#it's like. either you have to make it shallow or you have to make it fucked up

[maskedbyghost]

“you are on the couch tonight, riley!” you shout, pointing a finger toward the living room. simon stands there, his jaw clenched, hands clenched at his sides, clearly unhappy but resigned.

there’s a flicker of hurt in his eyes, masked quickly with his usual steely glare. he just nods, not saying a word, as he grabs a blanket from the closet and settles down on the couch without another look your way.

the apartment feels colder without him by your side, and the silence that follows is louder than any argument. you lie in bed, your head turned to the wall, arms crossed tightly as if that could keep out the ache creeping in.

you feel miserable, thinking over the fight, wondering if you were too harsh, if maybe he wasn’t entirely in the wrong. but you bury it, refusing to let yourself soften too quickly. this isn’t the first time you two have fought; being with simon means loving him as he is, stubbornness and all.

but tonight, it feels different. minutes stretch into hours, and you find yourself glancing at the empty side of the bed, missing his warmth, the steady rise and fall of his breathing. you turn over again, clutching the pillow tighter, but it doesn’t help.

meanwhile, simon’s on the couch, one arm draped over his eyes, a sigh slipping out into the darkened room. his mind replays the fight in quiet fragments, the words that had been said, your voice still ringing in his ears.

he knows he messed up, though he’d never admit it to anyone but himself. he misses you too, even if pride keeps him rooted to the couch, where the cushions dig into his back, and sleep refuses to come.

after another endless stretch, you finally can’t take it anymore. you get up, padding softly into the living room. simon’s form is a dark silhouette against the dim light from the window, his breathing shallow, not quite asleep. he hears you but doesn’t move, as if afraid to let hope show too early.

“simon…” your voice is quiet. you see his shoulders tense before he slowly drops his arm from his eyes, looking up at you. his gaze is guarded, but there’s an unmistakable softness there, a glint of something like regret.

“can’t sleep either, huh?” he mutters, breaking the silence, his voice rough from the hours of silence.

you shake your head, and without another word, he shifts to make space. you sit beside him and lean against him, letting your head rest on his shoulder, and after a beat, his arm wraps around you, pulling you closer.

“i’m sorry baby,” he says finally, voice barely above a whisper.

“me too,” you murmur, feeling the tension melt away as he holds you tighter.

neither of you says anything more. words don’t matter as much now, not when the warmth of his arm around you feels like coming home.

------------------------------------------

@daydreamerwoah @spicyspicyliving @blackhawkfanatic

[nezuscribe]

there’s been a couple nights where you and arranged!gojo have had to host little dinners at the estate to show face and let people know you two are still alive.

it’s before the big confession, when the two of you were becoming closer, so it was just pretend niceness hiding the tension for a couple hours.

you tried to talk to the people around the large dining room table, sitting near gojo as you listened in on the conversation, but it was better to just be a part of it rather than the center of the spotlight. gojo had become increasingly aware of the long looks people gave your way, the hushed talks behind the women’s hands. you didn’t notice, maybe you’d been jaded to it, but he did, and he was becoming more tense under their stares.

he noticed how you’d try to jump in and say something, but was instantly cut off by somebody else. gojo had told you before the dinner started that the two of you should hold hands, but you hadn’t let go of his, and he wasn’t sure he wanted to let go of you either. he’d give you an encouraging squeeze, one which you gave him a little smile to, but still clammed up, sitting back in your seat.

"want me to tell them to shut up?" he whispered to you, dropping his head near your ear so that nobody else could hear.

"no it's okay," you say with a laugh, waving it off, "i was just going to ask what cashmere is," you say, in relation to a previous story one of the girls was telling about cashmere moth, and how her entire closet was chewed to bits because of the creatures.

"it's a type of fabric," he explains gently, his eyes searching yours, "very soft," he adds with a little smile and yours grows wider.

"i'd like to see it," you comment, leaning a little bit closer to him.

"i'll have your closets full of cashemere by the morning if you'd like," he says, but you know deep down it could be a promise if you simply said yes.

but you giggle, shaking your head.

"no," you're looking up at him in that way that makes his tongue feel heavy, "the moths, they must be huge," you murmur and he snorts, squeezing your hand a little bit tighter in retaliation.

to be honest, gojo hated these dinners. these people he grew up with were dull and annoying, their conversations full of lame gossip and cheap jokes, and he’d much prefer your lively stories with just you, but they were a necessary evil.

when the servants had cleared the meal away and had begun setting up for dessert, he could feel the stare of one of the girls, anya, and the way her eyes squinted when he caught her looking. he saw the way she sneakily tipped her head back, chin pointing to the opening near some of the stone columns, and excused herself a couple seconds later, looking over her shoulder at him before she disappeared.

gojo knew anya. he’d fooled around with her a couple of times long before the two of you got married, but he found her a bit shallow and dim, nothing he found interesting. he looked over at you to see if you had seen her, but you were looking at your plate, moving some grains of uneaten rice around with your fork.

curiosity got the better of him, wondering what it was she wanted, and so he stood up, his chair scraping behind him as you let go of his hand, you, along with everybody else, looking at him as he excused himself to the washroom.

he walked briskly past the table, leaving through one of the openings of the stone columns, looking around until he say anya at the end of the hall, waiting for him.

“what?” he bit out, hushed, looking behind him to make sure that nobody had followed him out.

anya smiled, her teeth glimmering as he neared her, standing a safe distance away as she pouted slightly.

gojo winced. he forgot how her smile up close was unnerving, the way it wasn’t as soft or full of emotion like yours. her eyes, a deep hazel, glimmered as she took a step closer, her fingers reaching for his collar.

“i missed you,” she whispered, lips glossy as she peered up at him, her lashes batting against her cheeks as he felt his mother dry up, feeling a sudden air of nausea overtake him as he swatted her hand away.

he pinched the bridge of his nose.

“is that all you wanted to tell me?” he hissed out, knowing how stupid he sounded seeing how he had followed her out, surely expecting this.

“what?” anya tilts her head, “thought you’d like to hear it.”

gojo rolls his eyes, crossing his arms across his chest.

“i thought you had something important to say,” he shrugs, looking away, focusing on a crack, getting ready to leave until she laughs, shaking her head.

nobody said he was the brightest soldier in all the land. he’s not above some actually good gossip, but he had a feeling this ain’t about to be that.

“you’ve always loved gossip,” her eyes glimmer as she takes another tentative step closer, “is that why you married the center of it?”

his eyes narrow slightly, but she just sees him listening to her.

“come on,” anya snorts, her hand coming up to his face until she stops at his cold gaze, pulling her hand away, “we all know it’s not rank or looks that made you marry her.”

gojo feels his arms tighten, a vein bulging in his neck as he swallows thickly. he doesn’t say anything, wants to see how she continues, wants to see what everybody else thinks without saying it.

"i mean, your mother keeps saying it was reciprocal," she rolls her eyes, laughing mirthlessly, "but i know that's a lie. you look miserable whenever you're around her."

gojo feels his eyes twitch, his ring shining in the slivers of moonlight through the large, overarching windows.

"did you call me here to talk ill of my wife?" gojo bites out, but she can't sense his tone, giggling as she shoves him, his body not moving.

"drop the theatrics 'toru," he feels bile in his mouth at her sweetened words, "it's just me," she says, biting her lips as indiscreetly as she can, eyes raking over his toned body as she looks back up to his face, "but regardless, no, i had something else i wanted to tell you."

she sighs, her voice a little higher as if he wouldn't notice.

"i'm staying at the hostelry in the town near here for a couple of nights," she bats her eyes again, and suddenly gojo wonders if he had been insanely ill when he had slept with her those months ago because now he feels sick just looking at her, "if you wanted...i'm there for you."

he raises his white brow slightly.

"gods anya," he breaths deeply through his nose, his eyes darkened, "you have audacity if nothing else."

she smiles brightly, taking it as a compliment.

"i know," she winks, "i looked around the area, and nobody of import comes near there. i know you need it as bad as i do," her voice drops a little, eyes falling slightly to the ground, "people are talking. i know how lonely you must feel."

his nose wrinkles slightly in confusion.

"what are you talking about?"

anya looks at him briefly before looking away, shrugging.

"everybody knows you two don't share a room," she explains, "and how she's not even showing signs of pregnancy. is she frigid in bed? you know, some people are saying she's infertile."

gojo straightens up, a new look taking over his face that makes her voice die down.

"what? who's saying that? who's talking?" he presses, and she feels her mouth dry up, suddenly picking up on the fact that he doesn't seem to be at all interested in the deal she's trying to make.

he feels a sudden wave of mixed emotions washing over him.

are the maids taking? gods, that makes him feel even worse. it surely couldn't be yours, they care for you too much. but it must've been somebody who knows your situation, somebody who sees the way you live on different sides of the estate. gojo feels a sinking pit in his stomach. these rumors that are growing because of his own selfish actions, rumors at your own expense, ones you have no control over, by people you've been trying to befriend for ages.

he knows people look at you whenever you enter a room, hears their awfully concealed whispers. and despite the fact that you try to hide the hurt on your face, he sees the way you avade their glances, hide into yourself to act like it doesn't bother you.

are these whispers now because of him?

"i don't know," she mutters, annoyed, "everyone. you barely look at her. did your parents pay you to marry her? she must've been-"

"stop it." gojo warns, and she shuts her mouth, eyes shimmering with shock.

she looks like she's about to say something but stops, looking over his looming body at something.

"gojo? is that you?" another voice calls out, and he turns around, all the anger melting off of his face when he sees it's you, standing near the pillars as you try to find him.

you smile when you see him, still not seeing anya who's hidden behind him, and wave for him to come back.

"they're about to serve dessert," you say, trying to be as quiet as you can, "oh, are you with someone? sorry, i didn't mean to interrupt..." you trail off, your smile falling when anya shuffles around, making sure you see her behind him, your eyes widening.

gojo feels his world slipping beneath him as your shoulder drops, looking at him and then at anya, a somber look taking over your features. you look for another second, not knowing what to do. gojo feels like a fish, gaping silently at you, never looking back at anya, but you excuse yourself, going back to the dining hall without saying another word.

gojo stares aimlessly at the wall in front of him, not sparing his energy to look at the girl peering up at his face.

"get out," he murmurs, his voice low with timber.

"w-what?" she stammers, brows furrowing in confusion.

"get out before i call the guards," he snaps, looking at her from the side of his eyes, "fucking now anya, leave."

she looks up at him, swallowing thickly, but gets the memo that he's being serious. she scammers away, sniffling dramatically as she disappears through another hallway.

he drops his head into his hands, massaging his temples.

his eyes fall to his ring, the one that seems to be growing cold on his finger.

he feels his heart burn in his chest, every step feeling like he had stones tied to his feet as he makes his way back to the hall, hearing the edited clammer of the people welcoming him back, but there was only one person he cared about.

and you weren't looking at him.

in fact, you didn't speak to him that entire night. nor that following week.

gojo has almost bled to death before and has had arrows pierce his back and excite through his chest, but he'd rather experience that ten times again than feel the agonizing silence of the woman he's starting to love.

