#it's about opposite extremes
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that-bipolar-mood · 7 months ago
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Being bipolar:
you're fine until you're not, but also
you aren't fine until you are
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waitineedaname · 11 days ago
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now that i've finished tgcf i can make memes about all three books! i was tempted to put binghe at the absolute center because he could easily go into any quadrant at different points in his life, and both lwj and hua cheng could swing jock, but i think the most important thing is that wei wuxian is all four at once. somehow.
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mayashesfly · 8 months ago
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Suddenly thinking about an AU where Vox erased his memories about Alastor and how that might affect the show's timeline.
Though to be honest I just want to think about how Alastor is going to react and feel about waiting for Vox to eventually find out about his return...
Only to find out in the Overlord meeting that Vox completely forgot about him as he smiled at him and offered his hand with a practiced professional air.
"Nice to meet you. I'm Vox from Voxtek, the Leader of the Vees. Are you new around here?"
In this AU, Episode 2 changes drastically. There was never a "Stayed Gone" segment nor was Sir Pentious sent to the Hazbin Hotel to spy on them. Which means that a lot would've changed in this timeline since the First Redeemed would be mostly out of the picture.
And Vox not giving Alastor the time of day means that if Alastor launched his radio show again, he has to slowly win back his viewership instead of having free advertising in the shape of a tv-headed obsessed fool.
Honestly, with how Vox's obsession on Alastor gives him a reliable source of attention and entertainment, he would be rather upset that the TV Overlord wouldn't give him the time of day. Not only that but he completely forgot about him! New? What do you mean new? He has been an Overlord far longer than he had! He is The Radio Demon. And he dares to ask him if HE is new?
What the hell happened to Vox? Why doesn't he remember him? Is this the reason why Vox never gave him the attention he knew he would give him once he realized he returned? What was he supposed to do now?
His feelings are hurt. His ego was bruised.
Vox was never like this.
And he'll be damned if Vox stays that way.
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stinkythehutt · 11 months ago
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also. something about palpatine being so adept at seeing into the future that all of his successes feel completely joyless by the time he achieves them because he’s just going through the motions… how fucked up and nihilistic and brutal that would make you…
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gingermintpepper · 3 months ago
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One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
And that, while beautiful, is also tragic.
#ginger rambles#ginger chats about greek myths#greek mythology#apollo#Listen man#I think there's something extremely beautiful about Apollo's affairs#Yes I know that Ares also loves and cares for his daughters but this isn't about him#There's just something about the way that Apollo put his all into it every single time#To the point that even when he does know better he still fights because of the strength of his love#The Iliad to me will always be a love story#Yes Achilles' wrath is said to come from his overwhelming feelings towards Patroclus#but what Achilles does has nothing to do with grief or love#By the end of everything Achilles forsook that love which ought to have defined his actions based on what he was saying#and warped it into a weapon meant to satisfy the void left by his loss#Apollo though - I am always taken aback by the sheer weight of his love#towards not only Hektor but towards all of Troy in the Iliad#And how he is very careful to balance that love and all the ways he wishes he could fight against their inevitably end#with his duties as one who is both aware of the impending end and whose position in the war#has put him in opposition with his elders#That delicate balance between a love so powerful that he is willing to take on the full weight of Athena and Hera's wrath#and an understanding that the battle he fights is not for victory but simply because for love's sake#How could you not think of that as beautiful and awesome and so achingly tragic#I feel the same about both Asclepius' and Actaeon's deaths#Apollo loved BOTH of his sons - Asclepius and Aristaeus - so so SO much#He was so incredibly proud of them both and delighted immensely in the both of their victories and talents#And so when Asclepius dies and it is by his own father's hand - I have always found his act of wrath so fascinating#Honestly this could be its own separate post - but the fact that Apollo does not beg Zeus to reconsider or to bring Asclepius back#when Apollo has made cases for lenience on things like that before speaks of a level of understanding from Apollo that Asclepius was always#going to die because of his pushing of the boundary between life and death#so he doesn't bother trying to reason with Zeus or plea his grief - instead going directly to destroying something important to Zeus
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jonsnowunemploymentera · 8 months ago
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Prince Rhaegar as a character often gets some deserved criticism - and a lot of underserved hate. And one of the things that I think he unfairly gets blamed for is Elia Martell's tragedy. Elia's death is one of the primary objections people have towards Rhaegar and Lyanna being depicted as a romance, with readers believing that if they were just tragic lovers, then that diminishes Elia's own tragedy.
