#it’s a way of self expression I understand

[wifes-xxx]

There have been moments, especially when we open our hearts to a husband , where you have felt a distance between you. I know It's as if the door to your heart opens just halfway, holding back parts of you out of fear, caution, or maybe something you now can't quite understand. It struck you deeply like a slap, and you couldn't help but fee this realisation, it sounds like you are being self centred "I can't believe you would be someone so selfish. That you cant give yourself over completely to your relationship. What a dried up and broken woman you have become"

The beauty of exploring love languages and embracing our vulnerabilities lies in their reflection of real-life relationships. These concepts encourage us to examine our own connections, fostering a deeper understanding and appreciation for the complexities of love. It's an invitation to reflect on how we communicate affection and how we can better align with our loved ones, paving the way for more fulfilling relationships

Have you noticed sometimes when you do want it from a your guy , it almost feels like you’re invisible to him?

Are you nodding along?

Has this happened to you?

You already know you’re smitten. With your husband, only…you’re not bold and slutty, so you don’t feel comfortable just walking over and dropping to your knees and unzipping his pants and pulling it out, or telling him that you’re horny and need fucking… now!

So what can you do because you know it’s insulting to him for you to be a boring prude?

It’s fairly easy to get attention, but that doesn’t in any way guarantee that he will want to fuck you. Just something to be aware of. Once you have his attention, you’ll want to really notice what his reaction to you is. Does he smile while listening to every word, or is he busier checking his phone than talking to you? The sharper your observation skills, the less time you waste on knowing how to please him.

Grow up…you’re acting like you’re in middle school. You’re not. There are better, high-value ways to get his attention. Be his wife, his woman and his lover. Show him what you have and let him enjoy you.

Never be boring or distant.

Instead make yourself interesting and be interested in him and his desires. Learn what makes him hard.

Think of each moment like the dating game, you may be insecure about flirting or expressing your interest. It will take practice, but you’ve got this! Show some sexual aggression and really let him know what you have in mind. Use your brain. Or play open docile and ditzy. If it makes him hard and your feeling horny and wet, know in your heart its working for you. Remember that.

Be his good girl a figure out what turns him on and makes him hard, and interested. Usually, within a few minutes of conversation and , you can deduce this. Obviously, look for a bulge, but also keep an eye out for signs of breast gaze and lip gazing what part of your body is he focused upon! Display yourself with abandon like the women these men look at on Tumblr. They are interested atvtmhem for a reason. Forgot you self and think about why men masturbate to these kind of women pictures.

Let it change you prudish self.

Keep the conversation going once you have his attention, and make it clear that you’re not just being normal friendly (you’re being flirty friendly!). Use your language in and out of the bedroom to keep him engaged.

“You make me so wet”

“Never Stop”

“That feels amazing”

“Does that feel good?”

“I can feel your dick throbbing”

“I want you here right now”

“I want You so bad”

“I was thinking about you today”

“ oh fuck me, Just Like That”

“You make me want to scream”

“Fill me up”

” I'm curious honey what porn makes you. Hard“

“Fuck me like you mean it”

“Harder”

“I feel tiny in your arms”

“I love you”

“I love your dick”

“I want your cum”

“Kiss Me”

“Make me cum baby”

“Seeing you right after a workout”

“Taste Me”

“Your cock is stretching me out”

“I'm not wearing my panties today“

Feel free to share you favourites with me.

Oh God, this felt amazingly good to write. I am sooo ready for him.

S_XXX

[marsprincess889]

How women influenced by different planets act in one-on-one relationships

Platonic, familial and/or romantic. Based on my own observations and traditional associations💕 planetary influence is present when a native has one or more nakshatras ruled by that planet in their big three(moon, ascendant, sun). If that or any other planet is conjunct sun, moon or ascendant in the chart, then it also adds its influence, but to a much lesser degree. I'd advise to read for your moon, but as always, use discernment and and do not take this information at face value.

Sun women

Krittika, Uttara Phalguni, Uttara Ashadha

The women ruled by the Sun are often seen as confident, self-possesed, bright, expressive and measured.

The Sun is well-known to be a masculine planet, that does not make sun-ruled women any less worthy in their femininity.

Sun women might be surrounded by a lot of male energy in younger years. It could have been positive or negative but all and all, they're familiar and quite comfortable with it. I don't mean they were plagued by admirers, I moreso mean they had a father figure, uncles, brothers/male cousins(usually older), male friends around them. I might be wrong but I've seen this so much in real life and in art. If that's not the case, then they can fit in and hold their own in a group of men. It's true that they're not phased by trying to be more masculine themselves(like jupiter women do sometimes) or to completely lean into traditional femininity(like moon women). They usually get love and support from men that have doubted them at first.

That leaves sun girls with an abundance of masculine energy absorbed in themselves. In one-on-one relationships they enjoy a level of independence but they value loyalty immensely. They build relationships on certain rules that come from their personal values. They look for a partner in crime and an understanding confidante more than anything else.