[mostlymarvelsstuff]

Fish Tale

Summary: Reader has formed an unusual relationship with a mermaid that saved her life a few months before. This relationship evolves further when a friend of that mermaid watches them have their fun, and even further evolves when a group of sailors find the mermaids

Warnings: fantasy typical violence (fights with fists, knives & swords), light angst (reader gets hurt but lives), Reader has a penis, smut (vaginal penetration, brief handjob, oral, fingering)

Authors note: I'm sorry its so late 😭 hope you guys still enjoy it!

Word count: 8353

WandaNat Masterlist Marvel Masterlist Halloween 2024 Masterlist

  Waves gently roll up on the sand as you walk along the shoreline. Up ahead, among the rocks, you can just barely make out the shine of red tresses in the moonlight, and it brings a smile to your face. You make your way further down the beach, heading right for the rock pile. As you get a bit closer the individual turns and smiles at you

   “You're late” she scolds, but her voice softens, “I was starting to get worried”

   “I”m sorry, my love. The crew insisted I go with them to the pub tonight and wouldn't take no for an answer”

   “It’s okay, I’m just glad you're here now” she says, patting the sand beside her, “Sit with me?”

   “It would be my pleasure” you reply, already starting to work your boots off

   You sit down beside her in the damp sand and let the waves wash over your lower legs. Beside you her tail swishes playfully in the shallow water, and you take a moment to appreciate the way her dark scales shine. It reminds you of a starlit sky, inky black with small specks that shimmer

    “The night I rescued you was like this” she comments, bringing you out of your thoughts, “Calm and peaceful after the storm that had hit the day before”

   “It was. And I’m still so grateful that you found me. I wouldn’t be here if not for you.”

   “I’m glad I found you too, I’ve never known a human like you” she admits, bringing her hand to rest on yours

   “You've never known a human at all” you tease

   “Personally, no. But I’ve come across enough to know what they think of my kind and I know how they treat us. You aren’t like that though, you're different.” 

   “Well, I never saw any point in hating or fearing your kind. Even before you rescued me” you admit

   “That's why you're special” she says, squeezing your hand affectionately, “You don’t hate what you don’t understand”

   “Well, you're special too since you don’t either. I’m sure there's plenty of your kind that would despise me”

   “There are.” She nods, “It's why I always have us meet here, they’d never risk being in this cove”

   “Which is funny because most of my kind wouldn’t be here either. The average townsperson doesn’t even know this cove is here. And most sailors are too afraid it's haunted by the pirates that were killed and buried here a century ago.”

   “Lucky us” she comments, letting her hand move from yours on the sand to cup your cheek 

   “Lucky us indeed” you agree, leaning closer to her, “I’ve missed you”

   “I’ve missed you too, so much” she says, pulling you in for a kiss

   You shift in the sand to be closer to her as your tongue slides into her mouth, and her hands grasp the back of your shirt tightly. She lets out a moan as your hand caresses the scales of her tail and pulls you even closer

   “I need you, dorogoy(darling)” 

   A jolt of arousal goes through you at her admission and you can feel your pants beginning to get tighter at your crotch. You shift slightly to alleviate the pressure, which she notices, and she eagerly starts to palm your bulge. You let out a soft moan at the action but quickly move her hand aside to undo your trousers. She watches you strip and chuckles when you stumble, but all humor is forgotten once you're completely bare in front of her.

  You straddle her tail and brush her long hair behind her back, exposing her neck gills and breasts to both your eyes and the night air. She shivers slightly, but also bites her lip in anticipation as she watches you eye her like a hungry seal

   “You're so beautiful” 

   She moans as you grab her tits, and her tail shifts beneath you as she attempts to seek more pleasure. You chuckle at her eagerness but relent, letting go of one of her plump mounds to grab your cock and guide it to her slit. There's already a decent amount of her arousal leaking out from it and onto her scales which helps you to slide inside her with ease. You both let out moans at the feeling of your tip spreading her open, and she lets out another as you slip further in

   “God, you feel so good” you murmur as you lower yourself further down, making her lean back and rest snuggly in the sand

   She wraps her arms around your neck to pull you even closer, “So do you…fuck”

   You smirk at that and begin to thrust your hips. Her hold on you tightens as you find a rhythm and you're almost certain you can feel her nails breaking the skin on your shoulder blades, but you hardly care. Your only focus right now is bringing her pleasure while getting yours as well

   You brace your hands in the sand beside her as you quicken your pace and start to trail kisses across her chest as she pants, “Yes…yes…right there!”

   “Fuck yes” you hum in agreement, feeling yourself beginning to throb as her walls flutter around you, “I’m gonna cum”

   You admission makes a deep moan leave her before she's able to respond, “Me too, cum with me, please”

   With a few more thrusts you're bringing her over the edge, and you follow swiftly behind. You continue to fuck her through both your orgasms, though your pace is slower now, to prolong the feeling and only stop when she whimpers and pushes on your shoulder gently

   You still inside of her and lean down for a kiss. It's full of passion and longing on both ends, and you can practically feel her begging the universe for morning to never come, so the two of you can spend forever like this. Together, intertwined in passion in the still warm sands on the shore. But you unfortunately know that wish will never come to be

   She breaks the kiss and looks at you with such care that your heart could burst, “I love you”

   “I love you too, Tasha”

   She tries to not let her emotions show, but the shine of unshed tears doesn’t go unnoticed, “I wish it could always be like this. Just the two of us, together and not confined to the secrecy of nights”

   “I know” you murmur, resting your forehead against hers as you shift an arm closer to her to offer comfort, “I wish that too, so badly”

   Her hands cup your face, “Will you hold me?”

   You nod and shift away from her, pulling your now softened member free of her as you situate yourself. You both take a moment to appreciate the way your seed spills from her before you move to lay in the sand beside her. Your arms wrap around her waist and you pull her flush against you. She wraps her arms around you as well and nuzzles her face against your neck.

   The two of you stay like that, wordlessly embracing each other as your hands softly map out the muscles of her back while hers keep you as close as possible until you both fall into a peaceful sleep

   You're awoken hours later by the sound of gulls nearby and when you open your eyes you can just barely see the sun beginning to rise over the horizon. Your gaze then falls on the still sleeping mermaid in your hold and you can’t help but smile. She's so beautiful and looks so at peace like this. You wish you could hold her like this whenever either of you saw fit or wanted it, not just as she slept. But longing for the impossible will do you no good, so instead you shuffle closer and press a gentle kiss to her neck just above her gills.

   The corners of her mouth twitch ever so slightly, “Good morning”

   “Good morning, my love” you reply, letting your fingers run through her hair

   “Do we still have some time together?”

   You glance back to the sunrise, “A bit”

   “Good” she hums, wrapping her tail around your legs, “Don’t want to say goodbye yet”

   “I never want to” you admit

  She smiles at you sadly, “Neither do I”

   You lean forward and connect your lips to hers, momentarily taking both your minds off your impending departure as you both pour your love for the other out into the kiss. After a few minutes of making out you reluctantly pull away, but she pulls you back in for more

   Finally you manage to break the kiss, “Tasha, I have to go”

   “Stay?” she asks, looking at you with such longing that your chest aches, “Just a bit longer?”

   “You know I wish I could” you reply, cupping her face and brushing away a stray tear, “But I can’t. I’m sorry my love”

   Though disappointed she understands, “When will I see you again?”

    “Two days from now” you answer as you sit up. You grab your discarded clothes and shake the sand out before beginning to put your shirt back on, “It's not a long wait, but I will still miss you”

   “I’ll miss you too”

   You lean back down for another kiss before you stand and start putting your undergarments and pants on. As you do so she slides down the shoreline a bit and gets her tail in the water. She lets the cool water wash away all signs of your night together as she uses her  hands to knock as much sand from her hair as possible. Her gaze falls back on you once your boots are back on and you give her your best smile

   “Go ahead home, my love. I don’t want to leave until I’m sure your safe”

   She smiles at you though it doesn't reach her eyes and she slides further into the water. Once she's deep enough for your liking she turns back around, “Be careful moya lyubov'(my love), I’ll see you soon”

   “I will be, and I’ll see you soon”

   You watch her reluctantly go under the water and you're able to track her shallow movements for a bit until she goes out past where any man would dare swim. It's only then that you turn and start to head back up the beach. You enter the treeline and follow your slightly worn path back to the main road, which you then follow to town. Thankfully it was early enough that most folk would still be asleep, and those that weren’t were either too hungover to care about your disheveled appearance or were fellow sailors themselves and knew better than to ask where one of their own found themselves after a night of drinks.

   Eventually you make it back to your small house and are greeted outside by the ornery stray that you let crash at your place. You chuckle at his scraggly meow and reach down to pet him. He purrs and flops down in front of you

   “Silly cat. Come on, it's breakfast time”

   He hops up and scurries to your front door where he yowls and scratches at the wood. He bolts inside as soon as you open the door and runs right to your small table. He jumps up on it and yowls some more, clearly impatient with you. You chuckle and toss him a fish you'd grabbed on your way through town. He happily licks and munches on it as you head back outside to collect some water from your well. Once back inside you head to your room with the small bin of water and strip yourself.

   You use a sponge and the basin of water to clean yourself up and get rid of all the remaining sand and grime from your body. After you deem yourself clean enough you get changed and head back into the other room. All that's left on your table are the bones of the fish and the cat now sits in your windowsill all stretched out

   “I’ll see you later boy.” you tell him, scratching his chin before heading out the door and back to the docks

   Finally it's two days later and Natasha can hardly contain her excitement. She thought she was being discreet enough, but apparently she hadn’t been because her best friend, fellow mermaid Wanda, is inquiring about her mood

   “What's got you so happy today?”

   “Am I not normally happy?” Nat deflects, but it doesn’t deter her friends curiosity

   Wanda rolls her eyes, “You are, but tonight seems different. It's like you're anticipating something”

   Nat just shrugs, “Can’t I just be in a good mood?”

   “You can, I’m sorry” Wanda says, deciding it's best to drop the matter. Though she definitely knows her best friend is up to something. 

   Hours later this is confirmed when she notices the redhead slip away from their pod. She knows she should give her friend privacy, but she also knows Nat is hiding something and she's far too curious to just let that slide. She discreetly follows behind at a distance, making sure she's far enough behind to not be spotted but also close enough that she wouldn’t lose the redhead. 

   Eventually they’re in shallow water by the shoreline, and when Nat slides herself up on the beach Wanda takes cover behind some rocks nearby. She hopes that with only her head above the water she will blend in with them in the cover of darkness. She watches as a human appears and starts to make their way down the beach towards her friend. Her heart hammers in her chest as panic fills her, she can see that Nat also notices the human so why doesn’t she hide? Why does she sit there like an open target?

