#it's kind of like magic when you put it like that. maybe things haven't actually changed that much after all

[afniel]

AH I REMEMBERED WHAT I WAS GONNA SAY EARLIER but it's kind of stupid, lmao.

So my partner is getting into brewing beer and I got them a Tilt, which is a Bluetooth hydrometer. It measures specific gravity and temperature, which are things you want to know so that you don't kill your yeast or whatever. Except the sensor's Bluetooth range is super short, and it basically runs via a phone app, and the temperature we're logging currently is the crawlspace, accessible via the staircase closet. So they were like, wait, what do we do about this, because I can't leave my phone in the closet, that's my alarm clock.

In a kind of ridiculous turn of life imitating art, I was like, hold up, I got just the thing right at my desk. Bam. Old phone. We just needed to scrounge up a charger because the battery is so dead that after charging just enough to power on it claimed it was at 53% (to be fair to it, there is a very real chance that it's correct, and it just holds no charge at this point so the capacity is just THAT low) and now it lives in the closet logging sensor data.

And I was like, you know...didn't I just solve a major story detail with a much larger version of this...yeah, no, this is all vaguely familiar somehow, power supply issues and all. Kind of cool that the concept works though. Kind of weird that it came up at all?

We are not gonna talk about the fact that I still have at least two more ancient-ass phones in a drawer where that came from because look, man, sometimes you just need a camera/mic/mini computer with Bluetooth and wifi that fits in a pocket, and people just get rid of these things, but not me. I actually could build a shitty security system out of them if I was reaaaally inclined. I mean. I'm not. But it's technically possible.

For real though, If I pick up any stupid maker projects I still high-key am thinking about slapping Bluetooth into a necomimi headset and running that through an Arduino and learning to code just enough to let me skip songs/change the volume on Spotify with my brain, because it's entirely doable, and I mean yeah I could do that on my phone remotely too, but that's not funny, now, is it. I'm just not sure it's $350+ of parts funny. Kind of a big investment just to prove the point that haha look I am the extremely ADHD type of lazy where I would rather solve a problem via the most convoluted and complicated Rube-Goldberg type ass machine way possible rather than just perform a single simple action.

YEAH I'VE BEEN THIS SCATTERED ALL DAY AND I REALLY SHOULD GO TO BED SHOULDN'T I. I started playing Satisfactory. Mistakes were made. I'm going to dream about conveyor belts again and I did it to myself...

[harvestmoss]

 💫 Why Protection Magic Is Useful (even if you have no enemies)

A lot of witches will tell new witches (baby witches) that they should start by learning and using protection magic. However, I've started to see a lot of witches say that protection magic is not as important as other witches claim it to be. Saying that they don't have anyone coming after them or an enemy in real life to warrant a spell of protection.

I think this may also be due to how I've not personally come across anyone really explaining why a witch may want to use protection magic all the time.

Now, it is true that there's no need to be paranoid all the time and have protection up 24/7. But here's a list where you may use it, find it useful, or haven't thought protection magic could be included.

An actual person -- This one is obvious, you have an enemy in real life or on the internet and you need protection magic to protect you from their curses.

A malevolant spirit -- They can come from your windows, mirrors (including tv screens, computer screens, and other reflective surfaces maybe), they seep through floor cracks, hanging onto your coats from outside, etc. Just like how you'd use garden gloves to avoid dirt up your nails being trapped there. Protection magic is just like putting on those gloves.

An energy -- Say you have a neighbour who's arguing with someone. They're yelling and screaming and it can be heard through the apartment walls. That negative energy is seeping into your home and your energy. So it may be worth protecting your home and energy from that sour neighbour's energy. (ever been scolded by your mother and your mood is sour? it's kind of like the same here.)

Your own spell -- Now a self-love spell is probably not something you should protect yourself from. But let's say you're doing a curse. It would be a smart idea to make sure you're protected before beginning such a spell. Much like how you'd wear an apron to protect your clothes from stains when cooking food. You may not always spill your food when cooking, but damn it is it annoying when you do and the stain won't wash off. It's the same with a spell.

Unintentionally -- Sometimes things can happen that's out of our control and it's a good idea to be a little prepared. A black cat suddenly running across the street? Bad luck. Someone got jealous when you told them something good? Evil Eye. Think of it as going to the store with an extra bag for your groceries. You may not need it, but isn't it handy when you at one point do need it?

Protection magic doesn't have to be elaborate or grand or be convoluted. Protection magic is powerful but also extremely simple. All you need is a horseshoe above the door, a little talisman in your pocket, a sigil for your car, etc.

So don't dismiss the importance of protection magic. It may help to improve your spellwork and your energy.

[zaynesdesimc]

Magic

Moon Boys x reader<3

summary: you were married to Jake and after the events of moonknight, the boys get to know of jake and of you. Steven adores you but Marc just sees you as a friend. Right?

A/N: okay the timeline is a bit wonky but here's what i thought while writing the fic. Jake dated you for a year and a half before putting a ring on it. And you've been married for three years. You met Steven and Marc a year ago and have been dating Steven for eight months. Marc became friends with you a month after meeting you. please comment and reblog if you liked it!

Warnings: angst, hurt/comfort

@jake-g-lockley

Marc was a lot of things. Pig-headed, stubborn, horrible at communication, a fighter. But he wasn't arrogant He could admit it when he didn't know something.

But right now he knew one thing and one thing only, that Jake was a prime idiot.

Marc stayed in the background when Jake was fronting around you, most of the time. Not always, of course. He wasn't a perv and one to to intrude between a husband and a wife. But he knew you. So did Steven, and you knew them.

He'd considered you his friend. Maybe one of his best, just months after meeting you. You and him shared many a night after Jake's missions talking and watching movies, when your husband was knocked out. You made him fall in love with chai, something that knocked Steven's socks off and he'd taught you the basics of baseball so you weren't clueless when you watched baseball with him.

It wasn't always so nice.

"You're married?!"

"Yeah, what's your problem with that?" Jake had become defensive, he wouldn't let Marc or Steven breathe a single ill word towards you.

"No, it's no problem at all, pal." Marc seethed, outraged, "except for the fact that I was married to Layla! God what if she almost say you when we were married? No wonder it ended!"

"Fuck off, man. You know full well why your marriage didn't work out with Layla. And unlike her, I told my lady fucking everything. She knows everything, from the cave to the sarcophagus. So she knew what to do and what to be careful of, including you. So don't blame my marriage for the reason yours didn't work out."

This was when Steven had interjected, he was unsurprisingly on Jake's side.

"He's right, Marc. If his wife knows everything then you can't blame him, and it's honestly rather mean and unfair of you to be angry at someone you haven't even met."

It took a few hours for Marc to calm down, and actually, apologise to Jake.

Hesitantly, Jake offered, "Y'know, if you want you can meet her. She practically knows everything about you and uh, Steven's most probably seen her around. She goes to the museum every week."

"Wait a minute! That lady with the Van Gogh tote bag?"

"Yup."

"Oh wow! She's really sweet, and beautiful! Hell, mate. You scored."

Jake had to smile at that, he knew he scored with you. For the longest time he felt like you were too good for him and that someone as kind, clever, intelligent and beautiful as you shouldn't have had to settle for someone like him. But you'd kiss away every ill thought he had about himself and reassure him. Communication was a very, very vital and important part of the relationship and you had helped him learn that it wasn't selfish to voice his thoughts. Especially because he put everyone's needs before his for so long.

"I know, man."

Steven had readily agreed to front and meet you, and Marc was okay with being co-conscious during the interaction as well. So on one fine day, Jake had brought them to the house he considered his home. He worked to contribute to it's rent, and buy things for it and for you. It was home, after all. You were his home.

Marc didn't know what to expect but when Jake had stepped in and hung his jacket on the stand and taken his shoes off, footsteps could be heard running from the main bedroom and he saw you running straight into Jake's arms. Jake laughed wildly, picking you up and twirling you around, much to your delight as you kissed the life out of him.

When he put you down, he could get a clear glimpse of you. Your hair was messy and your t-shirt was rumpled. And when he saw you smile he knew why Jake had fallen in love with you. Why Steven thought you were beautiful and sweet. Verything about you screamed, home.

Your greeting to Jake threw both the boys off, "Who the fuck are you?"

Jake smirked, "The fuck you mean, ma?"

"I mean, who." you poked him once, "are." twice, "you?" thrice and Jake started giggling. Fucking giggling like some little schoolgirl. You laughed too, and hugged him tight.

"Hey, baby." he kissed your forehead and you smiled.

"Hi." you kissed his nose.

"I have two guys who'd like to meet you."he raised his eyebrows.

Your jaw dropped a little, "For real? Wait, you're being serious, you're not screwing with me?"

"Why would I screw with you, when I could just screw you?"

The men in his head and you all let out a simultaneous groan.

Steven met you first, and it went swell, you'd both bonded over history and literature. And a love for Taylor Swift. But that was a secret. You liked him a lot and he positively adored you.

Marc, on the other hand, was much more closed off, he'd be polite, but he'd be curt as well. A combination you didn't know was possible.

After a few weeks of trying to bond with him, resulting in almost a small meltdown. It had taken Jake being knocked out after a mission and being too tired to eat to actually get him to talk to you over a meal.

It was one of the best things he'd eaten in his goddamn life and the groan he'd let out after the first bite brought a laugh out of you.

So yes, Marc would consider you one of his best friends. Steven and you had started going out with each other a few months ago and it was going so well.

But not Marc.

Because he didn't like you like that.

Of course not, you were his friend.

You were his friend who made him laugh because you had the same dark sense of humour. You hugged him when he needed one but was too uptight to ask you. You, who googled the Cubs and learnt everything you could about them just so you could talk to him as well, the way you talked to Steven about Jane Austen and the Indus Valley.

He didn't know when it became something more to him.

And he didn't see how you'd look him at him when he laughed, or when he was focused on the TV, or when he made you tea the way you liked it, Jake had taught him how to do that.

No, to him, you were just his best friend.

And you were currently crying your eyes out because Jake and you had gotten into a huge fight. He'd missed your anniversary because of a mission and he was working with Hathor's avatar. He failed to mention the part where he was forced to pretend they were a thing to prevent being caught and you'd caught him smelling of her perfume and gotten rightfully furious.

Not because of her, but because he didn't tell you that it had been happening for a few days. That the week he'd spent away from you, he'd had to pretend he was someone else's and he was too scared to tell you. That's why you were mad, because you thought he didn't trust you.

You'd raised your voice as he turned his back on you and he turned around, face contorted in rage. Steven tried calming him down as he stalked over to you. You stood your ground, Jake would never lay a hand on you. You knew that. But it was what he said, that broke you.

"You're being a fucking nuisance. Instead of trying to understand, you're being more of a burden by finding shit to get mad at. Grow the fuck up."

That prime ass had the audacity to call you a burden. A nuisance.

And then he had the fucking nerve to leave and complete his mission and give control to Marc. Steven had chewed the fuck out of him and Marc would have loved to as well, but he needed to see you. See if you were okay.

As soon as he stepped in, he saw you on the sofa, rapidly wiping your tears away. You sagged again when you knew it was him. Somehow you always knew.

He furrowed his eyebrows at your disheveled state. Your eyes were swollen and wet with tears and you were breathing very heavily and in quick spurts.

"What do you need?" Marc asked you, sitting down beside you.

"C-can I have" you coughed, "a hug, Marc?" you said in a small voice, looking away.

Marc immediately moved to hug you close. Shushing you when you began to cry again.

What hurt was that he knew, and Jake knew, and Steven knew that you hated being a burden or an inconvenience to anyone. And today, the one man you trusted the most in this world had made you feel like that. And he couldn't even apologize.

'Jake you fucking idiot.' he rocked you a little, 'you better come out and fix this. she may be our friend but this is because of you, fix this.'

Jake remained silent in the reflection of the mirror next to the door. He looked wrecked at seeing you sob, and tears were falling down his own eyes.

'Mate.' Steven spoke up, he sounded mad, 'You made our girl cry. Stop being a fucking coward and fix this!'

When he was met with silence, Steven seethed, 'Marc, gimme the body.'

You knew exactly when it was Steven hugging you, and you kissed his cheek and breathed him in.

"Oh, love." he tried to comfort you, "I'm sorry. You're not a burden, I promise you." he kissed your forehead.

"I know that, Steven. I know I'm not a burden to you. I'm scared I'm becoming one to him. He doesn't even want to look at me!" you sniffed.

Steven glared at Jake in the mirror, who was wiping away his own tears.

