#it's also been really great for figuring out these characters' dynamic

[noblebs]

Marrow blinks slowly. "Yes," they lie, then, "Won't matter soon. I'll show you." And silence any further lines of inquiry by inserting their pointer finger into their own mouth, hooking the fingernail into the soft insides, and tearing it back open. The seam which had only recently resealed itself breaks with ease on one side, then the other, and with their cheeks torn open their jawbone can pop out of place. Marrow's mouth lolls open. Pain sears up from the corners of their lips and hammers against their temples, but the expression frozen across Lysander's face is equal parts revolted and reverent. Finally, she begins to understand what it is she's created.

okay it might be a little while before I finish this, I can feel inspiration for EWT sneaking back in (finally), but I am having.......a lot of fun with this story

[sunflowerdigs]

Watching Henren's dynamic this episode was so great. I feel like when we get scenes with them, it's often because one of them is having an issue and the other one is trying to help them solve it, or because they're in conflict about something, or something very dramatic is happening and they're trying to figure out how to cope. I feel like we rarely see them acting as a team to try to get something. There was the episode with the fake ID, but that was mostly played for laughs.

So, it was really delightful to watch them kind of seamlessly exchange the good-cop, bad-cop role when talking to the social worker this episode. First, Karen was aggressive and Hen spoke more calmly, but then, as they kept trying to persuade her, Hen got more passionate and Karen got quiet. And it worked! It was a testament to how long they've been together and how well they know each other. And everything felt in-character - despite their trading roles and tactics, I didn't feel like I was hearing Karen's words come out of Hen's mouth or vice versa.

I also really liked how Karen was so completely unable to lie about why they were at the daycare and Hen was kinda like "...yeah, I should have seen that coming" and just told the truth. It was so Karen, and you could tell that Hen loved her for it, even as their ruse quickly fell apart.

Henren was easily my favorite part of this episode, though Maddie came a close second, obviously. Overall, I thought it was a really well done episode and they gave us a lot to unpack.

[comradekatara]

notes on “the runaway”

the more i see people discuss how strangely sokka’s character is portrayed in “the runaway” the more i cannot help but feel that all my ad hoc rationalizations and justifications as to why he would contradict himself so greatly might actually be meaningless. why would he allow the gaang to endanger themselves for foolish reasons when he is the overly paranoid voice of caution in literally every other episode? why would he be so easily swayed by toph’s manipulative promise of buying him a fancy atlas when he’s literally holding her wanted poster? and most crucially, why would he say that he sees katara as his mother when no other episode in the show indicates that this is remotely the case?

this episode is great for katara and toph, whose hangups are compellingly explored here. i won’t get into the common misconceptions about katara being “motherly” or why they’re even at loggerheads to begin with, as i’ve discussed this at length in the past, but it’s actually undeniable that the assumption that katara is the de facto “mom friend” stems primarily from this episode, where toph all but outright accuses her of fancying herself their collective mother. however, katara becoming “the mother” of the group is very much a post-toph shift in her character, and you see her femininity being accentuated in contrast with toph’s deliberate lack of femininity also being linked to this sort of maternal role that she occasionally adopts, especially around toph. but i don’t actually think the issue is one of katara being a smothering, maternal figure towards toph, but rather a miscommunication regarding power, gender, class, and community vs independence. when katara and toph fight, it is for far more complex and nuanced reasons than the notion that katara is simply too overbearing. if anything, it’s the way in which she is overbearing that irks toph, just as toph’s rudeness is not the central issue, but rather that toph’s values (those of total independence and freedom) are misinterpreted as malice by katara (who values community and collaboration), and vice versa.

something very crucial to understand about this episode is that katara is not actually mad that toph endangered their group by pulling fun scams. katara has endangered their group countless times in the past to satisfy her own impulsive desires (and yes, she wants justice, but toph similarly rationalizes her scams through the lens of achieving moral vindication). katara would be all over toph’s scammery, would come up with scams of her own, would be having more fun than anyone—had she been included from the start. which is exactly the point. it is her exclusion that foments her critique, not the subject of their act itself (and the reason that you could not replace katara with sokka in this scenario is simply because toph would never exclude sokka in the first place). but katara would never admit that she is hurt by toph’s exclusion aloud, because katara is an extremely proud person. and a prideful, wounded fourteen year old is not going to thoughtfully use “i statements” as if in a group therapy session with the equally prideful twelve year old who deliberately excluded her; no, she is going to lash out. (lest we forget that in their first real episode establishing their group dynamic, katara literally mocks toph’s blindness. hardly an okay thing to do, in my opinion!) their conflict stems from their differences, but also from their similarities. they are both proud, angry, powerful, stubborn, and must assert their dominance at all times. it’s clear they both want to be friends with each other, and at times they are, but it is really only in this episode where they are able to cross a threshold that allows them to be truly honest about more meaningful insecurities than simply their looks (although i do of course find their exchange in “tales” beautiful as well). and you know who is instrumental (albeit reluctant to interfere) in facilitating that growth? sokka.

i’ve gone more in depth in the past analyzing why sokka’s speech in this episode regarding his mother and katara isn’t exactly as it sounds. i personally interpret his admission, that katara has always been there for him and that her face is all he sees when he tries to picture his mother, as an illustration of his codependent attachment to her, as she is the very locus of his identity. this interpretation is compounded by the fact that when kya’s face is finally revealed later in the season, she does bear an uncanny resemblance to sokka, which to me signifies the way in which sokka sublimates his own face for katara’s—which is also deeply unhealthy, but in a different way than an older brother parentifying his younger sister would be.

the fact is that there is simply no indication throughout the entire show (including this episode) that sokka views or treats katara as a parent. there are of course moments wherein she supports him emotionally or materially, but most of the time she is in fact teasing, tormenting, undermining, yelling at, or otherwise making life harder for him, at which point he is far more likely to act as her guardian figure and admonish her while simultaneously helping her get out of whatever mess she’s caused. and considering that sokka’s defining moment is when hakoda stakes his identity to protecting his (ontologically special) sister (which, as we know, as the bearer of kya’s face, in fact means dying for her), this dynamic makes far more sense than the other way around. i know that people commonly portray katara as the voice of reason who cleans up sokka’s messes, but besides a couple examples, it’s consistently the other way around. yes, it’s very easy to assume that sokka’s speech indicates that he sees katara as his replacement mother, but we cannot take this speech at face value if we are also to take the rest of the text into account, which we must.

but then there’s also the other glaring question that must be taken into account: why would sokka even allow all this? considering the first thing toph bartered was the sword he has painstakingly crafted just an episode prior, why didn’t sokka just pull the plug then and there? it really doesn’t make sense that sokka wouldn’t take katara’s side just for practical, logistical reasons. even if she doesn’t really care about the own point she’s making (as demonstrated by the fact that the scam she devises literally lands her in jail), sokka would see the logic in it. but... he does. he is the one to first discover the wanted poster, and he immediately points out to toph that their scams are drawing undue attention to her, and that they should put an end to it now that's it's putting them at risk. and yet, toph successfully bribes him, and so he continues to participate. why? what about the prospect of having money is so appealing to sokka that he’s willing to risk his precious rationality and caution for the potential of acquiring more of it? well, it’s actually quite simple.

toph is scamming for the thrill of the game. she loves proving the kind of men who undermined and demeaned her all her life wrong. she loves humiliating the people of the world who had once humiliated her. she’s not someone who values earthly possessions or really even understands that money is a finite resource. to her, these scams are a matter of ego. aang is also scamming for the thrill of the game. he loves a prank, a bit of mischief, getting into some tomfoolery. he loves spending time pulling hijinks with his friends. it’s funny, it’s fun, and it’s lucrative on top of that. but it’s clear that he views it as a game. now, sokka similarly enjoys pulling these scams. he adores toph and clearly finds it nearly as satisfying as she does to watch her destroy the egos of men thrice her size. but even more potent than his adoration for toph, is his appreciation for money.

when katara put them all in danger countless times in the past, it may have been to enact righteous justice, but it was never materially beneficial to sokka. sokka is a very practical person, and growing up in a state of colonial abjection taking on the role of provider for a couple dozen people mostly comprised of elderly women and small children makes you appreciate the value of goods and resources in a way that an aristocrat and a monk do not. you may be asking, "are you really arguing that sokka would undermine his own values and endanger himself and his friends so readily for the prospect of financial security?" to which i would argue that you underestimate how truly cynical sokka is. of course he loves money and food he doesn’t have to catch or forage – see: his appreciation for the immediate luxury of ba sing se that everyone else finds so stifling. he is not spiritual; he is attached to earthly possessions and the immediate physical needs of those around him. so of course he loves a material object. in his own words: “i do believe in the power of stuff.” because even when sokka is supposedly being uncharacteristically foolish or naive, he is in fact nonetheless promoting the cynic’s agenda every step of the way.

“the runaway” is a good episode, perhaps even a great one. however, it has also lent to some of the fundamental misinterpretations i see of katara, sokka, and toph that are constantly thrown around (including the occasional citing of this episode to justify that aang apparently “sees katara as his mother”). so in some ways, i do resent this episode for begetting those strange and incorrect takes, even if i think that in a vacuum, it is well-executed. it is an episode that complicates our characters, adds nuances and shades of grey to their pre-established characterizations, but does not actually rewrite them. sure, if this was the only episode of the show i had ever seen, i too might assume that katara was the maternal and responsible figure of the group, toph was a careless and rude little bitch, and aang and sokka were idiots who relied solely on katara’s infinite well of long-suffering guidance. but even within this episode, that is clearly not established to be the case, and if that notion is not sufficiently undermined by the episode’s conclusion, it is quite clearly by the episodes bracketing it, which provide crucial context through which to inform our understandings of the choices made in this episode, and why they are indeed interesting, but nonetheless do not reflect the characterizations established in the series as a whole.