That's why saturn-ruled people are best for them, along with other sun-ruled individuals. Ruled by the planet of dedication and longevity, Saturn dominants understand their detachment and fixed nature, and provide the cold, hard structure for their self-expression.

Their energy is not for abuse though. They are more vulnerable and sensitive than most realize. As they are women influenced by a very masculine planet, they might feel like they're giving too much sometimes, like they're being taken for granted. As Saturn is the planet that never takes anything for granted and works for its rewards, it is not going to discard Sun's warm and "life-giving" nature. Moreover, it is going to appreciate it, respect it and try to keep up with it as best as it can. Saturn's cool and careful nature is soothing to Sun women, making them feel safe to lean into their individuality with more confidence while prividing the essential balance for a full existence.

Moon women

Rohini, Hasta, Shravana

Moon women have a simplicity about them. Traditionally a feminine planet, moon is considered to be a soft, smooth and nurturing influence.

Moon women are easy to recognize. Moon is probably the most dependant planet. They are passive in their demeanor and easily absorb influence. They often have a group of people around them, if not a group, then at least or not two, just because. That can be explained by moon's receptive but also giving nature, that gives back the smoothed, mixed essence of what it has recieved that is easily digestible. But they don't have that energy within them. They can be very accomodating while not initiating anything at all. If they do initiate, it's something similar to what the other person has initiated.

So moon thrives on dependancy. They might enjoy groups, because that way their passivity and receptivity is not held against them, and they might feel like they contribute more that way. In one-on-one relationships, they are very easy and simple, but might become stressed and on edge. Moon rules masses and the subconcious, so they need an energetically abundant planet that does not mind being drained.

Moon is, in its essence, is vampiric, so they like Sun people. They might be quite comfortable around Jupiter people, and sometimes, with Venus people(the Shravana- Purva Ashadha pairing works particularly well).

Mercury women

Ashlesha, Jyeshta, Revati

Mercury is the planet of integration and manipulation, and women ruled by it are often multi-faceted, containing the potential for adapting and the willingness to to often do so.

Mercury can be described as the "hermaphrodite" sometimes, especially Revati nakshatra. Due to this highly analytical and adaptible nature, mercury women have the ability to morph themselves into different roles, depending on who they are interacting with. Their feminine energy is based on receiving and then skillfully using whatever is given to it. Mercury is the planet that is quite different in all three of its nakshatra stages. Ashlesha, Jyeshta and Revati all have different feminine qualities, due to the three stages that they wrap up being different from each other. Venus nakshatras are different from each other too, but to a lesser degree. What all mercury nakshatras do have in common is sensitivity and skill. They change and adapt to various envirmonments, and their resourcefulness is seemingly limitless.

In one-on-one relationships they need people who can handle that "manipulative" and "nervous" nature. All yoni consorts of mercury nakshatras(Punarvasu, Anuradha, Bharani) have a theme of passivity, they all want and need that "manipulative" energy. Similarly, Mercury women themselves can thrive with people who are energetically stable/abundant but want to move and adapt. Since Mercury women have a need for stimulation and variety, they maintain relationships with people who they don't find boring AND can provide loyalty. There is no single planetary energy that is generally compatible with Mercury people, but Venus and Mercury are traditionally friends, and Venus also heals Mercury. The best example of this is Revati and Bharani(elephant yonis), but other combinations can be compatible too(except Ashlesha and Purva Phalguni, due to them being enemy yonis).

Venus women

Bharani, Purva Phalguni, Purva Ashadha

Venus_ the planet of beauty, sensuality and love is a well-known feminine force that is almost synonymous with the word.

Venus women are, before anything, choosy and exclusive. Their taste is very specific and particular, and whatever is "theirs", is theirs completely. Despite the outward serenity and composure, their internal nature is very fierce and even ruthless. That discriminating nature extends to everything in their life, where they have to be clear about the dividing lines of everything that they deem worthy, and everything else that they don't. There is also an inner drive to attain what they want/need/desire/love.

Their views on one-on-one relationships are unique, and they have very high standards, along with an attentive and giving nature. A lot of those relationships might have left them dissapointed. They seek a balanced give and take in any 1-1 bond. They might even blame themselves for not choosing correctly, since they're already very careful. They mainly want loyalty and support. As always, those relationships have to fulfill their personal desires. Someone considerate, attentive, and skilled is best for them.

There is no single planet type that will fulfill all three Venus nakshatras and most of their natives, but generally, Mercury people have what it takes to impress and keep them. They share a discriminating nature, but while Venus women are energetically abundant, loving and often passive(on 1-1), Mercury is actively "manipulative" and morphing into whatever Venus desires. The best version of this is Bharani and Revati(elephant yonis). Purva Phalguni feels best with Magha(rat yonis) and most likely will not get along with Mercurial Ashlesha(enemy cat yoni). Purva Ashadha is best with Shravana(vanar yonis). All Venusian lunar mansions are best with their uniquely preffered nakshatras. Besides them, they might form friendships with Ketu, Sun, Jupiter or Saturn nakshatras (with the exlusion of Purva Ashadha- Krittika/Pushya, Bharani-P.Bhadrapada and Purva Phalguni-Punarvasu pairs).

