#it's one of those things I don't focus on

[paragonrobits]

honestly this whole thing being treated as an exclusive problem to superhero tropes in general, or implying that superheroes as a concept are inherently bad because I guess people assume they were specifically created to Keep The People Down or what-not, REALLY ANNOYS ME A LOT so this seems a good opportunity to make a point:

this trope is not specific to superheroes, and has been a thing for quite a while in fiction overall, specifically in TV and films (and at the risk of being snappy and letting irritation doing the talking, thus in mediums that get the most coverage and it makes people sound like a series doesn't exist if its not in TV or movies)

At its worst, this is basically a low-effort way to give a villain some nuance without putting much thought into it. It's not really meant to imply, at least in most cases, that their goal or motive is BAD, as some people seem to suggest. This is probably an outgrowth of the common idea of a villain being the hero of their own story; its common to suggest that a villain MUST have some kind of moral point or heroic quality to them, and that's basically where this comes up; its a less well-written handling of that concept by using it to get some pathos into a villain that can often be counterproductive.

I'm gonna go out on a limb here and suggest that its not suggesting that their cause is BAD; indeed, the writer implicitly means that their cause is good, because that's where the villains Good Cause Points come from; if it wasn't a good cause to them, they wouldn't be trying to humanize the villain by rooting them in that cause.

It's not exclusive to superheroes by any means, and the general trend predates the modern superhero genre in film and television, at least in the post-MCU sense.

The other point to be made is that sometimes, the supervillain isn't actually concerned by a problem at all, and they're just using it as an excuse to satisfy their own personal grudges, because it gets them support as they pursue their own goals, or because they're cynical manipulators who never gave a damn about that problem but it furthers their own goals to manipulate others who DO care about that problem.

There is also one other aspect; sometimes the villain does genuinely believe in solving a problem, but their understanding of it is completely divorced from reality, or their intended plans are inherently a bad thing. For example, lets take the common idea of Poison Ivy as a heroic eco-heroine fighting corporations who pollute the planet. All well and good, but Ivy actually doing that is an extreme outlier in her established character. More often than not, what she's actually doing it is causing massive destruction that gets a lot of completely unrelated people killed because her explicit end goal is the complete genocide of all human life, and at extremes, all ANIMAL life as well. This makes her a textbook ecofascist of the 'kill all people, especially the ones that have no power to do anything about ecological destruction' kind.

This is closer to the sort of villains you're actually likely to see; their stance on a problem is completely destructive, counterproductive and generally just kind of evil. Thats why heroes stop them; because their entire plan is to kill lots of people while making vague comments about 'x thing is the Real Evil' or something like that.

This, uh, also tends to be the actual nature of villains that fandoms often present as enlightened True Heroes unjustly antagonized by heroes. Almost every time, they only give lip service to any real goal and mostly just want to kill lots of people or do large scale disasters to satisfy their own grudges, and as such they're not really meant to be taken seriously.

And from another point of view, its like this: the reason we don't usually see the hero solving that problem is because that's not the focus of those sort of stories. If you're going in for an adventure story about someone with fantastical powers have action-filled showdowns with larger-than-life antagonists, its not really reasonable to expect it to suddenly swerve into a political treatsie about sociological phenomenon just because the villain of the week makes some vague references to societal ills as they start kicking orphans into a giant blender to fuel their giant robot that's going to burrow to the core of the earth and blow it up.

Its a fairly basic writing bit to give a villain some apparent nuance without having to do much more, and that's basically it. And to follow the metaphor, I don't think its really reasonable to give a go-ahead to the sort of person who kicks orphans into blenders just because they make some vague references to a greater good and then never follow up on it. As a villain, their only real purpose is to be an entertaining roadblock, rather than 'a hero but kinda edgy' as the term seems to become around some fandoms.

[sbcdh]

"You saw it?"

"For a second. Yeah. I saw one."

"Start at the beginning."

"Hoo. Okay. Uhhh... It was 77. I think. I was air force. Or, hypnoengineering support staff contracted to help out around St. Louis."

"That's how you came into your supply of JVH-1"

"It was JVH-11 actually, and yeah, the fuckin, uh- the requisitions officer at Scott was an old buddy of mine. We used to fuck around in college before I, you know-"

"Yes I understand."

"I worked records for Sears-Roebuck, I had all the accounting expertise, as well as a ready supply of LSD."

"How did you start?"

"Oh it was easy at first. Really just selling off phials of the new experimental stuff to finance guys. They'd go nuts for the stuff, pay top dollar for it too. Hell, I could get 100$ for a milliliter. Made it easy to keep my contacts bought in and re-invested. Honestly I don't think the req office would even know that we were skimming if they weren't in on it.

But, you know how it is with hypnoregulation. Transchronological market data is worth it's weight in diamond. It started with the odd photo of a 2q-week readout, then biometric data, then, uh- then. Well, we decided to try it ourselves."

"You attempted full sub-finantial emmanation?"

"No no god no, what're you nuts? No, see. We figured if one person can meld their brain with the market, we just had to get as close as we could to that guy, and mark the twain, hypnologically speaking."

"Mark the twain?"

"Yeah, see, okay. A plutophant in full emmanation isn't like us. We exist at a single point in time, an R1 rational market actor. But they exist in multiple points in time, back in 77, I think the government could hit R6 with that analogue tech. Most people can hit R2 with a single hit of JVH-1, with practice you can hit R3, but anything higher than R3 takes a pretty serious support team. But here's the thing, I had a whole cadre of co-implicated members of a military grade hypnoengineering support team. All we needed was the space."

"The warehouse. Schaeffer Marble and Tile was it?"

"Bingo. See here's the thing. You know why the government had to start building those special regulation temples? It's not just for security. Once you crack the R6 barrier, Plutophants start leaving what's called a wake. You know, like a fuckin, uh, like a boat. They're imperceptible to normal people, but if you have sensitive enough instruments or, say, a person in the edge of sub-market emmanation.

See the government didn't know at the time, but if you balanced the drugs just right, and kept someone right on the edge of R4, you could actually read the plutophant's interpretations by their wake rather than their direct neurofeedback. It's not nearly as precise, but if you have a good team and you know what to look for, you can get some really, really valuable market data that way."

"And your co-worker?"

"You mean Mills? Fuck. Yeah...Mills. Right."

"Take your time."

"No, no I'm good. It's... It's uh, It's dangerous. Brains aren't meant to take that much JVH-11 all at once. We could stay on R4, but what we didn't have was a recovery team, or a medical team, or recon team. It was me, Mills, Israel, Connaught, and Marsh. The five of us were the only ones in the soup. Bruso was running the machines and Lasker was monitoring the readout."

"Can you tell us what happened?"

"Yeah. Yeah. It was a normal intrusion. Hypnogrid emmanation is pretty simple with our tech and support. Sedation was all green, hypnoinduction was green. Smooth as silk. Landed about 40 minutes from our work location. We had the codes from the IRSAW people that morning, all we had to do was maintain hypnoinduction for 40 minutes while traversing the colon and we'd be able to-"

"I'm sorry, colon?"

"Oh come on. Colon. Collective Unconscious. Col-Un. Colon."

"I- of course. Continue."

"Hey, have you ever been on a dive before?"

"Can we focus on your statement?"

"It's important. I need to know if this next bit is gonna make sense to you or not."

"I've undergone basic anti-intrusion training standard for IRS investigation task force officers."

"So you've done safe dives. White room? Castle training? Putting up the wall? All that jazz?"

"That's correct."

"Did they ever tell you why it's dangerous to perform off-site hypnoincursion in meta-unstsble hypnospace?"

"They did."

"Well they're lying...don't look at me like that. I'm not bullshitting you. They're lying...there's...there's shit out there okay? There's things out there."

"Mills?"

"Yeah. Mills. Uh..."

"Take your time."

"Yeah yeah. Quit interruptin me. Mills... Uh, yeah so we were T-Plus 30 into the dive. Bruso gives us a heads up that some hypnoflora is headed our way, but can't get a read on mass. Says we should steer clear, but we are so close. Israel had handled some hypnoflora before, so we weren't worried. But it was... I dunno. I can't explain."