I...disagree. It is understandable (and honestly right) that readers would rally behind Elia. Not only was she horribly brutalized and murdered, but her children suffered absolutely terrible fates as well.
However, in trying to center Rhaegar and Lyanna's doomed dalliance in this, a lot of readers are missing the answer that has been already provided to us within the narrative. Not only that, but this line of thinking also ignores the key context in which Elia's senseless murder is portrayed.
As far as the text goes, Elia’s death is laid squarely at the feet of Tywin Lannister and his men, Ser Gregor Clegane and Ser Amory Lorch. It's House Lannister's burden to bear.
Doran for one, Elia's brother, directly blames Tywin Lannister:
“You mistake patience for forbearance. I have worked at the downfall of Tywin Lannister since the day they told me of Elia and her children.”
The Princess in the Tower, AFFC
Even Oberyn agrees:
“Dwarf,” said the Red Viper, in a tone grown markedly less cordial, “spare me your Lannister lies. Is it sheep you take us for, or fools? My brother is not a bloodthirsty man, but neither has he been asleep for sixteen years. Jon Arryn came to Sunspear the year after Robert took the throne, and you can be sure that he was questioned closely. Him, and a hundred more. I did not come for some mummer’s show of an inquiry. I came for justice for Elia and her children, and I will have it. Starting with this lummox Gregor Clegane … but not, I think, ending there. Before he dies, the Enormity That Rides will tell me whence came his orders, please assure your lord father of that.” He smiled. “An old septon once claimed I was living proof of the goodness of the gods. Do you know why that is, Imp?”
Tyrion IV, ASOS
“Is that the game we are playing?” Tyrion rubbed at his scarred nose. He had nothing to lose by telling Oberyn the truth. “There was a bear at Harrenhal, and it did kill Ser Amory Lorch.” “How sad for him,” said the Red Viper. “And for you. Do all noseless men lie so badly, I wonder?” “I am not lying. Ser Amory dragged Princess Rhaenys out from under her father’s bed and stabbed her to death. He had some men-at-arms with him, but I do not know their names.” He leaned forward. “It was Ser Gregor Clegane who smashed Prince Aegon’s head against a wall and raped your sister Elia with his blood and brains still on his hands.” “What is this, now? Truth, from a Lannister?” Oberyn smiled coldly. “Your father gave the commands, yes?” “No.” He spoke the lie without hesitation, and never stopped to ask himself why he should. The Dornishman raised one thin black eyebrow. “Such a dutiful son. And such a very feeble lie. It was Lord Tywin who presented my sister’s children to King Robert all wrapped up in crimson Lannister cloaks.”
Tyrion IX, ASOS
“Elia Martell, Princess of Dorne,” the Red Viper hissed. “You raped her. You murdered her. You killed her children…“I came to hear you confess.”
Tyrion X, ASOS
Varys and Tyrion both understand that House Martell (but more specifically Doran) hates the Lannisters.
“The Dornishmen thus far have held aloof from these wars. Doran Martell has called his banners, but no more. His hatred for House Lannister is well known, and it is commonly thought he will join Lord Renly. You wish to dissuade him.” “All this is obvious,” said Tyrion. “The only puzzle is what you might have offered for his allegiance. The prince is a sentimental man, and he still mourns his sister Elia and her sweet babe.” “My father once told me that a lord never lets sentiment get in the way of ambition … and it happens we have an empty seat on the small council, now that Lord Janos has taken the black.” “A council seat is not to be despised,” Varys admitted, “yet will it be enough to make a proud man forget his sister’s murder?” “Why forget?” Tyrion smiled. “I’ve promised to deliver his sister’s killers, alive or dead, as he prefers. After the war is done, to be sure.” Varys gave him a shrewd look. “My little birds tell me that Princess Elia cried a … certain name … when they came for her.” “Is a secret still a secret if everyone knows it?” In Casterly Rock, it was common knowledge that Gregor Clegane had killed Elia and her babe. They said he had raped the princess with her son’s blood and brains still on his hands. “This secret is your lord father’s sworn man.” “My father would be the first to tell you that fifty thousand Dornishmen are worth one rabid dog.” Varys stroked a powdered cheek. “And if Prince Doran demands the blood of the lord who gave the command as well as the knight who did the deed …” “Robert Baratheon led the rebellion. All commands came from him, in the end.” “Robert was not at King’s Landing.” “Neither was Doran Martell.”