Mars women

Mrigashira, Chitra, Dhanishta

Mars_ the warrior planet that grants protection has been a symbol of masculinity since ancient times. That coorelation, although undeniable, does not exactly encompass the whole essence of that force, especially while considering women influenced by it.

Mars rules the energetic output_ how we spend our energy and life force. In many ways, Mars women, being the passive/feminine vessels for that triggering energy, are expressive and engaging. But unlike Mercury, that expression is geared towards the physical body. Unlike Venus, they do not have any inner discriminatory preferences that might make them that choosy. Their expression is very outward and shown on the surface, so while they can be confrontational or agitating with how they behave, they do it for protection, because that it their only mechanism of doing so.

Their heated but inwardly quite gentle nature can make them susceptible to unnecessary drainage. That's why they're another planet type that needs a giving person in 1-1 relationships. With them, a that person has to not only give, but have a true consideration of their sensitivity.

Jupiter people are famously best for these women. Jupiter natives can give their excess energy to them and ensure that their vulnerabilities are not abused. The two latter Mars nakshatras both have Jupiter nakshatras as yoni consorts and Mrigashira's yoni consort is Rohini_ a fixed but soft-natured nakshatra.

Jupiter women

Punarvasu, Vishakha, Purva Bhadrapada

Women ruled by the great benefic, the planet of greatness, plenty and godhood can be big personalities. Jupiter has seemingly infinite energy that wants to give without end, and often, they do.

Jupiter women have a very enthusiastic, almost aggressive niceness about them. They might have been surrounded and influenced by male energy since their early life like Sun women, but their true feminine power comes from being open while giving and receiving, especially when around individuals who they think need their "help" the most.

Jupiter women are the one planet type that feel the best in groups, even moreso than lunar women, and unlike them, since Jupiter wants to give to all, they might feel very uncomfortable in 1-1 relationships. That being said, they're not exactly opposed to the idea of it.

They will feel best with heated and draining planets, especially Mars. Mars can take Jupiter's abundant energy and use it to build and protect. They're famously a good pair, but other planet types can be just as compatible with Jupiter. Ketu people also have a desire to take Jupiter's energy but unlike Mars, they won't drain it to use it outwardly, instead, they'll absorb the energy completely and integrate it into their spiritual essence.

Besides them, Punarvasu nakshatra in particular will get along with Ashleshas, a Mercury nakshatra, due to them being yoni consorts (cat yonis).

Saturn women

Pushya, Anuradha, Uttara Bhadrapada

The cold planet of control and restraint is a passive but tough and unbreakable force. Saturn women find their femininity in stillness and silent, but resilient passivity.

Their strength is tested and it gains more layers through time. This kind of energy might become impossible to intimidate, so many might feel that Saturn women are never phased by life in general. More reactive or moldable people might distance themselves from them, even though on paper Saturn women are easy to like.

They find too much flux and chaos unbearable. Saturn's femininity is all about limiting and crystalizing whatever it receives, so the more stable that energy, the better Saturn women might manage in binding it, even though they can restrain and control any type of energy, no matter how messy.

Saturn ruled women might have dealt with a harsh, limiting, authoritative feminine energy in their younger years. They have learned how to manage themselves in various complicated situations. What they seek in 1-1 relationships is trust and loyalty, not too unlike Sun women. Saturn people are best with Sun people. Sun's warm influence will give their structure a heart and a "purpose". Sun is the planet that seeks out the cold, restraining influence of Saturn that matches its own stability and self-possession.

Since these women are the feminine variation of Saturnian energy, they might be extremely passive and unwilling to start anything themselves, but after they have something to hold onto, they can become actively bossy.

The similarly cold but also adaptable and changeable nature of Mercury might also be an easy and natural match for Saturn women. This pairing might be best in platonic or familial relationships, but the Anuradha-Jyeshta pair(rabbit yonis) is perfect in romantic couples too.

Rahu women

Ardra, Swati, Shatabhisha.

The north node of the moon, the dragon's/serpent's head is a shadow planet and only one half of the opposition that makes up the destiny of a person. The nodes are dependant on each other, and both of them are dependant on the moon. Even this fact gives them a very different kind of quality and essence. So, women ruled by them are a distinctive and very draining group of force.

Rahu women are the personifications of the illusion. For them it is easy to see and identify, to box and to define and label. They are adaptable, responsive, cerebral. There is a certain numb neutrality about them. They are very aware of and immersed in the material world. They can often become bored or overwhelmed by it. It is not unknown that Rahu ruled individuals might be prone to nervousness and anxiety.

Rahu women are easily susceptible to all kinds of influences, just because they absorb and then project everything around them. They can adopt behaviors from other people without noticing, but unlike Moon women(who also do this) they do not give anything back to anyone in particular, they just take it into their illusion and show it to everyone.

That is why they can be quite comfortable within groups. With personal, 1-1 relationships, difficulties can arise. They need a very particular kind of person that can handle their tense and sometimes chaotic nature and can direct their "hyper" essence towards something stable.