Steven and Marc knew why Jake was so worked up. They knew that whoever Jake and Hathor's avatar was after called their bluff. They knew that those people had found the woman's partner and Jake was terrified for you and he couldn't even tell you because he never, ever wanted to be the reason for any feeling you had that wasn't bliss, happiness, content, or pleasure. And because he was sure he could find those assholes and beat the living shit out of them for even thinking of harming you.

But it wasn't their place to tell you, that much was apparent. Jake dug his grave, and then jumped into it. He had to crawl out of it on his own now.

"I just want to be someone he's happy to be with." you whisper and that's when Jake straightened up, heartbroken.

"Give me the body, hermano."

"All yours."

Only Jake scrunched the back of your shirts when he hugged you and you moved to hug him tightly as he whispered apologies in your ear.

"Baby, I'm sorry, I'm so fucking sorry I made you feel like you were a burden and that I was anything but fucking delighted to be with you." he kissed your nose and then told you everything. Looking away because he was scared.

"I didn't tell you at first because I didn't want to just say that I had to pretend I was dating someone else and then fuck off for a week. I made a mistake in assuming that'd you get mad and it's because if I was in your place, I would be. But you're stronger than me, tesoro, and I failed to see that and I'm so sorry."

"Baby, I forgive you." you replied and he breathed out a sigh of relief, "But please, don't keep stuff like this in, okay? You can trust me, you know that."

He nodded fiercely and then he kissed you. Noses nudging and lips parting as he breathed you in like you were his lifeline, and he yours. He cupped your face and held you tight against him and when he pulled away you smiled at him, your eyes shining.

Steven fronted again with a little smile and you kissed him lovingly with a whispered 'i love you'. He just winked at you and kissed the back of your hand and then your forehead again before Jake took back control and carried you to the bed, kissing you deeply all the way.

----

Marc was fine, no he just needed a glass of water. He'd carefully rolled off the bed, thankful that he was at least wearing sweatpants and padded to the kitchen.

He should have known that you were a light sleeper.

"Marc." you began, your voice raspy.

He hummed in reply and held out his glass to you. You accepted it and drank your fill, giving it back to him.

After a few more moments of silence, you spoke up, "I thanked Steven for comforting me. But I didn't thank you." you cleared your throat, "Thank you, Marc." you said, sincerely, "You're one of my best friends."

Marc smiled at you. Actually smiled. And you smiled back and kept going, "And Jake and Steven know this and are okay with it so I-"

"You don't have to thank me, honey." he patted your shoulder, trying to conceal his tears as he looked away because god he was dumb. Dumb enough to realize now, that he loved you, "I'm glad I'm your friend."

To him, you were everything. You were sunrays and moonbeams and everything that he believed was magical as a boy. Everything he stopped believing in as he grew up. The first time you made him laugh and joined him he felt sure that magic existed after all, because what else could you be?

He tried walking past you but you held his hand and he froze, tears streaming down his cheeks.

You walked over to him and held his face in your hands. His eyes shut as you wipe away his tears. And he whimpered as you kissed his forehead.

"Marc. Open your eyes and look at me." you said softly.

He was terrified. That you'd seen past his mask and were going to let him down gently. Because to you, what could he be? Certainly nothing more than a friend.

"Sweetheart. Please."

When his eyes finally opened, they met yours.

"Marc. I fucking love you." you confessed and he let out a sob. Pulling you into a tight hug.

"I love you. God I love you so much, Sweetheart." he says into your hair, kissing all over your face, but not your lips.

"Can I kiss you?" you asked him, looking at him with those beautiful eyes of yours.

He nods and your hands travel to his locks and pull them lightly as you bring your lips to his own. Humming sweetly as he wraps his arm around you and licks into you.

Yes, he reasons yet again as you hold his face in your hands and smile at him, magic does exist. And it's in his arms. He loves it and so do the men in his head who cheer for him, albeit sleepily, looking at you lovingly.

And they'd never let you go.

[dropsnectar]

Pollen and Potions: Bee-men x afab!reader

PART THREE

This is a longer part than the rest, but its all necessary dialogue so it should be fine. More fluffy and romance than smut, BUT!! Their will be smut in the next section! I know I said this will only be 4 parts, but it may actually be more like 5 or 6. Anyway, hope you like!

So. You were starting to learn that using large batches of magic back to back weren't ideal for a young witch's health. It seemed like you might have overdone it, as when you woke you found you had been asleep for TWO WHOLE DAYS. So. If you were going to do magic, it looked like you were going to have to pace yourself, or perhaps use LESS magic.

You put yourself to learning more about witchcraft. The thing was, your grandmother's books didn't really go into the basics, and as witches were so rare, information was hard to find. Of course, the internet was full of supposed witch spells, or frameworks, but it was like throwing dice. Some spells didn't work. Some spells took up WAY too much energy. Some were just… fine? But not what you needed. 

Next you checked out forum sites. Maybe you could find a community through that way? But all you found were psychics and tarot readers. Nice people, but not what you needed.

Whelp. Maybe you needed to look at the issue differently. The environment used to be a beautiful, thriving area. What had changed between now and then? In order to understand a magic ecosystem, you had to understand ecosystems. So, for the rest of the week you busied yourself with ecology study. It was turning out that this project you had adopted on a whim would need a lot more time and breadth of knowledge then you originally thought.

***

When you met with Rena, under Lyith’s friendly gaze, you found that the magic you had cast hadn't waned at all. The flowers had grown beautifully and continued to give magic nectar that created the best honey. Rena was beside herself. “The elders of the hive say they haven't had honey of this quality since they were children! You are really onto something here, little one.”

Rena had now gotten in the habit of calling you little one. Sure, as a Bee-man she was slightly taller than you, but not by much. Also the constant fluttering and floating didn't help. 

“You've been given permission to test your magic on our other gardens as well. As long as we are careful and continue with caution!” Rena babbled. You gave her a small smile and felt Lyiths arm on your shoulder. He laid his head on your other shoulder, leaning his fuzzy head against yours. 

“Whats wrong?”

You wiggled a little. “I'm just having a hard time brainstorming how to do this. I know I said I'd help you guys, but I might not be able to use as much magic as last time. To be honest, I don't really know much about my mana and my limits…” you explained your situation. Expecting there to be disappointment, you were surprised to find none.

“I can’t help but think… How long will this last? One spell isn’t going to cut it for that long. I want to create something that will last for you guys, but that might take a while… and doing just this took all the mana I had. I want to do better. But I don’t want to hurt myself either, especially when I don’t know how this could affect my health in the long run…” The bee-men seemed to be catching on.

“Of course, little one. We wouldn't want you to harm yourself.”

 Lyith also popped up, his voice almost in your ear.

“Us Bee-men also have something like mana. Our magic is not never ending. We would have fixed this situation ourselves if it was.”

Rena reached forward and grabbed your hand, giving it a reassuring pat. “We don't have to do anything today. We can commence whenever you'd like. Our flowers have spread out beautifully and even this is enough.”

You frowned.

“I may have to do this every spring. Or even redo it in the summer…”

“You don’t owe us anything. You are trying your best to do us a kindness. And our hive knows and sees that. We are beyond grateful to you… Its… We’ve needed…We are truly grateful.” His expression fell at the mention of his hive, his antennas drooping. Rena moved forward and held Lyith, a sad expression on her own face.

There was a pause in conversation that grew somewhat awkward.

How do I make this better? You tried to brainstorm, but only one thing came to mind. 

You went over and gave the both of them a big bear hug. It was a tense one, but you tried to adjust your emotions, instead concentrating on how fond you had grown of the two. You tried to shout it as loud as you could through your brain at them.

This seemed to break the spell, as Rena started to laugh. Lyith looked at you affectionately. 

“I know we haven't known each other long, but I just want to say, you can count on me. If you ever need to talk about anything let me know. I'll listen.”

Rena and Lyith hummed in response, returning your group hug with a long squeeze.

Long hugs. The favorite actions of a Bee-men.

After some quiet reassurances, the two of you decided to idle while the two foraged on the edge of the Wood. You walked with them and asked them as many questions you could think of. How old were they? Were they able to do other magics? You had thought Bee-men to be isolated. How come they knew so much about human culture?

Lyith was the one who answered you most of the time. It seemed that bee-man typically lived double the life of a human, with Rena and Lyith being about 45, and 51, Lyith being the oldest. They were in the same season of life as you though!

Bee-man could do some other magics(they didn't go much into what), but they specialized in making their magical honey, which fortified the health and wellbeing of a Bee-men. 

They didn’t say it outright but it seemed like the dip in magic had affected the nutrition of their food source. They kept their own bees and shared honey, but it still wasn't enough, so they had ventured out into human society to buy fruit when it was necessary. They also did trade with neighboring beast-men, the Wolfmen being happy to share their fruit for their Bee’s wax waste. I 

“What exactly do you guys do for fun though?” You asked, trying to lighten the mood.

Lyith smiled. “Late night flying is fun.”

Rena snorted. “You mean late night spying. Lyith has a habit of looking through people's windows.”

Lyith wrinkled his nose at Rena. “If they did not want to be seen they would have drawn the curtains. It's not strange, I am just curious about human life is all.”

Rena reached forward and pinched Lyiths nose. “Poor thing. So bored he must make mischief.”

You looked at Lyith with surprise. His big eyes grew in concern and he pouted at you.

“You are not going to tease me too are you? I promise, I never see anything scandalous. I'm a good little bee.” He fluttered his eyes at you.

You giggled and pushed his shoulder. 

“As long as you're not spying on me I guess it's harmless.”

Lyiths expression shifted to one of his dopey smiles. It always surprised you how innocent he could look despite his size. Was it maybe…

“So… I may have read that you guys are telepathic right?” 

Renas face changed into a smirk. 

“Yes, and?”

“ Well, have you guys ever… used your powers on me?” 

Rena snorted. Lyith gave you an unreadable expression. “We Bee-man are very particular about sharing our heads outside of our hives. But no. We haven't done anything to you if that's what you meant…”

Oh. He was pouting now.

“No! Thats not what I meant! I just… i feel so comfortable around you guys it's almost supernatural. I just. Idk. Wanted to know. Please I didn't mean anything by it!”

Lyith wrinkled his nose at you and Rena continued to seem amused. You felt helpless and got a bit upset with yourself. You did your best to calm yourself down but you were upset. You had so few friends here and you were afraid you blew it. A wave of loneliness swept through you.

Lyith was watching you the whole time, before sighing. “All will be forgiven if you give us some of those fruit tarts you made yesterday.”

You looked at him, shocked. 

“I thought you said you didn't spy on me!”

“I wasn't spying, I just happened to be foraging by the window, and smelled something amazing. It was all incidental.”

“There's sugar in the crust. Won’t your tummy get upset?”

He just smiled. Rena laughed. “He named his price. For offending us, we must get fruit tarts.”

Finally feeling better, the three of you walked(they let you walk!!!) Back to your home. You served them up your tarts, when finally the questions started coming about you. Why did you move here? Do you have any siblings? What were you like as a child?

This went on until dinner time, at which point you decided to shoo your new friends away. “ I'll be back to do the flowers tomorrow. We… we will see what I can do.” You admitted. The two of them smiled at you, hugging you tight for a good three minutes. They always lingered, nuzzling your face and hair, as if they were getting a whiff of you. You could smell their own perfume and tried not to think too much. Their goodbyes always felt so intimate. 

 Rena decided to pepper your face in kisses before they left. Lyith just rolled his eyes at her. When they drew apart you felt empty, like some piece of you was going with them.

***

As always, Lyith picked you up that morning. This time, you made sure to bring a scarf and hat, alongside emergency snacks in your bag. Where he was taking you next was a little longer of a trip, a whole ten minutes to the usual six. That was a long time when you were hurtling through the air.

You were surprised to drop into a small crowd. There were ten Bee-men present besides Rena, who seemed to be communicating silently with them. The air was full of bee noises; humming, purring, the fluttering of wings. The air smelled amazingly fresh, floral and syrupy. It was an odd smell, but it seemed to put you at ease somehow. And maybe a bit peckish.

A Beeman a whole foot and a half taller then Rena fluttered towards you. They bowed, of which you awkwardly returned before they reached forward and took your hand gently. Lyith started,

“This is Elder Bisou. He is the eldest of our hive. He is showing you respect.”

