#it's a thing i'm actively trying to get better about but i'm big enough to admit that i have a long way to go.

[pricegouge]

how we feel about call of duty kaiju horror?

(I’m watching a Godzilla movie tonight so✨)

-🫀

it's the fact that you knew exactly what you were doing with each keystroke that's killing me here

vibrating at a speed imperceptible to the human eye: i feel pretty normal about it.

okay i'm at a low point mental-health-slash-hope-in-the-world wise rn which means ofc i've been thinking about my sweet baby puppy, godzilla, a lot recently. just something about a larger than life monster of our own making come to visit hell upon us that's rather apt, you know?

so originally i was just gonna ramble about that as a response to this - and how easily you could plug an elite squad of soldiers into that formula, make them the focus as they fight back against the kaiju. do it kinda like shin godzilla, maybe, where it's more a procedural than anything to highlight the incompetence of their orders - the us versus them, versus it; where the pieces are government/military officials, civilians, and of course the kaiju. and then bring it back around to what they have to resort to to actually get the job done. trusting the people most effected by the actions of their overhead, and all that. which i'm super into, but knew wouldn't necessarily have made for a good fic. and then beloved @stellewriites did what she does best and seduced me into writing a little snippet after suggesting the focus be more on the after-effects, like a cloverfield situation.

and she was fucking right, but unfortunately that's not what i ended up doing here because i saw kaiju horror and blanked out a bit writing an action scene lmao.

shelling, active fire, hand to hand combat. nothing prepares you for something like this.

hell, even falling out of a hele hadn't been this bad - hadn't instilled within him this fear, just before drop, all kitted out and ready for action. as if anything on their persons could actually defend them from the screeching behemoth below. offense had been unofficially deemed hopeless. not even the stealth bombers had done any good, their blast zones only succeeding in creating more debris, more shrapnel. more rubble to bury the first wave of casualties.

they'd been assured there wouldn't be any more bombing, not while there were boots on the ground trying to minimize the growing death toll, guiding the frantic packs of terrified civilians looking for refuge.

gaz was fairly sure they had told the first deployment the same thing.

it's a struggle not to assess his team, so he doesn't fight it. takes in their expressions as they hang out the open side of the blackhawk, faces underlit by flame and heat. they look grim, worse than he's ever seen them. but cap's voice is still his standard surly growl over the comms when he tells nik to bring them closer to the… thing.

ghost is the only one brave enough to question him. "price?"

"just want a better look," the captain grumbles, as if the scale of it could even allow for some sort of misunderstanding.

"it's a big ass lizard, cap," gaz supplies, unable to hold his tongue as the creature looms closer, nik's steady hand bringing the hele up and over its head, outside of the range of its relatively short arms. "what more do you need to see?"

price eyes him, chill of his gaze turned gunmetal in the thin light. a warning. "don't know enough about it to be fightin' it."

"are we fightin' it then, cap?" soap, borderline hopeful. like he thinks he can save the world with a well-placed sticky bomb, even after everything he's seen.

"you saw what it did in pari -!"

price cuts him off. "might have to. should know more about it."

like it's got an achilles' heel they'll be able to spot while dropping, their flare lights casting a grim red glow over the mountainous mass of plates and scales. they ring it as best they can - a valiant effort to keep their paracords untangled. from each other, from the mess of wires clinging to the skeleton frames still standing. from it. gaz lucks out, manages to draw its head. his flare light casts eerie shadows on the smoke behind it, jagged cuts of spiny bone that reach like fingers skyward, as if to pluck the circling hele from the air like no more than a noisome fly hanging over head. there's a gradual slope across a heavy brow, its face wide-set and surprisingly flat, as if evolution knew it wouldn't be snuffling around in the dirt for food no matter what hellish recesses of the earth it had crawled out of. he sees the teeth first, blanched and deadly in a mouth that gapes slightly, soft pink tissue glinting with drool in the wan, flickering light. the shape of it seems to shift in the smoke, disorienting in its incomprehensibility. gaz tracks the nose - up, in, across -

the eye rolls, a ring of sclera giving it an unexpected humanity. it's beady, the iris the same dark, muddy sort of gray that blends with the rest of its plating. defensive evolutionary traits. against what, gaz did not want to know. it flickers red and orange in the light. alive, wary. a thick nictitating membrane draws back, reveals a depth of color which can't quite hide the pupil - nor the way it dilates, trained on him.

it ducks his head as he falls, assessing just as much as gaz is. he reaches for his gun, automatic, and the ridge of brow above its eyes twitches, lowers. there's a series of pops, loud enough to hear even above the thunder of air in his ears, and then a light flickers to life in its gullet, electric blue and feeble in its infancy.

debrief hadn't mentioned bioluminescence. he decides he does not want to be the first one to find out what that's about.

tipping himself forward, he propels himself faster. his angle widens, brings him around the creature's side a bit, out of its field of view. he follows along its broad flank, dipping past huge, clawed hands which curl as if in disgust as he passes. he pulls his chute somewhere around its hip, tries to plot his land despite his general lack of visibility. he's just settled on a gap in the buildings up ahead when the air stirs, a quick updraft that rocks him where he hangs, sending smoke swirling as something slices through it, maybe twenty meters above the ground. he keeps his eyes peeled for another jumper, cautious about mixed lines even though he should still be well away from soap's position.

but it's not another jumper. he sees it first in the reflection of a busted window, shatter-proof glass left hanging concave in its frame. light catches in it, a sporadic wisp refracting through the crumple points, pulsing with movement. electric blue.

he casts about for its source, finds it off to his right. it slips through the air like a knife, smooth and deadly enough to have him running through a list possible drone types he may have run afoul of. he comes up short, though he wouldn't be surprised to learn they'd resorted to test tech. last thing he needs, though he doesn't start to seriously worry until another one appears, just slightly larger, moving in sync with the first. they arch out and around to his left just as another flickers to light directly before them. again, slightly larger than the last - though maybe a little bit closer to it as well.

the next one is heralded by a quiet humming, low enough he thinks he's imagining things until his feed starts crackling with static. he pulls his cords so he can face it more fully, and the chain of lights whip away from him, circle back behind the creature with enough force to shift the air again, unexpected draft pulling him up, up.

the beast faces him, turned fully with a deadly kind of silence kyle hadn't expected. its mouth hangs agape, faint blue light leaking from between its teeth, painting the surrounding smoke blue until it looks like xenon breath, just as fatal. the aura seems to build around it, and it takes gaz much too long to realize its being backlit, the strange lights gathering behind it until the smoke all around glows blue and white and it bows, sinks to his level with an open maw. the light in its throat crystallizes into a cold white while building in intensity, lock step with the intimidation display climbing over its shoulders, the massive plates there flickering to life, veined with phosphorescence.

he'd be nowhere in life if he hadn't learned to listen - when needed, at least.

suspended as he is, his options are limited. he yanks at cords that do nothing, the air gone so still in the creature's deadly silence that it won't even let him fall. like a vacuum, just waiting for the collapse.

"fuck. shit," he hisses, panic building.

the thing shakes its head, an audible rumble building alongside the deafening hum of static. gaz pulls his emergency release and feels his stomach fall before he does, tumbling away after it with flailing limbs, unable to even right himself into a controlled dive before he's catching his full weight on his shoulder, the composite hull of a hele groaning under his mass before the world tilts sideways once more, flops him onto his stomach where his cheek grinds into dirt and metal runners.

"flare!" a thick accent calls from over head, and kyle has just enough wits about him to recognize that the thick trail of red crawling along the floor of the hele is coming from him. he draws a knee up, hands swatting uselessly at himself in search of the strap that keeps the flare tied to his ankle, smoke filtering through his mask until he's -

it's hard to tell what happens first, the blinding light or the g-force which crashes into the hele from above - pushes it down even as he stays in place, colliding with the ceiling hard enough to knock the remaining wind out of him. alarms erupt all over the dash, the noise of them blotted out by a stillness in his ears, as if they'd been submerged - an immense pressure against his eardrum which stifles even his own pulse.

until it didn't, sound rushing back in a cacophony of sirens and shrieking metal, the creature's roar only drown out by the dull sound of impact and the sudden build of force that follows, glass shattering as buildings shook and crumbled. nik curses, something in russian. flare smoke builds in the cab but it doesn't even matter, not when the debris outside the windshield is so thick nik can't even see the approaching church until he's almost gone through the belfry. he banks right, hard, and gaz has a panicked moment of free fall as the open door he'd already fallen through twice today rolls to meet him and he slips through it once more, fingers barely even managing to catch on the frame before he's falling again, a two story drop into the blessedly bare church courtyard with a winded huff, vision tunneling as he stares up uncomprehendingly at the streak of light that's pierced the sky, the burning after-image of a gale force he simply has no framework for.

when he wakes up, it's to a world on fire.

if anyone is interested in that kinda post apocalyptic world, lmk. i don't wanna do any sort of series here but kaiju are my lifelong hyperfixation so i'm always happy to ramble about this sort of setting :)

[aethersflames]

.

[theradicalace]

i just think it's so funny that when *i* lash out and start bitching *about* management to my coworkers because of a stressful day at work, i get pulled into the office to discuss my attitude, but when a manager lashes out and bitches *at me* because of a stressful work day, i get a halfassed "oh sorry, but-" and i'm expected to roll over and take it.

[ardate]

Things are just so bleak man.

[taeyungie]

hi ♡ i guess i'm back? 🥹

here's a little life update! i think you guys deserve it after my absence that lasted longer than even i expected it to last ;( i am very sorry about that. i miss everyone here and bangtan so much, you have no idea. the reason for all that is that for the past months i have been going through a lot of things and changes in my life. there were good and bad things happening, time flies extra fast, days melt into one and i didn't even notice the past half a year pass. although i think my absence was unavoidable in these circumstances i just thought that you guys deserve to know what's been up with me for the past months haha i have received a lot messages and reminders that people remember about me and that they miss me and i just want to send all of you my biggest apologies for leaving you for so long with no response, as well as all my love and gratitude! 🥺 i think i've been always fairly transparent on here so if anyone wanted to know more I'll leave some more details in the tags but basically I just hope that soon i will be able to become more active again and respond to messages ❤️❤️❤️ i hope everyone is doing great 🥰

[wolfiesmoon]

When you suddenly cry in front of them :(

Riddle, Vil, Kalim, Malleus x gn!reader (riddle's and vil's are explicitly post overblot tho it's not super important)

i'm back to entering tartarus every day (school started again) so i thought i might as well distract myself with some hot twst guys :)

i havent been very active i know, i just cant get myself to do anything at all these days 😞i am so so sorry for making a kinda lazy short collection of blurbs but i need to get back into my writing groove somehow

(as a sidenote, i'm worried some of these might be ooc? i sincerely apologise if they are :( )

RIDDLE honestly doesn't know what to do with himself. He never really got the comfort he needed whenever he cried as a child so he had no idea how to comfort you now. He scolds himself internally for not immediately acting and just kind of freezing up beside you so he panics and tries to recall of all the times he saw someone else comforting others in order to end the extremely awkward tension as quickly as possible. He pats your back somewhat rigidly and says "There, there." In an all too awkward manner. You're caught off guard so hard by the sheer akwardness of Riddle's comfort technique that you burst out laughing, troubling Riddle even further. "W...Why are you laughing now?" The dumbfounded expression on his face is the perfect medicine for forgetting your troubles just now. Riddle unintentionally just cheered you up. After the incident, he seemingly becomes less strict with you and starts asking about how you're doing umprompted, which always pleasantly surprises you. Sometimes, Trey even shows up at Ramshackle dorm, holding a tart of your favourite flavour and saying he got orders from Riddle to deliver it to you.

VIL drops his usual strict nature for a bit. Of all people, he would be the one who could tell you were constantly acting strong and unbothered by everything going on around you. He thought of it equal parts admirable as he did foolish. Such intense emotion is not something to keep bottled up inside you and you made him realise that. His expression is surprisingly soft as he places one arm on your back, gently stroking it. He talks you through your feelings with a big sense of maturity and care and you're suprised by just how much he cares for you and your feelings. You don't exactly get that same impression when he's scolding you for not sitting straight or not wearing your uniform properly... regardless, you're very thankful for his words, even the harsher ones about needing to tell someone about things like this. "Tell me, if you must. I will always listen." After the incident, nothing much changes, really. Atleast from the perspective of others. He still gets on your case for not wearing your uniform properly, but he also asks about how you're doing when he gets the chance and does not accept simply "fine" or "okay" for an answer. You simply must elaborate why that is.

KALIM enters big brother mode. He's comforted crying siblings for various reasons before so what makes you any different? He gives you a tight hug, gently rubbing your back and trying to cheer you up with comforting phrases. He'd also try making jokes you to cheer you up and the puns are so bad you might as well start laughing. He didn't even start asking what's wrong but instead waited for you to tell him yourself. He surprised you with how mature (or perhaps just experienced) he is when it comes to crying people. You feel much better even only after a few minutes and you ask Kalim how you can thank him for hearing you out. "Seeing you smile again is reward enough!" He replies and you feel like crying again (but this time not from sadness or stress). After that incident, he always personally invites you to Scarabia parties, hoping they might inject a little joy in your life and keep your mind off things. If you're not a fan of parties, he takes you on carpet rides around the dorm instead.

MALLEUS is shocked into silence. You were smiling at him as sweetly as you always do just a moment ago... He knows how to comfort someone in theory, but now that he has to put it into practice, it feels like he's forgotten everything. He needs to show you that you can rely on him when it comes to your comfort, and that includes crying around him. This might just be one of the most heartbreaking sights he's ever had the displeasure of witnessing. He vows to himself that he never wishes to see you cry again (unless it's at your wedding) and would do anything to prevent it. He wordlessly pulls you into a secure hug, worried that if he does anything else, you might start crying even more. You hug him back and just sob in his arms, thankful for his warm embrace. "It will all be okay, child of man. I'm here, after all." And somehow, you can't help but trust those words with every fiber of your being. After the incident, Malleus ends up confessing what happened to Lilia and Lilia goes into one of those "Oh, how my baby has grown..." rants. But he also does say that Malleus should start inviting you to new places to keep your mind off things and help you let loose. So he does just that, with an added sprinkle of gargoyle-hunting and gargoyle facts. You're now very well educated about gargoyles lol.

[yawnderu]

K-9 — Simon ''Ghost'' Riley x Reader | Chapter I

Sick as a dog, and just as vicious.

1 2 3 4 5

Simon Riley and his pathetic efforts to get close to the new medic will earn him a scar or two

or

Simon Riley is crushing on an uninterested, tired medic.

''I don't mean to be rude, but I'm getting tired of seeing you here.'' Your blunt words are met with a quiet chuckle, the masked man looking up at you with pure amusement in his eyes.

'' 'M trying not to get injured, bird.'' Oh, but he isn't. He's actively getting injured just so he can drop by and get your help. It's stupid, really, how his obsession with you began. He thinks about the first time he saw you, standing right next to Price, an unamused expression as he went on and on about his team, telling you stories of their missions and time together and despite how bored you looked, your attention was solely on him.

He took that chance to look at you, to truly admire you, noticing the way you pull up your glasses every few minutes even when they're not sliding down your nose, the way your eyes were focused only on Price, paying attention to no one but him, legs crossed while sitting next to Price, your face resting on your hand.

''Clearly not trying hard enough.'' He can't help the way his cock twitches at your bored tone, the small frown on your lips just making him think how pretty you'd look with his cum all over your face— he shakes his head softly, trying to get his mind out of the gutter, focusing on the fast and professional work you're doing on his injured arm, pulling the skin back together with a beautifully done stitchwork.

''It's hard being out there.'' He tries to make conversation and all you can do is hum in acknowledgement, gaze focused on the way the needle digs into his skin, coming out of the other side just to be pulled back together with the thin, transparent thread.

''Y'know Gaz was hanging from a chopper by a bloody rope?'' He knows you're close to Gaz, he has seen you talk to him often, and so he tries to desperately make conversation again.

''Scared the shit out o' the old man.'' His efforts work as a small snicker escapes your lips, stopping working on his stitches as you collected yourself. You look up at him with an amused glint in your eyes, nodding your head. God, he has never seen something quite as beautiful.

''Cap told me about it. Poor guy had his whole waist bruised.'' You let out another small laugh before turning your attention back to the deep cut in his arm.

''If I didn't know any better, I'd think you're getting injured on purpose.'' His heart almost stops as your cold eyes look back up at his, an eyebrow raised, yet there's a smirk tugging at the corners of your lips as you notice his lack of response.

'' 'M not.'' Is all he can say, the knowing look you give him enough to make his blood boil, traveling all the way down to his throbbing cock, thankful for the black hoodie sprawled across his lap to prevent the blood from leaking into his jeans. You ignore all the... beige flags, knowing he's not stupid enough to actually get injured on purpose. You finish stitching him up, throwing away the tools used and the bloodied gloves.

''Keep the wound dry for 24 hours, if any of the stitches come off or the wound opens, come to me.'' You softly pat his shoulders, a small yawn escaping your lips as you look up at the clock on the wall; 0200.

''Tired?'' He asks sarcastically, earning him a way-too-hard pat on the shoulder. Simon woke you up at 2 in the morning, claiming his wound couldn't wait. It wasn't even as bad as he made it seem, though you appreciate your work with the TF141 more than you let on, so you decided to help him. It isn't the first time he wakes you up at outrageous hours, claiming to need help for things ranging from a pathetic paper cut to a gunshot wound. This time, his arm was the only thing affected, a cut big enough to need stitches.

''Very. Now get out.'' Your hand sneaks into the back of his uniform, tugging softly and he gets the message, standing up and allowing you to guide him out of your office like he's a child. He doesn't care if it's you.

''Goodnight, Simon.'' You can barely keep your eyes open and he feels a slight sense of guilt at keeping you up, knowing you'll have to be awake again in less than 3 hours.

''Night, Doc.''

[NEXT]

[nyaagolor]

Ranking the Ace Attorney main cast on whether or not I think they'd be a narc

I was making a more coherent, serious post about the different approaches to justice each of the characters have and how that is shaped by their backstory... and then I realized a funnier question is what they would do if they saw you eating a weed brownie so I made this post instead

Phoenix: In the trilogy era, yes. He trusts people, but believes that trust has to be built on pursuing justice and always accepting the harsh reality. He'd be sad about it, but a narc nonetheless. In his Beanix era he's making his money through "totally legal gambling" and on the hunt for questionably legal evidence so I have no doubt in my mind there's a pot farm under the WAA for supplemental income. He gives up his narc ways and for that I salute him

Apollo: If I were to pick a single member of this cast who is NOT invited to the rotation it would be him. He had zero hesitation throwing Kristoph to the wolves after working for him for years so I know he has absolutely zero qualms about ratting out his friends or coworkers. Loyalty means nothing in the eyes of justice and it means nothing to him. He's a narc.

Athena: She's gonna lecture you and look all sad about it, but she's no snitch. She's been through the rounds with Simon so she gets it. Having to know you hurt her feelings is enough of a punishment in her eyes

Edgeworth: He's not a narc but he IS obsessed with being right, so if you don't immediately fess up with exactly what you're doing he's going to send your stoned ass to the chess dimension and honestly I think that's worse

Franziska: Unfortunately she is a cop. Narc.

Godot: Diego-era yeah he's a narc, but after the coma? I feel like he has better things to worry about, he would just ignore you. He has some soul searching to do and some grief complexes to unlearn he doesn't have the time to be a lil snitch. Post prison I think he's stoned somewhere in Kurain and chillaxing, as is his right

Klavier: Don't let his rockstar attitude fool you he's a narc and extremely annoying about it. The gavinners tour bus is dry as hell and it's all Klavier's fault. Daryan offers him a line and he gets all uppity and says "the only LINE i want you doing is the third line in the prechorus, you keep messing up the syncopation" and that's the end of that discussion

Simon: He's been in prison so he knows what's up. Not a narc. Might glare at you until you share though

Nahyuta: He's a narc and will lecture you so long about it you're tempted to turn yourself in to get out of earshot. He also never forgets and never forgives. Datz is trying to reform him but it isn't going well

Sebastian: Yes, but I think the idea of him having to turn in someone for it would make him cry so they end up comforting him instead. Kay thinks he needs to try a weed brownie

Maya: I want you to look at me and tell me she doesn't smoke weed. Not a narc

Pearl: I think if she found out that her big sister figure smoked weed she would have a heart attack. Def a narc

Trucy: I can say with absolute certainty that if you really wanted weed she could find you a dealer faster than anyone in the cast. Trucy is a magician and has grown up around a variety of people involved with some seedier institutions, she knows better than to snitch. Has not been and will never be a narc

Kay: Will help you shoplift. Not a narc

Gumshoe: A narc on principle, but would feel really bad about it and would probably let you off with a warning if you started crying or acting upset because I think he's a softie. He's not unreasonable

Ema: If you think she has even the tiniest sliver of respect for cops you're lying to yourself. Not a narc and will actively help you evade police out of principle. A homie, honestly

Fulbright: Not only is he a narc but he definitely runs the DARE program at the local highschool and is printed on half the posters they put up in the precinct. I'm also like 80% sure he doesn't actually know how weed works

[lightseoul]

CHAPTER 5 | ALL OUT OF LUCK

w.c. 3.5k

tags. fem!reader, pro-hero!katsuki, aged-up (26), some cussing here and there, presence of breadcrumbs if you look close enough, dark and mature themes related to quirk supremacy

a/n. i'm back! thank you for waiting patiently for this chapter. i haven't had the time to sit down and lock in on writing until yesterday, but i hope the wait is worth it! important plot points will be discussed in this chapter, so i hope this one is a fun one for y'all!

links. masterlist, ao3 (coming soon)

Sooner came later than you wished it would.