   Natasha can hardly contain herself when she finally sees you approaching her, if she had legs she knows she’d be running to you. Instead she sits and waits with a big smile on her face as you hurriedly advance. As soon as you're within arms reach she holds out her arms to you and you let out a chuckle. You eagerly oblige however and quickly kneel in the sand to engulf her in your embrace

   “Missed you” she mumbles against your neck as she practically melts into your hold

   You card your fingers through her still damp locks, “Missed you too. I always do”

   She pulls back a bit in order to give you a kiss, which you happily reciprocate before sitting down fully in the sand. Nat doesn’t move far though and keeps her arms firmly around you, but you don’t mind. You're just as happy to hold her as she is

   As the two of you embrace, Wanda nearly has a meltdown. What in the world was Natasha doing sneaking off to meet a human? What in the world was she doing kissing a human? This wasn't just out of character for the older mermaid but was quite dangerous as well. It just didn’t make sense. There were plenty of suitable members of their pod and plenty in it that liked the redhead, so she couldn't fathom why she’d chose to be with a disgusting and terrible creature like humans.

   She knows this is a private moment between her best friend and her apparent lover, but knowing what humans are capable of, knowing what they’ve taken from her,  she just can’t find it in herself to leave. She probably wouldn’t be much help if something happened, mind you, but she’d rather be here just in case rather than leave Natasha at the mercy of a potential threat. 

    Back on shore you continue to hold Natasha, whose hands travel down to your own to toy with your fingers. However as she does so her eyes follow and she notices an injury to your forearm. Her brows furrow in concern as one of her palms soothes your inflamed flesh

   “What happened?”

   “Rope burn” you answer, “A rigging line near me snapped. Thankfully this was all that happened”

   She pretends to understand fully, but she gets the gist, “You’re okay then?”

   “Yeah, I'll be healed up in no time”

   She continues to gently caress your skin there for a bit, trying to distract herself from the nagging thoughts at the back of her head about how she wouldn’t know if you were badly hurt until you missed showing up for a nighttime rendezvous. You can sense a bit of her inner turmoil and pull her closer, hoping that the current closeness to you will drown out the negativity

   The two of you spend the next couple hours in various cuddled positions while talking about everything and nothing. You were both truly content to just get this time together, it wasn’t rare per say, but it was always hard for both of you to be without each other throughout the day. And even harder to spend a few days and nights apart from each other entirely. Normally that meant Nat and you would spend the night together on the beach, but she knew her best friend had been suspicious today and didn’t want to risk it

   “I should go” she says, quickly continuing once she notices your hurt and confused expression, “Wanda caught on thay I was excited for something today, I just don’t want to risk her being nosey and waking early or perhaps not even be sleeping yet”

   You nod in understanding, “Okay. I’ll see you here tomorrow, right?”

   “Of course” she assures, leaning in for a kiss

   After you break apart you reluctantly let her go and watch her slide into the water, “I love you”

   “I love you too” she replies with a sad smile before submerging

   As you stood and walked back up the beach you had no idea that a confrontation was occurring just below the waves. As soon as Nat had started to depart Wanda had dove under and waited, this was a conversation that definitely could’t occur back at their pod.

   “Wanda, what-”

   “Don’t” she interrupts, “Natasha, what the hell are you thinking?! A human?! Really?!”

   “She's different” she stresses

   But Wanda isn’t having it, “She's a human!”

   “She isn’t afraid of us, she doesn’t find us disgusting, she isn’t cruel or violent” she explains, “She is nothing but kind, generous and loving”

   Wanda still looks displeased and crosses her arms, “She's still a human. What would happen if the rest of the pod found out, or your parents?”

   Natashas eyes widened, “You can’t tell them, please Wanda.”

   “I’m just trying to keep you safe” she stresses

   “I am safe!” Nat assures, “Y/n would never hurt me, not ever. She loves me, just as I love her”

   “And what about her friends or just her townspeople, do they share that sentiment?”

   “You know they don’t” she scoffs

   “Then you aren’t safe”

   “Wanda, please” she begs, “I’ve never felt this way about anyone before, and I’ve never been treated the way she treats me. Can’t you just be happy for me and let me have this? Please?”

   Wanda bites her tongue, keeping the snide comment about not being able to fully be with this human anyway so why did it matter to herself, “I just don’t want to see you get hurt.”

   “I know, and I love how fiercely protective you are, but I promise you, Y/n is different. And she would do anything to keep me safe” The younger mermaid huffs, clearly not convinced, “I’m seeing her again tomorrow, come with me”

   “What?”

   “Come with me, come meet her” Nat explains, “You’ll see what she's really like and maybe you’ll understand. But even if you still don’t you can at least be at ease knowing I’m in good hands with her”

   “I don’t know Nat…” she sighs

   “Please, just do this. And if you still have bad feelings about it after meeting her then….then you can tell my parents.” 

   “You really mean that?” she questions, finding hard to even entertain the idea of enjoying a humans company

  “I do” she confirms 

   “Okay. I’ll come with you tomorrow”

   Nat lets out a sigh of relief, “Thank you”

   “Mhm, now come on. Let's get back before someone notices our absence and we have to explain”

   The next night comes quicker than Natasha had anticipated, probably due to how nervous she is. She wants to believe that Wanda will be able to get over her deep hatred for the entire human race once she gets to know you and maybe eventually she can even become friendly with you. But she's aware of just how much the other woman has lost at the hands of humans and would understand if that never happened. Really she just needs Wanda to like you, and considering how easily she liked you, she's hopeful, but still nervous.

   “Are you ready to have your midnight rendezvous with your lover?”

   Nat tries to hide the fact that her best friends teasing has made her blush, “Quiet, someone might hear you”

   Despite her disapproval Wanda chuckles, “Come on, lets go”

   The two swim in a comfortable silence until they near the shoreline, “Let me go up first and explain whats going on?”

   Wanda nods, “Sure, I wouldn’t want to scare your human away.”

   Nat glares at her before she swims up and slides onto the beach. She only has to wait a few minutes before you arrive. You eagerly greet her like you normally do, with a hug and a kiss, which she eagerly indulges you in. But then you notice her looking at you rather seriously

   “What's wrong?”

   “Nothing wrong, at least, I hope so” she starts out, “My friend Wanda- ”

   “Your best friend”

   Nat smiles and feels her heart flutter, just the fact that you always remembered the small things about her made her feel so cared for, “Yes, well, she followed me here last night. She saw us together.”

   Your face pales, “I image she isn’t happy”

   “She isn’t happy about it, but she's willing to meet you. To try and understand us.” she explains, “She's waiting for me to grab her, I just wanted you to know”

   “Okay, yeah. Go ahead”

   She quickly slides back into the water and shortly emerges with a brunette mermaid in tow. She looks a bit grumpy but she's just as beautiful. You smile warmly at her in the hopes to ease the tension between you both. She slides up on the beach beside Natasha.

   “Hi Wanda, it's nice to meet you, Natashas talked a lot about you.” you greet, “I’m Y/n”

   Wanda nods in your direction, “I unfortunately can’t say the same”

   Nat blushes a bit in embarrassment, “I just knew how you’d react”

   Is quiet for a moment before Wanda regards you, “How did you two meet?”

   “She saved my life” you admit, “I was out on my old fishing vessel and there was a sudden storm, the ship took major damage and I fell overboard. I was adrift at sea on some debris for a few hours. Once the storm passed she found me. She thought I was dead at first until she got closer, and she was surprised by my calm reaction to her. We spent some time just staring at each other and talking before she took me to shore”

   Wanda gives her friend a side glance, “That's all it took?”

   She shrugs, “She didn’t respond to me like most humans do and was kind. I wasn’t just going to leave her out there. The elements would have killed her quickly, or the sharks would have. That felt cruel”

   Wanda realizes she differs from Natasha greatly here, because she would have just left you there to die. In her eyes, after losing both parents and her brother to their cruel ways, all humans deserve to die. It didn’t matter if they were in trouble or if they seemed nice. A human was a human.

   “So you two just started seeing each other after that?”

   “Kinda” Nat says, “We were both pretty enamored with each other and agreed to start meeting up at this beach on occasion.”

   “Eventually on occasion became every free moment we both had, and we realized we felt something for each other.” you explain

    “Something we couldn’t deny” Nat continues

   Wanda observes the way you both look at each other, and she recognizes the love that's so obviously there. She used to see it all the time in her parents, and if she was finally being honest with herself it's also the same way she herself looked at Natasha

   “Promise me that you’ll take care of her? That you won’t hurt her?” Wanda asks, staring at you intently

   “I promise. Natasha means the world to me, I could never harm her”

   Nat grabs ahold of your hand and the brunette nods, “You better mean that, or else”

   You chuckle slightly and look at Nat, “You were right, she did give me the talk”

   The three of you spend the rest of the night talking, and you and Wanda get to know each other a bit. She isn’t incredibly open about anything, but she's far more talkative than Natasha had anticipated her to be. She's happy about that though, and she thinks you’ll be good for Wanda. Carrying around so much hate and bitterness for your entire species was slowly driving her down a dark path, and truthfully she was worried at times that she’d lose the brunette to it. But this was a good start in the opposite direction.

   After a few more hours pass they decide they should head back, and you bid them both farewell. Your goodbye with Nat was of course longer and more intimate, which Wanda teased you both about before they slipped into the sea and headed home.

   It didn’t take long after that for a new routine to occur. Now instead of only Natasha visiting you at night, Wanda did too. Not every time, as she still wanted to give you and Nat your time together as a couple, but she did occasionally tag along. It was nice, for both you and her. It gave you a mermaid other than that to learn things about and from, and it made you feel more at ease knowing Nat had a good friend. And it helped Wanda see that there is some good out there in humans. It might not be common but it did exist, and knowing you better also helped her trust you with her best friend's care.

   And Natasha was more than happy to see the two of you getting along. Other than her family, you and Wanda were the most important people in her life so for you to be becoming friends made her incredibly happy. She had always hoped the two of you would be able to get close, she just hadn't known how it would come to be. Thankfully, Wanda had taken care of that part by following her curiosity. Something both you and Nat still teased her for. 

   But one night, to everyone's surprise, about three months after you and Wanda had solidified your friendship another change happened. It started out as any normal night with Natsha would. She came alone this time, or so she thought, and waited for you on the beach as she usually would. You greeted her like usual, holding her close and giving her a few kisses. But it was clear rather quickly that she wanted and needed more than that tonight. She eagerly pulled you closer, kissed you deeper and palmed your bulge. 

   You groaned against her lips and pressed yourself further into her touch, “Tasha”

   “I’m right here, detka(baby)” she assures in a hushed tone as she continues her movements. 