"Do your best."

"Like. Okay. Meta-unstsble dives are fucked. They're acid trips. The St. Louis hypnoscape already doesn't look normal, but Scott Base looked like some kinda bastard lovechild of a medieval castle and a seashell, all twisting up into itself. The streets were a chessboard, and all the streetlights we're these tall kinda mannequin lookin' things holding a tiny sun in their hand. Everything is fucked, it's all topsy turvy. But it's okay, because it's meta-unstable hypnospace, its not SUPPOSED to be normal. And then there was a Red Sock."

"Like for the feet?"

"No. Like. In the middle of this fucked up dreamscape, there's suddenly a batter for the Boston Red Sox. He's standing there, maybe 50 feet away. He's got a bat in one hand and a mitt in the other, and he's just kinda walking towards us. Nobody really knew what to do. It didn't look dangerous, but something wasn't right. It didn't fit. We just kinda stood there, looking at the thing. Israel starts talking to Bruso, asking him what to do. Suddenly, Bruso is screaming at us, telling us to book it. He's screaming into the com, telling us to prepare for de-emmanation. Nobody knows what's happening. Israel is suddenly standing between Mills and the Red Sock, and..."

"Any information you can recall could be of use."

"It's...it's mostly feeling at this point. You ever been having a normal dream? Like, a good, normal dream? And suddenly you realize that something is really, really wrong? There's signs. For me? It's that the lights go out. Suddenly day turns to night, and something about this batter just makes me want to curl up and hide. Suddenly, moving through the world is like trying to swim through molasses. I try to run, but nothing moves, and everything is dark. The world is shifting. There's shadows under the bathroom door that can't be happening. A man who looks like Jesus. An old and terrible house and an old man with no name whose face I can't remember. The batter swings at Mills and she just...vanishes. Shes gone. Bruso pulls us out a second later."

"So this, batter killed Ms. Mills?"

"No."

"No?"

"No. We get out, she's comatose. Whatever that thing did to her, she was still in hypnospace. I gave her a hot shot of barbiturates. Her brain activity slowed to R0 after about 90 seconds."

[the-clumsywitchtarot]

How Can You Improve Your Health in the New Year? Pick-a-Card Reading

(Tarot & Oracle)

Because we're all about self improvement over here.

Cards

The Tower (Reversed)

Temperance (Reversed)

Knight of Wands

Immediately I got that this pile might want to focus on their mental health. I feel like this pile might really struggle with anxiety but with the tower in reverse I feel like you worry needlessly most times. But you're just so afraid that the one time you relax could be the time that things fall apart. With temperance in reverse and the knight of wands I feel like you try to regulate your emotions and calm down but the moment something seems like it might go wrong you go back into freak out mode.

Oracle Cards

Rose Quartz: Love - Heart Chakra

Malachite: Nature - Heart Chakra

Cinnabar: Business - Sacral Chakra

With the rose quartz crystal coming out I feel like you need to show yourself more love when you face these moments of anxiety instead of trying to make yourself snap out of it. The malachite crystal has to do with the heart chakra and nature in this deck, getting out into nature may help to make you feel more emotionally stable. Cinnabar is associated with business and the sacral chakra in this deck, this makes me think some of the anxiety you may be feeling could be about work. Consider working with these crystals to help balance your heart and sacral chakras. The sacral chakra is actually connected to the emotions and I also consider the heart chakra to be closely associated with emotions. If you decide to use cinnabar please use extreme caution, be careful with malachite as well.

Cards

4 of Cups

6 of Swords

5 of Swords

I feel like this pile's main focus needs to be on physical health. Some of the people in this pile might already be into physical fitness and for those people I feel like you do workouts that you don't really like for the sake of weight loss or just because you think it's a workout you should be doing. But with the 4 of Cups I feel like there are other workouts that you could be doing that you would actually enjoy but you aren't looking into any other form of exercise. I also feel like this pile could really struggle with body image, the coming year (2025) is really the time to try and release that and realize that you don't have to be at war with your body. Your job is not to make your body look a particular way (especially not a way that is impossible to achieve without extreme behaviors) your job is to make sure that you keep your body as healthy as you can.

Oracle Cards

Seraphinite: Honesty - Heart & Third Eye Chakras

Obsidian: Obsidian - Root Chakra

Dioptase: Direction - Heart Chakra

I feel like with the honesty card (seraphinite) you are being called to look at yourself, really look at yourself and see yourself for who you are. Beyond your body, beyond other's perceptions of you, beyond what you've been told you are based on other family members. Really look into your heart and soul and begin living your life from your soul and not based on your physical appearance.

Cards

4 of Pentacles

3 of Cups

The Empress (Reversed)

This pile might want to work on their financial health in the New Year. The first thing I'm hearing is you don't have to be at every brunch or outing your friends have because it's really starting to add up. For a very small group of people that chose this pile, I feel like you might enjoy clubbing often and it's becoming quite expensive. And I feel like everyone in this pile really enjoys going out but instead of going somewhere where you have to spend money look for more inexpensive options. Instead of going for a boozy brunch consider meeting up with your friends at a coffee shop, or going for a picnic in the park, or find affordable or free events in your area that you can go to. But whatever you do, you might really want to consider saving more of your money.

Oracle Cards

Peridot: Teach - Heart Chakra

Carnelian: Self-Confidence - Root & Sacral Chakras

Malachite: Nature - Heart Chakra

With this first card (Peridot) I feel like some of you could be teachers but I mostly feel like by you taking on this new attitude of financial responsibility. That you'll teach those around you how to be more financially responsible too. I feel that you feeling like you have control over your finances will give you a boost of confidence. I feel like malachite will help you to manifest more money but also help you during this time of going from someone that used to be somewhat financially irresponsible to someone that knows how to manage their money well.

I hope this reading resonated with you and please feel free to let me know which pile you chose! And please get professional help to improve your health if you think you need it. 🩷

-Erika, The Clumsy Witch

[bubblegumgothglados]

Aftercare should generally involve the opposite of the things a scene involved, it should balance the "negative" physical and psychological impact of the scene.

This is a fairly neat summation and simplification of a very complex and nuanced topic. But it's a good place to start if you're new and don't quite understand the concept of aftercare or if you're experienced and trying a new type of play. It's a simple framework to build upon as you learn more about your individual needs and the needs of your play partner(s).

So what are the physical and psychological impacts of a scene. (Do note we're specifically talking about those impacts we don't want to last past the end of a scene, puppies don't want to be told they're not puppies as aftercare)

I'm not going to separate these because what effects you psychologically is also going to effect you physically and vice versa. These things are not separate.

A good example on the more psychological side might be degradation which damages a submissive's self worth, self image, ego, etc. To balance this aftercare should focus on affirmation and rebuilding /healing those things. Similarly fear play damages a submissive's sense of safety/ wellbeing, aftercare for which should involve being made to feel safe, comfortable with their dominant, and st ease.

Having said that, a good example of this balance on the more physical side is replacing lost energy. Basically no matter what type if play you're engaging in you will burn a lot of energy, so to balance that you should replace that energy. I write about this in much more detail HERE.

Getting a little more complicated; sub drop. Coming 'down' from a submissive headspace, especially one that includes pain play, can be very unpleasant. The neurotransmitters released during a scene fade away, this feels something like the crash after an adrenaline spike, and can leave a submissive feeling lethargic, empty, sad, etc. To balance this aftercare should involve things the submissive enjoys to bring those neurotransmitter levels back up a little and alleviate some of the withdrawal symptoms. This can include but shouldn't be limited to; cuddles, kisses, warm snugly things like blankets and stuffies, their favourite snacks, their favourite movie or TV show, etc

"Top drop" is less a neurological thing and more of a social thing. Although the top headspace also includes it's own share of neurotransmitters which also drop off it's almost always to a much lesser extent. The most common major effect of top drop is guilt; hurting someone you care about is something deeply ingrained as bad and even if they like it, even if they're begging for it, it can still effect you really deeply. Aftercare for this should involve affirmation that the bottom isn't hurt beyond what they want to be, that they still care about and trust their dom, etc.