[yamujiburo]

POKEMON SERIES RANKED (IMO)

I get this question a lot and haven't made an updated list with Journeys

Original Series (S1-S5)

Sun & Moon (S20-S22)

Chronicles (S0)

Diamond and Pearl (S10-S13)

Advanced (S6-S9)

Journeys (S23-S25)

Black & White (S14-S16)

XY (S17-S19)

Original Series (S1-S5)

OS had that first season charm. Very unpolished, still finding its footing but super enjoyable for those reasons

Probably the strongest series comedy-wise

That GORGEOUS 90s anime style

Main character dynamics were REALLY strong

Ash's personality felt much more like a shitty little 10 year old which was entertaining

Dub writing was also the best hands down

Sun & Moon (S20-S22)

Honestly tied for first with OS for me

REALLY fun ensemble cast! They do a fantastic job giving each character enough time for you to get to know and care about

Excellent modern anime style that perfectly fit the vibe of the season and allowed for some of the best character animation of the show's run

Finally figured out how to write Ash like a 10 year old again (but in a kind/sweet 10 year old way as opposed to OS)

Very different from previous series in terms of the formula they'd follow. Doing a school series instead of another "8 badges to championship" plot felt new and fresh!

This series genuinely made me cry the most (MEMORIES IN THE MIST!!!!! LIKE ARE YOU KIDDING ME)

Chronicles (S0)

Fun concept! It was really nice to see more of the side characters without Ash there. We get to see more of Misty, Tracey, Daisy, Brock, Ritchie, Oak, Delia, Butch, Cassidy, Jessie, James and Meowth!

Stylistically really nice. Just solid drawings all around and it retained the 90s anime style in digital form more successfully than other digitally done series imo

BUTCH AND CASSIDY!!! Team Rocket centric episodes!!! Training Daze!!!!!!!

Idk how possible it would have been (seems like a TON of work) but it made me want one of these in between each season, where we'd follow the characters that Ash had just said goodbye to for the next region.

Diamond and Pearl (S10-S13)

Series I grew up with! Honestly I was kinda a hater as a kid but having watched it back, I love the series

Love that Ash and Dawn were bros. They had a really fun dynamic.

Debatably peak Team Rocket. They had some of the best Team Rocket centric episodes this series.

Contests were really fun and a bit more figured out compared to the Advanced series

Fun, memorable rivals for Ash (Paul and Barry) as well as Dawn (Zoey, Kenny and Jessilina sometimes)

This is unfortunately where I stopped caring about Ash as much. He feels kinda watered down for the next couple series.

Advanced (S6-S9)

Pretty tied up with DP for me

Really fun series! Still had some of that early Pokémon charm

I appreciated that they put Ash in more of a mentor role for May (but he still had a lot to learn himself).

Ash and May constantly butting heads was really fun

May was a very compelling character to me, being very clumsy, kinda lazy, directionless, not really into Pokémon, etc. But then over time, she comes around and finds something she's interested in!

Journeys (S23-S25)

I love the episodic take as well as the way they let the characters jump around from region to region at random

Goh was a GREAT travel companion to Ash. They contrast each other nicely, have moments where they get on each others' nerves but still get along and have a mutual admiration for one another.

It was fun that they made Goh's thing catching every Pokémon (the motto of the entire series) so they could focus on Ash just training and prepping for Worlds.

Amaaaazing style. Took the great parts of classic Pokémon, roundness of SM and blended em together for a really fun look.

Black & White (S14-S16)

I don't think it's that controversial to have BW this low haha

I did enjoy Iris and Cilan but it felt like the writers didn't reaaally know what to do with them? Also this was their first time in a while not having Brock and it shows. I feel like Brock was successful because he was grounded and lower energy compared to the rest of the kids. Having 3 pretty eccentric characters is kind of a lot. No hate to the characters in the slightest, there was just not as much balance.

I think maybe they leaned on Cilan and Iris for more comedic relief because they killed the comedic relief that was Team Rocket this series. I appreciate them trying something new with Jessie, James and Meowth but I don't think it worked very well lol

XY (S17-S19)

I've ranted about this series a lot LOL. I get the appeal of it, but it just wasn't for me. I felt like it was the weakest comedy-wise and took itself a bit too seriously for my taste

My main gripe is that Serena, Clemont and Bonnie all like,,, worship Ash. By doing so, Ash begins to feel like a side character because we're constantly looking at Ash through their eyes. There's so little conflict within the group so their dynamics feel really flat. I think this dynamic could have worked if they leaned waaay more into Ash being a mentor and maybe feeling the pressure of having to be a role model for the people around him.

Team Rocket very much feels like an afterthought in this series. They did in Journeys as well, but at least in Journeys they were doing something silly and also had a handful of episodes dedicated to em.

Outside of that, the episodes weren't super memorable for me

I think it's just frustrating because there was sooooo much potential character-wise

[ploppythespaceship]

Please Watch My Adventures with Superman

This show is just so delightful and manages to capture the essence of Superman in a way a lot of adaptations just don't quite get. If you've ever been curious about Superman, if you've ever felt Superman is too boring for you, or you just enjoy a fun superhero story, I highly recommend checking this series out.

The first season has ten episodes, and the second season has just aired its third episode. In the US, it's available on Adult Swim and Max.

What It's About

If you aren't familiar with Superman, he's an alien -- the last survivor of planet Krypton, sent to Earth as an infant where he was found and raised as Clark Kent. Being an alien, he has extraordinary powers which he uses to lead a double life as a hero. This show focuses on a core trio of Clark, his girlfriend Lois, and their friend Jimmy, all of whom work at the Daily Planet newspaper.

Clark Kent / Superman

One of the main reasons this show works is it understands that Clark is Clark, first and foremost, and Superman is his disguise. Clark is a big friendly nerd. He's a huge sweetheart who cares so deeply about the people around him and the planet that adopted him.

This version of Clark is starting out very young (early 20s), so a lot of this story is about him just figuring things out. He's gradually learning the truth about his origins, the extent of his powers, and how best to be a hero -- all while grappling with the fact that he isn't human and his people of origin may in fact be a massive threat to Earth.

Clark is voiced by Jack Quaid, which you might not expect to work well, but he honestly nails it.

Lois Lane

Lois is loud. She's ambitious. She's intelligent and quick-witted. She doesn't take no for an answer. She has jumped off a building to prove her point -- twice. She is an unstoppable force of nature, and this show refuses to dumb any of those traits down.

But above all, she's kind. She wants to use everything she can do to help people. Her relationship with Clark is also everything you could ever want from a Clois dynamic.

This version of Lois is Korean-American, and voiced by Alice Lee, who does a phenomenal job.

Jimmy Olsen

Jimmy is Clark's best friend and roommate. This version portrays him as a supernatural/paranormal vlogger, running a web series called Flamebird. He's easily excitable, very passionate, as well as one of the most dedicated friends you could ask for.

Following in the footsteps of several previous iterations of the character, this version of Jimmy is African-America. He's voiced by Ishmael Sahid, who's just perfect in the part.

Why It's Great

The characters are all fun and interesting in their own right, while also having a great dynamic with each other -- as duos and as a full trio. And because the characters are shown as being very young and just starting out, they're very relatable. Additionally, every character feels very true to the spirit of their comics counterpart, despite taking a lot of liberties with the specifics.

There's a great cast of villains so far -- Livewire, Task Force X, Mxyzptlk, Parasite, Silver Banshee, and plenty of others that I don't want to spoil. They've also been teasing some really interesting stuff for the Kryptonians, which is noticeably different from any previous adaptations I'm familiar with.

The show is very anime-inspired, giving it a distinct flavor from other Superman adaptations. The creators are clearly having a ton of fun with it. Classic Superman villain Mxyzptlk, who's typically shown as an imp, now looks like he just walked out of a Dragon Ball episode, in an episode called "Kiss Kiss Fall In Portal."

It's also the same animation studio as The Legend of Korra and Voltron: Legendary Defender, who do excellent work. The character designs are unique while still fitting the characters perfectly. I particular love Clark and Superman's designs -- they've struck a balance between making sure he's big and muscular while also retaining a certain softness to his appearance. The fight scenes are fluid and dynamic. It all just works.

[genericpuff]

Just saw your response to someone asking about plot points you hate. Can I ask why you don't like Athena/Hestia? From what I remember (take this with a grain of salt because while I've read the whole comic it's more in a junk food, read and forget til next time kind of thing)

From what I remember it's not a huge plot point? Like its just kinda.. there? It doesn't really impact much of the story at large.

Also I agree with the hades/thanatos thing, that's kinda odd and it doesn't make hades any better or more sympathetic of a protagonist. If I remember right, doesn't he abandon thanatos or push him away?

I have issues with the Hestia x Athena plotline the same way I have issues with the Hera x Echo plotline. It all feels shoehorned in for the sake of seeming 'inclusive' towards gay relationships, but gets next to no actual development or screentime aside from the odd lip service meant to benefit Rachel.

Especially when Hestia and Athena were already embraced as LGBTQ+ icons to begin with and didn't need to be shipped together to make it possible. Rachel has a really hard time comprehending aroace identities and this is present even back in her Tumblr days-

If Hestia and Athena are still supposed to be at least ace in LO then we haven't seen any indication of that. So it just makes them look hypocritical as fuck for running the "virgins only club" that is TGOEM (and even going so far as to punish Persephone for being around Hades by confiscating his gift to her) and that unfortunately makes them look like really terrible people which isn't a great look for the only lesbian couple in the story (at least until Eros and Hera were established but whether or not they're an actual couple now or if that was just a one time kiss scene remains to be seen). Like even the reveal that they're together is Artemis figuring it out and then being pissed that she's the "only one following the rules", not them coming out about it on their own terms.

Also no, the Hestia x Athena plotline wasn't as big as the other plotlines, but it was one of the ones that felt so out of left field and forced when it was first established. Plus I'd just love for them to be aroace rep again, there are characters who are legitimate gay icons that got erased so that Rachel could retroactively shove it into other characters without any reasoning or relevance to the plot.

