#it's also up to the victims to decide if they want to forgive them

[nefskullcritique]

At what point will forgiveness be afforded to them? Genuinely asking.

i don't know how long ago this was sent but this blog kind of acts as a way for you to come to your OWN conclusions now.

i've moved past all of this. you make your own decisions based on what you've seen on here.

[jerryseinfeldisafurry]

I have to speak my peace about Captain Curly

Warning: mouthwashing spoilers

So, I’ve noticed a lot of people saying the same points that are essentially: “Oh Curly is a piece of shit because he just let his buddy get away with assaulting Anya”

And I am here to argue against this point. So at no point does Curly deny, or tell Anya that what she went through never happened, or anything like that. Usually, when somebody “supports their friend” after said friend commits assault, they will react with disbelief, or just general distrust for the person accusing their friend. I feel like the fact that Anya continuously makes small references to the assault situation around Curly, and the fact she talks and is alone with Captain Curly so often, are indicators that she has not been met with disbelief or distrust on his end.

When a victim receives a bad reaction to telling somebody about their assault, they usually do not bring it up or talk about it with that person after that. They also would not have the same dynamic, the same relaxed mannerisms that Anya has with Curly.

Now, onto the point where people accuse Curly of enabling Jimmy, I also don’t think that’s true. They are stuck on a relatively small ship, with no way out for over a year. They can’t risk hurting or punishing Jimmy, because Curly of all people will know how reactionary and violent Jimmy can be. They can’t kill him, because that’s illegal, and Curly is unfortunately responsible for Jimmy considering he is the Captain of the ship. Aside from the fact that, with the way Pony Express is shown to treat the crew, if they harmed or killed one of their own crew members it’s entirely possible that they would not get paid at all, and all the work and time and energy (and suffering, on Anya’s part) would literally be for nothing. Then they also get tried for murder, and they would have to prove that Jimmy did something wrong, they would have to prove that Jimmy assaulted Anya. After half a year of him being dead, with no physical evidence to prove what he did except a pregnancy that they can’t prove was forced upon her.

Curly is not enabling his friend, and trying to sweep the situation under the rug, he is literally constantly trying to deescalate the situation. Curly doesn’t act like he’s just trying to make the situation disappear. When Anya expresses that she’s uncomfortable, she doesn’t even say out right that she doesn’t want to do his evaluation. Yet Curly decides to volunteer despite not really having the experience, and it also not being in his job description. After Anya tells Jimmy she’s pregnant, and she’s scared for her life, Curly goes to try and talk to Jimmy. He tries to get Jimmy to calm down, and to think rationally, he tries to keep Jimmy from acting out. and then Jimmy goes and crashes the entire fucking ship into an asteroid. Even if they wanted to imprison him, there was nowhere to put him. The only places that had locks were the cockpit and medical. We saw what happened when he was in the cock pit alone, and the last place he needs to be is the one place that Anya can really call her own.

When Curly says he’ll talk to Jimmy, that’s not him belittling the situation. He needs to stay calm and reassure Anya that he’s trying to help her. If Curly was immediately like “I’m gonna go kick his ass” or if he insisted on some sort of retaliation against Jimmy, then that would just stress Anya out more. There is no way to keep eyes on Jimmy at all times, and if he faces any punishment over Anya then she knows he will find a way to punish her for it. Aside from the fact that, I think Curly may have done whatever she asked, especially with the way he emphasized he’d do “anything” to help her when she first tells him that she’s pregnant. He informs her that he truly cares about her, her wellbeing is his responsibility.

Anya also seems to be way too forgiving for her own good. Even when she thought Curly tried to kill all of them, all she had to say was that she couldn’t believe that a person’s worst moments make them a monster. If she was willing to forgive what she thought was attempted murder, I’m sure she came up with every excuse in the book for Jimmy. I’m not saying it’s right, I’m not saying she deserved it. She didn’t. What she went through was fucking awful and horrific. But it’s in her nature to forgive people, even when they really don’t fucking deserve it. We don’t even know if she knew she was assaulted the whole time, since there’s a good chance that Jimmy manipulated her into thinking she deserved it/wanted it. It may be possible that she thought she deserved it, and was too ashamed to speak about it openly for a while, with only the feelings of disgust and shame to accompany her.

Let’s also take into consideration that Anya was not the only person Jimmy was abusive to. We saw the way he talked to Curly, especially at the birthday celebration. Jimmy was an abusive dickhead to everyone. The last time Curly tried deescalating the situation before the crash, Jimmy immediately started taking the stuff Curly told him in confidence and using it against him, to make Curly just as miserable as he was. Jimmy turned his own suffering into shared suffering because then he could tell himself that he wasn’t just trying to get away from his own actions, he was trying to HELP his friend, who was also suffering.

My point is, I think too many people are not thinking deeply enough about Curly, as well as the context on the entire situation. They are putting blame on him when he is also a victim of Jimmy. It was literally just an overall shitty situation

[celuere]

Have you ever thought of arle fucking milf reader? Milf reader dont have no spouse no more just her 1 kid(futa spouse is dead for the story) and arle found her shopping(finds her hotdamn ass) for food(or whatever type of first meeting you think would be a banger i suck at this). She saw the ring and thought shes taken but shes a widow and grabbed the opportunity. She ends up being the mother of the house of hearth. Lovemaking proceeds and baby #2 of milf reader is arle's kid its a win win. Thank you if youll ever reply to this request

okay anon, hear me out.

dilf arle with milf!reader in a modern setting.

cw: breeding, not proofread sob will maybe change a slight bit when i get to it

i will maybe expand this idea and its lore in the future because i actually LOVELOVELOVE this concept, anon i hope this satisfies you!

nsfw utc, minors dni

you meeting her for the first time after you enrolled your daughter in kindergarten. it‘s her first week and on thursday you get asked into the office of the head of the nursery and turns out your little girl accidentally spilled a whole bucket of sand over her playmates head. naturally she didn‘t get in any serious trouble but just for the formalities she needed to speak with you and the father of the poor victim.

upon entering the office with your daughter hiding behind your figure, you immediately spot a sobbing freminet who is still getting sand patted off of his blonde hair by none other than his fath- father? you only saw a rather broad shouldered woman with snow for hair and crosses as pupils fixated on her son as she knelt before him. but when her narrowed eyes met yours, she silently thanked your daughter for her small accident because she certainly didn‘t expect someone as beautiful as you to enter. while your children were busy with sobby apologies and forgivings, the two of exchanged pleasantries, turns out the woman herself is a divorced „father“ of three and picks up little freminet on thursdays and fridays, the reason why you didn’t met her until now.

she also tells you that she is in home office next tuesday. if you… happen to come over for a coffee that is.

now, freminet and your daughter would evolve into best buddies QUICKLY, always hugging each other in the morning, napping next to each other each day, you quite literally have no choice other than to accompany her on their playdates every week. with his father that is. you also get to meet her set of twins, lyney and lynette, who happen to be quite the energetic pack of eight year olds. well, lyney that is. you don‘t think that boy has ever known a moment of silence and peace with the way he is always off and about on the playground, dragging his sister behind him. quite the lovely family, really. but still… you don’t happen to miss the glance arlecchino is throwing you every once in a while,as if she wanted to ask you something.

maybe that is why you weren‘t surprised when you found a pair of lips clinging to your neck on a regular morning. you both just dropped both of your kids off at the nursery and decided to settle for some breakfast at arlecchino‘s house. or maybe you happened to be her breakfast with the way she devoured your mouth with her own. not like it was the first time. whenever the house was swiped empty of any kids, arlecchino just couldn’t simply keep her hands to herself. they were all over you. hips, ass, tits, stripping you bare layer for layer in her bedroom.

„sh-shouldn‘t you- hah… b-be working…?“, you asked breathlessly in between her almost aggressive kisses, your lips already swollen from how often she nibbled on them.

„i should… but i‘ve got some more important tasks at hand.“, with that she shoved your sweater over your chest, followed by a deep inhale from her side as she took in your figure.

ever since your late wife passed away two years ago in a tragic accident, the thought of letting another woman into your heart ever again never crossed your mind. until you crossed paths with arlecchino. or rather peruere. the woman herself has been divorced for a good three years but you couldn’t quite tell if you were just a temporary cure for her lonely heart or if she was being serious with you. you wanted her to be. you really did.

you gasped so softly at the tattooed hand running over your tummy, giving it a gentle squeeze as she leaned down to pester your still covered breasts in lovebites and tickling kisses. you used to be insecure about the stretch marks gracing the skin your stomach and the extra bit of tummy fat, but arle seemed to relish in the sight. never failing to pay them extra attention.

„you are so ravishing, dove…“, with your pants long gone, she only had to tug your already soaked slip aside.

„h-how could i forget that if you mention it every single time…?“, you gulped as peruere hooked her thumbs underneath the hem of her sweatpants to tug them down. seeing her in anything else other than in her usual elegant attire made her look utterly… normal… and attractive. one would think this woman couldn’t get any better at a certain point.

„you certainly make it very difficult for me to not mention it, gorgeous.“

and then she was all over you. hot lips clinging to your jawline like a second skin as she buries herself inside of you, her cock pumping into you felt like coming home after a long day at work to her. my, you are clenching so tightly around her as she finally bottoms out, squeezing her in an attempt to keep her dick deeply buried inside.

with her work now long forgotten, she began to set a pace with her hips. at first the rhythm was slow, almost agonizing until the first plea for something harder left your mouth. you wanted all of her. yearned for every single curve, every single inch of her as muttered something like „so impatient…“ underneath her breath when she angled her hips and hit that oh so beautiful spot right on her first try.

seeing you fall apart underneath her scratched a corner inside the woman’s brain she didn’t even know existed in the first place. the way you bit your lower lip whenever she pulled back. or how your hands grabbed into the pillow your were laying on. or how you looked at her through half-lidded eyes when she pumped her cum into your hungry cunt.

maybe you both „forgot“ about protection today. maybe she didn’t mind it when you locked your legs around her hips to keep her pressed up into you. to keep her seed from leaking out. the idea of you bringing a new addition to her family… so help this woman. and your poor pussy.

„there we go… my… didn’t come yet…? we can’t have that now can we?“

she still has some hours to spare until the kids need to be picked up.

[writingangst]

Friendly Fire

Summary: The aftermath of Simon Riley's paranoia has left the reader with an inner battle of holding onto her anger or making room for forgiveness.

Simon Ghost Riley x Reader

Warnings: mentions of violence and torture, angst, cursing, hurt/no comfort.