Ketu is the other half of Rahu and the only planet that can calm it down. The immovable and hot nature of its opposite shadow planet can help Rahu get out of the head stop its often actively paranoid behavior. Ketu can provide the spiritual substance for Rahu's material manifestations and can match its cold, active and outwardly discharging energy with its own heated, passive and absorbing essence. Obviously, the two pairs of them are yoni consorts, with Ardra(dog yoni) and Shatabhisha(Horse yoni) having Mula and Ashwini as yoni consorts, respectively. Swati can also easily get along with Ketu people, but Ashwini(enemy yoni) might be the exception. For Swati, the best match is its own yoni consort(buffalo yoni)_ Hasta, a very earthy nakshatra.

Besides Ketu, Rahu people can be very drawn to Sun people. Mythologically, Rahu always seeks to eclipse the Sun_ another discharging and active planet, the one that it wants to imitate. If, for example, a Rahu person also has a Ketu influence, due to already having that Rahu-Ketu balance, they might prefer Sun individuals who emanate that warm light from within themselves. In platonic relationships, Rahu people might find kinship with Jupiter individuals with whom they share an adaptible and "airy" nature, but can give their abundant energy to draining and discharing Rahu.

Ketu women

Ashwini, Magha, Mula

The other half of the dragon, the tail/body of the serpent, the absorbing shadow that rules over the past of the person. Also a shadow planet that drains and depletes, Ketu is the "conquerer" that establishes the very essence of a person or a thing. It is where an individual can find their true power, but also where there is a potential for great danger.

Ketu women are a very raw example of femininity. Their basic nature and behavior is the representation of femininity in possibly its simplest light. They absorb everything around them and instead of doing anything at all, they integrate it into their internal selves. Their power is their passivity. Their energy resembles a black hole_ a seemingly endless void that never seems to be satisfied.

They too have a numbness in them, but unlike Rahu, Ketu women might become overwhelmed with their own stagnant and heavy energy, struggling to properly express or define what they are, feel and know. Rahu can become confused from too much information, Ketu can become confused from a lack of it. In the end, they both might feel like they are missing whatever the other is/has. There is also a blindness to both of them, where each sees only their opposite side. But Ketu knows what it knows, and unlike Rahu, it does have stability. The danger with them is stubbornness, the inability to be moved by the outside.

Ultimately, Rahu people are the best match for them. Ketu women can be overly passive and unresponsive in most 1-1 relationships. They can "hide" and assimilate better in groups but with just one another person they can become extremely disinterested, if the other is not on par with them. Rahu can break its stagnancy and help Ketu women to push their energy outwards.

Besides Rahu individuals, Ketu women might be compatible with Jupiter people, since they have an abundance of excess energy that can give to Ketu's hungry and absorbing nature. Ketu also heals Jupiter. Another dynamic that is possibly compatible for them is with Mars-ruled individuals, due to Mars and Ketu being similar in nature, but this might work best in platonic relationships.

[claudiafrankie]

Pick a Card: How They See You

DISCLAIMER: TAROT IS NOT AN EVIDENCE-BASED PRACTICE. YOU ARE IN CHARGE OF MAKING YOUR OWN DECISIONS.

Pile 1: The Dog

This person sees you as having mastered the earth element. I think you are pretty detached with the way you approach your goals and it like doesn't compute in this person's brain that this is how you get the things that you want and build the world around you that you have.

They see you as someone who revels in the simple pleasures in life - sitting in the grass on a sunny day, stretching your body in the morning, a delicious seasonal coffee creamer. You are rich in the ways that count pile 1. You take good care of yourself and because of this you kind of exude a nurturing quality to those around you. Whether you intend to or not, you help other people get to where they want to go. You build people up and show them that they are capable of achieving their goals. I think you have a good eye for material goods and know what to splurge on and what to buy generic brand. Maybe you invest in nice cookware and knives because you know you'll use those for years to come, or in a high-quality bed spread or mattress. You take care of your body and appearance, you understand this to be an art form. But you also know that it's not everything. And this down-to-earth quality of taking good care of yourself but also not taking it too seriously or to extremes is really sexy to a lot of people. I think this person thinks that other people see you as husband/wife material. If you're single they're scratching their head like "how the hell are they not wifed up yet"

I think they see you as someone who doesn't stay in people's lives for very long, and they are worried that this is going to be the case for your relationship with them as well. They think you are in tune with the rhythms of nature and aren't afraid to let go and move on. You enjoy the good times when they come knowing they won't last forever, and you don't let the hard times beat you down when they come because you know they will pass.

I think they see you as someone who has learned all this the hard way. As someone who has been through many highs and lows, someone flexible in the circumstances you can thrive and survive in. You know when a tree lifts up the concrete of a sidewalk? That's you. Pavement be damned, you are going to keep growing and growing. You understand setbacks are part of progress. You don't let the hiccups hangups and obstacles sway you from steady movement forward.

I think they think that you are very loyal to those you care about, perhaps to your own detriment at times. I think this person sees you as someone who feels easily caged and needs a lot of space to try new things and be your own person. They see these two sides of you being at odds with each other at times, whether that is true or not.

