#it's as dumb and hilarious as you might imagine

[yukidragon]

Sunny Day Jack - It's Just a Prank

A random SDJ thought popped into my head again, and I needed to inflict it on y'all. Don't worry, stripper Joseph is still coming, but I just had to share plot bunny as soon as it appeared.

Imagine if Ian didn't really cheat on MC, but instead it was all just a very dumb and cruel prank.

There's a trend online for people to pretend they're cheating and film their partner's reaction to walking in on them. Picture a scenario where Ian's new friends at his fancy college talked him into pulling the prank on MC. They're aspiring actors after all, and that means they're going to be very keenly aware of the latest trends. Filming pranks and posting it would show off their acting skills.

I can just imagine the sort of things being said by Ian's friends to peer pressure encourage him to pull this kind of prank.

"It'll be fun! It's not like you'll actually be cheating. No one gets hurt."

"It's the latest trend. Everybody's doing it. We've all done it to our partners, and it was hilarious!"

"See? What'd I tell you? In every video, even the person getting pranked is laughing their ass off about it too."

And so on and so forth. It's "harmless" and it the prankster gets to enjoy the little thrill of seeing their partner jealous for their sake. It might even have an additional allure if MC isn't usually the jealous type, and Ian was always secretly curious what it'd be like to have them get possessive over him. It'd certainly be a confidence boost to someone with low self-esteem to see his partner fight for him.

Naturally, it all goes to hell. I doubt many MCs are going to easily bounce back from being pranked like that.

I know my girl Alice wouldn't. It'd be a huge violation of trust and feel like just bullying on par with the "friend" that pretended to ask her out, only to laugh in her face that she was "stupid" to think they were serious. They'd always gloat to their friends afterwards too, because this sort of prank was always some sort of dare. No one would ask her out if it wasn't a prank or a dare.

Something like this, so cruel and done thoughtlessly for the sake of winning favor with new friends, would severely damage Alice's trust and ability to feel safe with Ian.

It'd be even worse if it was filmed. Imagine MC going on a trip to visit Ian, only to be surprised by this "prank." The person pretending to be the affair partner could even make it more "realistic" by stripping some clothes from themselves and maybe Ian too and making noises before MC walks in.

Alice would be gutted by such a scene. First she would freeze in shock and horror. Then it'd be revealed as a prank, Ian smiling awkwardly as he hopes the joke lands while the "affair partner" laughs about it being a prank... only for Alice to flee the scene.

Of course Ian and the "affair partner" would give chase, insisting it was a prank. There'd be tears and begging of course. Alice wouldn't be able to even handle seeing the video that had the proof that it wasn't real. In the moment, it'd almost feel worse that Ian intentionally inflicted this pain on her to... what? Gain internet points? Be seen as cool by his new friends who have been taking all of his time from her for a while now? How can she believe that the video really was just supposed to be something they were supposed to laugh about later?

Even if it was, how was Alice supposed to laugh at the sight of her betrayed face and treat it like a cherished memory?

Ian would no doubt bring up the arguments his friends used to pressure convince him to do it. If MC is the type to spring surprises/pranks on him, it'd seem almost expected that he pulls pranks in return. It'd certainly would be a good defense for him to use to soften what he did.

Alice mildly surprises Ian with surprise hugs/licking/biting and maybe a little friendly teasing/pranks, but it's nothing even close to this scale. Comparing the two would make it even worse in her mind, as if Ian is blaming her for being hurt, even if he didn't intend it to be that way. It certainly was a common defense from bullies that got called out on making her feel like shit... and Ian knows it.

Hell, Ian suffered that sort of bullying too. A part of him likely felt like doing this sort of prank was wrong the whole time, but his friends were so convincing. He didn't want to let them down. He was finally actually fitting in, being accepted and not rejected...

"So hurting me was better than disappointing your new friends!?"

Needless to say, I think this would be grounds for a breakup with most MCs and a lot of groveling afterwards from Ian to try and get back together. It's all his fault, and he'll have to atone for it.

Hey, I think this might be a good narrative to take for people who want to ship their MCs with Ian but aren't comfortable with the fact that he cheated. It'd be coming short of crossing that line that a lot of people find unforgivable, but still be pretty damaging and unquestionably his failing that he needs to make amends for. It also fits in with his arc of trying to fit in and be popular with his new group of peers in the modeling/acting industry.

Hell, you could even blend the two possibilities. It was originally a prank, but Ian wound up actually cheating. They were "trying to make it seem real" only for it to wind up actually being real after he got carried away with the role and his "sinful" urges. Method acting can go a bit far after all...

Either way, Ian certainly did give in to temptation of another and betrayed his partner in the process.

@channydraws @earthgirlaesthetic @sai-of-the-7-stars @cheriihoney @illary-kore @okamiliqueur @kurokrisps

[dapper-lil-arts]

THAT'S RIGHT BABEY I'M WRITING A FIC OF SHREK 1 BUT IT'S RARIJACK LETS GOOOO And it's gloriously dumb. I love it.

[bittwitchy]

my gift is being annoying, see, i can hate myself and be so horrendously anxious that i think trying to make being alive easier for myself is somehow offensive to others bc thats how so many people online act like literally any accomodations not made by the doctors that dont care abt you at all are somehow unnecessary and ‘fishing for attention’ to the point i ruin myself and destroy my body avoiding accomodations bc i dont want to ‘seem like a bad person’ for quite literally needing help. but give me a tv show and 30 seconds with new information and i will either give you the most thought provoking theory or the most wildcard theory ever and always be correct.

[luwha]

LMAO so, recently someone tried to SCAM me, so i'll show you what happened and the telltales of it being a scam.

This one is quite obvious but i know people who are just starting their artist careers and might not have experiece.

Follow the thread:

🚩#1: They pick your most famous/Popular art as reference. They don't know what you actually sell.

🚩#2: They will pick a random popular character. They're not roleplayers or anything. They're not here for the art in any level

You ask me, what are the odds they really like Goku? Oh, well, you'll see. At this point i check their profile for anythign that might indicate it, but as you'll see you won't have to.

🚩#3: They say they saw my ToS. On it i state i only work with paypal and google forms.

🚩#4: Random issue with payment method. They might have a real problem with it, but see; they'll never ever accept any other payment method, such as Zelle, CashApp, Payoneer, Ko-fi, etc.

I already knew this drill so, let's continue.

🚩#5: I love playing dumb lmao. Anyway, this scam revolves on them either sending you "too much money" and asking it back or something like it. I won't be following through because i know it'll be annoying.

BE ADAMANT WITH YOUR METHODS. Do NOT EVER bend them for randos.

🚩#6: They're so ready with the info on how the payment works it's fucking funny.

The reason I PERSONALLY use PayPal INVOICES (no any other payment within paypal) is that they're safe for both me and my client. My rules are stated clearly.

MAKE A ToS I BEG YOU YOUNG ARTIST

🚩#7: They're not even a good scammer lmao they REFUSE to go on my PROFILE to get a link or read anything.

I use Forms because it collects the client requests and it's easier for me to read it all in one place. It ALSO makes scammers bored.

🚩#8: They're so disinterested on the art they don't care for posing, vibes, colors, nothing. Again, they're NOT here for art. That's hilarious.

🚩#8: Same as above. They don't care for posing or anything.

On my art they link me, i have a vampire almost staking himself in a state of euphoria.

IMAGINE VAMPIRE GOKU STAKING HIMSELF THAT'S SO FUCKIGN FUNNY MY BRO, THINK YOUR SCAM THROUGH MAYBE

🚩#9: They will price your own work for you. And they'll overshot what we, smaller artists, charge for it.

They'll overshot by a lot.

They want you to be impressed and showing "generosity" usually gets people who need monay into risky situations. That's just plain cruel.

🚩#9: Same as above. Over generosity and eagerness to pay.

They're not even with the sketch, this haven't been an hour, they don't have any work form me but OH GOD they're SO READY to pay you NEED TO KNOW they WANTS TO PAY YOU SO BAD

Lmao yeah it's working out ❤️

THIS ONE IS JUST HILARIOUS BRO I CAN'T EVEN.

ANYWAY let's continue

🚩#10: They don't know me. They don't follow me. They broke every rule on my ToS. They're making me go through a payment method i am unfamiliar and don't use.

They don't care for my process. They're not interested on my sketch.

BE. ADAMANT. ABOUT. YOUR. RULES. AND. PROCESS.

Now, for the beautiful closure of this:

Have a ToS. Don't bend the rules for randos.

Use Invoices. Be sure you're safe.

Use forms if you'd like. Requests through DM and Discord ARE COMMON FOR OTHER ARTISTS. I personally don't like it, i have ADHD.

Being an artist on an online space is dangerous. If you need help, poke an artist you know, see how they operate and if it fits you. Most of them would help you.

🚩#11: goku isn't even on their icon 😭

This is the account that tried to scam me.

#art is life ❤️

[ahqkas]

Can you please write dumb/subtle/random/cute things batboys will do while they are crushing on reader?

♯ FEEL YOUR LIPS CRUSH . . .