This is an infinitely nuanced topic, I could write until the character limit and still not cover all the ways that aftercare could go. But I have to draw a line in the sand somewhere so let me make one final point. Don't worry too much about getting this perfectly right the first few times, you'll figure out what you need and what your play partner(s) need. The most important part is the "care" half of "aftercare" show them you're willing yo put in the effort to make sure they're OK and you can't go to wrong

[kenhowler2004]

Yeah this is normal. Here's a few solutions I use:

White noise like things helps with sleep, so setting up white noise things that are white noise to you (music, lights, vibrations, ect.) will help you sleep. Just make sure it's consistent!

For focusing a variation of that white noise tends to help! For me when I used to illustrate the entire Live of Secret Sky 2022 Porter Robinson on YouTube helped me keep track of time & focus. Owl City had a similar effect in school for math class. Speaking of audios; ADHD & ADD will vary but both can audibly be added with noise cancelling headphones specifically. I use Skullcandy and I can't recommend them enough. Though do be careful it can lead to hyper fixation on it. Speaking of which.

With Hyper fixations: try to drag it out if you can! Rome wasn't built in a day, procrastinating your fixations with boring aspects of it will make it last longer or make it a challenge to do things like eat while doing them. While it's hard to do so try to practice awareness by asking questions to yourself about it like you are talking to a 5 year old. 5 year olds might get overstimulated with info dumps on them so make it short and brief.

Over stimulation is a tough cookie. I barely discovered that focusing on the thing you can barely hear like your heartbeat might help a little but not a whole lot. If you don't have aphantasia I recommend thinking of a happy place. If you do have aphantasia, pick up a comic you don't have to read it, mentally walk yourself through the pictures you see and try to think of logical movements. Like an image of people midstep of walking through a crowd. Focus on that motion. You know that motion, so think of when you're walking that rhythm and pace. Take a moment to breathe like you're walking. Everything is okay, just take it one breath at a time. If needed walk to a quiet area or quiet tent or text someone to let them know what's going on. Just focus on that rhythmic rise and fall of your chest. It helps doesn't it? Keep breathing like it's walking.

That's how I handle those aspects anyways.

bro im gonna CRY i didnt know this 🥺

[b4ddprincess]

everyone is different 🤍❄️

find what you'll be most comfortable with doing

Merry Christmas to all who celebrate, and i truly hope that you enjoyed your Christmas! for those who don't celebrate, i really hope that you enjoyed your day today 🩷

one thing that we need to understand is that everyone is different, and there isn't a one size fits all in terms of law of assumption, pure consciousness, etc.. with pure consciousness, i've mentioned before that there are many ways to induce pure consciousness. i personally promote the way how i induced it becuz after running away from an awake method for almost a year, i ended up inducing pure consciousness awake unintentionally multiple times in a row. but that's me personally. i thought to myself that it might end up being the case for some others, so i felt the need to upload my experience.

however, i know a lot of y'all want to manifest your dream lives before 2025 arrive, but one thing you have to know is that YOU will induce pure consciousness someway or the other. whether it is that you do an awake method, a sleep method, wbtb, etc., you will induce pure consciousness.

everyone is different. it have persons who can't focus on anything for longer than 5 mins, and it have people who can focus on one thing for more than 3 hours. it have persons who can stay still for a long period of time, and it have persons who can't stay still for more than 2 minutes. it has people who can easily lose themselves in their daydreams and inner monolog, and it has people who can't. ofc, all of these are circumstances assumptions (that people aren't willing to change), which also means that you have to find something that's most suitable for you!

cuz at the end of the day, it's your dream life that you want the most! inducing pure consciousness is second.

so as i said, there are countless ways to induce pure consciousness. you have:

assuming/manifesting/thinking as if

robotic affirming

askfirmations

meditation

theta state meditation

alpha state meditation

breathwork

wbtb

lucid dreaming

hypnosis

psych-k

subliminals

silva centering method

(and you can find more methods on @voidarchivefiles)

ig seeing people panic in my inbox pretty much changed my heart a lot, cuz i realised that it's not just about inducing pure consciousness, it's about experiencing your desired life in this physical world which matters most to y'all. i know i can be mean at times, but it can be quite frustrating repeating answers over and over, but i know y'all meant it light-heartedly.

from now on, we're going to go put our best foot forward and manifest our dream lives! i'll do my best to provide the best resources for you guys to help y'all, cuz at the end of the day, there's tht ultimate goal y'all have, and i felt like i've been a bit too mean and dismissive at times. my apologies 😭🩷🩷. i still have my boundaries set, but ik y'all just want help.

so guys, YOU got this! and i know you will have that df, db, sp, dream car, dream house, etc. materialised in the physical plane.

looking forward to helping you all! 🩷🎀

[dronningreid]

Between the bitter reality and a sweet ending.

After Reid's visit to his mother and his conversation with Cat Adams, you notice how what seemed to be the best news of their lives receives a reality check.

Between letters: Part 1 (it is not necessary read the first part to understand this, but I recommend it)

who? Spencer Reid x Fem!Reader

category: angst/fluff

warnings: pregnant reader, reid is again pessimistic, overthinking (poor thing) and isolates himself, mentions of alzheimer's and schizophrenia, mention of cat adams 💀 english is not my first language and this is a two-part story.

word count: 2.1K

a/n: Thanks to everyone who gave so much love to the first part of this, it really made my horrible days more beautiful. Well, I made this somewhat based on entropy (11x11) and christmas (it's soon!) because that episode always gave me a lot of that vibe. (Spoilers below) But I did this in particular because we talk enough about how Spencer would be the best dad in the UNIVERSE, but where is his fear that his children will have the mental illnesses that he so afraid of? we don't talk about that enough.

It is said that after the storm comes the calm. So what do you do when after the calm comes another storm? Much stronger, more devastating.

"Marry me." After kissing you he got on his knees.

You laughed nervously. "Nooo, yet."

He looked at you with those beautiful puppy eyes. "Please..." Reid leave a kiss on the back of your hand.

You caressed his cheek and he rubbed his face against your palm. "Happiness is what speaks. I don't want you proposing to me five minutes after finding out I'm pregnant with your baby."

"One hour?" You denied. "Two?" You denied again. "One day?" He tilted his head to the side.

"Get up, everyone is looking at us strangely." You insist.

He snort before obeying, he was a good boy. "Fine. But I'm still waiting for an answer, you have two options: yes or of course."

"I'm not going to marry you just because i'm pregnant." It hurt you to see his look of disappointment. "And of course I want to marry you, but not like that. I don't want you see this an obligation because it isn't."

"Men of the 19th century think differently." He did a small joke. "But this isn't an obligation for me, still I understand and I will wait... a year?"

"But I want a nice ring or I will say no." You decided to push his buttons a little.

He of course got your joke. "Anything for the mother of my baby." He gave you a kiss on the cheek.

∗⋅✧⋅∗

A couple of months passed, your belly was growing every day even though it still was small. Spencer was always there to praise and pamper you and his baby.

It was a heavenly, beautiful, perfect couple of months, proof that perfection can exist. But there is entropy, things break down, wear out and if they are ordered, sooner or later it return to their natural chaotic state.

You had only been without Spencer for a couple of days but you already missed him so badly, like you needed his presence to breathe easier. Sometimes you hated how much you needed him.

"I want to go with you."

He left his suitcase at the door just to go and leave a sweet kiss on your forehead. "I'm just going to check on my mum, it's better for you and the baby to stay here, safe."

Even when he was gone, you could still feel the sensation of his lips on your forehead. Like the ghost of a kiss...

When Spencer came back home there was something different on him. Something he wasn't telling you.

You were barely able to talk to him, as the team was very busy working on the strategy to end the network of online hitmen that threatened Garcia.

You were with Garcia when Reid came down the stairs, adjusting his tie.

You focus your attention on him. "I don't like you being the bait." Translation: I don't like you look so handsome for another woman, especially if she's a psychopath.

"I'm the closest in age." He explained again.

"I know, but that doesn't make me feel better." You helped him adjust his tie. "Especially if your alibi is wanting to pay to kill your pregnant wife."