After that late-night conversation with Bakugou where he implicitly emboldened you to exhibit patience, you really made it a point to double down on the entire charade. You’ve attended as many activities as you could with the pro-hero, made a good impression on your fellow members, and even gone as far as constantly initiating affectionate behavior with Bakugou, to which he’s been getting better at responding.

So much so that he’s bordering dangerous.

There’s been that singular instance where he ushered you to the cafeteria after one of your quirk training sessions—like a gentleman—a big, firm hand planted on the small of your back. It wasn’t a huge gesture, but it was the first coming from him without prompting ever since you had to start acting like a couple. You’d be lying if you said it didn’t catch you off guard, but you played it off well enough, shooting him a grateful smile as you reached your usual table.

He only looked away, solemn.

You shrugged it off, thinking everyone had to start somewhere.

And while little moments like that have helped in taking your mind off of how routinary your days have been, the fact of the matter is: said patience is thinning.

You didn’t have to look far for proof either to know that Bakugou’s experiencing the same thing.

He’s been doing a decent job at regulating his emotions, as well as acting in front of everyone else to play his part, but when the trackers are long gone and cameras are sealed shut, and you’re in the privacy of your shared bedroom, that’s when he puts the mask down.

You could tell he’s been trying to remain kind—or at least, civil—with you, but there’s no denying the increased curtness of his responses, as well as how he’s been extra grumpy when roused in the mornings by either of the twins.

And you can’t blame him—you really can’t.

You yourself were just about to mentally give up and accept that you’re never going to get on with the mission at this rate when it comes on a regular evening.

You shoot up from where you were sprawled lazily across the mattress, alarmed. You glance at Bakugou, who’s already looking at you from the couch, that same caution you know is written all over your face etched on his.

Two weeks of living here, and the impending cardiac arrest that comes with a barrage of unexpected knocks still prove to be a probable cause of death for the both of you.

Wordlessly and without your behest, Bakugou grabs his pillow and blanket before throwing them beside you on the bed. You’re quick to adjust them into place as he slowly walks towards the door, another round of rapping resounding from the entryway.

Probably over the whole hammering thing just as much as you are, Bakugou promptly turns the knob and swings the slab of wood open, revealing a serious Omiru.

She speaks up almost instantly, but not without first glaring you both daggers. “The boss’s office. Now.”

And before she turns on her heel or either of you can ask any questions: “We’re gonna discuss the plan.”

The first thing you notice when you get to Masaki’s office a few minutes later is that for a large organization’s leader, the space is—just like its owner—remarkably…plain.

Similar to your small bedroom, the walls are colored off-white, the floor is dark hardwood, and there are very minimal decorations. Aside from the picture frames of what seems to be a family of four littered on his modestly sized desk, the room is pretty bare in terms of embellishments.

You don’t get to take a closer look at the photographs, though, because the second thing then catches your attention: how, rather than plastered leisurely on the sofa and conversing with each other, the three heads actually seem busy.

While, in fact, seated on the couch, Sayaka and Kouki are far from being relaxed. They’re sitting on the edge of their seats, hunched over what seems to be a…chart? You don’t get to peer at that, either, because their bodies are blocking the view.

So, instead, you let your gaze drift over to the main man himself, who is behind his workspace and has his back turned against you, fiddling with what you think is a push pin as he stares at the large corkboard in front of him.

“Bakugou and his girlfriend, sir,” Omiru announces before you. “Just as you requested.”

At the sound of her low voice, Masaki turns around, a pleasant expression on his face. “Welcome, you two. Please, go and grab a seat.”

You quickly scan the room for said seat, but there aren’t any more vacancies aside from the set of furniture the cyborg and the old man are occupying. So, albeit begrudgingly, you quietly follow Bakugou as he takes a few steps and sits down across the two, with you plopping yourself beside him.

The man next to you clears his throat.

“Is there any reason why we’re being summoned at,” Bakugou pauses, checking his watch, “9:27 PM?”

Playing it cool and not at all eager, huh?

You can do that as well.

Feigning ignorance, you look at Masaki as he rounds his desk and situates himself on the single sofa perpendicular to the four of you.

“Apologies for that,” the man starts diffidently. “I’ve been…busy with things at home, and now’s the only time I have to discuss this with you for the next few days.”

“Are you finally telling me what my role is?” asks Bakugou, manspreading as he brings an arm on top of the backrest behind you. “Because if you are, then fucking finally.”

“Yes,” answers the plain-looking man, “We’ll get to that. But before that, I’ll have to preface this meeting by making sure we’re all on the same page.”

“As you all know, our vision here in The Quirk Coalition is for a future where quirks are cultivated to their greatest potential and are regarded with the highest primacy in society. That means those who can wield their strong powers will take their rightful place in the community and reap the benefits of their gifts,” Masaki pauses, before looking at you and Bakugou. “Do you see where I’m going with this?”

You nod, pushing against the dread that’s creeping up your spine. You feel Bakugou stir beside you.

He continues.

“For the gifted to fully enjoy what they deserve, we’re going to have to remodel society to serve those with formidable quirks. After all, it’s them who serve as the pillars of our nation that’s constantly under the threat of malicious villains.”

Villains like you, you think to yourself. You bite your tongue.

Masaki then leans forward, a sinister look dawning on his features.

“That then, my dearest members, leaves no space for those who are weak and quirkless. As such, we’ve taken upon the difficult but noble duty to eliminate those who are such. This is necessary, so as to be able to rebuild a world that’s suited to the beauty that are quirks.”

Silence.

“…All this yappin’ yet I still don’t know what kinda action I’ll get?” spews Bakugou.

You mentally facepalm.

“Right,” retorts Masaki, “I appreciate the enthusiasm, Dynamight. You’ll be glad to know that you play an important role in the whole scheme of things.”

“We’ll essentially be using those bombs of yours, boy,” Kouki chimes in, catching the rest of your attention. “There was no way for us to procure munitions without alerting the government, so we’re going to have to use the ones you produce with your quirk.”

“That’s it?” Bakugou spits out, performing for his life. “You’re just gonna make me into a factory? Don’t I get to blow things up myself?”

“You can’t without exposing yourself,” comes Masaki’s level-headed reply. “That’s what our volunteering members are for. They’ll be carrying your bombs with you and infiltrate the venues.”

“Volunteers?” you can’t help but ask, voice small. You feel Bakugou’s eyes boring at the side of your face. “Are you saying they’re…?”

“Going to die in the line of duty, unfortunately, yes.”

“But aren’t they going to be detected?” you push, tamping down the panic that’s blooming in your gut. “Most places here in Japan have radars that can easily spot a grenade.”

Masaki smiles at you.

You feel goosebumps rise in its wake.

“I appreciate your concern, sweetheart, but we’ve made sure our targets are free of such devices.”

You let the confusion show on your features.

How can that be?

This has to be a joke, or this man has to be bluffing.

But why would he, if he needed the two of you—or at least, Bakugou—to execute his plan?

His choice of victims ought to be sheltered in secured skyscrapers or guard-riddled complexes, neither of which would tolerate the presence of explosives.

Unless…

You chance a glance past Masaki’s shoulder and onto the corkboard he was just studying a moment ago.

And when you do, you barely manage to fight back a terrified gasp as your eyes land on the rows of photographs that are pinned onto the panel.

Because staring right back at you are tens of faces of children.

“…Y/N?”

You snap to attention, turning to regard the concerned faces looking at you. “Huh?”

“You okay, babe?” comes Bakugou’s gruff voice, and you barely register the hand that slithers through the space between you to encase yours in a gentle hold.

You shift to meet the pro-hero in the eye. You find yourself glad you’re sitting down, because the sheer intensity of his gaze is enough to knock you off your feet.

“You zoned out there for a second,” he explains, shooting you a boyish smile, although it comes out slightly stilted.

“Yeah, no, I’m alright,” you try to laugh, “Sorry, I guess I’m just sleepy.”

“Are you sure she needs to be part of this conversation?” asks Kouki, who’s looking a bit too unsettled for your taste. “Masaki, I think you can send her back to their room if she needs to rest.”

“No,” you quickly interject, “I’m fine! I want to be here.”

You flash them the most sincere grin you can muster. “I want to help.”

“She’s the real deal,” Bakugou adds, to your relief. “Her quirk can make a huge difference in how successful your whole operation will be.”

On that note, and just like last time, you prepare yourself to utilize your quirk when none of them say anything for a beat. You maintain your carefree countenance as you wait for your go signal, but it never comes.

What comes, instead, is a decisive nod from Masaki.

“Very well, she can stay. But no more tangents, please. We need to get this ironed out.”

You nod eagerly. The man deems it enough for him to go on.

“Now that we’ve established Bakugou’s role in this entire enterprise, it’s high time we go through the actual plans.”

He gestures to the blueprint-sized chart on the coffee table in front of you. “As you can see here, we have ten circles. Each circle represents a target elementary school. One volunteer—”

Suicide bomber, you note in your head.

“—will be assigned to each school, armed with an ample number of bombs courtesy of Dynamight. Groups of at least six members of the organization will also be appointed per target to assist the volunteers and capture escapees if necessary. They’ll be teleported to their respective venues via their portkeys.”

Before you can even think of asking what the hell a portkey is, Kouki beats you to it.

“They’re devices,” he declares haughtily. “Magnetic devices, to be more precise.”

He holds out his thin wrists, which you now notice are adorned with silver bands made up of thin, rectangular pieces that stick to his wrinkly skin.

“Each member has a piece themselves, which pairs with the ones I have here,” he wiggles his hand for emphasis. “This is how we do mass teleportation.”

“Thank you, Kouki-san,” Masaki interrupts, before pointing again at the chart. “Now that we have that cleared up, I’d like to invite you to look at this portion.”

“While the rest of the members execute the plan at the ten locations, Kouki, Sayaka, and Bakugou will be in the headquarters overlooking the entire thing, while Y/N and I will be in the Prime Minister’s Office executing the final blow.”

A wave of terror instantly hits you just as Bakugou bristles in his seat.

“The fuck are you on, separating us?”

Despite the nausea pooling in your stomach, you still manage to register the contortion of Masaki’s features into a frown.

“You gave me the idea, Bakugou. You said your girlfriend here boosts one’s success rate, and I need all the help I can get to make sure I wipe out the entire office and elect a new set of like-minded officers.”

“I don’t give a fuck,” comes Bakugou’s hostile response. “She could get hurt, and I need to be there to protect her.”

If you weren’t in a literal life-or-death situation, you would’ve snorted at that.

But alas, you are, and the last thing you feel like doing right now is laughing.

So instead, you squeeze the hand that’s been holding yours since what has felt like forever ago, shrinking in yourself ever so slightly to seem afraid and to further sell the act.

You avert your gaze downwards, too, to make them feel like the alpha in the situation, but not before you catch a glimpse of Masaki sighing.

You hear it, too.

“What do you suggest we do then, huh, Dynamight?”

“You can station me where you and Y/N will be.” He eyes the robotic woman and the old geezer, “These two are more than capable of manning the HQ, anyway. Besides, I’m more useful out in the field.”

“But the risk of you getting caught—”

“I’m well-fucking-trained in stealth missions, if you really have to know,” Bakugou cuts him off. “Just let me know how I can contribute to your particular objective and I’ll do it. Without getting caught.”

He says it so confidently that even you’re convinced. But you don’t get to bask in his unfounded (up for debate, really) confidence, because he squeezes your hand this time before tightening his hold and turning to look straight at you.

You stare into each other’s eyes for what feels like an eternity before he delivers the finishing blow.

“…I just need to make sure she’s safe.”

A chuckle yanks you out of your daze, and you whip to see Masaki smiling at the two of you.

“Since when did the Great Explosion Murder God Dynamight become such a loverboy?”

“None of your goddamn business,” comes the pro-hero’s snappy reply, which grants him another bark of laughter.

“I suppose not,” Masaki quips, and you find yourself wondering how this man can manage to joke around like this when he’s got arrays and arrays of photos of children he’s planning to murder behind him.

Despite the sheer absurdity of the situation and the undeniable thumping of your heart, you’re eventually able to school your face into a neutral expression and listen in to the rest of the meeting.

After adjusting Bakugou’s placement from headquarters to the Prime Minister’s Office alongside you and Masaki, the latter proceeded to discuss further arrangements for the two of you. Apparently, there will be three people assigned to each of you to monitor your movements during D-Day. Neither you nor Bakugou protested against it, aware that you’re already walking on thin ice after negotiating that you be together during the day of the attack.

Once he got that part done and over with, the leader went through a few more details about the bombings before adjourning the session altogether with a conclusive pat on the knees like he did during your first meeting.

And just like that, you’re sent back to your room.

Words aren’t exchanged between you and Bakugou as he retrieves his pillow and blanket from your space, carefully laying them out on the couch.

You don’t have to ask him if he’s feeling the same heaviness you’re carrying, the load evident in how he seems to be physically weighed down with the way he moves.

It’s not even just about the news of tens of children being the targets. It’s also the pressure to succeed in this mission with this new knowledge, even more so the looming reality that you’re currently leaning way closer toward failing it.

And you don’t know what takes over you—it may be that burden, or the palpable fear, or the very fact that you’ve been sharing more and more touches over the past two weeks—but you do it.

You stand up from where you’re seated on the edge of the bed and pull him by his wrist—the Bakugou who was just about to lie down on his makeshift bed—and into an embrace.

Bakugou instantly stiffens in your grasp, but he doesn’t say anything nor try to wriggle himself out. Stubborn and admittedly craving for a comforting hug yourself, you don’t let go of your hold around his torso, shifting to pat his back all the while.

“We can do this,” you whisper a few moments later, forehead against his firm chest.

And, as if your words are magic, you sense his body relax before you feel him wrap his arms around you.

You fight back the urge to bury the rest of your face into his chest and cry when he does so.

“‘Course we can, dumbass,” comes his uncharacteristically soft answer. “We don’t have a choice.”

Keeping your head high the following morning proved to be more difficult than you initially thought, let alone getting your ass out of the comfortable bed where you decided you could die then and there.

Bakugou himself didn’t look too excited when he got woken by the female twin at 8 AM sharp, that prominent frown deeply embedded in his mouth as he tossed his things onto the mattress just like clockwork.

And really, you were this close to asking him if he wanted to join you on your deathbed when your last bit of common sense reared its ugly head and metaphorically detroit-slapped you in the face.

Not now, bitch.

You had lives to save.

And so with that onerous knowledge, you hauled yourself out of bed, got ready in record time, and trudged beside Bakugou down to the mess hall.

You try to suppress the disappointment that lurches to your throat when you spot a small group of 20-somethings eating at the far end of your favorite table. You were looking forward to some peace and quiet, at least this morning after the debacle from last night, but apparently, that’s not happening.

You know better than to move to another spot, though, knowing all too well that such an action will make you seem snobbish and ruin the amiable reputation you’ve been trying to build for yourself. And so with a heavy heart, you head there with your full tray in tow and seat yourself beside Bakugou, just like how you’ve always had since Day 1.

And the moment you do, that’s when you hear it.

“…Have you heard?” surfaces an enticing voice that must belong to one of the women you clocked before sitting down. “Word’s spreading outside about the attack.”

“Seriously?” comes a man’s voice this time. “What about it?”

“Not much, just that there’s an impending one. But get this,” she pauses, and drops her volume enough that you have to strain to hear the next part.

“There…rumors…#2…involved.”

Your body moves before your brain can catch up—you whip to look at Bakugou beside you, whose eyes are already wide as saucers when you meet his gaze. Without a word, the both of you quickly move to demolish the food in front of you, and within a matter of minutes, you’re up and clearing your dishes by the kitchen area, before stomping toward the leader’s office.

Bakugou doesn’t even bother to knock on the door, opting to unceremoniously barge into the room instead.

“What the—”

“We’ve overheard that rumors are circulating about the attack and my involvement,” Bakugou announces.

Masaki, who’s looking stunned from where he’s seated on his office chair, tosses you a perplexed look. “What?”

“Let us out for one day,” Bakugou swings out of nowhere you’d almost get whiplash if you didn’t stop yourself from gawking at him at the last minute.

The man frowns. “I’m afraid I don’t follow, Bakugou.”

“Let the two of us be seen out for a day,” Bakugou expounds, although not by much.

Though, that seems to be enough for you, because only then do you get it.

Dating scandals have always been the rumor mill’s favorite, after all.

˖⁺‧₊ as always, reblogs, replies, and tags are appreciated <3 feel free to drop an ask, too—i'd love to chat with you. have a nice day!

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[innerfare]

Ace Relationship Headcanons - Part 1

Summary: A collection of headcanons about being in a relationship with Fire Fist Ace

Genre: Fluff

CW: None // SFW

———

A little scenario to start us off: you're Akainu's daughter- meek and mild at the start, with a burn scar or two (and a lot of trauma) from your temperamental father. You have an arranged marriage with a young marine officer, not a bad man but not necessarily a good one, either. And then there's Ace, the Second Division Commander of the Whitebeard Pirates, one of the most notorious criminals in the world. It's quite the scandal when the two of you run away together. Of course, you don’t run away because you’re star-crossed lovers. You run away because Ace finally sets you free. 

You fall first, drawn to him like he’s the sun and you just have to hold him in your hands, even if you’ll get burned. His easy way with people, his boyish laugh, the freckles on his cheeks, his muscular figure. 

Ace notices you’re attractive, sure, and sweet, but he puts you in the same box as everyone else, initially, trying to keep you at arm’s length. This only changes when you reach out to him and forge an emotional connection, approaching him when he’s down, offering him a piece of candy, and saying something along the lines of, “I'm happy you're alive,” or, “I think the world is a better place with you in it,” without even realizing the depths of Ace's low self esteem. 

From that point forward, he loses his voice when you're around because he's never felt such an intense need to wrap someone in his big arms and squeeze, to bury his face in someone’s hair, to inhale someone’s scent. You fell first, but he fell harder. 

His feelings slammed into him like a train and he wouldn’t have been able to peel himself off the tracks if not for Marco’s help (the older man didn’t do much, just told him to stop being so pathetic and shoot his shot). 

Marco intended for him to talk it out with you, but Ace is a man of action, not a man of words. It takes him a bit to gather the courage because he genuinely doesn’t think he deserves to have you, but eventually, the feelings become too intense. Once he decides he’s going to confess, he doesn’t confess so much as he gets you alone and places a heavy kiss on your lips. When you kiss him back, in his mind, the two of you are basically married. 

He works really hard not to be overprotective of you, but he watches you like a hawk. He has such intense anxiety about something horrible happening to you. He even has nightmares of him losing control and hurting you because he’s such a monster, or else of you finally realizing that he’s no good and leaving him. But when he wakes up, you’re always there, and he wraps you in his arms and pulls you into his side. 

Is very insecure about your relationship and has a deep-rooted fear that you will leave him if he isn’t actively doing things for you. Also has an insecurity about being ‘masculine’ enough for you and works really hard not to cry around you. It takes you a really long time to make him feel comfortable enough to open up. 

Isn’t really sure what to do in a relationship because he’s never had one and didn’t exactly have any to observe growing up, so he mostly mimics you. You sat beside him one night on the deck of the Moby Dick and offered him half of the candy you opened up? He starts buying candy to share with you. You offered him your scarf while on a winter island even though he didn’t need it? He always keeps an extra scarf in his bag lest you forget yours and need one. You tell him you love him? He hurries to say it back, not having realized that was something people could say out loud whenever they felt it. 