— gn!reader, fluff

© ahqkas — all rights reserved. even when credited, these works are prohibited to be reposted, translated or modified

BRUCE WAYNE

becomes overly observant but awkwardly obvious

bruce wayne is a master of observation—trained to notice the smallest details in a room, a person, or a crime scene. but when it comes to you, this skill becomes more of a curse than a blessing. his crush transforms his usual precision into something downright awkward as he hyper-focuses on the tiniest parts of your life.

it starts innocently enough. you’ll be in the middle of a casual conversation when bruce interrupts, his deep voice breaking through your train of thought.

“you’ve switched your coffee order recently,” he says matter-of-factly, his piercing blue eyes locking on yours.

you blink, momentarily confused. “uh, yeah. i wanted to try something different.”

“it’s good,” he replies, his tone completely serious, as if your new preference for caramel flavored coffee over vanilla is a critical observation.

sometimes his comments catch you so off guard that you don’t even know how to respond. like the time you came into the room wearing a pair of old sneakers. bruce, who was leaning against the kitchen counter sipping his coffee, glanced down and said, “those laces are frayed. you should replace them.”

you laughed nervously, unsure if he was joking. “uh, thanks for the tip?”

but bruce wasn’t joking. “i’ll send alfred to pick up new ones. you don’t want them snapping mid-step.”

he tries to play it cool, he really does, but his constant streak of seemingly random observations only makes his feelings more obvious. one afternoon, you find him glancing at your notebook while you jot something down. without even looking at you, he says, “you press harder with the pen when you’re tired. your handwriting’s smaller today.”

you set your pen down, giving him a skeptical look. “do you . . . keep track of my handwriting, bruce?”

his face doesn’t change, though you swear his ears flush the faintest shade of pink. “no,” he says smoothly, taking a sip of his coffee. “it’s just. . . noticeable.”

it’s the way he says it—quiet and genuine—that sends your heart fluttering. he doesn’t realize how much he’s revealing, but his small, awkward comments and laser focus on the details of your life make it abundantly clear.

the funny thing is, you’re not the only one noticing. alfred, who’s known bruce wayne longer than anyone, often raises an eyebrow or hides a knowing smirk whenever bruce starts one of his “random” observations.

( “perhaps master wayne should focus on his own handwriting.” bruce glares at alfred, but his lack of a comment only makes the butler’s smirk grow wider. )

finds excuses to be helpful

bruce’s wealth is something he wields with the subtlety of a battering ram when he’s crushing on someone. his intentions are good—he genuinely wants to help—but it often comes off as over-the-top or hilariously unnecessary. for someone as logical and composed as the bat, using his money to make your life easier feels like a no-brainer, but he doesn’t realize just how obvious it makes his feelings.

it starts small at first. you might casually mention needing to replace something—your laptop is acting up or your phone is outdated. the next day, without fail, a box will mysteriously appear at your doorstep. inside, you’ll find not just a replacement but the absolute best version of the device, meticulously selected and clearly expensive.

“bruce,” you say, holding up the latest model of a WE laptop you can’t imagine ever affording on your own. “did you do this?”

he looks up from his work, his expression calm and unbothered. “it’s practical,” he says, as if that’s a reasonable excuse for gifting you a piece of technology worth more than your rent. “your old one was slow. it’s inefficient to struggle with outdated equipment.”

when you try to protest, he waves it off, as though spending thousands of dollars on you is no more different than buying a cup of coffee.

but it doesn’t stop there. one morning, you’re sitting in the kitchen with him, absently complaining about how your car keeps breaking down. it’s an offhanded comment, something you don’t think twice about, but bruce takes it as a challenge. by the time you’ve finished your coffee, he’s already pulled out his phone to make arrangements.

“wait,” you interrupt him, narrowing your eyes as you catch him murmuring something to alfred over the phone. “what are you doing?”

“nothing,” he replies too quickly, but later that day, you’re startled to find a sleek new car parked outside your home, the keys and a handwritten note from the butler sitting on your counter.

“bruce!” you exclaim, storming into the study to confront him.

he doesn’t even look up from his computer. “your old car was unreliable. this one is safer.”

“that’s not the point!”

“it’s just a car,” he says with a small shrug, though there’s a hint of amusement tugging at the corner of his mouth.

despite his attitude, it’s clear he’s putting an incredible amount of thought into everything he does for you. his gestures are less about showing off his wealth and more about making sure you never have to struggle, even in the smallest ways. because to him, it’s just logical—he has the resources, so why wouldn’t he use them to make your life easier?

DICK GRAYSON

finds excuses to touch you

for someone as physically expressive as dick grayson, touch comes as naturally as breathing—but when he’s crushing on you, it’s a whole new level. he’s not even aware of how much he does it at first, but the moments start to add up. it’s little things at first: the way he always seems to find a reason to brush his hand against yours, the casual way his shoulder bumps into you when you’re walking side by side, or the way he’ll lean close when he’s explaining something, his hand ghosting over yours as he gestures.

but then, it becomes less about the accidental and more about the intentional. when you’re sitting on the couch together, he’ll sling an arm over the back of it, his fingers close enough to brush against your shoulder. he’ll offer his hand when you’re stepping out of a car or climbing over something, even if you don’t need it, the contact lingers just a second longer than necessary.

“careful,” he’ll say, his voice soft and teasing, even though the step you’re taking isn’t remotely precarious.

“you know i can walk, right?”

he grins, squeezing your hand briefly before letting it go. “just being chivalrous.”

and then, there are the moments when he gets so wrapped up in the conversation or your presence that he doesn’t even realize what he’s doing. like the time you were sitting together, and he absentmindedly started playing with the hem of your sleeve. it wasn’t until you cleared your throat that he looked down, startled, his ears turning pink as he quickly let go.

“sorry,” he mumbled, a sheepish grin spreading across his face. “didn’t realize i was doing that.”

but the blush on his cheeks told you everything you needed to know.

for dick, touch is a way of expressing what words sometimes fail to say. every hand on your shoulder, every playful nudge, and every lingering hug is his way of saying, i like being near you. i like you. even if he hasn’t quite found the courage to say it out loud, his actions make it impossible to miss.

teases you relentlessly (but gets flustered when you tease him back)

teasing is how dick shows affection, how he keeps things light, and, more than anything, how he tries to get your attention. when he’s crushing on you, though, his teasing takes on a new level. every little thing you do seems to give him material to poke fun at, not in a mean way, but in a way that makes it clear he’s paying attention to everything about you.

if you trip over a word while talking, he’ll immediately smirk. “careful there, shakespeare,” he’ll quip. “do we need to enroll you in a public speaking class?” or if you drop something, he’s ready with a dramatic gasp. “wow, butterfingers, do you need me to carry everything for you? i could be your personal assistant, but i charge by the hour.”

it’s playful, yes, but it’s also consistent. he’s always looking for ways to make you laugh, even if it’s at your own expense. like the time you were struggling to open a stubborn jar of jam, and he swooped in, popping the lid off with ease.

“guess i’m just the stronger one here,” he said, flexing his biceps with an exaggerated grin. “it’s okay; not everyone can have these guns.”

but if you so much as raise an eyebrow or fire back with your own jab, the tables turn in an instant. one day, after he’d spent a full five minutes teasing you about your choice of coffee ( “a triple-shot vanilla latte with almond milk? fancy. are you sure you don’t need a royal escort to carry it for you?” ), you finally snapped back.

“oh, and i suppose you’re the coffee expert, mr. regular black coffee? real creative. i bet the baristas have your order memorized.”

the grin on his face faltered for a split second, his eyes widening just slightly. then came the blush—the faint pink hue creeping up his cheeks as he tried to recover, rubbing the back of his neck awkwardly.

“hey, black coffee is . . . classic,” he mumbled, suddenly unable to meet your gaze.

and that’s the thing about dick grayson: as much as he loves dishing it out, he can’t always handle it when it’s directed at him. the moment you tease him back, especially if it’s about something he’s sensitive about (like his perfectly styled hair or his need to one-up everyone), he turns into an awkward, flustered mess.

“you spend how long on your hair every morning?” you asked him once, teasingly ruffling his carefully combed locks after he made fun of the mismatched socks you were wearing.

he froze, his hand shooting up to fix the damage. “it’s not that long,” he protested, his voice defensive but light.

“oh, come on! i bet you use at least three different products. don’t tell me you don’t have a favorite brand of gel.”

his cheeks flushed crimson as he stammered, “i—you know, it’s just . . . maintenance! can’t all of us roll out of bed looking flawless, okay?”

you laughed, and he groaned, muttering something under his breath about how you were “way too good at this.”

JASON TODD

acts nonchalant but is always nearby

jason todd is many things—brash, sarcastic, sometimes even reckless—but when it comes to feelings he doesn’t fully understand, he defaults to keeping his distance . . . or at least pretending he’s keeping his distance. the truth is, when he’s crushing on you, he’s drawn to you like a moth to a flame, always finding an excuse to be wherever you are without making it obvious. or so he thinks.

take your quiet sunday afternoons, for instance. maybe you’ve settled on the couch with a book, enjoying the rare peace. jason walks in, all nonchalant, like he’s just passing through. he glances at you—just a quick flick of his eyes, like he’s making sure you’re still there—and then he settles in the chair across from you, a spot he never uses otherwise.

“what are you doing?” you ask, watching as he pulls out a book of his own, the same one he’s been pretending to read for weeks.

he doesn’t even look up. “reading.”

you roll your eyes but say nothing, knowing full well he’s barely getting through a page. you can feel his gaze on you every few minutes, like he’s trying to memorize the way your brow furrows in concentration or how you chew on the corner of your lip when you’re focused. and if you catch him? he quickly snaps his attention back to his book, pretending obliviousness.