He shifted his eyes to the small lump on your belly. "Is this some kind of revenge for me not agreeing to marry you?" You joked.

That didn't go at all the way you wanted, because both of you gained Penelope's attention and he didn't laugh, not even a smile. He just brought his hand to your belly before placing a kiss.

"I don't like my alibi either, but the point is to irritate her." He sounded so terrifyingly serious. Something was definitely wrong and you couldn't rest easy until you figured out what it was.

"Spencer-"

"I have something!" Penelope said as she typed something into the computer.

Reid simply walked past you and paid attention to what Penelope had discovered.

You didn't even hear what your friend had discovered, it was like it was just background noise. Well, all your attention was revolving around a single unknown, there was only one thing you wanted to discover.

∗⋅✧⋅∗

You wish that after dismantling a network of hitmen things would be better, but that was all it was: just a wish.

Everything that happened at Harry & Glenn's Grill and Bar tested your ability to not die of a heart attack. First the bomb, then that Cat Adams pointing a gun at your boyfriend. Luckily the BAU won, but it didn't quite feel like a complete victory, at least not for Reid so it doesn't feel like victory for you either.

It didn't help that Spencer had a mysterious conversation with Cat after he arrested her. If he was already acting weird with everyone (especially you) this new variable did not help your situation.

But at least now you had hope that everything would get better, it was Christmas Eve dinner. Everything was supposed to get better, right?

"Do you think anyone will make turkey? The baby wants turkey."

Reid opened the car door for you. "JJ maybe. Penelope definitely not and Rossi might make his famous pasta."

∗⋅✧⋅∗

The car ride was unpleasantly quiet. Usually you'd enjoy the silence with Spencer, it used to be comfortable. But now, now it was fucking torture.

"What the hell is wrong with you?" You sounded more aggressive than you intended. Bad idea, because he looked away from the road to look at you with a frown.

"Excuse me?" His harsh tone was like a punch. He didn't usually talk to you like that, never.

You laughed nervously, he of course doesn't. "Sorry." You looked at your hands in your lap. You couldn't stand his gaze, it burned.

And this is where he would ask what you meant, using a calmer tone of course. But that didn't happen, he just left you with a lump in your throat and a headache.

The ride continued in silence, a deathly silence.

At least when you got to the Rossi house, sorry, Rossi mansion you were able to relax a little with the girls. Although there was definitely still that little thorn that didn't leave you in peace and it was called: what the hell is wrong with Spencer Reid?

It was almost Christmas, you didn't want things with him to be like this, complicated.

After going down the stairs you returned to the dining room where the others were. "Hey guys, has anyone seen Spence?"

Everyone looked at each other, but only one knew the answer. "I saw him go to the back garden." Morgan said.

You just nodded before putting on your coat and walking outside. Immediately a light gust of cold wind brushed your cheek.

You saw him there standing in front of the pool, just thinking. Something common with him, always, but at least before he used to share that throughs with you.

You approached, putting a hand on his shoulder to get his attention. "Morgan told me you were here."

"I just needed to get some air." He didn't even bother to look at you, because his gaze was lost in a place you couldn't reach.

Silence soon filled the air between you two, turning what was once warm into something frigid. You meditated on what would be the best thing to say, you searched for magic words that would make him speak. But there was nothing.

"I'm mad at you." That came out before you could stop the words.

At least this time you had his attention, but it hurt to see how his eyes betrayed the pain that his mouth could not express. Still he remained silent, waiting for you to say something more.

"I can forgive you, of course." You rushed to say something that would make the guilt in your chest go far away. "But it hurt how you first told a criminal what's happening with your mother. I guess that's what's been bothering you these days, but if there's anything else, Spencer, I need you to tell me."

He ran a hand over his face before sighing in frustration. "It's not like I told her because I wanted to." he said defensively.

"I know, I know or maybe you did because you needed to vent and tell someone. But I would have preferred that person to be me..." Your voice broke.

He was starting to feel like the biggest idiot in the world. Spencer immediately sought comfort in your hand and you didn't stop him.

"I hate it when you walk away and retreat into yourself, like you're the only person you can trust. And I say, I understand that you do that with others, but with me?" Every word that came out of your mouth began to weigh on his chest.

"I know I can trust you, but it's hard to just stop doing something I've been doing all my life." He brushed the back of your hand with his thumb.

You looked at his hand. "At least try..." You hated that that sounded like a plea. "Maybe if we share the load, it will be easier for you."

He nodded and took a deep breath, but it took him a few more minutes to speak again. "It's no secret that I'm afraid..." He took another deep breath and you gave his hand a gentle squeeze to encourage him to continue. "I'm afraid I might have schizophrenia like my mother, and when I turned thirty I thought I'd dodged a bullet. But now dementia and alzheimer's are on the list."

You stayed silent, waiting for him to continue telling you what had been hurting him lately.

"Anyway, if it's only about me I can live with that." It wasn't like that, it obviously affected him more than he wanted to admit. But then his gaze fell on your belly. "But I can't live with the idea that I've been selfish for so long...

You frowned. “Selfish?”

"Yes. Because I have wanted children for a long time without thinking that they could be like my mother or like me..." His voice broke. "And now it's too late, because I've already ruined everything, I've already got you pregnant and this baby could have schizophrenia, dementia, Alzheimer's or all three." Breathing began to become difficult. "And I feel like the worst father and boyfriend in the world, because it would only be my fault if the baby is like that and you would have to pay the price for my mistakes."

"Enough, enough." You placed your hands on either side of his face. "We don't even know if it will happen and even if it did, this is not your fault, Spencer."

He placed his hands on your wrists, holding you there. "And who is the blame?" That bad habit of always wanting to find someone to blame.

You forced yourself to shut your mouth, you didn't have an answer for that.

"I don't know..." The guilt in his eyes was hard to see. "I just know it's not your fault. And it's done, the baby could be like you, like your mother or like me and all those things are okay, because I know that I will love it no matter what and I know you'll love it too." You brushed his cheekbones with your thumbs.

"But I don't want the baby to hate me if it inherited some of that, its life will be difficult and I don't want that..." He whispered.

"The baby won't hate you for it and me neither." You gave him a kiss on the tip of his nose.

"You say that now." He swallowed. "But in a couple of years we may not have much time left and I won't be able to recognize you, the love of my life. I will not remember that I love you and then you will hate me." How could he say such beautiful words like the love of my life, I love you and still say the most devastating thing in the world?

"But that may not happen." You preferred to remain optimistic.

"But the odds-" Then you put a finger on his lips, you rarely wished he would shut up.

"I don't care about the odds, even if in a couple of years you don't know who I am, I will know who you are. And no mental illness in the world can ever change how much I love you." You continued to caress his cheek and that, combined with your words, made him feel calmer. "I will stay, until the end."

He immediately wrapped you tightly in his arms, burying his head in the crook of your neck. "I don't deserve you." He whispered against your skin.

You caressed his hair while your free hand caressed his back. "If you didn't, I wouldn't be here."

Only time would tell if Reid's fears would come true, but one thing was certain: He always have you by his side. That and the daughter you and him had together was enough for have his happy ending.

[utilitycaster]

Inspired actually by me nonstop thinking about the Young Witch Solving The Disappearance Of Her Neighbor's Cat In The Alps tweet since last night and a number of other unrelated posts I have been thinking about the concept of maturity in media, because I think there's a lot of different dimensions to that. It's a series of spectra, rather than a binary, and if you use the terms "mature" or "immature" you can quickly realize that a lot of our societal metrics for what's adult-appropriate vs. child appropriate are very skewed in specific and in my opinion untrue and unhelpful directions. This could honestly be a 10 page essay and I may very well write that when I'm on break but just to give you my outline here:

Stimulation - is it grabbing your attention with bright lights and loud sounds and fast action, or do you have to actively focus? Action films can be just as "jangly keys" as children's animation despite being an "adult" work, whereas something like Mad Men can have vivid colors but would bore a child to tears in terms of pace and action. However, and this will be an ongoing theme, you can have a very choppy, fast-paced narrative that is complex and a very slow and dull one that is incredibly simple and childish.