I honestly wouldn't have been so salty about the Hestia x Athena plotline if it were just written better (and if it didn't reek of aroace erasure) and that goes for a lot of the queer relationships in LO, because so many of them are only given the tiniest ounces of screentime, enough for Rachel to take credit for being "inclusive" but not enough for her to actually have a diverse cast. Morpheus is the most consistently present character we've gotten for LGBTQ+ rep and now even she's been fridged :/

Anyways, as for Hades and Thanatos, yeah, the retcon that Hades was a 'father figure' to Thanatos the whole time seems like it was purely written in to make Thanatos look like a hypocrite for having very reasonable concerns regarding the special treatment being given to Persephone at work. But then Rachel had to actually resolve that plotline so in S3 she had Hades approach Thanatos in search of his brother just for them to have a weak 'heart to heart' where Thanatos took the blame for being a 'handful' and Hades trauma dumped and never really took accountability for everything. The fact that we're supposed to believe they have a father-son dynamic really makes the first season gross to read because the whole time Hades is legitimately treating Thanatos like scum. It absolutely does NOT make Hades more likeable, even with the attempt to 'redeem' him which really just made him look like an even bigger asshole u.u

[where-theres-smoak-2]

Bridgerton Season 3 ep 1-4 Thoughts.

Just binged watched bridergerton season 3 part 1 for the second time and figured I'd share some thoughts. I haven't read the books so I am going into this season blind and so far the first 4 eps have not disappointed. Oh and spoilers obviously.

I love that this season started the exact same way as the other two, with the bridgerton family getting ready for one of the girls presentation to society. This time it's francesca. I also love that this is the third time they've done this but they are still a chaotic mess.

I love penelope's new look, every one of her dresses were stunning and I think the greens and blues were really good colours for her.

The new dynamic between eloise and penelope is interesting. There is clearly still a lot of hurt there, but eloise also still cares about penelope and doesn't like to see her hurt. Honestly most of their scenes made me feel really sad for them both, they clearly miss the friendship they had and each other but don't know how to repair things between them.

Seeing a different side to Cressida through her new friendship with eloise is interesting. There were moments where I sympathised with her, but also, she hasn't completely reformed and there were still moments when her meaner side came out. But it was still interesting to see where her behaviour comes from.

That being said I am glad that cressida called eloise out after it came out that Colin was helping penelope find a husband and eloise blamed her. Basically telling her to look in the mirror. As much as I do love eloise I also think she can act recklessly and speak without thinking and that has gotten her and others in trouble over the seasons.

It was also good to see more of and get to know francesca as a character. I really liked the conversation she had with penelope about how when you get stuck on the wall it's hard to get off it again. I think both penelope and francesca have trouble talking with others. They also are both desperate to marry so that they can leave the family home. For francesca it's because she struggles with the noise and bustle of a large household when she prefers solitude and quiet. For penelope it's to get away from her overbearing mother and sisters.

Penelope's attempts to flirt made for some comical moments but was also really relatable. That awkward fumbling over her words and just generally looking uncomfortable was spot on.

Speaking of comical moments, that whole plot of lady featherington trying to get her girls to produce an heir was hilarious. But also kind of shows how the ladies' mamas really need to start having proper conversations about the birds and bees before their daughters become wives if they want heirs.

Some really great moments throughout the season were the scenes that reminded us of how penelope and Colin were friends for years, those little moments when they are laughing and joking together. I also love that we learned how they met, their meet cute really was cute.

I really loved polin's first kiss. I think penelope's reasoning for wanting Colin to kiss her was relatable, she was in her third year on the marriage mart with no prospects and feels like she will never marry and never know what it's like to be kissed. So she asks her friend so that she can at least know what it feels like. Colin might be someone she has crushed on and been in love with for years but him also being her friend means she trusts him and feels safe with him. What I also love about this kiss is that they could have left it at that first chaste meeting of their lips. But their eyes lock and then they go back in for a more passionate kiss as the music soars and it goes from a friend giving another friend a kiss to help them out to a real, earth moving, world shattering kiss that leaves them both reeling and breathless.

Another thing I really enjoyed is that it is Colin who after that kiss is the one having dreams and fantasies about penelope and has jealous feelings. We've seen how penelope has longed for and been in love with Colin over the last two seasons so it was a nice change to see Colin showing those feelings and trying to come to terms with his feelings.

Lord debling is nice enough and seems like a decent guy but I agree with Colin, I don't think he is right for penelope. I don't think penelope would be happy being left alone for years at a time. I do think she wants the companionship of a husband and I think it is telling that her happy, safe place was the bridgerton drawing room, being amongst the bridgerton bustle. Cressida could be a good match for debling potentially. He can travel and be happy exploring nature and I think cressida from her comments in ep 1 about loving London would be happy staying in society and entertaining. It could be an arrangement they are both content in.

The marquess that the Queen introduces to francesca is another gentleman who I think is OK, seems nice enough but again I don't think he is right for francesca, he wants a big family with lots of noise and that is not what she wants.

However I adore the relationship between francesca and John sterling. I just love how they didn't need any long flowery conversation in order to feel a connection to each other. In fact it was their mutual love of peace and quiet that bonded them. He is someone she could enjoy quiet evenings with, someone whose company she could enjoy but without the pressure of forced socialisation and conversation. I can see them spending their evenings in a drawing room with her playing the piano and him enjoying her music. Simple but contented. Out of the two, him and the marquess, I hope she chooses Sterling.

With that being said I am starting to feel sorry for the queen. Each season she tries to set a bridgerton up with someone and every season they choose someone else least minute instead, daphne turned down the Prince for Simon, Anthony ended up not with Edwina but her sister instead and I suspect it's going to go the same way with francesca where she will be courted by the queen's pick but will ultimately choose John sterling. Honestly at this point Charlotte just give up, stay far from the bridgertons and enjoy the drama from a safe distance.

Let's talk about violet bridgerton. It seems she herself may have a romance this season in lady Danbury's brother, spoilers for queen Charlotte, but I do find it kind of funny that Danbury had an affair with violet's father and now violet might be getting with Danbury's brother.

Keeping on the subject of violet I love how well she knows her children. She always sees right through them. She could tell right away that francesca was smitten with Stirling even if she is a little confused about how they don't really talk much to each other. Also one conversation and she figured out that Colin has fallen in love with penelope. I also love that moment when Colin says he isn't coming to the ball and violet not so subtly tells him that penelope may be getting engaged that evening and what a shame it would be for him to miss it. She knew exactly what to say to get him to that ball and confessing his feelings to penelope before it's too late. Love you violet you are a legend.

Lady featherington is an interesting character because I do believe she genuinely loves her girls and wants what's best for them. But her idea of what is best for them is too make sure they marry and they are financially secure. I also think she wraps her own fate up in her girls fortunes too she knows her own security relies on them having a male heir. Unfortunately despite her love for her daughters she often says things very hurtful to her girls in particular penelope, which doesn't make her a very likable character. That conversation between her and penelope in ep 4 right as penelope is leaving the ball after debling's rejection is an interesting moment. Lady featherington's first reaction is to blame penelope for debling leaving, penelope rightly calls her out asking if she only has value if she has a lord's engagement ring. What's interesting is that this statement clearly hit Lady featherington hard, you can see that she feels guilty, I think this is further punched home when prudence comes running up to her telling her she's pregnant and asking if she is excited. I think it's a moment where she realises how many expectations she has put on her daughters and how that has made them believe that her love for them is conditional on them meeting these expectations. I am interested to see if this realisation changed her behaviour towards her daughters going forward.

That carriage scene, ice someone get me ice. Honestly the chemistry between them was perfect, sizzling in fact. Also of course they ended it with Colin proposing. I am really excited to see where its going to go next especially as Colin still has to learn that penelope is whistledown. I feel like a whole lot of drama is coming our way.

[buckybarnesss]

The idea of Derek being present in season 5 and being supportive of Stiles intrigues me because of the potential contrast to Stiles & Malia. Malia knew about Donovan but didn't care in the way that Stiles needed her to when he was struggling. Which isn't her fault - she's not human, didn't grow up human, and thus has no understanding of WHY Stiles would be upset.

Malia is definitely one of the characters I think JD mishandled the most.

The potential Scott vs Derek is delicious, because they both went through the Nogitsune ordeal, and because Derek also trusts Stiles implicitly, whereas that trust between Scott and Stiles is frayed.

Derek and the sheriff would 100% destroy any and all evidence against Stiles. It wouldn't even be a question in their minds.

do not get me started on malia tate and how badly she was mishandled. i know she isn't the most popular character but i love her and she deserved so much better than what they gave her.

derek in s5 would've been so intriguing. i was actually making a list of why derek couldn't be in s5 because it'd just break everything.

he'd take one look at theo and called him a great value version of peter and theo would have to no choice but to die of shame

would help and support malia with killing corrine because corrine is trying to kill her.

also it'd be really interesting for derek to have to confront the idea that talia hale forced someone to carry a pregnancy they didn't want in addition to removing peter's memories of it which removed peter's agency in the situation.

he would definitely been able to help liam with his control and be someone liam could actually turn to for advice and help when he felt like scott wasn't listening.

if liam bonded with and grew to trust derek it would've been a great echo of the situation with isaac back in s3. scott could've felt jealous and threatened over it.

he also probably could've been useful with helping kira find control over her fox thereby rendering the skin walker plot useless.

derek would've figured out jordan was a hellhound.

the scott and derek dynamic would've been interesting as fuck because scott was failing as an alpha in the way derek did and scott wasn't very understanding of derek's failures and short comings.

he would've been such a great support system for stiles which would've undermined theo's entire agenda. derek would've never doubted stiles not after everything they'd been through together.

i would've loved to hear his thoughts about the whole le bête situation and how he would've handled that with the argents. like fuck off and die already gerard.

[popfizzles]

do you still ship Val with both Mugman and Cuphead? actually give us a run down of all the Val ships

Here's the thing, yeah? Val is like a little doll that I use to kiss all my favorite Cuphead characters 😤 and because of that, there's probably way more than I am currently remembering at the moment. BUT here's some of the ones that have been on my mind:

Val/Cuphead - Met in high school detention, stayed really good friends afterwards. LOVE to cause trouble together. Real "I can make him worse" vibes. In the same breath, Val would probably pick up on Cuphead's moments of weakness and be there for him without being too overbearing about it.