“didn’t know you liked this spot so much,” you tease, gesturing to the chair.

a smirk plays on the edge of his lips, though there’s a flicker of defensiveness in his eyes. “what, i can’t sit here now? thought it was a free country.”

it’s always like that—his attempts to mask how much he cares come with a side of sarcasm. but the truth slips through in the little details. like how he never actually leaves the room until you do. or how, even when you’re sitting in silence, he finds a reason to linger. maybe he’s scrolling through his phone, flipping through a magazine, or staring at the ceiling like he’s deep in thought. but really, he’s just soaking in your presence.

and then there are the times when he doesn’t even bother pretending. like when you’re sitting in the kitchen, finishing up some work, and he wordlessly sits down across from you, arms crossed and chin propped in his hand.

“what?” you ask, glancing up at him.

“nothing,” he replies, though the slight curve of his lips gives him away.

it’s not that jason is afraid to admit he likes you ( although there is a possibility he is but we don’t talk about that )—it’s just that he doesn’t know how. so instead, he hovers. he sticks close enough to feel like he’s part of your world but not so close that he risks giving himself away. so while he might act nonchalant, the truth is, he’s anything but. every glance, every lingering moment, every excuse to be near you is jason’s way of saying he cares—he just hasn’t found the words yet.

fixes things you didn’t even know were broken

jason’s way of showing he cares is a little unconventional, but it’s always in the small, unspoken ways. he’s the type to notice things that no one else would—things that have been lingering for ages in the background of your life, just waiting for someone to fix them. but because it’s jason, he’ll never bring it up. he’ll just do it, no questions asked, and then act like it never happened.

it starts with the little things. your chair in the living room? it’s been squeaking for months now, but it’s not something you’ve gotten around to fixing. it’s one of those annoyances you’ve learned to ignore, a piece of background noise that doesn’t really bother you enough to take action.

until one day, it suddenly stops.

you sit down in the chair, and for the first time in ages, it’s silent. your eyes narrow. you didn’t fix this—so who did?

“jason?” you ask, glancing toward him as he lounges on the couch, pretending to be deep in whatever he’s doing.

he doesn’t even look up. “what?”

“the chair. it’s. . . quiet now.”

he pauses for just a moment, but it’s enough to catch the shift in his demeanor. he shrugs, barely concealing the hint of a smile tugging at the corner of his lips. “must’ve gotten lucky. or maybe it fixed itself.”

you know it didn’t. but before you can press him on it, he’s already back to whatever he was doing, like the whole thing is no big deal. it’s almost as if he’s trying to play it off, hoping you won’t notice that he’s been quietly fixing things in your life, one at a time.

the next thing happens a few days later. you walk into the kitchen, only to find that the light above the sink, the one that flickers every time you try to use it, is now working. perfectly.

you stop, standing in the doorway and just staring at it. there’s no way you fixed it. and it certainly wasn’t broken enough to need replacing. so once again, you turn your gaze to jason, who’s now sitting at the kitchen table, eating a snack and acting entirely uninterested in your investigation.

“jason, did you—?”

“no,” he interrupts and continues watching the video essay he turns on every time he eats.

“uh-huh,” you say, narrowing your eyes, walking toward the light and testing the switch again just to make sure you’re not imagining things. it stays steady, glowing without hesitation.

he’ll never say it out loud, but each fix—each thoughtful act—speaks louder than any words could. the broken things don’t matter, because jason is here, fixing them in his own way, piece by piece.

TIM DRAKE

gets shy when you’re too close

tim drake is usually the picture of composure. he’s calm, collected, and can handle himself in just about any situation, but when you’re too close, all that confidence seems to slip away. it starts small. you’re sitting beside him, maybe sharing a space while working on something, and without thinking, you slide just a little bit closer to him. maybe your arm brushes against his, or your knee nudges his under the table.

it’s enough to throw him off, just for a second. his heart rate picks up slightly, and he tries to hide it behind the screen of his laptop, pretending to focus harder than he really is. but he knows, deep down, that he’s hyperaware of you now—of the way you’re sitting, of the way your presence seems to fill the space between the two of you.

his eyes flicker toward you, but quickly dart away, like he’s afraid you caught him staring. it’s an involuntary reaction, the nervous little shift in his posture as he tries to seem as casual as possible. he clears his throat, his voice slightly quieter than usual. “uh, sorry, was just—just making sure the laptop was charging.”

it’s obvious to you that he’s not really talking about the laptop. he’s trying to act like it’s no big deal, but every time you’re too close to him, tim’s body betrays him. the way his leg shifts a little away from yours under the table, or how he tries to subtly angle his body so there’s just a little more space between you and him, even if he doesn’t want there to be.

you might not notice the subtle movements, but tim does. and every time you get close to him, whether it’s by accident or on purpose, he feels a flutter of nerves that he can’t quite explain. it’s not that he doesn’t want you near him—far from it—but the proximity messes with him in ways he doesn’t understand. his thoughts get jumbled, and his usual calmness slips, replaced by the flustered feeling he’s not used to.

if you ever catch him looking at you, his gaze quickly drops, and a soft blush creeps up his neck. “i—i didn’t mean to—uh, just making sure you’re not too cramped.” he mutters, his fingers fidgeting with the edge of his laptop, anything to distract himself from the fact that he’s suddenly very aware of you being so close.

sometimes, when you get too near, tim will just freeze for a moment. it’s like his body can’t process the closeness, and the little awkward silence stretches between you two. it’s not uncomfortable—far from it—but it’s a vulnerable thing for tim, this closeness he doesn’t know how to handle.

but if you keep talking, or even just touch his arm gently when you lean over to look at something, tim’s composure slips even more. he shifts in his seat, trying to act like he’s calm, but his hand might twitch toward yours for just a second before he pulls it away like he’s afraid you’ll notice how he’s reacting.

follows you around during patrol

it’s late at night, the moon casting faint silver light across the streets, and the only sounds are the hum of city life and the occasional rustle of leaves in the wind. you’re out on a walk, maybe trying to clear your head or just enjoy the quiet, unaware that someone is watching you from the shadows. tim, clad in his suit, has been tailing you for a while now. it’s not that he’s trying to be creepy or intrusive, but rather, he’s just . . . concerned.

tim is the kind of person who can’t turn off his instincts, and tonight, for whatever reason, they’re telling him to stay close. he’s perched high above you on a rooftop, watching you walk along the street below, trying to remain unseen. his red robin suit blends into the darkness of the night, the shadows making him nearly invisible to anyone who might be looking.

he’s not sure why he’s doing it—it’s not like you’ve asked him to keep an eye on you—but there’s something about the quiet stillness of the night that has him on edge. maybe it’s because you’ve been a little distant lately, or maybe he’s just worried something might happen to you in the dark. either way, he’s got his eyes on you, and he won’t stop until you’re safely back where you belong.

he’s quick, agile, moving like a shadow himself. you might hear a faint creak of a fire escape ladder or the flurry of footsteps just out of your line of sight, but when you look, there’s nothing there—just the empty street, the soft glow of streetlights, and the ever-present hum of the city.

it’s when you stop for a moment, distracted by something—maybe you’re checking your phone or admiring a nearby storefront—that he’s closest. in that moment, tim takes a chance, moving closer to you, just a few feet away in the darkened alley. he’s not trying to startle you, but there’s something in his gut that tells him he can’t let you out of his sight, especially when it’s this late, and the streets feel a little emptier than usual.

he’ll hover just out of view, giving you space but never quite leaving you alone. if you keep walking, he follows, keeping his distance but staying close enough to ensure you’re safe. when you stop at a crosswalk or glance around, he’s already a few rooftops away, peering down at you from above, making sure you’re not being followed.

the closer you get to home, the more relaxed tim feels, but he never lets his guard down entirely. even when you reach the safety of your doorstep, he lingers just out of sight, making sure you get inside without any issues. he’ll remain in the shadows for a moment longer, watching as you lock the door behind you, ensuring you’re safe before finally letting out a breath he didn’t realize he was holding.

only then does he disappear into the night, his heart still racing, his mind replaying the images of your walk. he’ll retreat to his hidden vantage point, slipping into the dark corners of gotham once more, but the small weight of relief that you’re safe settles deep in his chest. even though he doesn’t want to admit it, there’s a part of him that feels content knowing you’re okay—even if you’ll never know how closely he’s watched over you.

[tawneybee]

Honestly obsessed with the "Humans are the cats of space" corner of the whole trope.

We may be seen as objectively adorable. We're tiny predators, vicious and mighty with teeth and nails, but also easy to pick up and hold and swing around while saying "Babyyyy"

We're quiet and sneaky in the wild, hard to catch and contain, very effective hunters and climbers. But when domesticated who wouldn't just lounge around if we're given free food, unlimited sleep, and constant enrichment?

And same with cats, there's a variety of how humans act and feel about these huge creatures taking care of us. Some of us might be very chatty, very affectionate, some probably clingy if we trust our Alien enough. While others don't screw with their personal space, would scratch and bite if you do something they don't like. The affection is at their pace cause otherwise you'll come out with a few scars.