Tyrion IV, ACOK
Really, all the nobles know where to look at when assigning blame for Elia's murder. Tywin.
“Prince Doran comes at my son’s invitation,” Lord Tywin said calmly, “not only to join in our celebration, but to claim his seat on this council, and the justice Robert denied him for the murder of his sister Elia and her children.” Tyrion watched the faces of the Lords Tyrell, Redwyne, and Rowan, wondering if any of the three would be bold enough to say, “But Lord Tywin, wasn’t it you who presented the bodies to Robert, all wrapped up in Lannister cloaks?” None of them did, but it was there on their faces all the same. Redwyne does not give a fig, he thought, but Rowan looks fit to gag.
Tywin, for the most part, quite shamelessly tries to disassociate himself from his own moral failings; this is nothing new, because he follows this same MO with squarely blaming the Freys for the Red Wedding even though he played an integral part in planning for it.
“Then why did the Mountain kill her?” “Because I did not tell him to spare her. I doubt I mentioned her at all. I had more pressing concerns. Ned Stark’s van was rushing south from the Trident, and I feared it might come to swords between us. And it was in Aerys to murder Jaime, with no more cause than spite. That was the thing I feared most. That, and what Jaime himself might do.” He closed a fist. “Nor did I yet grasp what I had in Gregor Clegane, only that he was huge and terrible in battle. The rape … even you will not accuse me of giving that command, I would hope. Ser Amory was almost as bestial with Rhaenys. I asked him afterward why it had required half a hundred thrusts to kill a girl of … two? Three? He said she’d kicked him and would not stop screaming. If Lorch had half the wits the gods gave a turnip, he would have calmed her with a few sweet words and used a soft silk pillow.” His mouth twisted in distaste. “The blood was in him.”
Tyrion VI, ASOS
“And when Oberyn demands the justice he’s come for?” “I will tell him that Ser Amory Lorch killed Elia and her children,” Lord Tywin said calmly. “So will you, if he asks.” “Ser Amory Lorch is dead,” Tyrion said flatly. “Precisely. Vargo Hoat had Ser Amory torn apart by a bear after the fall of Harrenhal. That ought to be sufficiently grisly to appease even Oberyn Martell.” “You may call that justice …” “It is justice. It was Ser Amory who brought me the girl’s body, if you must know. He found her hiding under her father’s bed, as if she believed Rhaegar could still protect her. Princess Elia and the babe were in the nursery a floor below.”
Tyrion VI, ASOS
Tywin tries to alleviate himself of any responsibility by blaming his men, but the narrative actively calls bullshit on this (through Tywin's own son no less).
So the narrative shows through multiple POVs that Elia's murder is contextualized exclusively as a failing on Tywin Lannister and his men; not only was it a moral failing, but Tyrion also questions if it was politically necessary in the first place. It's also important to note that ASOS is when we really dive into the matter of Elia and her children (mostly through Oberyn), but we also have to remember that this is the same book as the Red Wedding. The Red Wedding, another one of Tywin's senseless massacres that he tries to postulate as politically necessary.
So, we have agreed that the blame and context for Elia's (and her children's) murder is presented through the lens of Tywin as an immoral politician who often makes politically unnecessary moves. But then we ask ourselves, can the responsibility of this tragedy be extended? Well, yes it can. And it has been in the text.
Ser Barristan extends this tragedy beyond Tywin and his men
...to King Robert.
“Prince Rhaegar had two children,” Ser Barristan told him. “Rhaenys was a little girl, Aegon a babe in arms. When Tywin Lannister took King’s Landing, his men killed both of them. He served the bloody bodies up in crimson cloaks, a gift for the new king.” And what did Robert say when he saw them? Did he smile? Barristan Selmy had been badly wounded on the Trident, so he had been spared the sight of Lord Tywin’s gift, but oft he wondered. If I had seen him smile over the red ruins of Rhaegar’s children, no army on this earth could have stopped me from killing him. “I will not suffer the murder of children. Accept that, or I’ll have no part of this.”