   After a few more strokes she undoes your pants and slips your now hardened member free. You let out a subconscious sigh of relief as you're freed from the confines of your pants, and when her hand wraps around you again you throb. She smirks at you and your expression of enjoyment before she lowers herself. She wraps her lips around your tip and teases it with her tongue

   “Oh god, Tasha” you moan as you bring your hand up to tangle in her still damp hair

   She hums around you and takes you deeper into her mouth, eliciting sounds of pleasure from you as she begins to bob her head. Between her tongues movements, the feeling of her mouth around you, and the sounds she makes as she chokes on your cock, you know you won’t last terribly long

   What both of you failed to realize however was that at some point Wanda had changed her mind about joining Natasha on the beach tonight. When the redhead had first asked about it she had declined but she was bored tonight and decided no harm could come from heading up a bit late. She hadn’t anticipated that the two of you would be involved in such an act, let alone right out in the open

   She knows she shouldn’t be watching, this was a very personal and intimate act, but she finds herself unable to look away. She’d be lying if she claimed to have never had any more than friendly feelings for her best friend, and as she got to know you she found those same feelings emerging. She never intended to say anything as she valued her friendships with both of you too much to risk ruining them in any way. But maybe there was no harm in merely watching. At least that's what she told herself

   Back on the beach you're getting close to release, and Natasha knows it based on the way you throb in her mouth. She doubles down on her efforts and with a few more bobs of her head she finds herself swallowing your load. She releases you with a soft pop and looks up to find you trying to catch your breath. But when you open your eyes, your shocked to see Wanda out in the water. Nat feels the way you stiffen and immediately turns to see whats wrong and she's shocked to see Wanda as well. 

   But her eyes briefly meet yours and she smirks as she looks back out to the brunette, “Well, are you just going to wade there all night?”

   Wanda's cheeks heat up as she realizes she's been caught, and she decides to come forward. She joins you both  on the beach, “I’m sorry, I hadn’t meant to intrude”

   “If you wanted to see, or to join, all you had to do was ask Wans” the redhead admits

   Wanda is taken back by this, and searches her best friend's face for any sign of teasing or insincerity, but she finds none. She looks at you then and sees nothing but a soft and welcoming expression

   “You think Y/n and I havent noticed how close you’ve been getting with us? You think we haven’t been feeling and wanting some of the same things?”

   Wanda just stares, too shocked by the admittance to say anything, so you speak up, “We have noticed Wanda, and we want you too”

   “You do?”

   Nat smiles and cups her face, “We do”

   And that's how Wanda finds herself on her back in the sand with Nat groping at her tits and sucking marks against her neck while your fingers stretch her open. She whimpers as you curl them just right and her tail thrashes lightly in an adorable manner

   “You're doing so good for us” you coo as you continue to pump your fingers, causing her walls to clench down around you

   She moans again at Nat smirks against her collarbone, “Thats it Wans, just like that. Just let go”

   She moans your names as she comes undone, clutching at the redhead while wrapping her tail around you to keep you both close as you continue to help her through her orgasm. Eventually you pull your fingers free and offer them to Nat, whole eagerly cleans them

   You look down at Wanda with a smirk, “We’re going to have so much fun with you, sweetheart”

   A few months have gone by since then, and Wanda has easily fit into your dynamic. You're a bit more at ease now too, knowing that in your absences they at least have each other. But god do you miss them terribly when away. Thankfully your crew would be taking some much needed time off, and you intended to spend every night of that time on the beach with the two of them. You knew they were as excited as you were.

   Your just on your way to the market to procure supper for the night when one of your crewmates, the youngest of them actually runs up to you as if his pants were ablaze

   “Y/n! Come on, you gotta come with me!” he shouts as he starts to pull you away from the hustle and bustle of the market. You have no choice but to follow

   “What's all the fuss about Charlie?” you ask as the younger man hurries you along

    “Phil and the guys caught something, and you have to see it to believe it!”

    Your stomach twists as he suddenly turns onto the rather hidden path that you usually take to the cove. But you try to quench your anxieties. You normally met them at night afterall and it was still early morning, surely they wouldn’t be here yet. Phil probably nabbed a big hammerhead, you know they frequented the old wreck nearby.

   “Charlie! Down here!” you hear Stu call out as you both break through the tree line and step onto the beach. 

   He's pointing at a net that Erik is attempting to drag further out of the water. A task that is much harder than it should be due to the intense flopping of the nets contents. Charlie quickly bolts down the beach to help him and as you get closer you can finally make out what's thrashing around in the green and brown netting. And that's when your heart drops into your stomach. It's just as you feared, the occupants of the net are indeed your two beloved mermaids, and they're beyond terrified. Natasha does a good job at seeming stoic, but you've learned to read her well. And Wanda doesn’t even try to hide it as she clutches onto the redhead. But after everything humans have done to her family, you don't’ blame her

   “Kogda ya osvobozhus', ya pererezhu tebe vse glotki!(when I am free, I will cut all your throats!)” she snears

   “Keep your spells to yourself sea witch, or I’ll carve out your tongue right here!” Phil threatens as he kicks her red tail. That's when he notices your arrival, “Ah, Y/n!”

   “Phil.” you curtly greet, trying not to let any venom from the rage you currently feel slip into your words as you feel two pairs of green eyes land on you. 

   “Look at what I managed to capture!” he says all excited, “Can you believe it!”

   “Such rare creatures” Erik says, “To find two of them, we are lucky!”

   “Yeah, and all of it's bad. They're such disgusting things” Stu adds, and you have to fight back the urge to correct him with your fist

   “They're monsters. Killers” Charlie adds, “One of these things took my father to the grave, if given the chance, they'd take us to our graves too.”

    “Dorogoy(darling), please” Natasha calls out, breaking your heart

   You know it seems like you're not going to do anything to help them, as all you've done is stand and stare, but in reality you've been planning how to take out all four men on your own since you laid eyes on her and Wanda. 

   “It can speak like we do” Erik states in awe

   Stu looks absolutely mortified, “I say we gut them right here. Bring only their corpses back to town. They don’t need to be alive to be seen as more than fables.”

   “Y/n! Please!” Wanda begs, tears streaming down her face

   That's when the chaos momentarily calms, and all men turn to you. You're already braced to fight, as there's no way in hell you’d let them slaughter the women you loved.

   “It knows your name” Phil states as he eyes you suspiciously 

   “She. She knows my name” you correct, “Actually they both do, and I know theirs”

   Now Stu is looking at you too, “What?”

   Instead of answering you throw a punch at Erik. He hadn’t seen it coming and so it takes him off balance and he falls to his hands and knees in the sand and Charlie scrambles away from your other side 

   “What the fuck are you doing!?” Phil shouts as he reaches down to help Erik up

    “I’m not going to let you kill them”

    “Why the fuck not?!” Stu questions as he pulls out his knife and points it towards the net, “These things aren’t natural!”

   You pull your knife out too, “I swear if you hurt either of them, I’ll gut you like you threatened to do to them”

   Phil opens his mouth, likely in an attempt to calm everyone down and figure out just what is going on in your head, but Erik doesn’t give him a chance. As soon as he's on his feet again he's charging at you. You dodge his punch and land one of your own to his gut, avoiding using the hand that held the blade. He lets out an oomph as he stumbles away from you and Charlie rushes you next. He's a spry boy and is able to get a few hits in before you get your own in, but he doesn’t fall or stumble like Erik had. Instead he pulls his own knife from his boot

   “I don’t want to hurt you” you stress, “I’m just protecting them”

   “Yeah? And who protected my father? They deserve whatever fate happens upon them!”

   It's clear he's lost to his rage and you nod solemnly, “Then so do you”

   Erik tries to intervene by lunging at you, but you quickly sidestep and get him in a chokehold with your free arm while your other points your knife at Charlie. As you grapple with the two of them, Phil and Stu grab the net and start to pull the women further away from you and towards the treeline. They're putting up too much of a fight however and so the men don’t get far. This pisses them off and they decide to separate the two. You're too busy to notice until Nat lets out a yell

   “Get your hands off her!”

   You glance over to see Stu grabing a fistfull of Wandas hair as he attempts to pull her away from the older mermaid. You can see that Nats held back from doing anything to stop it by Phil holding his cutlass up to her sternum. Rage fills you and you no longer care about harming an unarmed man. You thrust your blade into Eriks chest and he lets out a strangled gasp. You pull the blade free and shove him aside, reading yourself for Charlie. The young boy's gaze falls upon his older friend who now gasps for air and clutches at his white shirt that quickly spreads with blood as he mindlessly stumbles away from you. 

   Charlie wipes a few of his tears as he looks back at you with a sneer, “I’ll kill you for that”

   “You’ll try”

   He runs at you with his knife raised, unintentionally leaving himself open for you. Your free hand grabs his wrist to stop his blade as yours punctures his sternum. His eyes widen and his chin quivers as a drop of blood drips down his chin

   “I’m sorry kid. You’ll be with your father soon.” You doubt the words are any comfort to him, but it makes you feel a bit better as you wrench your knife free of his body 

   You quickly turn on your heel to see that Stu has fully removed Wanda from the net and still has her by the hair. His back is to you though, and Phil is struggling to wrap the net back around Natasha, and so you have an advantage.

   You go running towards them and tackle the man. His knife slips from his hand as does your knife from yours, and the three of you tumble down to the sand. He lets go of the younger mermaids hair to twist himself around and the two of you struggle for control of the other

   “Wanda, go!” you shout as you shove the man's face into the sand, “Get to the water!”

  “But Natasha!” she stresses, turning to look at the other woman only to see the other man now coming towards her

   “I’ll get her!” you promise

  “Go!” Nat adds, “Now!”

   Wanda listens and turns over on her belly and starts to slide herself towards the water. Just as she gets out of reach Stu elbows you in the face, it's hard enough that you can feel blood start to drip as your face meets the sand. Stu grunts as his hands wrap around your throat

   “I swear if you hurt that boy, I’ll-”

   His threat is cut out as your vision starts to go black and your ears start to ring. But you're still with it enough to see Phil go to move past you both, heading to grab Wanda. You can’t let that happen so you kick out with your legs. Thankfully one of them hits Phil in his knee and he stumbles in the opposite direction. It's enough of a distraction that Stus' grip on you lightens and you use that to your advantage. 

   You feel around in the sand until you find a nice sizable rock and you swing your arm powerfully. The rock hit Stu hard and he falls over in a heap. You wiggle free from under him just in time to see Wanda slip into the water, and you let out a sigh of relief. Phils gaze goes to you then to Stu, whose blood is soaking into the sand beneath his head

   “What have you done?”

   “What I had to” you answer

   “You killed your own crewmates!” he shouts, grabbing his cutlass

   You stand and grab yours “I’d do it again if it meant keeping them safe” 

   As your sword clashes with his Natasha looks out to the water. She can’t help but smile when she sees how far out Wanda is, but when she hears the sound of your sword meeting his, her heart sinks. You've done everything you can to keep her and Wanda safe, you've killed your own friends for them. But your weakened after so much, and she's worried you may yet get injured

  Despite her worry she can't just sit here, so she starts to wiggle some more, hoping that the net will have mercy and release her. But then she sees it, your knife glinting in the sand within reach. She shimmies over and reaches out, carefully grabbing the blade and pulling it towards her until the handle is close enough. She wastes no time and starts slicing away at the nets that hold her

   You've managed to slice Phils leg but he's also managed to slice your arm. The two of you had always been the best with the sword, hence why you were the only on the fishing vessels crew that carried them, but this worked against you now. 