As small as we are, the more wild independent humans have the strength and means to take down predators so much bigger than us when the situation becomes dire enough. There's been cats who've gotten dogs, wolves, and bears singlehandedly.

A human that's been in an alien family long enough would probably chase off a huge threatening space creature to protect the alien young, just as cats have done for human children.

Imagine after a few years of integration with aliens, some humans don't get by well with taking care of their children so they find an alien that looks responsible and careful enough and they leave their young on their doorstep so they can grow up with all the food and shelter they could ever need.

Maybe they have a human distribution system where a person who's just tired of the human world picks a ship to stay on, and the aliens on board just accept it because that's how humans are. Maybe they help provide pest control for those space creatures small enough to hide in hard-to-reach areas of the ship.

And even amongst all this agility and predatory instinct, humans can still be pretty dumb and airhead and ridiculous. Imagine how hilarious aliens would find it when we get jumpscared or sneeze or feel the random need to stim and run around. Alien puts a long sticky parchment on that crevice of our backs that's hard to reach and watches as we struggle to reach and take it off cause it's annoying, same way we might put tape on a cat's head. Maybe they find the funky way a human mom tries to carry her too-big baby funny the same way a mom cat dragging her too-big baby by the scruff is funny.

Maybe there's a language barrier, but Aliens notice our odd human sounds and mimic them to get our attention, but they struggle with the different sound and pronunciation we just hear random gargled calls of "Molasses!" "Tree!" "税金!" when they're just trying to greet us. And you learn to recognize the pattern of noises that mean whatever name they gave you in their language.

Humans really are just big cats.

[lonelychicago]

no wait, but imagine that chris actually used to think eddie and buck dated. like, when he was younger and they were both single. and they just— broke up and then kept being friends.

like, this is a fact to him. he never questioned it, he never asked eddie about it. he genuinely thinks buck and eddie used to date and stayed friends after the break-up.

and and when he sees eddie watching buck and tommy with this Look ™️, chris is like, oh do you miss when you and buck were dating? SO CASUAL and unfazed by it. like its just, a fact of the universe. and eddie has to do a double take, bc WHAT.

WHAT THEN, HUH.

bc like, chris is not dumb and he's older now. i just think it would be so funny if he had this notion in his head that buck and eddie used to date. IT WOULD BE SO HILARIOUS.

ngl i might even write a fic with this if i can think of an actual plot

[exeggcute]

the leaked mrbeast production doc kills me because like, for better or worse, this guy clearly has his shit down to a science. he knows exactly what game he's playing and he knows how to play to win. the actual doc is structured well, communicates its ideas clearly, but also was thrown together by a youtube guy who paid no attention to visual formatting or proofreading. and yet as much as I hate to say it, stuff like this is actually great and widely applicable advice:

What you consume on social media, when you watch youtube, tv, the games you play, etc. are what I like to call your information diet. Chris Tyson (our first subscriber and the guy in the videos) is a wonderful example of an information diet being used to perfection. The dude is funny as fuck. I’ve never met anyone in my entire life that can make people laugh like he can and I never understood why he was so good at it until I lived with him for a few years. The dude watches an obscene amount of cartoons and stupid shit. His eyeballs exsist to inhail copious amounts of just goofy, dumb, and brain numbing content. And as a result he can quote almost any line from any episode of spongebob. He’s able to draw from so much stupid shit in his head as inspiration to make jokes and be quirky. As a result he is fucken hilarious. But let’s imagine a different Chris, let’s say instead of cartoons and stupid shit, his information diet was stocks and investing advice. And for 5 years that’s all he consumed. Do you think he’d be just as funny as he currently is? No. He in my opinion wouldn’t even be 20% as funny. If you’re a writer or director you really need to monitor and perfect your information diet. If your diet is not correct, you won’t have a good pulse on culture. I don’t want you to be a chris, in fact, I think that would probably do you harm. Talent needs to inhale cartoons so they can be funny, writers need to inhale inspiration. Let’s say there is a purple fruit in the middle of Australia that when eaten makes you 2 feet taller. If it truly did exist, you wouldn’t have known that until just right now. But now that you know of it, you can draw on it for inspiration for every piece of content you write going forward. That’s beautiful, it can now sit in the back of your mind waiting for that one video where it is needed. It might take 10 videos or even 100 but eventually you’ll be brainstorming a bit and think of the right one to use the fruit for. Apply this to everything on this fucken planet. You. Can’t. Get. Inspired. By. Things. You. Don’t. Know. Exist. So how do you learn more about what's out there in the world? How do you stay up to date on the latest memes? How do you know what’s going on with celebrities? What’s trending on youtube? What other creators are doing? What’s popping on tik tok? Your information diet. Consume things on a daily basis that help you write better content.

[lets-go-hurt-someone]

I call myself an Astarion simp and make fun of myself for loving the dumb sexy pixel man but to be honest, I’m like 30 years old and I just never expected to see my experiences not only reflected in media, but handled so delicately and compassionately.

I spent a lot of time “healing” from my past through hypersexuality. I knew it was hypersexuality. I used to tell myself, “What happened can’t be sad or important if you do it a hundred more times.” Like somehow if it was my choice x many times then the time it wasn’t can’t possibly matter anymore. Logical, right? It’s just statistics.

And then the journey of fucking your way to a semblance of mental safety just becomes a joke. It’s edgy and funny. I was doing exactly what Astarion does — if I fuck them, they might like me. And if fucking them is easier than not, I might as well, because I’ve done it so many times before anyway. I’m so good at it I’ve fucked people using the lamest lines you can imagine — wanna hear? I promise it’s hilarious.

And he’s not a perfect sweet victim or a funny edgy free love sex pest. It’s not played as a damsel in distress or a punchline. He’s just hurting and learning and when he realises the hypersexuality isn’t serving him… you can tell him it’s okay and you still like him for who he is.

I don’t know if I can really articulate what it means to me to see a background like Astarion’s being portrayed honestly and not as a sexy funny trauma thing or just straight up tragedy porn.

It genuinely made me feel like maybe I’m not alone, and think maybe other people out there also might just… understand. Not pity me, or laugh when I tell them to, but just… get it.

I’m still kind of processing it to be honest. Maybe that’s why I’ve played this stupid game like 5 times in two months.

[neoarchipelago]

I just imagine red panda!reader bapping all of 141 when they do something dumb. Just like *bap bap bap* just 3 simple baps to the forhead. I'm just obsessing over red panda!reader.

-your local dumbass 🐺

She first did it to Ghost!!! Much to everyone's surprise. He had refused to go get checked in the med bay and then *bap bap bap*

The silence and blinking face of the team might have been hilarious if you weren't so annoyed!

Johnny get is the most... Gaz quite often.

I think the safest one is Price! She trusts him a lot and it may have happened once, maybe twice.

Funniest shit? The boys start doing it to you!

And you're SO offended!! Like!

What do you mean?! 😤 How dare you treat me like this?!😤 Using my own weapons?! 😤

[zae-heeyyy]

Pastiche

Summary: You and Arthur escape through writing. Pairing: Arthur Morgan x gn!Reader Word Count: 2,345 Trigger Warning: Tuberculosis, death Tags: angst, sadness, high honor Arthur

a/n: Thanks for you kind words on Chiaroscuro. I've enjoyed writing again so much! I'm in my tragedy era. My hs english teacher's voice haunts me when I'm writing, so I spent a lot of time scrutinizing this. Didn't mean for it to be so long, but I hope you enjoy! Thanks for reading!

pastiche: a work of art or literature that imitates the style or character of another, often as an homage or tribute.

You knew there was something special about Arthur Morgan the day you met him. Despite his best efforts to believe otherwise, he was easy on the eyes, and his dry humor combined with his strong sense of honor sealed your crush on the cowboy. Everybody else could see that he was sweet on you, too, noticing when he pulled you to sit at the fire with him or how he watched you around camp. As more time passed, you'd become mostly inseparable, taking every moment you had to sneak away together. One of your favorite places to escape to was the fields of Little Creek River in Big Valley. You'd be reading a book and glance over to find Arthur staring intently at an animal until it was out of sight. Then he'd open up his journal and sketch it.  He wasn't doing that today, though. He was staring across the field, but you could tell he was elsewhere in his mind.

"Got somethin' to say," his eyes met yours earnestly. When he told you he loved you, a laugh erupted deep from your belly. Dumbfounded, he asked, "The hell is so funny?" his own laugh betraying his attempt to be solemn. It was hilarious to you that he didn't think you already knew that and that he didn't know you absolutely felt the same.

Another day, you were lying in Arthur's lap in the grass. Just the day before, he had returned to camp with bruised knuckles and some poor fool's blood on his face—one of Strauss's clients. You longed for a life where bruised knuckles and loan sharking were distant memories.

"Where would you be if you weren't here," you'd asked, holding his hand in yours. He stroked your thumb with his and gazed over the valley like always.

"Hard to imagine." He mumbled, sounding far away.

You nodded in agreement and replied, "You're always writing or drawing in your notebook. Maybe you could've been an artist or a writer." The thought brought a soft smile to your face, and you imagined, just for a second, a life where Arthur's biggest worry was perfecting his latest masterpiece.

He huffed in dry amusement, "Probably wouldn't have known how to read if it weren't for Dutch and Hosea."

You assented again and sighed, the smile on your face growing wider.