Words: 1.3K

Part One

I wasn't planning on posting on this account except for that one off, but since a lot of people liked it, I'm down to give you guys more angst. So, enjoy. (Also, if you want to request anything be sure to message me.)

Whispers and lingering stares were a part of your day to day since you and Ghost got back from the extraction mission. The barracks were filled with theories, the team making assumptions to make sense of the bruising you wore like a collar around your neck. As if you were some damn dog, beaten into submission. You hated every second of being on display and serving as a symbol of what they thought had to have been insubordination.

She must’ve mouthed off to the Lieutenant.

Poor girl was probably put in her place. 

Because Simon Ghost Riley couldn’t do any wrong. Surely the woman must’ve misbehaved to deserve being put in a life-or-death situation by someone she trusted. You couldn’t calm the anger that stubbornly sat in your chest. You wanted to scream. You wanted him in the same position you were in. You wanted the fucking bruising to go away so everyone could stop talking about it, reducing you into a fucking victim.

You were a Goddamn soldier.

Ghost on the other hand had been quiet. Even more so than usual. You would catch his eyes roaming the patches of dark purple and blue he painted on your skin from time to time, turning away when he noticed you looking back at him, your expression stoic. You could sense the tension. The regret. The nasty gut feeling assumed to be guilt swallowing him whole. 

He’d never felt that way before.

It wasn’t a part of your lives. You got jobs done that would make any normal person weep for years. Trauma so consuming, veteran suicide rates were in increase and violent crimes committed by them going up as well. You had no room for guilt or regret. You were machines. It was in the job description, under the fine print. There wasn’t an option to dwell on things, it was either keep pushing or people could die in your line of work. 

Yet Ghost was stuck on that feeling.

And it was becoming harder to ignore. You saw the way his fingers twitched when you flinched from any sudden movement. The quietness that overtook the space when you stepped into any room he was in, like everything suddenly became too heavy to bear. You wanted to laugh from the bitterness of it all. This was the same man that had threatened your life. And for once, it seemed like the monster that made him who he was couldn’t hide behind the skull mask.

You couldn't decide which one was worse though. The silence or the moments you caught him struggling with himself and what he did. But the worst part. The thing that kept you up at night, tossing and turning in a bed that felt more like a grave… Was that you had started feeling sorry for him. For the way his dark eyes would catch yours when you least expected it, as if they were silently begging for forgiveness you didn’t know if you could offer him.

Maybe that was the worst part. There being a chance to be able to forgive, but never forget. Missing his touch and dreading it all the same. The way he tainted something both of you needed. Severing a conection both physical and emotional. Needing him and hating him. It was the same fight within yourself and it made you angry, until you began yearning again. Your own personal hell, a cage he viciously hand crafted to fit you.

I hate you, Ghost. 

It was a mantra. Maybe soon you would start to believe it.

But as night fell on the fourth night, the repetition wouldn’t preserve your sanity. The common area was eerily quiet, devoid of any operative in your wing. The faint hum of the overhead light was the only sound as you sat on the worn couch, eyes scanning the documents in your hands. They were sending you out again. A covert operation. Then, the bitter taste of reality hit you again as you saw his name typed out on the call sheet under personnel.

I hate you.

“I’m sorry.”

You jumped instictivley at the sound of his voice, your head jerking in his direction, slightly to your left, standing within the door frame. His words were clumsy, raw, but there was hesitation in his tone. Like he was scared. Scared of what he did, scared of what you thought of him now. The silence between you both stretched like a taut wire, brittle and poised to snap.

For a fleeting moment, something in your chest softened—a crack in the icy wall you’d built between the both of you. But it was brief. So brief. The softness evaporated almost as quickly as it came, replaced by the old familiar coil of tension in your gut. You straightened, pulling your walls back up.

“So, he speaks.”

“I didn’t want to push you,” he said, his gruff accent thick with something unspoken—uncertainty, regret? You weren’t sure anymore.

You laughed bitterly. “But choking me out is fine.”

Your words were sharp and unforgiving. A hard accusation that was meant to hit him in the chest. The tension was unbearable now, like the moment might snap any second. He didn’t move though, didn’t back down. But you saw it—his jaw tightening, his fists clenching at his sides, the way his eyes flickered to the ground. The frustration was there, the guilt too, but he couldn’t seem to find the words. He was struggling, you could see it.

He hesitated. “I fucked up.”

Raw. Unpolished.

But you weren’t so forgiving.

“You think?” You spat back, your voice filled with sarcasm, every word laced with the bitterness you couldn’t shake.

He cleared his throat. “I don’t want to excuse any of it. I was a paranoid motherfucker and I hurt you. I’m sorry.”

His words landed heavier than you expected. You almost wanted to let you anger slip. To take the edge off, to relax into the moment, maybe even believe him. But you couldn’t. You’d betrayed yourself by awarding him with your forgiveness. Your nostrils flared at the turmoil you felt in your chest, your fingers digging into the documents in your hands with a fierce grip as you attempted to counterfocus the tightness.

“I don’t know what to do to make this right,” he confessed, knowing his words weren’t right. And they never could be. They didn’t carry the weight of what he had done. “I rarely ever apologize. If ever.”

You scoffed, shaking your head. “So that should make me feel special?”

“Hardly,” he stated, wincing at your sarcasm, the impact of your words sinking into him like a punch. “I’ve made an even bigger mess of this. I can’t fix it. I know I can’t. I just—” 

—miss you.

You could almost hear it in the rawness of his voice, in the way he faltered. The silence was heavier with the words he didn’t dare utter hanging there. And that just made the anger swell in your chest. The more he held back, the more it stung, the more it fed your fury. The air felt thick around you. Heavy. Your breath shallow, your chest tight, and every beat of your pulse was a reminder of everything he had done. Everything he hadn’t done.

“Yeah?” You locked your gaze with him, the intensity in your eyes unflinching, your voice colder than you thought you could manage. It was steady, but laced with an undeniable edge. “Well, I fucking hate you, Ghost.”

The words slipped out, more venomous than you intended, but they felt good to say. They felt earned. You could see it in his eyes—the flicker of hurt, the way his shoulders slumped a fraction, as though your words physically struck him. But he didn’t say anything. Didn’t try to defend himself. He couldn’t. Not anymore.

The silence stretched, thick and unbearable, but it was better than what had come before. At least now there was nothing left to say.

Nothing left to break.

[linkspooky]

It's not just the fact that Hori decided to kill a lifelong victim of grooming.

My two favorite comic book storylines are New Teen Titans Judas Contract, and Uncanny X Men's Inferno. They both feature villains / victims (Madelyne Pryor and Terra) that die at the end of the story. Terra is specifically fifteen years old and a victim of sexual grooming.

However, both of these stories are clearly written as tragedies. It's clear from the start that these are tragic stories not only meant to get us to sympathize with the victim turned villain but also the failure to save a clear victim is meant to make the heroes look bad.

Let me just list off all the shit Scott Summers put Madelyne Pryor through.

Fell in love with her only because she looked like his ex girlfriend Jean. Even though Madelyne specifically stated before getting into the relationship she didn't want to be jeans replacement.

Married her, and refuses to take time off to the point where he misses the birth of his own son leaving Madelyne at home to deliver her baby on the floor.

When he finally retires and they move to Alaska together he gets a phone call that Jean is still alive and abandons his wife and daughter for weeks to go back to his high school girlfriend.

Madelyne is attacked by a group of supervillains while Scott is away and just barely manages to escape but loses her baby.

She joins up with the x men to look for scott only to find out in the time she's been gone Scott had already gotten back together with Jean.

She is tricked into making a deal with a demon who wants to overthrow ilyanas control of limbo (she thought it was just a dream and the contract to sell her soul didn't matter).

She used her newfound power in order to find her child Nathan only to find Mr sinister there who reveals that Madelyne was a clone of Jean Grey, her entire life was a lie, she was made to breed with cyclops and produce a baby for sinister.

At which point madelyne snaps and decides to burn everything to the ground and kill her own child.

It's clearly telegraphed as a tragedy. The reference to Medea is pretty obvious. Madelyne had no chance from the beginning, however even in this tragedy Scott specifically forbid any of the heroes from using lethal force on her. Jean and Maddie mindmeld at one point and Jean literally begs for Maddie not to die and that she should live on to raise her son. They even throw a funeral for Maddie afterwards because be no one else would ever mourn her.

Not only do the heroes look bad, especially Scott for not being able to save her, they do at least try to talk with her, use non lethal force, and beg her at one point to let them help her.

On the other hand not only did Deku never engage Shigaraki Tomura once, just the vision of a crying child in front of him. Deku doesn't look like a failure for failing in his goal to save him he's still the greatest hero, they don't hold a funeral for Shigaraki, Dekus last words are about how he doesn't forgive Shigaraki (and therefore he deserves to die i guess because deku is the punisher now). Deku doesn't even give Shigaraki the respect of calling him by his preferred name he just calls him Tenko who was the only person Deku cared about saving.

It's not just about a victim dying it's about how the story promised us over and over again the kids were going to save the villains in the final act, that this was going to be an optimistic story about the new generation being better than the old.

Only for Horikoshi to deliver something entirely different. If I'm watching punisher I know what I'm getting into. I'm here to watch Frank Castle shoot mobsters. If Batman picks up a Tommy Gun and starts shooting mobsters that's bad because Batman wouldn't do that shit.

There's writing a story that's tonally inconsistent, or changing your plans for how a character is going to end late in the game and then there's this.

Which is basically narrative gaslighting. Where one thing is clearly happening onscreen but the narrative needs you to believe those gaslights clearly are not dimming.

I know Deku made no effort to save Shigaraki when he explicitly said they OFA is a power for saving but not killing, but don't worry Deku became the greatest hero anyway, and this is still a happy optimistic ending!

Horikoshi isn't looking for treasure in the house. Those gaslights aren't dimming. You're clearly being hysterical, woman.

[mjbarrosart]

My Dragon Prince Boards season 6, episode 605

Ok folks, It is time to go trough the next episode of season 6 I worked, episode 605.

When you are working on an episode as a storyboard artist you, usually, want to choose how to approach your sequences. Most of the time your will get instructions from your director and supervisor to do things in certain ways, making sure that things aligning between episodes and general season arcs; but most of details of your sequences are up to you.

In this episode I had the huge privilege to tackle most of Soren and Viren interactions, and a big question for my, from the beginning, was "what will be my approach?"

Because, how I see it, there are 2 big forces, struggles, arcs- or whatever you want to call it- in conflict during this sequences. In one hand, you have Soren and his pain, and in the other hand, you have Viren and his desire for forgiveness.