   “I’m going to take great pleasure in killing you in front of them” 

   You barely manage to parry his blade in time and you stumble backwards a bit. This seems to amuse him and thinking he has the upper hand he begins to circle you. You mirror his movements and work on catching your breath as he tries to intimidate you. He lunges, but it's more show than it is fight and you manage to slice his hand. He shouts in pain as he drops his sword and he looks at you with pure dred as you lunge.

   “Don’t-” but your blade goes right through his heart, stopping whatever he might say

   You let it stay lodged there and move to help Nat, who you can see has worked herself partially free, “You okay?”

   Relief washes over her features, “Yes, are you?”

   “I’ll be fine, small wounds that will heal” you tell her, kneeling down to pull her tail free from the net, “There we go.”

   But just then Nat sees movement behind you. She doesn’t have time to warn you however and suddenly there's a pain in your side, “Y/n!”

   “I told you I’d kill you if you hurt that boy” You can feel the blood drip from Stus head and onto you as he twists his blade into your ribs

   “Ahgh!” you gasp as the pain sets in and you can feel the air leaving your lungs as he pulls the knife free

   You fall and try to scramble away from him, and just as he goes to grab you again he lets out a scream. You look up to see your knife, which Nat had still been holding, is now lodged in his chest. You smile, damn proud of her, but just as his body hits the sand, yours does too

   “No!” she shouts, sliding over to your side. She places a hand under your head as the other puts pressure on the wound, “Dorogoy(darling)?”

   “Nice throw” you grunt as her face comes into view. You hate that you're the cause of the tears in her beautiful eyes, “Don’t cry”

   “This is my fault” she whimpers, “This is all my fault. If I had stayed away like Wanda said we should”

   “Hey, hey, don’t do that” you tell her, “Don’t blame yourself”

   You're now aware of another presence on your other side and glance over to see Wanda. The brunette looks just as upset as the redhead that's holding you and your heart crumbles further

   “Milaya(sweetheart), you saved us”

   You relax into her hand as she cups your cheek, “Id do anything for the two of you”

   A cough tears its way through you then, and to their horror blood comes up and drips from the corner of your mouth

   “No, no please” Nat begs, pressing harder on your side

   You let out a hiss in pain, “It's okay…”

   “No! No it isn't!” Nat stresses, “I’m not ready to let you go”

   “I’m not either” Wanda adds

   Nat quickly looks to the brunette, “Can you heal her?”

   “I- I don’t know. Agatha only just taught me healing magic” she explains

   “You've got to try, otherwise…”

   Wanda nods, “I’ll try my best”

   She puts her hand over Nats on your wound and lets the redhead pull away so that she is the one now putting pressure on you, and she does her best to focus on closing up the stab. But to her frustration nothing happens. She keeps her hand in place however and keeps trying, willing everything in her to just focus and heal you but still nothing happens

   A wave of anger overtakes her and she can’t help but lash out at the universe, “Enough has been taken from me, I will not lose her! She belongs with us!”

   A sudden rush of red energy surges out of her and into you, taking all three of you by surprise. Nat had seen Wanda's magic before but it had been small red sparks or a small flame like wave, nothing as large as this. And it certainly never made the brunette lean over in apparent exhaustion like she is now currently doing

   “You okay?” Natasha asks, reaching out to steady her. She nods in confirmation 

   Natasha's attention moves back to you then, and for a moment she fears the worst. Though your wound appears to be closed now your eyes are now too and you lay completely motionless, it doesn’t even look like you're breathing. She feels her own breath catch in her throat as she lays a hand on your chest

   “Y/n?” she calls out, barely above a whisper as she gently shakes you

   Your eyes snap open and you take a deep breath, “Holy shit”

   You try to sit up and the redhead moves to help you. Its then that she notices a change in you, something new and very familiar to her but foreign to you is now along your neck

   “It worked?” Wanda asked in disbelief 

   “It more than worked” Nat replies, a few tears building in her eyes, “Look”

   Wanda looks to where Nat is pointing to see that you now have a pair of gills, just like theirs. Somehow in her anger fueled magical outburst she had not only made sure to keep you alive but had also made you more like them

   “What's wrong?”

   They both shake their heads but its only Wanda that finds her words, “You can come home with us”

   “What?” you ask again, even more confused now, “What do you mean?”

   Nat grabs one of your hands and brings it to your neck and your eyes widen in realization, “See, we don’t have to be apart anymore. You can come home with us”

    “That sounds perfect” you admit, smiling at both women softly

   “You aren’t mad then?” Wanda asks, worried you’d be upset that she made such a massive change

   You shake your head, “Of course I’m not. This is great, if we can actually be together now that is. I’m not sure how accepting your kind will be of my legs”

   Both women smile at you and Nat cups your face, “You’ll be a little different than everyone else, but you’ll be with us. That's all I care about. If anyone makes a fuss about your differences, Wanda and I will deal with them”

   “Damn right we will”

   You laugh, “Let's go home then”

Taglist: @wandaromamoff69 @when-wolves-howl @danveration @sheneonromanoff @sayah13 @likefirenrain @nighttime-dreaming @just-a-torn-up-masterpiece @chaoticevilbakugo @crystalstark02 @wackymcstupid @lovelyy-moonlight @blackwidow-3 @mistressofinsomnia @that-one-gay-mosquito @yomamagf @yourfavdummy @justarandomreaderxoxo @scoutlp23-blog @whoischanelle15 @lissaaaa145 @eline03 @wizardofstories@imthenatynat @marvelonmymind @fluffyblanketgecko @bitch-616 @dakotastorm @zoomdeathknight @aeroae @sashawalker2

[peppermintquartz]

Hello! ❤️ For the prompts - not v original but I would love something with them running into each other on a job and one of them getting injured? If it sparks joy (not that there’s much of it to spark atm) ❤️

Tommy can be professional. That's what he tells himself as he half-slides carefully down the steep slope to the two men sitting on the narrow strip of flat geound.

Howie sees him first and his face twitches in a mix of complicated emotions. "Hey Tommy." It's too casual and Howie winces.

Even so, Tommy manages a smile. "Hey Howie." He takes the opening and drops to a crouch, coming face to face with his now ex-boyfriend. "Hey."

"Hey," says Evan, face tight with something other than physical pain. "I didn't know... Didn't know you're working today."

"Changed shifts," Tommy says. To reduce the chances of seeing you at work is what he doesn't say. "What happened?"

They're on a hiking trail. Howie has a few scrapes over his forearms and elbows, and a shallow cut over his brow that's already scabbing over. Evan is the one with the injured ankle - it's his left leg, the bad leg - and Tommy's brow creases.

"I've secured it with what I had," Howie says. "But there's no way he's gonna make it up the slope and I can't carry him up there either."

"That's what I'm here for," Tommy says, not meeting Evan's eyes. He hands the spare harness to Howie. "Gus and Samuels up there are waiting for you. Then Gus will come down for Ev- for Buck."

Evan glares at him, but says nothing other than "Go, Chimney."

With Howie working his way up the slope, it's just Tommy and Evan now, and the silence is so awkward that Tommy almost wishes he had just been on flight duty today. But he had a migraine attack the day before and told Samuels to swap pilot duty for the shift.

"How have you been?" Tommy eventually asks. "Other than, you know, falling down a hiking trail and getting hurt."

"Chimney was trying to take my mind off the breakup, so I suppose I'm doing super," Evan says, sarcasm in every word. It feels wrong, coming from him.

Tommy wants to hold him and tell him how much Tommy has missed him. He settles for a deep breath and a sharp nod. Still, he can't help replying, "Guess we're both doing super then."

"You're such a dick." Evan stares at him, and God, the red-rimmed eyes are as beautiful now as they were the night Tommy ran away like the coward he was. Is.

"I'm sorry." It's a weak reply to this, to everything he's done.

They both hear Gus coming down the slope. Just as Tommy's about to stand, Evan grabs his arm and says, "I want you to visit me, do you understand? Come to the loft with my favorite poke bowl for lunch. I'll definitely be home for this week, and I want you to bring me lunch, and I want you to listen to my side of things. You had your say and you didn't let me have my say and it's not fair."

Tommy can't breathe. The touch of Evan's hand feels like it's burning into his skin. He can only nod mutely in promise and step back slightly for Gus to take charge, securing Evan to be hoisted up the steep slope.

--

Three days after that shift, he shows up with Evan's poke bowl.

--

Three weeks after that lunch, Evan moves into Tommy's place.

--

Three months after moving into Tommy's place, Evan becomes Tommy's fiancé.

[oogaboogasphincter]

your pedro pascal character placements - based on your astrological chart! 💟

i made this thread a while ago and i put a silly amount of effort into deciding which character should go with which placement, so i thought i’d post some of my reasoning here! *this is just my personal interpretation of astrology+pedro’s characters; one thing i love about astrology is that it’s all subjective! :)*

**i’m working on adding more characters+placements! i made this list a while ago so i have lots of new ones to add :)**

☀️ Sun signs are said to represent your general personality and the archetypes they symbolize are supposed to act as a goal you’re to achieve in your lifetime, or a way to follow your life’s purpose.

♈️Aries sun: Agent Whiskey

people who fall under this sign are bold, energetic, and passionate about virtually everything in their life.

♉️Taurus sun: Frankie Morales

infamous for being stubborn, people with this placement are rooted in themselves and can be drawn to sensual perspectives.

♊️Gemini sun: Javi Gutierrez

if you have this placement, your mind is a whirlwind; you might be called aloof, scatterbrained, or accused of being in your head a lot.

♋️Cancer sun: Javier Pena

this placement bestows a painful amount of empathy in oneself; therefore, one with this placement might be distanced or protective of themselves and those closest to them.

♌️Leo sun: Din Djarin

people who fall under this sign tend to be people-pleasers, which gives way to them being inclined to indulgence and pride, even if they may at first present or argue otherwise.

♍️Virgo sun: Marcus Pike

infamous for being meticulous, people with this placement tend to be tightly wound and potentially shy or nervous because of it.

♎️Libra sun: Ezra, Joel Miller

if you have this placement, you might fare very well in new situations because of your friendly demeanor. you could be indecisive, but that is often cured by your adaptability.

♏️Scorpio sun: Pero Tovar

this placement makes for confident, intense people who are enshrouded in a quiet, unsuspecting shell. they could give off "doberman" energy.

♐️Sagittarius sun: Max Phillips

so you know i'm an optimist! people with this placement are likely honest to a fault, yet indulge in escapism quite often. you might fall victim to seeing the world through rose-colored glasses.

♑️Capricorn sun: Dave York

people with this placement are one word: driven. this could lead them to being materialistic or standoffish.

♒️Aquarius sun: Maxwell Lord

people with this placement have either never heard the story about the cat being killed by its curiosity or chose to ignore it. they're likely to be intellectual and innovative.