This person sees you as being perhaps at times unwilling to open up emotionally. I think they respect you for your stoic disposition, but they think that sometimes you take this position/approach when it isn't necessary and that you actually hold yourself back a little bit in this way. Like you are a little blocked in your self-expression. Again, this is how they see you. It doesn't mean that this is actually who you are.

Pile 2: The Moon

This person thinks that you are in an incredible amount of pain underneath a calm surface. The card you picked, I just really tried to sense what it would be like to be there. Sitting next to a lake on a cloudy night. You have that smell of the freshwater and grass, and the sound of maybe a frog or two. Some light wind ruffling the surface of the lake... sitting in that setting depicted on the card it has the vibe of "something happened here and there's this weight hanging over the whole place." Like the trees are clinging to the ground so tightly because they are afraid of a strong wind knocking them down, and maybe there's a dock with a small boat that has rusted over from getting no use anymore and with no one around to take care of it or store it properly.

That's how they see you, as someone who has been through something, or maybe a series of things, that have deeply impacted you. And it's like you're still processing and aren't quite sure what the you that comes out the other side of all this processing is going to look like yet. This goes beyond sadness, this person sees you as grieving. Who or what I don't know, but they see you as dealing with some kind of loss. I think it could have to do with your family. Maybe you have been dealing with family troubles or grieving the loss of a family member or a family friend. Or, if it's not a literal death that you are processing, it could be that you are beginning to understand your family in a different way, a deeper way. Maybe your perspective on your family is expanding, you are understanding the pain and wounding that they have been through, and you're angry. You could be reconciling feelings of bitterness or anger towards your family with feelings of sympathy for the difficulties they have faced in their own lives.

I think this person sees that you are holding on to this pain and struggling to let it go. Maybe they sense a despondency in you, a subtle hopelessness. Not detachment so much as fear of encountering the same lessons with different people, of being hurt in the same ways again. They can feel a deep anger in you, seeing you as someone who is looking for their place in the world, wanting more than anything to feel like you belong.

This is really sad pile 2. You are so strong and this person wants to help you but they know that you have to want to get better, and they think that you don't even see the sadness, anger, and longing in yourself. They won't offer unsolicited advice, so for the time being I think they are taking the role of being a supportive friend and willing to give advice should you go to them for it.

There is some judgment coming from them. Like "why can't they just get over it" or "they are so stuck and don't even realize." It's weird, they want to help you, but they do kind of want you to lean on them as some sort of savior/hero/rescuer figure. I think they believe that you really want someone like this to come along and sort of take care of you. I'll say it again, this is how this person sees you not necessarily who you actually are, so don't get too fixated on their perspective - especially if it is not accurate. You know yourself best.

I think this person is equally invested in making you feel better as they are making themselves feel better. Maybe they think that your well-being is what they're concerned about, or this is what they're telling themselves, but really they are dealing with their own insecurities and need to feel like the hero to be worthy of love. Maybe this person is an overachiever, or highly successful for their age. They could come from a family where this was expected of them - to win.

So yeah they see you as a little bit of a damsel in distress pile 2. I don't think you need anyone to save you or are trying to signal this to people, but I do think that this person thinking that you deep down want someone to come along and sweep you off your feet has some truth to it. And I feel like I should tell you that wanting to be saved and taken care of is totally normal and human. We live in a world where it's difficult just to be a person. Dealing with deeply rooted pain while navigating the mayhem of daily living is incredibly difficult. You are doing a good job, pile 2. Maybe no one has said that to you in awhile. Keep up the good work. And, while there's nothing wrong with wishing for a knight in shining armor, remember who it is that has been saving your ass this whole time in their absence. ;)

Pile 3: The Broom and Whip

Hey pile 3! Lets get into it

This feels like someone that you had or have a romantic connection with but there was a falling out. They see you as someone who is defensive and in a lot of pain. They know that you are not the type of person to lash out and take your hurt out on other people, but they almost wish that the two of you could have it out - I just don't think that you are expressing your anger to this person. I think they could be concerned that this is eroding you mentally and emotionally, that you aren't expressing to them how you really feel.

I think you guys aren't talking right now and they are feeling this separation big time. They really want to work this out and come back together. You literally got the Lovers and the Two of Cups side by side - whoever you are asking about sees you as a soulmate, as their endgame. They are worried that this won't work out and they are trying to plan how to fix things with you, possibly asking about you to their friends or asking their own friends for advice on the situation.

This person sees how naturally cooperative you are with the people around you, how you are so willing to work with others and put your own interests aside if it benefits the majority - it's like this is just how you operate, you don't even have to think about it. They could see you as working on some kind of skill and gaining notoriety for it, gathering some attention for your diligence, attention to detail, and team-oriented attitude.

Yeah dude this person just thinks that you're it for them. The Lovers and the Two of Cups??? Come on. I think that even though this person is upset they see whatever upset is currently going on is temporary. It's like they aren't even entertaining the option or possibility that things are over over between the two of you. It will not compute in their brain.

