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#it's DETRIMENTAL to his character
knbposting · 5 months
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jackklinemybeloved · 1 year
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zac’s “less is more” approach to comedy is always golden but it is working PERFECTLY for colin provolone from both a comedic and dramatic standpoint. everyone else I kinda get the vibe of but colin is Just Some Guy which is driving both me and raphaniel up the fucking WALL.
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bloomfish · 6 months
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It's so weird that in angel s5e2 they do a little flashback to Spike's blaze of glory moment in the last episode of Buffy... but they leave out Buffy saying "I love you". It's such a blatant omission, the ONLY omission from that scene, that it feels totally deliberate and kind of dishonest. Considering a lot of the Spike and Angel moments in S5 revolve around their jealousy and rivalry towards each other, and a LOT of that is to do with Buffy like... Why would you leave it out? It's a pretty big moment for Spike's character in general.
As far as I recall they don't even mention it, they just mention the fact that Spike and Buffy have had a lot of sex compared to bangel's ONE disastrous time (that they remember) but it does kind of cheapen it for Spike. A big motivation for him not leaving LA could have been him not wanting to hold Buffy to her words, since he clearly doesn't believe that she loves him (even though she does, as per Whedon). He presumably thinks she only said that to make him feel better in his final moments, because she wouldn't have to actually follow through on her words. Which is sad. But it makes much more sense as a motivation than the weird 'it cheapens my moment of glory' excuse like since when does spike give a shit about that
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thelastharbinger · 1 year
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something something something loki's love for sylvie more appropriately manifesting as platonic rather than romantic because his love for her is a lesson in healing--particularly the inner child that still holds resentment towards a lying, unaffectionate father. loki's heart breaks for sylvie because it breaks for him too. he sees her and views the version of himself that is still angry and deeply, deeply wounded. his affection stems from the empathy of understanding what it is to have had a narrative for their life controlled/manipulated for them. in their sameness, loki offers the compassion he wishes he would've gotten or would've been able to receive. and because to turn back on her would be to turn back on himself. loki allows himself to be something other than the trickster god he made himself out to be in a desperate plea at taking back control. it is mobius that tells him he can be other than what he was and offers him another mode of survival, all of it a lesson in love. sylvie teaches loki radical self-love, how to show up for himself and others, and mobius is the conduit through which loki practices this healthier way of loving.
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princeofuchiha · 5 days
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I love fandom Izuna but every time I watch a scene where he's in it I'm like. Who is this. Who de-pazzazzed the boy. Who stole his sarcasm and attitude problems. Where's my prissy son.
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I rewatched Gravity Falls with my sister and holy crap being an adult and watching everything Stan goes through is insane.
I’ve been working through some stuff in therapy and like, this man has made some mistakes but definitely did not deserve what the narrative did to him.
Screws up his brothers machine on accident? Homeless at 17 and doesn’t speak to his twin for 10 years. Sees his brother again when they’re both at the end of their respective ropes and in their worst places mentally? Gets in a fight that lands his brother trapped for 30 years while he takes his death and tries to open the technical monstrosity his brother built when this man hasn’t even finished high school. Gets his brother back after 30 years? Doesn’t get a scrap of acknowledgement and is told to move out and leave him alone. Has spent 40 years trying to fix and atone for his mistakes? Not even a thank you and gets emotional about it such that the spell against Bill doesn’t work.
What’s left? Oh I don’t know, how about losing all of your memories and sense of self, letting the narrative boil you down to nothing more than a mistake and the only way you’re capable of rectifying it is by ceasing to be yourself, as literally as possible.
Like, I’m sorry, but if Ford really was so unreceptive to actually talking/working through things, I think Stan had more than atoned for his mistakes. I don’t think he was a fuck up or that his takeaway from everything should be that he wasn’t worth it. That his sacrifice was what he owed the world for everything he did.
Because he didn’t do any of it alone.
And boo fucking hoo that Ford had to shoot his brother. If their places had been reversed I doubt Stan could have done the same.
I’m sorry, you trusted an inter dimensional demon, kept secrets because you were too prideful to ask for help or admit to your failings, and again too prideful to say thank you to your younger brother who spent 3 decades doing everything he could to get you back? Stop throwing such a tantrum and get off your high horse.
Sure Stan made mistakes, but Ford never seemed to learn from his.
Rewatching it I was actually angry at the ending, at the idea that when Stan is facing Bill he’s not even upset at the hand he’s been dealt. At the unfairness of it.
Because it was unfair.
And if I had a single gripe with the series at all I would wish for maybe one extra episode after Stan losing his memories and before getting them back. Just one single episode of Ford admitting how he hurt his brother, the role he played in the apocalypse, just 20 minutes of him coming to terms with his own flaws.
Because we as the audience know Ford isn’t perfect, but I need him to acknowledge that too.