♓️Pisces sun: Oberyn Martell

people who fall under this sign could be considered an amalgamation of all the signs that came before it. they have a knack for empathy and could live in their dreams a lot.

🌙 Moon signs are meant to illustrate your inner monologue, or your emotional reasoning. They heavily impact your personal relationships.

♈️Aries moon: Javier Pena

people with this placement are very direct, but run the risk of becoming argumentative or losing their patience quickly.

♉️Taurus moon: Javi Gutierrez

if you have this placement, you might have a hard time standing up for yourself. you have burdensome emotional depth, but you're conservative about expressing it.

♊️Gemini moon: Max Phillips

if you have this placement, you might feel restless in your own mind and turn to others to express it, making you have a magnetic way with words. you could become shallow when agitated.

♋️Cancer moon: Marcus Pike

people with this placement are empathetic to a fault, which makes them endearingly fragile. you could dwell on things often, unintentionally hurting yourself even more than what something's worth.

♌️Leo moon: Dave York

this placement is very prideful; you might enjoy having a position of control, stealing people's hearts, or being admired or revered. however, you might take things to heart too easily.

♍️Virgo moon: Frankie Morales, Joel Miller

people with this placement tend to be labeled as the "mom" friend; they're reliable, responsible, and like for things to play out simply.

♎️Libra moon: Maxwell Lord

i hate to break it to you if you have this placement (i have it too, so i'm calling myself out just as much as you): you're petty. you could be a natural flirt, yet run the risk of depending on the approval of others if you're not careful.

♏️Scorpio moon: Ezra

people with this placement enjoy starting old things anew. they're have a suspicious feeling ingrained in their minds that just won't go away, so they enjoy transparency in relationships.

♐️Sagittarius moon: Agent Whiskey

if you have this placement, you could enjoy competing with yourself a lot (or think of yourself as your own worst enemy). you could have a tendency to make reckless decisions with cheerful intentions.

♑️Capricorn moon: Din Djarin

although people with this placement can be very guarded, they have a juxtaposing need for validation from others often. therefore, they're calculating when it comes to who they devote their time and energy to.

♒️Aquarius moon: Oberyn Martell

if "not like the other girls" was a placement, it'd be this one. people with this placement tend to take on an observant role rather than an active one, so they are often self-serving, independent, and philosophical.

♓️Pisces moon: Pero Tovar

people with this placement are observant, but instead of being independent like the Aquarius moon placement, they can fall for people's tricks more easily. they have instinctual feelings about people, but their sympathetic tendencies win over, rendering them gullible.

⬆️ Rising signs, also called ascendant signs, are supposed to indicate how other people perceive you or how you present yourself to others. It’s not uncommon for someone to mistake your rising sign for your sun sign because rising signs are sort of like first impressions.

♈️Aries rising: Dave York

if you have this placement, people might think that you move through life at a fast pace, independently, and are quick to jump to action.

♉️Taurus rising: Marcus Pike

people perceive others with this placement as stoic and sensual, often with a calming presence. you might have a sort of comforting, "lived-in" quality to you.

♊️Gemini rising: Maxwell Lord

people with this placement are likely to be thought of as socially exploratory, expressive and analytical; like a firecracker or a party-starter.

♋️Cancer rising: Javi Gutierrez

if you have this placement, you might appear like a wallflower to others. but, your perceived sensitivity makes people feel safe to put their stake in your dependable character.

♌️Leo rising: Ezra

you know those people who command the attention of a room without even trying? they just might have this placement. even though it comes naturally to them, others might think these people to be ostentatious or dramatic.

♍️Virgo rising: Din Djarin

people with this placement are revered for having a reserved character yet are ready to help at a moment's notice. they're not valiantly selfless, though; they're equally receptive to their own needs.

♎️Libra rising: Frankie Morales

people who are sly like a fox — provocative and might be accused more than once of operating under a facade — are likely to have this placement.

♏️Scorpio rising: Javier Pena

if you have this placement, people might think of you as intimidating because of your perceived x-ray vision. but they can see through you, too, to your vulnerability that you try so hard to privatize.

♐️Sagittarius rising: Oberyn Martell

optimistic to an annoying degree, talkative, a go-getter; all phrases used to describe how people with this placement come off to others.

♑️Capricorn rising: Pero Tovar, Joel Miller

people with this placement are often thought of to be responsible and hard-working, contrasted with a deadpan or dry sense of humor that cuts through their tenseness.

♒️Aquarius rising: Max Phillips

if you have this placement, people are likely to perceive you as a unique, educated, flexible, and quirky individual that gatekeeps only the very best parts of themselves.

♓️Pisces rising: Agent Whiskey

people with this placement are received by others as chameleonic. you have a capacity to be emotionally receptive, theoretical, and understand the subjectivity of different perspectives.

[wisteria-lodge]

Why do female protagonists complain about their looks? I was reading a novel a friend recommended and within the first few pages the narrator is complaining that her eyes are the color of mud, her hair is boring and brown, she has freckles, etc. Is this supposed to make them relatable? I don't particularly like my freckles but it's not something I think about more than once or twice a year. It's just annoying and a downer when the character does this.

It's because girls in books (... and girls in real life...) are supposed to walk this tightrope where of course they are beautiful (because beauty = value.) But they can't seem like they're trying to look beautiful (because trying to be beautiful = vanity, shallowness, a kind of girly femininity that's either childish, pathetic, or sinister.) The Stepsisters are trying to be beautiful. Cinderella just is beautiful. Dress her in a potato sack and roll her around in mud, she'd still be more beautiful.

This is where the "protagonist who doesn't think they're beautiful" thing comes from. Obviously if they don't think they're beautiful, then they're not trying to be beautiful, with all the negative junk surrounding that. So you get these annoying descriptions where a regular or even cute-sounding person will say "ugh, I have eyes the color of mud and hate my freckles," not "I have brown eyes and freckles." (Bet you five dollars the love interest thinks her freckles are adorable, and gets lost in her deep, dark doe eyes.) Also - "mud colored eyes" is such a strange thing to think about yourself? If the author wanted to commit to writing about someone who actually had body image issues - then the internal narrative would be my skin sucks and I'm too fat. But that's a little too real: the reader can't actually think the protagonist is unattractive.

Which is too bad, when you have a female protagonist who is just isn't very attractive, that can be fantastic. In Jane Eyre, it's important that Jane is sort of unfortunate looking - it effects how people treat her, the sort of jobs she can get, but it also lets her fly under the radar and be invisible in way that would be impossible if she were more beautiful.

I tend to prefer descriptions that stress - how people move, or what they're wearing, because that reveals character in a way that "brown hair" just doesn't. I want to hear about a character's attractiveness if they are so remarkably attractive (or unattractive) that it affects how other people treat/perceive them. Same way someone might treat a character differently if they had a dramatic scar, or looked a lot younger than they actually were, or were a different ethnicity from the rest of the cast. Just give me a handful of their most distinguishing characteristics, and you don't have to do it on the first page.

[lost-seal]

I wanted to analyze all the bedrolls in mouthwashing. Why? Because something is bothering me so I'm reaching out for opinions. SPOILERS FOR THE GAME, btw.

Now I haven't searched through the whole game for every single instance of a bedroll, I'm just looking at the main ones we see. Any images are screenshots from a video so sorry if the quality is bad.

Swansea's

His is surrounded by bottles (can't tell if empty or not), and is outside Utility. Most likely so he can guard Utility better. Interestingly enough, this was the bed that Daisuke was placed on after the vent incident. I guess Swansea had no more reasons to guard Utility anymore, or even sleep for that matter. Plus I think it's closest to where they found Daisuke. Correct me if I'm wrong.

Anya's

Her's is next to the Polle statue. I read a theory that she put her bed there because it goes off automatically when someone goes near it. That way it alarms her and potentially wakes the others up if someone gets too close. I think that's very plausible, and makes Jimmy breaking it sad.

Another thing that caught my attention is that she's sleeping away from Jimmy. I don't know the term, but like, her head is furthest from Jimmy while her feet are closest. Once again, maybe so that she really hears Polle when someone gets too close.

Daisuke's and Jimmy's

(because they're so close together I might as well mention them together)

This one makes me feel the most anxious, given what we know about Jimmy... He's also close to Anya's too, but not one toss-and-turn away like he is with Daisuke. They are so close that when Jimmy wakes up because Curly's cries are echoing through the halls, you can hear Daisuke breathing without needing to get up. Not snoring, no, small shallow breathes through the mouth.

Which also means Daisuke is a mouth breather but let's not get side-tracked.

They sleep next to each other before AND after Swansea and Anya's talk. Which either means that A) Anya didn't tell Swansea about what Jimmy did to her and her current situation, maybe instead discussing how she thinks Jimmy was the one to actually crash the ship. B) She did tell him and Swansea didn't tell Daisuke because he thought Jimmy wouldn't do that to him. That's all sorts of messed up, especially when we know he's much younger and is easy to manipulate if you say the right words. As we learn how Swansea was able to keep Daisuke away from helping with the foam, he doesn't tend to question things if it's from someone he views highly (With Swansea > Jimmy in the hierarchy).

It makes me feel nervous about what could have been, or even possibly about what's already happened and we'll never learn about it.

Also Daisuke sleeps with his boots on. What. Why? Is it dev reasons? Wild.

All in all neither Anya or Daisuke should be close to Jimmy there's so much space there please move away.

[citrusandrottefruit]

Modern!Steddie (This is based on something I read a while back on Tumblr about Eddie becoming famous, Steve getting doxxed, and years later singing Hozier's Francesca to Eddie. I'll look for the fic, and if I find it, I'll put the link here.)

Steve has always been one of the popular kids, but not the kind of childish villains you see in movies. No, he was popular because he was handsome, had rich parents, was charismatic, and was good at sports. He didn't bully other kids, but he wasn't interested in them either.

He never felt the need to seek out new connections at school, because he'd had Tommy and Carol for years, and anyone new who wanted to talk to him would come to him. He didn't have to work hard to make new friends.

His time was spent on sports and the friends he already had. The occasional girlfriend, too, because he'd always been a romantic at heart and a lonely kid. Being best friends with a couple would also make him feel like a third wheel a lot, so having a girlfriend and double dates seemed cool.

Then he got into a fight with Tommy and Carol after that graffiti episode in the movies and they drifted apart. Tommy wasn't mean about it, but he was resentful and hostile, because they were best friends and it always sucks to lose a friend to a boyfriend/girlfriend who you think cheated on them.

After a year, when he and Nancy broke up, he, Tommy and Carol didn't get back together, but they weren't hostile, you could tell they felt bad for him. Steve wanted to be friends with them again, he just didn't feel right crawling back with his tail between his legs and he also felt guilty that they never reconnected before. He didn't want it to seem like he only got back together because he was single.

He's still popular, but now his best friends aren't around anymore and he got cheated on by his girlfriend, but he feels like he deserved it (let's just say the story they made up about Barbara dying was real and the trauma grew into a monster and consumed their entire relationship). So he feels alone.