 "Arthur Morgan: author and illustrator." You held your hands up in dramatic fashion as if envisioning the words in front of you. Then you untangled yourself from him and sat up, "You could, you know? It's not too late. Maybe a biography?"

"A story about my life, huh?" He looked at you with a dumb smile, "I think a book about dirt would be more interestin'." He bobbed his head up and down as if nodding made his thought more true. You shoved him playfully, and he raised his eyebrow at you and held out his hands questionly. "What? There's all different kinds of dirt," he started counting on his fingers." Brown dirt, red dirt, hard dirt—"

You cut him off, "I'm serious, Arthur! This life…it ain't one normal folks live." A shit-eating grin crept up his face as he fought not to make another joke at his own expense. He shoved it down and kept listening. "Sure, it's just your life to you, but other people might find it interesting, exciting, even."

He thought for a second, then put his hands in the air, mimicking you, "The Confessions of Arthur Morgan: The Detailed Life of a Gunslinger by Arthur Morgan. Sounds like a Pinkerton's wet dream."

 "I see what you mean," you trail off, fingers playing in the grass. "Could change the name. People publish under a different name all the time. There's a word for that, I think."

"Pseudonym," he responded, his accent thick. "Think it's got one of those silent letters in front." He said it so matter of factly, and it confirmed what you already knew about him: he was far more intelligent than anybody ever gave him credit for. Still, you left the idea alone and thought Arthur had, too.

Then, on another afternoon in the fields near Little Creek River, he spoke out of nowhere. "Arthur Callahan or Tacitus Kilgore?" 

"Hmm?" you asked, barely glancing up from your book.

"For the pen name," he confirmed, scratching his chin thoughtfully. 

From that day on, your trips to Little Creek River became writing sessions. He bought a notebook that you two would trade off, coming up with ideas for the dramatized life of the gunslinger. You'd taken some creative liberties, and the story wasn't exactly a biography anymore. It had shaped into a Western love story. Arthur Callahan, after living a bad life, met someone who made him want to be better, an angel sent to rescue the devil himself. Arthur Callahan would get the perfect ending; a normal life. It was all Arthur's idea. 

"It's not my story; it's ours," he'd told you. 

You had been daydreaming about the possibilities for your novel for some time, but the chaos of life with the gang left little room to focus on it. The sudden move from Horseshoe Overlook to Clemens Point made things worse. Somewhere in the move, the manuscript was lost or destroyed—either way, it was gone. You couldn't hold back your tears during your next trip to Big Valley. Arthur's big hands swallowed your face as his thumbs wiped your tears away.  

"Shhh, we'll rewrite it, sweetheart," he promised.

Despite Arthur's gentle nudges, you couldn't find it in you to rewrite the story. Another day, he'd invited you to ride with him, heading off to your usual spot. He'd asked once more if you were feeling up to writing again. When you rejected the idea, he shook his head, seemingly surrendering. 

"Fine! You're so damn stubborn." There was no malice in his voice, though, and his eyes twinkled a little. "Looks like I gotta take matters into my own hands." Instead of stopping the horse in the fields as usual, Arthur stopped short, cutting into nearby woods. Eventually, he halted outside of the small cabin that was Vetter's Echo and hitched the horse outside. 

"Come on," he said, helping you down. "I've got a surprise for you." You walked up the cabin's steps, and he swung the door open to a small living quarters. "It don't got a back door, and I'm pretty sure the feller living here got mauled by a bear, but it's got one of these things." He gestured to the desk in the corner of the small cabin, a typewriter sitting atop it, "I don't have the first clue about using it." So he left it for you to figure out. He'd sit on a stool beside you, reading from a notebook, and you'd type slowly at first, but as time went on, the keys felt as familiar to you as a gun trigger did to him. 

Then things started falling apart. You'd moved from Horseshoe Overlook to Clemens Point, then to Shady Bell in a matter of weeks. The men went on a job to rob the bank in St. Denis, and most didn't return. You'd forgotten about the manuscript while trying to survive and spent weeks worried about Arthur and everybody else.

Then he came home to you, waterlogged but alive. You'd never felt more relieved. He was skinny and had a persistent cough, blaming it all on his rough journey. But it didn't stop him from finishing the book as promised. He'd write whenever he had a chance, and you'd go back to the little cabin in the woods, you typing and him reading.

Then he couldn't get through a page without coughing. You listened, concern etched on your face as he told you about his coughing spell and subsequent visit to the doctor in the city. Tuberculosis: practically a death sentence. After that, he'd step back when you tried to be close to him and wouldn't let you kiss him or be intimate with him. You spent a lot of time crying while he dipped his head in profound shame. 

Weeks later, he woke you up at night, gently shaking you and whispering to not alert anyone else. "C'mon, get dressed and ride with me." He was serious, his jaw set, his voice low but demanding. You didn't know what was wrong, but dread ran through your veins. You rode far away from camp, mostly in silence, your anxiety not letting you say anything. 

"You're gonna live a good life. "he finally said, breaking the silence. Your eyes stung, and you felt a lump in your throat.

"I don't want to hear this right now, Arthur."

He shook his head, frustrated, and spoke through clenched teeth. "Listen to me." His tone made you flinch. He'd never taken on that tone with you, ever. "This whole thing with Dutch, it's over. You gotta run. Gotta get out and make a good life for yourself." 

You wanted to protest; you weren't going to leave him, not now. But then you saw the waiting stagecoach up ahead. Your heart dropped and shattered into a million pieces. You reached around him to pull the horse's reins, coming to a skidding stop. You hopped down and started shaking your head, frantic in your movements and words. 

"No, Arthur. No."

You wiped away the quickly falling tears as you turned, fast walking, almost running back to that godforsaken camp that was Beaver Hollow. Even in his sickness, it only took Arthur a few big steps to reach you, grabbing you by the waist and turning you to face him. And then you cursed at him, pounded your fists against his chest, and wailed into the night. He just pulled you close to him, squeezing you until you didn't fight anymore. He gave you a stack of cash, made you promise to run, and said he'd come find you after it was all over. But both of you knew, deep down, that you were setting eyes on each other for the last time. He kissed your head. You sobbed into his chest, only letting go when the impatient stagecoach driver beckoned you.

"Never could've imagined I'd know somebody as perfect for me as you." All you could choke out was, "I love you," over and over and over again. He slipped a folded letter into your hand and helped you into the coach filled with your things. He stood silently with his hat in his hands while you rode off into the night. You sobbed for as long as your body let you while the coach took you down to Copperhead Landing.

First, Tilly showed up with Jack, and then Sadie came with Abagail. But then John arrived bearing Arthur's hat and satchel with a look in his eyes so terrible that it brought you to a screaming sob. That night, when everybody had finally settled down to sleep, you slipped away, leaving a note of thanks and well wishes. You were alone then, the way you wanted it to be without Arthur.  

Eight years; it had been eight years since everything went to shit. In eight years, you worked your ass off with any odd jobs you could find. Keeping busy was how you cured your broken heart. You'd tried as hard as you could to forget about the life you'd once lived until you read a headline in the newspaper: MICAH BELL KILLED. The memories flooded back to you, and you returned to a place you hadn't visited in a while. You only kept 2 things from that time: a letter from Arthur and the manuscript you'd written with him. Forged in Fire, you called it. After all this time, you couldn't remember who came up with the name, but you remembered why. You two were like tempered metal; the more you walked through hellfire, the stronger you became.  

Then there was Arthur's letter. You'd read it only once before today.

"Things I wanted to say but did not have the courage to say aloud." was scrawled across the top of the page, followed by a list.

"Keep visiting Big Valley.

Keep writing.

Publish the book.

Watch every sunset.

Trust your gut.

Please, be happy."

You heard his voice through every word. He'd underlined the third point: publish the book. In that moment, you decided to take a leap. You wrote to a publisher and sent a copy of the manuscript. And that's all it took. Things went into a tailspin after that, and before you knew it, you were holding a hard copy of the manuscript you and Arthur had worked on together all that time ago.

You'd made an effort, then, to find Abigail and John and Jack. They were held up at a ranch, Beecher's Hope, and were married now. You caught up with the Marstons and apologized for hastily disappearing all those years ago. They were happy for you, and you for them. 

On your departure, John took your hand, "I don't talk about him much these days, but I don't think he loved anybody like he loved you." He paused for a moment and forced his eyes to meet yours. "He's buried out in Ambarino, near Donner Falls. Top of the mountain. I can take you." You declined John's offer but set out east toward Donner Falls the next day. 

You found him around noon and watched wistfully as an eagle flew from its spot on a rock behind the flowery grave. You fell to your knees, no longer able to control the tears flowing down your face. "I did it, my love," you choked through tears. It'd been a long, long time since you let yourself feel this pain—a longing to reach something impossible. You dabbed the tears away from your eyes and sat in the grass, hugging Forged in Fire to your chest. "Thought I'd read it to you," you spoke into the air. You opened the book, cracked the spine, and read "Chapter One: Heaven's Fall, Hell's Rise."

[ckret2]

Would Mabel being the reincarnation of Bill cause a rift between her and her family? I imagine that even though they know that Mabel and Bill are two different people it'd be kinda hard to get over the fact they ARE fundamentally the same being,especially for Ford.

Now, that's the problem. They AREN'T two different people. That's the whole point of this specific AU's take on reincarnation. It's not "Mabel happens to now possess the soul that was formerly used by some other guy" but rather "this is that guy after working on himself for thirteen years, she just didn't remember it until now."