There is so much fanfiction where Stan’s life is horribly lonely or traumatic in ways the show can’t cover or makes light of and I get it but also it’s clear other people relate to Stan feeling like all he’s done is make mistakes and that he deserves what he’s gone through and that is so NOT the case.
And I wish the official narrative would acknowledge that too.
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asspinkie · 7 months
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@ everyone who is upset about characters being morally flawed. do you not understand what drives the narrative
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caligvlasaqvarivm · 2 months
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wanna ask how you feel about the eridan bpd headcanon/theory(?? not sure what to call it!) you're so good at your character analysis and i'd love to see your outlook on it
Since I don't have a degree or any formal training in psychology, I feel deeply uncomfortable diagnosing characters. I've made an autism joke before but only because I'm on the spectrum. He's definitely traumatized and anxious, but I mean those as descriptors of his behavior rather than capital-D Diagnoses. I try to focus on those when I can - the cause and effect of cognition, self-image, and behavior - and those factors may very well match up with DSM criteria, but I try not to touch an actual diagnosis with a ten foot pole unless the author has explicitly stated that X character has Y condition.
#there's a variety of reasons for this#part of it is that im GROSSLY unqualified to be handing out diagnoses when it takes a full on PhD to do that in real life#part of it is that psychology is inchoate and we are still very much in murky waters#for example: complex ptsd isn't even IN the DSM yet#and iirc my therapist told me it was because theyre still figuring out how to classify it (attachment disorder? trauma disorder? etc.)#part of it is that (from my limited and undereducated understanding) there are diagnoses that you can assign by completing a checklist...#but some that require a hell of a lot more testing and ruling out other potential causes#and the cluster-b personalities are (IIRC) not even ones you're supposed to diagnose minors with#bc of fears of self fulfilling prophecy and because minors in general are still developing personalities In General#and like the fact that i can't say that with authority speaks to how unqualified i am to do any diagnosing right? hahaha#and part of it is just because like#unless the story is specifically About That and the author has stated so explicitly#i think diagnosing characters tends to put blinders on analysis#like if i were to seriously go 'eridan is autistic' then it would massively bias my reading and understanding of his character#and we have 0 indication that eridan was ever explicitly intended to be autistic or that the author was trying to do an autism specifically#that doesn't mean that the reading is invalid because like thats what death of the author means#all readings are technically valid including stuff the author didn't necessarily intend#but that's just not the way i like to engage with media and not the way i like to approach character analysis#because PERSONALLY it just feels kind of reductive - but also -#i'd wager MOST of us don't have degrees in psychology#so when i say 'X character has Y condition' it might mean something totally different to somebody reading my analysis#even people who have Y condition aren't exempt because a lot of mental illnesses differ from person to person#whereas if i explain “X character has Y thoughts and Z behaviors” there's no ambiguity in that#eridan struggles with noticing that people are suffering and with realizing that he should care#at least part of this is due to his horrific murder-filled upbringing which rendered empathy a detriment & so he learned to ignore it#it could be autism - but it could also be trauma -#or he might just be Like That without actually meeting the diagnostic criteria for autism#& you can't even technically be diagnosed with C-PTSD#or maybe he has a burgeoning personality disorder but you aren't supposed to DX those too early anyway#or maybe hes just 13. see what i mean hahaha. ive reached the 30 tag limit
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jemmo · 6 months
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i finally got the time to watch love is better the second time around and im not at all shocked that im obsessed with the adult second chance at love jbl - have you met me.
but it also needs to be known that shiraishi is my beloved, the actor plays this role so perfectly and i want my bitchy sad gay to find true love
#love is better the second time around#also i adore the mains a whole fucking lot#iwagawa is the perfect mix of pathetic and desperate veiled in cocky and sophisticated#and miyata’s character is just a gem like the way he has transformed from his younger self is so refreshing to see#like this is a kid that was so pure and sweet and open and when he believed that all got trampled on he didn’t let it go to the extreme of#becoming hard and emotionless instead he really has just matured into an adult that actually cares for and values himself#like that hurt made him feel worthless but now he knows he isn’t worthless#like he internalised it through the way he protects himself from others but he does it both to not feel that hurt again but also bc he#thinks well of himself and i just adore the fact we get to see a timid kid grow into someone with self-respect it’s so cool and refreshing#and even when it comes at his detriment bc he won’t let himself believe iwagawa is being honest or that he’s ever been - that it’s all just#a joke or teasing or whatever it’s not frustrating bc you both get where it comes from but also feel like you can support him pushing him#away bc he does it for himself and for the person he’s become#so like… to watch a show where you’re both deeply rooting for the couple but also support when they push each other away… idk how they did#it but they did. the premise is simple and the show is simple but every moment and interaction is electric and thrilling and that’s the kind#of show i love. one that can convey how seemingly interactions are full of tension and stakes for these people. it’s so hard to convey that#but this show nails it and i just can’t get enough now.