He has the kids. But Dustin thinks he's awesome and he doesn't want to be anything less, Lucas also sees him as a hero, willing to take a beating for him, Max looks up to him as a big brother. Will is Jonathan's brother and has traumas, so Steve would never dump his problems on the kid. Mike is Nancy's brother.

All of his real friends are kids.

So, Eddie. Steve isn't lonely around school, he still interacts with other students, he's friendly with the popular crowd, a lot of people like him. He just has these moments where he seems sad and then suddenly he seems super chill again.

Anyone who looks closely can tell he's got a problem and pretends not to, but it's not obvious. Eddie doesn't think much of it at first. He actually finds it amusing, because he has a lot of shallow and superficial ideas about popular kids who conform to the norm and who are well-off.

Eddie comes over when he sees Steve reading a DnD rulebook. He mocks it a bit, but explains a few things and Steve, who has always been a social butterfly and never cared much about sitting at the same table as some group in the cafeteria, sits down with Hellfire.

Not with the intention of being their friend, just because he wanted to ask them questions, take notes and move on with his life. A brief connection, a friendly interaction. No different from his relationship with most people who are part of his social circle.

But Eddie keeps pulling him closer, invites him to join the Hellfire Club. Steve declines, because he likes the stories and wanted to learn about DnD because of the kids, but he feels insecure about being a player, about roleplaying, he's afraid of making the wrong decisions and ruining something that seems to be so important to their friends (both the kids and Eddie).

Eventually, they fall in love.

Steve graduates without much distinction and Eddie barely makes it, but they are free from high school. While Eddie continues to play concerts at the Hideout with the CC boys, Steve works at Scoops Ahoy and makes friends with Robin.

So, when Eddie decides to leave, Steve asks them to wait a little, to save up more money, to get better organized. If they stayed for a whole year, Robin could even leave with them. When Eddie doesn't agree, he says they can continue their relationship long-distance. After all, it's 2010 and there's technology for that.

Eddie leaves anyway, believing that Steve will regret it and look for him, understand that leaving is the right choice and blah blah blah. Steve can't leave yet, because if he moves out, if he doesn't follow the path his parents have laid out, he'll give up any illusion of family he might have had. His car is in his father's name, he doesn't have much savings, he's still not open about being bisexual and he's terrified of leaving his entire life behind. It's hard in Hawkins, but facing the whole world, the uncertainty, not having a home to go back to… It scares him. Eddie doesn't understand, because if nothing else worked out for him, he could go back to Wayne and be welcomed with open arms.

One of Eddie's first hit songs is about a preppy, popular, charismatic kid who's the captain of the swim team and lives in Loch Nora who starts dating him in his senior year and gets stuck in a shitty job at the mall. It's easy to figure out who Steve is. People at school find out quickly.

I like to think Carol is the one who alerts him, goes to his job to tell him the rumors. Tommy goes with her. Although Carol is kinder and more open and Tommy keeps his distance, as if he might be infected, he also tells Steve to be careful, for old times' sake.

Either way, he becomes a target. The students tell their parents that they believe the hit song is about Steve. This story even gets around the church that his parents donate to and "attend" when they're around. His parents' friends find out. His business partners find out. His parents, too.

His parents suddenly move back home. It was a huge fight, with his mother accusing him of being possessed, suggesting a treatment to "cure" him. Mr. Harrington said it was due to a lack of beatings. Either way, it ended with him bleeding alone in the street.

A few days later, he and Robin managed to return to "steal" some of his belongings back, including documents. Other than that, he lost everything.

Mr. Wheeler didn't even want him to get close to Mike anymore.

For a while, he spends his days between the Hendersons' couch and Robin's bedroom floor, feeling like shit and listening to the music Eddie wrote over and over again.

After that, he sells his cell phone, his laptop, whatever he managed to keep. Robin also sells some of her things and the kids help with this small fundraising, selling cakes and sweets. Even Tommy and Carol seek them out, providing almost 50% of the money. That way, Steve is able to leave with a few months' rent saved.

Wayne also helped, because he knew that Eddie's music was responsible for this. Steve told him never to talk about everything that happened with Eddie, so Wayne kept it a secret.

I think Tommy, Carol and Steve could get back to being friends. Not the same as before, but they have lunch together every few months and they were the ones who helped Steve get a job in a new city.

A few months later, Corroded Coffin is well established, about to release its first album. Robin goes to college and Steve and she move in together.

That's when other people start to find out who Steve is too. It starts with a post on Reddit, people speculating about him, which is the central theme of several songs, although none are as explicit about his identity as the first. His parents receive some hate mail, they make a point of sending it to the Buckleys and Steve finds out. What hurts the most is knowing that his parents never gave him any of his belongings, but they found a way to let him know that people he didn't even know hated him.

He gets some hate messages too, because, although he deleted his old accounts, the new ones are easy to find through the profiles of people who knew him before all this. So, they're probably students from school, people know what Robin's social networks are, finding him.

There isn't much hate coming his way because he's careful to keep to the shadows, and thankfully the speculation about Steve Harrington being responsible for breaking Eddie Munson's heart doesn't go that far, after all, there's nothing to keep fueling those theories.

One of the things that connected Eddie to Steve was music. I like to think of Steve as a musician, like Joe Keery is. If Eddie can pour out his anger through music, he can also pour his heart into it. He writes Unknown/Nth and posts it to an anonymous YouTube account. He sings with an acoustic guitar, without showing his face.

For a while, this feels like closure.

Steve still gets hate mail sometimes, even though he deletes the old accounts and creates new ones. Everyone in Hawkins seems to know about him and Eddie. The kids, who hated Eddie for a while, have reluctantly started to admire him again. Steve reassured them about this, but they all remained bitter about everything that happened.

Steve, for his part, has vacillated between hating Eddie and hating himself. Most of the time, he still feels like he maybe loves Eddie a little bit, as if he’s stuck on that last day they saw each other. Sometimes he blames himself for making the wrong decision. Other times he thinks that if he hadn't stayed in Hawkins, Eddie might never have made it big.

His feelings for Eddie are complicated.

So, about 5 years after the breakup, there's a documentary about the beginning of Corroded Coffin. Something not produced by them. Maybe by a fan? Who goes to Hawkins, talks to people, tells them about Steve, exposes Steve and it goes viral on social media.

His life goes to shit very quickly. Eddie doesn't even notice at first, because CC is on a world tour and they never have free time. Meanwhile, Steve becomes well-known on social media and gets some hate mail.

Things change a bit when someone, seeing old photos of Steve, posts on Reddit that they have a crazy theory: there's a song they've been listening to for years, that's a lost gem in the depths of YouTube and they swear that's Steve Harrington, because the moles match and you can see a Hawkins High jacket in the background. It's a pretty crazy theory, so it doesn't get much attention, but the song gains momentum.

Eddie finds out because, once he learned everything that happened, he started researching everything about Steve, trying to measure how much he ruined his life.

Assuming people find out that the song is really about Eddie, I think he could become the target of hate, almost as much as Steve did, because Unknown/Nth is a powerful song.

That's what I've thought, for now. They get back together in the end because Eddie's actions had terrible consequences, but he never meant to hurt Steve like that and the biggest culprits for everything that happened are his parents. The hate from the fans wasn't that intense until the documentary, so it was hard to notice.

Anyway, they have a long way to go. A talk to clear up their last fight, a lengthy apology from Eddie, reconnecting with the kids, getting back to being friends.

It would be terribly sad and difficult. It definitely wouldn't be a fairy tale, but they could learn to trust each other. Eddie could earn Steve's trust, affection, and friendship, and one day they could be a couple again.

[bigmammallama5]

Do you have any tips for taking photos of physical objects? I like making things, but taking photos of them is the worst :(

Sure! I also struggle with taking pictures of stuff, but I can give you two big suggestions (and I'll try to keep my explanation brief for now, but you are always welcome to come back and ask for clarification!). As always, these suggestions are not rules, so if it goes against what you know or have been taught or what works best for you, feel free to disregard it lol.

Lighting, and set-up (which I will roll camera angle into).

You don't need anything big and fancy to take nice pictures of what you make. You don't need a big DSLR camera or box lights or a crazy image processing program. You can take great pictures of your stuff right at home with things you already have. I know a lot of potters who take decent pictures of their work in a corner of their living room with a simple paper sweep (poster board), one directional light (one guy I know even uses just a lamp and points it towards his pots), and something to take pictures with whether that's your phone or a little point and shoot.

Lighting. A good rule of thumb is to not back-light your work as your primary light source*. Make sure your primary light source is in front and pointing at the thing you're trying to photograph. You can even kick it off to the side for a nice three-quarters effect! You CAN have some back-lighting as long as is is acting as your fill (secondary light source) OR if you're shooting outdoors. If you want to go for natural lighting, gray days are actually quite nice as they offer even lighting (though if you want that bright sun, go for it!). *That is not to say back-lit things are bad, just that they aren't necessarily going to show off your work unless it's designed to be that way.

Set-up. This can be as simple or as complex as you want it to be! Figure out how you want to shoot your work, and then figure out how to light the space. If you want something clean, create a light box. Use a box with a white/light gray sheet draped inside to make a contained space, or pick a corner of a room and either drape a sheet or use some poster board to make a little box you can easily put up and take down. If you want something that's more set up, I have actually used my work space as my backdrop. Show the tools you are using, maybe some material, and build a composition around your piece! That takes a little more effort but can be quite nice.

As for taking the actual picture, I have found that I personally like to have it slightly up at a shallow angle so it's not straight on or too high looking down on the piece. You can easily create an unflattering angle, but there are little nuances to taking pictures of those more extreme angles. It's just not what I'm interested in lol. Have your piece nice and centered at the angle you like, and make sure the camera is focusing on your work as much as possible and not the surrounding environment (I won't get into depth of field and all that, but that's worth keeping in mind). You can do that with some simple settings our technology has these days! (Also side note: if you are using your phone, clean the camera lens on your shirt first. It's crazy how easily that little thing can get dirty and give you smudgy looking photos lol)

I'll stop myself there, but hopefully these suggestions can help you feel more confident in taking pictures of your work! As always, feel free to ask more questions if you have any.

[wyngigi]

ꕀ LUST FOR LIFE ꕀ 04

↳ sex money feelings die remastered .ᐟ cross posted on ao3

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“ they say only the good die young, that just ain't right 'cause we're having too much fun, too much fun tonight ”

↳ synopsis: a group of individuals find that their first taste of freedom in the world brings more obstacles than expected. some of them, find solace by drowning in liquor or in the backseat of somebody else’s car. a lot of them have got to get their shit together. a lot of them won't.

mdni » story contains nsfw content intended for 18+ audiences pairings » member specific, not listed for spoiler purposes ↳󠁪󠁪 ateez x female reader, ateez x ateez ↳ genre » coming of age ↳ word count » 2.3k ↳ general warnings » substance abuse & consumption, sexual content, morally grey characters, unreliable narrators, internalised homophobia, angst, basically every struggle young adolescence can go through ↳ a/n┆i hope u guys love this chapter as much as i do !! a little blast from the past always has me excited <3 p.s let me know which pairings ur rooting for after reading hehe (and yes next chapter we will be back at the party dont worry the drama has just begun)

04⌇memories of summer bring you

As San weaves his way through the crowd, past the drunken bodies of guys and girls alike, he finds himself reminiscing in just how much he had changed the past few years. Was it okay to live a life like he was right now? He’s not too sure. San first thinks of high school, then his thoughts float to you.