Val/Mugman - Best Friend's Brother. Val got to watch Mugman go from just Cuphead's twin brother that she never knew too well to Kind of a Hunk?? Val slowly gets more and more nervous around Mugman, and he picks up on it and absolutely EATS UP the attention. Cuphead HATES it, but that makes Mugman want it more??

Val/Chalice - I think it would be Val who starts pining for Chalice first. They're two peas in a pod; very cute, trouble-causing cups, who will sit pretty on the edge of a wall and giggle quietly to themselves, talking about the toons who go past. Val would help Chalice do her makeup 💕

Val/Boba - This one is a comfort for me!! Very "omg they were roommates". Complimenting each other in the best ways where Val gives Boba confidence and Boba bounces sarcasm and jokes back to Val. They are each other's better half :)

Val/Mac - Mac is similar to Cuphead, but a lot kinder and wears his heart on his sleeve more. I can imagine it being a very quiet, unspoken, mutual pining type of relationship. They'd hold hands under the table. I think they'd have their first kiss on the Isle Two Ferris Wheel.

Val/Smith - Now, Smith is similar to Mugman, but a lot rougher! Smith has his sour personality, but he'd probably have a sweet spot and playfully pick on Val instead :) I like the dynamic of Smith (a very rough and tumble country toon) slowly falling for Val (an uptown, pretty city toon). He'd teach her how to ride a bull 👀

Val/Ludwig - Ludwig has this silently dangerous air about him that intrigues Val (he does know something about everyone, after all). He's probably one of the only toons on Isle Three's city district that Val doesn't see as some stuck-up snob. And I always had this image of Val draped over a piano in a nice dress while Ludwig plays (*/ω＼*)

I also think I could figure something out regarding Val and some of the bosses (the ones that come to mind are probably Chef Saltbaker, Djimmi the Great, maybe even Cagney Carnation??) but I'd need more time to workshop it.

[romana-after-dark]

Room's on Fire: Girl on Fire

Dark!Santiago Garcia x Fem!Reader Dark!Francisco Morales x Fem!Reader Dark!William Miller x Fem!Reader Dark!Benjamin Miller x Fem!Reader

Also: FishBen, and an assortment of other M/M relationships (no Millercest). Everyone is Bisexual

Series Masterlist: Main Masterlist : MainTaglist

Spotify playlist

Summery: Everyone is together, everything is complete.

Warnings and Content:

DEAD DOVE DO NOT EAT

DUB CON MOSTLY but there WILL BE NON CON. Major character deaths, forced breeding, physical abuse, brainwashing, manipulation, violence, gore, alcoholism/addiction, BIG OLE BLASPHEMY WARNING like this cult appropriates a lot of religious themes and they call reader their Madonna, Santi is called the Pope, like all that stuff. However, this is a cult so I mean. It happens. None of it are my thoughts on religion or meant to make fun of religion or demonize religious people. Disgusting views on virginity. Attempted rape outside the boys. T*m warning. Age gap. Creepy terrible men. Non-reader rape, dub con, violence. Covert incest, massive mommy issues, sexual abuse all around, past grooming by parental figure. no CSA but the victim isn't much older. some Bates Motel type shit. I cannot properly warn you for everything, without just telling the story but consider this a major warning that there are dark dark themes. No one involved here is morally clean, and who you perceive as the good guy cannot be relied on. Don't come to my story and say im romanticizing these things until at least the story ends.

WARNINGS HAVE BEEN UPDATED!!!

Extra warnings for chapter: Pregnancy, breeding kink, violent sex, domestic violence on a man, gunshots, references to murder,, death, torture, all the horrors. The end was disturbing even to me, so read with caution. If you find the end was too much, just ask me what happens and I'll tell you. not super plot important but like it was pointed out, the sex is how we see dynamic shifts. Mentions of mpreg fantesy but no mpreg will happen bc they arent actually god, just insane.

3.7k words

A/N: Some pov shifts. Madonna, Jonah, Rey, Santi all get POV's.

A.N2: context for song quote, Alicia wrote girl on fire after the birth of her son.

Support writers! Reblog and leave comments!

"She's on top of the world Hottest of the hottest girls say Oh, we got our feet on the ground And we're burning it down Oh, got our head in the clouds And we're not coming down This girl is on fire" ~ Girl On Fire, Alicia Keys

“It’s okay, you’re gonna do great.” Rey assured her, sitting on a table in the dressing room despite a chair being right there. His lanky legs liked to dangle, you noticed, or sometimes perch up in high places. He reminded you of a bird sometimes, lithe and graceful and seemed to float on his feet.

“What if they don’t like me? What if something happens? What if there’s another uprising or someone wants revenge on me because of my dad-”

“The people love you, and they were going to love you even more with this announcement. Jonah’s not going to let anything happen to you, you know that.”

Your face grows warm at the mention of Jonah. He had acted distant with you since the instance of Frankie and you on the horse, and wouldn’t let you see his face when he showed up the next morning with bruises. In fact, you’d hardly seen him at all. Rey was your primary guard, and Will had talked about moving your room to one with an attached room for Reyansh so that he could stay with you at all times. It seemed everyone knew Iris and Rey were an item, or at least they understood Reyansh was not a threat. You had begged Will not to switch around rooms. The reason given was that you liked your room, but really, you were hoping that you’d be moved into a room with one of your husbands. You weren’t visited by the incubus the night they all slept in your room.

Still, Jonah looked out for you. Under your dress right now was his bulletproof vest. 

A knock on the door.

“Come in.” Iris called to the door, still working on your hair.

Will entered the room. “Are you ready, Madonna?”

Before you opened your mouth, Iris replied. “You could use her real name, you know.”

Will didn’t look at her, keeping his eyes on you. “Her name is irrelevant, her position is everything.” When he turns and sees Reyansh, Will frowns. “What are you doing in here?”

Iris was quick to answer his unvoiced question. “He only came in after she was dressed.”

He instructs Reyansh to ready the carriage. Once he was out, Will turned to you with a smile. “You look stunning, Madonna.” Your heart swells with love for your handsome husband, dressed in his loose white shirt. In your hair, small white flowers adored you, carefully placed and worked in by Iris’s hands. She was incredible, making your dress too. It was colorful, with a color representing all four of your husbands. Under it, a bulletproof vest. No one in delta outside of guardsmen was allowed guns, but he wanted to be safe.

“Wow…” Will whispers, taking you in. There was just the slightest swell of a bump, you wondered if it was just weight gained from eating more these few months. Will took you into his arms kissing you deeply and feeling your stomach. Iris mumbles close enough as you’re pulled away. He turns back to her only a moment. “Make sure everything is ready when we’re back, please.”

Iris sighs, “It always is, Mr. Miller.”

*

Jonah cocked his gun. “Same as last time, honey. Anything happens, you come with me. Those guys can handle themself. I get hurt, do not stop for me. Just run. Someone will come find you, you just keep yourself alive, got it?” His brown eyes were on you for the first time in a long time, and you relaxed. Jonah’s eyes always calm you. It’s scary, knowing you were responsible for not just you, but someone else as well. The priestess stood at the balcony to the side, your husbands flanking you. Pope to your right, Francisco to your left, Ben to his left and Will to Popes right. Just as you were married.

“Men! Women! Children of Delta!” She shouts to the crown. “I present your Gods and your Madonna!” The crowd erupts into screams, and your heart fills with love for your people. “And!” A hush falls over the ground, waiting breaths quiet as they wait for the news. “I present to you, THE SAVIOR!”

The sound was deafening, a noise that shocked you and made you stumble back. To your surprise, Pope was behind you. It was a greater surprise when he rucked up your skirt.

Immediately your hands, out of instinct, go to bring the material down but his fingers quickly dig into your skin, warning you to behave. So, you stand there, humiliated, left hand gripping Francisco’s tighter. Pope loved you, he loved you and he’d never do something just to humiliate you! How stupid of you for feeling that way. This child was long prayed for, they and your body belonged to your husbands, belonged to Delta. Pope lifted your dress over the small bump,exposing your underwear to the crown. No one outside of your husband, a few house motherns and prefects had seen you in your underwear, so this was difficult…

But then Pope kissed your neck, and the worries melted away. Will, Francisco and Ben come to you, each placing a hand on your stomach as the priestess shouts, reaffirming that the savior’s parentage was of all four, that each of your husbands fathered this baby. You were called the vessel for their seed.

Then, you were placed on a tour. On a sitting carriage with all 4 of your husbands, you were paraded around to cheering people, the faces of women from your dormitory and even your room recognizable in the crowds. One woman whose bed was next to yours shot you a deadly glare as you passed by. She was mean, frequently detailing her escapades with Ben and throwing your own lack of attention in your face, but who was laughing now? Ben choose her for a short term fuck. You had a greater purpose.

When you reached the mansion again, the gates were crowded with people reaching out for you, and although there was fear as the mass of the crowd grew, there was also power. The savior of the broken, the beaten and the damned lay in your holy womb, you were the bringer of life. YOU were the divine mother.

The gunshot brought you back to reality.

*

“WILL!” You scream as your husband is shot backwards, stumbling into his brother’s arms who he shoved out of the way of the bullet. Jonah didn’t care about Will, however. He didn’t care about Ben falling at him brothers side under the weight. He didn’t even care about Francisco scrambling to grab at Ben in the chaos, and he certainly didn’t care about Santiago dragging Frankie away.

He cared about, sobbing in his arms desperately trying to get to your fallen love. Jonah wrapped an arm around you and pulled you away into the riotous, scampering crowd. You needed to get away from the shooter. 

“NO!” You bawl loudly. Howling that he’s dying, that you need to be with him, but Jonah didn’t give a shit about that prick. He calls to Reyansh, who jumped out of the carriage the second the gun goes off. It was intentional, having Rey at the helm with him; only Rey would care enough about you out of all the guardsmen that Jonah could depend on him. Into the madness, you wouldn’t stop screaming and that rainbow dress of yours was not helping the situation. 

“Rey! The tunic!” Jonah had to spin you around to disorient you enough to make you stop fighting in your hysteria, forcing your arms up while Rey slid a long, brown standard tunic over your body, making you blend into the neutral tones on the crown. Jonah clamped down over your mouth and pulled you away as the center of the shooting grew further away, Reynash covering you both. Once at the posting for a guard, Rey held you as Jonah mounted the steed and pulled you up, riding off with you.