When Thatch tells him flowers are always a solid bet for wooing a woman, he takes it to heart. He gets so into it, always seeking out flower shops on the islands the two of you visit and asking the people who work there to make custom bouquets with a variety of flowers, though he leans toward sunflowers and orange lilies. If he encounters sunflowers in the wild, he'll most certainly pick some for you. 

He puts so much care into your relationship the guys tease him he’s not much of a pirate, but he doesn’t care. He wouldn’t give up on his dreams for anything, and yet, there’s a small part of him that thinks he would do the white picket thing if you wanted. He wants what you want, and the fact that you want nothing more than for him to achieve his dreams makes him feel like the luckiest guy in the world. The older guys, the ones who have been on the crew long enough to recall Pops in his prime, also tease him that he really is Whitebeard’s son because the Emperor also had a soft spot for a certain lady and was never very good at hiding it (Roger was the same way but don’t tell Ace that, eek).  

Goes a little crazy for words of affirmation. He has a pretty face? He has a nice laugh? He’s a kind person with a good soul? You’re lucky to have ever met him? You love him for who he is as a person and not the things he can do for you, not the flashy ways he can fight and fearsome reputation he’s made for himself? You’d better be prepared to have his children. He’s super awkward about receiving compliments, though, and often has no idea how to respond. “Erm, thanks, I guess.” Can’t bring himself to admit that your words make him feel like he’s drowning in his love for you. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[dyaz-stories]

in a world of boys, he's a gentleman || Park Chan-Young x f!Reader

summary: Yeong-Su breaks a window at the stadium, and Chan-Young takes the blame for it, resulting in severe consequences. Fortunately, you're here to pick up the pieces afterwards.

word count: 3.1k

warnings & tags: spoilers for season 2 of sweet home, violence, injuries, soldiers being assholes, coarse language, making out, the pronoun "she" is used in reference to the reader

A/N: couldn't find gifs for chan-young so I made this one, but I'm by no means a gif maker, so, yeah. Also, I don't know anything about baseball, so please pretend this makes sense if you know better. I'm not sure which team Chan-Young was supposed to be on, so I picked the Doosan Bears because Sweet Home takes place in Seoul. Finally, it's my first time writing for him, so I hope you'll enjoy my take on this character!

It’s another day at the stadium, which means it’s another day of boredom.

Oh, there are things to do around here, sure. If you don’t mind being ordered around by soldiers who stand behind you with a scowl on their face and remind you that the only reason you’re even there is because of their good will, you’ll find a job to do. Cleaning a corner of the stadium, probably, in hopes that someone will be able to live there — as if there were enough mattresses — or doing the inventory, again, while looking the other way when rations mysteriously go missing and everyone knows who’s doing the taking.

Thing is, you’ve never been one to grovel. In fact, back in the Before days, you were the one giving the orders. Youngest assistant coach for the Doosan bears, the Seoul baseball team, you were in line to become the youngest coach in the history of the country. And, yeah, you weren’t completely in charge, but you were trusted. You had responsibilities. People knew to take you seriously.

You’ve had ideas for how to run this place more efficiently, to avoid making the civilians feel like they’re second-rate citizens, but it’s been made clear to you that you weren’t welcome to make suggestions. So you haven’t bothered, lately, but you also won’t play in that stupid game, where people get to change the rules without telling you.

It means that you do a lot of aimless walking around in the stadium. Chief Ji implicitly lets you roam around, a testament to the fact that you knew each other well back in the days, when you used to bring her coffee before big games, but you mostly try to make yourself useful in the way soldiers haven’t bothered accounting for.

A lot of that means keeping an eye on kids that are left to themselves otherwise. Their parents are busy, and it’s not like there’s much to do for them, here, so you try to keep them entertained. Unfortunately, you’re no teacher, meaning that it’s a lot of physical activities, wherever you find enough place. Other days, people who are teachers take over for you. That is the case today, meaning you’d have the day ‘off’, if it weren’t for Yeong-Su not showing up for class.

You don’t personally think he should have to attend class. You know how mean the other kids can be to him, and though the teachers don’t do much in the name of keeping the peace, you don’t let that fly when you’re in charge. Which is probably why the kid never misses your classes, a small pride that you keep well tucked in your heart.

Still, the teachers insist that you make sure he’s okay, so you agree to go try and find him. He knows the stadium well, meaning it will be no easy task.

You end up finding him throwing a ball against a wall. It looks like he’s practicing his aim, you think when you notice that he’s drawn a square on it. You’re about to approach him, maybe give him a few pointers, when a particularly hard throw has the ball bouncing too high and it crashes through a window, finishing outside of the stadium.

You freeze. Monsters don’t approach the stadium much — it’s been months since there’s been a case of that happening.

But the mere thought of there being something open here still has your heart pounding with fear. It’s only a few seconds before you compose yourself, but that’s long enough for someone to come running. You rush towards Yeong-Su, prepared to fiercely defend him if you need to.

It’s Chan-Young, and you relax, even if your heart is now pounding for a whole other reason.

“What happened here?” he asks.

He may have been running with his whole equipment, but he shows no sign of being out of breath.

“I’m sorry,” Yeong-Su mumbles. He’s hard to handle, especially these days, but he clearly respects Chan-Young a lot. “I didn’t mean to— I was just practicing and—"

Oh gosh, you realize, kid was practicing pitching, and it’s not lost on you that that’s the position Chan-Young mainly played as.

“…and now I’ve lost my ball,” Yeong-Su sniffs.

He’s trying to hold back tears, and it tears a little piece of your heart away. You know that Yeong-Su had found a ball autographed by Chan-Young, know that it’s one of his most prized possessions. It’s no surprise that Yeong-Su can’t stand the thought of losing anything more than what he already has.

Chan-Young glances at you, still standing a few steps behind Yeong-Su.

“He didn’t mean to,” you say. “I’ll help you fix the window.” Eun-Yu probably won’t mind giving you a hand, too.

Chan-Young nods, and you watch as he puts a knee to the floor, so he’s at eye-level with Yeong-Su. If he was any other soldier, you’d be more cautious, but you know him. Worked with him, when he was on your team, lost him when he enlisted, and now you’re in this strange limbo, where he doesn’t seem to know how to interact with you, even though there is this obvious familiarity between the two of you, every time you do speak.

“You need to be more careful,” he tells Yeong-Su, putting on his Serious voice. “If a monster heard that and came in, it could be very dangerous for everyone. And if you’re in front of the window when it happens, it would attack you first. So don’t let that happen again, okay?”

Then he gives Yeong-Su a small, comforting smile.

“If you want to practice again, come ask me next time, okay?” He glances up at you, and there’s such softness in his eyes when he does. “Or ask the coach. She knows her stuff.”

You’d never become coach, not officially, but his use of the word makes your heart swell.

“Okay,” Yeong-Su mumbles, staring down at his feet.

For a moment, it looks like everything will resolve itself just like that, and you’re already putting a hand on Yeong-Su’s shoulders to pull him away with you, when you hear the familiar stomping of military boots coming towards you.

Chan-Young’s expression changes immediately.

“Go,” he orders.

“But…”

He spins around to grab your shoulders, lowering himself to look straight into your eyes.

“Go,” he repeats. “Please.”

There’s such urgency in his voice that you can’t deny him, even if you’re not sure what is going on exactly. You grab Yeong-Su’s hand and pull him with you until you’re both behind a corner, just in time. You keep an eye on the scene, confused. The soldiers behave like assholes, you know that, but surely—

“What happened here?” the Sergeant bellows in Chan-Young’s face. “You’re lucky it was us, who were standing outside the window, and not something else! You better have an explanation, soldier.”

“I’m sorry, sir,” Chan-Young says, shoulders straight, from what you can see. “I was just practicing and—”

Before you can wonder why he’d lie, the punch catches him in the stomach, and he doubles over in pain. You catch yourself before you can gasp out loud, and instinctively cover Yeong-Su’s mouth, which is probably a smart move, because he starts thrashing to run towards Chan-Young. You don’t blame him, but you also absolutely cannot let him do that, not right now.

“Yeong-Su,” you whisper, mimicking Chan-Young’s attitude with you just a minute ago. “You need to go back to Ms. Cha. Okay?”

“But they’re…”

You wince, because they’re still berating Chan-Young, and one of them has just given him a hard kick to the ribs. All the more reason for you to intervene.

“I’ll take care of it, I promise, but I can’t do that if you’re here. So go back to her, and I’ll come see you when everything is okay again, alright?”

He sniffs, rubs his eyes to hide the tears, then turns around and runs. At least he’s got a good survival instinct, you think, even if it hurts to remember where it comes from. The second you’re sure he’s not coming back, it’s your turn to run, but towards the soldiers this time, with a confidence that you now worry is wholly unwarranted.

“Hey, don’t you think that’s enough?” you interject, maneuvering so you can get between them and Chan-Young.

There’s a scoff and they roll their eyes. One of them puts his hand on your shoulder and pushes, but you barely take a step back. You’re used to men trying to intimidate you.

“I thought we’d made it clear that your opinions weren’t welcome,” Seo-Jin snaps at you, getting too close to your face for comfort — like that would make you budge.

“Doesn’t mean I’m going to let you beat up someone because he broke a fucking window, when if you’d gotten to work, that hole would be closed by now,” you reply on the same tone.

He opens his mouth to yell at you once more, a vein bulging on his forehead, when Chan-Young comes to stand in front of you. He’s barely just gotten on his feet, has one hand pressed against his rib cage, and still, he’s already coming to stop you from taking any risk. You want to scream at him and hug him all at the same time.

“Please, sir, she doesn’t have anything to do with this.”

Neither does he!

“That’s enough, Seo-Jin,” sergeant Kim finally intervenes, and the man immediately takes a step back. “Don’t let it happen again,” he tells Chan-Young. “And fix the hole,” he tells you, as an afterthought, before leaving and taking his team with him.

Your blood is boiling. He might try to be the voice of reason now, but you saw him doing nothing while his men got blood on their hands so he wouldn’t have to.

You don’t have time to think about it, though, because next to you, Chan-Young has slowly let himself slide to the floor.

“Are you okay?” you ask, panicked, while he grimaces and leans against the wall.

“I’m fine,” he says, an obvious lie. “You shouldn’t have said anything.”

“You took responsibility for something you had nothing to do with, but I’m the one who shouldn’t have said anything?”

He sighs, shakes his head.

“I just don’t want anything to happen to you,” he says. He looks at you with warm eyes, and you feel your breath catching in your throat.

There’s something about Chan-Young, there always has been. You always have to remind yourself that he’s nice to everyone, because he’s such a kind person. Even that didn’t stop you from falling for him — and it’s the second time that it happens, damn him.

“I’ll go get medical supplies,” you say, pushing yourself to your feet. “Stay here.”

“There’s no need to—”

“Please, do you want to die from an infection after surviving all these monsters? Stay. Here.”

You ignore any further protests as you rush to get the supplies.

It doesn’t take you long. Chief Ji provides you with what you need without questions, and apologizes for not being able to give you painkillers — they’re reserved for emergencies, she explains. You know the other supplies are, too, but you understand her reasoning, and just thank her with a quick nod and a promise to help out for the next few shifts outside the stadium, if she needs it.

When you come back, Chan-Young’s moved to sit on one of the boxes that are always laying around in here, and you grab another one to sit across from him.

“Open your jacket,” you say as you take the disinfectant.

“I— I don’t think that’s necessary—”

“C’mon, it’s nothing I haven’t seen before,” you say with an eyeroll, because the guys on the team weren’t exactly shy about taking their shirt off in front of you and he should remember that.

He clears his throat and glances away, and you notice his ears turning red.

“Um, right. Yeah. Just a second.”

Under the jacket, he’s wearing a simple white t-shirt, and he lifts it up so you can see for yourself.

And it’s not looking good. The area is red and swollen already, and you worry it will be worse soon. Unfortunately, there’s not much you can do about that, so you disinfect the scratches caused by the boots, and gesture for him to put it back down. You’d normally advise to put something cold on it, to calm the swelling, but that’s not really an option here, not when the little electricity you have is mostly used to keep the lights on.

“Try not to move around too much, okay?”

“I’ll try my best,” he says with a brief laugh. It’s a silly recommendation, and you both know it, but you still felt the need to say something.

“Now give me your hand, I’ll see what I can do.”

He does, and you carefully turn it to check the palm. You’re not sure if he hurt himself when he fell earlier, or if it’s just that there’s constantly manual work to be done and it’s hard not to injure your hand. Either way, you start cleaning it and disinfecting it as well.

“Do you think they would have been as hard on a kid?” you ask.

“No!” he protests immediately, maybe a tad too strongly. “They’re humans. I’m sure they wouldn’t have—” He interrupts himself, and you suspect that he knows they still could have hit him, a thought that makes your stomach turn. “But… Yeong-Su’s had a hard enough life as it is. People here are not… kind to him.”

“I’m not blaming you, especially after that,” you sigh, “I just— You do realize that it’s not your responsibility, right? I’d have helped the kid, and it could have ended better than…”

You gesture vaguely at him, and he closes his eyes for a second. He closes his fingers over yours where you’re holding his hand, rubs his thumb over your skin, which sends a wave of heat through your body. It only lasts a moment, though, before he catches himself and lets go.

“I’m— I was in charge, when his sister— I was supposed to be helping them. And I failed him.”

“What?” Ms. Cha told you that story, in hushed whispers, to explain why Yeong-Su was such a complicated child these days. It had been clear that there was nothing Chan-Young could have done. “You can’t blame yourself for someone turning into a monster and going on a rampage.”

“It happened on my watch,” he insists. “If I’d been more careful— If I hadn’t left the bus—”

You stop yourself to look at him straight in the eye. He’s close, but you don’t feel uncomfortable, not with him.

“That could have happened to anyone. You couldn’t have planned for it.” He exhales, long and slow.

“Thank you for saying that,” he says, but you can tell that your words haven’t sunk in. It breaks your heart, and yet you have no idea what more you can say. After all, you weren’t there. It makes sense that he wouldn’t believe you.

“You still shouldn’t put yourself in the line of danger to—” to what, anyway? Expiate his sins? What does he have to prove? Does he have a death wish or something? “You shouldn’t put yourself in danger when you don’t have to.”

“Better me than Yeong-Su,” he insists. “He’s just a kid, and he has his mom — well, Ms. Cha. And he has you.” You set the disinfectant back down, hands almost trembling as you realize where he’s going with this. “Better me than him,” he just concludes sadly.

“Park Chan-Young,” you say, “you don’t seriously think that, right?”

He doesn’t meet your eyes when he replies.

“He has a family here. I— don’t really have anyone—”

You’re not sure what goes through your head when you put your hand on his cheek and kiss him. If you had to rationalize it — which you’re not really in any position to do when it happens — you’d say that you just wanted to prove him how wrong he was. Truth is, though, that you also couldn’t bear the idea that you were letting him believe that when it was so entirely untrue.

His lips are warm against yours, and you think you feel him leaning into you, but you pull away too soon to know.

“There,” you say as you gather your things. “Now you know you do have someone, so don’t put yourself in danger unnecessarily, alright?”

Then you’re on your feet, hell-bent on fleeing the scene.

Of course, Chan-Young catches up with you in an instant. He grabs your wrist, and pulls you back against him. His eyes are wide as he searches yours.

“Did you mean that?” he asks, his voice catching in his throat.

“Mean what?” Your heart is pounding in your chest. You’re… not sure where he is going with this.

“It wasn’t pity, right? You— I have you?”

The words almost send a shiver down your spine.

“Of course you do. I don’t exactly go around kissing people—”

Next thing you know, his hands are cupping your face and his mouth is on yours. He kisses you feverishly, like he desperately needs you to prove your words to him. You kiss back without hesitation, wrapping your arms around his neck. It isn’t long before your back hits the wall and you let out a brief groan.

“Sorry,” he says, pulling away from you to check on you. “Are you—”

You don’t let him finish, pulling him back down against you. His hands move down to your waist, one of them slipping under your t-shirt to feel your bare skin. He’s kissing you slower now, more sensual, and he abandons your mouth to kiss down your jaw, then your neck, before he comes back to your lips.

“I shouldn’t—” he mumbles against you. “I’m not supposed to—”

“Everyone’s doing it,” you reply, but it doesn’t surprise you when he tears himself away from you. He’s a sight to behold, flushed and out of breath — and is it odd that you enjoy seeing him panting from kissing you when you know he can run for hours without struggling? He’s always been one to stick to the rules closely. It says a lot that he broke one right now, but you won’t push him any further, not until he’s ready.

You take a step back towards him, take his hand in yours, and press your lips to his cheek for one last, soft kiss.

“Don’t forget now,” you say. “You have me. Don’t risk your life without thinking.”

He doesn’t kiss you again, but he leans in to press his forehead against yours, squeezing your hand in his.

“I have you,” he repeats, as if to convince himself. “I have you.”

I hope you liked it! as always, if you did, consider reblogging and letting me know what you thought! feedback is really motivating and is what keep us authors going, so leaving a comment or sending an ask or anything really helps to keep me writing!

more writing for sweet home

[millaaster]

How They Treat You During Periods - Jujutsu Kaisen

Pairing: Gojo Satoru, Geto Suguru, Nanami Kento, Itadori Yuji, Fushiguro Megumi x Reader (Separate)

Summary: How some of the JJK men react to and treat you during periods!

Words: 1051

CW: SFW; Fluff; Domestic Fluff; Crack; Periods; Blood mentions.

AN: this a complex topic because everybody who menstruates has a different organism and a different dynamic, so this is very based on my own experiences, but i tried thinking about situations that could include more people ok :')

Please, do not repost or translate.

GOJO SATORU - More chill than you thought he would be. The first time you talked about it was when you had cramps during a date and tried to talk him out of doing anything.

He just came right out "Hey, there's nothing to be shy about! I'm just definitely not letting my woman suffer in front of me just to save face!" 

He sits you down, holds you close and asks if you're ok. "If you don't have medicine on you, we can stop by a store to get it while heading to your place". Escorts you home, makes you tea and tucks you in to nap. 

After you've been together long enough he's started getting real good at tracking your cycles and adjusting whatever plans you have. "Hm... honey, I've been thinking of taking some days off and heading to the beach, but next week would be no good for you right? Should we wait a little?" 

He stuffs you in candy and treats if you're feeling down (sure he'll snatch some of those...). 

One day you get a message from him:

"Babe SOS   Do we have any first aid home?  My nose is kinda bleeding...hehe"

"Toru!! You ok??  There should be some cotton balls in the bathroom" 

When you get home you find him with a whole ass tampon stuck up his nostril...."Satoru!!! What the hell are you doing?!?"

"Oh hey, honey! Sorry, couldn't find the cotton balls but figured this was even better and it DOES work wonders!", he tells you with a proud grin on his face... 

GETO SUGURU - Suguru may seem a little indifferent, but it's just that he doesn't want to step over your independence. He's trying not to overdo things and will only act after you actively ask for something.

That being said, if that's what you want, he's an expert in doing your chores and cleaning the house for you. 

He was once doing the laundry and you caught him staring at your sheets.

"Something wron-" you gasp, realizing there's a big blotch of blood in it.

"Babe! You don't have to wash this one!" you cry, feeling your face burn red.

"What are you talking about? I was just trying to remember how to take off blood stains", lifting it out of your reach as you try to grab it. "Was it vinegar or lemon..." he mumbles, walking over to your kitchen cabinets. 

He secretly enjoys that you get mellower and needy with him. You won't have to ask twice if you demand an extra tight hug. 

Loves aromatherapy and gave you a whole kit with a diffuser and oils that ease pain and help with relaxation. If you don't use it he'll pout and nag non stop until you turn it on. "Suuuguu...you're giving me more headaches than my uterus right now dear..." "If you had it on from the start there would be no ache whatsoever, dummy!" 

He's now GREAT with massages. You've always complained about how your back and thighs ache when you're menstruated, so he took some lessons to help you out with that. 

NANAMI KENTO - With Nanami it's princess treatment all the way! This man thinks it's freaking amazing how you'll have to deal with this for so long in your life, through work and everything, and that you're badass for that. I mean, you're literally bleeding!!! That's concerning enough to happen to someone he loves. 

So he'll put all the effort he can to minimize any discomfort you have on those days. As soon as it became a regular thing for you to stay over at his place, he purchased all sorts of tea, heat pads and asked you to tell him what pads or tampons he should buy to stock some. 