I decided to approach this sequences from Viren's, because 2 reasons mainly:

The first one, is the most obvious one, is that- at least for me- Soren's arc is already resolved, of course he is in real pain, and he is a victim of abuse and there is a lot of trauma that he needs to heal, but his overall arc resolved in season 3. He is one of the goof guys now, and he knows where he stands. This is an important moment for his healing, for sure, but it is more relevant to Viren's arc that is still incomplete at this point.

The second reason is more personal. While I am a daughter, I have the blessing of having a really good relationship with my parents, so while I understand Soren's trauma, I have not a lot of personal experience to pour into. But, I am also a mother, and from that point of view, I deeply understand Viren. I still think that he is a villain, and what he did was wrong in all levels, but I can absolutely connect with the idea of "parents sacrifice for their children, not the other way around".

Parenting is the eternal struggle between being able to do anything for your children well being, and understanding that they are their own person, and their have the right to make their own mistakes and live their own life.

So yeah, that is what was in my mind during this episode, now let's check sequence by sequence!

My first sequence is a sweet one, between Ezran and Soren. I usually don't have a lot of sequences with the young king, so it is always fun to work with him

Overall, it is a simple and sweet moment between this two, I love how much Soren respects Ezran but at the same time tries to keep it casual, haha. I love the idea of friends loving and supporting each other.

My next sequence is when Soren goes to visit Viren for the first time. This is a big one. In one hand, Viren wants to talk and express everything he has to say, in the other Soren holding up his feelings, dealing with confusion and anger.

The sequence opens with the shot of Viren in the cell and the fly on the spider web. It's a pretty on the nose metaphor that we used through the full episode.

A less on the nose metaphor I tried to build during the sequences was using the bars as a framing devise to show emotional states. When Viren is talking with guilt and resentment, he is usually framed behind the bars. When he is talking from a place of love, taking into consideration Soren's feelings and acknowledging the damage ha has caused, he usually is framed without the bars.

This is a sequence where they fail to connect, and by the end, Viren tries to follow Soren, but the chains stop him. There is still a huge division between both of them.

Next sequences is another interaction, This time, they will talk, but it will not be good. We start with Viren, still trapped, suffering. He is a little calmer now. He tries to connect with Soren, but it is still hard, the bars are between them, and the pain is keeping them apart.

But then, Viren starts to talk more freely, to recognize his mistakes, the damage that he caused to Soren, to Claudia. The ways he was a bad parent and hurt them both. So we flip the framing, now Viren is free, Soren is behind the bars.

Soren's pain is stopping him from healing and is coming out as rage.

he has a hard time believing whatever his father is telling him. In the past, Viren manipulated him, why now would be different. It is so hard to break cycles of abuse, and it is hard to forgive, too. Some people don't deserve forgiveness, to be honest. And I am not sure if Soren ever will forgive Viren.

So Soren burst into rage. I wanted to create a pretty visceral reaction. Talking with his hands and body, almost like puking out his feelings, so much pain that he can not hold anymore. But this is not necessarily what he needs. He screams at Viren, he hits the bars, he leaves in rage, and the wound is still open.

And Viren is defeated again. Forgiveness will not be something easy to get.

My next sequences is a short silly one, hahaha. Rayla and Callum going to fight the beast. I swear to god i have the "Slash, Slash, Swirly dash" line stuck in my head until today ><

Well, back to the drama.

My last sequence of the episode is when Viren wakes up, and Soren is there.

This time, there is no confrontation between them. Viren understands that no matter what he says, he may never be never forgiven. So he stops trying to "convince" Soren that he is sorry, and just tell him what he thinks Soren needs to hear.

And after that Soren leaves, maybe for the first time ready to start the path to healing.

And that was my work on episode 605!!

Thanks for reading this long post, again!

If you have any questions about the board process on Dragon prince, please feel free to ask! Also, I always read all the comments you put in the tags, they always make me smile :) Thank you!!!

Soon I'll post about my work on 608!

[baby-tini]

do you have a part 2 of where Mikey is cheating?

I do now ❤️

TW- Yandere-ish behaviour, a bit of victim blaming, implied murder, slightly detailed scene of murder, violent behaviour, implication of past cheating.

Mikey was a mess ever since you left, he knows he brought it on himself by cheating, but he was still angry. He missed you deeply, thought about you every night and everyday, you were his first thought when he woke up, and his first thought when he went to bed. You were- are his everything, in his head, you're still his, and nothing is ever gonna change that- nothing. You guys are just... on a little break, that's all. You didn't actually wanna leave, you didn't actually mean it when you said, you never wanted too see him again... right? You couldn't possibly mean that, after all you guys have been through together? You can't be serious, there's no way. So he let you have your little break, even if your absence clawed at him every minute of everyday, but when you didn't... it all kinda went down hill from there, even more so then normal.

It took awhile for him too track you down, longer then he was comfortable with or even, willing too admit. You're everything to him, the reason he even still gets up in the mornings, so, when you left his life,it affected him more then everything else ever has. He was so irritated, taking it out on traitors, torching them slowly as he deflected his emotional pain into physical on the people who have done him wrong. When he finally found you though, or, rather his men found you, his heart started too hurt. He's never been so happy in his life, having heard the news of your exact whereabouts, it pleased him greatly, his eyes even have a little bit of life back in them. He found you living in a tiny little apartment on the outskirts of Tokyo, it was quiet- peaceful even, something his lifestyle greatly lacked.

He contemplated whether or not too just knock on the door... or just break in. But, he ultimately decided too just knock for now and if that didn't work for him, he'd have no problem forcing his way in. You were glowing when you opened that door, looking content- happy even, but the way your smile dropped and the look of delight turned to dread, it hurt, it hurt him so fucking much to the point he almost toppled over. But he held it together, his eyes almost pleading as he whispered your name, it almost sounding foreign with how long it's lacked coming from his lips. But it felt re-freshing on his tongue, like a shred of hope as you stepped aside and let him in. Although hesitant, as your steps lacked genuine want, looking more forced, knowing who exactly this man was and what he was capable of.

It was quiet for a while, as you both sat on your couch, the silence feeling awkward and heavy as you tried your best too avoid eye contact with him. The action feeling too intimate knowing what he did and the way you left, it might've not been the best decision or the best way too leave, but you didn't really have any other option, knowing it would, most likely, start a big fight that you really didn't feel like dealing with at the time. Or the worse option, he didn't care at all and would just let you leave, that would've hurt a lot more then just leaving it up in the air, but with him being here, you were betting on the former being the more obvious situation if you were too have confront him and try too leave at the time, also taking into account that Mikey isn't the most stable, and that would've most likely pushed him off the deep end and would've led to worse consequences for you then just being homeless for a while before you were able too get a shitty job as a waitress and live in a tiny apartment.

"I'm... sorry for what I did.." were the first words he chose too spoke, the first words you've heard from him in months. You knew he was sorry, his presence at the apartment told you all you needed too know, but you also knew that you didn't have too forgive him for what he did to you, you put up with a lot of his bullshit, let him get in your face and call you ugly names or let him get violent with men when they, very stupidly, thought it would be okay too eye-fuck their bosses girl. Watched him beat a man within an inch of his life as soon as his disgusting hands layed a slap to your ass, with a nasty smirk, you've never seen Mikey move so fast in your life, a kick to the man stomach as he beat him bloody, black and blue. Having replayed the mans screams in your head as begged and pleaded with Mikey too not kill him, that he was sorry, you know the man wasn't sorry for what he had done, only sorry that the consequences were so dire for him. That was the first and only time you've watched Mikey kill a man, he kept you locked away for weeks- months after that... incident.

You decided too keep quiet, which was a big mistake on your part cause it only made Mikey inch closer to you on the already small couch. His hands grabbing at your shaky ones, pulling them up to his lips as he left the softest kisses on the backs of them with the whisper of, "let me make it up to you, please?" You wanted him too, you really did, you missed when he was soft with you, although very rarely, he still was willing too show vulnerability. Your head was already clouded not having fully processed the whole infidelity on his part, but you did miss him and with his appearance at your apartment causing a wave of emotion too bubble in your chest and tear ducts, you did, you let him take care of you again. Just hoping and praying that you wouldn't regret everything when your head was a little bit clearer and your arms weren't wanting too constantly reach out and hug him, when your heart wasn't constantly begging you too let him touch you again, too take you again and have you so vulnerable under him as he whispered, hopefully, long-lasting promises in your ear.

So you did, you let him lay your back on that rough, uncomfortable couch as he left kisses on your face, leading down your neck and turning into love marks. Leaving spit-covered kisses down your chest as he hiked your leg over his waist, kissing underneath your ear as he whispered just how sorry he was to you, promising he'd never he look at another woman again, that what he did was a one-time stupid mistake. Whispering about, how it took him losing you too realise just how perfect you were, how rare you were too continuously stay by his side, too pledge your loyalty to such a bad man, such as his self- a monster. To a man who has taken more then he has ever given in his entire life, he knows that you're special, special to him, but just special in general. Letting him have- letting him take you in a place you now called home, knowing what he's done, he was selfish, he knows that, but he's done with it, now that he has you back in his arms, he's never letting you go again. Over his dead body- or, more like the dead body of the woman he had sex with, that led you both to this moment, no more.

[shadowqueenjude]

The most disturbing things portrayed in ACOTAR

Victim-blaming: Lucien tries to help Feyre and gets physically abused by Tamlin as a result. Feyre then proceeds to call him a dog despite Lucien doing everything he could in a difficult situation. And we're supposed to...support Feyre on this? And Rhysand throws around words like "can never forgive" man stfu you prick.

Sexual Assault: The most disturbing thing is not that Rhysand sexually assaulted Feyre. It's that he's never held accountable for this and never even apologizes at ANY point in the series. There are so many examples but this is the one that is the most disturbing.

Double Standards: We have Tamlin locking Feyre up for her own good being vilified, yet Rhysand is championed for locking Lucien and Nesta up in houses for their own good. Huh? WTF.

War Crimes: What Feyre did to the Spring Court, manipulating the sentries with the whole Ianthe thing and basically getting them killed, then weakening the Spring Court rulership which resulted in all those villagers in the Spring Court getting killed, then laying the Summer Court bare to Hybern as well, are nothing short of war crimes. And...instead of feeling regret, we have the main characters saying "Hybern's actions are their own." Like bitch what? Hybern wouldn't have been able to do shit if it wasn't for you! Have some damn accountability! And the fact that Tamlin and Tarquin are vilified for this never ceases to irk me.