"We know you're two different people" is the kind of thing her family might say to be reassuring. But in her ears it'd be like if she's on trial for murder and her family says "We love you because we know you're innocent," when actually she did totally commit that murder, and it was premeditated, and she didn't even have a sympathetic motive. Like it's nice of you guys to say that and I know you mean well, but if you only love me because you think I didn't do anything wrong, would you still love me if you understood the truth?

The biggest rift is on Mabel's end. She's holding back from letting them find out for as long as possible. It's not coming out until they put together the evidence themselves or she has a breakdown and confesses while in tears. And, naturally, when she's trying to keep that big a secret from them, she's gonna be withdrawn.

Like, there's a very high probability that Gideon finds out before any of the Pines do, that's how hard she's trying to keep it from her family.

When they DO start finding out?

Dipper's known Mabel almost fourteen years; he knew Bill two months. He's gonna get over it the fastest.

He's cracking annoying brother jokes before you know it. "I mean—you didn't manage to kill me in the womb, I don't think you're gonna do it now." "I forgive you for the sock puppet thing but now I REALLY wish I'd done more dumb stuff in your body while we were body swapped. As pre-revenge."

If anything, ultimately this turns out to be GREAT news for Dipper. He spent all last summer being pissed off that Bill had all the secrets of the universe and just wouldn't share them, to be a dick. WELL GUESS WHAT. NOW THEY'RE SHARING A BEDROOM. He's keeping her up until 3 a.m. asking about every conspiracy theory in history until Mabel lies "sorry, my memory of that one hasn't come back yet. Maybe my memories would return faster if I could GET SOME SLEEP..."

Stan's known Mabel off and on for fourteen years, and has gotten to know her really well over the past year; he knew Bill for—lemme check how long his death scene is—under two minutes.

Try to tell Stan that Mabel's Bill and his first reaction is "WELL THAT'S STUPID AND I DON'T BELIEVE IT." "But she can set fires with her brain." "Sometimes teenage girls do that! I saw it in a horror movie!" He's gonna process the news about the same way he'd process it if Mabel told him that she's some gender he's never heard of before: he's confused and too damn old to understand this complicated identity stuff, but he loves her even if he only understands half of what's going on, and he'll punch anybody who looks at her funny because of it.

Ford's only known Mabel since last summer; he's known Bill over 32 years.

This AU ain't a fic, so there's not a single set plotline, just a whole bunch of ideas that may or may not actually happen if I were ever to turn it into a story; and because of that there's a lot of ways things could go down with Ford, on a wild scale from hilarious to heartwarming to tragic, depending on what I think is interesting on any given day. But in many potential timelines, the first and most pressing question Ford's facing isn't "can I still love Mabel even if she was—is—Bill?"

It's "How do I kill Bill again?"

Because he knows Mabel the least and knows Bill the best, he has the best odds of looking past what everyone else sees as "haha that's just Mabel being Mabel!" and going "that's Bill fucking Cipher"; and because he hates Bill the most, he's the absolute last person Mabel would voluntarily tell about her exciting new personal discovery—meaning that he just has to draw his own conclusions. If he sees Bill looking at him through this little girl's eyes and clearly trying to convince Ford that he's not Bill he's gonna assume Bill's back from the dead and possessing his niece.

If Ford finds out, Mabel's not just afraid he won't love her anymore; she's also afraid he'll want her dead. If anything, him thinking she's possessed would be a good thing, because it'll buy her a little time while he's looking for a way to "extract" Bill to "save" Mabel, whereas if he knows the truth he'll know there's no Mabel to save.

Worst case scenario, she fears that, if he finds out, she's dead as soon as he can get his hands on her—unless she can find a way to defend herself.

Of course, this is Gravity Falls, where the power of love & family always wins, so in reality if he found out no that IS Mabel it'd stay his hand while he tries to figure out what's going on. His hatred for Bill is weaker than his love for his family. But she doesn't know that.

After all, Mabel's known Ford for 32 years, and for 30 of them he was on a suicidal vengeance quest to kill her; he's only been her grunkle since last summer.

[moodymisty]

This might sound hella dumb and slightly cursed but imagine constantly being fucked by a Primarch and constantly receiving that pure demigod protein baby maker shake in both ends (😭) had unexpected "secondary effects" like peak skin condition, peak health and of course superhuman strenght.

Random distracted Astartes fails to secure his bolter to his belt but mother was right there and catches it before it hits the ground and lends it back to him, he says thanks, legion mother leaves, the Astartes then feels the cogs spinning inside his brain. Wait a second, you need at least three baseline men to lift one Astartes sized bolter how the fuck-

Ok this is hilarious though xD the primarch baby shake is radioactive but instead of cancer that shit gives you superpowers

[bbrissonn]

𝐈 𝐥𝐨𝐯𝐞 𝐲𝐨𝐮 - 𝐋𝐮𝐤𝐞 𝐇𝐮𝐠𝐡𝐞𝐬

summary: you and luke share your first i love you's disclaimer: english is not my first language and this is not proofread so please excuse any errors and if any words are missing add them in your head :) also this is a work of fiction, this doesn’t reflect how these boys act in real life, and it isn’t how i imagine them acting 

warnings: mention of sex, but no description of it at the end, not proofread,  

pairing: luke hughes x y/n zegras (lemon au)

wc: 1.8k

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-EARLY MARCH '23-

A soft chuckle escaped your mouth as you threw your head back, one of your hand landing on your boyfriend’s thigh as a small laugh of his own could be heard in his bedroom. You were currently in Luke’s room, having come back from the west coast only hours ago and your boyfriend deciding to, as you called i earlier, kidnap you for the rest of the day. 

Thankfully, you arrived in Ann Arbor early in the afternoon, and for the first time in a week, the Michigan men’s hockey team had the day off, meaning the two of you had been locked away in his room since you arrived. 

Luke had been preparing for this moment ever since you left, making a couple of trips to target to get you some your favourite candies and chocolat, as well as some stupid things he found that he knew you’d find hilarious. When you walked into his room earlier, blankets were pilled on his bed, snacks surrounding the pill, a couple of your favourite candles lit up on his desk as well. 

“Luke!” You gasped as your eyes landed on his bed, a cute teddy bear sitting on the top of the blanket pill along with some flowers. “You didn’t have to.” You added, turning your head to look at him with a smile. 

“I wanted to. I’ve missed you.” He stated, his eyes staring lovingly into yours. A small tint of red appeared on your cheeks as you threw your arms around his neck, his going around your waist. The two of you held each other close for what felt like hours, but only being a couple of minutes, until Ethan walked past the wide opened bedroom door, gagging as he walked away. 

“Guys, I think we might have to go buy some earplugs for tonight.” You could faintly hear Ethan’s voice coming from the living room, making you pull away from your boyfriend. 

“Shut up Edwards!” You yelled out before closing Luke’s door shut. When you turned around, Luke was now standing near his dresser, emptying your suitcase into your reserved drawer. “Oh, Lemon, you don’t need to.” You cooed as you walked towards him, grabbing the shirt he was currently holding in his hands before placing it in with the rest. 

“It’s weird seeing you so tan in the middle of winter.” He said, his eyes watching your every move. His words made you look up at him, sending him a soft smile. 

“It’s spring in like two weeks, dumb dumb.” You laughed, making the boy roll his eyes before grabbing both of your hands and leading you towards the bed. 

“Shut up.” He mumbled before pressing his lips to yours, the back of your knees hitting his mattress. The next thing you knew, Luke was sitting on the bed, with you on his laps, lips molded together as you shared small kisses. 

“Movie?” He asked after a couple of minutes of kisses and smiles. You nodded eagerly before grabbing the flowers he had gotten and carefully placing them on his desk, not too close to the candles. As you walked back over to the bed, Luke was messily throwing the blankets everywhere as the snacks were now all resting on his night stand. 

“Remind me to put them in water, later.” You told me as you joined him on the bed, resting your head on his chest as he threw a bunch of blankets over the two of you, a bag of popcorn opened next to him.

Over the next ten minutes or so, the two of you argued about which movie you should watch. You wanted to watch Lilo and Stich, while Luke wanted to watch The Parent Trap. Eventually, after loads of puppy dog eyes from the youngest Hughes, you agreed to watch his movie. 

“Where you going?” You whispered an hour into the movie and Luke slowly wiggled his way out of your burito blanket. 

“Bathroom, I’ll be back, hon.” He responded, pressing a small kiss to your forehead before quietly leaving the room. You let out a happy sigh as the door closed behind him, feeling content with being back in the bed you had spent so many hours in since the two of you started dating. 

You let your eyes wonder around the room, one that you could describe with your eyes closed, only your eyes were caught on a picture frame that you were sure wasn’t there when you left the previous week. Slowly, you made your way out of the bed and walked over to the pretty empty bookshelf in his room. 

A small smile appeared on your face as your hands grabbed the frame, his mom had taken after one of his game, Luke still in his full hockey gear besides his helmet, the two of you holding each other with wide smiles one your faces. You were standing side by side, your eyes focused on Ellen, who was behind the phone, while Like was staring at you. You ran your fingers over your boyfriend’s face, butterflies erupting in your stomach at the way he looked at you. 