Elder Bisou smiled at you. “Little Witch, I welcome you to our territory. My human is a bit… unused. Please receive our thanks for your efforts.” He took your hand and leaned down so that it met his temple. You could feel the rush of his magic, like your mind was a fish bowl and he was putting a gentle hand on the glass. You could feel his warmth, his deep gratitude through it. 

Your back straightened and you felt water prick your eyelids. You gave him a slow nod, becoming acutely aware just how serious this whole situation actually was. Rena and Lyith had been dancing around it, but the Bee-men must be slowly starving to death. That was the only explanation for the depths of what you had felt.

“I will do my best.” Was all you could reply. 

Lyith, acting as your translator, took you to each Bee-men he could and introduced you. It seemed that some of the elders, as well as some of those who had free time had come to watch the “little witch” work. Most took your hand gently, and sent you a ghost of what their emotions were. There was a sort of film around the emotions, a barrier of sorts. Whether this was on purpose so you wouldn’t be overwhelmed, or just how their telepathy worked, you couldn't tell. 

You did your best to not let your nerves get to you as you dissected the sections of the field where you would be doing your experiments. You didn’t know how these particular flowers would take to your spell, so it was still best to be cautious. The bee-men looked on with interest.

You did your chants in a loud booming fashion, and channeled in as elegant a fashion as you could. Like always, the magic came, and the spell did its work. These flowers were different, like rainbow colored lavender. Rather than letting the magic gush through you, you let it gently trickle out, pacing yourself. When the deeds were done, you still felt sore, and you still held a headache in your temple, but there was no nausea, so growth! 

Once you were done with your work, there was a large excited buzzing throughout the forest. There was clapping, dancing, stomping of feet, pumping of many hands, whoops from Rena and Lyith. One Bee, a worker named Aidenn held a small wooden instrument in his hands and started to play. This triggered a chorus from the Bee-men. There was a harmonizing among the crowd and they started to circle each other, laughing and dancing. A circle of flying, spinning Bee-men formed.

Rena grabbed you by the waist and hoisted you onto her shoulder before joining in the circle of the dance. You giggled as you spun, feeling the giddiness in the air like it was laughing gas. That same pressure filled your mind and a part of your heart started to soar. It was intimate, but not stifling and you loved feeling so close to everyone.

You lifted your hands and, feeling in the spirit, decided to hum along. At some point Rena had taken you in her arms and held you close as they continued to fly in a circle, spinning and perrying, and switching. It was similar to square dancing, where there was a pattern to it. 

At one point, the tune changed and Lyith swooped down from above and grabbed you out of Rena’s arms. She snorted at him but let it happen, joining hands with another passing Bee-men. When Lyith gathered you in his arms, he cradled you as close as possible, surprising you. One hand was gripping firmly around your waist and the other crushing you to him. He landed on the ground, and the rest of the bee-men followed, causing something of a ballroom dance. 

“You did wonderfully today.” He breathed in your ear, causing them to redden. You pulled yourself back a bit to see his face and he was looking at you with such pride and affection it felt like a weight crushing your chest. You moved your hands from his shoulders to reach his own hands. You were shaky, but you wanted to return his feelings somehow. His palms were soft.

This caused him to laugh, a purring sort of trill coming from his throat. You couldn’t help a silly grin form on your face.

“I’m glad you came to my garden.” Was all you could think to say.

He looked at you, with those big black eyes, then reached forward and kissed you on the lips. It was only a peck, but you could feel his joy through it. 

Something complex within you, a mix of happiness, excitement, hope, all of your feelings rose up into your throat. Unable to find the words to express yourself, you took all of those big heavy emotions, wrapped them all up together and kissed him back, right there, in the middle of your makeshift dance floor.

When you pulled away Lyith looked shocked, his bottom lip hanging open. Adorable as usual. 

Rena hollered from the otherside of the gathering, sending out a big whoop. There was laughter, buzzing and an echoing whoop from some of the younger bee-men. Elder Bisou made some clicking sounds, but the sides of his mouth were slightly upturned.

It occurred to you then that you were in the middle of a group of very telepathic monster people. Your cheeks grew hot in embarrassment and you pulled away from Lyith a bit. Your shoes suddenly became very interesting. 

Lyith eventually turned your chin back up to face him. He held a small peaceful smile, before bumping his forehead to yours. He didn’t share his emotions but the affection was still there.

After you grew too tired to dance, you took a seat under a tree, munching on a granola bar. Another one of the Bee-men, a younger drone named Haven, made his way to sit next to you.

“I don’t know if it was mentioned, but honey production has picked up enormously since you agreed to help us. I haven’t felt this great in… well ever! Thank you little witch!”

“I’m not little, but thank you for saying so.” You were starting to get a bit lightheaded now, and not from the dancing. It was possible that some of the symptoms of mana sickness were surfacing a little late.

“You are strong! That is true! Even elder Bisou has said he hasn’t met a human or beastman with mana like yours!” Haven turned his voice down to a whisper, as if he was sharing a secret, “Your magic smells so much like flowers, really, its a huge blessing! In fact, I would eat you up if I could!” He laughed as if he had made a joke. He sighed and looked up dreamily at the sky. “Alas, I am saving myself for when we find our queen.” He wrapped his arms around himself, as if to fend off imaginary suitors.

You wrinkled your nose. “Queen? You don’t have a queen? Isn’t that super bad for bees, I mean bee-men?” 

Heaven tilted his head at you, reminding you of Lyith. 

“Of course. That's why we are all so small and weak.” You stared at him in shock. He put up his hands. “We are doing well though! It's been 20 years since our queen died but we are still here! Oh! There is a hive up north! Any day now, one of their queens' daughters might descend and bless us! Or.. Or we--”

“Little One! You seem like you're getting sick!” Rena Descended from above and put a hand to your forehead.

���You are far too warm! Haven, mind if I take her out of your wings?”

Heaven looked up at Rena, his face a mask of confusion. He eventually gave in though and stood up.

“I should check on Elder Bisou! He might need something!” His voice was flat, obviously fake, but he ran away- flew away with gusto.

Rena took your face into her hands, tilting your head back and forth. Your lightheadedness turned full on dizzy. Rena’s face screwed up in an annoyed expression.

“You overdid it. And after that whole speech about not knowing your limits too..” She gently put a hand on your back and picked you up princess style. You would have been embarrassed, if your brain was functioning properly. Instead your gaze fixed on Rena’s beautiful iridescent wings. The lights were so lovely and they helped ground you. Honestly, everything about Rena was lovely. Well, maybe lovely wasn’t the right word. She was rough around the edges. A tease and a know it all. But she doted on you so, it made you feel a bit overwhelmed. Your gaze shifted from her wings to her lovely nose, pretty sharp for a bee-men. 

Rena started conversing with Lyith about you, pointing her jaw and humming. Huh. Rena was actually incredibly attractive. You had known that before. Maybe it was something about how dizzy everything was. The last time you had felt this way she had been kissing you, her textured tongue pushing nectar down your thoat-

“Little One”

Your mind immediately focused. She was using a demanding tone. 

“Lyith will take you home. Next time, we will only do one spell at a time.” She leaned forward and placed her cool lips to the side of your mouth. Making you blush. Well your face was already heated so you would have blushed. “I will see you again soon. Rest.” And she was off.

You were in Lyith’s arms again. A place you were starting to get comfortable in. He stared at you for a moment, his lips pursed, then sighed loudly. He held your gaze for a moment.

“I do not like this habit you are forming. You will not get sick again, understand?” 

You nodded at him, mind hazy. Sleepy. You were sleepy. 

You didn’t register the fly home, only that the coolness felt nice. You were carried from the porch, into the living room, up the stairs, and laid on your bed. You were covered in warm, delicious blankets. 

You never saw Lyith leave before you passed out. Probably because he tucked himself in right beside you, the cool air washing over both of you from the open bedroom window.

Part Four

[skyfallscotland]

Ok so Rebecca did a one hour panel today in Sydney with Lynette Noni hosting, where she asked questions and then they opened it to fans. I've kind of summarised the things I haven't seen mentioned over and over, but I don't frequent the subreddit anymore or use TikTok, so there might be overlap. In any case, it's long. Settle in. I've sectioned it into plot/character relevant first, then themes and interesting facts about her and her writing. Basically, you all came with me. 💗

• In book three (and every book thereafter) we'll be going to more and more new places. She specifically worded it as "watching the map expand" whether that's significant or not, I don't know. (I was thinking Isle Kingdoms for OS, but maybe that's just my wishful thinking).

• She implied Jack will have a reason (explained) for uh...being a power-hungry prick? lol

• She's hella defensive of Dain, which I love. #DainApologistsClub 😌 Some highlights include:

"You guys give Dain so much shit for the same thing Xaden does. You really do and you're so fast to forgive Xaden and not Dain. Why? Is it because he's hot?"

And, "when push comes to shove, all Dain did—yes he violated her boundaries, as does Xaden—but all he did was trust his dad when his best friend no longer spoke to him. That's it."

"When Dain looks at her (in the interrogation chamber) and says 'if you had just told me, none of this would have happened', he's not just talking about the interrogation, he's talking about Liam, he's talking about if she had just trusted him (in Fourth Wing) it never would have happened." 😢

• She was asked about Liam's appearance in the interrogation chamber and definitively put to rest any signet theories involving that. "She's so alone in that moment and...I don't read fan theories but sometimes they reach my ears; she's completely disconnected from her magic in that moment, she can't even reach out for Tairn or Andarna, which are the bonds that are actually most important to her. She can't reach out for Xaden. And that's the one person who would have prevented that from happening the last year, so it's natural that's who her mind would summon."

• She's thought about a spin-off series, but she's just trying to survive this series.

• Someone asked her if there'd be any redemption and romance for Jack Barlowe and honestly, thanks guys, I don't think she's ever coming back to this country 💀 ("Are you getting enough sleep? Uh...I mean, from his prison cell maybe? No.")

• Someone asked "what is Garrick's signet and why hasn't it been shown yet?" (shoutout to this girl, she's the real MVP) to which Rebecca said "it's very much in book three, I love it."

• Someone asked about the orange dragons and unpredictability re: Amber, Jack, Varrish and then Imogen and Brennan. Rebecca said some dragons might look for traits like their own and some look for balance because it's a partnership; and that Brennan as a strategist needed that little bit of unpredictability in his life (lol, I think he got it).

• She didn't always plan for Violet to have two dragons. Originally it was going to be one (Tairn) and the editor had hoped that she would sway towards a weaker, smaller dragon and she thought that was a little too close to Abraxos in ToG, and so they compromised and gave her both. She also went on to say she doesn't like overpowered heroines and since Tairn is extremely powerful, Andarna balanced that out. (I'm not...I'm not sure how that works out? But that's what was said.)

• We are definitely going to find out more about the original six (and Lynette asked if that was a spin-off possibility and was shushed, so she's thought about it at least, but I get the idea she's thought about a lot of possibilities 😂)

• There's no timeframe for the release of the final two books.

• Someone asked if Violet's dad was Malek to which she was kind of shocked. He's not a god, guys. And low-key I JUST WANT TO KNOW HIS NAME. 😤

• On Sgaeyl: "You do (get more of her) but holy crap is she pissed. So—I'll tell you that about Onyx Storm—she is really, really mad at Xaden and she's not exactly speaking to him at the moment. So it's hard for her to speak into that bond when she's not speaking to him." 💔

• She was asked about the Violet dated Halden theory (which was fucking hilarious because the poor girl misspoke and asked if Xaden dated the prince and we were all really confused about which TikToks the poor thing had seen (note to self: consider cam/xaden), anyway after we got to the bottom of that, Rebecca replied, "I think you should read the third book." Which I'm taking to mean, the man is making a damn appearance and we're gonna find out for ourselves 👀 Hey, if I'm lucky maybe we'll even find out his surname

• Finally she said she has EP on the Amazon series, they've all been exceptionally protective of it and that she's happy with how it's going (they're not near casting yet and she doesn't want to really comment on that ever, to leave each role open to as diverse a cast as possible). She said the production team has come to the signings in LA to meet readers and see what they love and are passionate about when it comes to the series to make sure that's honoured.

"Like I mean, I've seen certain...like what can I say without getting tackled to the ground? Let's just say they've already taken steps to make sure that what you guys love about the story is envisioned and that it's not run amok. And I'm very happy with it, they're super protective of it." Which could just be me reading into it, but the first place my brain went was the dragons 👀🐉 and the CGI or whatever.