*

You hadn't stopped sobbing for hours. Reyansh watched in concern, wanted so badly to comfort you lest the heaving and thrashing harm the baby or yourself. Rey loved children, he couldn’t wait for a day he could take Iris away and raise a family together, to finally be with her intimately and live a life with her. 

Even if children weren’t in the picture (Iris wanted one in theory, but was hesitant to bring one into this world, understandably.) he’d cherish a life growing old with his lover. Maybe they’d some orphaned child; Iris had a soft spot for children in need. Her maternal instincts are why, despite not wanting to be friends or even really know her, Iris took care of the girl. Iris had ten years on the naive child. Continuously, she had warned him about keeping his distance, not raising suspicion that anything was happening between him and the girl, but it wasn’t his fault she was damn delightful. However, despite her obvious beauty, talents and sweet demeanor, nothing compared to Iris.

Reyansh could wax poetry about her all day long, and often did. He barely had any free time, most of the pockets of time he had, Rey liked to help Iris with her Herculean tasks, the laundry and dishes like Sisyphus and the boulder. He couldn’t take away the fact the next day would be filled with more dishes, more wall washing, more cooking, but he’d gladly sacrifice an hour of sleep so she could gain one. With him at all times, however, was his notebook and pen. As he sat at a mount or perch Rey liked to try his hand at poetry and writing. 

Sometimes it was about the beauty of nature, the flowers he planted and gardens he kept, how they gave him joy during difficult times. Sometimes it was about the complex nature of family, of Iris and Jonah, Santiago and what he knew of Beatriz, which wasn’t much, the strained love and hatred between Will and Ben, or his own desire for fatherhood. Sometimes he wrote about the 5 lovers, the girl, the men who claimed to be gods, how each individual relationship strengthened them and weakened them in their own ways and how the girl changed things for better or for worse. Mostly, he just wrote about Iris, the prettiest flower he had.

He caught a glimpse of Jonah at the window, motioning him to come out. This safe house was his idea. Apparently, he and Marcus used to escape here sometimes.

Rey tries to tell you he’s stepping outside but you aren’t listening, curled up in a ball on the bed sobbing. He makes his exit.

Once outside, Jonah offers him a sip from his flask but Rey declines.

“I was going to ask how she is, but I can hear my answer.” The sound of you wailing penetrates the walls.

“How Will?”

“He’ll live, unfortunately.”

“Damn.”

“Yeah.” Jonah sighs, lighting a cigarette. “Wish those fuckers would just die.”

There was a long pause, Reyansh thinking hard before saying what he was thinking. He didn’t defy or talk back to Jonah, he respected him as his superior and, for all intents and purposes, his father in law. But Jonah was flawed. “You’re the one with a gun, Jonah”

Jonah inhaled a long drag before answering in a puff of smoke. “We’ve been over this.” He walked into the safe house.

They had talked, several times. Rey wanted Iris out but he didn’t have much power and knowledge. Jonah had the gun and a hundred reasons not to. There was no way to kill all 4 because everyone was armed. The community would riot. There was no where safe to go. A failed attempted would end Iris’s life. All these may be true, Jonah did have 4 decades of guard experience… but really, Rey thought he was just a coward, and maybe he cared for Pope and/or Francisco more than he’d like to admit. He’d been with those two since infancy, helped raise them, been a father figure most of their lives… it was understandable.

When he walked into the house, it was to crying but this time, relieved. He must have told her Will would be okay. You had your arms wrapped around his neck and he held you close to him, rubbing your back.

“It’s gonna be okay, honey, everyone’s gonna be just fine.”

*

Ben was changing Will’s bandages when you walked in and it made you nauseous to see the blood. Jonah said the bullet went straight through, that he’d be okay he just needed to rest, but the sight was disturbing.

Will groans. “Baby, don’t want you seeing me like this.”

Benny flicks his brothers arm. “Let her be, she was worried about you.”

The older Miller grumbled, but allowed you to kneel his side. He thumbed away a tear, “Don’t cry for me, beautiful girl.”

“What happened?” You sniffle, looking between Benny and Will.

“A girl from the dorms, she took the gun off a guard and tried to shoot-”

Ben interrupted. “You, Madonna.” He looked to his brother. “Melody, your old roommate, she tried to shoot you out of jealousy, she wanted to be with me. Will pushed you aside, took the bullet.”

You blink at that. Melondy wanted to shoot you? She wanted you dead? And Will. was he even standing by you? “But… I don’t remember being pushed.”

“Oh sweet girl…” Will cood. “Do you not remember? Poor thing, it was probably so traumatic-”

“No, I remember-”

“Your brain probably blocked a lot of it out, repressed it to protect you.”

Yeah, yeah that made sense. Memory was fragile. Will winced and Ben finished cleaning him and you took his hand as a new packing kit was applied. “Thank you for saving me…” You kiss his hand, feeling the rough knuckles warm skin. “For saving our baby…”

You fell asleep beside him that night, laying on his chest. He was warm, firm, inviting and protective. Nothing mattered more than the fact your husbands and your baby were safe.

Melody was dead. After the first shot missed, she approached where the four men had gathered intent on finding you, but Ben said Pope shot her square in the forehead, that he protected you while Jonah and Reyansh took you to safety. Ben said he had stood in front of his brothers and you, fearless, brave and bold. Pope loved his people, but he loved you most of all.

When you awoke, it was lae evening and although you wanted to go back to sleep, after some tossing and turning you realized you could. Not wanting to wake Will, you check his pulse and breathing, both strong and head out of the room to see if anyone is up. You know they dont like you wandering around the mansion without protection but you weren’t a child.

After Jonah and Rey had taken you back home, you were desperate to see William, but Pope demanded your presence with Francisco, both holding you tightly and checking you over again and again, tell you how precious you were, how loved. Pope knelt in front of you, hands on your belly, kissing it. You were thankful to have such loving and protective husbands. Despite the horrors of today, you felt blessed beyond measure 

You came to the kitchen first seeing a light on. Sometimes Benny liked late night snacks. Instead, you see Iris and Reyansh slow dancing in the kitchen. Iris was actually smiling. No doubt Rey was fearful of his own women’s safety being forced in the cabin with you for so long after a riot broke out right outside where she was. Silent, you step away from the cute lovers and allow them their time. Rey helped save your life today, you needed to thank him, and thank Iris for all she did for your family, you were lucky to have them both.

You try to see if Pope is awake next. When you approach his room, the grunting sounds make you stop, peaking through the slightly cracked door. Pope was on top of Francisco, fucking into his ass with his legs bent up into a press. It was a position he used on you many a time. Francisco was a puddle beneath him, his curls stuck to the sweat on his head. He looked incredible. The way Pope kissed him so deep… You couldn’t help feeling warm inside. How lucky you were that your husbands loved each other so much.

Ben was found in the gym. For a moment, you merely watch him. Shirtless in his red shorts and throwing punches at a punching bag. He probably had so much energy in him after everything today, watching his brother bleeding in his arms. She knew they didn’t always get along, Ben holding anger for Will so often and over what, you couldn’t yet discern. Maybe this tragedy would bring them back together. You admire his body, carved out and chiseled in perfect form. 

You loved the bodies of all your husbands, in each and every different.

Will was largess; tall, muscular, wide everywhere. Everywhere. His body consumed you just as yours consumed him; he was like a shield, metaphorically and now literally.

Santiago was softer. A small belly that was only noticeable when he was bent over, plush though and a moon shaped ass. He was all curves, from his nose down to his calved you had massaged so ardently.

If Pope was soft, Francisco was a pillow. Heavy weight surrounded him, the broad expanse of his shoulders to the fat at his waist and you just wanted to bury your face into it, you want to bite, nibble, and worship the pudge that spilled over his pants.

Ben was lean, the tallest of them and slim hips under rippling muscles. Golden God, beholden before you and it was as if his glory radiated off him. Despite the strength he was light on his feat. He could have been a boxer in another life.

“How are you feeling?” His deep voice breaks the tranfiction of the way his body moved, stilling the punching bag.

“I’m good, just woke from a nap with Will.”

Still looking away, Ben nodded. His mood matched the storm clouds out the window. After wiping his face, Benny chugged water and then finally made his way over to you in long, quick strides. His eyes flashed with the lightning outside.

*

Pope fucked Frankie with a fury he couldn’t recall in years. Frankie had defined him, ignoring his orders to leave but no, he wanted to stay with Ben. 

“You don’t think I wanted Ben and Will safe too?” He growled in his lovers ear. 

“I know!”

“You’re more important!”

He almost lost Will, Ben, the savior, and most importantly Frankie today. The girl would pay, fuck she’d pay. He couldn’t do anything Madonna might see, she thinks she’s dead already… no, a gunshot was to quick for someone trying to harm his family, but he’d make her suffer.

His anger toward Francisco wouldn't be helped when today, when he went to make love to Frankie, he found him in Ben's arms, cumming on his hand.

*

Ben had you pinned against the wall, fucking into you with your legs hitched around his narrow hips. The wind outside picked up speed, displaying his anger, his frustration, his love and his lust. You let him take you, fucking into your pregnant womb with his face tucked in your neck. You felt as if you were floating, like you were the center of the world right now. The sun God orbited you. Someone had tried to take you from him, a women he used to claim as his own but she had been cast aside for a reason. In her jealousy, she though she could regain her place at his side but that was foolish. Ben would never have loved her the way he loved you, the way he loved his husbands. Will, Francisco and Pope could never love her. 

She was not the Madonna.

She could never carry the savior.

She could only ever have a bastard.

*

“Gonna fill you up, Frank.” Pope grunted, breath hot against Francisco's cheek, mouth to mouth, lips to lips. “Gonna fill up this tight little hole of yours until you’re pregnant with my baby, you got that?”

Frank’s eyes went wide. “Santi, wha-” But he stopped when Santiago slapped him. This shocked Frankie, Santi didn’t slap him, he didn’t hurt him like that…

“Take it!” Santiago screams, tears of anger blurring his eyes. He chose Ben over him. He’d rather stay in danger with Ben than safety with him. “Your mine, under stand?!” When Frankie didn’t answer right away, Pope gripped his jaw and felt a warm tear fall down his cheek. “DO YOU UNDERSTAND?!”