Grooming: Rhysand groomed Feyre. He made excuses for everything he did with trauma, then sent Feyre out to do tasks for him like she's some kind of weapon he can use. WITHOUT giving her proper information, there is no choice. And everything he does is constantly explained away, until eventually Feyre becomes his trophy wife. Rhysand basically assigns Cassian to do the same for Nesta. I'm holding out hope that Elain will be saved from the Night Court.

The pregnancy debacle: the whole thing with the baby having wings and Rhysand withholding information from Feyre is just...disturbing. Idc if you're not telling her FoR hEr OwN gOoD, it is HER life at stake and she deserves to know. They didn't even try to shapeshift her to try and save her life? Like why is everybody seemingly more concerned about the baby than the mother? Disgusting. And why is Nesta vilified for being the only one to tell Feyre? She said it to hurt her, blah blah blah. She also wanted to show Feyre that their situations are similar. That they're BOTH being shit on by the Night Court. And when she's close to a breaking point...Nesta is forced to hike a mountain? That is physical abuse. Also, Rhysand being extremely territorial putting a shield over her and barely letting Feyre go anywhere is beyond weird.

Suicide baiting: What Rhysand did to Tamlin in ACOFAS is nothing short of suicide baiting. And...only Lucien seems to really be that concerned about it? Like...are you telling me I'm supposed to be supporting Rhysand after he basically told a depressed male to kill himself?

Segregation: Separating the Hewn City from Velaris IS segregation, no matter what excuse you try to come up with. You can't claim they're all shitty people, since your bestie Mor comes from the CoN. So, there are good people stuck in the CoN unable to get out of their torment because Rhysand decided that only certain individuals are allowed in Velaris.

Performance Feminism: Establishing laws to help women and not doing shit to enforce them is performance feminism. If he's as powerful as he says, he can 100% stop wing-cutting and r*pe. But, he's a goddamn virtue signaler so he doesn't fucking care. The thing is, SJM could've handled these topics in a much better way and it would've been fine. But she completely fucked shit up here and it's crazy that some people don't see it. Part of me is still waiting for the final book where she says, psych rhysand was the villain the whole time. If so, I'll take everything back.

[imagine-shenanigans]

werewolf soap who was raised in a pack/healthy dynamics etc etc and is very very well versed in wolf life because hes got neices and nephews and he's got cousins who had partners turn... and he discovers freshly turned werewolf reader

maybe a victim of one of the enemies, but werewolves and creatures and such are still largely hidden from the public eye so he scoops reader up and reader imprints on him without realizjng it but Soap just knows. Immediately uses all his knowledge to make it worse, make reader more dependent on him, his poor sweet pup :( Doesn't know anything about the world. No matter he'll teach them :)

And reader KNOWS something is wrong but the wires in their brain from not being helped by a sire and imprinting on Soap are all crossed and mangled in the early stages of their transformation. Most wolves nowadays are born into it, because it takes a signifcant effort to turn someone (not just a bite in this case. I'm imagining like. exchange of blood of varying amounts but typically a couple cups worth at least bc lycanthropy tends to be blood-bound like vampirism) so his poor baby is just so confused and distraught, all sickly and needy and confused :(

He's more than happy to help of course, and poor reader KNOWS that Soap isn't being normal about it, some gut instinct says this can't be right, and he's way too into this, but they also didn't know werewolves were real until like. a week ago when some douchebag kidnapped them.

So reader is trying to be understanding but can't because they're also feverish and the longer the month goes on the worse it gets as they get closer to becoming an actual werewolf.

By the time reader has any inclination that Soap has been treating them like a mate, not even courting, jsut straight into it, it's FAR too late for them, his metaphorical and literal jaws have snapped around their neck and he's never letting them go.

and if we're throwing a lil ghoap x reader into it, ghost as a vampire or some other creature who also knows jack shit abt werewolves other than Johnny (who is a bad example and has also been taking advantage of his ignorance to press Ghost's boundaries until Ghost asserts dominance. Soap swears one day he'll win, even if it means losing. Ghost thinks it's cute but narrows his eyes at Johnny anyway.)

And Soap is using this cute, disoriented civillian who he's got on him at all times to brush right past Ghost's boundaries because rhwy were ALL given the order to keep an eye on them. So Soap just walks up to Ghost and tucks reader into his arms with a blanket wrapped around them and presses reader's nose to Ghost's pulse point so they'll get used to his scent. Says soemthing about training recruits, and Ghost thinks its awfully cute the way reader sniffs so curiously like a new puppy at him, memorizing his scent. Thinks the smug way Soap looks when Ghost lets reader sleep on his chest is cute too, but instead of coddling Soap like he does reader a bit, Ghost wants to make Soap beg for forgiveness, the man grinding up into the sole of his boot desperately.

Ghost just snorts and says "Pushing it, MacTavish." and continues to let reader sleep on his chest, aware only that Soap is up to soemthing but hasn't quite figured out what yet. (He's not up to that chapter in the book about werewolves he's been reading, but Ghost decides he'll put in extra time later.)

Meanwhile poor reader who is literally in constant pain/feeling sick/etc is now undergoing a significantly more painful process of imprinting on TWO people, and the poor wires in their brain are so jumbled they'll never escape (which is what Soap wants)

[annokan]

How would Toby be with a romantic partner if he ever entered a relationship (like would he be toxic/romantic/etc??)

This will be long, buckle up, as I want to tackle multiple questions.

This is an x y/n headcanons visual thing.

Warning: Terrible writing. Might be slightly dark. Very very long

Firstly, all depends on the closeness you have with Toby.

🍨 Plaything

🍰 Congratulations, you got him interested in you. Maybe it's your overly humorous reaction to him running after you, while he was chaotically swinging his hatchets. Maybe you had a drastically different reaction to his previous victims.

🍰 Either way, he loves tormenting you; his morals are either absent or corrupt. He likes to scare you, looking into your window to your room at night, laughing and rambling nonsense once you notice him (doesn't matter which floor you live on; he can climb). He can inflict some minor or not so pain on you, especially during his episodes, from randomly swinging his weapons in anger or excitement to pushing you around. There is no particular aim in that; he just feels like it, or his mind is fogged by voices and emotions.

🍰 Contrary to popular belief, he isn't shy, he isn't easily embarrassed. He is loud, obnoxious; he will make his opinions known to you; he will comment on anything you do or any of your clothes, personal belongings, even your family. He is here to have fun, not to worry about your feelings. As long as you entertain him, he will keep you alive, driving you to madness.

🍰 He can and will find you anywhere, will make you look like an insane person to other people. He is good at hiding and is skilled at hurting physically and emotionally from a distance (throwing a rock in the head, displacing objects in the room to make one paranoid, etc.). A 2-meter-tall stalker running around with two axes after you? You're hilarious, y/n!

Coincidentally, his boss doesn't order him to kill you; maybe you don't disturb his work much, after all, he doesn't visit you all the time (his life doesn't revolve around you). Just the least when you expect him.

🍰Telling him he is disgusting or commenting his mental issues will result in an instant end, unless he would want to play a chasing game in the forest with you before that.

🍰 If you have an S/O, he will mock you for choosing such a pitiful person as a partner. Just hope he won't involve your S/O in your little games. He doesn't care about your personal life, but he sure knows how dear this relationship is to you.

🍨 "We are buddies, r-right?"

🍰 You somehow managed to survive his attacks, random outbursts, mood swings, threats and, for some reason, decided to befriend him.

Honestly, being his friend is the healthiest you can get and keep bits of your private space at the same time.

🍰 He, despite being insane, brainwashed, and amnesiac, starts to see you more than just an amusement park attraction as a cute little pet, not really an equal. Your relationship is a bit more than him having a blast using physical or mental torture on you. Your presence and personality are also fun, who knew?!

🍰 Maybe, would EVEN feel a slight parody of pity for you. Especially if you tell him your sad stories of your life. He is terrible at comforting, but if the stars align right, he can play his favorite cassettes to you with cheery songs or try to make jokes, but don't expect that to happen every time. Maybe a pat on the head would happen, usually, he would tell you to stop being sad as there are worse things to cry about.

🍰 He teases you and pranks you a lot. Doesn't matter what state you are in.

🍰 His idea of friendship is a bit twisted. You won't mind that he will destroy your belongings if he finds them annoying, right? You are friends! Friends don't hold grudges against each other! Or if he would hurt your family members or friends because they said or did something that triggered his aggression, right? Friends forgive each other! You don't mind sharing everything with him, from food to information, because friends don't keep secrets from each other!

🍰 There is a good part to this relationship. He is kinder to you. Perhaps, would bring you a cute little trinket or object stained in blood. Friends make gifts for each other! He would appreciate it if you would give him something. Be careful what you give him, as he interprets your gifts in his own way. New hoodie? Are you implying his tastes are bad? Are you mocking him?

🍰 This is also where you can shape your friendship into a seemingly normal one. Food is a safe option. Learn what he likes to convey to him that you care about him. The man needs kindness deep inside. It will confuse him; he might get angry at you, at the world without understanding why, but the long-term result is worth the risk.

🍰 If you are in danger, he might save you. Although you will bear the guilt of some hooligans being either deadly hurt or dead.

🍰 He is also more open to you. You can hold small conversations with him, discussing music, for example. However, if he is in one of his episodes or even just mood swings, he can snap, shout at you or just be mad at you for an unknown reason, while rambling something incomprehensible and leave you alone for a week or more. Violence isn't completely off the table either.

🍰 If you have an S/O (or just hangs out with friends), He can get jealous because you don't pay attention to him at that exact moment. He isn't always jealous, just sometimes. If he is in a terrible mood, might even hurt your S/O, he isn't shy at that stage to involve anyone in the mess. He can complain about your S/O. It's not advised to dispute him, as he can get angry at you. You are his friend! Why are you fighting him?

🍨 Obsessive

🍰 After a lot of talking, gifts and, if you were bold enough, light friendly physical touch, he is feeling smitten by you.

🍰 You notice weird signs of attention from him, he makes some sort of romantic gestures, but it comes off as creepy to you. For instance, he thought a fur coat is what you would like, but he didn't realise you need to work on the fur instead of giving it bloody to you.

🍰 He doesn't understand himself, his voices aren't helping him either, he is feeling hate then sickly love from one second to another. If he thinks too much about that, he twitches and tics more than usual, especially in your presence. He is more distant; he doesn't respond to you. He just sits there, shifting his eyes without focusing on anything, occasionally roughly turning to one of his auditory hallucinations.