He loves to have dates at home, so it's a win-win situation when you stay in; he cooks you something warm and lays around with you all day. "Is this position all right love?" While rubbing gently your stomach. 

He also loves to give you useful gifts, so once he even went as far as to surprise you with a new care kit from a high end brand in a box full of products to pamper you. 

The best to have around if you're out too. Never gets bothered if you have to go to the restroom too often and makes sure the place you're attending has good access to those. 

ITADORI YUJI - Freaks out a little when you tell him you don't feel like going on a date because you're on your period. He forgot such things were a very real thing if he was dating you. Has the mindset that, as his S/O, your period is his period too!! 

You're totally lost for words when he first tells you that.....he just means he feels responsible for your well being throughout this time. 

Definitely asks Nobara for help on how to help you feel better. 

He's a really active guy and always wants you to tag along and spend time with him, so he researched a lot about exercises that'll be better to practice during that time. 

At some point in your relationship will text you:

"yo babe, I'm at the pads aisle what's your pussy size??" 

FUSHIGURO MEGUMI - Also chill about it. An absolute angel when it comes to being patient to you, who turns into a SAINT if you're on your period. 

He just knows that there are better times to deal with any stressful matters than now, so it's only love with this guy for a few days. 

He prefers to talk to you in person instead of texting, but if you mention being on your period, you'll get the sweetest messages all day long popping up on your phone to check out how you're doing.

"Love, did you eat well?" "Hey, do you need anything?" "Sunshine, hope you're having a good day"  “Never forget you’re amazing”

Secretly, has also consulted Nobara and his sister to get some tips on what he could do.

Gets his dogs to cuddle with you in bed, to keep your belly warm, if he's busy around the house. 

He has a playlist with hours and hours of comfort movies you watch together when you don't want to leave the sofa/bed. He even watches your favorite shoujo with you if you ask!

A/N: also, yes, I do think Gojo and Geto being good parents (to Tsukimi, Mimiko and Nanako) have helped them learn about periods.

Interactions are always appreciated ☆* have a lovely day!

[sizzlingchaosprince]

The Toy's favorite Child

Notes: This is the first time I'm doing such thing so I'm really nervous XD I didn't know what to put into the background of the drawing so I didn't put any. Maybe I'll edit it soon. Do forgive me for my shading, I'm still learning(trying to)

Synopsis: After starting to live in PlayCare, one creature you became friends with grew a liking to you...

Warning: PLATONIC, headcanon + little story, reader is 12-14 years old, reader is a chill teenager

It's been a year since you got into the PlayCare, passing through the security with laid-back face and leaving the staff confused. They kept you because you seemed useful for them...

You were quite chilly and relaxed, reserved and smart. Also, because of your personality you were almost the same with Cat Nap from cartoons. Maybe that's why you became quick friends with Smiling Critters. With most of them, at least...

The big purple cat was almost never appearing like others from his party. And this interested you.

After a week or so you finally met him face-to-face. You were as calm as always, but your heart was pounding from excitement. You said 'hi' for politeness and introduced yourself, waiting for him to do the same.

Guess what? His face didn't even shift. He continued staring at you with his dead eyes.

After understanding that you won't get an answer from him, you tried to talk about something else.

But he disappeared in blink of an eye.

You were quite disappointed, but you still had the same urge to get to know the living toy better. You knew it'll be a long while...

It was worth 3 months to make him sit and listen to your rambling for 10 minutes. It was worth more months to make him spend at least an hour with you. It took even longer for him to let you stay near him and sleep, leaning onto the puppet. But it was worth the pleasure you get from his warmth and company.

Even though you never heard him talk, it's enough for you to be near him. It's good to talk about any nonsense which randomly comes to your mind and have a listener who won't judge you. It's also good to take a great nap in his fur or stay in complete silence, thinking of your own thing.

The staff, of course, sooner found out the relationship between you and the purple cat puppet.

They tried to use you to their own benefits and new information, but instead you composed some lies which sounded like truth to tell them(Cat Nap helped you a little sometimes, nodding or shaking his head if the lie sounds truthful or not).

When the scientists were starting thinking about taking you for the test next, Cat Nap started to monitor you to make sure you won't end up in the Game Station.

It definitely wasn't him who knocked out the staff members right behind your back. It definitely wasn't him who let out some scratching noises in Home-Sweet-Home. Also, of course, it definitely wasn't his sharp gaze you felt on your gut 24/7.

You liked to use the hair brush on the purple furball. It doesn't move away so you can say that he's at least neutral to your activity(we don't talk about his really quiet purring).

[Now. The small story]

It was a normal day like any other one. More specifically, night. However, this week was quiet strange: the staff members of Playtime Co. except the workers from the PlayCare appeared more often in front of you. When they started talking about 'test', they randomly passed out because of the red smoke. You knew it was one of the Smiling Critters you were hanging out with for a while, but you didn't know why was he doing it.

You were currently sitting with your back leaning against the living cat plush, brushing your companion's tail you gently patted with your free second hand. The only thing that bothered you in that peaceful time was the fact that the purple cat wasn't purring at all. It was staring at you with its dark eyes. Sooner after, you finally asked him about this:

— Is something wrong, Cat Nap?

It didn't answer. Instead, the living toy just stared at you with expressionless eyes, not moving an inch. You weren't intimidated by the stare at all, so you just continued brushing the long tail. You weren't hoping for an answer anyway, but still a small, almost impossible dream was remaining in your heart.

The silence was broken by the raspy, low voice coming out from Cat Nap's voice box.

— The Prototype... Will Save Us.

You flinched.

Wow...

This is the first time he ever said something to you. It was surely a progress for your friendship.

You stared at him with wide eyes for a moment before shifting your attention back to the tail. You shrugged with your shoulders, your face had a relaxed smile.

— I don't know who the Prototype is, but if they helped you somehow, I think they're my saviour too. You're like a home to me.. I can't even imagine what would it be like living without you here!

You chuckled, patting the fluffy tail while Cat Nap looked at you with the same stare. However, something in his eyes changed... Maybe his gaze gained a little more... softness?

He stared at you until you fell asleep on him again. A few minutes of him sinking into his thoughts have passed, the toy putted his head on his paws, wrapping his tail around you like a blanket and soon enough closing his eyes. You would call it the same night-time scenario with Cat Nap in the next morning, because you didn't know that he was comfortably purring, nuzzling himself into your warmth last night...

Notes: OH MY GOD I DID IT :D I'll maybe do part 2, but without promises

Anyways, thank you for wasting your time reading my first-ever-made English fanfic. Do write me some comments about my errors if you find any, I will appreciate it since it'll improve my writing skills.

Have a nice day/evening/night!😘

[nitpick7]

i feel like the life series fandom has not properly utilized the angst potential of the wildcards yet. and maybe i just haven't read enough posts or fics yet, which is definitely possible, but i'm gonna ramble anyway. (disclaimer: i've watched every pov but probably will get details wrong anyway.)

session one. pearl goes off, alone, away from her group for just a bit. just to mine a little bit more, get some iron. she's crouching at the edge of a cliff to get a better look at the cave, when suddenly the ground isn't underneath her anymore. she doesn't even slip, doesn't have time to react, she just falls.

session two i've thought about so much that i started writing a oneshot (unfortunately still a wip). everyone having to eat rocks and ores and wood and just so many things that they are not meant to eat... but they're all literally starving and real food doesn't fill them anymore. so they're biting into anything they can get their hands on, just hoping and praying that it fills them and doesn't poison them or make them float away... the terror every time the food changes? scrambling to find the next items to eat. ough.

the SNAILS. god. the snails. those things are cute but deadly. bigb, start of the session, seconds after the wildcard activates, hearing something and seeing something and then he's dead. gone. he's gone from peacefully mining to dead in seconds flat and everyone instantly knows just how deadly this one will be.

the speed one... has less angst potential. it's more just the constant fear, being constantly on edge, not used to the speed everything is moving at. they're frustrated at being too slow or their brains aren't moving as fast as their legs, or it's the very start of the session and they're frozen in time with no idea what's happening.

triviabot is less about the trivia itself and more about how it makes everyone act. sabotaging their friends and enemies alike, hiding bots, feeding people false information. they can't trust anyone in that session. but the moment they can trust someone, they latch onto them. someone gets a question about an ally and books it across the server to ask them about it, hoping their bot is still there when they get back.

more on triviabot: there's also the effects if they get something wrong. the robot voice is crazy because to themselves, they sound perfectly normal, but no one can fucking understand them. they're just unable to communicate and don't know for how long. or they're knocked down a few hearts, unable to be fully healed. constantly hurting at least a bit. being equipped with leather armor that they can't take off, unable to protect themselves. tripling in size, not being able to fit anywhere or do anything because they're so big. or their snails coming back, slower but still terrifying.

the mobs one... the very first thing that happens is everyone's beloved pets being killed. unless they happened to have the resources for a nametag beforehand. bdubs almost lost his horse! lizzie spent forever trying to collect mobs just for them to be murdered again! and the trial chamber. grian, joel (who didn't even want to be there), etho, scar; already in the midst of battle, and then all the fucking mobs change? they were terrified in real life, do you know how good that could be in fics?

you may think that there is little angst potential from superpowers. you would be wrong. again, it's less from the wildcard itself and more from how it makes people act. impulse teleporting ren into an obsidian box full of water in order to prove ren was lying about his power? that shit's CRAZY. WHAT THE HELL. impulse literally tried to drown ren to prove scott's point! and like good for him but!!! holy shit!!!!! or grian, who should know what he's doing, losing pearl's ability mid-air and falling to his death - grian falling to his death? (and obviously the listener symbolism with martyn and jimmy. we know we can do stuff with that.)

the final session is just. all of that. but combined. and more wild. it's everything all at once, randomly activating and deactivating, no one knows what's going on and it's a mess. just confusion and chaos.

so. yeah. there is my ramble, i might do smth with this but i might not. please add to this if you have more wildcard related angst, i will love you so much. Ɛ:

[doberbutts]

I was typing a big long thing about the changes I've experienced in a year on testosterone and how it's affected me and all that and then tumblr ate it and I really don't feel like retyping that whole thing but I am kinda salty about it so tldr:

Starting testosterone has been the best thing for my health that I've done. Ever. Better than getting a service dog. Better than restructuring my life to cater to my disabilities. Better than any procedure or medication or otherwise that I've tried. Simply rubbing a pack of gel on my arm once a day has done more for me than anything else.

When I went to my endo to start T, I went with a suspicion that I am intersex. She confirmed it via blood test and told me that with my variation I could try two different things: estrogen to control my high levels of natural androgens, or testosterone to lower my estrogen further and make it stop arguing with my androgens about whether I'm supposed to be a boy or a girl, as it's that argument that was causing a significant portion of my health problems. Estrogen has been tried in the past and only made things worse. She told me it was my choice, and only I could choose my path forward, as I knew my body the best.

When TERFs have a fit about gender affirming care, they usually leave out people like me, or they brush my story aside by saying that I'm just an anomaly, or they claim for me and my demographic that we don't want to be part of this discussion. But I don't fit their definition of a woman- I have a testicle, and my natural testosterone was within normal range on the low end for a cisgender, perisex man, and enough male sexual partners have commented on what's in my pants to tell me that it's far from the picturesque womanly pussy, especially considering I can- and have- use it to penetrate with the help of devices designed for cis men who are a little lacking in length.

When TERFs have a fit about gender affirming care, they scaremonger about side effects and changes. But, I was already hairy. I was already growing facial hair. I already had atrophied- and by 30 to the point that it's not really possible to fix without significant medical intervention. I was already infertile. I already had an adam's apple and a deep voice. I already had belly fat and blood pressure problems. My menstrual cycle was already hellish and had interfered with my school and work schedules. A popped ovarian cyst sent me to the ER.

I'd tried no treatment. I'd tried estrogen-based solutions. These not only did not work but actively made things worse. I was fainting at school. I was calling out of work. I couldn't drive without my service dog. I couldn't go out and have fun with my friends. I spent days at a time laying in bed in too much pain to move.

TERFs say, gender affirming care turns you into a forever patient.

I already was one of those. I almost died when I was a baby strictly because of lack of access to care that accepts children who are born who are both and also neither from the womb, before anyone has a chance to develop a personality or understand the difference between a boy and a girl.

Testosterone has turned me into a "once every 3 months" patient instead of a "twice a month minimum" patient. I pay less than $15/month for my prescription and it's mailed to my house in three-month increments. Stopping my wildly irregular and incredibly painful menstrual cycle has increased my quality of life so much. My body doesn't ache for no reason anymore. I don't faint anymore. I can go out and do things and not be punished for it for days on end by fevers and chills and vertigo.

Don't let a handful of transphobic assholes scare you. If this is your way forward, then live your life to its fullest.

My only regret is that I didn't have the chance to do this sooner.

[immaturityofthomasastruc]

Miraculous Ladybug Season 5 - An Overview

Well... that certainly was... the fifth season of Miraculous Ladybug.

While I was overall mixed on Season 4 with how much it varied in quality, I think I have a more concrete opinion of Season 5.

Yeah, this season was a real pain to review, but not for the reason you'd think. Most of the episodes were either dull or average, so there wasn't a lot for me to really talk about. Of course, when things were bad, dear lord, were they bad. This analysis is somehow longer than my Season 4 one and the ranking post. Other than real life stuff getting in the way, there's a damn good reason why this took so long to finish. I basically wrote a college thesis on this season.

The Things I Liked About Season 5

Let's get all the good things about this season out of the way first.

For one thing, one of my biggest complaints about Season 4 was sort of rectified, the portrayal of Adrien. While I still have problems with him (which I'll get to in a later section), they're more about his impact on the story. As for his personality and attitude, it's a big step up. There's much less complaining, he's more active in the action, and is far more intelligent. Compared to Season 4, where Cat Noir was affected by an Akuma's powers or taken out of commission in order to raise the stakes eleven times (Lies, Mr. Pigeon 72, Mega Leech, Guiltrip, Optigami, Sentibubbler, Wishmaker, Simpleman, Ephemeral, Penalteam, Risk), here, funnily enough, it only really happened five times in Season 5 (Jubilation, Illusion, Derision, Emotion, The Final Day). It's honestly amazing. There were times where I thought he was going to be taken out or get portrayed as an idiot, but that almost never happened this season. Even some of the weaker episodes this season featured Adrien in a more active role, like “Passion”, “Reunion”, “Elation”, and “Deflagration”.

Also, as much of a problem that I have with Cat Noir trying to Cataclysm his enemies, I'm glad that the show at least tries to acknowledge this by showing his worst nightmare is a world where everyone is dead because of him. It's not handled well, and it's only done just to bench him for the finale, but I'll at least give the writers credit for putting in the effort to give him more nuance. It's a hell of a lot better than what they did with Gabriel, but I'll get to him later. By extension, his relationship with Ladybug is much more tolerable. The two work together well, talk about the conflict with Monarch more often, and for the most part, feel like actual partners. Yeah, that dynamic falls apart towards the end of the season, but again, I'll give the writers an A+ for effort.

Another thing I like is that this season tries to focus more on character pieces, with episodes focusing on characters like Nathalie (Passion), Kagami (Perfection), Luka (Migration), and Zoe (Adoration). They're not handled the best, but I'm glad the show is at least trying to give the supporting characters time in the spotlight, even though they don't have their Miraculous anymore.

Speaking of, I like the idea of the Alliance rings. It's really the only time Gabriel actually takes advantage of his status as one of the most influential people in Paris to push the use of something specifically designed to help give his Akumas more power. Given how prevelant the marketing for Alliance rings is, it's easy to see his plan working in the long term.

We also had a couple decent new Akuma designs, like Safari, Bugfighter, and... uh... Yeah, I got nothing else. This is pretty much the most praise this season is going to get from me. Sure, I'll go into some other aspects I like during later sections, but other than that, this is it. Hell, even the parts I listed earlier are only mentioned for the ideas they present, not the way they're executed.

The Final Season... Of Filler

We've finally made it to Season 5, the climax of the conflict with Monarch. This is going to be epic, with all kinds of compelling stories that can be used for episodes, leading to a final product that will go down as—my God, why is this season so boring?!

Like I said earlier, this season was a lot harder to review than Season 4 was, and this was one of the biggest reasons why. As bad as that season was, I at least had stuff to talk about. Here? Almost nothing. A good chunk of the episodes I reviewed just didn't leave an impact on me. Most of them were either forgettable, mediocre, or just okay. Some of the episodes had decent ideas and a handful of good scenes, but it wasn't really enough to reach the highs of earlier seasons, including Season 4.

It's strange, because at first, it seemed like the show was learning from its mistakes during the first three episodes of this season. “Evolution”, “Multiplication”, and “Destruction” were far from perfect, but you could at least tell the show was trying something different. There was tighter continuity, clever mind games on both sides, a rare instance of nonlinear storytelling, and major changes to the status quo. They explained why Monarch can't just beat up Ladybug and Cat Noir himself, why the Rabbit and Rooster Miraculous can't be used to end the story, and why the Alliance rings were created.

When Ladybug got the Rabbit Miraculous after failing to get the other fourteen back, you would think that this would lead to an arc where Ladybug and Cat Noir gradually reclaimed the Miraculous from Monarch until the final battle, but what did we get instead in terms of plot development?

For what was supposed to be the final season, it felt like almost nothing happened. Sure, as always, the show tried to trick us into thinking stuff was happening, but several plotlines introduced this season were either abandoned or rushed through after a few episodes. The Resistance? Only relevant for five episodes, and even then, they didn't do much (Illusion, Deflagration, Confrontation, Revolution, Representation). Trying to discover how Monarch is giving the Akumas Miraculous powers? Only relevant in a single episode (Illusion). Felix having the Peacock Miraculous and being a total wild card? Only relevant for three episodes (Emotion, Pretension, Representation). The reverse Love Square? Only relevant for four episodes before it petered out (Determination, Passion, Reunion, Elation). Lila manipulating Kagami for some reason? Only relevant for two, maybe three episodes if you count that one scene in “Emotion”, and that was dropped in favor of her learning Monarch's identity offscreen (Perfection, Protection).

You'd think for a season with stakes this high, there would be bigger stories or more character drama, but we got nothing. The only real ongoing story we got was the Love Square finally happening, and trust me, I'll get to that later. There were plenty of ideas for story arcs here, but the writers pretty much ignored all of them.

Retcons! Retcons Everywhere!

This one's shorter, because it's a problem with the show in general, and I'll go into more detail about specific examples of this later on.

Miraculous Ladybug is a show that has always struggled to be consistent with its lore, worldbuilding, characters, story, and... well, a lot of things. I've talked about how often the show retcons things in order to justify whatever story they need to tell, not just for individual episodes, but story arcs too. There were so many episodes with stories that contradicted previous events or changed the motivations of certain characters on a whim.

In case you didn't keep track, here's a little highlight reel of some of the retcons this season.

Evolution: After both him and Ladybug were able to use multiple unifications last season with no problem, Monarch can't use too many of his powers without collapsing in pain. It also goes against what was established in “Kwamibuster”, the idea of using multiple Miraculous being enough to damage your sanity, where here, Monarch's body is damaged.

Multiplication: Adrien's reason for falling for Marinette was due to all the times she helped him, when it was usually the other way around in earlier seasons.

Determination: Adrien reveals he's had feelings for Marinette since the events of “The Puppeteer 2”, even though it never influenced any of their interactions between that episode and this one. It also contrasts the previous episode, where it said that Adrien was just starting to fall for Marinette for different reasons.

Derision: Chloe's bullying of Marinette had severe psychological damage that explains why she acts the way she does around Adrien... but ignores the romantic feelings Marinette has had for Luka and Cat Noir, and didn't act the same way around them, to say nothing about how she acted around Nathaniel when he had a crush on her during “The Evillustrator ”.

Intuition: The Snake Miraculous somehow makes Gabriel's Cataclysm wound worse even though the form of time travel it uses is mental, not physical.

Protection: Gabriel and Tomoe want their children to be in a relationship, yet Adrien and Kagami kept it a secret while they were dating.

Adoration: Zoe suddenly has feelings for Marinette despite showing no signs of it beforehand.

Emotion: Felix reveals he's doing everything for Adrien's safety, even though in his previous few appearances, he's done nothing but screw his cousin over by smearing his public image.

Pretension: Felix is against using a Sentimonster to defend himself and Kagami due to not wanting to force an innocent creature to follow his orders, yet he had no problem using a Sentimonster in the very last episode and in his next appearance.