*

Long fingers gripping your asscheeks, digging into the sensitive skin.

Firm abs rubbing against your body.

Hips stimulating your clit.

A finger fucking into your asshole. 

Everything was better than your wildest dreams. No incubus, a child on the way, friends and family. This was a life your father tried to take from you, but you were like gold that’s tested in fire.

Ben came inside when the thunder cracked, lightning still flashing and illuminating him with light. He muttered Francisco’s name.

*

“YES!” Francisco shouted in pain, face grimacing. “I’m yours! I’m yours Santi, fill me up! Make me-” He swallowed, tears forming at his long lashes. He gritted his teeth. “Make me p-pregnant!”  Francisco was saying anything that'd make Santi stuff, just to make him cum and end this. He just wanted it over. All of it. He didn't understand why he wasn't allow to be happy, to feel safe, to have peace. Instead he had to submit to Santi's whims just like Beatriz.

Santiago tucked his face into his lovedrsneck, biting him as he came inside. Whimpering, tears streaming wildly down his face, Santiago bit into Frankie’s tender flesh: neck, then shoulder, till finally he just continuously bit into the skin on his large arm, drawing the blood and bruising the skin. It hurt like hell, Frankie's head thrashing back and forth on the pillow trying to take the pain and bare it. Santiago's tears mixed with blood as he finished cumming, thrusts slowing into a lul.

Francisco didn’t know where his body ended and Santi’s began.

He wanted Ben, to be held and protected by him. To be touched gently, with love. To be not possessed but show off so that he knew Ben was proud of him, proud of what they had, not what the fuck Santigo was doing to him. He wanted Madonna with her sweet kisses and open adoration. He wanted Will with his healing nature, tender hands on his arching, bleeding arm. He wanted anything but Santi’s touch right now.

Santiago curled behind Francisco. His hand rested on Frankie’s stomach.

***********

This disturbed me writing the end asdfghjkl

Madonna crying Reminds me of tww bonus chapter where little one thinks joel is dead and is just ugly sobbing

Madonna has... a lot to process today, and absolutly no therapy and no one she can be honest with about what she's witnessing.

I hope you all enjoyed... or .... something....???

Thoughts on Santis episode, Benny having a fit because he wanted Frankie but had to take madonna, will being shot, madonna is pregant, rey's thoughts!!!!! Jonah protecting madonna, etc.

UUUHHHHH poll?

love you all dearly <3 I hope to get at least one more tf fic for the triple frontier anniverary evnt before the end, and maybe something else like a TWW bonus chapter i've been wanting, but no gurantees. next week is spring break and i have 10k worth of commissions to write so il be busy! I wanna get the last chapter of my handmaids tale au out though, end that baby <3

also if you havn't yet, consider following me on my main @romanarose because im like 20 followers away from 2k and once i do, ill be open to writing stuff for a celebration!

Please consider joining me in in donating to humanitarian aid in Rafah through Doctors Without Borders

LOVE YOU ALL!

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[shakesthewizard]

Hi please explain about fabianxadaine???

Okay since you asked so nicely here's the fucking thing about Fabadaine

First, some background info

Before we dive in, you should know a couple things. For one, I'm a firm bad kid polycule truther. You could truly pitch me any pairing/grouping of those kiddos and I could find a really ineresting and/or sweet dynamic to eat the drywall about

You should also know that I'm gonna most likely remember some details during this analysis - if you spot them, please let me know by putting them in a bottle and throwing them into the ocean.

Second, some character meta

Adaine O'Shaughnessey is a girl with a lot of courage. It's sort of her defining character trait. The idea of "a wizard with an anxiety disorder" brings to mind someone pretty timid, who's afraid of speaking their mind. But from her first appearance, we see clearly that to Adaine, her disorder is pretty explicitly medical. On her first day of freshman year, she's already talking back to her horrible parents and trying to stand up for herself. Long before she gets access to medication, her disorder hinders her the way an asthma attack might; it has no bearing on her willingness to do the courageous thing.

Relatedly, Adaine thrives under adversity. Not abuse or mistreatment, mind - what I mean is that she likes it when people push back at her a little, so that she has opportunities to test her ideas and opinions against dissent. Look at her dynamic with Aelwyn in season three. Those two bicker and banter; they poke at each other, but it's how they're expressing things like concern or pride.

You could argue, probably well, that this is a product of sisterhood, and a product of their history in particular. But I think there's more to it than that. We see throughout the show that Adaine is a person who cares about exceeding; about learning and growing and achieving great things. It's classic wizard.

Adaine is the child of the wealthy and the important, and that shapes everything about her. It influences her struggles; her abandonment issues in particular. But it also shapes her goals, her values, and her attitudes. She seeks recognition for her skills and her labor, and she wants the people she loves to challenge her so that she can grow and make them proud.

Fabian Seacaster is the son of a famous man and a natural talent. His showmanship is clear and evident from the first moments we see him, and it's reflected in his character build from the start. He's a Champion Fighter, after all.

This showmanship is, frankly, a testament to Lou Wilson's masterful understanding of characters. That single trait can be picked apart to help us understand everything about him.

Fabian is a showman because he was raised as the scion of an up-and-coming house; given every tool he needed to learn his parents' skills, and to prepare him to take the Seacaster name when the time comes.

Fabian is a showman because he believes wholeheartedly in his own greatness. His whole life, he's been surrounded by tutors whose whole job it has been to mold him into the perfect son, and they were paid enough to care about doing it right.

Fabian is a showman because he knows he's earned his own arrogance; wealth or not, pampered lifestyle or not, we see him scold his fencing teacher when he goes easy on him. Fabian isn't blinded by his privilege (or at least not entirely) - he genuinely cares about being the best, and he'll give up the luxury if it means greatness.

Fabian is a showman because he's deeply anxious. Bill and Hallariel clearly love their son, but being the only child of a world-famous pirate, tasked with being their emissary to Solace for future generations, is an unbelievable amount of pressure. Fabian has to be perfect to the world outside. He can't just be good; he can't just be great; he has to be Fabian Aramais Seacaster, Son of the Famous Bill Seacaster!

Fabian is a showman because he has to figure out who he is, somehow. Who is he, outside of his father? He certainly doesn't know, but suddenly he realizes he has to know, for his own sake. So he does what any kid does when they're trying to figure out their identity - they act out.

Finally, what I understand about Fabadaine that nobody else does

Fabian Seacaster and Adaine O'Shaughnessey are the children of the wealthy; the important. They're both second generation Solesians, sent out to represent their families. They're both ambitious people who are trying to achieve great things outside the expectations of their parents. They're both proud and straightforward, prioritizing their values over social niceties.

Adaine and Fabian both carry the swords of their dead fathers.

To put it simply - Fabian and Adaine are really good foils for each other, and I dislike when their dynamic is reduced to classic highschool boyfriend/girlfriend tropes.

As an example, a number of fics I've read have Fabian pursuing Adaine, and that simply doesn't hold up. Let's be honest here - Fabian has terrible taste in women, and has a bad track record of making the more self-destructive choice whenever romance is on the table. I have no doubt he likes Adaine, but he would also know that she'd hold him accountable and challenge him when he makes stupid choices. No, Adaine is the one initiating here.

The thing that really draws me to this pair is because both of them need and want to be challenged, but each of them has a different attitude towards challenging others, and it makes for an active dynamic that can evolve in a lot of interesting ways.

You know what, check back later. I need to write fic about this.

[medusamagic]

So you want to know more about Big Barda

As Tumblr's resident expert on all things Barda, and as Kelly Thompson's Birds of Prey run brings far more attention to the character, I figured it was high time someone stepped in and gave the tumblr world a primer on DC's biggest and boldest heroine.

The Basics:

Introduced in Mister Miracle #4 by Jack Kirby, Big Barda was once the leader of Apokolips' premier death squad, the Female Furies. Trained from birth for a life of violence by Granny Goodness, Barda spent the first 250 years of her life as a living weapon. This all changed when she met Scott Free, a gentle Parademon-in-training with a mysterious past and a knack for escapes. Eventually, she and Scott both escaped to Earth, where they fell in love with both the Earth and each other. She's a lover, she's a fighter, she's a Pokémon card expert, but most of all, SHE BIG.

Barda's signature defining attribute is her raw strength. Her raw muscle allows her to keep up with heavy hitters like Wonder Woman. This isn't to suggest that she's a simple-minded brute, however-- Barda has centuries of military experience under her belt as leader of the Female Furies. She's mastered multiple weapons, including spears, swords, and her signature Mega-Rod.

Below are some reading recommendations for anyone interested in Big Barda:

Essential Runs:

Mister Miracle Vol. 1 #4-18 by Jack Kirby (1971-1974)

This was the run that introduced the world to Big Barda, as well as the Female Furies. If you want to know the basics of Barda, there's no better place to start. This run is collected in a trade, as well as a part in The Fourth World Omnibus Vol. 1.

(NOTE: Even though Barda doesn't appear until issue #4, I suggest you start with Issue #1. It'll help you get acquainted with the rest of the mythos.)

Justice League International #14-24 by Keith Giffen and J.M. DeMatteis (1988-1989)

Big Barda was on the JLI! She plays off the other characters as well as ever, and a lot of what's great about her in Jack Kirby's original run is still here! Definitely check this one out if you want to see her in another team setting. This has been collected in this omnibus.

(NOTE: Once again, I recommend you start from issue #1.)

Popular Runs:

Mister Miracle Vol. 4 #1-12 by Tom King and Mitch Gerads (2017-2018)

Yeah, I know.

Listen, Tom King is a writer with... idiosyncrasies to put it nicely. The characters in the periphery of his stories tend to act really out of character, and his dialogue can be clunky at times. That being said, The Scott/Barda dynamic in this book is excellent, and this book has some of the best art that the Fourth World has seen since the 80s. The series has been collected in a trade.