• She was asked about where the inspiration for the universe came from and she said that when her Entangled decided they were going to do romantasy they asked her for five pitches and Fourth Wing was one of them (she won't say what the others were because she might still write them someday). She said she likes the fated mates trope but she wondered what that would look like if the dragons were the ones mated, not the humans and the humans who couldn't stand each other were forced to be around each other because of this. 

• Her first ever book was romantasy but it didn't sell

• She's never really written enemies to lovers before.

• She likes found family themes because she was raised in a military family and moved around a lot, so that makes it hard to keep in touch with your extended family, and after she married her husband and became a military wife, it was their found family that was there for her—it was her found family who helped her move her house, who sat with her when her husband was injured in Iraq, etc, so she thinks it's very important to show that your family is also the people you choose and that can be just as strong as any blood tie.

• She was asked (by Lynette) why she wanted to show death and the reality of war and she said, "I've been surrounded by it. My husband's been at war since 2003, he spent 22 years in the army, first as a 19 Delta cavalry scout and then ten years as an apache pilot and we buried our friends. And I saw what it did to him, and I saw what it did to our friends, I saw what it did to our children, to us, and I love being able to examine it from a fantasy perspective just because I think fantasy gives us a unique environment from which to critique our own world by viewing it through the lens of another. And I've always delved into those themes as to why we do this to each other and where is there hope to stop it?"

• As an author her favourite scenes in Fourth Wing were the dagger stealing scene (very important to their chemistry and romantic development—"she's the only person he's taught ever, how to actually kill him") and the first kiss scene.

In Iron Flame it was the interrogation scene and how that ends with Dain and Xaden and everything coming together.

When asked about a similar scene from Onyx Storm that elicited the same strong emotion from her she said "you're not gonna like it" and that's it 💀

• She would consider writing fantasy again after she's done with the Empyrean world, maybe one of her other pitches, but she won't truly think about it until she's survived this one.

• She spoke about the "kill your darlings" writing advice and how if you love a scene but it doesn't move the plot, you've gotta cut it, and how she did that with the final scene in Fourth Wing, which was originally 7k words of Violet POV pulling information out of Xaden.

• When asked about fan theories she actually said something I found a little sad. "I don't listen to fan theories. One, I'm not on TikTok—it's a little bit more important for me to be alive than to listen to what other people think they know about me, and two, I don't ever want fan theories to bleed into my writing."

〰️ And that's it! If anyone's going tomorrow, please voice record the whole thing and report back lmao 🙏 🫶🏼

ETA: part two is here, x

[vaguely-concerned]

I have so many thoughts I (ironically) can't put into words yet about the use of heightened and ritualized poetic language and phrases in connection to magic in Nevarra (or possibly within the mourn watch?). they don't default to an ancient language for it like tevinter predictably seem to, and while they do have a whole scholarly language for the academic side of it -- when they're actually casting it and interacting with the dead, they speak in common but through poetry and metaphor in ways we haven't seen any other culture do. maybe the avvar, as the closest, just in a different literary tradition. they speak to the dead, but in a living language. ingellvar rook gets a bit defensive and even reproachful during emmrich's recruitment quest when the other companion makes some sort of comment to question it. 'it's watcher tradition! >:('

'Open your hearts to the final day, companion of all the ages'. even a rook who doesn't take the almost religious element of the role of watcher as seriously knows that one by heart no matter what you make them say during walking the graves. when myrna in so many words says that the necropolis is still rook's home, the way they agree with her is simply to quote 'A home in life, a berth in death...' and her smoothly finishing the thought with 'a house of many mansions'. there are several times with emmrich where rook answers something he says just by quoting from some watcher text they both clearly know well. (if you do this to weasel out of answering when he asks if you're afraid of dying, he is understandably peeved you're quoting watcher 101 stuff at him, and rook clearly knows exactly what they're doing.) this shared base of literature -- and more than that a kind of oral tradition, it sounds like? it's just What You Say when you do certain things, do you think half of this is even written down anywhere? this shared inheritance of language making for a feeling of belonging and continuity is beautiful and moving in a way but also. a bit cold and distant, all mind and no body connection. which I feel might be a running theme around the necropolis haha they mainly seem to have interest in bodies once life has vacated them, they don't give that much thought to what makes it feel good to be in one while you're here. we can only imagine the psychological effects of growing up a crypt baby in this particular cultural milieu.

you know what it reminds me of a little bit in places, actually? the way the qun uses language and set phrases to convey layers of meaning. the qunari are an oddly poetic bunch. and I think there's also something here about like... cultures whose religious side are more about philosophy and the language used than an idea of the divine as such. yeah nevarra is technically andrastian, at least on the surface, probably largely for reasons of 'ugh it would be SO inconvenient to have an exalted march called on us :/ some of us have real shit to get on with you know this body isn't going to mummify itself. sure tell orlais we'll join their dumb club or whatever'. but within and beneath that the syncretism with and survival of much older traditions are still so obviously (and double ironically!) alive. how much does your average watcher believe in god, and how much and how immediately do they believe in the grand necropolis, and in their duty to what has been, what is and what will come after them -- the quest for knowledge? memento mori ass culture to the point of absent-mindedly forgetting about everything else including god (affectionate). maybe the maker exists, but he's just not that relevant down here. he may take the souls, but we still tend the graves. render unto the chantry what's the chantry's, and unto the watcher what is theirs!!! really is the whole thing huh

[mysteryanimator]

Thought process of Powerful Predatory Deadly Fan-Animatic

(Aka I ramble about how I went about storyboarding this because i have many thoughts)

I haven't done this in a proper while, where I just vomit out how I went about doing this kind of stuff (more so animation) to track progress! I stopped doing it because the self doubt worms were being really loud, but these are fun, so we're bringing this back (maybe)!

“Mystery there’s no way you thought and did all this in the span of 2 weeks with breaks ON TOP OF UNIVERSITY-“ Objection, hyperfixation and the drive to improve is absurd. Not only is this really enjoyable to me that I actively make sure I carve out time for it, but I also want to make sure I strive to do my best at all times. I want to be like my online peers and mutuals :D

(This was me streaming the process to my friends so I could lock in)

This is going to be different from all the other breakdowns because this is not an analysis; this is more of a personal run-through of how I went about it and how I am reflecting upon it! How I storyboard now is very different from how I used to approach it. By all means, I know there could’ve been stronger shot choices, better pacing, etc. There's a lot to improve on, but suffice it to say, between January to now, the difference is night and day.

This will be way more casual and more just a blabber of thoughts. This also means a huge chunk of it is just me word vomiting, which also means if the grammar is somewhat off, I apologise in advance.

Before we start with the actual shots, we have to go through

✨ iteration process and research ✨

While I do have a script, the story beats were as follows:

1. Tera and Mizrak meet in the forest (intent to 'lure out' Olrox via Mizrak)

2. Fight (put pressure heavily on Mizrak)

3. Mizrak says something that reignites Tera's grief and humanity

4. Tera momentarily loses herself, allowing Mizrak to get the upper hand, only to lose it a second later

5. Tera says/does something that reignites Mizrak's fear and humanity

6. Olrox appears, therefore ending the fight/scene

I initially went in with the mindset of this being a somewhat even fight (in every single script draft, Mizrak loses tho LOL). This meant that for me, at least, to keep the fight visually interesting was to have both characters move very differently. For Tera, I looked at ice skaters, ballet, and lyrical because I have a personal preference when fights look like a dance; it’s my most favourite thing ever. It also just establishes from the get-go Tera’s composure and control before I eventually had to break it and make the contrast that much more harrowing.

Mizrak was always going to be rough compared to Tera. I thought an interesting fighting style would be Arnis, a Filipino martial art style that uses sticks or improvised weapons for self defence and combat, which would be a fun a way to extend use of Mizrak's nails (also me, Filipino, just a wanted to finally have an excuse to board it). This would be combined with Muy Thai, break dancing and tinkling (that is so fucking cool for dodging ice). It also kind of already flows into Mizrak's melee sword style because it's very 'wooshy', and I noticed he does a ton of curve-up/down and follows the line of action from his sword. I digress, though.

As you can tell, the action shifted from a somewhat balanced 1-v-1 fight to a "this isn't a fight, this is a trap". This was paired with the horror aspect I was leaning into, which meant I disregarded a ton of my research. However, all the fight styles were not completely lost. They still find themselves using those techniques! Mizrak has shifted to just kind of doing defensive drills without sticks/nails to cement how he’s not used to dealing with magic fights, and he can't repurpose the ice that hits him because it shatters on impact. Tera, I'm not 100% sure if this was the right call for this, but I ended up just making her from the waist down really still until she lept forward. This was to make her seem very inhuman, controlled, and calculated like a predator (wow title) because:

"You've been stalking me for a month. What the fuck do you want?"

I felt like I had to showcase that and give that line proper weight. Like she knew beat for beat what she was doing, purposefully aiming for Mizrak's arms, knowing they'd shatter, throw him off guard, and pin him. Again, I'm not sure if it was the right call, but I wanted it to make it doomed from the start.

This is where I now delve into media-specific research. Since action is not a particularly strong suit, how to actually capture action on screen was challenging BUT fun. So with the addition of the storyboard classes I took (Ae Ri Yoon and Danny Araya are both wonderful teachers, and I learnt sooooo much; their classes are amazing. Ae Ri Yoon runs a class each season so definitely check her out if you want to do action!!) I did research into Legend of Korra. Specifically metal/water/ice bending. I limited it to just ice, cutting out the fire ability because I saw the potential to further the rhetoric of the lack of humanity/warmth in Tera's life. While I'm still not entirely happy with the core fight itself and not very confident about how it was captured, it is a step in the right direction into strengthening that skill. Only with time and more precision I get better at it presumably, LOL.

Even though a huge chunk of actual research went into just staring at LOK and filling my fyp with copious amounts of MMA fighters, I did want to lean onto horror. Often, when I’m doing uni assignments, I have a ton of video essays/films playing as background noise, and for a long while, it has been gothic/folk/religious horror media. After realising the potential of doing 'horror' due to dabbling in it for the Rabbits animatic, I set to properly delve into making this one horror adjacent. While horror/fear is subjective, and I knew I couldn't do true horror justice (also, this is an action scene), I still wanted to take the visual tension they do. I took inspiration from Mike Flannigan and Robert Eggers' work, The Ritutal, along with video games such as Silent Hill, Resident Evil, and the American McGee's Alice franchise. There's probably way more I'm missing out on, but this was simply a mosaic of all the stuff I love in all fairness.

The video essay "The Fear of Transformation" by ProfessionalViral, while it discusses Tokyo Ghoul, made me deeply think of Tera and Mizrak and what I could visually convey about the tragedy of still being human on the inside yet facing the consequences of being a 'monster. ' Unfortunately, that video has been copyrighted to hell and bac,k but it stuck with me a lot and made me still push really heavily on focusing on portraying Tera and Mizrak's anguish, so the "action" of it got smaller and smaller.

✨ process time ✨

I’ll briefly run over how I actually went about it.

For this, I did some explorative thumbnails, and some of them did stick around to the final- such as the framing box shots and Tera's ending monologue. Once I felt confident enough, I laid down roughs or just text placements, knowing what should be happening but not knowing how to visualise it. Some will be sentences, others will be WHOLE PARAGRAPHS just detailing the meaning behind a scene and what specific mood I want. With this board, I ended up jumping around a lot, never solely linearly going from beginning to end. Also, my roughs can be absurdly rough or absurdly clean, which is very funny.

(like dude what)

Also, I wasn't supposed to do shadows/lighting but also this is horror adjacent. I feel like it establishes the more eerie tone I wanted to go for :D

Fun fact: many of the forest shots came from me scoping out irl places for compositions/nature literally any time I went outside. While yes, I had very specific compositions in mind, actually running around was very helpful to figure out the space and understand perspective better since I do struggle with it from time to time🫰

now the moment y'all have probably been waiting for

✨shot breakdowns✨

While I'm not going to go through every scene for this to let people have more free reign to interpret each shoy as they wish, I sat with each individual shot for sooooo long. Trying to figure out why and when to cut, what story beats motivate for entirely new camera positions, etc. Especially with action, it is a new territory for me.

Split diopters!

This was a thing I wanted to play with as it commonly occurs in The Haunting of Bly Manor! Here, I've linked a video essay, but it should take you straight to the section talking about split diopters in the show. If that doesn't work, it is at 41:45!

As Haunting of Bly Manor uses it to highlight empty space, I also wanted to do that to create not only that same unease, but give Tera an immense amount of power over Mizrak even though she's not there, especially in the subsequent shot where a hugeee amount of of the space just nothing but trees, as Mizrak stands closed off with the house.