San watches the clock tick above his teacher’s desk, mind wandering as he scribbles on his worksheet with a ballpoint pen. He’s trapped in a god-awful environmental science class (which mind you would’ve been a free period instead), courtesy of not taking enough science courses earlier on to hit the credit minimum. It’s torturous, making him study about the world in a stuffy classroom when he could be out there learning by simply living in it.

San might just be a little salty, but the lesson isn’t actually that interesting either, so his mind has been elsewhere the last half hour. He’ll listen when it actually gets important, maybe. First he was daydreaming about buying a motorcycle and speeding off into the sunset, away from this boring sad old town to go live some larger-than-life bullshit.

Then he thought it’d be too lonely to do by himself, so he brainstormed an alternative. If he were ever able to do it, he’d probably try convincing someone to come with him. He hasn’t even finished his senior year, yet his ideas still don’t seem all that crazy to him. It might be farfetched to others, but San disagrees. If you aren’t dreaming big, could it even be considered a dream at all?

Then he starts wondering if his thoughts are too reckless most, if not all of the time, if attempting to move through life hastily would be too irresponsible and could scare the people around him. But he really doesn’t want to miss out on living, San wants to go see and do the things you have to go out of your way to experience. Something you make the journey for to begin with, not just a simple detour.

The type of stuff you have to just hold your breath for and jump into with no regret before it’s too late, the tide retreating, water becoming far too shallow. (He truly wasn’t lying earlier when he said he loves to be on the move, or that the thrill of exploring had always been dangerously enticing to him.) Those mantras, principles, whatever you wish to call them replay in his mind daily. They always have.

San knows the world won’t slow down and wait for him too. He sees it outside the classroom window right now, how the cars still pass down the street as the birds fly high into the sky even if he’s confined to his seat. San is well aware that it’s him who has to be the one to take the leap of faith and choose to start living. The problem is that sometimes he just can’t.

When San would think about the daredevils, adrenaline junkies, risk takers of the world, those who love to live on the edge of things, preparing for their big take off, he’d think of how he would love to be like that someday. Yeah, someday. The difference was he liked staying on the edge too much. Didn’t like the feeling of climbing to the highest point just for the glory if he could end up tipping over, see himself falling down and lose control of everything in the process.

When third period ends San makes his way out of class then down the hall, stopping at his locker so he can drop off the notebook and stationery he no longer needs till after his second lunch break. San knows he has PE next, so he quickly grabs his gym clothes. It’s not that he cares much about being late for it or missing out on any of the “action” though, he only really enjoys it depending on what sport they’re playing.

He likes the sports where his only role is to defend whenever a ball or something comes his way. It’s why he thinks volleyball is torture; trying his best to stay in his position once his team scores but then somebody is already telling him to hurry up and rotate. Those days are just endless cycles of torture. Actually, were. He started to sit in the nurse’s office on those days.

It’s a good thing they’re doing netball today (he doesn’t have any more passes to sit in the med bay now). San has a lot of fun playing it. He’s even claimed the goalkeeper bib before anyone else can so much that whoever he plays with just lets him have it. The people he usually plays with are good enough to the point where the opposing team never even gets to his third of the court.

Goalkeeper suits him for that exact reason, he enjoys getting to win without even having to take a shot with the ball. San liked how it was so much he didn’t think or want to try being a goal attacker or centre. Well, maybe sometimes he did a little. There were a couple instances where he wanted to try a different role for the first time. San had gotten as close as picking up a different position bib even. Thoughts like that were shoved away quickly however, and the bib would end thrown back into the crate. The mere possibility of letting anyone down in case he was terrible outweighed his curiosity (and potential) on multiple occasions.

Failure was a funny thing; it had given him a terrible feeling that would sit in the pit of his stomach or make him so nauseous it was awfully dizzying. The funnier thing was that San had never truly failed at anything in life, simply because he had never tried much to begin with. That was the case, for quite some time in his life as he knew it. He had been growing more than okay with that knowledge as time passed, then one day he wasn’t.

As he turned away from his locker, San spotted you walking the opposite way to your own fourth period class, clearly getting ready to ditch the rest of the day. His heartbeat had sped up and his palms were awfully sweaty but for the first time ever, he shut out every reasoning voice in his head and chose to do something he never had the courage to before.

The two of you were in the same grade, so he had seen you passing by in the hallways always with both earphones in (to drown out everyone else he assumes, you never talked to anyone when you had them in while carrying an almost sorrow expression). Despite how you looked, you would still be humming away to a tune he could never fully quite catch.

He also knew your lunch times were spent eating shitty snacks from the vending machines and that you really liked the strawberry lollipops from the cafeteria (which they only sold every Friday for some fucked up reason, he overheard you complaining about it to your friends in math).

San would also see you after school with all of your cooler, older friends too. You would all huddle around the corner near the bike racks in the parking lot, out of sight from teachers so you could bum cigarettes off of each other. You’d also listen to music while you were there, only with one earphone in though so you could still hear everyone talk. He liked seeing that, you always looked happy and smiley talking to your friends.

The two of you weren’t complete strangers, but nowhere close enough where he could feel safe calling you his friend either. You shared multiple classes with San, greeting him with a small smile when you’d walk by his seat to get to your own (he liked that you’d always say hi to him even when he never did first). The both of you even worked on group projects together, but that wasn’t enough for him. He wanted to know more about you, to take even the smallest peek at the inner workings of your mind. To find out how you always seemed to not care when things went wrong.

He thinks of your reaction when you would fail a test, how you’d simply shrug before shoving the paper into the bottom of your backpack. Immediately after, smiling as you’d turn around to talk to your friends about whatever you all planned to do that weekend. Stuff like that didn’t make much sense to him. Why would you not opt out of hanging out just for one weekend and study harder to do better on the next test like he would?

San supposes that’s what separates the two of you into vastly different worlds, yet he wants nothing more than to just step over that line and join you.

When he had spotted you there, on that humid summer day in early June a feeling had begun to settle into his stomach again. The strange bit was that it didn’t feel humiliating nor demeaning, but there was still something unsettling about it. It felt extremely foreign at first but now, incredibly comforting. Because for once, it didn’t feel like failure.

So, he then decided to call out to you. It was the very first time he had ever greeted you, without you doing it first. Your name exceedingly foreign on his tongue when coming out of his mouth while you weren’t sitting at your desks in a shared class. You had turned around at the noise, both earphones still blasting music into your ears.

Once you had recognised who the voice belonged too, you immediately had taken out both of your earphones with a smile. The tune he had never been able to fully hear, was now playing into the world for him to hear freely. He felt the corners of his mouth beginning to prick upwards at that. Yet with no plan of what words he would say now, San was immediately regretting his choice to speak to you. His fists were balled up in front of him, grip tightening on his clothes ever so slightly as he lowers his eyes down away from you.

The edge he always treads so carefully on was now unstable and he felt it beginning to crack already. You don’t leave him any more time to freak out over it though. When he looks up, he sees you already opening your mouth to say hello in the soft tone you always use, ushering him over.

“Hey, San. You want to come skip with me?”

The cool breeze flowing through the corridor, cooling down his cheeks just had to heat up again when he locked eyes with you, of course they did. Because San had always found everything about you pretty, from the first time he ever saw you. Not a day would there be a doubt in his mind of that. But, in that very moment he found you strikingly beautiful. In a split second, where his brain and his heart finally worked in unison he had responded hurriedly, before he could overthink it and regret it for the rest of his days.

“Yeah, I do. I’ll come along,” As he chucked his gym clothes back into his locker, a switch had been flicked on in his mind. When he turned around and saw you then, one lollipop in your mouth and a second in your hand, held out to him, a realisation had been thrown into his face like a bucket of ice-cold water. San had ultimately discovered that dancing on the edge was fun, yet leaping off it was much better. Even if the water was too shallow down below, San thinks he would be okay with that.

While walking away from the gym and instead down the hall with you by his side, San had spotted your earphones tangled up and peeking out of your backpack. That day, he settled with the fact that maybe it was okay to be a little too reckless, to move a tad too fast. Even if it could scare people, even if it scared him.

If you asked San what made him love that summer far more than the previous ones, he might mention his drunken bike rides with you and your friends, or the nights he spent laying on the beach with you gazing at the stars. Hell, he even liked the part time job he had to take up thanks to the party you helped him throw (which ended in that broken window he had to pay for). Spending a portion of his summer working as a server wasn’t fun in theory but when you’d visit him on his breaks or pick him up after his shifts, San had found it pretty worth it in the end.

He was truly happy in every moment back then; he’s enlightened even now, because all the memories of summer bring you back to him. Despite existing only as a brief moment in his own mind, San is content because whenever he closes his eyes he finds a version of you is there with him. He’s able feel the sun on his bare skin, with your lips pressed against his own again. His favorite bit being when the lingering hint of strawberries followed as you both pulled away.

Yeah, that’s exactly when it was. Three summers ago. When San had first decided it was alright to embrace being him, to be the person he still was today. All thanks to you.

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[hypermascbishounen]

There's a deep irony in Berserk being so admired by people who really really hate what Berserk is about on an emotional level, but especially when writers want to take influence from it. Because Berserk is very strong thematically, and someone who can't acknowledge subtext is going to whiff on emulating anything good.

[bigothteddies]

I think that part of what like. kills me about the whole media literacy and critical thinking aspect of enjoying media these days is that people refuse to like. contextualize that

A. Bad media can still hold significant meaning to people

B. Media made for a demographic you aren’t apart of is not inherently bad media

C. Media made for and consumed by the opposite demographic is not inherently shallow or flawed nor is it above criticism for its media tropes either.

[brucequeensteen]

all r-dfem blogs on here are always posting 3 things: a) most vitriolic disgusting display of shaming people for how they look which almost always implicitly or explicitly aligns with some kind of eugenics or racism, b) how everyone who isnt them or disagrees with them is stupid or misguided or has no hope left for them, and c) how lonely and isolated they feel all the time . I wonder when they will join the dots

[keeps-ache]

[walking around, peering into people's faces like i'm in an art exhibit] hm. nice

[waywardsalt]

mmmgh

[sapphire-weapon]

hoo boy

that is

quite a take sitting there in the leon kennedy tag

what’s with all the really bad takes happening on tumblr today, did i miss a memo or a meeting or something

should i also put forward a really bad faith and stupid take about something, just so i can fit in

i’ll have to think about what i can say