭 his latino name is hector btw.

𖥔 seonghwa would also be a tia favorite. they would NAWT be leaving him alone i fear… they’d get him in the cumbia circle QUICK brother isnt leaving without dancing to el baile del gorila by massore at least once. i feel like he’d love the music yk? his latino name is sebastián.

𖥔 yunho… sweet sweet yunho… everyone loves him bc he’s so kind and respectful. the only reason he wouldn’t be hounded by the tias is bc all the little cousins are HOARDING HIM TO PLAY WITH THEM!! he’ll take a break to eat and the kids are like NOOOOOO COME BACK :(( and it’s so cute. but his favorite part is obviously all the meat LMFAOOO his latino name is diego.

𖥔 yeosang is a family favorite. an all rounder if u will. he would make his way around the whole backyard to meet everyone bc he wants to know the whole family </3 he would get along best with the older cousins and their s/os i feel bc he’s so funny and so polite. his latino name is rafael.

𖥔 san is also a family favorite. he gets along with the tios most bc yk… beefy man and they wanna see what all the hype is about. the older male cousins are asking him his workout routine and EVERYTHING LLWMSKWNE but also like yun, the little cousins are dragging him to play with them and whining when he takes a break. the tias are gushing about how handsome he is. his latino name is santiago.

𖥔 mingi is another tia favorite! he’s tall and handsome and his stupid jokes makes them CACKLE they jajajaja the night away with him. but the older cousins are also invested BC he’s so funny LOL i’m picturing him in a setting with my own family and they’d also mess with him so much bc he’s gullible as shit 😭 but they’d love him trust <3 his latino name is miguel.

𖥔 wooyoung… now wooyoung is the type to jokingly flirt with the tias and they feed into it HELLA 😭 but he’s also super cool with the tios esp bc he likes cooking so he’s like learning alllllll the carne seasoning and marinating techniques and how to barbecue with them and that’s major brownie points for him. they’d coerce him into taking shots though bc that’s the only way to stop him from being a gremlin. his latino name is mateo.

𖥔 jongho #1 ladies man tbh the tias would think he’s so cute. he would probably feel a little overwhelmed at first bc carnes are LOUD and OBNOXIOUS and that’s just… not for him. but he would do anything to make his s/o happy and if that means attending these to win over ur family he will! he would kinda stick by his s/o’s side the whole time until he opens up and then he’s drinking with the older cousins and the tios like nothing! his latino name is josé.

© yunhoszn. do not steal, claim, or repost.

[slavic-roots-western-mind]

Types of dumplings in China

Prior to my arrival to China, I only knew about wonton and jiaozi, which I assumed to similar to pelmeni.

As it turned out, there is no end to the variations of dumplings, so here are some of the most common dumplings in China that I've come across so far!

饺子 - jiǎozi These are thin veggie or meat filled dumplings, and they can be steamed, boiled or fried but I've only tried the steamed variety so far which is pretty tasty. They somewhat resemble pelmeni, but the tast is noticeably different.

馄饨 - húntún (wonton) These dumplings are similar to jiǎozi but thinner and they're usually eaten in soup.

生煎包 - shēngjiānbāo These are slightly crispy, fried dumplings usually with a pork-filling。

锅贴 - guōtiē These dumplings are the crispy-ish type, deep-fried and steamed with various fillings like veggies and meat.

水饺 - shuǐjiǎo They're quite similar to the 锅贴, but these dumplings are boiled (note the 水) without the frying.

小笼包 - xiǎolóngbāo These are steamed buns, usually filled pork but they can also have other fillings like veggies and seafood.

Honourary mentions： These aren't dumplings, but they're adjacent enough imo.

肉包子 - ròubāozi These are biggish steamed buns with a meat filling. I have these for breakfast and they're really good.

菜包子 - càibāozi Same as the ròubāozi, but with veggies and also pretty tasty.

If I missed any, let me know which ones as I'm always looking to try new things!

[quartxio]

yo. did you know the game, Dress to Impress on Roblox, has lore?