(NOTE: Did you know that the CIA has over 2003 files on Tom King? Look up "Tom King CIA 2003" for more info!)

Mister Miracle: The Great Escape by Varian Johnson and Daniel Isles (2022)

If you're at all interested in the idea of a Young Adult reimagining of Mister Miracle and Big Barda's origin story with an all-black cast, this book was made for you. It's a bit heavy on the YA tropes, but the Scott/Barda dynamic is really solid. It was released as a standalone graphic novel.

Birds of Prey Vol. 5 #1-??? by Kelly Thompson and Leonardo Romero (2023-)

Admit it, this is the reason you're here. The Cassandra Cain & Big Barda is so instantly iconic, I'm surprised no writer has paired them up sooner. It also helps that this book has the single best Barda look since Jack Kirby's original run. Plus, she gets to throw down with Wonder Woman! What's not to love? This run is still ongoing, but the first 6 issues should be getting a trade pretty soon.

(NOTE: I started writing this before BOP #8 dropped, I had no idea about that thing that happens in the newest issue.)

Stories to Avoid:

Action Comics #592-593 by John Byrne (1987)

This is not a comic book-- it's an infohazard designed to cause pain and suffering to anyone who knows of its existence. Its premise is vile and disrespectful on the surface, and it becomes more insidious when you learn the context of its creation. This pair of issues is profoundly evil, rivaling even Avengers #200 in terms of loathsomeness.

For those who dare to investigate this, Content Warnings for rape, mind control, and human trafficking.

Anyway, let's end on something a bit lighter, shall we?

Remember that Mister Miracle YA graphic novel I mentioned earlier? Barda is getting a graphic novel of her own this summer! It's not out at the time of writing, but the preview pages look promising!

Anyway, I hope you enjoyed that introduction to one of my favorite superheroes ever. Please get back to me on this, I have no one else to talk to about Fourth World stuff.

[picnokinesis]

plottier / character focused thirteenth doctor fic recs

Ipseity by WalkerLister (43k, 10 chapters, gen) summary: Eight months since the Doctor sacrificed herself on Gallifrey, and Yasmin Khan is still struggling to move on. However, when she comes across a familiar face who is not acting like herself, Yaz may finally get the answers she has been looking for surrounding the Doctor. However, those answers will be revealed in a way a bit more dangerous than she had been anticipating. //Okay, so no one is surprised that I like the amnesiac!divisioned!13 fic, but in my defence, it's absolutely fabulous. This one was written waaaaay back in mid-2020, so we all knew that 13 was in prison and everyone was pretty sure that Jack was coming back due to some bts detective work, but that was about it - so, for obvious reasons, it doesn't align with ROTD, but it's such a fun one, guys, I love it a lot. Also, y'know, thirteen in a leather jacket and snarling at people? What more could you want?

don't have to make it to the moon by Ymae (28k, 7 chapters, gen/thoschei) summary: After New Year's, Ryan decides to stay traveling in the TARDIS for another little while. Only, the Doctor's rarely alright, and between experiencing the wonders of the universe, Ryan wants to figure out what's happening to his friend, too. //I love Ryan so much. He's such a wonderful character and I always love it when fics focus on him, or have him as the pov character. Unfortunately, fics like that are a bit few and far between, but this is one of them, and it's absolutely fantastic. It really delves into his character, but also his dynamic with the Doctor (especially after he talks to her in ROTD and she admits that she's scared and angry), and it's just auuuuuuugh so good!! And, it's also go some great whump and psychic content, with the Master showing up to cause trouble, alongside some gorgeous world-building, so I enjoy it very very much.

Ghost War by riptheh (25k, 1 chapter, gen) summary: All the Doctor wants to do is pass the time, and help a friendly face. So when a young man with a strange tattoo and a psychic wound shows up, she dives right into the mystery - and finds herself flung far into the future, mindwiped and alone, fighting a war that by all rights, shouldn't exist at all. A war she could help end, if only she could figure out who she is. //Oof, this one. It's absolutely stunning. This author really has a way of taking some absolutely fascinating and mind-bending concepts and just running with it, and just nails it each time. I feel like the less I say about the plot of this one, the better, because it sort of unfolds as you go, but please just trust me when I say that it's absolutely fantastic.

Lifelines by Sue_Denham (40k, 11 chapters, gen, wip) summary: Lifeline: a thing on which someone or something depends, or which provides a means of escape from a difficult situation. Set just after the events of Spyfall, the Doctor has a few things to work through. //Okay this fic is one of my favourites that's been posting over the last year or so - it's a brilliant exploration of Graham and Thirteen, and how different races deal with loss, guilt and death. I honestly think the best kind of sci fi takes concepts that we sort of take for granted, and then shows them in a completely new light. That's what this fic does. Also, Graham is just wonderful for the entire thing - though, as a note, Yaz and Ryan do end up somewhat side-lined, so bear that in mind if you're particularly looking for fics about those two, but I forgive it because it's such a great look at Graham and the Doctor. It feels like a character focused tie-in novel, y'know? Also it's pretty angsty in places, naturally, but that's what I'm here for haha.

Disordered by Echo (44k, 7 chapters, jack/13) summary: Messing with memories is always a risky business. Messing with your own memories, now that's just asking for trouble. The Doctor is very good at asking for trouble. And Jack is very good at finding it. //Ohhhhh okay so. This has been one of my absolute favourite Doctor Who fics for a long while. Definitely the shippiest of this list, but it's so lovely and such an excellent look at the Doctor facing the consequences of trying to get back her Division memories in the aftermath of s12, as well as the relationship between the Doctor and Jack across multiple regenerations. It's just so so good, flowing smoothly from very angsty to very soft, and the Doctor and Jack's voices are just spot on (especially considering that we see different versions of the Doctor, this is a particularly impressive note). Highly recommend!

The Trial of the Doctor by wreckageofstars (20k, 5 chapters, gen/thasmin, wip) summary: Haven is a planet at the edge of time, on the brink of destruction. Ravaged by the Time Lords and a war that time forgot, its people are desperate for justice before it’s too late, and the Doctor might be the only being left in the universe who can provide it — because she was the one who started it. So why can't she remember doing it? //Okay okay so, this one has only recently started posting but I've known about it since about 2020 and ohhhhhhhhhhh my goodness, GUYS. If you're not following this one, you need to be. It's a mix between Doctor Who at it's finest, Kafka at it's most unsettling, and Douglas Adams at it's most absurd, and it's delightful. There's so much in this one, and as always this author is just spot on with all the characterisation - especially Thirteen, who suddenly finds herself being prosecuted for a crime that she can't remember, and is forced into a situation where she's physically incapable of telling a lie. It. Is. Marvellous. Also there's a cockroach lawyer, whom I adore HAHA

lighthouse keeper by BlueLillyBlue (57k, 12 chapters, gen) summary: The Doctor is missing, and the fam is concerned. Featuring Yaz being a badass, Ryan being a cutie, Graham being a granddad, Jack being Jack, and the Doctor's complicated moral code. Also: space prisons, galactic war, the Doctor's time war trauma, the Doctor caring about people in her own weird and repressive way, and, most importantly, Thirteen wearing Jack's coat. //Oh, this one is such a favourite of mine. It's very angsty, so if that's not your schtick then - well, then you're kinda scuppered for all of my recs, to be honest, but this one is a bit on the dark side. Oh, but it's fantastic. Again, this one feels like a tie-in novel, and this author (as I think I've said before) is just incredible at crafting these very vivid worlds and really hard-hitting stories. The situation is pretty dire and desperate, and the Doctor is often faced with the fact that not every plan works out, and sometimes the only choices are bad ones. It's just really excellent guys (also! Thirteen in Jack's coat!!)

angel ellipsis by SleepyMaddy (36k, 8 chapters, gen/thoschei) summary: When the Doctor and Yaz find a planet in ruins, they’re only half surprised to discover the Master is responsible. But when his plan backfires, suddenly they have no choice but to work with him to stop his former allies from tearing the universe apart. It goes about as well as one might expect. //OKAY SO. This one is SO much fun and SO great - in particular, if you like the Master being a tricky bastard, but also getting screwed over by his own plans? You'll love this one. Everything about it is so vibrant and brilliant, and aaaaaahh man it all comes together in such a satisfying way. As with many of the authors on this list, this author just really gets these characters and how they tick, with some absolutely beautiful prose, and it's just such a joy to read.

nothing in the dark that isn't there in the light by river_of_words (6k, 1 chapter, thasmin) summary: Two weeks since Yaz got the most confusing rejection she ever hopes to get and the Doctor seems to have decided to blame Yaz for every single one of her furiously conflicting emotions. At this point she’s sort of asking to get hit. And at this point Yaz is sort of curious to find out what the Doctor is going to say that’s going to make her meet that request. //These next two fics are a lot shorter compared to the others, but I really wanted to include both of them because they're great and SO interesting to me. With this one, it digs into the Doctor and Yaz's relationship in the aftermath of LOTSD, and the ways that the Doctor does not actually talk about anything but does also tell Yaz more than anyone else. It's about the frustration that builds between them and the way that they're still finding more comfort in each other than anyone else. It's also a little feral, which as a thoschei shipper, definitely had a lot to do with why I liked this one haha. Anyway, it's really fantastic - really quick paced and emotional, and packing a LOT of punches with mostly dialogue in a very effective way. Go read it!

we'll do it right by daring_elm (3k, 1 chapter, gen) summary: She's never really noticed Yaz's perfume before. Shoulders relaxing, nausea subsiding, the Doctor inhales again, filling her lungs with jasmine and sandalwood, steel and glowing crystals and her box out of time. She can be back with Yaz within minutes of her leaving. She can save the child, change the foundation of Gallifrey and still return to have a picnic on Soria T4.  //Okay so I loooove love love this one because I just adore it any time someone explores the Doctor's reaction to the Timeless Child stuff after the fact, and this one is just so wonderful. The characterisation is just fantastic, and then just the progressive spiral of the plot as we follow the Doctor on a mission that is doomed to fail by the nature of her own timeline. It's about how by trying to change the past, all you do is mess up your present and your future, and I love that a lot. Augh, it's a gut punch and a half - highly recommended!