The Kingbreaker, ADWD
Ned Stark does as well.
Ned did not feign surprise; Robert’s hatred of the Targaryens was a madness in him. He remembered the angry words they had exchanged when Tywin Lannister had presented Robert with the corpses of Rhaegar’s wife and children as a token of fealty. Ned had named that murder; Robert called it war. When he had protested that the young prince and princess were no more than babes, his new-made king had replied, “I see no babes. Only dragonspawn.” Not even Jon Arryn had been able to calm that storm. Eddard Stark had ridden out that very day in a cold rage, to fight the last battles of the war alone in the south. It had taken another death to reconcile them; Lyanna’s death, and the grief they had shared over her passing.
Eddard II, AGOT
And so does Tywin, who uses Robert's tacit approval as justification for this senseless act.
Lord Tywin stared at him as if he had lost his wits. “You deserve that motley, then. We had come late to Robert’s cause. It was necessary to demonstrate our loyalty. When I laid those bodies before the throne, no man could doubt that we had forsaken House Targaryen forever. And Robert’s relief was palpable. As stupid as he was, even he knew that Rhaegar’s children had to die if his throne was ever to be secure. Yet he saw himself as a hero, and heroes do not kill children.” His father shrugged. “I grant you, it was done too brutally. Elia need not have been harmed at all, that was sheer folly. By herself she was nothing.”
Tyrion VI, ASOS
So if we can't extend the blame to Rhaegar, because the narrative doesn't do so either, what can we hold him responsible for? Let's take a step back and look at Rhaegar's culpability in this whole thing.
Was Rhaegar (and Lyanna) responsible for starting the war that would eventually lead to Elia's murder?
No. GRRM doesn't think so. The war actually started when King Aerys murdered the Lord of Winterfell and his heir, a bunch of other northern nobles, and then called for the heads of Robert Baratheon (Lord of Storm's End) and Ned Stark (the new Lord of Winterfell). Aerys broke the feudal contract, and so Jon Arryn declared war.
I don't think I would have stayed loyal to the Mad King. Do I think they were justified? Yes, and no. [...] There was no doubt that the Mad King was mad. He was paranoid and he was abusing his power. And Westeros has no Magna Carta or anything like that. There was no way to handle this within the rule of law. But was what they do justified? Especially when you consider that it was triggered by a personal grievance. The execution of Ned's father and brother was really a thing that radicalized Ned and put him in opposition to it. Robert was just rolling for a fight and didn't like the fact that he'd lost his girlfriend. So you know, the personal informs the political.
source
Rhaegar and Lyanna's disappearance was merely the spark - it led to a misunderstanding that caused Brandon Stark to ride to Kingslanding. What really caused the war was Aerys' Targaryens subsequent actions as the king. So if we want to blame someone for causing the chain of events that led to Elia's death as well as her children's, the author himself says to blame Aerys; even though I don't think this is right either because we once again stray from the necessary (and sole) context of Elia's murder - Tywin's bloody hands.
Fine. Rhaegar was not responsible for the war. But surely he is responsible for leaving Elia in King's Landing, right in the clutches of Mad King Aerys. Well, this again, is not true. As far as Rhaegar knew, Elia was in Dragonstone with Aegon and Rhaenys where he left them.
As cold winds hammered the city, King Aerys II turned to his pyromancers, charging them to drive the winter off with their magics. Huge green fires burned along the walls of the Red Keep for a moon’s turn. Prince Rhaegar was not in the city to observe them, however. Nor could he be found in Dragonstone with Princess Elia and their young son, Aegon.
“The Year of the False Spring”, The World of Ice and Fire
At some point, Elia was called to King's Landing. And it was Aerys who kept her hostage there as insurance against possible Dornish betrayal (remember, he was paranoid).
Side Note: Aerys kept another important political hostage in King's Landing along with Elia - Jaime Lannister; this is to deter anyone from trying to blame Jaime for doing nothing. He was a teenager and a hostage himself!