EDIT: THIS AGAMEMNON DESIGN IS OUTDATED. I MADE A NEW ONE

the gist of it is that Lana, the lady who does your nails in the game, was fed up with being mistreated, and sought to seek revenge on the developers on the game; for a roblox game, it's some fun stuff

one of the characters introduced in the lore is this fella, Agamemnon, who i love a lot, and roblox avatars leave plenty to the imagination, which led me to put my own spin on him, as you can see here

ramble + sketches below

1st sketch is of the more canon-compliant Agamemnon, while the 2nd is extra stuff i did while drawing my version of him

in canon, before he made his appearance, Agamemnon was a mysterious figure who was helping Lana - the main character of this lore - and was someone she trusted a lot, but it was pretty obvious he was the one leading her down a bad path.

imo, him not showing his face at all and us only hearing from him through Lana or through notes and never through his actual words made him a LOT more intimidating, so when he actually showed, the feel of his menace died down a bit. this isn't meant to be a diss or criticism against the people behind this lore, and neither is it a "better redesign" btw, tis just my own interpretation with what we know from the lore added into it

for my version, i designed to lean into something less human, because i firmly believe Agamemnon is not human at all -- it's somewhat implied he consumes human meat and has some magic influence, given that he was able to influence Lana's dreams -- and i gave him an extra pair of arms, since he's called the "butterfly" and those fellas got six limbs

in this version, i imagine him to be more serious and quiet - often gazing silently across the red palace, upon all the Patrons (us, the players), with eyes full of knowing. and it is frightening - and when he does speak, it is with authority and sureness that you will follow his commands

and if you're curious to see how he actually looks like in roblox:

[transgenderer]

imo the strongest argument against vegetarianism, and this is actually a pretty potent argument, is that the ethics of anything get really weird and vague when economics gets involved. like. does me being vegetarianism actually do anything? would there be more animals killed in a world where i ate meat? i mean, its not even a meaningful question, the set of events that would lead to the change is so vague and complex and obscure, involves so many people that in the actual world we live in, any effect would be swamped by random chance. you could try to reason from the perspective of like...the average effect, over all worlds (microstates) compatible with my macro-observations. statistical mechanics of ethics. but we dont have the data to make an actual estimate there so. that doesnt tell us anything

[pathetic-gamer]

Fashion in Fódlan: a very long, non-comprehensive, and entirely unsolicited analysis

The fe3h writers did a pretty solid job of creating three nations with clear social, economic, and political differences. The fashion stands out to me as doing exceptionally well at expressing those differences, and, just like in the real world, it works as a sort of socioeconomic barometer that helps tell Fódlan's story.

In this post, I'll break down the key clothing trends in the three regions and provide some light interpretations, largely related to $$

Please note that I'm NOT using this post to discuss historical inspirations. Also, not everyone from every region is included. In particular, anyone whose outfit is too much of just a riff on a class uniform (like the Ashen Wolves or the various minsters in the empire) is left out.

There's a part 2 now lol (church of seiros time); part 3 as well!

1. Holy Kingdom of Faerghus: function IS fashion, baby!!

Fearghus, beloved land of ice and snow and spooky folktales about watering your fields with blood and ghosts living under the ground - you did not come to fuck around. You're here to protect the commoners and go back home to a stew that may, if you're lucky, actually have some meat in it. In this kingdom, you're going to dress warm and you're going to like it. Oh, you have some extra money? Gonna spend it on something for yourself? Better be using it for something useful, like keeping your plate armor in good condition. (Please note: Catherine, though being Faeghan, is excluded because she wears the uniform of the Knights of Seiros, not her own clothes.)

Trends:

High collars, long skirts - generally as little exposed skin as possible. (There is exactly one pair of bare hands in the entire kingdom. Mercie is getting a little bold 👀)

Fur cloaks/capes/gloves, or just fur around the cuffs and collars if they don't have a full fur cloak.

