#it’s in one specific flashback of her

[livfordoodles]

Johnny & Rina

[altruistic-meme]

i love having sisters because they help me assign my silly blorbos to different omegaverse genders and also call Mori a tsundere

[sskk-manifesto]

Ep 5!!!

[carefulfears]

mulder and diana literally have the most intense divorced energy anyone could ever have...they have the chemistry of two people who've been married for decades and maybe don't wanna be married anymore, maybe aren't married anymore, but once you're married you're grandfathered in. you're always married. haven't touched each other in years, go most days not even considering the other, but owe each other something, and aren't sure of what it is. diana lies and lies and lies to his face, and then dies to save him. she feels entitled to him, she knows what's best for him, what's his is theirs. always. she was there when he got it. she helped him build it. (she tells him herself: "don't forget that"). so much of what she does appears as she's trying to establish a claim over him, but she doesn't have to try. she just is. she's irreproachable. you don't talk about the wife. (and you don't talk to her, as scully and diana arguing is met only with mulder's impatient, "scully...scully...scully.")

any time she comes up in conversation, his friends are uncomfortable. i love the way byers goes "well....yeah?" when scully asks if he knows diana. he says it like he's surprised that scully didn't know about her. when scully won't stop pressing mulder about diana in one son, all three of the boys tense up. the camera keeps going to their reactions. (you don't talk about the wife. they were there. "i always wondered why they split up.")

scully says "special agent diana fowley" as though maybe if she had one more title to throw in, she would disappear. diana says "fox" like she has something to prove. mulder says "diana" like it communicates everything he doesn't say. and in a way, it does. the first time scully heard him call agent fowley "diana," she knew.

[sysig]

I am not immune to any cutes - including Rick and Morty cutes, unfortunately (Patreon)

[sanguine-succubus]

I'm rewatching season 1 again and I need to gush, so I'm going to scream into the void. Just. I love Tiffany here specifically so fucking much. It was season 1 that made me fall in love to begin with, but she just hits such a perfect sweet spot in it. She's still silly, still Tiffany, but genuinely creepy and unsettling at times, and somehow seems even more unhinged than ever. It seems like the best evolution of her character after settling into Jennifer Tilly's life for so long while still having her sanity be chipped away by Chucky whispering over shoulder or the identity crisis I'm sure she still has shoved away somewhere at that point. A great middle ground between herself and the whole "fake it til you make it" thing Jennifer Tilly said she had going for Cult.

Don't get me wrong. I love her regardless of which iteration she's in, movies and even the insane mess that was season 2 included. But GOD season 1 is just so perfect for her imo.

[eternally-tired-cryptid]

on one hand I wanna write my fic ideas wherein my marvel oc gets sent to the alternate universe of Gotham and hijinks ensue whilst she tries to survive and get back and the batfam and such slowly learn more info abt her world and how it's being threatened atm and she needs to go back and help and whatnot.

But on the other hand, the readers wouldn't know the marvel related backstory of this OC and would have. No context for her going in

But ALSO then the readers would know abt as much abt this mysterious figure as the batcrew do, and get to learn via flash backs and her slowly revealing info to them as safety allows

Then there's also just a general. Idk if there's any sort of oc etiquette when it comes to writing oc centered fics? My brain goes so hogwild when I read anything that I usually avoid oc fics other people write just bc I usually read and enjoy fics at face value but I also go "now what would happen if this OC was here?" And that gets real complicated when other people's ocs are involved

[arospecsyourblockdudes]

honestly i understand why the life series is Like That bcus of an emotionally harrowing experience i had on a minecraft PE/bedrock server hunger games

[magic-is-something-we-create]

finally got to the lorelei flashback that actually shows, on screen, the morning that her sister disappeared

aka the Thing™ that i have known about her character since before i named her

[ignaciwhore]

got attached to the bear only for the 3rd season to fucking SUCK

[moodr1ng]

its been a couple years since i last saw repo! the genetic opera i could stand to rewatch it once again. ofc i will need to post multiple times about my "rotti is shilos biological father" theory during and after watching.

[ambrosiagourmet]

I want to talk about why I think this is the one of the most important Falin panels:

So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.

In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.

At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.

And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.

Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.

If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.

We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:

So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.

Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."

So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.

However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.

Isn't that the same thing?

No, no it very much is not.

Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:

Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.

But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.

If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.

Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.

Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.

Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.

We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.

And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.

So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.

It doesn't seem like Falin has ever confronted any of it directly.

And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:

Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.

And this is something Falin embraces, too. She comes back to life, after all.

We see her choose to come back to life.

And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:

Do you want to eat more?

There is a double meaning in the Winged Lion's final words on the next page.

When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.

But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.

And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.

It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.

[avocado-frog]

Only a few more chapters until i've finished part 2/5

[titsthedamnseason]

.

[blitzos-horse-ranch]

Something that has always stood out to me (and got me thinking) IRT Blitzø and his true nature underneath all of his sharp edges is this specific scene in Oops:

Here, Blitz is very, VERY badly burnt. Enough to be permanently disfiguring on at least a third of his body. Yeah, Fizz had it worse, but this is still awful and was probably horrifically painful. But he barely seems affected, because his only concern is his mom. We as the audience can't hear what he's saying, but he's clearly calling out to her in this flashback.

Blitz could easily, and understandably, put himself first here. But he doesn't. And it says a lot about him. Take this with several other standout moments in (and upcoming!) the show...

...and you get a really good picture that one of Blitz's core traits is how protective he is of those he loves. A lot of the fandom writes him off as nothing but a selfish asshole that doesn't give a shit about anyone but himself. And as sad and uncharitable as that read of him is, it's also kind of funny because if you actually watch the show it's obviously not the case at all.

Blitz values and is very protective of his loved ones, and if you can't see that you're blind or purposefully ignoring moments like this.

[aardvaark]

i like how leverage throws in random details that are never elaborated on. hardison gets himself a front row seat at the oscars each year, but we only see that in a single throwaway flashback. parker broke a guy's fingers for touching her and it wasn't even a plot point, it was just one in a series of memories of stabbings and so forth. eliot continually knows extremely specific information which implies some extremely specific scenarios he's been in. the more we find out about sophie's backstory, the more questions it raises about what the hell is wrong with her. and the more we find out about nate's backstory, the more questions it raises about what the hell is wrong with him.