This here basically answers Mizrak question of "what the fuck do you want?"

Tera is here to dismandle the comforts of homely life for Olrox, which happens to include Mizrak. To get Olrox out of his comfort zone means also taking Mizrak out of it. Also, I wanted to convey that Mizrak is clocking what Tera is putting down, so he's positioned as if he's defending the house. This is also why I wanted to cut to a close-up.

This also becomes a nice moment to come back to because I reuse a very similar set up when Olrox gets introduced into this animatic.

Also, yes, that is a box; it's not a Myst animatic if there are no boxes/framing devices. While the boxes are still somewhat suffocating, as most boxed framing is, each windowed frame communicates wildly different things. Every single character who appears in this animatic has a full body in a specific frame, including Tera.

What I planned to communicate was the following:

Mizrak - He acts as one of the pillars to box in the house rather than being within the frame itself, implying stability and structure. This showcases how he wants to defend the house, however, it also establishes he's the 'weakest' amongst the three characters in this animatic because he's off to the side.

Tera - While using someone else's body as a frame, most of the time, it usually means the other person has more power. It's flipped on its head this time because it all the shots before this one have characters off-center to suddenly being dead in the middle. This breaks up the pattern and therefore breaks up our initial understanding of what's going on (hopefully). Therefore, it creates a lot of tension and unease. Also, Mizrak's legs practically go in the row of the trees, as he's lined up, which is where Tera wants him to be because Mizrak is now predictable. Tera has been stalking Mizrak for a month, as stated before, so she knows Mizrak's patterns and repetitive actions, like the trees showcased.

Olrox - He basically combines both Tera's and Mizrak's boxed frame. He's set off to the side like Mizrak; however, he's in the center of the hole in the wall. He also basically makes the frame himself by using the skulls and he blocks the only exit out of the house, creating an imposing force that puts Tera into a box off to the side. Also, if you compare the Olrox shot with the "(OS) Not exactly" shot, Olrox is placed where the house is, so it really really cements down that this is what Tera/Mephistopheles/Old Man Coyote/"Some other name" was after. It can also suggest a ton of other things relating to Olrox's relationship with Mizrak.

This was very very fun way to establish the character's power dynamics.

While sharing a WIP of the early script, someone mentioned Mizrak's line directly to Tera, and I just had to do a direct comparison. Tera should be allowed to mock him (everything changed for me when Tera was a lot more sassy towards Emmanuel; that was so fun to see that side of her, so I wanted to channel that here).

This camera truck from Tera to Mizrak was really fun! It helped to quickly establish the gist of the fight, with Tera being much larger that she doesn't fit the screen while Mizrak is way in the back and is really small. It also establishes that Tera is intentionally putting pressure on Mizrak to move back because it means they're getting closer to the house.

I also from the getgo wanted to just give a sense of impending traedgy that Mizrak is so fucked. He is losing this fight no matter what; that's the horror aspect of it. Rather than focusing on the horror for the audience, it's the horror for Mizrak that would hopefully seep into the audience because, presumably, I've gotten people to connect with Mizrak before this fight has commenced. Basically, my statement here is, "We're watching a man try to vie for his life." Not only does Mizrak ALMOST DIE, but the sanctity of the home is destroyed. Olrox is the sole reason Tera didn't accidentally overcommit to her grief and rage.

This shot was fun, I feeel like i could've keyed it out more BUT I like what this shot tells. It basically cements Mizrak into a trap and gives him no exit. There's also a momentary pause JUST before Mizrak does a spin around as if he is calculating what to do next but Tera already anticipated it.

Dutch angleeeee as it moves from a close up to a full body, and then we have the contrasting circular motion of the icicles against the straight line of Tera. This was also a very fun shot as it basically establishes how powerful she is and how much control over this entire fight she has. Also dutch angles not only appear more "dynamic" but it also shifts the balance to be uneven to cement how uneven this fight is.

My friend pointed out how this shorthand of Mizrak was just his chest, which is the funniest thing ever because I genuinely didn't know how else to shorthand him, because this is a hahaha what if season 3 had a Tera Mizrak face-off? He'd be wearing different clothes.

This was fun to showcase that while yes Mizrak is a vampire and supernatural, this feels really human, very much still a beginner at this new life (because vampirism in a queer context can mean self-acceptance of what you consider taboo). This was one of the shots I knew I had to keep grounded. Not entirely sure if it was the right call, but I wanted to showcase him being worn down and thought that this was a good way to portray it.

Also, if you watch carefully, all of this is calculated by Tera because again: "If you're worried, I'm not here to kill, and I'm not here for you."

In both of my storyboard classes, they mentioned something about having your "wow" moment. This was one of the intentional ones!

I'm glad people gasped and went, "oh shitttt", alongside the other mizrak eye shots I'll talk about a little bit later. It holds for a bit longer in an uncomfortable way. In a way, it has you questioning what's going to happen next as you grip your chair in fear (hopefully).

I also tossed up the idea of making Mizrak yell/scream, but I wanted to hold off until we got to the second important eye shot of Mizrak. So here, I hopefully gave off the impression of Mizrak trying to maintain control even though he's absolutely terrified. He's in adrenaline mode.

The Jesus implications :D not only do we have the very well-known puncture wounds in the hands, but we have wounds to the left side of his body! I was very close to puncturing his feet to really cement that connection and make it more horrifying how Mizrak was trapped, but I needed them free so he could land a metaphorical/physical gut punch to Tera later on.

In this instance, Jesus and Mizrak knew they were going to die, but they went through with it anyway. I also thought it would be visually interesting that Tera, the sacrificial ram, would be perscuting Mizrak to the cross. Allowing people to infer as they wish from it because that is very heavy symbolism.

I kept ending up doing a lot of cuts to close-ups in this fight, which I don't inherently love, HOWEVER, this fight is extremely emotionally loaded. It was very important to me to capture the faces of the characters, especially when they start verbally wounding each other.

To mirror Mizrak's shot to Tera was sooo important to convey the idea that Mizrak's words really tug deep into Tera, also helping to visualise the fact that if this was to be ever animated, for a few seconds- her vampire pointed ears get hidden and her eyes are shown off properly and it is as if we regain Tera back. For the majority of the scenes, I just intentionally blacked out where Tera's eyes were or just obscured her face a ton with hair.

I'm sure there are more ways to explicitly share their deep, vulnerable human moments besides close-ups, but for now, this is just what I've got, and with time and experimenting more, I'm sure I'll break out of this repetition.

Then we get the GUT PUNCH.

This was important because this is Mizrak's single and only physical attack against Tera, which on paper is REALLY FUNNY, but the mere mention of Maria disarms Tera, translating into Mizrak being able to fight back. I considered him kicking Tera to make you physically wince or some other thing, but I just went for the knee jab into the stomach because it felt the most like a "punch to the gut".

I also just needed another shot that wasn't a close-up. I needed something to pull you out of the close, intimate moment because Tera and Mizrak barely share the same screen space on purpose. It's an uneven fight; they're never going to be level and grounded in the same space, being really disconnected. HOWEVER, was this the best way to portray this disconnect and uneven balance? I'm not entirely sure.

This was me experimenting with switching to two backgrounds and pinning characters to the camera! I thought it was also a nice way to transition from Tera's initial loss and then seeing a gradual but quick switch up, which I thought matched well with this type of camera move.

Admittedly, I got really stuck on how to get Mizrak into the air and create build up for. It was very important to get to this shot. Like, I love how this shot looks and feels, but the build-up before it doesn't feel all the way there (personally) THOUGH, this became a point of i was fully stuck, and I just had to move on. This is supposed to feel like the final blow/strike within the fight before Tera begins to go overkill when they get to the house. Like here, she's won the fight, especially paired with fact that this goes in 'slow mo' and the subsequent scenes are Mizrak smashing into the house.

Which, by the way, THAT WAS SO FUN CAPTURING THAT. While I do realise now I could've made it way more gnarly and have him tumble/hurt more to really push for that Mizrak was completely outmatched, I think this was still cool regardless (I was consuming invincible boards to figure this out lol).

THIS WAS SO FUN.

The Tera monologue was actually one of the first things I planned out, and this close-up shot was important to me to see Mizrak's struggle. Not only was the hand piercing supposed to be one the iconic moments in this fight, Tera turning Mizrak's tears into icicles was also planned to be one of those moments.

Not only is it just cool (pun intended), but it's also directly showcasing how Tera is physically weaponizing his fear and humanity. Much like how Mizrak dug deep into Tera's grief and humanity when mentioning Maria to cause a literal gut punch, Tera is just returning the favor. Just ten times worse, you know. After this, we pair with a tonnnn of extreme closeups and quick cuts to get more of that chaotic feel as if Mizrak's attention is jumping between multiple different things to try and find a way to get out, contrasting this long monologue Tera is going through.

Which Tera is talking about how loved and lucky Mizrak is. I love doing contrasting imagery to audio.

Seeing Olrox BEFORE we actually see him was very important to me here because it somehow breaks the initial tension whilst simultaneously elevating it tenfold. Especially since the line JUST BEFORE the purple glow is "you are far too spoiled by god", only for Olrox, who's straight up associated with Quetzalcoatl, a Mesoamerican deity, to APPEAR.

Also, by this point, Tera has completely WON. Not only has she disarmed Mizrak to feeling human and vulnerable, but she's also brought Olrox to his limit.

When Olrox's genuine appearance occurred, I wanted to do very pulled-out shots, completely contrasting the much more panicked, frantic close-ups. Even the skulls are super skill. Despite this, I still wanted to make it feel quite suffocating but presented it differently to showcase an even more elevated power. Olrox is stronger than both Tera and Mizrak, and he displays that power. Olrox here is grounded, which is why we get 'establishing shots'. Not entirely sure if this is the right term since this isn't the start of a new location/sequence, but it is here to establish the new tone and properly ground us to the setting.

Also, intentionally, I'm not allowing you to see Mizrak. I'm stooping it in mystery (pun intended) to make people question if he's alright or not, and for the rest of the animatic, you just never see his face. I'm ripping that connection from you to make you sit in worry and, therefore, place you in the same headspace as Olrox.

Wow more closeups of side profiles, Myst (im sorry im a sucker for them but I swear it works here... I think)

This was fun because Tera and Olrox understand each other here, but they don't ever look each other in the eye/acknowledge each other's physical presence. Again, going back onto verbally wounding like what Mizrak does, except this one is way more subtle and controlled because again, Tera and Olrox amictably understand each other. They both understand how they are so interwoven with the ones they are loved by, so they know their places are not to kill each other. There's a lot of power in having Olrox let Tera enter the scene and exit it without moving. Double fun fact: the wall in the background have direct lines that Tera crosses over. This is meant to visualise how Tera is really testing Olrox, especially paired with Tera jabbing back at how love in the vampire is a dangerous thing to hold. This makes them both somehow be on the same level playing field, which is why I went for this specific shot of their side profiles back to back (and also why they both have the hair thing that goes across their face)

Holding on this shot was fun, too, because it's akin to holding your breath due to the tension. Any sudden movements and everything falls apart. It's a race to see who breaks first, which ends up being Olrox as we see how his skulls kind of flicker for a moment before dissipating as he looks in horror for Mizrak, which we don't get the luxury of seeing.

And we're done with the shots :D

✨ animatic editing ✨

So I know this portion I don't have to do, but also,

a) It makes the animatic feel that much fully rounded for general viewing

b) I have a background in media analysis and production. I miss doing the production part, like editing LOL

While admittedly I am a much weaker editor/ audio mixer, this was still a fun challenge! This was more self-indulgent than anything.

A fun note is that originally, Duo Seraphim by Monteverdi was going to be the music because it fit sooooo well, especially since a third singer joins later. However, the vibes did not work, and I just stuck to Powerful Predatory Deadly from the Nocturne soundtrack because that also fit really well for the haunting vibes. Also, Tera humming at the beginning was majorly inspired by Death from Puss in Boots: The Last Wish but also other villains who have melodic motifs to signal if they're in a scene before visually seeing them. It is soooo fun. This was also because I wanted it to contrast with how you sense Olrox's presence first with colour (also with an electric hum, but it's not distinct).