Armor - every single man is dressed in armor, as is Ingrid. Most of the men have full suits of plate armor, but Felix, Rodrigue, and Ashe are wearing only gambesons (note the quilting in Felix's sleeve - that's what gives it away, imo). The folks in plate armor would have gambesons on as well (you can see Ingrid's underneath her breastplate), acting as padding for the plate armor. I think Gilbert is wearing plate armor with a tunic over it (a realistic historical practice).

Fastening is accomplished with clasps and lacing, and there are relatively few buttons or adornments to be seen on the main garments - Annette is an exception, which will be addressed later.

Brief analysis:

Notice the economical use of fabric - their clothing tends to lie flat, with fabric being layered for warmth rather than pleated, gathered, or puffed. The folks in plate armor may spice it up a little with a sash of some kind if they aren't already wearing a cloak or cape. I'm assuming Gilbert's ~stylish tunic~ is keeping him warm well enough to not need a cloak or larger scarf. (Mercedes has a ruffles and puffier sleeves, plus a fuller skirt, but it's worth noting that she is currently part of a merchant house, and merchants tend to be wealthier and actually occupy a unique social class between nobles and commoners.)

Note the colors, too. Greens, browns, and yellows are the cheapest and easiest dyes to make and use. That bright sort of tawny color that Gilbert, Annette, and Jeralt all have is easy and cheap. Gilbert's grey tunic could feasibly just be undyed wool. A true blue is difficult, but you'll note that the blue the people wear up here leans towards grey and green - could be that the dye is faded, or that it was never very blue to begin with. The only true blue is on Dimitri.

All of this reinforces the idea that Faerghus is not a rich nation, and the nobility don't live too far off from the common folk. The vast majority of the cost we see is actually their armor (worn by Dimitri, Dedue, Sylvain, Gilbert, Jeralt, Matthias, Ingrid, and also if we're getting all the way into it, Gwendal, Miklan, Lonato, and Baron Dominic as well), which is would have been pretty expensive. You'll notice they mostly wear grey armor with very little extra decoration, keeping the costs low. Ingrid, the poorest of the nobles in armor, also has the least actual plate. Felix and Rodrigue both have full cloaks, which most other people don't have (just Dimitri), but they also aren't wearing plate, so clearly that's a calculated choice.

That being said, even within these more economical fashions, we can still see clear differences between classes. Most noticeably, Felix (rich) and Ashe (not rich) have very similar outfits, but Felix's tunic/gambeson is lined with fur, while Ashe's is not.

BTW I'm of the opinion that the Fraldariuses are the richest people in the kingdom other than the royal family, and I believe that specifically of their fancy cloaks lol

so luxurious~

2. Adrestian Empire: look at my money bitch

Ah, the land of beauty and excess! I love to live in the capital and visit the cultural icon that is the opera and pretend that I'm not in Wealth Inequality Central. (Please note: Petra is not included, since she dresses according to Brigid's fashions. Also note: I fuck w these styles so hard, dude.)

Trends:

Short skirts (above the knee - Dorothea has a draped over-skirt thing, but her main skirt is shorter, and Manuela has leg slits instead of a short hem), low or square necklines, open backs. In general, we're looking at a lot of exposed skin. Forgot to include Cornelia in the pics, but she has this too.

Tailored jackets with just SO many buttons. Hanneman fits into the tailored jacket category, but isn't included in the highlights by virtue of Not Enough Buttons. (Some concept art is included here to drive the point home.)

Finally, there's this specific very specific double-breasted neckline thing (baby edelgard is separate bc i forgot to include her when i made the first image shhhh)

Brief analysis:

Adrestian fashion is all about displaying status and wealth, in this case through ornamentation, rich colors, uniforms denoting class/role, and also a fair amount of excess fabric.