🍰 You don't understand his ramblings or whispers, and now they are more disjointed than ever. He avoids you for a few months or even more. It worries you more than him being around you, as you're used to his presence by now. Who knows, maybe he got bored with you and just contemplates how brightly he could end your life.

🍰 He can't run from his feelings forever. As a snow during summer, he busts into your house and just dumps all his thoughts on you—just an incomprehensible jumble. You won't understand it right away until he grabs you by the shoulders and forces you into an embrace, then pushes you away, twitching, staring into your soul, waiting for your response. He doesn't say, but he already knows how you feel, even if he lies to himself. He is attentive and sensitive to human emotions, and he reads body language quite well.

🍰 You have a choice. If you deny his love, either one of things will happen. You die because he feels like it. You don't like him, if he kills you, he kills his feelings for you at the same time. Yet, there is a slim chance he can just forcefully make you like him, can lead to kidnapping, but you won't love him that way either, he would realize that, that's not right, and you are also dead in this scenario.

🍰 If you lie and accept his feelings, you won't last long, either. He notices all the slight restless movements around him, your discomfort, the way you look at him. He hates liars, so it's best to be honest and die quickly rather than slowly.

🍰 If you have a strong, twisted friendship and you learn how to talk to him, how to act when he is difficult to interact with, and you just find him with his bouquet of disorders and trauma charming in his own way, then you don't need to say much to him.

🍰 He doesn't know anything about relationships. He can come off as toxic, as his jealousy flies from low to high in a matter of moments. He is still a snappy, angry, insane serial killer, he just now sometimes apologizes if he was too rude to you. More gifts too, woo-hoo!

🍰 He is obsessive, but that also depends on a lot of circumstances. He wants to be around you as much as possible. Just your presence gives him some sort of emotional bliss when his thoughts are a bit less loud than usual. At the same time, his thoughts are chaotic and get under his skin, and he can disappear for some time. Or one of your words can trigger him; he can be violent or distant.

🍰 Dates with him are attempts to replicate what he sees in movies. He watched whatever old VHS he found in abandoned cabins or houses in the woods, so it's pretty vanilla and traditional, dare I say: eating ice cream together, watching movies, slowly dancing to some old music. He uses old pickup lines too if he feels particularly spicy.

🍰 He isn't touchy. He is touchy unless there is a sinister goal in mind or he wants to be annoying. Toby subconsciously associates touch with bullying or violence. You have to teach him to appreciate affection and kindness, and it will take you a lot of time.

🍰 Eventually, with a lot of pain he adjusts to your taction. He likes to sit next to you, shoulder pressed against yours, while resting his head on your shoulder or head, enjoying peace and silence, while you fidget with his fingers, occasionally placing brief kisses on bruises on his hand. He likes small touches. Once he learns what a surprise hug is, he abuses the life out of it. Be prepared to have mini-heart attacks when he screeches into your ear and hugs you from behind while you return from a small grocery trip back home. Other than that, his level of tactility remains the same.

🍰 His mask and goggles are also mental protection for him from the world. You notice that he takes them off when he is around you.

🍰 He is weak for compliments..even if he overthinks, in some instances, becomes angry or sad, whatever mood hits at the moment, but deep down he is squealing. He will hint at that in his own way by trying to compliment you. This is also important as at times he feels paranoid you are plotting something against him, so compliment him when you can.

🍰 Small acts, like maybe washing his bloody clothes or sewing them as they have a lot of holes, makes him intensely love you. He just stares at you, you just think he is probably hallucinating something.

🍰 Movies showed what women truly desire, so he is a gentleman, ..tries to be, so he would bring you flowers that he probably snatched from a nearby garden. Would keep the door for you, all that, his twitching, ticking, can make it unpredictable. If you're slammed by the said door on your side, trust him, he didn't mean it.

🍰 If you see him just lying down and doing nothing for days, don't try to extremely cheer him up or, goodness forbid, say "smile some more." Just be by his side, be patient. He will become cheery again soon.

🍰 He is jealous, he cares about your attention more than ever. So be careful how you act around your friends, family, or strangers if you want them to be at least alive by the morning.

🍰 His mind can be fogged by rage sometimes, so stay out of his way, he isn't in his head when he is like that.

🍰 Oh, if you have an S/O while he is in this state. No more of that S/O, maybe not you either. If anyone dares to flirt with you, no more of that person, either. You can beg Tobs to just end the lesson with a severe beating but good luck with that. He may switch his unstable bloodthirst onto you if you try too hard.

If you reach this, thank you for reading this war and peace, hope this all makes a bit of sense lmao.

[ckret2]

On chapter 30 of The Writer Uses Misleading Graphics To Trick You Into Looking At This Fic About Human Bill Being The Shack's Prisoner: Summerween part 2! Bill wheedles Mabel into helping him make a costume. Mabel wheedles Bill into spilling some of his preciously-guarded secret backstory. Ford is kind of in awe.

Also there's like 4.5 drawings in this chapter. They're all very silly drawings.

####

Bill wouldn't tell Mabel what his costume was—"I want to see who can guess it"—but all it needed was a brown bedsheet, a long red wig, cardboard (to be drawn upon), and flip-flop sandals.

The bedsheet was the easiest to acquire. Dipper's barely-worn brown sandals were just slightly too big for Bill but Mabel helped tie them on with yarn. the shack's cardboard supplies were still depleted from making Bill's triangle mask, but they could make do with paper and popsicle sticks. Mabel didn't have a red wig but she did have a blonde wig and red markers. Since Bill was, by his own reporting, terrible at drawing, Mabel offered to do the fancy artwork if Bill did the tedious task of recoloring the wig. He claimed he'd feel like a mortician putting makeup on a car wreck victim, but nevertheless accepted the deal, and they settled in around the living room table to get to work.

"So just a bunch of houses, right?" Mabel asked, starting on the first drawing.

"Ancient Greek-looking houses," Bill said. "So, marble and columns. Don't think too hard about the details—this is a 21st century American costume holiday, not a historical reenactment. You can slap columns on anything and call it 'Greek' and every human in town will buy it."

"Do ancient Greek houses have chimneys?"

"No," Bill said. "But adding one would be funny."

Mabel considered that, weighed up the value of historical accuracy against entertainment value, and decided giving one house a chimney would be funny. She gave the whole house a thick black outline in marker, and pulled out crayons in black, white, and whale blue to quickly add some light shading to the marble. 

Mabel didn't think she'd ever seen Bill focus so hard or so quietly on anything the way he did on coloring that old wig red. He was giving it more attention than he did his own hair: while his golden locks were a tangled, uncombed, soggy mass shoved dismissively over his shoulders, he was dying the cheap wig (and his fingertips) strand by plastic strand with the bright-eyed morbid fascination of a third grader studying a pack of ants as they disassembled a bird's corpse.

This was the longest she'd been around Bill without conversation—usually, you couldn't even walk into a room without him immediately chattering at you like the motion-activated animatronics at the Summerween store. It was hard to think around him. Bill didn't give you room to think.

What did Mabel think about Bill?

He was right, she was still mad about the mall. No—mad wasn't the right word—mad was his word—she was scared. She'd never really stopped being scared of him, if she was honest with herself. But everything he'd done that day, from tricking her into trapping herself to reminding her of almost dying, had just reinforced why she should fear him.

But. She thought he felt bad about it. And she didn't think she'd ever seen him feel bad about anything before.

Maybe that meant her experiment was working. Maybe he was changing. Yeah, he was still scary—but he was Bill Cipher, he had a lot of scariness to work through. He was moving in the right direction, and she wanted to encourage that.

He hadn't apologized for the mall; but, since he'd tried to make up for it at the time, and that was a sort of apologetic action, Mabel decided she could tentatively forgive him for that day—provided he continued to improve. Put him on forgiveness probation. And that meant they were on friendly speaking terms again.

Which was good, because the quiet was starting to get uncomfortable. She surveyed her art for something they could talk about.

After a couple of as-historically-accurate-as-she-could-imagine houses, Mabel had started varying up the designs by redesigning houses she could remember off the top of her head with columns and white marble. She'd made a stately marble Mystery Shack, and a columned-covered doppelgänger of the house with the terraced yard across the street at home, and then she'd decided to make a Greek-ish version of her own home. "Hey Bill. Have you ever seen my house?"

"In person? No. But it came up from time to time in you kids' dreams, so whether I've seen it depends on how accurate you think your dreams are," he said. "It has less plants and more windows in your brother's dreams than in yours."

Mildly disturbing answer, but not disturbing in the direction she'd expected. "What! You mean you haven't haunted our neighborhood or anything? I don't believe it."

"Do you think I spend all my time stalking random humans? Don't flatter yourself."

"Well, seeing it in dreams isn't good enough!" Mabel pulled over a blank paper. It was hours until trick-or-treaters showed up, they had a little time to waste. "I'll draw it!"

"Wow, really?" Bill looked up from his wig. "You're not worried about letting the big bad triangle see your house?"

"Come on! You already know where I live, right?"

Bill immediately rattled off, "1337 Fairview Drive, Piedmont, California, on the northeast side of the street where it's less hilly."

"Exactly—you creep. So who cares if you know what it looks like, too?"

A square, sky blue house with two stories and a triangular roof; a big living room window on the left, a covered door on the right, three windows on the second floor, and a chimney. Mabel had drawn her home plenty of times—but doing it for a friend (?) was different from doing it for a teacher or a librarian, and she put extra effort into the rose bushes under the living room window. She added her and Dipper's smiling faces in the upstairs windows and Waddles's face downstairs in the living room.

"Waddles sleeps in the kitchen, but he basically owns half the yard to wallow in. This is my room, and here's Dipper's—I get three windows, but Dipper has the biggest window and a bigger room, so it's fair, no matter what he says—"

"Oh, you two have separate rooms now?" Bill was leaning halfway around the table and craning his neck to see the image right side up.

"Uh, yeah? Since we were ten?"

Loftily, Bill said, "I don't know how you'd expect me to know that. You both still dream about sharing a room."

Mabel paused and tried to remember how often she dreamed about Dipper in his new room. Sometimes she woke and was still disoriented to find her bed in the middle of the room instead of against one wall with Dipper's on the other side. "Huh."

She added a few more details—the front steps, the gate, the shingles. (Bill watched nervously as she pulled out the gray crayon to color the driveway—but she didn't notice how it had been tampered with.) She talked about her home, and in turn Bill told her weird things, like that Dipper often dreamed of monsters coming out of the fridge. When she finished, she autographed her name with a star on the "i" in Pines, offered it over grandly, and said, "Here, you can keep this!"