“My Sworn Brothers were all away, you see, but Aerys liked to keep me close. I was my father’s son, so he did not trust me. He wanted me where Varys could watch me, day and night. So I heard it all.” He remembered how Rossart’s eyes would shine when he unrolled his maps to show where the substance must be placed. Garigus and Belis were the same. “Rhaegar met Robert on the Trident, and you know what happened there. When the word reached court, Aerys packed the queen off to Dragonstone with Prince Viserys. Princess Elia would have gone as well, but he forbade it. Somehow he had gotten it in his head that Prince Lewyn must have betrayed Rhaegar on the Trident, but he thought he could keep Dorne loyal so long as he kept Elia and Aegon by his side. The traitors want my city, I heard him tell Rossart, but I’ll give them naught but ashes. Let Robert be king over charred bones and cooked meat. The Targaryens never bury their dead, they burn them. Aerys meant to have the greatest funeral pyre of them all. Though if truth be told, I do not believe he truly expected to die. Like Aerion Brightfire before him, Aerys thought the fire would transform him … that he would rise again, reborn as a dragon, and turn all his enemies to ash.
Jaime V, ASOS
Ok, fine. So Rhaegar did not abandon her with Aerys then run off to Lyanna. But he should have done something when he came back, right? Why didn't he leave more Kings Guard with Elia and the children?
Well....this is a war. The knights of the KG are important assets on the battle field. Kings Landing, at the time, was not the most dangerous location. The KG were better off at the Trident, as a victory there would protect those who were left behind in KL.
And it's not that Rhaegar didn't do anything. Beyond going off to lead the battle himself, he tried to make moves that would help those who were back in KL (Elia and the children included).
He floated in heat, in memory. “After dancing griffins lost the Battle of the Bells, Aerys exiled him.” Why am I telling this absurd ugly child? “He had finally realized that Robert was no mere outlaw lord to be crushed at whim, but the greatest threat House Targaryen had faced since Daemon Blackfyre. The king reminded Lewyn Martell gracelessly that he held Elia and sent him to take command of the ten thousand Dornishmen coming up the kingsroad. Jon Darry and Barristan Selmy rode to Stoney Sept to rally what they could of griffins’ men, and Prince Rhaegar returned from the south and persuaded his father to swallow his pride and summon my father. But no raven returned from Casterly Rock, and that made the king even more afraid. He saw traitors everywhere, and Varys was always there to point out any he might have missed. So His Grace commanded his alchemists to place caches of wildfire all over King’s Landing. Beneath Baelor’s Sept and the hovels of Flea Bottom, under stables and storehouses, at all seven gates, even in the cellars of the Red Keep itself.
Jaime V ASOS
And Jaime's POV once again shows us that Rhaegar banked on victory at the Trident, and was fully expecting to come back to KL and amend the fraught political situation.
The day had been windy when he said farewell to Rhaegar, in the yard of the Red Keep. The prince had donned his night-black armor, with the three-headed dragon picked out in rubies on his breastplate. “Your Grace,” Jaime had pleaded, “let Darry stay to guard the king this once, or Ser Barristan. Their cloaks are as white as mine.” Prince Rhaegar shook his head. “My royal sire fears your father more than he does our cousin Robert. He wants you close, so Lord Tywin cannot harm him. I dare not take that crutch away from him at such an hour.” Jaime’s anger had risen up in his throat. “I am not a crutch. I am a knight of the Kingsguard.” “Then guard the king,” Ser Jon Darry snapped at him. “When you donned that cloak, you promised to obey.” Rhaegar had put his hand on Jaime’s shoulder. “When this battle’s done I mean to call a council. Changes will be made. I meant to do it long ago, but … well, it does no good to speak of roads not taken. We shall talk when I return.”
Jaime I, AFFC
So Rhaegar wasn't leaving with no care about what happened back in King's Landing. We don't know what he wanted to do with Aerys, Elia, Lyanna, and the aftermath of the war because he died at the Trident. But we do know that he, at the very least, was planning to do something.
So we can't blame Rhaegar (and Lyanna) for starting the war and we can't blame him either for abandoning Elia in King's Landing with no care about what happens next. So, again, what can we blame him for?
“It's not entirely correct that the Martells stayed out of the war. Rhaegar had Dornish troops with him on the Trident, under the command of Prince Lewyn of the Kingsguard. However, the Dornishmen did not support him as strongly as they might have, in part because of anger at his treatment of Elia, in part because of Prince Doran's innate caution.”