Ok now im done. This was supposed to be unserious so i could truly cool down from this animatic. I'm glad people liked this and also that people really enjoyed watching me improve over the last two months, it is superrrr appreciated! The sky is the limit and I know I do have much to improve on, but the final effect of getting people to have takeaways from these animatics and to actually feel something is fantastic. It means I'm definitely going in the right direction :D

Again, thank you guys for reading this really lengthy ramble!! Closing my eyes as i share this and immediately running lol

[ordering-milk-at-a-bar]

Can you, maybe possibly do more winx club/fairy! Reader with the chain drabs- 📍(idk if any anon has this emoji but I want it.. whatever they mean)

Yeah, you can have that emoji. Of the people who have asked to be certain anons, none of them have used that emoji. I haven't come in contact with these emoji anons that much, but from what I can gather, they're used to mark a recurring fan who prefers staying anonymous.

--

“I think I see your problem here.”

Now you were by no means an expert on teaching magic, but when Hyrule came to you asking for advice, how could you possibly say ‘no?’ In a way, you were the best person for him to ask. While all members of the Chain have come into contact with magic - and even used it themselves - it was through magic items or fairies (which you were a little horrified to learn they often caught in bottles). Hyrule was the only one to actually harness magic and cast spells.

The two of you were similar in many ways: both of you learned about your magical heritage much later in life than others like you, there was the fact that both of you could transform (even if, like all other fairies of his world, he was much smaller than you), and the fact that you both felt different from the people you grew up around due to your magic.

“You’re trying to force the magic out, but at the same time you’re stifling it.” You spoke as you came closer, letting Hyrule relax his hand. “That kind of polarising pressure doesn’t allow the magic to flow correctly, which could lead to your spell backfiring on you. Believe me, it’s not good for your ego.”

You laughed a little at a memory of some of your first spells going wrong. You have no idea how, but you somehow messed up a spell that would change the colour of your hair. It was literally the first - and easiest - spell they taught you at Alfea and you managed to turn your hair into a technicolour nightmare.

But it seemed like your impromptu magic lesson had to be put on hold.

"[Name], my grappling hook got stuck in a tree and I can't pull it loose." A whiny voice caught your attention. "Can you fly up and get it?"

You know, sometimes you wondered if it wasn't such a good idea to tell these boys about your powers.

"Can't Wild climb up there and get it for you?" You ask a little annoyed. "I'm a little busy right now."

"But I wanted to show Wild a cool trick with it. If I go asking for his help, it'll be embarrassing."

You couldn’t say ‘no’ to that pleading look. Wind’s expressive face had its funny moments, but his puppy dog eyes were like weaponized guilt. Shooting Hyrule a look that said “sorry,” you received a small “it’s fine” in return. You’ll continue your training later.

You let out a sigh, looking up at the tall tree Wind was pointing at, “alright. But if this happens again, you’re on your own.”

“Deal!”

In just a flash of light you had transformed into your fairy form, wings out and fluttering to lift you off the ground. Following the rope, you found the hook stuck high in the branches, not only caught by the tree, but also by the rope itself. The whole thing was a giant knot looping around itself, one that you found hard to see where it began and ended. “Geez, Wind, how did you even manage this?” You groaned as you began pulling the problem apart.

“I was practicing a trick, but it went south.” The boy shouted from below as both he and Hyrule watched you work.

“Yeah, I can tell.”

After what felt like half an hour, you finally managed to untie the thing. Letting out a sigh of relief, you grabbed the metal hook, looped the long rope over and around your shoulder and flew down onto the ground. “Here.” You handed the grappling hook over to a very enthusiastic looking Wind.

“Thanks!” Wind then immediately turned his head away, rushing off somewhere else. “Hey, Wild! I can show it to you now!”

“Kids, am I right?” You laughed to yourself.

“Yeah.” Hyrule chuckled. “I don’t know where he gets all that energy from.”

“Now, where was I-”

You hadn’t even had the chance to detransform before someone shouted your name again. This time it came from Four’s corner of camp, where he, Wars and Legend were busy at a makeshift forging station. “We need a stronger, more stable fire over here.”

“I was doing just fine.” Wars shot back at the small smith. “You asked for a stronger flame and I gave you one.”

“I said a “fire,” not a “blaze!” You nearly singed my eyebrows off!”

Guess Wars really wasn’t quite as good with his control with the Fire Rod as he thought. Whose brilliant idea was it to use a weapon meant for combat for forging, instead? But then again, who asks an Enchantix fairy, a fully fledged Guardian Fairy, to be a living furnace, as if that’s somehow better? Probably the same kind of person who asks that same fairy to get a rope unstuck from a tree.

And the smithing group had devolved into a petty argument while you weren’t paying attention. Maybe this could be your out, let you finally get back to Hyrule. But if you were a betting girl…

You turned your eyes to Time, Sky and Twilight who were sitting around a small fire, watching a kettle of water start to whistle. “Let me guess, you’ve got a request for me, too?”

The oldest thought for a moment before giving you a cheeky smile. “No, but I’m sure Wolfie would appreciate an eye-in-the-sky helping him during his patrol.”

Yeah, it was definitely a mistake to tell them about your powers.

--

[auraisereigh]

"Hello to you too, Star"

Chapter 7, Part I

Brennan Sorrengail x Riorson reader Blurb: On a free day Star decides to clear her mind. wc: 4.9k ☆ SPOILERS FOR THE EMPYREAN SERIES. Actually quite peaceful. Star's magic alert. Star's logic? Let me know if i missed something. Uses pronouns: she/her. i use Star as a nickname as y/n sounds weird, and i'm awful with names.

A/N: I loved writing this one so much that i had to divide it into two parts because i wrote so much for this chapter.

Star's masterlist main masterlist

I wake up completely sore and worn out. Seems like I had a whole war while I slept, why not?

It's been a month since the first Assembly meeting and we've fallen in a good routine. We've been having meetings almost daily, we've started rebuilding and we have one person working in the forge now, Mainly making daggers. Better than nothing.

Today was one of those rare days we didn't have a meeting planned. We covered what was needed yesterday. Viscount Tecarus has responded to my letter, though I have yet to read it as it arrived late last night.

If there's one thing that changed the most this month it's the mess in my room, I've left all the paperwork in my dad's office but that still leaves all the empty plates, discarded clothes, notebooks and pretty much anything else you can think of.

Problems for later.

Once I get dressed and tidy up just a little bit, I make my way to dad's office.

Lord. Another meal, another note. Brennan has been leaving me meals and notes all month, not that I've been bothered to check on him, I haven't seen him at all and I wanna keep it that way. It still stings, that I so easily trusted someone just because of a mutual friend.

Naolin. I finished his grave a week ago. It took a while to find the right flowers but with my magic they shouldn't wither.

It's a simple meal, some bread, cheese and ham, a glass of orange juice all neatly placed on the corner of my desk, the note also neatly placed next to it. Those notes get longer the longer he keeps going with this.

"Heard you have a free day. Take some time to rest, you've been busy. Maybe you could read? Naolin used to tell me that you love folklore. And tonight you could go star gazing. Maybe you'll see Naolin."

B.s

I sigh and put the note down. I open the drawer of the desk and take out the bottle of medicine the healers gave me after I got a reaction to some kind of food. I swallow it with the orange juice.

Felix appears in the doorway. He leans against the doorframe and looks at me. He's taken it upon himself to look after me even though I insisted I didn't need that.

I hold up the note and raise a brow. I haven't told anyone about the notes and meals. It always happened when I was too tired. "Something I should know?" My voice still holds that hoarsness that comes with just waking up.

"Brennan has been released out of confinement. He's been questioned a few times and we don't see the harm, so we're giving him the benefit of the doubt." I raise a brow. What questions did they ask him? "Why wasn't I called in for the questioning?" I argue.

"You're too emotionally involved with him." He says calmly. "Oh really? I had every right to. This is my house, his mother killed my fathe-" he cuts me off. "And that's why we didn't come to you for the questioning. Trust me, I did the questioning too. He's harmless. He just wants to stay out of his mother's sight, he doesn't agree with what she's done and for all she knows her son is dead."

"It's her thinking that her son is dead that resulted in my city being burned down." I say back. "An action he did not have control over." He argues back, his voice saying that he will have the last word and that that was that last word.

He sighs deeply as he walks closer and stops next to me. He takes the note and reads it. "He's mourning the same person as you. He's a caring man. Just try to trust him, he's not his mother and you shouldn't judge him for his mother, he doesn't do that with you either. Nobody chooses their parents." He looks at me as if I'm the same. I frown at him but before I can say anything he talks. "You have a day off. Eat, rest, do something you enjoy, maybe get out of this fortress for a while. You've been cooked up in here for more than a month." He says gently before leaving me alone in my dad's office.

☆

I have to admit that meal was good, despite the person who brought it. I had been keeping all of the notes in a envelope that I shoved in the back of drawer. I'm still trying to figure out why I'm doing that.

I took Felix's advice to get out of the house. I glady took my bow with me outside to have some peace of mind. The chances of me actually killing something are pretty much zero but it's the idea that I have it say a certain someone would come looking for me again. I still hadn't figured out who that was but I also haven't told anyone, not even Brennan. But I have heard that voice before, you don't forget such a ruthless voice.

There's enough forest in Aretia for me to avoid the area where Brennan and I spend two weeks together.

Instead I take the route alongside the river that leads to a beautiful lake. There are still a lot of animals out, they dare more now that the woods don't get used as much. Despite all the chances I get I don't shoot or even try to shoot at an animal. There's no point, I've done it enough for a While. Truth is that I only took the bow with me to feel safe.

The walk to the lake is quiet, the kind of quiet I've needed for a while now. Just the sound of the water streaming pass by helps sooth all the emotions I've been feeling for a while now.

By midday I arrive by the lake. It's still as beautiful as the last time I saw it. The water is a deep blue that streams to the river. Here and there are rocks, and at the back of the lake is a giant mountain that creates a waterfall down the mountain. And all of it is pretty much covered up by forest so it gives that hidden, magical feeling. Not many people know this place exists and as there's a mountain most just assume it ends there.

I sit down by one of the larger rocks and lean against it. It's been a month since I've been able to just sit down and relax, to not have to think about anything. Where it's just me and my thoughts.

I have so many memories here, most with Naolin, some with my family. This lake holds so many emotional strings for me. And for once it doesn't feel necessarily bad, it feels.... Freeing. No one is here to watch me, I can just let go.

I watch as my magic swirls over the lake in red veins. Almost like they're part of the water, just in a different color.

I've always been both fascinated and scared of it. No one knows where my magic came from. According to dad it's not inherited from his side of the family. I've spent hours in the library to find something but I came up with nothing. As far as I know it's limitless, almost anything that I can think about is possible with it, it's just a matter of control.

I gaze over the lake, over the red swirls that trail over water and rock.

My mind Wanders to a memory.

☆

Its Almost sunset now. The sun has almost dipped behind the mountain creating a beautiful reflection from the mountain to the lake. I've been here for hours now. Practicing my magic by an old book that my dad had been given by Viscount Tecarus of Cordyn.

I hear a crunch behind me and my head snaps up but I calm down once I see the familiar face with the darkest brown eyes I've ever seen. A smile finds it way up my face as I stand up and run towards him. I jump in his arms and he catches me like it's no big deal. My arms wrap around his neck and he holds me tight.

"Hello to you too, Star." Naolin's familiar voice speaks up. It's been months since I've seen him. Now that he is officially a lieutenant and stationed on an outpost he barely has time to ask for leave.

"I didn't know you would be coming." I whisper. "Surprise." He says softly. He puts me down and his hands go to my cheeks. "I'm gone a few months and you grow up." He jokes which gets a small laugh out of me. He looks over to where I had been sitting. "Ah we're being obsessive again." He states, he eyes the old book.

His hand takes mine as we walk to my sitting spot. We sit down and he takes the book, going through what I've marked.

I stare at him. It's been months and he's here now.

"Anything useful?" He asks as he closes the book. Guess we're not practicing anymore. "Nothing that I didn't know yet." I respond while I stare at him.

His dark brown eyes, I swear they're so dark there almost black but you can see the brown in them. His dark waves of hair, messy from flight.

"You're doing that again." He laughs and I snap out of my haze. My brows furrow and confusion takes over my face. "What?" I ask confused. He laughs and flicks my nose. ow. "That face." He motions to mine with his hand. "That look on your face When I'm just back. Like I'm a ghost that you can suddenly see." He jokes and I can't help but crack a smile. "You can't blame me. I never see you anymore. Might as well be a ghost." I joke back but I know he knows I missed him. The letters I send to him say enough.

His smile goes from the joking one to the caring one. "Come here." He says softly, opening his arm to come closer. I don't hesitate, I've craved his touch for so long. To see my best friend for so long, when I didn't even know if I'd see him. He's on the front lines, for the same he dies.