"Ratings" Subject Matter: Sex/Violence/Profanity. This is the one I think is most misleading, because you can have an incredibly puerile R-rated film, and you can have an immensely complex narrative without any of the above. [note: I have zero patience for people who act like sex and violence are inherently unnecessary wastes of time; they are merely things within a narrative that can be executed well or poorly, but it is true that something can have a simple plot and constant bright lights and stimulation and essentially be big old jingling mobile for infants but there's a sex scene in it so it's Adult Now. Unfortunately a lot of people are like "and this is why YA is inherently better" which we shall see is not the case.]

Other Difficult Subject Matter (I don't have a good name for it, but to give examples, death, racism, genocide, abuse, serious or chronic illness, etc). This one is tricky because all of the above are topics present in works for quite young children, because they can experience all the above or have someone close to them experience them, and fiction is a powerful teaching tool. Obviously the nature of how this is presented varies, and later points will cover it, but while in my opinion the simple presence of these topics says nothing about the work's level of maturity on its own I'm including it because you do get people who think that children should be shielded from all the above and would consider the mere inclusion of those topics as inappropriate. They're wrong, but it's definitely an axis of judgement/categorization that exists.

Adult-level processing of information (probably a misnomer in that teens can do this but like, teens read adult books all the time, and as Tumblr has shown us, many adults cannot do this): does the narrative require you be able to pick up on subtext? Do you need to understand what is relevant to the story and what isn't? Do you need to be comfortable with or at least able to tolerate not knowing entirely what is going on right away? Do you need to have a sense of irony? Is there an unreliable narrator?

Adult-level processing of moral complexity (in my limited, not a parent or educator experience, I honestly think teens do better with the information processing than this, ie, this is one of the last things to develop; also Tumblr is even worse): does the narrative require you accept that sometimes things are unfair and will never be fair? Do you need to accept a story in which the Quote Unquote Bad Guys walk free without real consequence? Do you need to accept a story in which no one's actions are entirely defensible or in which no choices are easy and clean and harmless? Do you need to attempt to understand an alien perspective? Is there senseless tragedy? This incidentally is how you separate out the children's books from the adult books on topics like illness or catastrophic events; a lot of children's books end with a message of "it's hard and sad, but it will be okay eventually" and focus on very relatable POV characters which is understandable! But, to use an example as someone who went to a Jewish school with a robust Holocaust education, elementary schoolers read Number the Stars in which the (entirely fictional) Jewish family escapes to Sweden; middle schoolers read Night in which Wiesel's (real) father dies painfully in front of him.

None of this is to say that escapism/cozy fiction/whatever you want to call it is bad - I am not interested in a diet entirely made of thorny moral quandaries and no happy endings. I enjoy a stupid turn off your brain action movie, or a fluffy romantasy. But I do think that a demand that every ending be happy and that Justice Be Served in every story is no less immature than saying "ew, there's kissing in this???"

[beingatoaster]

Re: how you skip a section and keep on writing: you determine enough about the skipped section's progression to know what the next point will be, and then start at that next point, without sorting out the exact details of that progression. E.g., for the aforementioned WIP, I have a written section where two characters wrap up a date they went on together and agree on the date for the next one, a scene break, a couple notes in the style of the OP about what scenes I want in the week in between, another scene break, and then I start back to writing in full narrative form about the second date.

...I was starting to describe it vaguely but hey, you will recognize the fandom, so:

As if setting that plan was a cue, Diluc starts to clean up the remains of the picnic, and Jean leans in to help him. He takes the two boxes the skewers had come in and carefully divides all the food out between them, handing one to Jean before tucking the other into his basket, and rises to offer Jean his hand. She lets him help her up. Together, comfortably discussing their tortoises, they head back to Mondstadt. *** [her evening with Barbara! maybe could lead to the 'keep Barbara from coming along' later on] [Kaeya is doing things to try and make the situation up to her, which Jean can tell he's doing and wants him to stop -- second Kaeya scene, with him taking work, moves here] *** On her next day off, Jean rises with a refreshing sense of anticipation. She picks through her civilian wardrobe for something practical for the trek down Drunkard's Gorge and wrangling tortoises. Even if it has to be practical clothing, though, it's nice to plan for this trip without automatically donning her uniform.

Now, those notes in the middle aren't clear here because I already know what tensions I'm pushing with these scenes (the main plot is Jean dating Diluc out of hanahaki-based obligation; Barbara is oblivious and happy for her, while Kaeya talked Jean into doing this but is now very guilty about it) and thus I don't need to describe them in more detail to myself. But I know what they are, I know what they're doing, and I don't need to know the exact wording of the dialogue or the exact actions taken in them right now to move on with the main-focus relationship, which is Jean and Diluc and the slow-motion train crash that is occurring between them.

And because said slow-motion train crash is the main driver of the plot, I can skip the side-character scenes for now because as long as I know what they're doing in the larger scheme of things (adding friction to the wheels such that individual cars on this train are beginning to tilt under the pressure), I can go back and fill in the exact details later. The Barbara scene needs to have her induce guilt in Jean about the lie. The Kaeya scene needs to emphasize that their relationship is under strain, leading later to Jean not being willing to trust him with a future plot development. I can write the guilt and the reluctance into later scenes knowing that in the second draft, they'll have a basis.

(I would bet every single example in OP's work is not a "I have no idea what goes here," it's a "I know that X needs to be here for Y reasons," but the note, like my notes, is just a placeholder in the text for that line/scene's actual story-function as they have it in their head.)

Also, a smaller within-scene example that works the same way:

"Thank you," Jean says again, less formally, a tightness in her throat. She hesitates there, not sure what else to say, what else she *can* say without further thinning the line she has to walk. Diluc solves the problem for her. "You'll have to handle the clean-up personally to be sure it's done right," he says, and that sounds irritable, this time, but at least his irritation isn't at her. "I'll do a final sweep for any stragglers. I expect managing other Knights' incompetence will take you the rest of the night." [some transition that DOESN'T include negging the Knights, that makes her think of the flower and/or how they're focused on the same goals] "Wait," Jean says, as he turns away.

I can figure out the exact dialogue I want to put there later--what matters is knowing what it does to move the story forward. Since I know what effect it will have, I was able to carry on with that scene and into the next one it effects without getting bogged down in the exact verbiage, which wasn't coming to mind at the moment.

So I guess the point is, you can leave blanks to fill in later as long as you know what those blanks do. Scenes/moments in a story are links in a chain, and you can always temporarily loop some baling twine in to connect lengths of a chain together until you have time to go to the store and buy a replacement, but that doesn't mean you aren't continuing the chain. I still think of myself as writing this story in order! It's just got a lot of baling twine in it right now because if I stop to go to the store while counting links, I will lose all forward momentum and won't continue on down the chain.

...Which is, to be clearer, why I'm suggesting trying this for motivation problems. The moment I hit friction when I'm writing a first draft, my motivation starts to die. On the other hand, once I have a finished first draft (by which I mean, still with these notes and unwritten bits scattered through, but with all the main scenes written and a solid ending), going back and writing those bits is not "friction" but "enrichment." Which may also prove true for you.

Or it may not! Your approach to writing is fine if it's working for you! Or if the reason it's not working for you is because something completely different is tripping you up and you need to troubleshoot from that direction. I'm just talking on and on about my approach because it's the only thing I know that works for me, and also I love navel-gazing. XD;; Hopefully you can find something that works for you!

me: yeah I'm pretty close to finishing this fic

the fic:

[30somethingautisticteacher]

Christmas Reconciliation

In case anyone was wondering how Buck and Tommy's Christmas is going today 😆🥰

****

The warm glow of Christmas morning filled Maddie and Chim's living room. Buck sank into the couch, surrounded by the aftermath of gift-opening chaos, crumpled wrapping paper littering the floor

Jee Yun sat cross-legged on the floor, completely absorbed in her new toys.

"Hey, little brother. You doing ok?" Maddie asked, her voice soft with sisterly concern.

"Oh uh yeah. It's Christmas. Why wouldn't I be?" Buck responded, his smile not quite reaching his eyes.