Historically, fabric itself was one of the major indicators of wealth - in fact, certain historical styles very explicitly showed off just who was rich enough to afford, for example, a whole gown made from the same length of fabric, or even just an entire skirt panel with no piecing. In the Adrestian Empire, We've got excess fabric galore, tucked away into all those beautiful ruffles and bell sleeves, layered skirts, unnecessary capes, double collars, and puffy pants - and it's all in much more luxurious colors, too. In fact, I'm pretty sure the largest single piece of fabric on anyone in the game is Edelgard's cape, which is then also adorned with dozens of buttons and extra bits of fabric. It's almost definitely fully silk, both the outer layer and the lining. (And it's badass.)

Look at all that fluff! Dimitri's cloak probably rivals hers in the size of the actual fabric itself, but his is likely a heavy wool (unlined, maybe?), plus has a lot of fur.

"Oh, but pg, there are capes in Faerghus, too!" yes, but in Faerghus, they live in the arctic /hj. Note the vast expanses of exposed skin down here in the empire - clearly, cold is not an issue. You'll also note that the cloaks in Faerghus were heavy and lined with fur; that's not the case here. Given the prevalence of tailored jackets and the dual colors on Ferdinand's cape, I'm guessing they're either a comparatively lightweight wool with a silk lining (typical for tailored suit jackets, nothing particularly noteworthy about that), or just fully silk. (Bernie's shawl is just cotton though, prove me wrong...) Hanneman and Manuela are exceptions, since they both have fur, but they live at Garreg Mach, not in Enbarr.

The jackets themselves, by the way, could be silk OR wool. Ferdinand's in particular (especially thropes) reminds me of early 18th c. waistcoats, which would have been full silk.

We also have much richer colors down here in the land of art and song. Red, purple, and black were all very difficult colors to maintain, and very expensive. The most expensive colors, in fact. Not gonna lie, as far as price per yardage goes, I think Hubert's outfit might rival Edelgard’s in expense.

A notable exception to the excess fabric bit is Bernadetta. However, her dress is in what is arguably the most expensive color, and is heavily decorated, so that's a reasonable trade-off, and I don't blame her. I, too, would go for a smaller amount of pretty purple silk embroidered with bright, beautiful gold and yellow instead of a bigger, more impressive-looking option. It's about the little things.

I do want to take look at Caspar, in particular. He's unique in that he's dressed in a full suit of armor. But, given that he's the second son and not set to inherit anything, unlike all his waistcoat-wearing friends, he isn't being held to some particular uniform, and even if he were, it's the ministry of military affairs. Of course they wear real armor. What's interesting is that his armor is a sort of rosy grey/brass, rather than silver, and he has a lot more decoration and flair than the folks with full armor in Faerghus, in both his throuses and thropes outfits.

Worth noting, btw, that we have exactly zero examples of actual commoners in Adrestia, other than generic NPCs. Dorothea belongs to that peculiar niche that is opera and acting, so she is expected to dress and act like a noble, despite not having a title or property of any sort.

Adrestia - and Enbarr in particular - leads the slow march of fashion across Fódlan, given that it's a cultural hub and is so much wealthier, while Fearghus slowly picks things up over time. Thus, we have Annette, who lives closer to the empire and has disposable income, having some decorative buttons and tassels and a mock low neckline.

It's not nearly as much as the actual Adrestians, but she's picking it up!

3. Leicester Alliance: the beeeest of both worlds~

Oh, Alliance, you messy bitch. What we see here is a mix of everything, where some of them are influenced by Faerghus, and others by Adrestia (just like how some of them have kingdom-style names and some have empire-style names), and a few fit neither camp. There are clear reasons for similarities where they exist, though, so let's take a look! (Please note: Claude is not included, since his clothes are heavily influenced by Almyra.)

Hilda and Lysithea have the frills, puffy sleeves/skirt, short hems, low/square necklines, and expensive colors of the empire (plus, Lysithea gets a decorative veil in dark purple. How ~fancy~). This reinforces the idea that Adrestia sets the standards for fashion: Hilda cares about fashion and keeps up with the times. Lysithea lives on the border and was briefly under the control of the empire, and thus is influenced by it. Mostly, though, I think it's about how she tries to seem older and tends to see Hilda as a model of maturity (lol), so she's following that example.