[welivetodream]

I feel like Fruits Basket had a missed opportunity to write a great arc for Yuki instead of him ending up with Machi. And I LOVE Machi and their romance is really cute but I didn't feel satisfied with that ending for Yuki.

When I first watched Fruits Basket I was sure that Yuki was supposed to be queer-coded and his arc about self acceptance and love was him coming out of the closet.

The reason for that is because of the way Yuki is constantly presented and the way he reacts to other people.

Yuki always gets mad at Kyo for calling him "girly boy" or "pretty boy".

He tries to put up at tough persona to try to appear more masculine.

He has a fanclub with both girls AND boys crushing on him.

Whenever he "flirts" with Tohru it would come off as awkward (I know it's because he considers her as his mom figure but still!!! And yet he has some unspoken rizz when it comes to flirting with guys tho)

Even his dislike of Ayame and not wanting to be like him was kinda him not wanting to come out of the closet (Ayame also gets a last minute love interest to make him more hetero. I thought he was definitely not straight)

It just made sense to me this was going to be his arc. Especially since Fruits Basket is sooo good at depicting emotions. I thought Yuki's arc was him overcoming his hatred of that part of himself and essentially coming out of the darkness that Akito had made him live in.

When the Student council members were introduced I thought Kakeru was going to be both a foil AND a love interest for Yuki. They just had that dynamic and chemistry that made it seem like Kakeru would change Yuki and help him understand his true self and feelings. I thought Machi was the quiet/ weird side character that would have a similar role as Kimi (comedic).

Then the whole Machi x Yuki happened and I was proven wrong. I didn't hate it but....Kakeru and Yuki just had so much growth in their friendship, I couldn't help but ship them.

I would have been happy with even a Bi-Panic moment for Yuki with Kakeru and Machi (who are both half-siblings)

Yuki just had the perfect personality and backstory for a good coming out arc but it never came to be.

(Ps: I am NOT hating Machi and Yuki's relationship. It's just that Fruits Basket had many opportunities to have gay characters but didn't commit to it)

[utilitycaster]

forgive me if i don’t make sense bc i don’t really know how to articulate this, but taliesin talked a lot about “trying to figure out what punk means in exandria” and wondering what’s there to be angry about. and after the last string of episodes i feel like that it’s a question that he baked into ashton’s character. like yes ashton is punk and they have justified anger but the Rest of their anger is deflective to stop them from interrogating themselves and their decisions further. idk it’s really interesting to me

It is! It's something I really love about Ashton and it's something I think Taliesin was very thoughtful about in his character creation. I think Taliesin is extremely strong in character creation in general, and it's a rare person who can make a character based on a philosophical premise who also feels very real.

That really is the core of Ashton, and I think it's a great commentary. I do still intend to watch The Decline of Western Civilization Part III (winter break perhaps?) but I am broadly familiar with the gutter-punks on which Ashton was based, and again, the punk movement as a whole. There have always been politically-minded punks; but I advise you look up the backgrounds of, say, the average Fugazi/Minor Threat, Bad Religion, Dead Kennedys, or Propagandhi musician because they are, by and large, middle-class white guys with relatively stable and happy childhoods, and the idea of Ashton as someone dedicated to the Tumblr uwu kindness is punk "look at this perfect baby who doesn't steal pennies how kind and generous to only take literally everything else" archetype was always a massive projection. They've always been far more in the model of the Break Shit, Get Wasted punk than, well, the straight edge and veganism of the above.

(I also think that while it's true that a lot of punk houses did take in anyone and were something of a refuge for many a la Color In Your Cheeks, there was also a lot of Missing Stair Fallacy shit going on in the punk community even then. Ashton is in fact an example of the flaws in that sort of subculture: the Nobodies were there until they really, really weren't, and that's not unusual for that kind of punk friendship. It's found family until you're too inconvenient and dangerous to make it worth it. Taliesin explores this a lot, incidentally; that was very much what he was doing with Molly, and I would love to hear him talk about that kind of surface-level closeness that isn't strong enough to stick because as someone who both participates in fandom and loves to observe and analyze fandom as a phenomenon itself, it's a very real dynamic.)

Ashton has had an awful life. That's the premise. Nothing good has happened to them. There are plenty of valid reasons for them to be angry. Some are people who deserve it (their parents for the fucked up ritual; the Nobodies for abandoning them; Jiana Hexum for exploiting them), some are people who don't deserve their anger but to be fair haven't done anything to deserve their respect either (Percy, the gods), but many have been perfectly kind and reasonable and Ashton has rejected them because they're in a position of authority or seemed too nice. And there's plenty of stuff he's mad about that isn't easily pinned on anyone; the chronic pain is a shitty side effect of one or both of his traumas but no one person is responsible.

Ashton is an incredibly cynical person, and this extends to himself. As I've said before, I think they absolutely mean it when they say that they would have done the exact same thing the Nobodies would do, and this has been used to both cover up the intense hurt that came from their abandonment, but also, I think part of Ashton's own self-loathing comes from the fact that yeah, they are the kind of person who'd have done the same, and that isn't a very good person, and being angry at the Nobodies and Jiana and the world at large has allowed him to avoid looking that truth in the face. Ashton has always bounced between "I'll be the best broken thing I can be" and "what if I could be more? what if I could be what I could have been if things went well?" and also "who the fuck cares" and the reveal, that when the chips are down, he will make an ill-advised and self-destructive choice from that place of pain and anger has really rattled them. He can't keep just being angry and using that to shield himself from difficult questions. It won't just kill them, but it will hurt everyone around them too.

A really ugly truth of life is that even when something is completely not your fault and even when you have been dealt a rotten, unfair hand, often, you do have some degree of responsibility to deal with it ("And if it isn't my fault, I certainly didn't do anything to deal with it," as Ashton says.) The mere act of being angry is cathartic but doesn't actually solve anything. I think that's Keyleth's message to Orym, actually; it's not fair, and you're angry that it's not fair, but you need to use that anger to do things yourself instead of letting it consume you or passing the buck because it sure as hell isn't your turn. Ashton has, since the solstice, been playing tug of war with the idea that this anger has perhaps not been serving him, and he finally lost. Initially they realized a lot of this anger had been self-pity, but then, as they said, one week of thinking their parents actually were something led them to do the exact same dumb cult shit. Instead of stopping and listening to Evontra'vir and Allura, he said "no, I'm special, actually." And to be clear I think their motives were incredibly complicated and well-thought-out on Taliesin's part. It's not just because of his parents, it's not entirely selfish or out of heroics but those certainly did play a part, he did genuinely think it would help but he also ignored a number of warnings that it wouldn't. Again, I think the parallels between Ashton and FCG are glaringly obvious this episode, except Ashton hid their feelings with anger and FCG with a focus on everyone else's needs.

[shewreckz]

Hey your art is pretty whimsical and radical my gender non specific broseph, per chance would thou be able to enlighten us on how you draw such bodacious fine art? Like how you draw bodies and fave and what have thee. (Fr tho your art really cool and I'd like to see how you make it)

okay i have whipped up a quick little visual of my thought process while drawing!! it might not be the best cause im not the greatest at teaching but if anyones curious ^_^

first lets start with how i draw bodies

a lot of people like to do the "skeleton" method which is where you draw lines and circles to plan out where the limbs should be. honestly i really dislike doing that because i like to always have volume and shape in mind when drawing bodies, but if it works for you thats great.

instead i separate the body into different pieces, kinda like an articulated doll. i think it helps visualize all the moving parts in a 3d space and makes posing and perspective a lot easier. i can also always add the detailed anatomy on top of this basic model like you see on the left. its always important to work from simple -> complex. drawing a pose while being too worried on anatomy will really hinder your drawing process.

to improve doing this it really just takes practice and observation. i could be here all day talking about proportions, and how many heads high a person is, and each specific muscle group, but i reccomend you go and watch videos and study professional artists on your own. as someone who has been drawing and studying these things for so long, i barely think about how many heads high a person is when im drawing a body. its kind of like learning how to play and instrument or driving a car. it becomes second nature eventually, but you have to apply those skills and work through that period of time where youre still trying to program it into your brain.

after you get a hang of the basics you can take this basic model and draw all types of body shapes with it. i say its always important to play around with making your body types diverse. its not only fun to do but helps make all the characters you draw unique and recognizable. (dont be like vivziepop).

dynamic posing can be the hardest thing to master for a lot of people. the best way to learn how to pose is to not think about it too much and just doing it. for example in my figure drawing class we had to sketch out gesture drawings from a picture in 15 seconds. excercises like that help a ton in making you feel more comfortable when drawing from a reference. you should definitely reference a LOT when it comes to poses, it helps build this visual database so that eventually you can get to the point where you can just draw accurate and dynamic poses from memory. after getting to this point eventually you kind of start thinking of your canvas as this tangible 3d space and considering your characters in 3d space helps make the poses feel a lot more realistic and interesting.

ok now a quick little tour into how i draw different faces yaaaayy!!!1!1!1

main thing with my art is that i LOVEEE drawing dynamic face shapes i think its so important to avoid drawing the same slim faces over and over. shape language plays a big role into this. like for example the face on the middle is more square, the one on the left is more oval and the one on the right is more circle. shape language helps communicate so much about your character without even saying a word about them and just helps differentiate people from a glance.

facial features also play a huge role into making your faces different. these are all drawn from the same exact face shape but look like entirely different characters by adding variety in the features. different noses, eye shapes, lips, etc. can make such a huge difference

i think before any of that its important to learn the anatomy of the face though. again im not gonna go into how many eyes wide a face it or how far the nose is from the mouth but like its always important to learn the fundamentals before stylizing stuff. again the face is a 3d space and if you dont consider your face a 3d plane the features will kind of just look like theyre floating on your characters face like soup...theres a lot of great resources and tutorials online take advantage of those!!! and reference from artists you like too it helps a ton.

and then you mix that all together and Boom you have cool and interesting faces. you will best that same face syndrome in no time if you take my advice Trust...

anyways yeah thats the soda design philosophy hit that like button if you liked it or douse me with tomatoes and kick me off the stage if you think i give bad advice ill leave the decision up to you