His arms wrap around me and his head leans on mine. We stay like that for a long time, staring at the lake. Here and there we make a small conversation but I'm just happy that he's here.

☆

Taglist: @honethatty12 @smashee0789 @awkardnerd @randomperson1234sblog @bangtanxberm

[zarvasace]

I read your Linked Nexus AU fic about the Depths drive being on the fritz and Warriors thus being displaced, and if I'm understanding the mechanics correctly, the Depths drive essentially teleports the Epona (and everything in it), right? I thought it was supposed to generate a portal or something, but I'm having a hard time finding information about it on your blog.

AAAAHHHH okay okay I'm cool. Cool. Yeah I can talk about this a little! I don't think I've done so anywhere. (Hi gryphon!! Always nice to see you around!!)

I think the only hint as to the intended function of the Depths drive is in Input:

“Three. Two. One.” Something clicks under Sky’s hands, and the ship shudders beneath Twilight’s feet. A rumble of a frequency barely out of his hearing range ripples through the metal and plastic.  The world warps.  ... And then it stops, everything calm as they float in the Depths dimension, just enough time for Twilight to suck in a traumatized breath that tastes of soil and ozone before something else clicks— The sound starts up again, and seems to stretch even further. Twilight's hands are too large. He can’t breathe. A bright neon light bombilates into his head, a harsh crashing that fades a second later.  His head still vibrates a little when everything settles, this time in the real world again.

Also shout-out to the word "bombilate" there helping to describe a weird brain thing that happens to me sometimes that I inflicted on poor Twilight here.

So what the Depths drive actually does is transport the ship and people into an alternate dimension where spacetime is not quite the same, then out of it again. The Depths dimension is meant to be truly alien and currently very unknowable—the people who made the drive know very little about it. They don't know if anything lives over there, or where the conditions do or do not spell danger for a ship, so... The solution was to let the drive linger there as little as possible. But because of the folded space and eldritch nature of the Depths dimension, you can travel massive amounts of space in an instant. Possibly even time. It's less of a portal and more of a "sucking the ship through a straw and spitting them out then doing it again"

(this is, unintentionally, similar to the way the Drift works in the Starfinder setting. Oops. But it isn't 1:1!)

I believe it's Four who mentions, in a fic I can't recall at the moment (a long walk maybe?), that the Depths drive seems to work on intention, and he kind of hates that. I don't currently have an underlying scheme for the way all this works, but I do know that the magic/energy of the Depths is guided by intention. That's why you can send manned ships in and get a good result, but drones can't usually go where their controllers expect. The Epona is usually guided by Sky, the pilot, who has such a clear idea and strong intention that they usually get where they need to go.

The Depths drive also works on some specific energy inside of it—as the drive is used, tiny particles of that energy go inert bit by bit. The more inert particles there are, the less predictable the drive's results are; that is, the less accurately it's able to read the intention of the most driven person in the vicinity. They can't jump accidentally, due to the way you have to charge the drive up, but they can go somewhere they didn't mean to (possibly with some meta fail-safes in place with regards to how close to a planet or other mass they can get.)

(I also have a tiny note in my head about how Hylians' and Deities' intentions are perhaps more likely to be listened to. Does this mean Four is last on its list? I think so! He might find it difficult to control a drive if someone else is ok the ship. Or maybe the drive energy likes him due to the amount of effort he puts into maintaining it. Haven't decided!)

Warriors getting yeeted out of the ship during a jump to another dimension entirely, and able to be located afterwards, is a bit of a handwavey thing for the purposes of silly crossover time. But I imagined that perhaps the drive read a secret but growing desire from Wars and acted erratically.

Sooooo there you go! Yay lore! Does that answer your question?

[theresattrpgforthat]

Hi! I'd like to run a game that's Jane Austen-esque or a political/social drama with fantasy elements. Think A Court of Fey and Flowers, except I don't want to subscribe to their channel so I haven't actually seen it. Fairy settings in particular would be appreciated! Thank you in advance

THEME: Political and Social Drama

Hello, I think I have a really fun collection of options for you to take a peek at. We’ve got fairies, we’ve got secrets, and we’ve got drama!

Fey Court Chaos, by Mabbly.

Fey aristocrats party the equinox away. You have been invited by the most prestigious monarchs of this wild magical land. Parlay with potential allies, humiliate your enemies, & impress those worth impressing–but avoid getting kicked out yourself!

Fey Court Chaos is a party-based tabletop role-playing game designed to let you escalate a royal ball into dramatic highs and lows. You will need a pool of dice or coins to play. Any kind will do, but the fancier the better!

This is a game about trying to make a name for yourself while possibly ruining the status of your companions. You’ll wager points of Reputation every time you do something risky, with the risks rising depending on the status of the person you’re interacting with. Success means a rise in reputation or learning a juicy secret. Failure means losing someone’s favour, or even giving one of your own secrets away! If you love fantasy faerie settings, this game gives you all the basics, and has advice for the game runner as well. You should definitely check it out!

The 147th Annual Necromancer’s Ball, by Meghan Cross.

You are cordially invited…

The 147th Necromancer's Ball is a one page TTRPG about necromancy and feeling fancy for a GM and 3-6 players played with a single d6.

You are necromancers attending The 147th Necromancer's Ball, dressed to the nines with your familiars in tow. You are ready to have a wonderful time, but more than that you are ready to show your rival once and for all that you are better than them by displaying your social prowess (and maybe even winning Necromancer of the Year.)

But not everything goes according to plan when a party crasher shows up to ruin the evening for everyone - and it is up to you to stop them and save the party!

This is a game all about being dramatic as fuck and also petty as fuck. You can roll Necromancy when you want to do magic or command the undead, and you roll Feeling Fancy when you engage in social entanglements or navigate the ball. Showing that you’re the Necromancer of the Year won’t be easy, especially once a party crasher shows up to complicate things - and possibly steal your chances of winning!

If you love silly games, as well as taking time to describe just how drop-dead (pardon the pun) gorgeous you look, this might be your game.

Avalon Society, by Martian Machinery.

Avalon Society is a game about courtly love and intrigue, and the conflict between passion and duty. You'll play knights, lords, ladies, upstarts, pretenders, unknowns, or possibly a changeling or a sorcerer. Pull swords out of stones, break curses, ascend to the round table, duel your rivals, or even fall in love with them. It’s up to you.

Avalon Society is a setting created for Good Society, which is the game of social intrigue, and in fact, the game that helped build A Court of Fae and Flowers! Good Society takes place in the same time as Jane Austen’s novels, but Avalon Society replaces character roles and family backgrounds in order to represent an Arthurian story. The court also shifts seasonally, which feels very reminiscent of a fairy court. The biggest downside - you also have to buy Good Society in order to use this supplement.

Townhouse Dracula, by Tenbear.

You have the opportunity to attend a dinner party at the one and only Townhouse Dracula. Here you will vie for Dracula’s favour, which includes eternal life and power beyond your imagination.

To decide who gains this power Dracula puts party guests through a gauntlet of past memories. Guests do their best to impress Dracula and convince them that they would be an asset to have in the Dracula lineage. 

Townhouse Dracula presents the players with scenarios that their characters will have to navigate, trying to piece together Dracula’s memories when they might not have all the answers.

This is first and foremost an improv game, so it’s good for people who like coming up with pieces of a story on the fly. You’ll get tokens as rewards for being funny, clever, bold, kind, etc. At the end of the game, you’ll tally your score and determine whether or not you become part of Dracula’s lineage. If you like the mysterious allure of vampires and want to stretch your storytelling muscles, you might want to check out this game.

Tax Cuts and Pixie Dust, by Weird Blue Yonder.

The home of a sordid assortment of terrible woodland spirits doing terrible things in a desperate bid to sit atop the Fairy Throne.

You are those woodland spirits, and election season is just around the corner…

Tax Cuts and Pixie Dust is probably the most political game on this list. It uses pretty standard faerie tropes - you can be an elf, a leprechaun, a banshee… even a giant! All of you are supposed to be part of the same party, but you all secretly want the throne!

This is a game about dirty politicians, with the humour and camp turned up to allow you to get really ridiculous with it. The resolution system involves building small dice pools of d6’s, tallying successes to see how you fared. The GM is responsible for presenting scenarios and complications, which are present in a few roll tables. At the end of elections you vote on each player’s position in the new court, and that’s game!

Butterfly Court, by mishagw.

In Butterfly Court, you will play as a member of the titular Butterfly Court, the court of the monarchy of the kingdom Praecia. This is a court intrigue game that uses the No Dice No Masters system, based on Avery Alder's Belonging Outside Belonging games.

This is a storytelling, roleplaying game, where players portray members of a court, but not necessarily the monarch or the heir. Instead, the game focuses on everyday lives, intrigue, relationships, obligations, and myriad other concerns of the regular people in the court: nobles, but also staff, servants, artists, and other people that make court life possible.

Butterfly Court doesn’t dictate who you are exactly, but it leaves a broad space for different kinds of supernatural beings. So if you want faeries, this game is certainly able to take place in a faerie court. The game is designed to pit your characters into situations that are difficult for the country at large: rebellions, scandals, famine, crime, etc. You also create factions that have different methods and priorities.

Everything that you create together is shared communally, because Butterfly Court uses a GM-less, diceless game system. This means that you’ll each have shared authority over where the story goes next, although there is a cycle of play that helps you move from one scene to the next. I think that the idea of this being a game about different factions navigating political turmoil has the potential to be represented really well through a collaborative system like this.

Games I've Recommended in the Past

If you want something more like Jane Austen, you might like Le Bon Ton! If you like equal parts adventure and social intrigue, then Household might be for you.

[hotasfahrenheit]

a red devil dahlia by any other name

hi hello anyeong it's me your favourite neighbourhood florist who watches BL!

i'm catching up on Meet You At The Blossom right now on my lunch breaks at work (on days i'm not watching whatever Important Currently Airing Show Came Out That Day) and the flower they're using for the Red Devil Dahlia caught my eye!

so what we actually have here is not any kind of dahlia, but is in fact a real flower- that's a South African flower called the King Protea! it's even the national flower of South Africa.

they look pretty wild and come in a few different colours (we had light pink ones with pink centers we were putting in valentine's day arrangements at the shop i work at) and according to wikipedia it "grows in a harsh environment with dry, hot summers and wet, cold winters", so it has been able to be adapted to other locations and it's grown outside of South Africa now in various places around the world.

from this florist website, Maui Floral, king proteas "have the largest flower heads in the genus Protea, ranging from 5 to 12 inches in diameter. the flower heads are actually composite flowers, with multiple smaller flowers arranged in the center surrounded by large, colorful bracts on the outside. they have thick stems which extend deep underground; a survival mechanism for wildfires, since these stems can sprout subterranean buds that will then grow into new plants after a fire".

looking up flower meaning on the internet can be a little dicey since there's plenty of different traditions for meanings of flowers and flower language, plus people will just make stuff up and post it online, but most things i'm seeing agree that proteas represent change and transformation.

also, if you haven't seen a dahlia before, here's some actual red dahlias for comparison-

they are pretty decently sized flowers, but are typically much smaller than the protea, and far more delicate, with a short season of availability, so for the practicality of filming purposes, using something that dries well in a way that makes it easy to keep around and have on set as a prop like a king protea and that looks magical and wild makes a lot of sense.

but yeah! proteas are cool!

from the florist side of things, king protea can be mildly tricky to work with because the heads are very dense, which makes them top heavy, but they have thick, sturdy stems which is a good balance. dahlias, in comparison, are a much more delicate flower, with stems that can break easily, and once they are past their prime freshness, they shatter and all the petals start to fall off, sometimes all at once. proteas are considered a tropical flower, and we store them in our mildly cool tropical cooler at work with orchids and other tropical flowers instead of in our colder coolers for regular flowers.

tune in whenever i make another flowers in BL post i guess? who knows when that will be! maybe these will just be grouped by the generalness of flowers in BL since i did a post on that flower basket in the first episode of 4Minutes a few weeks ago and now this.

anyway cheers! 🌸🌼🌺🌷🌹

[fallloverfic]

"Nimona" movie artbook thoughts

There's so much neat stuff here. Spoilers for the movie below the cut but just dang I love this

So many neat ideas for long-haired Ambrosius. Ponytail Ambrosius! He looks so cute!