Holst's armor is quite decorative, similar to Caspar's, but what stands out to me is the fringe in particular. We see the exact same fringe on Caspar, Hubert, and Edelgard, but not anywhere else.

Lorenz and Erwin are a bit of a border case, tbh! They both wear practical, full plate armor with little in the way of extra decor (other than Lorenz's rose and Erwin's little cape thing), but Jesus christ how much does it cost to keep it all so purple like that??? That's a blatant display of wealth that would impress any empire noble.

Marianne, on the other hand, would fit right in in Faerghus, with the old fashioned long skirt, high collar, capelet, and lack of extra decoration other than some pretty trim. Makes sense, since her territory is so close to the kingdom and she's clearly not interested in trying to stay fashionable.

Judith is dressed very practically, has some fun puffy sleeves and bright but inexpensive colors, has a short cape and gambeson (a short vest one, though). I want to say leans toward Faerghus, which makes sense since it's on the border and the house did at one point split off, with part going back to the kingdom.

Now we get to the only real, honest-to-god, never-owned-land-or-property, born-as-and-remain-now peasants/commoners: Leonie and Cyril. (Raphael was born into the merchant class and was able to support himself and Maya by selling his estate, so while we can consider him a real commoner at this point, it's not nearly to the same degree.)

Their economic status is obvious from their outfits: both have very practical clothes with no extra decoration, in cheap and easily accessible colors. Leonie's cloak wrapped around her waist is purely functional - she can use it when the weather calls for it, but it's out of the way of her arrows when she doesn't need it - and looks to be pretty soft, so likely is lightweight. She has a hint of some light protective wear (note the quilted sleeve) and the same front clasps as Felix and Ashe, so i think she's also meant to be wearing a gambeson, but it's shorter and less protective. Cyril doesn't seem to have any armor at all except for the shoulder protection - we can tell from the lack of center-front closures on his shirt and the shape of the cuffs of the sleeves that he's actually just wearing a tunic (or rather, two tunics on top of each other).

Raphael also has a very practical outfit, but notice that his is so much more protective, probably because he has a little more money than the other two. He has very limited, sparsely placed plate armor, but he is covered head-to-toe in quilted cloth armor. He's ready to get some punching done, baby!

Our real outlier, however, is Ignatz... But you bet your bottom dollar I've got an explanation for that one, too!!!!! Mans is an artist and he has rich(?) merchant parents, he can do whatever he wants.

Absurdly unnecessary lengths of (probably not very expensive) cloth? Sure. Fancy feathers that literally no one else gets? Why not! A billion buttons, half of which arent even keeping anything closed? Curly and intricate cloak fasteners probably made of some kind of cording? Sashes and tassels and a decorative sword??? Fuck it, we ball. I love this so much, it's easily my favorite outfit in the entire game and I would ABSOLUTELY wear it irl. I already have the right haircut and glasses and boots, I'm ready

4. In conclusion

These designs really are Fódlan in a nutshell. From the quiet wealth and functionality in Felix's fur-lined gambeson to the audacious luxury of Ferdinand's waistcoat to the unrepentant anarchism of Ignatz's entire vibe, we can see the history - and future - of the continent outlined right before our eyes:

Faerghus is cold, practical, focused on survival, and probably has the most even distribution of wealth. Leicester is a mix of remnants of the empire and kingdom, with clear wealth disparity but also a relatively high amount of social mobility and communal support systems. Adrestia has significantly wealth disparity, with nobles very disconnected from their people and instead busy politicking about.

Side note I know I said I wouldn't go into the historical inspirations, BUT I do think it's interesting that the men's clothing in Adrestia - particularly the tailoring - is similar to much later styles than the men's clothing in Faerghus, and the reverse is true of the women's sleeves and necklines.

Okay that's all, thanks for reading!