I think this person thinks that you're pushing them away. They think that you are retreating into yourself where it's safe and keeping them at arms-reach. I think the way you are interacting with them now compared to the way you used to interact with them is very different - I think right now you are giving them friendly, polite energy but it's just a way to maneuver around them so you can keep them away. You are relying heavily on your manners to protect yourself in this situation and they can tell. They hate that you used to have so much vivaciousness when you used to talk to them and now they don't get that side of you anymore.

I do think that there is part of this person that enjoys the suspense and tortured waiting of what's going on. I think that they want to comfort and soothe you, to coax you into their arms and hold you while you hang onto them. I think this is part of a sexual fantasy of theirs as well, where they are the one to console you and then fuck the sadness out of you. They could be into BDSM type stuff, or if it's not that heavy/intense, they just want to test your limits a little bit. They like the idea of being the one to inflict some pain on you and then show you that they can make it better, that they can make you feel even better than you did before the pain even occurred.

It's hard to explain but it's not really an exotic fantasy or unusual I don't think, I'm just having a hard time putting it into words. They want to like........ stretch you? LMAO Like yeah just see... what you can take. And when they're done having their way with you, being the one who you collapse into. They want to be the person with the power to harm and to heal you. Not sure if that's your vibe but that is what I'm getting from this person. Very intense and steamy, if this is your situation then please write smut about it or something so the rest of us can live vicariously through you lol.

Take care pile 3 :)

[marysfics]

Through the Dust

Alexia Putellas x DownhillRacer!Reader

Status: Ongoing

Other Chapters: click here

This is a multichapter fic, and trust me, you’re in for one wild ride. No warnings so far. Just awkward fluff for now.

Word count: 2k

Chapter 2: "The Unsteady Ground Between Us"

You spent the night nursing a bruised shoulder and sore muscles, wincing as you applied ice to ease the swelling. But none of that discomfort compared to the restless buzz in your chest, the memory of that moment when you locked eyes with her—Alexia, as you’d learned from some fellow riders who were as intrigued as you were by the famous visitors. Her gaze had stayed with you, imprinted in your mind, sparking a strange thrill every time you thought back to it.

The next morning, the trails were less crowded. The early sun was low, casting long shadows across the mountain, and the chill of dawn clung to the air. As you prepared your bike, checking the tires and adjusting the suspension, you felt a familiar prickle on the back of your neck. Someone was watching you.

You looked up, and there she was again—Alexia, standing with her teammates just a few yards away. She had a distant look on her face, as though she hadn’t expected to see you this early. Her mouth was a straight line, her arms folded across her chest in that careful, almost protective way. But her eyes—those expressive eyes that seemed to flicker between fascination and doubt—told you a different story.

Your heart did a strange little leap. You weren’t used to feeling self-conscious, not on the mountain, not with your bike and the rush of the course to distract you. But with her here, it felt like every move you made was amplified, as though you were performing for an audience of one.

“Go talk to her,” Mapi’s voice teased Alexia from the sidelines, jolting her out of her stare. “You’ve been staring since yesterday. She’s going to think you’re some kind of creepy fan.”

Alexia scoffed, her cheeks flushing as she quickly turned her back. “I wasn’t staring,” she muttered, brushing off Mapi’s remark as if it was absurd. But her heart pounded in a way that felt foreign and dangerous, like standing on the edge of a cliff.

Mapi laughed, nudging her shoulder. “It’s okay to be interested, Ale. She’s clearly interested in you too. I saw the way she looked at you after the fall.”

Alexia’s jaw tightened. “I don’t get it, Mapi. She risks everything for what? A thrill? A medal? I don’t… I don’t understand her.” But even as she spoke, she could feel the lie hidden in her own words. She wanted to understand, wanted to know why anyone would choose to be so reckless, so daring. There was something almost… alluring about it.

Or maybe, she thought with a jolt, it’s not just about the sport.

The next few hours passed in fragments. You caught Alexia watching you again between your runs, her gaze intense, almost assessing, as though she was trying to solve some unspoken mystery. You couldn’t deny that the attention thrilled you, even if you tried to focus on your training, forcing yourself to ignore the way her presence made your heart stutter.

During a break, you decided to take a walk along the edge of the trail, needing a moment to clear your head. The thrill of speed, the adrenaline, the freedom—all of it was different with Alexia here. She seemed to add a new layer of complexity, a subtle tension that wound its way through your focus.

As you rounded a sharp corner on the trail, your tires screeched as you had to brake hard to avoid colliding with someone standing right in the middle of the path. The abrupt stop sent your balance wobbling, your back wheel skidding on the loose gravel. You barely managed to steady yourself, irritation flaring as you pushed a foot against the ground to keep from tipping over.

“Hey!” you blurted out, breathless and annoyed, “Are you kidding me? Who just stands right on a blind—”

But the words died on your lips as you saw her face.

Alexia turned to you, her eyes widening in surprise as she took in your frustrated expression. She looked so different from how she did on the field or even in the company of her teammates. Her gaze softened as she registered your surprise, her posture a little awkward, as if she’d been caught somewhere she wasn’t supposed to be.