"Buck," Maddie said in a warning tone. "You're staring at that phone awfully hard. What's up?"

"Connor sent me a Christmas text with a picture of him, Kameron, and Simon," Buck said, holding out his phone and showing the image to Maddie.

"Wow, he really does look a lot like you," Maddie observed, taking in the details of the photograph.

"Yeah, he does," Buck agreed. His voice softened, tinged with a deep, aching sadness. "I guess I'm just feeling jealous. I want that. I want to be a Dad on Christmas morning. I want to make Christmas breakfast and wear matching Christmas pajamas."

He paused, his eyes distant. "I saw that future. I could see it as clear as day. Me and Tommy snuggled up on the couch with two kids, drinking hot cocoa and watching a fire burn in the fireplace. And now? My future is just a blank slate."

"Maybe that's a good thing?" Maddie offered gently. "Full of possibilities."

"I don't want possibilities," Buck said, his voice trembling with raw emotion. "I want Tommy."

"Oh, Buck," Maddie said, pulling him into a hug.

She caught Chimney's eyes over Buck's head and nodded.

Buck let himself be held by his sister for a few more minutes before standing and taking a deep breath. "Okay, that's enough of that. It's time to ice my cinnamon rolls." He headed to the kitchen and fell into his chosen form of distraction. His focus was so complete he nearly missed the knock on the door.

"Hey, Buck?" Chim called out, a hint of something suspiciously like excitement in his voice. "I think Santa had one more gift for you today."

Buck wiped his hands on a dish towel, a puzzled look crossing his face as he walked toward the door.

"Tommy," Buck whispered.

"Merry Christmas, Evan. Can we talk?"

Buck nodded, unable to form words. Tommy looked worn and tired but still devastatingly handsome. Buck's heart skipped a beat as he looked into those deep blue eyes.

"Why don't you two go have a chat on the patio?" Maddie said.

"Thanks, Maddie," Tommy replied. He and Buck walked through the house and out the back door, the weight of unspoken words hanging between them.

"Why are you here, Tommy?" Buck asked, the words coming out more harshly than he meant for them to.

"I miss you," Tommy whispered.

"What?" Buck said, confusion and hope warring in his voice.

"I miss you, Evan. I miss you. I miss you so damn much that it hurts. I'm not sleeping, I'm barely eating. My captain even temporarily pulled me from air support because he said I'm not safe to fly in this condition." Tommy took in a deep, ragged breath. "I am so sorry that I broke us."

"Then why? Why did you do it? Why did you leave me? I wanted it all with you. I was willing to give you everything, and you just walked away," Buck said, his voice a mixture of pain and desperation.

"You don't know me, Evan. Not really," Tommy said, vulnerability seeping through his defensive words.

"And whose fault is that?" Buck challenged. "I want to know you. All of you. Not just the shiny cool guy that you let the world see. I want it all. And there were times that you trusted me enough to show me glimpses."

"I'm a mess," Tommy murmured.

"Hello! Have you met me?" Buck replied, a hint of humor breaking through the tension. "I don't care about that. You were my mess. We were each other's messes."

"Do you think there's any chance-" Tommy trailed off, leaving the possibility hanging between them.

"You're it for me, Tommy, and I'm sorry if that scares you, but it's true. I love you, and you are my endgame. Do you think maybe you can try to see me as yours?" Buck said, his eyes filling with tears.

"Oh, baby," Tommy said, gently wiping away the tears as they began to spill down Buck's cheeks. "I love you too, and I am never letting you go again."

They kissed gently at first, but then with more heat, pouring out everything they had been holding back.

"Ahem," The two men broke apart as Chimney appeared in the doorway, a knowing smile on his face.

"Now that that's all settled. How about some Christmas breakfast?"

They grinned as Buck grabbed Tommy's hand intertwining their fingers, and steered him inside.

They still had lots of work to do to repair the cracks in their relationship, but it was a start. And Buck knew that they were just going to get stronger because they were in love - messy, complicated, beautiful love, actually.

[goddessinnerglow]

Become Your Best Version Before 2025 - Day 24

Setting Up Progress Tracking Systems

Hey Goddesses! After exploring personal style yesterday, let's talk about something that can really amplify our growth journey, tracking our progress. But don't worry, we're not going to turn this into a complicated spreadsheet situation (unless that's your thing!).

That satisfying feeling when you can actually see how far you've come? That's what we're aiming for. Let's create a tracking system that feels natural and motivating, not like another chore on your to-do list.

Think about it, we've covered everything from confidence to personal style in this series, and you've probably made more progress than you realize. That's exactly why tracking matters, it helps us celebrate those wins we might otherwise miss.

Let's explore some simple but effective ways to track your growth:

The "One Line a Day" Method:

Keep a small notebook or digital note where you write just one line about your progress each day. It could be anything – "Spoke up in meeting today" or "Chose outfit that felt truly me." Simple, quick, but powerful when you look back.

Visual Progress Maps:

Create a simple chart or calendar where you mark days you took action toward your goals. Use different colors or symbols for different types of progress. Seeing those marks add up over time is incredibly motivating.

The Weekly Check-in:

Set aside 10 minutes every Sunday (or any day that works for you) to reflect on three things:

What went well this week?

What did I learn?

What do I want to focus on next week?

The Progress Photo Approach:

Not just for fitness goals! Take photos of your workspace as you organize it, screenshot positive feedback you receive, or document other visible signs of growth. Create an album called "Growth Journey 2025" on your phone.

Voice Memos:

Sometimes writing feels like too much. Try recording quick voice notes about your progress. "Hey future me, today I finally..." These can be incredibly powerful to listen back to.

Don't Forget these key principles:

Track what matters to you, not what others measure

Make it easy enough to stick with

Focus on progress, not perfection

Include both tangible and intangible wins

Keep it flexible, adjust your system as needed

Quick tip:

Link your tracking to something you already do daily. Maybe you check your progress while having your morning coffee or before your evening skincare routine (remember our self-care conversation?).

Today's Challenge:

Take 5 minutes to write down where you are now in any area you want to track. This becomes your baseline. In a month, you'll be amazed at the changes you notice.

See you tomorrow for Day 25! Remember, you can't manage what you don't measure, but keep it simple enough to stick with.

♡ ☆:.｡ Keep glowing, babes! ♡ ☆:.｡ With love, Goddess Inner Glow.

[blessedbyahuntress]

Blessed by a Trickster

Chapter Fifteen: You Know What Hurts? When You Don't Shut Up-

Prev/Next

A/N: Y'all ready for the Underworld saga! Trust me, I don't think you'll be prepared for what I have in store for "Monster".

Warnings: Basically the whole chapter is just Reader having a breakdown, so yeah.

Word Count: 990

Listen to: The Underworld

You held out a jar for Odysseus to pour half of the potion in. The liquid was thick, and when it sloshed around, you thought you could disentangle a few whispered words.

You shook your head. What a stupid thought. 

Walking along one side of the ship, Odysseus at the other side, you tipped the jar. The potion spilled out, turning the water a milky white.

Stalactites. Those were the first things you noticed. 

The water was glowing now, the only thing illuminating your path forward. You felt someone grab your hand and give it a tight squeeze. 

“Friends.” You snapped your head toward Odysseus, who now stood at the helm. “Circe’s instructions were clear. No matter what we hear, full speed ahead, until we find the prophet.”

Your captain gestured for you to come to his side as he continued, “my comrades, this land confuses your mind. So no matter who we find…” 

You jogged to where Odysseus was waiting. “Full speed ahead, until we find the prophet,” you finished.

Your captain gave an approving nod. “Good.”

And then the shrieks started.

You raised your hands to cover your ears from the horrible noise, yet the only thing your mind could seem to focus on was the howling.

Odysseus caught your wrist, looking deep into your eyes; you knew he could hear them, and that they were more unbearable for you than anyone else on the ship. He didn’t stop you as you curled into a ball.

“All I hear are screams,” you managed. “Everytime I dare to close my eyes.”

One of the cries had a recognizable voice, and you choked back a sob. Your little sister had died in a ranch fire- you could still remember the moment like it was yesterday, and not twelve years ago.