[prisonhannibal]

What does biđos taste like? (If you don't mind me asking!)

it’s pretty salty and mostly tastes like reindeer which has a very strong flavor already imo. it’s like a stew with reindeer meat and vegetables (including carrots, onion and potatoes) in meat broth, usually pieces of reindeer meat but sometimes it’ll be pieces of bone that you can suck the bone marrow out of. a lot of norwegian people think the bone marrow thing is weird but I promise it’s super good. we make it for events because you can just make a massive pot of biđos and serve it with bread and everyone takes as much as they want ❤️ we call it the sámi party food hehe

[super-paper]

"Thank you for such wonderful comedy."

I've been wanting to talk about how MHA plays with the concepts of "fiction vs reality, the characters vs the actor, the world vs the stage" for awhile now, bc I believe understanding how MHA utilizes these concepts is pretty crucial to understanding our Big Bad (and Tomura!) (...and Izuku!) (.. etc!) (y-yeah...!!!) (wooo.....!!!!!)

If this post is more incoherent than usual, I apologize-- I'm just really enthusiastic about stories that play with the fact that they're stories and characters who throw themselves into a fictionalized role as a means of coping. I love the way MHA handles these concepts in particular, so I lost all sense of restraint as usual.

Hori: "I'm Like Dropping Hints That Hero/Villain Personas Are Actually Coping Mechanisms Lol"

"As Tomura Shigaraki and Tenko Shimura, I've got just one wish: the total destruction of everything that created that house." "If my origin as Touya and Dabi was such a simple thing, then... No, there are still things I want to say. Arguments I want to have."

I've seen a few ppl saying that it sounds awkward/strange to have the characters repeatedly asserting themselves in the third person, but imo, the emphasis on real names versus hero/villain names during these particular scenes plays into the idea of the villain/hero identities being "alter egos" that might not actually have the same core desires as the """"actors"""" that are behind these personas.

Tomura and Touya invoke both their real and villain names while asserting their respective wishes. Himiko also invokes her villain name, though it's less obvious to english speakers because she uses her real name as her villain name (in the raws, "HIMIKO TOGA" as a villain name is written using katakana-- and this is what she uses when asserting her wish). MHA plays with the idea of "fiction"/"Alter Egos" as a form of escapism and as a coping method, and at this point in time, the Dabi/Tomura/"Himiko" identities are still being utilized as a crutch/mask by these three very hurt individuals.

*loud, terrifying chanting* PEAK FICTION PEAK FICTION PE--

Ochako's fight being like the second most thematically important fight in the whole series still makes me unreasonably giddy btw.

To contrast, Ochako uses her civilian name alone when asserting her wish-- and imo we're meant to read this as Ochako wanting to save Himiko as herself, not as Uravity. Saving Himiko is not something she can accomplish as her alter-ego-- Ochako is able to save Himiko by stepping off the stage and becoming a "real" person, while also acknowledging the person behind "Toga Himiko (villain name)".

Izuku hasn't had his "I'm Izuku Midoriya"/"I'm-saving-you-as-Izuku-not-as-Deku" moment yet-- instead, we see Tomura intentionally making that distinction between the-hero-and-the-true-self by constantly referring to Izuku by his real, full name. And I'm pr sure Izuku is also the only one he does this to-- we see him referring to all the other heroes he encounters by their hero names alone, or by insulting nicknames (l-lol). Correct me if I'm wrong, tho!

(side note: Tomura switching to calling Izuku just "Hero" in the aftermath of Bakugate is actually a big step backwards imo-- it reads as Tomura trying to push Izuku away by shoving them both back in the hero/villain box and doubling down on enforcing their respective "roles." Not that I ever expected mister doomdere to make things easy, but, woof. Good Fuckin' Luck, Izuku ( ´･ω･) )

TL;DR The final arc has mostly been about tearing off the hero/villain masks to reveal who is hiding underneath— MHA's careful use of names and monikers plays heavily into that and its distinction between "alter-ego"/"true self" a lot. Which is... probably one of the many reasons why All For One still doesn't have a given name, as someone who has all but completely lost himself in his character.