You fell silent, the rush of anger melting into something else entirely. The sight of her here—alone, bathed in the soft, dappled light filtering through the trees—disarmed you completely. She didn’t look like the superstar you’d seen between her teammates, the assured captain who commanded attention on the field. Instead, she looked… almost uncertain, her brow slightly furrowed as though she was lost in thought.

“I’m—sorry,” she said finally, her voice quiet, and you noticed the faint trace of a Spanish accent, the unexpected softness in her tone. “I didn’t realize this was such a dangerous spot to stop.”

Without thinking, you reached out, your fingers closing around her wrist in a quick, instinctive movement. Before either of you had time to react, you gently tugged her to the side of the trail, out of the dangerous blind spot and safely off to the edge.

“Come on, you can’t just stand there,” you said, your voice softer now, the frustration melting as you became hyper-aware of the warmth of her skin under your hand. Your fingers lingered, and for a brief, suspended moment, neither of you moved.

Alexia looked down at where your hand held hers, her eyes wide, surprise flickering into something more as her gaze lifted to meet yours. She didn’t pull away, and you didn’t let go. The world seemed to narrow to just the two of you standing there, the forest around you quiet and still.

Her lips parted, as if she was about to say something, but the words caught in her throat. Her expression was caught somewhere between surprise and… something else, something intense that you couldn’t quite read. You realized, with a jolt, that your hand was still on hers. Slowly, almost reluctantly, you released her wrist, feeling the loss of warmth as your fingers slipped away.

“Sorry, I just…” you muttered, rubbing the back of your neck, suddenly flustered. “Didn’t want you to get, you know… run over.”

Alexia’s lips quirked into a small smile, a hint of color rising in her cheeks as she brushed a strand of hair behind her ear. “Thank you,” she murmured, her voice so soft it barely reached you. Her gaze lingered on you, her usual composure faltering as she looked at you with an expression that was open and unguarded, her eyes filled with curiosity and something deeper—something hesitant, almost like uncertainty.

For a moment, you were both silent, the sounds of the mountain fading into the background. You were caught in the intensity of her stare, feeling your heartbeat quicken as her presence washed over you, grounding you yet somehow leaving you breathless.

“Guess I’ll stay out of the way,” she finally said, her smile growing as she held your gaze a beat too long. Her voice was light, teasing, but her eyes told a different story, a silent question you couldn’t yet answer.

Before you could stop yourself, you blurted out, “You… you don’t have to, really.” Your voice came out quieter than you’d intended, and suddenly you felt a strange flutter of nerves. You cleared your throat, looking down and kicking at a loose stone on the trail. “I just… I don’t want you to get hurt, that’s all.”

The words hung between you, and when you glanced back up, you caught the look in her eyes—a spark of surprise, her expression softening as if you’d given away more than you meant to.

For a moment, her teasing smile faltered, and she looked at you with a gentleness that caught you off guard. Her gaze softened, her lips parting just slightly as if she wanted to say something but was searching for the right words.

“Oh,” she murmured, her voice almost a whisper. She shifted a bit closer, her smile turning into something warmer, something real. “Thank you.”

You felt your cheeks warm, the air thickening with a tension that felt as fragile as it was electric. The confident Alexia you’d seen yesterday, was nowhere to be found—instead, here she was, looking at you as if you’d just broken down a wall she’d been guarding carefully.

Summoning the courage, you took a deep breath, feeling the words form before you even fully decided to say them. “Hey, if you’re interested, I could… show you around sometime?” You hesitated, a little shy but hopeful, the invitation hanging there, vulnerable and unpolished. “I mean, if you’d like to see the mountains up close…”

But before you could finish, a voice cut through the stillness.

“Ale!” Mapi’s voice rang out from down the trail, unmistakable and playful as it echoed off the trees. You both startled, the moment between you snapping back into reality. Mapi appeared a second later, jogging up the path, eyes scanning until she spotted Alexia. “There you are. We’ve been looking everywhere.”

Alexia’s expression shifted, a small flash of reluctance passing over her face as she glanced back at you. She looked like she wanted to say something, her eyes lingering as if memorizing the moment.

“I—” she started, but Mapi gave her a nudge, clearly in a hurry to drag her back.

“You coming, or what?” Mapi teased, oblivious to the moment she’d interrupted. “The team’s waiting.”

Alexia exhaled, a faint crease in her brow as she looked back at you. “Maybe… another time?” she said, her voice soft but warm, as if she, too, wished things could’ve paused just a little longer.

“Yeah,” you replied, managing a small smile even as the moment slipped away. “Another time.”

----------------------------------------------------------

End of chapter 2.

[oediex]

You know what, yeah, that bell hooks quotation wasn't appropriate, it doesn't say what the person who added it think it says.

But I don't think it's fair to say that that man who everyone is pissing on somehow claimed we had to "hold his hand" or "coddle" him or whatever. Or even that women had to do it.