SSM, 09/11/1999
GRRM states that Dorne was angry about Rhaegar's treatment of Elia. What is this treatment, though?
Ned remembered the moment when all the smiles died, when Prince Rhaegar Targaryen urged his horse past his own wife, the Dornish princess Elia Martell, to lay the queen of beauty’s laurel in Lyanna’s lap.
Eddard XV, AGOT
Specifically, Rhaegar riding past Elia to crown Lyanna the Queen of Love and Beauty. Yes, that is a humiliation. And it's undeniable that no one was happy.
The crowning of the Stark girl, who was by all reports a wild and boyish young thing with none of the Princess Elia’s delicate beauty, could only have been meant to win the allegiance of Winterfell to Prince Rhaegar’s cause…Yet if this were true, why did Lady Lyanna’s brothers seem so distraught at the honor the prince had bestowed upon her? Brandon Stark, the heir to Winterfell, had to be restrained from confronting Rhaegar at what he took as a slight upon his sister’s honor…Eddard Stark, Brandon’s younger brother and a close friend to Lord Robert, was calmer but no more pleased.
“The Year of the False Spring”, The World of Ice and Fire
But, humiliating Elia is not the same thing as being responsible for her death. The narrative never equates these two things in any way. Elia's death is about Tywin's immoral and blood thirsty political actions. It's about Dorne's desire for justice (or is it vengeance?) which they know they will not get from the Lannister regime. House Lannister's downfall in King's Landing will be brought about by Prince Aegon's rise - Aegon who is proclaiming to be the long lost son of Prince Rhaegar, and who is being supported by House Martell as of now.
We can criticize Rhaegar for some things, but Elia's death is surely not one of them.
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xxplastic-cubexx · 3 months ago
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what other silly little antics do you think charles and erik got up to in that cube besides play chess because my money's on book discussions. like them book clubs with suburban moms where you drink wine and talk about books you read except theres no wine i dont think thats permitted in the plastic cube prison and theres not even a club its just two old men
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spiralhigh · 2 years ago
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this is like a year old and super out of character bc i only drew it to blow off steam but i still like how it came out so
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katabay · 10 months ago
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trains :)
this is a very rough and scribbly comic, but sometimes that's all a comic is going to end up being lmao. the guy with the jacket is darren, glasses is andy. not featured, andy's dead brother who nevertheless insists on haunting the subtext
the main thing I wanted to draw was the train tho
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost ⭐ cara.app
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vaguely-concerned · 5 months ago
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I'm guarding my heart against expecting adoribull crumbs in veilguard because I really don't believe it's going to happen. I think that might be one of the sweet slender branches on the possibility tree that they'll gently and quietly prune away from relevancy, especially since it doesn't involve a player character. dorian will almost certainly be back (hey hiii bestie how have you been? stressed out of your mind I imagine), but I can't imagine they'll let you get too granular with setting up your world state, especially since after ten years they will be expecting to have a lot of players who are new to the series. like AT MOST I can imagine a little background detail implying an amicable bittersweet breakup rather than dragging out the long distance and danger of it all as tevinter politics heat up, if you're allowed to set them both as being still alive.
all that being said I still want it so fucking badly tho fhdskjfhas
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dimonds456 · 3 months ago
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Headcanon: Papyrus believes that everyone has the capacity for good and change because Sans also believes that. He's the one who taught him that, and Papyrus ran with it to its extreme.
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luckylunatix · 2 months ago
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Halloween costume ideas I had for Stro Bro and his gray elephant-legged lump of a brother
With some of the stuff Strong Sad likes canonically, and some of the characters he's dressed as in the Halloween toons, you can't tell me he wouldn't be a fan of Peter Lorre films. So I drew him as Ugarte from Casablanca. It was hard finding the right balance between his and Lorre's facial features, but at least the color scheme didn't take too much effort to figure out.
The Strong Bad as Chucky art is actually one I made last year (ironically after Halloween had already ended, but I didn't wanna wait for the next Halloween to draw it by the time I thought it up). But I'm still pretty proud of it, so I figured I'd dig it back up and also post it here.