There was going to be a magazine cover with "Goldenloin bares it all" and I like to think part of this is in reference to the two pin-ups Nate drew (Pin-up 1 and Pin-up 2). It's neat to see how much they were building up his celebrity in more ways. In other concept art, he was on more magazine covers, and he shows up as part of a parade. There are lots of concepts of Goldenloin fans.

Also this Ambrosius test is amazing. The weird Todd/Ambrosius fusion in motion lol But you can tell they even modified it later to turn it into Todd. He's a bit softer here in a way and just... fun. Todd cosplaying as Ambrosius/having a nightmare/dream about it aldkjalj

It was also interesting to see more confident Ballister. There's an animation test with him fighting some Institute guards, and it's very clear in early concept art (from that popular viral test back in 2021 as well) that he was more confident in earlier production.

More adorable Ambrosius/Ballister moments, and some cute Ambrosius. They're absolutely sweet.

And unfortunately one of the biggest losses in the movie: the amazing stuff they show for Meredith Blitzmeyer. At one point she was going to be covered in magic tattoos.

"For a long time, the character of Meredith Blitzmeyer was in the film. She served many different functions in many different iterations. At one point, she had a magical van that was bigger on the inside. In another, she was covered from head to toe in magical tattoos. And in another, she was the head of a vast underground society, called the Silver Society, comprised of all the magical creatures forced into hiding by the institute. Ultimately, the story went in a different direction, but her design and model were so beloved that she wasn’t lost but repurposed into The Queen." This all sounds so cool (except the repurposed into a character who dies in the first 10 minutes of the movie part T-T).

She has an entire spread. It's neat that she got to show up in some form (when they recycled her design for Valerin), but I love the idea of the Silver Society and her place in it and also Ballister having more friends and just ugh. These designs and world-building are so cool. I wish we'd seen all of them in the movie.

Also finally an eye dings chart! With everything clearly explained lol Neat to know I wasn't imagining some in-between diamond/square shape when Ballister is changing.

And this pride flags spread! There's a drag queen club! I just love all of this!! Seeing them spread throughout the movie is fun but it's neat to see the collection here!

Also this line: "In actuality, there has not been a monster attack since the first, so the fear and belief of the possibility is the only thing keeping the populace in check." It's neat to get confirmation of that.

Also a very much more violent Nimona was in the early/late-ish production lol.

José Manuel Fernández Oli talked on his Facebook collection of concept art about there at one point being an underground of outcast shapeshifters, and I don't know if that's what we're seeing here, but we were at least maybe also going to get more magical people (which matches the Meredith plans)??

Weres? People with fire magic? Satyrs? Demons? Elves? Or just a wider range of shapeshifter people. That would have been so cool.

There are environment designs for the Institute, Ballister and Nimona's hide-out, people designs, a few more test animations they haven't put up elsewhere, more Nimona shapeshifts (more dogs and cats, a second kind of gnome, more of her bulkier, muscular design, more types of dragons, a goat, more ancient Nimona concepts, plant monster Nimona, alien(?) Nimona, etc.). We nearly had goblin Director. Older Gloreth concepts... It's all really awesome.

All in all, a lot of really cool stuff.

[ramyaknox]

I haven't been sure what to write for a post about autism acceptance month but I wonder if in a way my thoughts about what to write are a good reflection of my experience being autistic and so this post is about that. Note: it's really long! (but hopefully worth it)

I have read before that being autistic is full of contradictions and these past few years I've begun to understand that a lot more I think. Being autistic is often frustrating and tiring and overwhelming but it's also everything I've ever known, it's connecting with other autistic people in a way that feels like magic, it's crying with joy at my favourite songs and stimming at a starling murmuration.

I don't want my autism to be “cured”. I have no idea what it would be like to be neurotypical. It's sort of like understanding how big the sun is ; I can read the number but I still can't really imagine it. I know on paper that I have a different perspective to neurotypical people but I have no way of knowing what I'd be like if I wasn't autistic. I wouldn't be myself anymore.

My first draft of a post for this month was angry. I'd had a meltdown partly due to people using language around autism that upset me, ranging from the R word to “autism, the ultimate superpower!”. Again a contradiction, words that put us down and words that raise us to unrealistic expectations can both be harmful. I still don't understand why anyone chooses to use the R word and with regards to the second thing there are a lot of “superpowers” that don't involve crying when you leave the house because it's too loud so even if I let superpower slide “ultimate” is definitely wrong.

That post draft was full of my difficult experiences from being autistic, to illustrate how hard it is and why it's not a superpower. Meltdowns over things that don't make sense to other people, burnout and exhaustion, the effort of trying to explain myself when I need help. I wrote “I'm sick of putting up with being uncomfortable because I don't want to make others uncomfortable”

Sometimes I want to force people to see the difficult things this month instead of a lineup of “did you know this celebrity is autistic?”

The thing is though, this month is for autistic people too. If this month was just about educating allistics maybe I'd get angry and show all the things I struggle with that they probably don't think about but to emphasise those things the most paints a perspective of being autistic as something bad, as something to pity and I don't want that either. Particularly not for newly diagnosed autistics.

I think there's somewhat of a pressure to be an inspiration to other autistics, particularly younger ones. It's definitely something I've always aspired to do but as addie finds in series 2 of A Kind of Spark, being an inspiration isn't always easy.

Despite this, I know the importance of good autistic rep. It means everything to me to be able to read autistic characters that I actually relate to, to see autistic people in the career I want to have and lately I've even found music by autistic artists about being autistic that I enjoy listening to.

If I only focus on the difficulties that come with being autistic, other autistic people might not get to see all the amazing things that are open to them and I don't want that either.

There's an extract from keedie that always makes me emotional where she tells addie what it's like to be autistic that features this idea :

“Sometimes at night, I think about all of us. Every autistic person, the millions who came before the name was found in the twentieth century. I think of cavemen and women who were fascinated by a spark instead of gossip. I think of the early humans who chose order over chaos. I think of the ones who found that sitting in the shade with their family was enough. That life perhaps did not need to be more complicated. I think of the poets and artists and musicians, whose genius was perhaps off-putting to classmates but so remarkable on a page, canvas or stage. I think of the millions of people who just were. Who did not need lofty accomplishments to justify their existence. Who were there because they were always meant to be, made that way because they were always meant to exist exactly as they were. The map makers, the codebreakers and the ones who kept compasses in their heads. I think of the soldiers who felt the blasts more powerfully than others but who knew they could push ahead because they've know war and getting back up again since they were born-it was only a little more noise and chaos in a world full of noise and chaos.

I think of the mathematicians, the troubled souls, the people who just got on with it because the world would rather punish your difference than accommodate it. I think of actors who put on the greatest performance of their lives every time they begrudgingly wear the mask

I feel the breath of a million past lives in my lungs and I know in that moment, she will never learn fear or shame from me” - Elle Mcnicoll, Keedie

I think really the best rep people can show me is of autistic people who are happy.

In conclusion, the best thing I can think to do is to talk about these contradictions, to talk about the good things and the hard things.

Sometimes I can be so focused on a project that I'm amazingly productive and I love creating things that I've imagined or the way my brain feels when I'm analysing data. Other times I go outside and cry because everything is too loud and smells. Sometimes I can talk for hours about my special interest with a friend until I'm out of breath. Other days I'm so tired I can't make a facial expression without a lot of effort. Sometimes it's so difficult to put my thoughts into words, other times I feel like the words are rushing out of me exactly as I want them to and it's amazing.

This autism acceptance month I want to try to accept myself and these contradictions more. I am often afraid of my future but I'm often hopeful for it too and that's the contradiction I want to end on.

Every autistic person is different and this post can only really reflect my experience but I'm glad I finally feel able to make a post that does.

[dxmedstudent]

Thank you for being open abt your age! i, too, am a physician in my 30s and still working on my application for residency program (not even started on one yet). I always feel so hopeless and kind of embarrassed about my age (almost all of my colleagues are way younger than me) but then i saw your post :)

I hope you have a good day because you certainly made mine better

You're welcome!

I started studying medicine late by UK standards - after a prior degree, and I retrained from being a hospital medical doctor into GP, so for me, finishing training has been a long process even though I was full time for all of that (it hurts the mental health, I don't really recommend full time hospital training TBH). I also took a couple of years out along the way to try different specialities as well as work on applications because it was what I needed to do at the time due to when I was applying.

Funnily enough, along this winding path I have worked under colleagues who used to be in the same year of training as me, and that feels a little weird. Because you realise you haven't progressed nearly as much as some people even though you've been working pretty damn hard. Some people absolutely zoom through training the fastest they possibly can, but many of us need to take our time. And that's OK.

I did feel in limbo for a little while towards the end of my CMT training as the exams weren't happening (covid) and you can't progress without exams, so they offered to let me continue my training for at least a year (likely two) to get those exams and slot into the new IMT system. I just no longer wanted to be in any of those hospital specialties badly enough to put up with the system as it was, and saw a life for myself in GP with perhaps special interests in certain things. Over time your priorities can change and honestly it can be tiring to do this thing for years.

Life takes us all on different paths. I might have felt a bit old in med school but maybe 1/3 of our year was graduates so it was a common experience. When I was in med school we had people in their 40s in our class - people with grown kids and entire previous lives. And medicine is richer if the people I'm it are more varied or have different life experiences.

Life happens, we can't put it off and wanting to be young forever doesn't actually freeze us at age 25. I'm not sure I'd even WANT to be 25 forever - I like the growth I've had since then. Society REALLY obsesses over youth, but there's nothing magical about being under 25 or under 30.

You just have to do things along the way and fill your life with the things and people you enjoy. The time will pass far faster than we think.

[caligvlasaqvarivm]

Do you feel comfortable with us recommending your blog to others or...?

Because there are blogs dedicated to analyzing homestuck and they are usually very good but the moment they talk about Eridan all the magic disappears and, I just want to know if it is acceptable to recommend you as like, homework i guess (?).

In the style of, if they are going to talk about complex characters then they should do their due research.

It's okay if you're not comfortable with the idea, maybe I shouldn't be that interested either, it just hurts to know that they can do better, and they are not (on the contrary, its just worse).

Unfortunately, not with that attitude!

I actually have a pretty strict rule to never go out into the fandom in search of fights, and to never answer asks asking me what I think about another fandom member's interpretation of canon ("official"/semi-official works like PQ are exempt). This is because, if I go onto some other guy's blog with zero intention to change my opinion, and say "you're wrong," that makes ME the asshole.

Nobody likes it when someone rocks up to the discussion to tell them they're wrong and try to own them with facts and logic. It's actually kind of a dick thing to do! That's why I contain my takes to my own blog, which, thanks to the block button and blacklists, means that nobody has to engage with me if they don't actively want to.

I've had several instances on this blog before of either having to dismount a conversation where neither side will change their mind with "agree to disagree," told people I can't/won't comment on something because I don't engage with the fandom overall, or straight-up blocked people. I do this because I've made the mistake before of trying to be Correct on the Internet, and the truth is it's an unwinnable battle that makes everybody involved look like a clown. At the end of the day, we're all squabbling about what a webcomic "means," and it's impossible to be 100% correct. God knows I've been wrong, sneakily edited posts, and hoped nobody noticed (if you did, thanks for not saying anything).

If you like my posts and agree with my opinions - great! I wouldn't be doing this if I didn't like the ego boost. If you don't, I'm usually willing to hear people out, but I'm pretty egotistical and we'll most likely agree to disagree. I pretty exclusively reserve actual retaliation for people who rock up (especially while hiding behind anon) pretty much just to tell me I'm wrong. Like I said, the person who does that is an asshole! I try not to be that asshole.

If someone's takes are so "bad" to you that you can't stand seeing them, you have the power to banish that person from ever appearing before you again. Block they ass. You literally don't need a reason. But if you want to do the hard, thankless, joyless, unrewarding, and nearly always futile task of changing someone's opinion, then step one is to take a deep breath and trying not to think about it in terms of enemies and allies, right and wrong. This person is another human, just trying to make a living on this shitty earth, talking about this thing you both like. The vibe should be excitement that you can share an insight they haven't considered, not a tribal monkey instinct to hit another monkey with a big bone club.

If these blogs already do a lot of Homestuck analyzing, chances are, they're receptive to Homestuck. Instead of using me (some rando on the internet) as a source, you should use the comic itself. Lucky for you that I cite my sources, or at least make it easy to look up the parts of the comic I'm talking about. It's a little more legwork than just linking an essay, but you're trying to perform the nearly impossible task of changing someone's mind, so put some elbow grease into it.

And if that doesn't work, welp. Agree to disagree! Haha.