Revelation: Lila has multiple secret identities she uses while pretending to be the child of several women, which had never come up at all during the last four seasons.

Representation: Kagami apparently learned Marinette was Ladybug right before she was akumatized in “Perfection”, yet Monarch didn't learn this like he did with Luka.

Do you see the problem here? Hell, I didn't even list every single retcon, or else we'd be here all day.

I don't get how a show that wants to be serialized can keep changing details like this. It's not even a case of the show replacing its writers with new ones who don't know as much as the old ones. This is mostly the same writing team for almost four seasons at this point.

Sometimes, the show will retcon stuff in order to justify stories when it doesn't need to. Remember how at the beginning of the season, Marinette was feeling guilty about her failure at the end of Season 4, and that influences her hesitance to accept Adrien's advances? The writers sure didn't, as “Derision” exists to give Marinette a whole new reason to not be comfortable around Adrien. Why the hell would you give Marinette a perfectly valid reason to not want to pursue Adrien, only to write an episode that gives her a different reason to not want to pursue Adrien? There was literally no reason to do this, especially during the last season of your first major story arc!

This season is clearly trying to be the most serialized of the bunch, yet the writers keep changing details about the story like that one Wallace and Gromit meme.

Season 5: The Show's Greatest Hits Album

Something I've noticed about this season is just how repetitive it can be. I know that sounds weird given this is a show that literally gave us the Status Quo-Yo, but please hear me out.

So many major story arcs and focus episodes are just rehashed versions of older things in this show, and not just the reused Akumas. Not only does the first half of Season 5 restate how complicated things are for Marinette's love live and how she can't love Adrien after what she did (something she gets over rather anticlimactically once Adrien confesses). Then there are other times where even plotlines established this season will get reused, and more often than not, it's worse.

In “Perfection”, Kagami is akumatized thanks to Lila's lies, and manages to break free from Monarch's influence thanks to her friends showing that they care for her. And then four episodes later, Kagami is akumatized again thanks to Lila's lies, only this time, she isn't able to break free. What... what was the point of having that emotional scene in “Perfection” if you're just going to treat her like a run of the mill Akuma a few episodes later?

And it's not just that. Big moments that happened in earlier seasons are pretty much redone but with a few changes to make it seem like they're different. Did you like seeing Adrien give up being Cat Noir in “Kuro Neko”? Well how about seeing Adrien and Marinette give up being superheroes in “The Kwamis' Choice”? Did you like seeing Chloe break off her friendship with Adrien in “Queen Banana”? How does seeing Adrien break off his friendship with Chloe in “Derision” sound?

But the worst of this has to be in the last seven episodes of the season. So much of what is essentially the culmination of five seasons' worth of story is just recycled. Let's go over why. In “Confrontation”, Marinette (and by her, I mean Sabrina with help from Marinette) manages to outsmart Chloe and Lila and put an end to their tyranny in the classroom. What are the next two episodes about? Marinette needing to outsmart Chloe and Lila, only now, they have reign over the city. This feels like something that should have been one major story, not something split up into two two-parters. Hell, you can't even say it's original to see Chloe in control, because this is also something that was done back in Season 1's “Rogercop”, only with the titular and the police following his orders for no reason instead of Chloe and her bootleg Daleks.

But hey, if an army of robots capable of using Miraculous powers, at least we can expect something even more creative for Monarch's ultimate plan, right? Yeah, Project “Perfect Alliance” is just a combination of Chloe's murder boxes and the exact same plan in “Heroes' Day”. People are brainwashed like in “Heroes' Day” and they get Miraculous powers like the robots in “Revolution”. Seriously? Nobody took a look at this and thought “Didn't we do this already?”

What's the point of making these two different evil plans when they're essentially the same thing? Why not give Chloe's robots various weapons instead of Miraculous powers if you're going to have an army of villains who have the same Miraculous powers two episodes later? Why not make it so the Miraculized are really the robots designed to help Chloe, only here, they have the ability to turn anyone wearing an Alliance ring into one of them, sort of like the Borg from Star Trek?

It's clear that after four seasons, the writing on this show has gotten incredibly stagnant if the major plotlines are just reused from earlier seasons. At best, it comes across like blatant fanservice, and at worst, it's a symptom of the writers struggling to come up with new ideas for stories. Either way, this is one of many reasons why not a lot of people are looking forward to Season 6. How can you expect interesting stories in the future when the writers keep recycling their old ones?

Felix and the Struggle With Sentimonsters or: This Is Starting to Sound Like a Bad Comic Book Plot!

Before I get into the problems with Felix this season, consider this: With Chloe (who I'll get to later), she was an example of someone who wouldn't get a redemption arc. Felix? This is the writers intentionally trying write a redemption arc. How did that turn out?

The obvious problem with Felix is mostly due to, like a lot of things in this show, poor time management. He only had three focus episodes, and in that time, the writers needed to explain his motivations, establish him as a wild card, have him realize the error of his ways, develop his relationship with Kagami, and help out Marinette. They really wanted to do a lot with Felix, yet with how rushed his arc was, I have to wonder if there was some trouble behind the scenes that prevented him from getting more focus.

It doesn't help that what little we got was confusing as all hell. I've already gone into detail about the problems with Felix's motivations not explaining his actions, but here's a list of all the problems with Felix.

If Felix wanted to get the Peacock Miraculous from the start, why didn't he try stealing that in “Felix”?

If Felix cared about Adrien, why did he spend most of his appearances mocking him and ruining his reputation by impersonating him in “Felix”, “Gabriel Agreste”, “Risk”, “Emotion”, and “Representation”?

If Felix knew who Gabriel was, why did he come up with this elaborate plan to get the Peacock Miraculous in a trade with him instead of going to Ladybug for help in “Strikeback”?

If Felix realized Gabriel was dangerous and capable of wiping him out, why did he decide to give him fifteen Miraculous in exchange for a single Miraculous without doing anything to stop him in “Strikeback”?

If Felix could easily get rid of Gabriel with a single Sentimonster like he did in “Emotion”, why didn't he immediately do that as soon as he got the Peacock Miraculous in “Strikeback”?

If Felix wanted to stop Gabriel, why did he decide to wipe out all of humanity alongside him in “Emotion”?

If Felix cared about innocent lives, why did he decide to wipe out all of humanity without showing any remorse except for when he had to get rid of Red Moon in “Emotion”?

If Felix didn't want to create any Sentimonsters just to end their lives in “Pretention”, why did he do just that in “Representation”?

If Felix knew Marinette was Ladybug, why did he choose to tell her who Gabriel was in an unnecessarily complicated way instead of telling it straight to her face in “Representation”?

If Felix really hated his abusive father, why didn't he show any hatred for Gabriel (who gave Colt the damaged Peacock Miraculous and did nothing to stop the abuse) as well during his little play in “Representation”?

If Felix cared about stopping Gabriel, why did he only decide to go to Ladybug for help when Gabriel was getting in the way of his relationship with Kagami in “Representation”?

If Felix was willing to tell Marinette about Gabriel being Monarch in “Representation”, why didn't he do anything else to help her stop Monarch in “Comformation” and “Re-Creation”?

With how many flaws his plans have, I'm surprised Felix hasn't said anything along the lines of “My pwan is gweat!”

For someone who claims to be doing a lot of things for Adrien, Felix tends to either screw over his cousin as part of his plans or forget him entirely. I don't mean he screws over Cat Noir, as his identity is one of the few things he doesn't know, but rather, how little his plans actually benefit Adrien. Putting aside his previous appearances in Seasons 3 and 4, in the span of a single episode, Felix pretended to be his cousin and smeared his public image, used a Sentimonster to wipe out all of his friends and loved ones while needing to be told by Adrien that doing so wasn't cool, and after that, he pretty much abandoned caring about Adrien.

Yeah, starting with “Pretension”, the writers once again change gears so Felix's primary goal is to help Kagami, not Adrien. It's Kagami that really helps inspire Felix's true turn to good, it's Kagami who he chooses to visit when she and Adrien are taken to London, and it's Kagami that helps him decide to tell Marinette Monarch's identity. Even though he only has three major appearances, the writers still decided to shake up his character arc for some reason. How does a team of paid writers struggle to stay consistent with any story or character arc they've written?

The worst part is that for a redemption arc, Felix shows little to no remorse for his actions. Not once does he apologize to anyone he's personally wronged, like Adrien, Marinette, or Kagami. He doesn't see anything wrong with giving Monarch more power and depriving Ladybug of almost all of her allies, and he had to be told that wiping all of humanity from existence was a bad thing. Felix has done so many terrible things in his quest for freedom, which isn't a bad idea, as it could make for an interesting discussion about whether the ends justify the means, but the show doesn't go that route. Instead, despite doing almost nothing but making things worse for Ladybug and Cat Noir, we're supposed to see Felix as a great person who just wants to have friends. Sure, having good social skills is a big part of being able to manipulate others, but let's just ignore all the people he's tricked and assume he doesn't know how to properly socialize with someone without stalking them.

It doesn't help that of all the characters this season, Felix makes the most progress in stopping Monarch. Puting aside his little genocide attempt in “Emotion”, he actually made an attempt to take Gabriel out of the equation, and later on, passed on intel about his true identity to Marinette. Think about that for a second. Marinette, despite being a hero with the ability to deduce what to do from simple clues given to her, isn't the one to figure out Monarch's identity. Instead, she has to be told who Monarch is, and is able to beat him only because Felix told her what to do. The worst part is that Felix doesn't even take part in the final battle when he has no excuse to not get involved. Remember, he doesn't have to worry about getting snapped away by Gabriel, so even though he cares so much about Adrien and Kagami, he does nothing to save either of them from their glorified solitary confinement.

Felix isn't a character. He's a glorified plot device who only shows up to advance the story instead of letting any character make progress by themselves. While Marinette and Adrien are focusing more on their love lives this season, Felix is the one actually getting things done. Because God forbid the two characters the show is named after actually do anything to stop the villain this season, am I right?

And that's not even getting into the Sentimonster stuff. Yep, to our collective horror, not only is Felix a Sentimonster, but it's also hinted that Adrien and Kagami are Sentimonsters too. I'm not sure why the writers are so hesitant to flat out say the latter two are Sentimonsters after all the obvious hints, especially when this is a show that loves to overly explain every plot detail and character trait. I don't know. Maybe they're just hedging their bets in case things don't go over well with audiences, but I can't possibly see anything bad coming from this. After all, how can you think of any uncomfortable implications stemming from the three major victims of child abuse literally being inhuman monsters who are physically unable to resist their abusers' orders?

With the Sentimonster “reveal”, Adrien and Kagami, two characters who were previously doing their best to be independent from their parents as they could at their age, are now physically incapable of even having a single negative thought about them without being ordered around while showing no resistance. Like I've mentioned before, it's a blatant retcon because it's never explained why Gabriel and Tomoe didn't do this during Seasons 2 and 3. It also gives the writers the opportunity to remove any agency Adrien and Kagami have in the plot, even though one is one of the two main characters, and the other plays a crucial role in helping another character expose the main villain's identity.

We're supposed to see Gabriel and Tomoe as wrong for ignoring their children's protests and forcing them to do things they don't want to do, but it doesn't lead to an arc where Adrien and Kagami rebel against their parents and break free from their influences. As soon as either Gabriel and Tomoe touch their respective rings, Adrien and Kagami are completely helpless, and there's no way for them to resist because of how powerful the link with their Amoks is. There's no hint that they have the potential to break free from their Amoks' influence, and the only time we saw that happen, it was a complete accident that Felix didn't even cause (Representation). Adrien and Kagami are both reduced to damsels in distress thanks to being Sentimonsters, and even though the show is trying to say they're trapped in a terrible situation, there's never a way out.

The most Adrien and Kagami do is express frustration with their situation, but most of the progress made in escaping their bad relationships is done by their respective love interests, Marinette and Felix. Yes, support systems are important, but rather than help Adrien and Kagami earn their freedom, Marinette and Felix do pretty much all of the work to save them during the latter half of this season. Hell, they couldn't even get that completely done by the time of the finale! Gabriel dropped dead and Adrien thinks he's a hero and Kagami's still living with Tomoe, only now she has her Amok ring. We're supposed to see this as a happy ending when they're both still influenced by their abusive parents, even if they don't have any physical control over them. The whole idea behind making Adrien and Kagami Sentimonsters should have been something about them, but with Gabriel and Tomoe, the writers only see them as helpless victims who can't do anything to save themselves. Sure, both of them have fought supervillains before, but we can't have them actually showing agency, can we?

I'm going to get into other ways Adrien and Kagami's characters were butchered this season, but for now, let's get into all the uncomfortable things this plotline implies. Now before I go any further, just remember that I am far from an expert on abuse or child psychology, so please take what I say with a heavy grain of salt. If there is anyone reading this who is a victim of abuse or knows someone who was, please don't be afraid to speak your mind about my analysis or correct me if I get any details wrong.

I get that making Adrien, Kagami, and Felix Sentimonsters was probably done so it'd be a way to explain the concept of child abuse to younger audiences, specifically to show how helpless the situation can be for victims, but the problem is how the allegory is handled. It wants to show how cruel the idea of child abuse is, but it doesn't want to outright vilify abusers like Gabriel or Tomoe. They usually try to sugarcoat it by saying that the two have good reasons for doing what they do, but that's a common problem with abusers. Abusive parents almost always believe that they're doing the right thing while their children think that they're just being punished for their own good, and the season ultimately takes that stance by the end.

The show is clearly trying to use the Sentimonster concept to tell a story about abuse, but I have no idea what exactly it's trying to say about it. “Child abuse is bad”? Okay, then why aren't you going to condemn the abusive parents for being abusive parents? And no, brief mentions of abusive parents who we never actually see onscreen don't count (Derision, Pretension, Representation). “Help out abused children”? Big talk coming from the season that only has two people actually fight to help the victims of child abuse, while treating another victim of child abuse as getting her just desserts (Revolution). “Parents have good reasons to do what they do”? Yeah, that normally applies to stopping your kid from getting a tattoo, not forcing them to whatever they want against their will.

The thing about writing abuse is that you need to acknowledge just how unhealthy it is, and do whatever it takes to take them out of the toxic environment. Here, nobody ever tries to remove Adrien from the toxic environment or tell him that what his father is doing isn't right. Sure, Felix tries to take Kagami away from her abusive mother, but that was only for like an hour at most, and then he just let her go back to her mother. Adrien doesn't even get that luxury. Hell, he isn't even allowed to know just how terrible his father was because he's just a sensitive baby according to the show. Portraying abuse victims as too emotionally fragile to know the truth is a pretty bad idea because, like I mentioned before, a big problem that abuse victims go through is that they're conditioned to see their treatment as normal at best, or see it as their fault at worst.

Like so many other serious topics discussed in this show, the writers clearly want to tell a story about abuse, but they're too afraid to actually take a proper stance on it, so they kept trying to play it safe in an attempt to not get backlash from audiences. Of course, because of that, they ended up portraying victims of child abuse as soulless husks who have almost no free will of their own, while ending the season by having them still under the influence of their abusive parents, even the dead one. Real bang-up job, there, writers. It says a lot when a Spider-Man PSA from almost 35 years ago did a better job tackling child abuse than you did.

And finally, let's talk about how this season's treatment of Sentimonsters indirectly influences our perception of them across the past two seasons. Even though the Sentimonsters created have shown almost no individuality from Seasons 2 to 4, only now are we supposed to see them as sentient beings, with Felix himself even taking offense at the idea at being called a Sentimonster. Never mind the fact that Felix never actually comes up with a proper alternative, so he just comes across as whiny when we're supposed to see him as a champion of the Sentimonsters.

In regards to the narrative the show decided it now wants to tell about Sentimonsters, I have two questions.

First, why should I care about Sentimonsters if the previous two seasons have portrayed them as nothing but soulless killing machines? If you're going to write a plot twist that changes the way we see Sentimonsters, you need to explain why we were wrong to only assume they're dangerous, especially since Argos' first Sentimonster literally wiped out all of humanity. For comparison, Ultraman Z did a similar plotline by having the main character realize that several of the monsters he killed as the titular hero weren't intentionally trying to harm humanity, so it caused him to doubt himself as a hero before he vowed to start finding non-violent ways to stop monsters if he could, while viewing the act of killing monsters that couldn't be reasoned with as a necessary evil. This show has no such arc and just expects us to ignore all the damage the Sentimonsters have caused since the end of Season 2.

Second, what about the Sentimonsters whose lives have been snuffed out by Mayura, Shadowmoth, and even Ladybug? The writers want us to sympathize with Sentimonsters and believe they get a bad rap? That's fine, but even if we did, what about the ones who were already wiped out of existence? Are we just not going to talk about them? Why should we only value the lives of Felix, Adrien, and Kagami and not any of the other Sentimonsters created in previous episodes? What, because they're not main characters, their lives don't matter?

All in all, everything about the Sentimonster was either poorly thought out or too preachy to take seriously, and Felix is emblematic of those problems with how he and the Sentimonsters are written. Oh right, I forgot Felix had a sidekick too, Kimberly—I mean, Kagami.

Kagami Never Hesitates to Be a Complete Idiot

If you read my overview of Season 4, I sang high praises for how Alya was written. Season 4 managed to take a character I had previously disliked and turn her into one of my favorite characters in the show. Now, with that being said, I want you to imagine the opposite of that happening to a different character, and you have my feelings on Kagami this season.

It's weird how, after she had made it through the past three seasons with her character somewhat intact, the writers decided to give her even more prominence by involving her in two separate arcs this season... and only made her nothing more than a damsel in distress who constantly needed to be saved in both of them. I'm not saying that Kagami should be able to beat the crap out of Monarch with her bare hands, but my point is that Kagami just lost so much agency this season.

When she wasn't being manipulated by Lila (Perfection, Protection), she was playing second fiddle to Felix and acting like he didn't hand over almost every Miraculous in Ladybug's possession to Monarch (Pretension, Representation). It's really strange, considering a defining character trait of hers is her hating liars like Marinette does, since it's why she dumped Adrien, yet here, she gets tangled up in the schemes of two different liars, Lila and Felix. I can at least get Lila (as dumb as her episodes are), since she's supposed to be seen as this master manipulator, but she just brushes all of Felix's crimes aside because he “doesn't know how to express himself”. Because even though she's always been loyal to Ladybug, she has no problem working with one of the only two people to betray her trust. But she loves Felix, so that makes it all okay.

What made Alya's arc last season work was that even though she was primarily Marinette's confidant, we also got episodes showing her struggling to balance her own desires with what needed to be done for the greater good (Optigami, Sentibubbler, Hack-San, Rocketear). She had to step up and become more than just one of the many temp heroes Ladybug called on, someone trustworthy enough to temporarily use the Ladybug Miraculous. Yes, she made bad calls, but when things went south because of her bad decisions, she normally took responsibility for her actions and vowed to do better. With Kagami, we don't get any internal conflict like that at all. She just blindly goes along with whatever Lila and Felix say, and even when bad things happen as a result, she never even thinks to call out either of them other than rarely saying something along the lines of “Hey, not cool.” (Protection, Pretension).

Kagami just doesn't get to do anything on her own terms this season. Her entire arc revolves around following Lila and Felix around like a lost puppy. And just remember, we're seriously supposed to act like Kagami is trustworthy enough to see that her defending Felix from Ladybug is enough to prove that he's a good person deep down... when this same season showed her easily falling for Lila's lies and getting akumatized twice as a result. It's like believing Dr. Nick can perform a life-saving kidney transplant after seeing him botch an open-heart surgery.

Even Kagami figuring out Marinette is Ladybug, something that should be a big deal like with Alya and Luka learning last season, is something we learn through a flashback and is, you guessed it, is only relevant to one of Felix's plans. And yeah, reveal your friend's secret to someone who someone who betrayed her. What could possibly go wrong? Again, when Alya screwed up, she was at least able to admit it to Marinette's face. Kagami never tells Marinette that she knows, and never faces consequences for throwing her lot in with Felix. What's her excuse, that she has too much love in her heart for Felix?

Speaking of which, let's talk about the biggest problem I have with Kagami this season, the way her relationship with Felix is handled. Let me make one thing clear: my problem isn't with people who ship the two together. Much like with the Love Square, my problem is how the show handles this romance. The two had almost no episodes together, and from what little we saw of them interacting, Kagami didn't like him, and for obvious reasons. But then “Pretension” came. Not only did Felix develop feelings for Kagami offscreen, all it took for Kagami to fall for Felix was a single conversation where he showed basic human decency. Yeah, Marinette fell for Adrien for similar reasons, but at least she and him took a while to actually get together. These two shared a handful of conversations, and now they're just made for each other.