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wildsaltair · 2 months
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bonus:
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Russell Crowe as Egan // The Silver Brumby (1993)
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dceasesd · 2 years
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i think that we as a fandom need to make a change and STOP the woobification of tim drake before we reach the point of no return
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reggieblk · 11 months
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i finished reading The Goldfinch by Donna Tartt yesterday and i have a lot of thoughts and feelings about every single thing about it, but what I would like to address here, and it speaks for itself;
"8R, two keys and a combination padlock, 7522, the last four digits of Boris's home phone in Vegas."
- The Goldfinch, Donna Tartt, IV, chapter 9, X, page 532
and and and.....8 yrs later, the passcode is still the same.....it's the way Theo, 8 yrs earlier, didn't hesitate a second....it's the way Boris's home number guards Theo's dearest possession, the remnant of his mother, his very heart....it's the way it isn't Pippa's bday, or anything like that.....it's the way i sobbed when reading this line
(not to mention....not to mention....how "Popper" is "Popchyk" for as long as Theo gets back to NY and is with Hobie, never once Popper always Popchyk until.....until Boris comes back, and calls him Popchyk, and then, immediately, for the first time since Vegas, Popchyk is Popper in Theo's mind....because....because the rightful person who calls him Popchyk is back, and Theo no longer has to fill in for him, and, and, and--)
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losthavenmine · 10 months
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Advent Character Countdown❄️14th December❄️ || No. 11: Terry Thorne (Proof of Life, 2000)
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koskela-knights · 3 months
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At this point, with the Night Springs DLC having come out and how i've felt about Jesse's chapter and Coffee World and the overall (under) usage of named NPCs from the AW2 canon, I keep thinking....
I feel the Cult of the Tree lost all its narrative purpose and emotional impact due to FBC involvement. The Cult and the Koskelas might have well been some random unnamed NPC Cult Leaders or heck, they might as well have been replaced by a sentient lamp and their relevance and impact and the outcome would've been the same. It could've been some other random murder case that would've attracted Saga and Casey's attention to BF for how little pay-off we got for the Cult arc. The final 'wrap-up' if you will, is totally missable and optional. At this point, nobody even cares anymore that the Cult were actual the good guys all along.
Even Remedy seems to have forgotten about the whole Cult arc and the Koskelas as characters and I feel the fandom even mirrors that in some waysthere
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broken-clover · 9 months
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I just got to the level of bond where Luke reveals he's a PMC yesterday and was curious as to your thoughts on what that says about his character.
Kinda disappointing tbh. He's a pretty dorky and charming character and then they had to go and make him a pig.
I'm not even wholly opposed to him being a solider, because I felt like they were going in the direction of 'wide-eyed idealist wants to take after his daddy and joins the army to emulate him and then is horrified by the unglamorous reality of the military complex' but having him then switch to being a PMC makes it weird because apparently he's not that bothered by the whole thing. That and narratively it feels like it only exists to have him be in Nayshall for the prequel comics and afaik it doesn't really play much else of a role in his character aside from the training gym being owned by a security company (which could easily be written out without any significant change to the story)
Yeah sure capcom make all the memes you want but I'll just be sitting uncomfortably off to the side wondering how many civilian casualties he's responsible for. And you could say 'well it's a game and he totally could have been a Good Cop that didn't do any bad stuff or hurt anyone that didn't deserve it' but that's cartoonishly idealistic given that this game in specific goes out of its way to discuss topics like information warfare and how easy it is to slander someone's reputation over the internet and how technology plays an increasing role on the physical battlefield to replace human soldiers. It's hard to believe he hasn't at the very least knocked around some strikers protesting a corporation's business tactics. In the end it just leaves a sour taste in my mouth
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weepylucifer · 2 months
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AND ANOTHER THING about hot sith girl summer, i've managed to write myself into addressing a common issue in the codywan fandom, but in a weird way: that thing where fandom sometimes treats cody like he's only there to babysit obi-wan and his every single thought and action revolves around obi-wan
like, you know who'd also think of cody as existing only in relation to obi-wan, as a kind of appendage of obi-wan? vader. it's probably the only reason he keeps cody alive after cody challenges him between chapter one and two. as bait to draw obi-wan out of hiding, and just to fuck with someone obi-wan held dear, to cause him pain. and wouldn't it be interesting if cody noticed this and started chafing at it, even as he also feels (irrational) guilt over what he did during order 66. and even when he escapes vader and takes up with maul, he expects the exact same treatment: to be treated as a thing that obi-wan owned, and that can now be used as a tool to exact revenge on obi-wan (but he and maul are actually going to have a rapport, weird and fucked up as that's going to be in its own right. but at least it will be true, equal-level codependence). so he's just like "oh it's gonna be the same humiliating dehumanizing shit again but at least i'm no longer in the empire... so i'll take it 🙄" (but then it is actually different, eventually, as maul begins to see the merit of cody as simply cody)
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