Anyway! That brings us to the meat of this post: how does MHA take the concepts of "reality vs fiction" and "the character vs. the actor" and apply it to All For One (...and Tomura) (and Izuku--)?

"Pay No Attention to That Man Behind the Curtain!"

"If you refuse to submit, then I'll just rewrite the story." - it's amazing how all of this coulda been avoided if someone had just introduced AFO to Demon Lord x Reader fanfiction. (/j)

AFO fancies himself as the author of MHA's greatest tragedy (the desecration of Shimura Nana's legacy via the sacrifice of Shimura Tenko), while simultaneously inserting himself into its overarching narrative and treating himself as the leading villain of the story-- it's self-indulgent and intentionally invasive in the way that most self-insert fanfiction tends to be invasive, with him going to extremes to make it seem as though the whole story revolves around him. AFO wants to be both the author and the leading character and the leading antagonist. This greed is typical of him, but it also establishes him as a character who's more caught up in (read: trapped by) his relationship to "fiction" than anyone else. Again, MHA explores the use of fiction and alter-egos as an escape from a painful reality-- so, it's entirely reasonable to assume that this applies to AFO as well.

To me, so much about AFO reads as an escapist fantasy of someone who is utterly terrified of being put in a position where he is truly seen. The idea of being vulnerable, of being naked, of being "human," is intolerable to him. But by not allowing himself to feel and "be a human," he has effectively cut himself off from what he wants most. The character of “Shigaraki Tomura” is as much an escapist fantasy for AFO as it is Tenko-- It's just another (younger, prettier) layer of skin he can hide his true self in.

"so basically you're saying that AFO is a never nude" yes, actually :)

AFO dehumanizes Tomura through his attempts to turn the boy into his personal comic book character, but he also dehumanizes himself by desperately trying to insert himself into that “character." It's only fitting that Tomura’s innate humanity and capacity for feeling ends up rendering AFO himself painfully, painfully human-- and ultimately causes AFO's carefully constructed character to start crumbling.

If All the World’s a Stage, Then Let’s Destroy the Stage

"That stage is gone now. The theater's knocked down. How much longer can we afford to be spectators on the sideline?" "Once upon a time, a man named All Might showed all of us how to be a hero. But somewhere along the way, people forgot about the heart and soul that made the man." -MHA, Chapter 325

Tomura is attempting to destroy the stage, because without the stage there can be no "Shigaraki Tomura" (Or "All Might," or "All For One," or "Endeavor," etc etc etc). Without the stage, there are no more "characters" and no more tragedies. But-- without the stage, there are no more stories period. There are no more tragedies, but there are no more happy endings either. The world never recognizes the actor behind "Shigaraki Tomura" without the stage. The stage is not inherently a bad thing, so long as people can remember that the actors on the stage still exist outside of it.

But Tomura himself cannot imagine what happens after the curtains fall, and all that's left is Shimura Tenko. He is stuck in a role that was written entirely for someone else, but remains convinced that the role was always his and that the role defines him.

Tomura rebels against the story the only way he knows how--against an "author" who *LITERALLY* views him as a spicier self insert, and against a "setting" that treats his death as a happy ending-- but even so, Tomura still can't picture an ending that doesn't end in tragedy. His rebellion is not about him trying to wring a happy ending out of a miserable, mean-spirited book-- it's about burning the whole damn library down so he never feels let down or hurt by a story again.

Basically: Tomura cannot act outside the confines of his "character" in a way that will truly save him. Even as he rebels, he's rebelling in a way that is painfully consistent with the way his "character" is written-- and that's why AFO (the author) still poses such an enormous threat to him. Destruction cannot save him from this story when he was explicitly penned to destroy.

The only way to break this narrative is to act in a way "the author" doesn't expect, and to tap into all the traits that AFO desperately attempted to "write out" of him-- Shimura Tenko is someone who has always rebelled against his writing, his author, and the unfairness of this story with his kindness and his willingness to accept those that no one else will.