The problem with this is that the relationship basically reduces Kagami to Felix's girlfriend and sidekick. All of her major appearances post-“Emotion” were in relation to Felix. She only helps him because of their relationship, and their relationship was the whole reason why Kagami convinced Felix to do what he should have done from the start, tell Ladybug who Monarch was... even though Astruc said this kind of relationship was toxic when discussing Lukloe.

You see, the difference between Lukloe and Feligami is (MAKE UP EXPLANATION LATER AND DON'T ACCIDENTALLY LEAVE THIS SPOT BLANK). And that's why we shouldn't see this as blatant hypocrisy on Astruc's part.

While it's par for the course, given how almost every female character in this show is connected to a male character in some way, the way Kagami is written this season is still part of a bigger problem. Kagami is not everyone's favorite character and not one people fiercely discuss as much as Marinette, Adrien, or even Chloe, but it's still baffling that out of all the characters in this season, Kagami would arguably sustain the most damage out of the entire cast. Given that this is the same season as Nino becoming the braindead leader of the Resistance, Chloe's brief stint as a tyrannical mayor, Nathalie choosing to do nothing about Gabriel until she was about to die, the baffling reveal of who Lila supposedly is (again, more on these later), or... really, a lot of things with both Marinette and Adrien, this is actually saying a lot. If you want to look at it at a particular angle, Kagami's actually a direct victim of practically all of the biggest problems in this season and I've had to mention her a lot more in this analysis than I anticipated. Then again, I suppose that's me showing more care to Kagami as a character than the writers did.

The Story of The Resistance (In Name Only)

I've already gone on about how underdeveloped most of the temp heroes are, so you can imagine the season where they try to help Ladybug without superpowers doesn't really change my opinion of them.

Remember how in episodes like Season 1's “Antibug”, Season 2's “The Dark Owl”, and even this season's “Jubilation” made it clear that trying to be a superhero without a Miraculous or proper training was essentially suicide? You know, how it was better to leave things to the actual superheroes? Well the writers sure didn't, as now we get to see a bunch of idiots try to take on supervillains with paintball guns and whatever they can throw at them. I'm pretty sure the writers put more effort into all the codenames themed after condiments than actually coming up with creative ways to fight Akumas. Because we all know how hilarious (citation needed) the flower codename gag from “Gigantitan” was, so let's do something like that, but for multiple episodes this season.

I'm just going to be blunt here when I say the Resistance this season sucked. Putting aside the fact that the writers couldn't come up with a less generic name or a name that wasn't already taken by the Ox Miraculous' power, this subplot was just so pointless. You have a team of former heroes who want to find a way to help Ladybug and Cat Noir stop Monarch, and rather than do things like pass intel along or find ways to stop people from getting akumatized, they decide to try taking them on themselves with their most powerful weapons being paintball guns. Congratulations, you now have all the equipment you need to take on Bart Simpson in a fight. Sure, they try to pass on intel to Ladybug and Cat Noir in their first episode, “Illusion”, but Nino's plan was so stupid, they ended up helping Monarch in the long term by letting his civilian identity into their team. Oh, I'm sorry, did you forget how Gabriel and Lila were inducted into the Resistance at the end of “Illusion”? It's okay, the writers did too.

And the idea of them passing on intel could have worked, as it would give Marinette a support system to help solve problems she can't figure out on her own, following up on her character arc from Season 4 where she learns to put her trust in people, but like a lot of things this season, the writers got bored halfway through and decided to change up this plotline. Now, they're prepared to fight anyone who gets akumatized. How many Akumas did the Resistance manage to stop completely on their own? One, and it was offscreen (Deflagration).

Trying to make the Resistance seem competent and effective comes at the price of making the villains look like idiots who can't handle a few teenagers without superpowers. Monarbug, someone who managed to unify with the Ladybug Miraculous, lost it thanks to the Resistance dogpiling him. Then, later on, they managed to stop Nightormentor, an akumatized Gabriel, by just throwing stuff at him. Do you have any idea how lame this makes Monarch look? It's like that scene from Robocop 3 where that kid somehow managed to make ED-209 as loyal as a puppy in a matter of seconds. It's not cool to see it happen. It diminishes the threat the formerly menacing villain posed.

The show loves to play up the Resistance as this amazing underground organization Nino is so proud of, but it doesn't work because you can count the number of times they've actually helped out on one hand, and even then, that's being that word Chloe doesn't know the meaning of (Deflagration, Revolution, Representation). Even then, they still fall for Lila's lies which, like Kagami, doesn't help establish any of them as trustworthy. The whole Resistance subplot is basically an excuse to make it seem like the former temp heroes aren't just sitting around, which again, isn't a bad idea, but nothing comes of it. We don't get to see any of them worry that they can't do anything without their Miraculous, we don't see where or when Nino got the idea to form the Resistance, and we don't even get any scenes where the worry about the captured Kwamis. The show just has them all operate under the same goal and makes it seem like they're making a difference when they barely do anything. None of them really feel like characters, and it shows this season.

Nino, despite labeling himself as the brave leader of the Resistance, is anything but. He constantly brags about how effective he is, but not only does he let anyone into his top secret organization without even thinking if they can really be trusted, all of his genius plans amount to, you guessed it, throwing stuff at the brainwashed people with superpowers. He's also so confident that he was awesome as Carapace when all he did was occasionally help Ladybug out with his Shelter, and then whines about not being chosen by Tikki and Plagg when Scarabella and Kitty Noire temporarily take over (Illusion, Deflagration). He's also so poor at gathering intel that not only did he fall for Gabriel's ruse and act like he figured out how the Akumas have Miraculous powers, he didn't even know his best friend was going to London until he got on the plane (Representation). I wasn't kidding when I said Nino was such a terrible leader, he makes Zapp Brannigan look competent by comparison.

And remember when Alya was a major character? Neither does the show! Out of the entire season, she was really only relevant to the plot when she became Scarabella for a few days, and even then, she didn't think that maybe she should take off the Alliance ring that monitors her every move if she's going to be a full-time hero again (Transmission, Deflagration). There is absolutely no follow-up to anything that happened to her in Season 4. She doesn't regret blowing her cover, she doesn't worry over not being able to help Ladybug as Rena Rouge, she doesn't worry about the safety of Trixx, she doesn't even consider the fact that she's not used to going back to full-time hero work after half a season of being undercover as Rena Furtive. At best, the whole thing with Alya exposing her cover to Nino last season gets played off for the sake of a cheap joke (Illusion).

Then there's Zoe. Like Season 4, I can definitely say that out of all the supporting characters, she was certainly one of them. They clearly try to give her these big moments in an attempt to endear her to the audience, like her brief stint as Kitty Noire or her coming out to Marinette, but because of how nonexistent her character development has been, these don't feel earned. I can't buy her friendship with Marinette or anyone else because of how little she appears. Hell, she was specifically introduced to act as a good counterpart to Chloe, and she did nothing to really contribute to her ultimate downfall other than sharing a single conversation during “Revolution”. That's how little the writers care about her, they don't even have her interact with the character she was designed to replace. I take back what I said about her being a Mary Sue way back in my “Sole Crusher” review, because at least those types of characters get plenty of focus in the narrative. All I can really say about Zoe after two seasons is that at least she's more interesting than Socqueline, a character so boring, this is the only time I'm going to mention her in this entire analysis.

And that's it for the Resistance. Only three side characters are actually worth talking about this season. That is how pointless of a group they are.

Chloe’s Arc That, in Case You Forgot, Was Totally Planned From the Start

I really don't know what else to say here. Remember, this entire blog was started because of how upset I was by Astruc's response to criticism of the Season 3 finale, specifically how Chloe's “damnation arc” was claimed to have planned out from the start.

For the sake of argument, let's go over this arc and just what happened with this character over the past eight years. In Season 1, Chloe started out as a standard high school mean girl who used her father's influence to get whatever she wanted, but wasn't that much of a threat compared to Hawkmoth and the Akumas. In Season 2, we got to see a different side to her that started a character arc, showing she was capable of changing and becoming a hero in her own right. In Season 3, while it seemed like Chloe was changing for the better, the finale had her betray Ladybug and go back to being the same mean girl she was before. In Season 4, we were introduced to Chloe's never before seen half-sister, Zoe, who only existed to replace Chloe as the user of the Bee Miraculous, and even though the very same episode where Zoe first got the Bee Miraculous hinted that there was still a chance of Chloe changing, the rest of the season acts like she's always been a menace to society with no redeeming qualities. In Season 5, Chloe was portrayed as a heartless monster who is worse than the main villain of the entire show, is simultaneously smart and cunning enough to bully Marinette in a way that would leave lasting mental scars for a year and also too incompetent to take seriously, and even though the season has made a big deal about how terrible child abuse is, her being sent off to live with her verbally abusive mother is seen as a perfectly suitable punishment for her.

I don't know what's worse, the fact that none of the writers had second thoughts about this character's “arc”, or the fact that Astruc probably thinks he made an antagonist as complex as Lady Macbeth. I also love how, despite all this supposed planning, not once do we get any explanation as to just why Chloe hates Marinette so much other than the fact that one's a rich person and the other is the main character in a cartoon.

Chloe's character was already going in a downward spiral in Season 4, but with Season 5, it feels like the writers just abandoned all attempts to be subtle and were determined to stop people from liking her. Like, it's amazing just how much time was spent hammering the point home. She got more focus as a villain than Lila and even Gabriel. We had about eight episodes this season that featured her in a major antagonistic role: “Determination”, “Deflagration”, “Derision”, “Adoration”, “Revelation”, “Confrontation”, “Collusion”, and “Revolution”. Almost a third of this season is dedicated to showing how evil Chloe is, as if she's somehow worse than people like Gabriel or Tomoe. And that's not even counting episodes where she got a line or two to remind the audience of how bad she is, like “Multiplication”, “Passion”, and “Reunion”.

The weird thing is that even though this was supposed to be the season where Chloe was at her worst, it still seemed like the writers couldn't make up their minds on what they wanted to do with her. For example, let's take a look at her relationship with Monarch. In “Multiplication”, she believed that Ladybug and Cat Noir should just give Monarch what he wants, implying she's still on his side. Then, in “Determination”, she blamed not having the Bee Miraculous on why Monarch was able to win, implying she wants to stop Monarch. And then in “Deflagration”, it's hinted that she once again willingly accepted an Akuma out of a desire to get revenge, implying that she's still on good terms with Monarch. Finally, in “Revolution”, she initially wanted to arrest Monarch when he arrived in her office, and had to be convinced to work with him again. Seriously, this is almost two seasons after she started working with Monarch in the first place. How the hell are the writers not sure if she's working with the villain or not?!

Of course, that's the least of my problems with Chloe this season. One such problem that it seems like the writers specifically went out of their way to ruin the few positive relationships Chloe had just so her fans would have less ground to stand on. Her friendship with Adrien? He finally decided to write her off as irredeemable just as he learned just how miserable she made Marinette (and only Marinette) at the end of “Derision”. Her friendship with Sabrina, as one-sided as it is? She doesn't even see Sabrina as a friend anymore, specifically referring to her as an underling starting with “Adoration”, and then Sabrina turns against her after she finds one specific scheme to be going too far. The sympathy Ms. Bustier had for Chloe, even though it wasn't relevant to her character after “Zombizou”? Chloe basically ignores any attempt made to reach out to her, and we're supposed to act like her wanting to help Chloe get a decent education because it's her job as a teacher is the stupidest idea in the world. Chloe's relationship with her own father? This season decided to make Andre out to be a man mentally broken by the bad treatment he gets from his daughter and totally not a corrupt politician, and outright disowns her in favor of adopting someone who isn't even his biological daughter.

It already felt like Season 4 exaggerated Chloe's negative traits, but now, the show doesn't want anyone to like her in-universe, as if showing basic human decency to her in the first place was off the table. Remember, in “Revelation”, Marinette's speech to Adrien was basically copied and pasted from one of Astruc's tweets, as if this was meant to address anyone who still liked the idea of Chloe changing for the better.

And trust me, I'll get to the characters who actually got redeemed later.

For now, let's talk about the main issue I have with her portrayal: The writers want her to be seen as a threat... but they don't want her to actually be a threat. Almost all of Chloe's appearances this season had her acting as a pawn to either Gabriel or Lila. This season also started to use dumb blonde jokes in order to show how incompetent she is, like having her struggle to understand the concept of the word “generous”, making her out as an idiot. The whole point of the “irredeemable villain” archetype is that the character is usually so big of a threat, there is absolutely no way of talking them down, so they need to be stopped through the use of force. Chloe is far from a threat, which is why all this talk about her being a monster falls flat.

At the end of the day, Chloe is easily at the bottom of the hierarchy of the villains on this show. She has no Miraculous like Gabriel, she has no advanced technology like Tomoe, and she's nowhere near as cunning as Lila is. The problem is that the show wants the audience to see Chloe as if she's the worst of them all. Fine, she may have the most obnoxious personality and least amount of redeeming qualities by the writers' standards, but this is a superhero show. You don't just rank villains on how mean they are, but also by how much of a threat they are to the hero. The moments where we're supposed to take Chloe seriously, the show keeps reminding us that she's only getting as far as she has because she's being used by other villains. It makes the moments where the heroes triumph over her ring hollow.

I'm not even joking here when I say that out of the show's entire rogues' gallery, Chloe is literally the only one who actually gets punished. Sabrina was able to wash their hands of her association with the bully, Andre was more than happy to give up his position as mayor and kidnap Zoe, Tomoe was never even exposed, Lila only faced a minor setback when she was exposed, Nathalie was healed by the wish, and even though he died, Gabriel died a martyr who never actually answered to any of his crimes. But Chloe? As fucked up as it was, she was the only one who received some form of punishment for everything she did. Congratulations, Ladybug and Cat Noir! After five seasons, you finally managed to defeat the Ringo Starr of your rogue's gallery, and all it took was unlocking the full power of your Miraculous.

I was initially angry at the show for just throwing away a character arc and mocking anyone who was interested in it, but now, I'm angry at the show for a different reason. Even if we were to assume that everything about Chloe was planned from the start, that she was supposed to be a fallen hero turned enemy, the show did nothing with it. If you're going to make Chloe a full-blown villain, then go nuts with the idea! Have her dedicate her life to beating Ladybug out of hatred, maybe even through a suit of armor like Princess Morbucks. Instead, this is the writing equivalent of intentionally setting your house on fire, but deciding you don't need the insurance money.

I'm actually going to say something that might sound blasphemous, especially coming from someone who has spent a lot of time talking about Chloe's character assassination, but I'm just going to admit it: I think Chloe should have been the next Hawkmoth, not Lila.

Yes, that's probably what you're thinking, but I'm serious. Think about it. Between her and Lila, who has the closer connection to Marinette as an enemy? Who has a more fleshed out reason to hate Marinette? Who got more focus as a villain this season? Who has more resources at her disposal? Essentially, the show put so much effort into making Chloe out to be Marinette's most personal enemy, that it makes no sense for them to not just go all the way and make her the next big bad. The writers already go on and on about how irredeemable she is, so why not make her an actual threat for a change?

But no. Instead, let's just keep her as comic relief who somehow gets more screentime than almost every other villain this season. That's a good way to tell our story, right?

Now You See That Evil Will Always Triumph Because Good Is Dumb... And So Is Evil, Apparently

This section should be relatively easy for me to get through, since not much has really changed with the villains since Season 4. They're all still idiots even though the show wants us to see them as a threat to the equally idiotic heroes.

Let's start with our only newcomer to the show's rogues' gallery, and definitely the weakest, Tomoe. I'll give the show a lot of credit with the foreshadowing for Tomoe here. Unlike other plotlines where the show bashes you over the head with obvious hints like with the Sentimonster stuff, the hints leading to the reveal of Tomoe being in leagues with Gabriel are far more subtle. They spend a lot of time in Seasons 3 and 4 discussing things offscreen (probably about some version of the Alliance rings), and both of Tomoe's akumatizations happen offscreen as well (since their conversation would give away their alliance). It's handled pretty well... which is more than I can say for Tomoe as a villain.

Tomoe is just such a confusing character, both conceptually and the way she was used this season. She's meant to be Gabriel's new confidant after Nathalie decided to stop being a villain while still mooching off him, but she pretty much does the same things Nathalie does, including the constant nagging about how inefficient he is. She even serves the same role Nathalie served in earlier episodes as Gabriel's technical advisor. Tomoe is basically a second Nathalie, with the only differences being that she's blind and that she wants Kagami to be with Adrien. Of course, this makes no sense because, like I mentioned in the retcon section, Adrien and Kagami tried to keep their relationship secret before their breakup. How could Tomoe not notice this? What is she, blind—oh right...

There's also the issue I have with the way Tomoe's nationality and disability is portrayed here, and how it really highlights how terrible this show is with representation (not to be confused with the episode of the same name). Like with my Sentimonster section, if there's anyone reading this who is disabled or a person of color, and you'd like to say anything about this part or how this show's representation is handled, feel free to voice your opinion or correct me if I get anything wrong.

With Tomoe, it feels like the writers slapped on every Japanese stereotype you could think of and called it a day, because we've seen all of these before. She's dressed in very traditional Japanese attire, is named after a famous Japanese warrior, uses a kendo shinai as a cane instead of a walking stick, is a strict parent to her child who expects the best from her, makes references to Japanese culture like samurai (Pretension) and taiko drums (Protection), is a technological genius, forces her child into an arranged marriage, and uses Japanese honorifics while talking with Gabriel even when they're not speaking Japanese. I'm not saying Japanese people can't talk about their culture at all, but when you're writing a character who happens to be a person of color, you need to do more than make references to their heritage.

With Tomoe, almost everything she says is referencing her heritage, which makes it come across like the writers cared more about her being Japanese than anything else. Because somehow, the writers were worried kids wouldn't pick up on the fact that she's Japanese... when she's wearing something that makes her look like she just stepped off the set of an Akira Kurosawa movie.

But hey, at least they say Tomoe is Japanese. I don't think there's a single indication that she's blind. At most, they give her the stereotypical superpower every blind person in superhero media seems to have, enhanced hearing. Of course, while characters like Daredevil and Toph Beifong have in-universe explanations for how they're able to “see” without their eyes (Daredevil's enhanced senses came from the same chemicals that blinded him in the first place, while Toph learned an advanced Earthbending technique that gave her the ability to sense others through vibrations in the earth), Tomoe just has them because the writers thought it would be cool. I know it might seem strange to say this after I talked about how too much focus was given to Tomoe's Japanese heritage, but you'd think more would be done with her being blind, and how it would factor into her motivation to create a better world through technology or her ideology about self-discipline. Instead, she acts like every other character on this show, to the point where all three times she was akumatized, she got her sight back.

The main problem with Tomoe is how other than her heritage and disability, she has almost no personality other than being a strict mother to Kagami (something that is also a negative Asian stereotype) and her vague ideology about suppressing her emotions. She's basically a female Gabriel, and because she's a woman in this show, lacks any depth or redeeming qualities. There just wasn't enough time to really develop Tomoe as a character in the same season she was revealed to be a villain. Sure, they try to hint at her having history with Gabriel, but that never goes anywhere, and we never even learn just why she's working with him in the first place other than some vague desire to make the world more technologically advanced in spite of also being a traditionalist who loves honoring old beliefs. Just remember, Chloe got eight focus episodes as a villain this season, yet Tomoe only got one.

Now for Lila, the most competent of the villains... by comparison. The show clearly wants her to be seen as a master manipulator in the same vein as David Xanatos from Gargoyles, but how they show it is just poorly executed. Sure, sometimes she would get ahead in clever ways during episodes like “Illusion” and “Revelation”, but other than that, a good chunk of her plans rely on contrivances that we're supposed to see as part of her plan when she would have no idea if it would actually happen or not. In fact, let's go over all the things Lila did during her last five episodes of the season and see how her master plan played out.

Step 1: Revelation – Convince Ms. Bustier to hold another election for class representative, lie your ass off to get the position while making it seem like you rejected an Akuma, and win the election.

Step 2: Confrontation – Tamper with confidential school documents while hoping your enemy doesn't plan anything to stop you, and if your plan falls through, abandon your identity entirely and hope nobody ever tries to look for you.

Step 3: Collusion – Convince your pawn to record a conversation between the mayor and the man you somehow know is Monarch and then after the conversation leads to an Akuma forcing him out of office, tell your pawn to accept an offer from Monarch's civilian identity that you somehow knew he'd make, leading to your pawn becoming the new mayor by force who everyone is too stupid to even think of opposing.