“You’re not snooping, are you, love?” Luke asked with a smirk as he walked back into the room. As soon as he was where you were standing and the smile on your face, he knew that you had found the frame, not that he tried to hide it, he was just surprised it took you so long to notice it. 

“Me? Never.” You joked as the Hughes boy now stood behind you, his arms wrapping around your waist as his chin leaned down on your shoulder. 

“Mom gave it to me when I went over for dinner last week.” He whispered before pressing a kiss to your neck, making you hum in response. 

“It’s cute. You’re cute.” You answered, your free hand reaching back to the back of his head, playing with the small hairs on his neck. Your head turned to the side, your eyes meeting as you exchanged smiles, Luke’s eyes then looking down at your lips. 

“You’r cuter, though.” He spoke softly before leaning in and pressing a gentle kiss to your lips. You closed your eyes as you kissed him back, smiling against his lips. Eventually, the two of you pulled away, your foreheads resting against each other as your eyes locked together, wide smiles on your faces. 

“I’ve realized something while you were gone.” 

“Yeah? And what’s that?” You asked, quickly pecking him. The hand that once rested on the back of his neck now running throught his hair on the top of his head. 

“I love you.” He confessed, his smile still wide on his face. Meanwhile, yours slowly fell, not sure how you felt about his confession. “You don’t have to say it back if you’re not ready. I just wanted to let you know.” He added, one of his hand leaving your waist, cupping your cheek. 

“I…” You started, your eyes leaving his to look down at the frame you were holding as he pressed a kiss to your forehead. There was no doubt in your mind that you loved him just as much as he loved you, you had known for a while how you felt, but you didn’t know how to tell him. “Luke―” 

“Sorry to interrupt, but the guys and I are ordering doordash, you guys want anything?” Duker cut you off, entering the room without knocking since Luke hadn’t completely closed the door when he walked back in. At the sound of the older boy’s voice, you cleared your throat slightly, slipping out of Luke’s hold on you. 

“I am good, thanks.” You told the foreward, sitting down in your previous place on the bed, the frame pictures having been put back in it’s spot before you left your boyfriend’s side. 

“No thanks, Duker.” Luke answered. Dylan nodded slightly, ignorant to the slight tension that was built up in the room, before leaving, closing the door behind himself. The youngest Hughes was now leaning against his desk, his arms crossed lazily over his chest as his eyes looked at you. Just as he was about to say something, you pushed yourself off his bed, your phone in your hand. 

“I need to use the bathroom.” You said and slipped out of the room before he had time to say anything, leaving him alone with his thoughts in his bedroom. As soon as you entered the washroom, you locked the door, sitting down on the closed toilet as you opened your text chain with your oldest brother. 

Y/N/N 

trevor

trevor answer me

im serious trev

trevuh

whats up?

Y/N/N 

luke told me he loved me…

trevuh

…

you’re joking right?

Y/N/N 

dead serious

now im hiding in the bathroom

i freaked out and left

trevuh 

hold up

how long have you guys been together to be saying the L word

Y/N/N

trev that’s not important right now

i am freaking out and idk what to do

trevuh

well uh do you love him?

Y/N/N

yea duh

trevuh 

then just tell him duh

Y/N/N 

but what if it ruins everything?

trevuh 

Gosh Y/N/N ur being stupid

just tell him dumbass

now stop bothering me 

You let out a groan at Trevor’s answer, but deep down you knew he was right. All you had to do was just tell Luke how you felt, say those three little words, eight letters, how hard could it be right? 

After about a minute, waiting to see if Trevor was going to say anything else, you slowly made your way back to Luke’s room. When you walked in, he was now laying on his bed, phone in one hand as he bit the nails of his other hand, something you knew he did when he was nervous. 

Once he heard the door open and saw you walking back into the room, he quickly dropped his phone, pushing himself up so he was sitting up. The two of you were silent, sitting next to each other on the bed before Luke spoke first. 

“I am sorry if I made things weird earlier. I never wanted to―”

“I love you.” You cut him off, a smile appearing on your face before repeating those three words. “I love you, Lemon.” You told him, one of your hand reaching out to cup his cheek, your thumb rubbing the tissue under his eyes. “So much.” 

“I love you, Y/N Zegras.” He mumbled before both of his hand flew to your waist, pulling you on top of him. 

“Full name, huh?” 

“Shut up.” He said before pulling you into a passionate kiss. Smiling against each other’s lips as your hands flew to his head, running your finger through his curls, pulling here and now. Soon, your pieces of clothing were lost, now on the ground around his bed, sounds of pleasure echoing in the room. 

“I told you we’d need earplugs.” Ethan told his roommates, turning up the volume of the TV in the living room.

[alta1red]

HAZBIN HOTEL . IMAGINE . II 'The Darling Artisan from the Clouds'.

𝑺𝑼𝑴𝑴𝑨𝑹𝒀 : [ NAME. ] Is exploring Pentagram City, and runs into a certain Radio Demon..

𝑾𝑨𝑹𝑵𝑰𝑵𝑮 : [ NAME. ]'s luck might either be the worst, or the best no in-between . Alastor being a creep . OOC Alastor . Small amount of dialogue .

𝑷𝑻. : II.

— Well, congrats ! You somehow managed to avoid probably all the wrong kinds of people in Hell ( that being certainly 99% of its total population.. ) , was it due to sheer luck? Or by some stupid twist of fate something else awaits you in your path? Maybe, maybe not.

• As you wandered the streets of Hell and witnessed around One.. Hundred incidents of violence, abuse, prostitution, people getting mugged and drug dealing —You remained peaceful (?), ( you held your art matierials closer to your figure. ) although your inspiration did take abit of a dark turn in its source. Your cloak, and subtle presence helped you alot in hiding your angelic features .

• But your presence certainly didn't manage to slip by a certain .. Shadow Minion of a Radio Demon.

• 'It', 'He'? Observed you with careful precision, you certainly didn't think you'd be able to just waltz around in Hell unnoticed, did you? As you wandered mindlessly through Pentagram City blissfully and ignorantly prancing around as you gazed at horrid theatrics.

• How interesting ! Oh how 'His' smile got even wider ,

• As you accidentally bumped into people left and right in the Enertainment District, you always muttered small apologies —As if the reciever was even sober to hear it.

• Your manners were impeccable, how kind of you ! It's almost as if you don't belong here.

• 'He' knows you don't.

• You feel it, the feelings been gnawing at your back for awhile now.. Someone has been following you, and so that's why you were practically near a sprint as you ran through Districts, and Border zones —Fully debating on using your wings to get away from 'It' entirely, but weighing the pro's and con's were obviously needed before taking such a drastic option and life threatening decision.

• And since you didn't want to be hunted down, or even worse —Reported to the King of Hell, you took alleyways and random directions hoping to run away and have its sight's lose you. ( Dumb Decision. )

• Now DEAR. You didn't think you'd run away so easily now do you? After all, the site of an angel after the extermination was worrying ! How he wanted to try Angel Meat —However, he must introduce himself to you first !

• As you ran into another alleyway —" Shit! Dead end — "

• A dark murky shadow formed behind you, your instincts caused you to turn into fight or flight mode — Your halo glowed violently reacting potently from your panicked emotions,

— START OF MEMORY.

" No need to act so —violently, My Dear ! " The Demon's voice had a static filter —possibly done on purpose, he donned a transatlantic accent —He felt powerful, yes —but you've been enhancing your ability, even when Heaven was probably the most peaceful place in the entire universe, despite the fact Adam caused a ruckus every now and then —but he's already dead, so peaceful it was once more;

The Demon found your panicked expression comedic, hilarious, fun.

Like Prey facing Predator.

Could it be you felt fear? Panic? Whatever it was, it was certainly messing with your train of thought— you needed to rationalize yourself !

Talking a sharp breath and sucking it up, you then inquired — " I'm so sorry Sir, I was just rather startled .. " Your tone was geniune, yes —But your actions certainly told what you actually felt —Your hands quivered and beads of sweat started to form under the hood of your cloak.

" What a frightened Swan ! What's an Angel like you doing here ? " 'He' mused, relishing within your frightened presence. Your gaze turned cold as you felt your sweat turn freezing, your jaw slightly agape—

You looked at him before saying, " —

— END OF MEMORY.

• Your encounter with the Radio Demon was far from pleasant, but you wouldn't admit it. It's not nice to do so,

.

.

.

—FIN.

[caligvlasaqvarivm]

I really love how you draw Karkat and Calliope. You've already talked about how the other relationships within the POABPCL, so I was wondering if you could talk about Callikar in more depth as well.

Heehee okay so the short reasoning is that first of all, Karkat is also highly reminiscent of Caliborn, so there's Calliope's natural attraction there. But also Calliope desperately wants to experience a flushed romance, and Karkat is a crazy person who can't keep his quadrants straight. Which, for Calliope, would actually be a plus instead of a minus????

But yeah, for the Caliborn similarities, apart from the grey text and (mostly) capital letters and general cantankerousness and candy red blood and random textual callbacks to shit Karkat says:

CG: OK I DON'T SEE HOW WE'RE SUPPOSED TO BE BECOMING FRIENDS IF YOU RECOIL FROM MY OLIVE BRANCH LIKE I'M WIGGLING A GNARLED TREE MONSTER'S DICK IN YOUR DIRECTION. [...] uu: HOW ARE WE SUPPOSED TO BE BECOMING FRIENDS. IF YOU RECOIL FROM MY OLIVE BRANCH. uu: LIKE I'M FLAILING A WITHERED MUMMY'S SEVERED LIMB IN YOUR DIRECTION.