Bill accepted it without the customary effusive gratitude with which one ought to accept a generously-gifted original artwork from a 13-year-old prodigy. "What am I gonna do with it?"

"That's your problem!"

"Fair enough!" He checked his leggings for pockets and, when he didn't find any, set the page on the table by his elbow. 

Offering accepted. As Bill resumed coloring his wig, Mabel picked up another piece of paper and got to work on the next columned house. "What does your house look like?"

Bill stopped dead, looked straight at her, and said, "My what?"

What was weird about the question? "Your house! Or whatever you lived in before you came here. You came from somewhere before you tried to invade Earth, right? You didn't just pop out of somebody's dream."

Bill laughed. "Yeah I did!"

"Bill."

"4500 years ago the construction workers of Egypt had a shared nightmare about the immense tombs they'd spent the last century building—"

"Biiiill."

"—and when they awoke they found the combined psychic energy of their terror had spawned a sleep paralysis demon more powerful than Ra! So then I ate their souls—"

"Seriously, Bill."

"I'm being so serious right now."

Mabel rolled her eyes. "Okay, fine! I get it. You're embarrassed." She shook her head and returned to coloring.

She felt the combined spiritual energy of hundreds of imaginary Egyptian construction workers beating down on her face from Bill's eye. Like a laser. "'Embarrassed'?"

"Because you don't have a house," Mabel said. "I think it's okay, you don't need to be embarrassed! I don't think you're a loser or anything. It's just kind of sad—"

Bill snatched up a blank piece of paper. "You want a house? Fine! I'll show you a house." He grabbed up an orange crayon, muttering, "It'll put your stupid overpriced shed in California to shame— Where's the ruler—?" Mabel tried not to grin.

For several minutes, he was perfectly silent. Mabel glanced over to see him coloring with three crayons at once, only for him to shove a hand in her face and snap, "No peeking."

Mabel got through two more drawings before Bill slapped down his paper over Mabel's. "There! How about that?!"

She looked at the drawing, which Bill had helpfully labeled "Party Central!" in red crayon. A great stone pyramid so dark brown it was nearly black, with bricks outlined in brilliant gold and molten orange and fiery red, and a sharp multicolored X hovering above it—

Mabel gave Bill a flat look. "This isn't your house, this is your Torture Temple."

"The what? Hey, is that really what people are calling it?! It's not the Torture Temple, it's the Fearamid!"

Despite herself, Mabel burst out laughing. "You named it the 'Fearamid'?!"

"It's a pyramid and humans fear it! It's genius. Portmanteaus make great names."

"What's a portmanteau."

"It's a word made from the unholy Frankensteinian fusion of two other words. Like getting 'electrocute' from 'electricity' and 'execute'!"

"Or 'romcom'?"

"Yeah, or that."

Mabel considered the drawing. "If you want to scare less people, you could call this your Bill-ding."

"HA! Oh, I'm saving that."

"Anyway, this isn't where you live," Mabel said. "You were there for like a week tops!"

"Yeah, before your great-uncle killed me. I'd still be living there if it weren't for you jerks." He stuck out his tongue.

"Come on, Bill. I showed you my house. Draw where you grew up or something!"

"What's wrong with the Fearamid?"

Mabel crossed her arms. "Why don't you want me to see your real house?" She raised her eyebrows at him.

Bill opened his mouth to protest, but then stopped, a thoughtful look on his face. "Eh, you know what? Why not. If you're gonna be so ridiculous about such a silly thing." He pulled over another piece of paper. "But if I don't have enough time to finish coloring this wig, you have to help me."

"Fiiine." She returned to her own drawings as Bill got back to work.

After a long silence—longer than he'd taken to draw and color the Fearamid—he said, "Okay, done. Here." And he pushed over the paper with one dismissive finger.

She eagerly accepted the drawing—and frowned. There was nothing on the page except for a straight flat black line, interrupted by three line segments of bright blue and a cluster of red and green dashes. "What is this?"

"Where I grew up," Bill said, innocently, already back to coloring the wig. Mabel could see his mischievous smirk. "As seen from the front. Just like your drawing of your house. So we're even now."

Mabel's brows furrowed as she stared at the page in confusion. "What...?"

"You do know I'm from the second dimension, right? A universe that's flat like a piece of paper. I figured Sixer would've told you all about it by now." Bill picked up the drawing and held it between his and Mabel's faces, so that, viewed from the edge, all Mabel could see of the paper was a thin flat line. "What do you think the second dimension looks like to somebody in the second dimension?"

Mabel took the paper back, looked at the underwhelming flat line representing the front of Bill's house, and said, "I hate you." 

"We had the prettiest roses in the park," Bill said, pointing at the red dashes. "Crayon really doesn't do them justice."

"Shut uppp."

Bill laughed at her; but then, to her surprise, he said, "Okay, all right, I guess a big fancy 3D creature like you can't understand the nuances of two-dimensional sight. So, here." He flipped over the page. "Top down view."

The back of the page had what looked like a floorplan. A narrow room on the left, a large L-shaped room, a tiny room nestled into the L's top right corner, and a medium room on the right. Little shapes filled the rooms—furniture of some kind?—but she didn't see anything immediately recognizable like a top-down bed or table and chairs. Green and red spirals dangled off the bottom of the floorplan.

"I'm no Edward Bishop Bishop, but it gets the idea across," Bill said.

She studied all the strange little figures in fascination, looking for anything familiar. She pointed at a few shallow bowls filled with blue sticking out of the wall between the L-shaped room and the tiny room. "Are these sinks?"

"Hey, you're pretty sharp. Sinks and the tub." 

"So the little room's the bathroom."

"Right again." Bill pointed out the rooms on the floor plan. "Master bed's on the right, kitchen and living room in the middle—and you found the bathroom—and second bed's on the left. That was my room! The one with a million books," he pointed at a wall with countless tiny multicolored lines coming off of it. "I was a big reader as a kid. I've always been an intellectual."

"Who was in the other bedroom?"

"I never really went in there, who cares." Bill made a dismissive gesture. "I think there were some desks and stuff in there too, but I didn't bother to draw them since I never used them." He picked up a yellow and a black crayon and added on to the drawing, dexterously turning the crayons in his hand to switch between colors without setting either one down. "I spent most of my time in my room." He'd drawn a little yellow triangle with an eye. He picked up a red crayon to point an arrow at the triangle and label it "Me!" "I didn't even have to leave the room to see the TV. The perks of psychic powers!"

Mabel wondered which of the weird shapes was the TV; but before she could come to a decision, she was distracted by the scale of Bill drawn in his room. Maybe he'd just drawn himself big, but he seemed cramped in that narrow space. And he'd hardly have room to turn around in the bathroom without his corner smacking something. "It looks pretty small. Is that normal on your home world?"

"Ah, I rarely spent time at home—it was just a place to sleep between speaking engagements," Bill said. "I was always on tour. Living the life of the rich and famous! Hotels, jet planes, and tour buses!"

Mabel shot him an irritated look. "You said this is where you grew up."

"This is where I grew up! I got an early start making my fortune. I was already famous by the time I was, uh..." he pursed his lips thoughtfully. "Developmentally, I think I would've been about equivalent to your age. Maybe a bit younger."

How much of all this was true? It didn't feel like a lie—and she couldn't see how he'd benefit from lying about any of it, except maybe claiming to be famous. So it probably had to be true. He'd actually made her a drawing of his house. Even after he'd complained about being so bad at art. She beamed at him. "Thanks, Bill. Your weird alien house is neat! I like the squiggly spiral flowers! Are they actually roses?"

"They were the flower that everyone mentions in poetry and that you have to bring home when your wife is mad, so, same basic function as roses," Bill said. "Fun fact, they grow in spirals so that they're pretty on the outside, but—"

####

"—but have more surface area to absorb sunlight on the inside," Mabel said, pointing at the flowers. "Alien biology! And the orange things are couches and the colorful box in front of them is his TV, and Bill says he could watch TV through the wall but he never really liked TV, he preferred live performances—maybe we should take him to a musical! And the little sideways cushions on the walls are their beds because gravity goes to the left because their house faces east—I have no idea why!—so, I guess that's their 'floor'? But if that's the 'floor,' Bill didn't explain why all his books were on the 'ceiling' without them falling off, and..." Mabel trailed off, giving Ford a concerned look. "Grunkle Ford? Are you okay?"

He was gaping at the drawing. "Wh—? Yes. Sorry. I'm just..." He shook his head in amazement. "I never even got that slippery eel to admit he has a calendar system, and you got the blueprints to his childhood home?"

Dipper said, "Yeah, this is amazing. How did you get this out of him?"

"Oh, I didn't do anything special," Mabel said casually. "Just drew our house and then suggested he was too scared to let me see his."

Dipper grimaced. "You showed him our house?"

"Don't worry about it! He already knows where we live."

"Of course," Ford said, taking a quick note in his journal. "Exploiting his ego. He's very proud; undermine that pride and he'll feel compelled to defend his honor." Ford had started goading Bill into giving away more than he meant to the same way. He wished he'd started doing it far earlier; but he'd spent so many years foolishly assuming Bill's pride was objective and justified that he sometimes forgot what an egomaniac Bill really was.

As Mabel had spoken, Ford had filled several pages with bullet-pointed half thoughts: dodges questions about the master bed—his parents' room?; no bed or bedroom for a sibling, he seems like an only child; "speaking engagements" is probably a euphemism, what was he doing to become a child celebrity; were his books his only childhood possessions or just the only thing he valued enough to draw; did he gain his "psychic powers" while amassing the power he needed to "liberate"/destroy his dimension? "Can I borrow this drawing to make a photocopy?"

"Sure! Don't forget the line on the back," Mabel said. "And you can copy the Fearamid, too! Did you know he named it the 'Fearamid'?"

"Oh yeah, I heard him call it that," Dipper said. "I think I recorded it in Journal 3?"

"I should've read that before we threw out all of Grunkle Ford's Bill stuff," Mabel sighed. She slid over the Fearamid drawing to Ford. "Bwop! He drew it tilting all weird to the left? He wasn't kidding when he said he's bad at drawing."

Ford studied the drawing and frowned. He lay his pen on the drawing to use like a makeshift ruler. "It's not 'skewed'—he drew the front face as a perfect equilateral triangle, and then extended a side on the right to turn it into a pyramid. It's poor perspective—there's no point of view from which one side would look like a perfect equilateral triangle and you could see another side, but..." He trailed off again as he made a note to himself about what this might mean about Bill's ability to perceive the third dimension and his artistic sensibilities.