Step 4: Revolution – Tell your pawn to take an offer from the same supervillain she's willingly worked with before, watch her go mad with power and assume that Ladybug and Cat Noir will defeat her, and then in the chaos from her defeat, assume that one of Monarch's associates will randomly leave her computer behind for you to use.

Step 5: Re-Creation – Develop an immunity to magical nightmare dust, hack into the heavily-guarded mansion you know where Monarch lives while the city is being swarmed with supersoldiers, hope you don't run into Monarch or any heroes trying to stop him on the way there, take the hole created by a Cataclysm you know would be there, assume that Monarch will lose, and seize his Miraculous from the ruins of his lair that you somehow know how to navigate after surviving all of reality being rebooted.

General Patton, eat your heart out. I think we all know who the real tactical genius is here.

Seriously, how the hell did she even know half of the stuff involving Gabriel and Tomoe would happen? Yeah, she had Tomoe's laptop after the events of “Revolution”, but she didn't see how their final fight would play out. You could also argue that we technically never saw her go into Monarch's lair during the final battle (all we got was a shot of her looking down into the hole Bug Noire created with her Cataclysm), but why didn't she go down if she disguised herself to infiltrate Monarch's lair? Was she just scoping out the area? Was her entire plan just to steal Monarch's Miraculous? There were so many ways this could have blown up in her face, so let's go over all of them, shall we?

What if Ms. Bustier didn't agree to hold a reelection for class representative?

What if Marinette won the reelection anyway?

What if Lila wasn't able to escape during the chaos caused by Monarch's Megakuma targeting Mr. Damocles?

What if the school managed to contact one of Lila's moms and tell her about what her “daughter” did?

What if Chloe wasn't able to record the full conversation between Gabriel and Andre?

What if Andre agreed to use the police robots without any manipulation?

What if Miss Sans-Culotte wasn't able to get Andre to resign?

What if Andre did resign, but managed to appoint a interim mayor until the next election?

What if Chloe didn't accept Gabriel's offer?

What if Chloe didn't accept Monarch's offer?

What if Chloe managed to arrest Monarch with her robots and got all of the Miraculous herself?

What if the French military was sent to stop Chloe's abuse of power?

What if Ladybug and Cat Noir weren't able to stop Chloe and lost their Miraculous to Monarch?

What if Chloe double-crossed both Lila and Monarch and managed to get Ladybug and Cat Noir's Miraculous herself?

What if Tomoe didn't carelessly leave her laptop behind during the final battle with Chloe and her robots?

What if Tomoe realized she lost her laptop and sent someone to track it down?

What if Tomoe installed a kill switch on her laptop to make sure nobody would be able to do anything with it in the event it got stolen

What if Ladybug didn't learn Monarch's identity?

What if Lila fell victim to Nightormentor's nightmare dust?

What if Lila was attacked by some of the Miraculized before she could make it to the Agreste Mansion?

What if Gabriel caught Lila while she was attempting to sneak in?

What if Ladybug caught Lila while she was attempting to sneak in?

What if Nathalie caught Lila while she was attempting to sneak in?

What if the Gorilla caught Lila while she was attempting to sneak in?

What if some of the Miraculized caught Lila while she was attempting to sneak in?

What if Lila got caught in the crossfire during the final battle between Bug Noire and Monarch?

What if Bug Noire didn't Cataclysm the floor and beat Monarch at the entrance of the mansion?

What if Bug Noire wasn't able to defeat Monarch?

What if Ladybug managed to find the Butterfly Miraculous before she did?

What if Ladybug caught her while she was trying to find the Butterfly Miraculous?

Do you see why I only think Lila is the most competent villain by comparison? A good chunk of Lila's “plan” amounted to her waltzing over and reaping the benefits from every coincidence she's around to see. And she's supposed to be this criminal mastermind who thought this all out from the beginning?

Lila's planning makes about as much sense as her motivation. Why does she hate Marinette and Ladybug? They both called her out on her lies back in Season 1 and 3 respectively (Volpina, Chameleon). That's it. This is enough for Lila to want to become a supervillain and terrorize Paris. I get that the idea is to contrast with the more noble goal Gabriel had as a supervillain, but you need to give more of an explanation if you want the audience to care about Lila becoming the next Hawkmoth.

At the very least, if the writers wanted to build intrigue about Lila, have this be the season where she first appears. Build her up as this mysterious new girl who wins over Gabriel's trust, only she has an agenda of her own. By having most of her appearances be this season, it's more obvious that she has a bigger role to play, and would eventually become the next Hawkmoth. Instead, it seems like the writers put a bunch of names on a dartboard, Lila's name was the closest to the first dart they threw, and that's how they decided who Ladybug's next arch-enemy would be. And once again, Lila hasn't even touched a Miraculous in five seasons, yet we're supposed to believe that with the help of that vague glowing light she saw as soon as the first put on the Butterfly Miraculous, she'll be able to take on eighteen superheroes who have plenty of experience fighting Akumas?

Speaking of, let's get into the final main villain, Gabriel. Compared to the others, he had a pretty decent start. He felt a lot smarter than he usually did, like how he used his influence to market the Alliance rings in order to boost his Akumas' powers, or once again trick Ladybug and Cat Noir into thinking he isn't Monarch. He even managed to outsmart Scarabella and Kitty Noire by using the Alliance rings to learn their identities, and almost got their Miraculous as a result. For the most part, Gabriel was a pretty clever villain who capitalized on every screwup the heroes made, and actually came across as a threat... that is, until “Protection”.

Starting with “Protection”, Gabriel decided that even though he has only a few weeks to live at best, he needs to focus more on meddling in his son's love life instead of getting Ladybug and Cat Noir's Miraculous in order to save his wife. It comes across like he cares more about stopping Marinette than he does stopping Ladybug in the latter half of the season. Hell, Gabriel doesn't even set up any plans for what would happen to Adrien if he died despite once again claiming to be doing everything for his family. Also, for some reason, he really wants Adrien and Kagami to stay together and become a couple for reasons that I can only assume is because of some kind of social commentary on the rich. Is Gabriel trying to start a eugenics program? Is this how Khan was born?

The abrupt detour Gabriel's motivations take is connected to one of the bigger problems with this season: How Gabriel's Cataclysm wound is handled. We're supposed to sympathize with Gabriel and how his days are numbered thanks to what happened, all while he's desperate to achieve his goal... when not only did Gabriel Cataclysm himself at the beginning of the season, he almost never brings up his wound until the writers want to add unnecessary drama to the story. At most, he'll either flinch in pain a little because of the wound (Elation, Perfection, Intuition, Protection, Emotion, Confrontation), or show his purple hand to show how serious it's gotten while saying he doesn't have much time left (Passion, Pretension, Revelation, Collusion, Conformation). At least, we're supposed to see it as serious, as the injury never really gets in the way of his plans.

Rather than a painful injury that's slowly killing him, the show treats Gabriel's injury with the seriousness of a sprained ankle. Yeah, it's painful, but nothing serious. Aside from one episode (Intuition), we don't see Gabriel struggle that much with his deteriorating health or how it gets in the way of his plans. Compare this to how Nathalie's condition has been portrayed. As Season 3 progressed, Nathalie got weaker to the point of forcing Gabriel to abort his second outing as Scarletmoth (Ladybug), she became so sick, she had to be benched as Mayura by the end of Season 3, and needed cybernetic crutches just to help her walk during Seasons 4 and 5. While I criticized her sudden wrinkled appearance by the events of “Representation”, the show still made it clear that Nathalie was struggling to go about her everyday life over the course of the last three seasons. As for Gabriel, whose condition is supposedly more serious to the point where not even the Ladybug Miraculous can heal it? At most, it's less something influencing his belief that he has nothing left to lose, and more a mild injury at best.

Another problem I have with Gabriel is the same one I have with Tomoe and Lila: The lack of a proper backstory. Yes, we know the basics of it (his wife is comatose and/or dead, so he became a supervillain to get Ladybug and Cat Noir's Miraculous and save her), but we know nothing about his life before that. Thanks to “Revelation”, the most we get is that before he became a fashion designer who took an interest in discovering the Miraculous, he used to work in fast food like Skeet from Jimmy Neutron. Hell, the two even have similar haircuts.

Whether Gabriel knows the difference between salt and sodium chloride is still up for debate.

The show wants to say that Gabriel used to be different, but we don't get to see that side to him. If you want to say Gabriel used to be nicer, then give us a flashback to show how much Emilie's death affected him. That way, it would also give the scene in the finale where he breaks down have more weight to it, as it would show him letting down his emotional defenses.

Also, why was Gabriel so interested in the Miraculous in the first place if he found the Butterfly and Peacock Miraculous before Emilie got sick? The show establishes that Gabriel went exploring with Emilie and Nathalie, but why? What were they looking for? How did this lead to them getting into fashion? How did Gabriel and Emilie get so rich if Amelie inherited the Graham de Vanily fortune? This was the season that was supposed to wrap up the storyline regarding the Agreste family drama, yet we still know so little about them or how Gabriel and Emilie even met.

Finally, let's get to the Akumas. The season makes a huge deal about how dangerous Gabriel is now that he has almost every other Miraculous at his disposal, how hard the battle against him will become. How do the Akumas reflect that idea? Very poorly. Twelve of the season's Akumas were reused models (Ikari Gozen in “Multiplication”, Darker Owl in “Jubilation”, the Collector in “Illusion”, Glaciator in “Elation”, Sole Destroyer in “Deflagration”, Dark Humor in “Derision”, Riposte Prime in “Protection”, Vanisher in “Adoration”, Matagi Gozen in “Pretension”, Hoaxer in “Revelation”, Reflekta in “Confrontation”, and Nightormentor in “Representation”), and only ten of them were original (Manipula in “Determination”, Safari in Passion, Kikou in “Transmission”, Ryukomori in “Perfection”, Gold Record in “Migration”, Bugfighter in “Intuition”, Miss Sans-Culotte in “Collusion”, Queen Mayor in “Revolution”, King of Plastic in “Action”, and the Miraculized in “The Final Day”). I've also gone over this several times, but despite the main gimmick being that the Akumas have Miraculous powers now, the show never really explains why Monarch can't just give them those kind of powers himself, especially when he could easily recreate Miraculous powers as far back as Season 1 (Copycat, Antibug, Volpina).

Most of the Miraculous powers didn't actually feel like upgrades and just excuses to recycle Akumas on the basis of acting like they have new powers when it's almost always just giving them the same old powers. Either that, or with the new Akumas, they'll just make it so their only powers are related to their Miraculous powers, like Safari getting all of her gear thanks to the Goat Miraculous' Genesis, Kikou and Ryukomori's only abilities being related to their respective Miraculous powers, or Queen Mayor getting the power to control robots with multiple Miraculous powers. There were exceptions like Manipula getting the Ox Miraculous' Resistance as an added precaution, or Vanisher mixing her stealth with the Dog Miraculous' Fetch, but they were few and far between.

Overall, almost every villain this season was just so underwhelming. While the Akumas were once again mostly reused character models, we learned almost nothing about the villains other than the fact that they're idiots. Oh, I'm sorry. I forgot the fact that by the show's logic, almost all of the villains aren't really villains. Let's talk about how the show handles redemption arcs now.

The Redemption Misconception or: The Power of Love Always So Strong?

While younger readers might not understand this, there was once a time on the internet where one of the most debated shows was Steven Universe, and mainly for one reason: How it handled the topic of redemption. Pretty much every major antagonist had changed their ways by the end of the show, including Lapis Lazuli, Peridot, the Cluster, Bismuth, Spinel, Jasper, and even the Diamonds. While the quality of each of these redemption arcs varies from character to character, as is the moral status of each character, there's one thing I can say about how the show got the moral about redemption across: It was consistent. Aside from one or two characters like Eyeball or Aquamarine (who were more ignorant than anything else), there was never a case about someone being physically incapable of changing their ways, which tied into the overall theme of how important compassion is. With the way Miraculous Ladybug handles its redemption arcs, I unfortunately can't say it does it the same way Steven Universe does.

Pretty much every major villain, antagonist, or associate in the show gets a redemption of some kind. This includes Nathalie, Felix, Sabrina, Andre, and even Gabriel, while Chloe, Lila, and Tomoe are all viewed as beyond saving. The problem is rather than actually acknowledge the things any of them did as wrong before they start to change their ways, pretty much every “redemption” in this show amounts to downplaying their crimes. If the writers don't retcon the story so characters like Nathalie, Sabrina, and Andre were forced to help a greater threat instead of being willing accomplices, they'll retcon the story so characters like Felix and Gabriel were perfectly justified in their actions due to having a tragic backstory. Yes, while the point of a redemption arc is to have a former antagonist realize the error of their ways and turn a new leaf, it doesn't mean that the character who goes through this arc was never bad in the first place.

Like a lot of problems with this show, this is obviously contradicted by the way it handles Chloe. Any argument made on why every villain who was redeemed this season was stated to not apply to Chloe for some reason.

“Felix is a victim of child abuse and has a lot of emotional baggage!” Funny, because I remember in “Derision”, Mylene made a point about Chloe having a deadbeat parent not being enough to justify her actions, so by that logic, Felix shouldn't be getting away with anything.

“Sabrina and Andre were being forced to go along with Chloe's evil plans, so it's not their fault!” Chloe was also a pawn in Gabriel and Lila's schemes, yet we're still supposed to see her as evil. “But she still went along with Lila's plan!” By that logic, so did Sabrina and Andre, since they still listened to Chloe for a while instead of distancing themselves from her far earlier than they did.

“Gabriel and Nathalie are doing everything they can to help Adrien while they're both in poor health! Chloe didn't actually care about Adrien!” Sure, it's clear that (according to the retcons in Season 4), Chloe only cared about Adrien as a meal ticket, you can't say Gabriel and Nathalie care about Adrien either, since one is an abusive parent and the other did nothing to actually stop the abuse. Also, why should I feel bad for either of them when they routinely endanger lives and are only on death's door because of their own terrible choices?

I'm not saying that the show doesn't make decent points about why Chloe can't be redeemed. The issue is that these rules are never applied to anyone else who does get redeemed. The show tries to use characters like Chloe and Lila as a cautionary tale about how easy it is for your kindness to be taken advantage of, yet we never get any examples of compassion being a key factor in any major redemption this season.

Pretty much every villain who changes their ways only does so out of self-interest. Nathalie was fed up with Gabriel's constant failures and her own declining health, Felix only cared about doing things that would benefit himself like hooking up with Kagami, Andre was more than happy to resign even though he was forced to do so by an Akuma, Sabrina chose to stop helping Chloe after one particular plan goes too far (without actually apologizing for all the times she still went along with Chloe's schemes, no less), and Gabriel only stopped trying to hurt people once he got exactly what he wanted and died a martyr.

For a show with the lyrics “The power of love always so strong!”, why do we never actually see the power of love in action? And it's not just them. Whenever a character shows some form of compassion for an enemy, it's usually met with a dismissive attitude or fails miserably, and if it's not that, it's all lie to trick someone else.

In “Illusion”, Gabriel's plan to throw off suspicion that he's Monarch involves pretending to let Ladybug and Cat Noir get through to him.

In “Derision”, Rose pointed out Chloe's relationship with her mother as an excuse for why she's so mean, only for Mylene to argue against that despite being in a different boat than Chloe is.

In “Revelation”, Lila kept lying about having a caring attitude and believing that anyone can change, which was obviously meant to mock anyone who had that kind of viewpoint.

In “Collusion”, Ms. Bustier tries to reach out to Chloe after everything she's done, only to lose her job as a result.

In “Re-Creation”, the whole reason Bug Noire manages to beat Monarch was by putting him in a situation that would take advantage of his compassion for his wife, and later on, Gabriel manages to get the upper hand by taking advantage of Marinette's own compassion for him.

For a magical girl show, these writers are really terrible at teaching the lesson about showing kindness to your enemies, because more often than not, it's just violence that solves everything. Just ask the citizens of Paris in “Revolution”.

It doesn't help that the morality in this show isn't a complicated spectrum that weighs every action a character does and allows for other stances besides good or evil. Instead, it's like a light switch with two settings: “So good, you volunteer at the local children's hospital” and “So bad, you voluntarily send children to the hospital”. Characters in this show are either good or bad, and there's no room for in-between. Even when characters supposedly do change their ways, the show goes out of its way to claim that this is what they've always been like, which completely undermines the idea of what a redemption arc sets out to accomplish.

The thing is that I've actually seen examples of “Character X was only doing bad things as part of their plan!” and “Character X was only forced to do bad things for the villain!” done with one character, and it was a very recent example too. In the recently concluded Ohsama Sentai King-Ohger, one of the major villains was a tyrant named Racules, who took advantage of several monster attacks to secure more power for his kingdom, but later on, it's revealed he had a reason to do so. Long story short, Racules was the latest in a long line of rulers who was essentially blackmailed into carrying out a war by an immortal being from space named Dagded. However, Racules had a plan to secretly find a way to kill Dadged, and it involved playing along by pretending to be a heartless tyrant. By playing up his persona of a villain, not only did Racules drive his brother Gira (who was revealed to be an immortal creation of Dadged) to gain the weapons necessary to fight Dadged, Dagded trusted Racules so much, he decided to give him the power to kill an immortal. Guess who Racules chooses to kill as soon as he gets that ability.

While the reveal that Racules was good all along happened very late into the series, it worked far better than any redemption in this entire show for one reason: Racules isn't let off the hook for what he did. Everyone, Racules included, acknowledges that he did terrible things for years, and as soon as the situation is resolved, Racules is imprisoned for his crimes. Racules even admits to going mad with power at one point before he focused on his goal again, and he doesn't complain while he's in prison.

We never get any moments like this with the other redeemed characters. Nobody ever acknowledges that they went too far. They do one or two good things, and therefore, they're perfectly okay in Marinette's eyes.

Like a lot of topics it covers, this show wants to have its cake and eat it too when it comes to redemption. It wants to show characters changing their ways, but it doesn't want to actually hold those characters accountable for their actions. It wants to explain that not everyone can be redeemed, but it doesn't want to explain what causes people to want to redeem themselves. It wants to have an idealistic view of solving problems with compassion, yet it goes out of its way to mock those with that same ideology while claiming that violence is the only answer.

Maybe if Astruc spent less time arguing with people on Twitter over the concept of redemption, he and his team could have put more effort into fleshing out the all of the half-baked redemption arcs this season.

Adrienette Is Finally Canon! The Love Square? What’s That?

Well, it finally happened. After seven years, five months, fourteen days, 115 episodes and three specials since the show originally premiered in France on October 19th, 2015, Marinette and Adrien have finally gotten together for real. No cop-outs, no reset button, no misunderstandings, this is real. Credit where credit is due, the writers could have easily kept stalling and wait until the very end of the season for Marinette and Adrien to get together and called it a day, but they gave us over half a season of them in an actual relationship. Unfortunately, this also meant the writers had to rush the development of the relationship in order for Adrienette to become official in the first place.

Like a lot of stuff in the first half of this season, the writers pretty much speedran through the plotlines building up to Marinette and Adrien getting together. During the course of a mere eight episodes, we got a plotline about Marinette feeling guilty for letting her feelings for Adrien make her screw up, a plotline where Adrien realizes he has feelings for Marinette, a plotline where Marinette falls in love with Cat Noir, a plotline where Adrien stops having feelings for Ladybug, and finally, a plotline where Marinette stops having feelings for Cat Noir. These are all plotlines that we should have gotten over the course of the past four seasons, but instead, the writers are just cramming them all into less than a dozen episodes.

Considering how this was meant to be the final season originally, you can tell the writers realized they actually had to actually resolve the “Will they or won't they?” plotline instead of just padding things out like they normally do. But that's the problem. This was something fans, shippers, and general audiences were told to look forward to for years. Keep in mind, one of the biggest arguments you could make for just why the writers waited until Season 5 for Marinette and Adrien to officially get together was because they had something HUGE planned. This is a big deal for the show, something you can't take too lightly. If Astruc and the other writers were so intent on hyping up Adrienette for over four seasons to the point of showing two alternate timelines where they get together to tide viewers over, they needed to make sure they had a payoff so incredible, so satisfying, that their audiences would see it as more than worth the wait.

Just how was the big moment where Marinette and Adrien officially got together this season after so many years of buildup?