“I no longer dream,” you heard Odysseus say, but it seemed like he was far away from you. “Only nightmares of those who died.”

You rocked forward and backward slightly, tears streaming down your face as you practically relived the scene where Poseidon had drowned so many of your friends. “Nothing’s what it seems,” you wailed.

You were aware of someone’s presence next to you, taking your head to rest on their chest as they stroked your hair gently, murmuring comforting words. You relaxed as the sound of a beating heart anchored you to what was going on now, and slowly you turned your head up, catching a sight of Polites as he smiled down at you. He whipped your tears with his thumb, a familiar gesture as you leaned into his hand.

“This land confuses your mind,” he reminded you softly, as if trying to tell you that all the deaths you had caused were not your fault.

You burst out into fresh tears, sobs racking your body as you heard as clearly as Polities, “five hundred fifty-eight men who died under your command.”

Polites looked up from your face, eyes locking with Eurylochus. 

Polites pulled you in even closer, now positioning you so that your head rested in his lap. You went still. 

“All I hear are screams,” you mumbled, looking up at your friend despairingly. “Every time I dare to close my eyes.”

To your surprise, he leaned down to whisper in your ear, “I no longer dream. Only nightmares of those who’ve died,” he admitted. 

You slowly pulled yourself up into a sitting position and wrapped your arms around Polites. He decided right there and then that he wanted you to be the last thing he ever saw. 

“Nothing’s as it seems,” you whimpered.

“Nothing’s as it seems,” Polites agreed. 

The moment seemed to last for only a heartbeat before you pulled away.

“Waiting.” You didn’t have to strain to hear the voice. 

“That voice,” you murmured. “It can’t be.”

Yet there she was- Odysseus’s mother, your own mother figure, was sitting on the same old stool you’d offered her years ago to replace, time and time again, for the wood was splintering and rotting. Her white hair was the same color as the milky water you caught a glimpse of as you rose to your feet. 

“Waiting,” she said. You exchanged a look with Odysseus; he hadn’t moved from where he was standing next to you. 

“Mom?” Your captain’s voice sounded almost as broken as your own. 

“Waiting. Odysseus, Y/N, when you come home I’ll be waiting.” The old woman looked past you happily, focusing on a spot beyond your shoulder. “Even if you two are the last things I see, I’ll be waiting.”

“We’re right here,” you said softly, taking a small step closer. 

“Mom.” Odysseus waved a hand in front of her face carefully. “Can’t you see?”

“We’re waiting,” you and Odysseus uttered in unison. 

“I took too long,” you heard Odysseus whisper. 

“I’ll always love you.” You wanted to reach out, to tell her that you loved her too.

“We ventured too far,” you said, tilting your head away from your captain so he wouldn’t see that you were silently crying. 

“I’ll stay in your heart,” the old woman promised.

There was a long stretch of silence, the only haven you would have from the screams for a while.

“Bye, Mom,” Odysseus mumbled.

And then the howling was back, along with your pounding headache and heavy guilt that pressed against you.

“All I hear are screams!” Your words came out as more of a yell. You pressed your hands to your temples. “Everytime I dare to close my eyes!”

And then Eurylochus was behind you, taking your hands away from your head and massaging your temples with soothing circles instead.

This caused your voice to lower a fraction. “I no longer dream, only nightmares of those who’ve died. Nothing’s what it seems. But here in the underworld your past is always close behind.”

“Your past is always close behind,” you heard the rest of the crew echo. “Down in the Underworld!” 

Taglist: @barrythestrawberry041 @thereigningking @m-carriaga2021 @jackintheboxs-world

[ask-paradox-and-friends]

*Paradox really needed to stop letting others teach ames magic. While her question wasn't bad the problem was they clearly didn't talk about why it wasn't a good idea.*

*for one magic is powered by many ways. You can summon creatures that grant you powers the gods could give you powers you could use the powers of a dead monster by writing down glyphs or be born with it.*

*but what ames had was more conduit. She had lots of magic but she can't control it. Enough magic to destroy a galaxy and all that. But she couldn't use it without a crown or necklace. Groaning he quickly explained to ames why the zatana idea wasn't good. Not helping was she was more scarllet witch her powers get stronger the more she uses them and her magic was more....choas rather then orderly due to the power of it. And even then Ames's magic only major rule was basically she needs to think of it first.*

"Ames dear. I don't think you should. See in those comics the backwards talk was nothing more then a stage trick and exercise to train control concentration and calmness we are here to teach you the basics of identifying magic channeling."

*he then held out his hand and held her crown*

"This is what you been useing to channel things through. But incase you don't have this we need you to learn how to use something else like say..."

*he gently pulled out Carol.*

"Imagine Carol can use magic like you. Now. If you focus hard enough you can have Carol be a magic sailor girl from those cartoons you like watching so much!"

@donkeybro

“So, Mr. Dresden, you say that any language other than our native English would work to insulate our minds from magic?” “More or less, yes.” “So, hypothetically, could I use the Zatanna method from comic books and simply speak English words and phrases backwards?” “I don’t see why not…”

[lynzishell]

My 𝐓𝐨𝐩 24 30 𝐒𝐜𝐫𝐞𝐞𝐧𝐬𝐡𝐨𝐭𝐬 from 2024🎉 (because rules were made to be broken)

TYSM for tagging me @herecirmsims, @elderwisp, and @changingplumbob 💖 As per usual, I went overboard... oops!

Before I forget -- I am going to tag @honeyjars-sims, @raiiny-bay, @havenroyals, @likelyamused, and @dandylion240 (ofc, feel free to ignore me if you've already done it, or if you just don't wanna)

JANUARY

We started the year in Sulani where Phoenix and Dawn got engaged! Let us all take a moment to remember the glory that was Phoenix with a tan 😍

I call this - My Love Affair with Brindleton Bay (Part 1)

I love them. This isn't even the greatest screenshot, but it will forever be one of my favorites. One day I will put together a collage of forehead kisses for these two.

FEBRUARY

My Love Affair with Brindleton Bay (Part 2)

Mario, Luigi, and Yoshi were always happy to steal focus when I needed to blur things happening in the background... 😏

Atlas forever being the best uncle in the world... and fascinated with his niece having his eyes

MARCH

Me peeking through the foliage while Phoenix introduces his wife and child to his mom... the only way he knows how 🥺🤍

APRIL

😂 Ok so March and April are pretty sparse... I took a break in the Spring because I was going through a breakup and a move. I spent that time focusing on things that made me happy - like writing The Past arc for the boys and laughing at Dawn's ridiculous in-game expressions 😂

MAY

I'm so glad I took that break because I was able to come back and give Phoenix and Dawn the wedding they deserved! I also LOVE these last two shots... After the party ended, those three were goofing off and having so much fun... and then giving Phoenix the MOST thoughtful gift... it still makes me tear up! 🥹

JUNE

And so it begins... This nightmare sequence was so much fun to put together! And this shot is by far my favorite... it was totally by accident, but oh so perfect

The Past my beloved... I love this shot sm... the morning light, the fall colors, Ash and Lex being Ash and Lex while Atlas tags along behind them (he'd only known Ash for 24 hours and was already crushing... poor boy didn't stand a chance)

Oh yeah! Remember Chestnut Ridge?! The way I jumped around in this part istg... You're all incredible for putting up with me this summer 😂 Okay but I love this one because of how all the animals are turned to look at Danny... again, a total accident, but perfectly foreshadows what I have in mind for his future!

Back the The Past - What's perfect about this one is how the only thing in focus is where they are touching.

I’m acutely aware that his leg is resting against me now, and he’s rolling the fabric of my sleeve between his thumb and middle finger. Normally, I would have already scooted away from the sofa. Pivoted my body so the conversation could continue, but so that I could not be touched. But I don’t feel any need to do that. Not with him. His affection is so subtle and absent-minded; I can tell he’s just feeling comfortable with me. Something about that makes me feel comfortable with him too.

JULY

AHHHHHH!!! I still lose my mind over this moment!!! Like... the way physical touch plays such a big role throughout this arc, and getting to see Atlas evolve from someone who always kept his distance from people to being the affectionate teddy bear he is today... and the way Ash is so sweet and mindful and considerate through it all...