CG: THE FACT THAT YOU ARE DUMB CG: IS AN IMMUTABLE FACT I AM STATING FOR THE RECORD. CG: IT DOES NOT MEAN ANIMOSITY IS WHAT IS TAKING PLACE HERE. [...] uu: AND THE FACT THAT I MIGHT NOT CLuE YOu INTO YOuR FATE ALL THE TIME. uu: DuE TO MY AGGRAVATED APATHY OVER THE MATTER. uu: IS AN IMMuTABLE FACT. I AM STATING FOR THE RECORD. uu: IT DOES NOT MEAN THAT GIVING A SHIT IS WHAT IS TAKING PLACE HERE.

Did you know they both weirdly have a thing for right angles?

DAVE: i dont want to see your lines making any right angles do you understand KARKAT: IN MY MIND'S EYE I AM PICTURING A BEAUTIFUL LATTICE OF LINES AND COMPARTMENTS, INTERLOCKING WITH SUBLIME PRECISION AT NINETY DEGREE ANGLES. KARKAT: I IMAGINE THIS MODULAR RETICULATION AS AN ELEGANT VESSEL, IF YOU WILL, FOR THE GRAND SYNTHESIS OF OUR SHARED SHIPPING DREAMS.

So yeah, you know, they've got some similarities! Enough to fuel some initial cherubic romantic interest, I feel.

But obviously, cherubic romance is primarily - if not exclusively - pitch. Calliope expresses this in a way that makes it very much sound like it's a setup that her happy ending does, in fact, involve her finding a matesprit.

UU: thoUgh i trUly wish i were capable of those feelings. UU: perhaps the fact that i am not is why the topic fascinates me so. UU: and why i have been prone do indUlge in sUch... UU: fancifUl visUalizations. UU: of yoUr people's lovely bright red relationships. UU: they mUst be nice. u_u

Personally, I think that cherubs "can't experience redrom" the way humans "can't experience blackrom". In that, y'know. ;)

But let's move from Calliope's side from a moment and talk about Karkat. Hey, do y'all remember how he had a crush on a different Space player? (The fact that Karkat actually totally had a crush on Jade, and continued to think incredibly fondly of her for years after the fact, to the point of using one of her passwords as the password to his dream hive, gets lost in the melange of ~yaoi~ is honestly one of the reasons I'm not a fan of DaveKat).

CCG: I'M GOING TO VOMIT. CCG: I'M MAKING A MENTAL NOTE TO SLAP MYSELF THREE HOURS FROM NOW, FOR BEING ENOUGH OF A SAP TO START DEVELOPING RED FEELINGS FOR A DUMB ANNOYING HUMAN, IF I'M READING BETWEEN THE LINES CORRECTLY. FCG: I JUST SLAPPED MYSELF! I REMEMBERED MY LAME NOTE TO MYSELF FROM THREE HOURS AGO, AND THEN SLAPPED MYSELF SPECIFICALLY TO MOCK YOU. FCG: IT STINGS TOO, YOU'LL FEEL IT IN A WHILE. AND THEN THE GHOST OF PAST ME WILL CRY.

Hussie's commentary on this is also fucking hilarious, by the way:

First, by defending Jade like this, Future Karkat is virtually making the case to his own past self to give her a chance, and to try to acknowledge that his aggression toward her is masking romantic attraction. If that wasn't nuts enough, the altercation doubles as an actual confession of this to Jade, which she now has to bear in mind as she goes forward befriending this guy. Like most other shouting matches Karkat has with himself, it's a complete free-for-all of self-owns and eyebrow-raising psychological revelations. And yet, in the totality of this clusterfuck, it's probably about as sufficient as anything else he could have done to get her to start giving the friendship a chance. How do you sidle out of something like this? You don't. This miserable basket case needs all the help he can get.

But this is another example of Karkat's horrible problem with mixing his quadrants and sending out all sorts of mixed signals, which he lambastes himself for later RE: Terezi.

FCG: IS IT?? TELL ME, HOW MANY TIMES HAVE YOU TREATED HER IN A WAY THAT COULD BE OBJECTIVELY CONSTRUED AS A FORM OF BLACK SOLICITATION? CCG: THAT'S JUST CCG: NO, THAT'S HOW WE'VE ALWAYS ROLLED TOGETHER. IT'S LIKE CCG: SPIRITED PLATONIC CONTENTION. CCG: TOTALLY NORMAL TERRITORY IN A HEALTHY MATESPRITSHIP. FCG: YEAH, A *HEALTHY* ONE, NOT ONE INVOLVING A DEMENTED LOUDMOUTH WHO CAN'T KEEP HIS SHIT UNDER CONTROL. FCG: LET ME ASK YOU, HOW MUCH OF THAT ANIMOSITY IS INNOCENT "PLATONIC RAGE"? FCG: COULD IT BE THAT SUBCONSCIOUSLY YOU WANT TO PUSH THINGS WITH HER ONTO CALIGINOUS TURF, MAYBE SEE HOW THINGS WORK OUT THERE? FCG: SEE IF YOU CAN HAVE YOUR GRUB, AND CULL IT TOO?? FCG: THAT WAY YOU HAVE HER ALL TO YOURSELF!

And even his "confession" to jade has shades of this, as he basically forced her to auspicetize between himself and... himself. Just a really messy guy who can't keep his quadrants straight. I've already talked before about how this would be completely fine for Eridan, who is literally too bad at social shit to notice and is just happy for the attention, but... doesn't that seem like it would work for Calliope, whose fundamental attraction model is based in pitch?

And to really get into this, we should also talk about Karkat's taste in movies. The three posters he has hanging up in his room are for Serendipity, Hitch, and 50 First Dates. Between the three of them, it becomes really clear that Karkat is really into the idea of soul mates - of finding a romantic partner that just kind of perfectly clicks with you and all your idiosyncracies, with whom the romance is natural, and brings out the best in both partners.

Serendipity most obviously, as the entire movie is practically a treatise on destiny and fate (and also, if you're only going to watch one, watch this one - it gets namedropped twice in the comic and I genuinely think HS draws like 30% of its DNA from it). Hitch's A-plot couple is widely considered the worse one, but the B-plot couple turn out to be perfect for each other - all the guy's lame, embarrassing aspects just happen to be what she finds adorable, and he just needed a courage boost and chance to be noticed by her. And 50 First Dates features a guy in Hawaii who loves taking visiting tourists on whirlwind romances, but is terrified of commitment, meeting a girl who can't make new memories - functionally rendering every date their first from her perspective - and it's really sweet. It doesn't even make you want to punch Adam Sandler at all. Like, not even a little bit.

In any case, what this says to me is that, while he still needs to undergo character development to be ready for it, the romance Karkat should eventually end up with is one where he doesn't have to compromise who he is, warts and all.

A lot of Karkat's more common fandom pairings tend to downplay, or even outright forget about, how genuinely uncomfortable it is to experience Karkat's nutso vascillation. Even if the edge is taken off via moirallegiance, Karkat is still the sort of messy guy who tells his flushed crush to "set the table on [his] bulge for their candle light hate date." Jade clearly isn't a fan of being treated rudely, while Terezi eventually gets driven off by the mixed signals he puts off... but what if there was a species who primarily experiences pitch attraction, who would find Karkat's frequent dips into black-coded flirtation hot?

And also... Karkat is obviously Calliope's favorite character troll...I mean, she's got his symbol as her cufflinks. And also:

CG: I THINK THIS SUBJECT IS BEYOND A LOT OF PEOPLE'S GRASP BUT I KNOW A LOT ABOUT IT, NOBODY EVER REALLY WANTS TO TALK TO ME ABOUT IT THOUGH. AG: Whoa really? Oh no shit, REALLY???????? CG: OK, MOST PEOPLE WHO HAVEN'T HAD THEIR LOBE STEM CAUTERIZED ARE CAPABLE OF FEELING THE TWO PRIMARY EMOTIONS, HATE AND PITY. CG: PITY IS OF COURSE JUST THE TONED DOWN VERSION OF THE CENTRAL EMOTION, HATE. CG: AND ALL THE NUANCES OF PITY MANIFEST AS VARIOUS OTHER KINDS OF FEELINGS LIKE WHATEVER CHEMICAL REACTIONS TRIGGER MATING FONDESS OR THE MYSTERIOUS FORCES THAT ARE BEHIND MOIRALLEGIANCE.

And:

UU: actUally, i have written hUndreds of pages examining the striking differences between hUman and troll romance, as well as reprodUctive habits, as the comparison makes for a marveloUs case stUdy in xenobiocUltUral differences. UU: as long as i am sharing specUlation with yoU, perhaps yoU woUld like to read my essays? UU: i coUld even paste each page right here in sUccession, and allow yoU to read them back to back to back to back to back to back! ^u^ TT: Oh hell no. UU: ah. UU: yes, yoU're right of coUrse. i'm probably getting carried away as UsUal. UU: forgive my enthUsiasm, it's jUst that i so rarely have anyone to talk to who shares my passion for these matters.

They could both be SO ANNOYING about quadrants and romance together. It would be beautiful.