To be perfectly honest with you, I had absolutely no goddamn idea that the end of “Transmission” was meant to signify them finally starting a relationship. It just felt like the writers were doing the same thing about them being friends with a hint of something more on the horizon, but then the opening of “Deflagration” made it clear that here was major progress made in their relationship, though Marinette denied it due to her own anxiety, and by “Perfection”, it's confirmed that the two are dating. I just... really? This is how the two finally get together? It just... happens? No big dramatic confession? No romantic first date building up to this? Not even a kiss? The two talk for a few minutes, watch an Akuma fight, and now they're an item. Are you kidding me? Sure, most of the big moments in their relationship are saved for after they get together, but there's the problem: the writers half-ass the moment where Marinette and Adrien get together! It's more or less an afterthought in a two-parter involving a battle with Monarch where nothing was really accomplished.

You'd think for all the uncertainty Marinette felt over her feelings for Adrien this season, them getting together would be seen as a big moment, but it just doesn't for some reason. While you could argue it's a lesson in your fear of confessing being harder than the act itself, not much attention is given to Marinette growing closer with Adrien, because, for some reason, the writers decided to hold off the love confession and the first kiss for far later in the season (Pretension, Revolution). That's right, even after Marinette and Adrien finally get together, the show still needs to find a way to draw out the development of Adrienette.

I don't get it. Why couldn't the confession and kiss be what cements Adrienette, so more focus could be given to other plots? You can't say the “Will they or won't they?” stuff is the only draw to Adrienette, because there are plenty of plots you could write now that Marinette and Adrien are together. You could have an episode where Marinette invites Adrien over to breakfast with her parents in a follow-up to “Weredad”. You could have an episode where Marinette and Adrien try to go out on a perfect first date, only to struggle to balance their superhero lives getting in the way. You could have an episode where both Marinette and Adrien worry they're not good enough for each other, only for them to realize they love each other for who they really are. You could have an episode where Marinette and Adrien finally get closure on their former relationships with Luka and Kagami respectively. There were plenty of options for stories here, yet rather than do literally anything like that, not only did the writers drag out Marinette and Adrien's first kiss, they had the main villain take a break from trying to get the Miraculous to focus on breaking up the two.

As I mentioned earlier, we get a new arc all about Gabriel trying to break up Marinette and Adrien so Adrien can start dating Kagami again. Now I know what you're probably thinking: “IOTA, wasn't it implied that while Adrien and Kagami were dating, they were keeping their relationship a secret from their parents? Why are their parents suddenly obsessed with them getting together?” Well, you see, the answer to that is... that I have no answer because this makes no sense and is yet another excuse for a story arc that is somehow relevant to the overall plot. It's because of Gabriel's irrational hatred of Adrienette that Adrien is sent to London, and as a result, is absent from the final battle.

The sad thing is that I honestly thought Marinette and Adrien had some cute moments as a couple this season and had some believable chemistry. It's nothing groundbreaking, and there are plenty of flaws that I'll get to later, but for all intents and purposes, they still made a decent couple. It's just too bad that everyone else won't shut up about how amazing they are together. When their friends aren't trying to set up these cinematic scenarios for Marinette and Adrien that keep failing (Perfection, Protection,), they're gushing over how amazing of a couple the two are (Transmission, Deflagration, Revelation). At best, it comes across as the writers saying “How do you do, fellow shippers?”, and at worst, it comes across as the writers taking a victory lap while treating Adrienette as the greatest thing since sliced bread.

Adrienette just dominated the latter half of this season, and it really got in the way of the overall story regarding the conflict with Monarch. What's that? You're saying I forgot something, like the other three sides of the Love Square. Ah, good eye, my friend.

SO DID THE FUCKING SHOW.

For the thing that got a lot of people interested in the show in the first place, the rest of the Love Square is criminally underutilized this season. Marinette randomly develops feelings for Cat Noir for a handful of episodes, Cat Noir randomly moves on from Ladybug, and I don't think we even got a single Ladrien scene this season. It really felt like the writers realized this was meant to be the last season, so not only did they have to get Marinette and Adrien together as quickly as they could, they also had to acknowledge the other sides of the Love Square. Of course, they did that without actually doing an identity reveal.

There are theories that the reveal was going to happen this season with how much Marinette and Adrien only talked about each other and not their superhero partners (implying they both knew who the other was), but the writers changed it at the last minute because they got renewed for more seasons. I suppose it makes in a meta sense, but what about the in-universe explanation? What's stopping Ladybug and Cat Noir from learning each other's identities when literally every other hero in Paris can get their Miraculous back, even the ones who had their identities discovered? Were the writers so uncertain if people would still watch the show if there wasn't any mystery in Marinette and Adrien's relationship? What exactly is there left to explore with the Love Square when Adrienette is canon, while Ladynoir, Marichat, and Ladrien are all dead in the water?

Like a lot of things this season, the handling of the Love Square started off strong and gradually petered out to the point where I just don't care anymore. I started this season assuming the reveal would actually happen, but of course, the writers just won't let this subplot die already.

Adrien Who?

While I don't really have a lot of bad things to say about Adrien compared to last season, this is unfortunately part of the bigger problem with how he was handled this season.

Like I said earlier, it seemed like the writers actually learned from their mistakes last seasons with how Adrien was written during the earlier episodes last season. He stopped whining about how he was totally important and started pulling his weight in battle. He was very active in fighting Akumas and actually felt like an equal to Ladybug. Yeah, Ladybug still called the shots, but the two stopped bickering over stupid things and had more conversations about other things. It didn't matter if they were more casual chats about their lives (Perfection) or discussions on the enemy's plans (Intuition, Revolution).

The problem, like a lot of things this season now that I think about it, comes in the second half. Remember how last season made a big deal about how wrong it was to leave Adrien out of the loop with so many secrets? Once again, the writers seemed to have forgotten this major story arc that they wrote themselves. Now, not only does Gabriel crack down on his horrific treatment of Adrien through his ring, not only does Adrien's character regress to being nothing more than Marinette's trophy boyfriend, by the end of the season, Adrien is literally reduced to a damsel in distress who needs to be saved, instead of, you know, A SUPERHERO. And remember, the writers were very proud of how this was planned for almost a decade, all because they got to supposedly subvert fairy tale tropes.

I feel like this whole “Save Adrien” plotline could have worked if Adrien wasn't already a superhero, and was just a civilian Marinette knew. Yeah, it would still be using an overdone trope, but at least if that happened, Adrien would have an excuse to not be able to fight back as opposed to the several he made during the finale. Instead, for the majority of the season's second half, Adrien takes a backseat to a major story arc revolving around his family and isn't even given proper closure by the end.

“But IOTA!” You might say. “The show's called Miraculous Ladybug, not Miraculous Cat Noir! Of course Ladybug has to save the day! She's the main character!” That may be true, voice in my head, but here's the thing: If Adrien wasn't going to be part of the final battle, why wasn't this about Marinette's family? Why not make Monarch Tom or Sabine trying to bring back their spouse? Marinette is the main character, yes, but so much of the backstory in this show is connected to Adrien's family. The show tries to connect Marinette to this through her relationship with Adrien, but with how often she and Gabriel fight over what's best for him, Adrien kind of just sits around, not protesting against his father in the slightest. I'm not saying Adrien should be the main character. I'm saying that Marinette should be tied more into the story if you were going to base a lot of the drama on her perspective during the final battle. It's almost like making it so Adrien physically can't rebel against his father was a stupid way to keep him out of the conflict.

Why the hell couldn't we have gotten a scene where Adrien's connection to Gabriel was broken? There were plenty of options the writers could have used. You could have had Nathalie steal the other ring back from Gabriel to give to Adrien, have Argos use the Peacock Miraculous' powers to override Gabriel's commands, or have Adrien unlock a new form of Cataclysm that severs the bond with his Amok. And that's not even getting into the excuses the show made for why he can't get involved, because God forbid one of the two main characters in the show's title get to take part in the final battle.

In fact, I'm pretty sure this is why Felix was introduced, to do the things Adrien should be doing. Felix is the one who has a vendetta against Gabriel, a deeper connection with Kagami, knowledge that he's a Sentimonster, and an overall influence in the plot. The writers are so obsessed with coddling Adrien that they created an entirely different character to fill in a role for him, and Felix wasn't even in the final battle. And just remember, Adrien was originally created to replace Felix in the story, so Felix taking over Adrien's role as the character who helps advance the plot makes even less sense.

Even if the final battle is meant to be over Adrien, it comes across less like Marinette and Gabriel are fighting over his freedom and more who gets to control him. Gabriel doesn't use his wish to free Adrien from the shackles of the rings. He just gives Marinette the rings and hopes she won't do the same kind of things he did with the rings. Nothing changed over Adrien's treatment except who gets the keys.

It'd be one thing if Adrien at least chose Marinette over his father, but Adrien isn't even allowed to know the full story on anything, not even the Sentimonster stuff. Okay, putting aside the fact that Adrien has lots of friends and family to help him cope with this, maybe I can buy not telling him about Gabriel. Not telling him he's a Sentimonster is something I can't excuse. This is like not wanting to tell someone they have diabetes and hoping they know how to use their own insulin while they're downing Pepsi after Pepsi. It's not just a matter of hurting Adrien's feelings. His fucking life depends on those rings. He should obviously know to keep them safe and not trade them for magic beans or something stupid like that.

But the biggest problem with Adrien this season is how it goes against everything the show has said about him and his relationship with Marinette/Ladybug the last four seasons, and especially Season 4.

For the past four seasons, the show has loved to say that no matter what happens, Ladybug and Cat Noir will always be here for the other, even against the world. Put aside how unlikable Adrien was last season, that was the ultimate lesson, about the two reaffirming their bond. And yet, here we are in the Season 5 finale, when literally the entire world is against Ladybug and Cat Noir, and Cat Noir is nowhere to be seen.

One of the main reasons why Adrien jumped at the chance to be a superhero was the freedom it gave him from his restrictive lifestyle, and how it led to him making more friends at school. And that very same story ends with Adrien admitting it's a good thing for him to stay inside and never acknowledge the fact that his father was kind of a dick. Remember, this was planned in advance for YEARS, and absolutely nobody thought it contradicted one of the most important aspects of Adrien's character: his desire for freedom. Now the same person who would demand to not be kept in the dark about so many things (Lady Wifi, Syren, Lies, Sentibubbler, Rocketear, Risk) is now sitting around like a coward while everyone else saves the world instead.

I still think Adrien was at his worst in Season 4, with how much of an whiny and insufferable idiot he could be, but Adrien in Season 5 is a close second. Yes, I wanted him to stop acting out and demanding that the world cater to his every whim, but I also wanted him to prove he was as valuable as he says. The first half of this season seemed to understand this kind of criticism and reminded the audience that Cat Noir was still useful, but when the actual story kicked in, the writers were so determined to keep the secret identity bullshit going, Adrien somehow got less focus as a hero than the Resistance, a group of temp heroes who actually lost their Miraculous. And consider the fact that this season wrapped up the drama with the Agreste family, so for all we know, Adrien will get even less screentime next season.

If Adrien is supposed to be an invaluable ally to Ladybug, then why doesn't the writing accurately reflect it?

The Problem With the Biggest Idiot of Season 5: Moronette, “Of Course I Know What I’m Doing!” Royal-Pain, AKA, Ladydumb

You know, it's funny. I kept defending Marinette when the writing kept making her out to be a terrible hero last season while Adrien got by without a single criticism, to the point where I considered Adrien to be the worst part of the entire season. Oh, how the tables have turned with dear old Marinette, as the season that chose not to criticize every single action she took is when she's arguably at her worst.

You have to wonder if the writers finally realized how much crap they put Marinette through over the last few seasons by having her always forcing her to learn some contrived lesson and were like, “Oh yeah, she's supposed to be someone the audience is supposed to root for.” Unfortunately, they went way too far in the other direction with how they handled Marinette.

The way Marinette was written this season felt eerily similar to what happened with Adrien last season. Suddenly, her personal drama is of the utmost importance (Determination, Passion, Reunion, Elation, The Kwamis' Choice, Perfection, Migration, Derision, Adoration, Pretension, Representation), she's making incredibly stupid decisions in battle (Evolution, Destruction, Determination, Pretension), she becomes the moral compass of the show who lectures others on what to do (Revelation, Confrontation, Collusion, Revolution), and she's never really called out for her actions by the other characters despite how often she makes things worse.

So much of the first half of this season is the exact same crap over and over again. Marinette complains about how hard things are for her and her conflicting feelings for Adrien. I wouldn't really mind something like this if it wasn't for two things.

First, there's no real arc involved with this. Marinette keeps complaining about her love life, and she never really learns anything from it. She doesn't even get to confess to Adrien and show her growing as a character. Adrien confesses to her, and bam, the two are a couple now. Glad to see all the discussions about Marinette's anxiety was completely pointless since she doesn't get to be the one to really confront her inner demons. Well, there was one time in “Derision”, and we all know how well that turned out, right?

Second, more often than not, it seems like Marinette is prioritizing her personal life over the situation with Monarch. You know, the guy who has access to fourteen different Miraculous? After you only managed to get one back? I'd understand if we got this kind of arc in the earlier seasons, but by doing this, you're undermining the current threat Monarch poses. She's even willing to give up being a superhero if it means being with Adrien. That is how important her love life is to her. She's willing to let Tikki force the responsibility onto someone else if it means she can be happy. Of course, this isn't too surprising, as Astruc once said that the show is supposed to focus primarily on romance, not superhero action.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Just like with Adrien last season, the show seems to care more about Marinette's personal issues at the expense of other characters. Do you want to know how many episodes this season focused on Marinette's love life in some way? EIGHTEEN (Multiplication, Jubilation, Determination, Passion, Reunion, Elation, Transmission, Deflagration, Perfection, Derision, Protection, Adoration, Emotion, Pretension, Revolution, Representation, Conformation, Re-Creation). Literally two-thirds of the season includes Love Square drama. Even if you want to be generous and count both two-parters as single episodes, that's still more than half the season. This is yet another problem with waiting until what was originally supposed to be the last season to resolve your plot. You need to force all of this development through almost every episode until people get tired of it.

Because of this, Marinette basically took over the narrative of Season 5. Almost every major conflict revolved around her, even the stuff with Adrien. Rather than make a story about Marinette and Adrien working together to break free from Gabriel's influence, Marinette is the one who has to do the heavy lifting and save Adrien herself. I've already talked about this with Adrien, but it bears repeating, as this is same issue I had with Season 4. Just like how Adrien got more focus during a story arc that should have been about Marinette last season, Marinette is now getting more focus during a story arc that should have been about Adrien, to the point where Marinette gets to use Adrien's Miraculous during the final battle with Monarch.

I'd at least be somewhat forgiving towards the shift in focus if Marinette actually got to do anything to advance the plot herself. Because of how often the show focuses on Marinette's love life, very little time is dedicated to showing Ladybug making an effort to actually stop Monarch. The closest we got was in “Illusion”, and that was a plan spearheaded by Nino. Like I said earlier, Felix does more to advance the plot out of any character, even Marinette, THE ONE THE SHOW IS NAMED AFTER!

We have three separate episodes where Ladybug has Monarch at her mercy, but she decides to talk about how she's totally won and that Monarch can't get away at all, and then Monarch gets away in a matter of seconds. I just... this is “SHOOT THEM WITH THE DEHYDRATION GUN!” levels of stupid here! The only reason Monarch gets as far as he does is because Ladybug can't just grab any the Miraculous he has all over his body.

We're seriously supposed to see Marinette as an amazing hero when she keeps screwing up every opportunity she gets to stop Monarch. In the span of one season, Marinette went along with being forced to retire because she got a chance to date Adrien (The Kwamis' Choice), chose not to form a temporary alliance with an Akuma even if it meant possibly getting the Peacock Miraculous back and stopping a potential threat (Pretension), had absolutely no plan to stop Lila until someone else came forward with information on what she was doing (Confrontation), decided to let another Akuma force the mayor out of office (Collusion), and failed to stop Gabriel because she got tricked again and was completely helpless as the entire universe was recreated before she took credit for defeating Monarch afterwards in the new reality and then decided to honor the insane supervillain's wishes and keep her boyfriend completely in the dark about the truth even though she learned not to keep secrets from others (The Final Day) and MY GOD, I HATE THIS SEASON SO MUCH.

When Marinette isn't making terrible decisions, she's lecturing others on how to act around their enemies, and when I say “how to act”, I mean “refuse to give them even the slightest bit of respect after doing the bare minimum to help them try and change”. Marinette really lets her own personal biases toward Chloe and Lila get to her this season with how the latter half of the season had her tell others not to even consider trusting them because of how easy it is for them to take advantage of kindness. You know, something you'd hear someone like Superman or Spider-Man teach kids about.

In fact, here's a little game any aspiring writer can play when writing superhero characters: If you can't imagine someone as noble as Superman saying something like this...

Marinette: But sometimes, the good we think we see in some people is just a reflection of our own, and we end up being fooled by our own kindness.

Unless your intent is for them to be flawed or in the wrong instead of a complete paragon of virtue, you need to go through your drafts.

And just like Adrien, even though Marinette keeps screwing up, she's never held accountable for her actions. She's never allowed to be wrong, and is almost always the one who gets to lecture people, mainly towards the end of the season. A good example of how poorly written Marinette is this season is when she whines about Ms Bustier not punishing Chloe enough when not only does she fail to understand that Chloe is still being punished, but she did absolutely nothing to bring Chloe's cheating to her teacher's attention when as class representative, it's her job. I don't care how stupid that idea sounds, that's what the show goes with, and it makes Marinette's inaction come across as very irresponsible.

But then again, neglecting her duties at school is nothing compared to acting like Marinette didn't fail to save all of reality while not showing the least bit of remorse for it. I'm just saying, when even Ben 10: Omniverse of all shows does this kind of story better, you know you've screwed up. Again, we're supposed to see it like Marinette won because the universe is in one piece, when, once again, SHE FAILED! Like I said, she failed at pretty much everything she set out to do this season and didn't stop Monarch outside of warding off his Akumas. This is seriously how the show was supposed to end, with Marinette failing to save the universe and the audience just needing to accept it. Well, in case it wasn't obvious on my front, I don't. Hell, forget Ben 10: Omniverse. Even Star vs. the Forces of Evil had the main character save the day, even if it meant potentially screwing over countless lives by destroying all magic in the world. Marinette? “Well, everyone I know and love is technically dead and the madman I spent five seasons trying to stop gets to die a martyr, but everything looks like I saved the day, so that technically means I didsave the day! Man, I'm a great hero. Good thing the other characters basically exist to remind the audience of how amazing I am.”

If there's one thing to take away from everything that's happened, it's that this was the season where Marinette has arguably become one of the biggest examples of a show failing to make the audience like their main character. There was much time dedicated to rationalizing and trying to justify the worst possible decisions she could've made and acting like she's still an amazing hero. Stuff like this only serves to further validate the criticisms people have had for her as a character ever since Season 5. And remember, this is coming from someone who went out of their way to defend Marinette last season. In an attempt to show her at her most heroic and virtuous, Season 5 pretty much cemented Marinette as a terrible main character, a terrible superhero, and a terrible role model for children.

Eight Years for This?

I'm going to be perfectly honest with you guys. This season just broke me, and there was a good reason why this analysis took so long to write.

While there were a number of outside factors that made it hard for me to get the time to write (work, the holidays, family gatherings, etc), there were still times where I either didn't have a lot of material to work with, or I just couldn't find the motivation to work on the reviews. I guess throughout all these years, I figured that after all this buildup between the Love Square and Adrien's relationship with his father, there would at least be something I could find this season that would allow me to say this was worth the wait. Unfortunately, it was just disappointment after disappointment this season, with a universally hated finale to boot.

To me, this was the season that burned away the remaining goodwill I had for the show, because there's just no salvaging it at this point. The writers pretty much butchered every single character in some way, excused the main villain's actions for a sorry excuse for a heroic sacrifice, and literally reset the universe so all of the characters we've come to know for almost a decade technically don't exist anymore. Even the cliffhanger for Season 6 really excites me, because why should I care about a character we still know nothing about becoming the main villain? Why should I care at all when the writers have made it clear they don't care either? They don't care about writing character development, they don't care about writing consistent lore for their world, they don't care about approaching serious subjects with the delicacy they deserve and they certainly don't care about telling a consistent story.

Season 5 of Miraculous Ladybug was a failure in every conceivable definition of the word. It failed to deliver a satisfying conclusion to any of the stories that had been set up for years, and if this was how the main story ended, I don't really have a lot to look forward to when Season 6 premieres.