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bumblingbabooshka · 8 months ago
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[Tuvok & Janeway: Control, Distance, Duty & Connection.] Sources: St Voyager Transcripts / Mitski 'First Love Late Spring' / Disco Elysium
#web weaving#star trek web weaving#st voyager#Kathryn Janeway#Tuvok#be the change you want to see in the world - make a long post about Tuvok & Janeway's similarities <- angel on my shoulder#I feel like a lot of people see them as 'opposites attract' sort of friends where Janeway is unhinged & Tuvok reigns her in#but in reality I think that while there is that element in there (exacerbated HEAVILY by their delta quad circumstances)#what I see most in their relationship is how they both value loyalty and duty above all and are extremely rigid with themselves#and the people around them. How they both have to maintain distance from others bc of their positions as captain & vulcan#I hate when people dismiss Tuvok as not being remotely interested in Maryana or Noss - it erases an interesting struggle that he and Janewa#both share - their desire to stay loyal to their spouses vs the 70 years of loneliness that that loyalty demands of them#But they BOTH triumph and they BOTH remain loyal (Tuvok until he returns to T'Pel and Janeway until Mark informs her that it's over)#and for both of them it's a little bit insane for them to do that.#Isn't it more interesting that Janeway and Tuvok both have feelings for people other than their spouses but don't give in#to that temptation?#They're both people who live very fastidiously by codes. Either written codes or moral codes - they very rarely if ever do things because#it's what THEY want to do. I'd say they're the least emotion-driven members of the crew and yes I'm including Seven because Seven#has a very...how to describe? It's a blunt and insular selfishness. She does what SHE wants to do and doesn't really care about others.#To me that's emotion-driven. Or...personal desire-driven? Not a bad thing at all but very different from Janeway & Tuvok who#are always more 'this is logical' or 'this is for the crew' rarely do they think 'this is what I want' bc they can't afford to#for different reasons (captain & vulcan)#they both also are in the most 'caretaking' positions on the ship from my POV. Security and Captain - both are directly in charge of#ship and crew safety.#Janeway & Tuvok#star trek voyager#st voy#when I say caretaking I'm NOT saying they're everyone's mom and dad or whatever - I'm saying they're in positions where they always#have to think about the greater good and the crew as a whole and how much danger is acceptable etc etc.#Janeway is always killing herself for the crew but Tuvok is right there beside her
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closed--meadow · 6 months ago
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Kaveh and Kakavasha both being cursed by luck is personal to me...
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misfithive · 1 year ago
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Fans: omg Wille is soo oblivious and adorable he didn’t even realize the song was about him
Edvin: Wilhelm is obsessed with himself and his problems that’s why he didn’t know the song was about him
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💀💀💀
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rushingheadlong · 10 months ago
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You know something I don't think I've ever seen people talk about is how Freddie changed the lyrics for Big Spender.
Because in case you don't know, all original versions of the song are sung by women - and it is made very clear that they are singing to men:
The minute you walked in the joint I could see you were a man of distinction A real big spender [....] So let me get right to the point: I don't pop my cork for every man I see Hey, big spender Spend a little time with me
Probably not too surprising, then, that when Queen performed this song in 1974 Freddie had to do a bit of a gender-switch on it:
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Though, it would probably be more accurate to say that Freddie made this song gender-neutral because he didn't change it to be about a woman. He eliminated the first use of "man" entirely and then sang "I don't pop my cork for everyone I see" (instead of "every man").
And honestly there's probably a whole dissertation you could write just about those changes alone, but what I really love is when Queen brought the song back in 1986 and Freddie changed the lyrics again:
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Because yes he still dropped the first "man" but the "everyone" is changed and Freddie instead sang "every guy" with just the barest hint of a "-rl" sound at the end to give him plausible deniability if anyone asked about it.
So much of Freddie's music speaks to his experiences as a queer man but, because of the nature of the times in which he lived, he couldn't always be directly open about that fact. Most of his love songs are intentionally vague, and he sang about "somebody" or "you" to avoid having to use gendered terms as much as possible.
Freddie singing "I don't pop my cork for every GUYrl I see" wasn't just an adjustment to the original lyrics, it was a specific change from how Freddie had sang it before in order to make it more gay in a way that he could rarely be with his own music, and that is what I adore about this. It's such a little thing, but it gives such a unique insight into how Freddie balanced his sexuality and his stardom, and how the relationship between those two changed over the nearly 12 years between these performances.
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