"So he draws like Picasso!" Mabel concluded. "Oh! Bill mentioned a name when he gave me his house, he said he wasn't like Edward Bishop Bishop—and I remembered it because it sounds funny. Bishop-Bishop. Maybe he's another artist Bill likes? Or somebody who makes blueprints?"

"I'm sure I've heard that name. I think he was a mathematician?" Ford frowned. "I can't recall, though." He wrote down another note: Edward Bishop Bishop – mathematician/artist? Something to look up later.

Dipper glanced back and forth between Ford and Mabel as they talked, feeling his stomach sink at how excited they were and how easily they got along. First the mysterious disappearing crystal shop in Portland, now Mabel made this huge discovery about the guy Ford had spent years trying to learn about... Dipper swallowed hard and tried to tell himself he shouldn't feel jealous after he'd gotten Ford to himself for basically the past year. "I can't believe you found out all this."

Mabel immediately looked at him. "Hey, what's that supposed to mean?"

Dipper winced. He'd realized a moment too late how he must have sounded. Quickly, he said, "I mean, it's great that you did! Finding out more information about him is great. But, like... investigating the paranormal is my thing. It's what I spent all last summer doing, and it's my dream job, and... and now, the biggest paranormal mystery in human history is in our house, and you're the one getting all the info out of him?"

"Well, yeah," Mabel said. "I'm our official Bill spy, remember? I'm the one who made friends with him."

"I know, I know." He shrugged jerkily. "I'm just... kind of disappointed that I'm not prying eons-old secrets out of an alien demon. You know?"

Ford had paused in his writing to listen to Dipper thoughtfully. "I understand. When you're exceptional at something, it can be... difficult to share the limelight," he said. "Not because you don't think anyone else deserves it. You just don't know if you'll ever get it back."

Dipper's face heated up—he didn't want Ford to think he was bad at sharing, of all things—but he mumbled, "Yeah, I guess." Ford patted his shoulder understandingly. 

"Aww," Mabel said. "Didn't you say that if we're running an experiment on being nice to Bill, you want to be in the control group?" She punched his arm. "Welcome to the control, bro!"

"Ow!" Dipper rubbed his arm and laughed weakly. "Yeah, okay, you're right. This is what I get."

Mabel said, "You should try talking to Bill! Maybe he'll tell you stuff too. He's really easy to talk to as long as you don't mind him sometimes saying creepy nightmare things."

"And as long as you're prepared for his mental tricks," Ford said.

"Yeah! Grunkle Ford's got a whole class for that," Mabel said. "He'll teach you about the BITE model! It's how cults sink their teeth into you!"

Dipper chuckled. "Sure. Maybe I will. We're gonna be at home handing out candy for a few hours, maybe I'll find an opportunity to interrogate him."

"You're not going trick-or-treating?" Ford asked.

"No," Mabel said, with an exaggerated sigh of disappointment.

Dipper elbowed her for her theatrics; they'd already agreed on what they'd do tonight. "We've got plans with friends. But we do get to wear matching costumes again."

"Creepy ghost children!"

"Ah," Ford said. "That explains your..." He gestured at them. They were wearing a suit and a dress, old-fashioned and gray, with tattered hems and dusty black dress shoes.

"Barty helped us put the outfits together," Dipper said.

"We still need to do our makeup," Mabel said. "What about you, Grunkle Ford? What are you doing for Summerween?"

"Ah." He glanced toward the ceiling ruefully, as though he could see The Enemy in the shack through the many layers of dirt above. Summerween had been one of the things he'd missed most about Gravity Falls; even during his years as a reclusive scientist in the woods, he'd usually taken off Summerween and Halloween to hand out candy to the children bold enough to visit his house.

But Bill's eagerness to participate had sucked the fun out of the day. The thought of celebrating Summerween in the same house as Bill felt too much like celebrating with him. "Nothing, I suppose. I was planning to stay down here." He gestured at his desk. "Continue my research."

"What are you working on right now?" Dipper asked.

Ford quickly said, "Nothing. Just—the same research," and was immediately hit with a pang of guilt. Remember what happened last summer when you tried to keep secrets about Bill out of embarrassment? Reluctantly, he said, "I've... split some research duties with Fiddleford. While I'm waiting to hear back from him, I'm looking into—some magical knowledge Bill revealed. To determine how much of it's true."

Dipper looked puzzled. "Revealed when?"

Mabel slammed her hands on Ford's desk. "Grunkle Ford, you can take a break from gathering intel on the enemy for one day! It's Summerween! Promise me you'll do something to celebrate before the day's over."

Ford let out a huff, but smiled. He wanted to do something. Surely he could come up with something that would let him avoid Bill? "All right, I promise. I won't invoke the Trickster's wrath tonight. Could you leave your costume makeup in the bathroom when you're finished? I'll find something to do with it."

"Perfect!" Mabel hugged him; then grabbed Dipper's hand. "C'mon, let's finish getting dressed. The trick-or-treaters will be here any minute!"

"Okay, okay." Dipper waved at Ford as Mabel dragged him to the elevator.

When they were gone, Ford turned back to the papers Mabel had given him. Bill's childhood home... Assuming he wasn't lying, at least. But an entire blueprint seemed like a complicated spur-of-the-moment fabrication even for him. If Bill was lying, it was a lie close to the truth.

It was strange to imagine Bill as a child with a bedroom full of books. Strange to imagine Bill as a child at all. What did a young triangle look like? He couldn't imagine anything different from how Bill always looked.

The floorplan did look small. Smaller even than the apartment over the pawn shop had been. Ford tried to remember what the homes he'd seen in Exwhylia had looked like...

He raised his head as something the kids had said registered. "Barty? Who's Barty?"

####

While Mabel was downstairs, Bill inspected her box of crayons.

The wrapper around the gray crayon was coming loose.

He took the glue stick they'd been using to reinforce the paper houses with popsicle sticks and carefully stuck the wrapper back on.

The house was too quiet without anyone around to talk to. He hated the quiet.

From the corner of the living room behind the table, when Bill leaned on the wall, shut his eyes, and listened closely, he could faintly hear the hidden elevator. He headed upstairs to stow the drawing of Mabel's house somewhere safe, and then went to the downstairs bathroom to finish dressing for Summerween.

####

(Y'all I worked hard on those fake crayon drawings. Anyway I know we're all collectively going insane today over the book news but if you took time out of your day to read this, I'd love to hear what y'all think!)

[thousandyearphantombunker]

The Owl House Critical Post, scroll away now I don't know if I am being too harsh in this post but I wrote it anyway so if you don't wanna read something potentially upsetting this is a warning (to those who decide to read please tell me if I'm being too harsh)

I remember initially hating how the show handled its villains, they all felt like jokes, they never felt like threats or like they provided a meaningful challenges for the main cast, they never had any real depth or complexity. but i bit my tongue, I was told that I was basically a dumbass for complaining that Bump openly breaks a law that's supposed to be punishable by death so that Luz could fulfill her witchy fantasy and that he wasn't arrested. the show could've had him make the multiclass student thing be something underground- boom it lets luz live out her fantasy but doesn't ignore what was established about the setting and creates potential stakes if these underground classes ever got discovered! That already made me angry but the cult thing is what I wanted to complain about- i only had basic ass knowledge about cults and TOH fails at portraying that crap, most people in the EC can just quit and do so in a way that makes it feel like they're just quitting a job, it doesn't feel like they fear losing their friends or sense belonging and community, they don't feel like they're anything but jokes. Leaving a cult is scary, often times cults will send their followers into the real world and set them up to have bad experiences so they'll come running back, they'll hire thugs to scare them into staying or position them in away so that they suffer (sending them out without money or the skills to survive), they humiliate those who begin to ask questions so that they stay in line. guilt tripping, putting members against each other, cutting off contact with the rest of the world! The show only adds the whole 'forced to fight on a mountain' thing for flavor! Everytime it brings up actual stuff cults do it feels like it's more for flavor than actually writing this topic with sensitivity- look at how they treat Lilith! Imo It feels like the show insulting people for ever trusting belos, treating them like they're braindead and could've just realized fairly easily that he was evil. It's the most egregious with hunter who was basically fucking born into the EC. the show is also pretty black and white, which is curious for a show that gets praise for its portrayal of religious trauma. You think the show would be more grey. I did deeper research into cults and just got SO tired of people talking about how good the show was at conveying such a heavy topic. The titan reveal also doesn't help- Luz is told by an all powerful deity that she is the chosen one basically and is told that old man is evil and needs to go down- isn't that the same justification that belos uses for his actions- not saying belos should've gotten redemption or forgiveness but this feels wrong. He deserved to die don't get me wrong but using this justification feels gross. What's even worse is that the titan made Philip's life harder on purpose- ah yeah that brainwashed cult victim would totally change his mind especially if you make his life harder- yeah I would've preferred if belos was depicted in a flashback just having a bad time on the boiling isles and cherry picked those bad experiences to justify his actions. Also I hate that the show just writes belos off as greedy and glory seeking when it could've conveyed a message about how people can get absolutely get warped by religious dogma. I do wonder though if I'm being too harsh because TOH is for kids and I was told it would be hard to portray this stuff in a way kids could understand. I can come up with ways to make the breaking the law openly thing less egregious but I am struggling to think of ways the show could have handled the cult thing, I am aware that maybe I'm accidentally saying stuff that is kind of bad faith but this is my truth. I feel like TOH wasn't good at villains and it sure as hell didn't write cults well

[gabrielleyueerrrrr]

Some hollowhead headcannons I indulge myself with:

1. Victim hates himself. He loathes everything Alan has given him: his humiliating name, his dull, unremarkable colour, and his weak, fragile body. Every time he looks into a mirror, he hates himself even more. As a result, he neglects his own wellbeing entirely. If left on his own, he won't hydrate or feed himself until he's on the verge of collapse; he won't sleep until he passes out due to exhaustion. It's as if he's deliberately torturing himself.

2. Chosen loves animals. But unlike Red, he gives out an intimidating aura that makes animals hostile toward him. After several attempts to befriend them ended in scratches and bites, Chosen decided to keep his distance.

3. Dark has a good sense of humor. Heck, his proudest creation takes form of a spider, designed to dominate the World Wide Web. Like actual spiders ruling over their webs to catch their prey, the virabot aims to take control the digital "Web". If Dark could create a virus that's essentially a pun, you can't convince me that he doesn't love puns and jokes.