And then I look down, down to where I feel his hand come to rest on my leg, the heat of it warming my thigh. “Is that okay?” He asks, “Do you want me to move my hand?” I look up into his eyes and shake my head slightly, “No. No, it’s okay.”

THEIR FIRST KISS!!!!! The tippy toes pls!!! 😭 I'm not gonna lie.... I forgot the entire purpose of this post and am now lost to reminiscing... I already miss this arc so much!!!

Taking my time, I brush my lips lightly against his before kissing him softly. Holding myself back, not because I’m unsure, but because I’ve never been more certain of anything. I want to savor this moment, commit it to memory so I can revisit it tomorrow, and every day after.

A brief look into The Present as these two make plans for the future that I will inevitably ruin for them because I felt compelled to go into CAS and play around with genetics and rewrite the entire ending to this arc. Sorry not sorry boys!

aaaand back to The Past for our first peek at Ash's POV as he realizes he may be falling for Atlas

Y’know, my biggest fear is drowning, especially in the ocean, and yet, my favorite place is the beach near my parents’ house, sitting right at the water’s edge. Being with Atlas, it reminds me of this place. The bright blue of his eyes, the sandy color of his hair, and the dusting of freckles across his nose. And the way being near him makes me feel just a little nervous, like at any moment I could get swept away and lose myself completely.

AUGUST

Oh yeah! Chestnut Ridge and Joey's cliche dad-logic moment! Seriously guys... thank you for putting up with my nonsense... But OMG! Did you know you can set the horses to buck riders off every time they try to get on? 10/10 recommend if you need a laugh! I had so much fun with this scene... Phoenix, on the other hand, did not 🫣

This one. You have no idea. I struggled SO MUCH with trying to figure this scene out... and only those in our discord writing group will know how I lost my mind when these poses were released and gave me the inspiration I needed... I'm pretty sure I shot this scene a month before I even started this arc because I couldn't get it out of my head... I should also add that these two died in process of making it, and I fucked up this lot while trying to place all the lights and decos via TOOL and had to start all over in another save (which worked out because the Romance Festival spawned in the new one making it all so much better and more lively)... I went through a lot for this shot, and I will hold it near and dear to my heart forever as a result.

SEPTEMBER

Just them. Holding hands. In The Present. 🥹 I just like this one a lot... it's actually the desktop background on my PC lol

A hazy dream in neon pink

Don't worry... they're JUST FRIENDS (who are clearly in love with each other and on mdma and suddenly can't keep their hands off each other)

As he backs himself against the wall, pulling me into him, I finally understand. “Is this okay?” he asks. I lean in so fast that I practically breathe the answer into his mouth, “Yeah,” and before I know it, we’re making out again. But this time is far more intense, our kisses deeper, our breathing ragged, our hands grabbing fistfuls of hair and clothing and clawing at skin as though our desire for each other has grown into some kind of wild animal. Finally free from its cage, there’s no going back now.

💛🩵💛🩵 What am I doing again? I think I've lost the plot...

OCTOBER

Oh yeah... fave screenshots of 2024! We're so back! San Myshuno my beloved

The Proposal 😭 Spoiler alert... they were never "just friends" ajsdkakljs Also, I had to exit and go back in game three times to keep those bright red/orange skies for this scene... worth it!

NOVEMBER

A glimpse of The Future... and bb is confused af

DECEMBER

Things are different now in ways they don't quite understand, but they have each other 🥹🩵💛

For the rest of our lives, we're in this together.

[vrtvyg]

I don't know who to write about this, my brains all over the place so....

Graves and König.

2 in 1.

I'm between wanting to bend Graves over some shitty bathroom sink that resides in a homophobic Country bar, laughing as he prays the music his loud enough to cover his whorish moans

or

fucking Königs thick thighs while he finishes whatever paperwork he has to do, ignoring his whines everytime my tip presses a bit too hard against his balls... or I should just write for both. right now.

Another draft I made like 2 months ago and am finally posting bc I realized I've disappeared for a month

Graves: Born and raised in Texas, being brought to churches growing up that taught to say nay to gay, to growing up more and going to bars who'll laugh at the screen when someone tried to preach woman's rights. Graves, who meets you at said bar. tall, handsome, and fucking sexy. winking at him and gesturing to meet him in the bathroom. nobody notices, nor does anyone care. Too distracted by the game to pay focus on the absolutely whorish moans coming from the men's room. Graves with his jeans around his thighs, hands clutching the sides of the sink while he's forced to stare at his fucked out face in the mirror. He prays, and almost believes that nobody can hear him. not until there's laughing, and someone banging on the door, practically cheering you on, telling you to "Fuck her harder for us 'out here" Making him flush and some how harder than he already is.

König: Man I can't get the words written down, just wanna bend him over and treat him softly, squeeze those pale thick thighs of his while my dick slides between them, telling him to squeeze his thighs together so it feels better, tip brushing against his own cock and chuckling at his little wince when my hand reaches around to play with his tip.

Bonus thought: Imagine Viking Soap being found in enemy land, being forced into one of those pillory things instead of prison. Instead of getting tomatoes thrown at him, he has his kilt hiked up and his cheeks spread infront of the whole crowd, who've been dying to know if Scotsmen were really bare underneath.

[trans-axolotl]

Do you know of DIY psych meds or any writings/info on it, DIY meds in a similar way to DIY HRT, cause I noticed you can buy some psych meds on some of the same shops you source diy hrt, I haven't found any thing on it but I figured its just not a very popular topic because being forced on meds is usually a more pressing issue, the legal grey-ness of buying "prescriptions" with out an offical prescription, and the if-y effectiveness of a lot of psych meds but I feel like I can't be the only one who's ever thought about it

so i don't really have anything I can link to because most of what i know about this is what i've learned from my experiences with DIY HRT distro. and so there's a lot of stuff that I only feel comfortable talking about vaguely on tumblr or other public facing social media.

long story short: there are already some DIY HRT collectives out there that are also distributing psych meds in a similar way. not going to name specific names for obvious reasons, but there's around 3 or 4 DIY hrt collectives i could name in the northeast US who are already doing this. there are some challenges with distributing psych meds that are slightly different than distro for DIY HRT. part of it is due to the need to be able to keep up an ongoing supply of psych meds that might cause withdrawal. if people are relying on you as a supplier for psych meds that can cause life-threatening withdrawal if you're off of them, that is a much more severe consequence then temporarily being unable to supply someone with hrt. and so that might impact the resources needed to be able to offer a consistent supply. i think another challenge is the lack of easily accessible information about psych drugs and how they actually work in our bodies.

and like--i think about psych drugs the way i think about all drugs. they're substances that are going to have both desired and undesired effects. that is going to vary from person to person. and everyone has the right and autonomy to make those decisions for themselves, regardless of their diagnosis or whether they are seeking "treatment" or "healing" or whether it's just for fun or connection for any fucking reason. so i think it is really good and important to find ways for people to access psych drugs outside of psychiatry.

and at the same time, i also think that in the current climate, where so many people are forced on psych drugs against their will, where so much misinformation is purposefully spread by psychiatry, where so many of the undesired effects of psych drugs are hid from people, it also feels important to be able to share accurate and helpful information about how psych drugs work and what to expect, as well as information about dosages, withdrawal, tapering, etc. so i think that anyplace that is sourcing and supplying psych drugs does have a responsibility to make sure that they do know that information and can help their community find and share that kind of information.

in terms of practical information, it sounds like you're already probably familiar with how to find sources online. all i'll say on tumblr is that if you're familiar with how to use tails and tor for browsing that it's not super hard.

it's not the exact same focus, but Four Thieves Vinegar Collective has a lot of projects for different types of autonomous healthcare.

Inner Compass Initiative is not a perfect website but does have a lot of info on psych med dosages, tapering, effects, etc.

there's some other zines i'll try to find in my room and take photos of at some point if i'm able to.

biggest takeaways for me is that it always comes back to autonomy and informed consent, and figuring out ways to make that possible in our communities outside of psych authority is something that feels important and possible to me!