AFO cuts off Tenko's own power at the root by reinforcing Tomura's belief that the world will always inherently reject him, without fail, always and forever-- so he should just reject the world, too (and I've talked at length about this before, but this is why a story that ends with Tomura dying or locked away from society is an ending that fails in its goal to save Tomura). The more Shigaraki Tomura rejects everything and the more Shigaraki Tomura is rejected by everything, the more he distances himself from his root and the source of his power-- and the more Shimura Tenko gets lost in this character.

While AFO is terrified of someone seeing behind his mask, Tomura longs for it. Tenko has been there since the beginning and has been begging for someone to finally see and acknowledge him (both in-universe and out of universe).

"I’ll Be There, Changing Fate by Your Side."

AFO: "Blah Blah Blah Do you still believe myths can save you? Foolish creature. Let me be clear: every version of the story ends with you being slaughtered yadda yadda yadda :) :) :)" ENTER, MIDORIYA IZUKU WITH A STEEL CHAIR.

Izuku's role is that of a completely average boy who gets pulled into a narrative ''that wasn't for him"-- he has no heroic lineage, no hidden powers, and no connection to the centuries old conflict that drives the plot. He's just a boy who did the right thing at the right time and was rewarded for it. Izuku is someone who was "never supposed to be a hero" the same way Tenko was "never supposed to be a villain" per the "rules" of their world-- and Izuku, like Tomura, is someone who exists to destroy those rules and the expectations of their narrative, completely changing the ending.

But rather than burning the book and ending the story forever (like Tomura wants to do), Izuku believes that the story and characters can still be salvaged. There's always something worth saving. It doesn't have to be a tragedy, they can still change the ending. They can talk specifics after Tomura's crazy ass puts the lighter down.

Izuku, like Tomura and so many other characters, throws himself into an alter-ego in an attempt to redefine himself and escape from pain ("Nobody's been saved yet. Don't be the worthless old Deku who can't save anyone" 😬). He almost loses himself in the role of "OFA's torch bearer" the way All Might did-- but just as Izuku managed to find Toshinori Yagi and helped in convincing him that his life as Toshinori has meaning, Izuku ends up getting saved by his friends who couldn't care less about OFA's ~protagonist power~ and know that Izuku is just a goofy, awkward, human boy who needs help.

Like.... If we explore quirklessness as like... a narrative stand-in for characters that the story typically views or dismisses as irrelevant extras/npcs, then AFO's barely restrained anger at Izuku and Toshi (and possibly Yoichi if we're being honest) for daring to ''act beyond their roles'' becomes even funnier. AFO can't stand the idea of his power/the protagonist role being passed on to someone who seems so utterly unworthy, unremarkable, and plain. He can't stand the idea of someone without a quirk/"role" standing up to him, the leading character. Dude really is a toxic comic book fan to the core.

afo really said "I didn't like how things were going so I stopped reading and just wrote a better ending to the story :^)" like...... @mhareddit that's u buddy...........................;

Anyway...........!!!!! AFO is someone who cherry picks what he likes about a story while ignoring the actual intent/message of the work (#theabsolutestateofthemhafandom), but he has no intention of breaking down the dichotomy between heroes/villains and instead actively enforces it (.............#theabsolutestateofthemhafan--). He just wants to flip what side wins in the end.

Tomura wants to break the narrative because he sees that as the only way to escape from his pain (but in doing so, he permanently cuts himself off from being a part of a story with a happy ending). He wants to destroy the dichotomy between heroes and villains because heroes and villains "will never understand each other and never stop creating each other" (lol. lmao, even).

Izuku wants to break the narrative because he's realized that there's something more to this story than your standard "Hero versus Villain," "good vs evil" affair and that he cannot explore what lies behind those masks and labels without tearing them down, first.

These three work together well as a narrative set of Fucking Nerds, and AFO works well as both Tomura and Izuku's villain for all of the above reasons (& also bc he's the only one who is actually benefitting from their current society) ((which basically offers him an endless buffet of hurt and angry children he can exploit on a silver platter)).

Anyway! Kick his ass, Izuku.