4. When he's not trying to be intimidating, Dark has a surprisingly cute smile.

5. Both Victim and Chosen have a fear of small, rapidly moving objects like ping pong balls and rats. This stems from their terror of Alan's cursor, which Alan used to abuse them.

6. Every hollowhead has an aggressive tendency embedded in their code. Even Orange. He broke into RGBY's house with the intent to fight them,

and when Green shook his hand as an act of friendship, he felt only disappointment.

In AVM Ep 24 "Lush Caves", after the initial disagreement between him and Red, he let his anger consume him entirely, relentlessly pursuing Red even when Red didn't want to fight anymore, almost like a feral beast. But what made Orange into this kind-hearted, forgiving stick figure we see now was, exactly his encounter with RGBY. They are the first living beings he met since his creation, and they greeted him with kindness and acceptance. So he, in return, learned to be good. His predecessors weren't so lucky, their first experiences of the world was filled with malice and pain, forcing them to arm themselves with violence to avoid being hurt. While Orange opened up RGBY's world to new adventures, RGBY also taught Orange the way of friendship and kindness, setting him apart from Victim, Chosen and Dark.

[letteredlettered]

Hi! I was rereading By the Grace for like the 45397th time (it is incredible, by the way), and I have wondered ever since the first time i came across it - what does the title mean, and how did you decide on it?

I'm so glad you like this fic, thank you.

The fic starts with the line, "Grace is given for that which cannot be forgiven." It sounds like a quote from something, but it's not; I just made it up.

The title has to do with the definition of the word "grace." I'll use Mirriam Webster's second definition:

a. approval, favor (eg stayed in his good graces) b. archaic: mercy, pardon c. a special favor: privilege d. disposition to or an act or instance of kindness, courtesy, or clemency e. a temporary exemption : reprieve

Another definition is religious, but means kind of the same thing, in a way, it's about the favor God shows to humanity, even though humanity doesn't deserve it.

I don't know much about religion or which religions deal with the concept of grace, but I wanted to deal specifically with the idea of mercy, pardon, or clemency.

Draco Malfoy held fascist ideology; beyond that, he believed in genocide and eugenics. Even if later he didn't believe in those things, he aided and abetted people who worked for the cause of genocide. He tried to kill people. He mind controlled innocent bystanders. On top of that he was a bully; he bullied people for being poor and being orphans and for having blood he thought was unclean. He hurt them emotionally, mentally, and physically, and he did that specifically to Harry.

Draco Malfoy was a young person when he did these things. Even if he was not, he was still a human being. Human beings should be stopped from killing people and committing genocide, but I also think that because they are humans, we should try to understand them; we should still treat them as humans. And if someone like that is committed to living a different life, committed to stop hurting people and start helping people, I think they deserve a chance to do that, as long as they're not trying to hurt people again.

But the victims of these people don't need to forgive them. They are not the ones who need to give those people a second chance. They deserve to hate people who hurt them, to hold it against them. In many circumstances, they deserve to never see those people again, never see signs of that persecution and abuse. It is the job of society to make a place for folks who have done bad things and want to change, but it is not the job of victims.

But that doesn't mean that victims cannot forgive their torturers. Sometimes they do. Sometimes they feel forced to, to "be a good person," and I think that's wrong; I think that's unfair; I think that victims who have been hurt deserve to move on. But sometimes victims do it because it helps them heal. Sometimes it helps them feel fulfilled. Sometimes forgiving someone who hurt them can help to love other people in their lives better.

But the fic By the Grace is about more than forgiveness. It's not just about forgiving someone who hurt you like that, but growing to love them, growing to love them in a deep and intimate way. And that's something that can never happen because someone "deserves" it. It's not also something that happens just to let go of a grudge and live a fulfilling life.

It's something that happens through something bigger than forgiveness, something divine in nature, whether you're religious or not. It's something that happens through a force that I think is bigger and kinder and stronger than the emotions we have in day to day life, than the way we allow ourselves to be in day to day life. It's like heroism or profound self-sacrifice. It's love.

It's grace.

That's what Harry Potter has to feel, I think, if he's going to fall in love with Draco Malfoy, and that's what I wanted to write about.

[drchucktingle]

Good day Dr. Tingle. I haven't read your stories, but I've known about you from afar in this website for a while. Your recent post about separating Ideas and Message is very similar to how I teach a class. I wanted to ask you, if you could share some of your Messages, in whichever structure/length/complexity you think about them before writing, to have some real world examples to show in class.

Personally I tend to simplify and shorten my messages as much as possible, like "everyone deserves forgiveness" for example, so that I can permeate it throughout the story, and so that anyone experiencing the story can come to a similarish conclusion.

I'm curious as to how your Messages look like inside your head, during the creative process. Not the refined versions used for marketing and sales and stuff.

Thank you!

sure buckaroo.

high concept idea of the book STRAIGHT was this: zombie apocalypse story but the rage only effects straight cis people (there is also a second high concept idea in there which is: what if zombie plague only happened one day a year? how would culture handle this politically and otherwise?)

so i had this idea that i thought was good, but before i can write it i think 'well what do i want to SAY about this? what am i FEELING?'

and i realized that i was a little torn about how to write this story because of the one day a year thing. when is it okay to fight back? can you hurt a zombie if it turns back into a person the next day? is that right or wrong? and WHEN is it right or wrong? what situations?

then i realized that with the metaphor of this story what i was really asking was something bigger: why is it up to the victims (in this case queer buckaroos) to be forced to make these decisions? marginalized groups have TWO kinds of violations done to them, the first is the obvious act of violation, but the second is that they are forced to use their time and mental space and emotional tolerance to learn how to HANDLE the first violation in an 'acceptable way'

so THAT became my message. if you want to know how i feel about these questions you can read STRAIGHT and find out.

CAMP DAMASCUS high concept idea was (SPOILERS IF YOU HAVE NOT READ CAMP DAMASCUS STOP READING HERE) what if the church really DID decide the ends justify the means and instead of stopping demonic possession they were inflicting demonic possession to counter sinful acts.

but that is not the message of the book. that is just the idea. if i just had that idea i would not write it, but as things evolved i realized WHAT i wanted to say with this story

in this situation WHO is the force of 'evil'? would it be the demons? would it be the possessed? or would it be the SYSTEM AND MENTALITY that was creating this situation in the first place? so the book sets out the answer this question and express the conclusion that ive made for myself

i also noticed that many churches who are anti gay have a sort of infantilizing trot with how they handle their young buckaroos. this idea that gay feelings will just go away if they are ignored and that they can almost keep young queer buckaroos from ever aging into fully realized adults. obviously i think this is WRONG and so fighting back against this mentality became part of the message as well, and that informed most of the metaphor and symbolism in the book.

it is important to keep in mind that sometimes the message can change. as the book trots along i am LEARNING myself, working out these thoughts on the page and coming to a conclusion of my own. this is actually VERY true of BURY YOUR GAYS, which is probably most autobiographical thing i have written. i will save talking about that MESSAGE and HIGH CONCEPT for after book is out though

EDIT FOR CLARITY OF MY WAY:

when i say i write MESSAGE FIRST that does not mean i think of the message first in TIME (although that does happen sometimes) it means the message is the most important thing over plot or characters or anything like that (although those are important too). it means that i write with message as my north star, which is rare, but it is how i make art

[multiversewatchpost]

the mtt nation council has decided that every member needs to have a mtt vs mtt idea. time to pay up, council member multiversewatchpost........

Mtt but they're deities.

They're commonly depicted alongside eachother and feature a lot in eachothers myths, seeing their omens together is considered to be a warning of coming misfortune and disaster.

Horror is the one you pray too when you go on a hunt, when you are seeking to trap and ensnare your pray. The one you turn to when you beg for full fields and forests. He is the one you go to for guidance when your loved ones fall ill, when you have to protect and protect and protect and you are supposed to provide and shield and yet cannot find the strength. He is the one you pray to when famine strikes the lands, the one you beg for forgiveness, you do not know what you may have done to anger him but you know the widespread hunger is your fault. If only you hadn't displeased your God. This is your punishment. And everyone you hold dear will suffer with you.

Offerings made to him are most commonly food items. Grains or vegetables or fruits. Do not try to offer him meat, he wont accept it. Hates being offered life sacrifices. Will for some unknown reason accept eyes despite his aversion to being offered any other body parts.

Very strongly associated with spiders. His priests and most devout tend to purposefully blind themselves in one eye. Some consider this an outdated practice.

Dust is fickle and unpredictable. No sane person would pray to him as their patron deity. He is just as likely to turn on his followers as he is on their enemies. Fast to anger and hard to placate. Unfortunately, his few followers don't seem to get that memo, they are almost fanatical in their worship. Maybe it's because of what he offers, power, magic, it is he who the desperate turn to, those who have nothing left to lose. Those either lost in power or powerlessness. Those who either need or want more, wether it is because they do not see any other way or because they cannot fathom ever having enough. It is said that he curses those who cross him with incurable madness.

Common offerings include blood, flowers, and items with important sentimental value. Offerings are usually burned. Will accept life sacrifices in certain circumstances but it is risky to try.

Mainly know for his connection to magic, but is also occasionally prayed too for other kinds of power such as material wealth. Very easy to piss of. Followers sometimes claim to hear his voice speaking to them and see 'signs' he sends which are invisible to anyone else. It is widely debated if this is real or the result of the mental degradation a lot of his followers seem to eventually face. Mainly associated with mice but also occasionally robins or magpies.

Finally killer, the one that remains hidden in the shadows, decay itself, his presence clings to his followers, the world around them seems more dull, lifeless and dark. He is the one assassins follow, the one thieves beg for concealment, the one that victims pray too, not for freedom or safety but for vengeance. The stench of rot seems to cling to his favored disciples, their enemies die from mysterious illnesses or are plagued with pests.

He is pretty much exclusively given life offerings. Some tabboos acts, mainly cannibalism are commonly committed in his name. Will also accept roses or deaths in a more metaphorical sense such as the death of a dream or passion.

Is closely associated with animals such as rats, mosquitoes and pigeons. Just, any 'pest' really. Mostly rats tho. Also very strongly associated with disease. Is associated with the night and shadows but that is more of a recent thing, older disciples of his will scoff at you for such a thing.

Or did you mean mtt vs mtt as in mtt fighting eachother-

.....in that case I'm sorry but my idea doesn't include that.....you can make their followers fight or smth....maybe in some of the mythology they fight idk...

(Psssst, people reading this, there is now even more of this au on my blog under #moths mythology au tag)