He never once even mentioned the word 'woman' in that post. I'm not excluding that that what he was implying - it's very possible! - but what he said was "the left", and let's be clear, this is his understanding of what the left is. I saw people saying that a "self-proclaimed leftist" should understand that his answer was still drenched in patriarchal thinking. But he never once proclaimed he was a leftist. Perhaps he thinks he is, but all he said was that he got "out" of the "alt-right". For all we know, that means he voted for the Democratic Party and we, who are on the left, all know that's not the fucking left.

The question that was posed was how do we keep young men from turning right wing, and he offered an explanation. An explanation! Not an excuse! Again something that a lot of people just assumed.

And yes, it was a flawed explanation, and yes he has some things to learn, and yes it was uncritical and terribly phrased.

But can we recognise that not everyone has the necessary critical thinking skills to completely dig their way out of the overarching ideology that fucking rules our lives? Critical thinking skills aren't something that we are born with. It's something that is learned, something that you have to train. It's a never-ending project. And from what I know of the educational system in the US? That's not where you get it.

Speaking of bell hooks, at least she understands this. In that book (The Will to Change) she writes that "most men never think about patriarchy - what it means, how it is created and sustained." She writes how the patriarchy sees men's violence and the one emotion they're allowed to have, anger, as "natural". Understanding the patriarchy is something that has to be learned, and you either figure it out yourself by reading, but most of us probably had someone in our lives who talked to us about it, taught us about it, and then we might have started reading more about it.

What if you don't have someone like that? What if all you hear is that the things feminists tell you is bad is what was imprinted on you as "natural" to you?

Here's bell hooks:

Yet no one talks about the role patriarchal notions of manhood play in teaching boys that it is their nature to kill, then teaching them that they can do nothing to change this nature—nothing, that is, that will leave their masculinity intact.

Here's what she says of her own brother:

As patriarchal thinking and action claimed him in adolescence, he learned to mask his loving feelings. He entered that space of alienation and antisocial behavior deemed “natural” for adolescent boys.

She clearly pinpoints the moment of these patriarchal ideas taking hold to be in adolescent, and the question that was posed was, what can we do to stop that from happening? I've seen people say that nothing can be done until we change the material conditions that make it so that men systematically have power over women. And yeah, undoubtedly that is a fight we need to have. But is that truly the only way we can keep (some) boys from falling into the grasp of the (alt-)right? Is there no hope in at least reaching them in the meantime?

I've seen a post saying, "omg of course he goes for misandry" and while misandry isn't real in that men are not systematically oppressed, that doesn't mean that there aren't some out there who express hatred or disgust of men. That's not what the left stands for, obviously, but it is not absent. Here are some comments from the notes on some of these reaction posts (and presumably these are all people who consider themselves leftists):

"you should be hunted for sport"

"makes me want to commit homocide"

"kys right now"

"'leftists constantly said i should die' yeah fucking right"

"we need to double male loneliness and I'm not even kidding"

"I HATE MEN AND THERE IS NOTHING WRONG WITH THAT. THEY HATE US MORE AND THEY HAVE ALL THE POWER TO DO ACTUAL HARM TO US. Misandry is NOT FUCKING REAL but I wish it was"

"we should kill people who don't get it"

Is that hatred of men (non-systematically)? Not all of it, but some of it definitely or possibly qualifies. And it sure does look like some people (who probably think themselves leftists) think this man (or men in general) are the "scum of the earth" and that they want him/them dead. How else do you interpret some of these phrases?

Now imagine that this is something that you encounter online, and with the help of the stranglehold of the patriarchy, whispers of right wing ideology, confirmation bias, and negativity bias? I can imagine you might end up concluding they "hate you for your immutable traits" (remember patriarchy teaches boys that violence and anger is natural to them) and that they "blame you for everything that's wrong in the world".

Is that the right conclusion? No. But as much as being able to use reason is part of being human, so is not being immune to ideology and propaganda. We wouldn't fucking be where we are right now if that wasn't the case.

How do we teach boys that anger and violence aren't "immutable traits"? How do we educate them about the power of the patriarchy? Well, where does it have to come from if not from the fucking left?

Does it have to be you? No. Does it have to be women? Also no. It's probably good if it's men, and especially men who themselves walked with the right at some point (if someone has already been pulled into the right, rather than catching them before).

It can be a woman though, if there's someone who wants to do it. I don't mind doing it if someone wants to talk about it. Will I be nice? No, I won't hold back and I will tell them if what they're saying is wrong. Will I coddle them? Fuck no. Will I keep trying if someone clearly isn't listening? No. Will I be compassionate? Yeah, I think I will.

Because compassion is really important when you're trying to keep people from falling into the far-right, or even if you're trying to get them out of it (which again, isn't what we were talking about in the first place).

Here's Pete Simi, professor of Sociology, talking about Life After Hate, an American non-profit that tries to help people leave the far-right:

The organization was started by former hate group members who have been doing a lot of outreach in terms of providing testimonials and trainings to schools and law enforcement and other community groups across the country. The focus of their message is the importance of using compassion to inform prevention and intervention efforts and aftercare for individuals who want to change their lives but may need various types of support. I think LAH is a very promising development and I hope it will continue to find the resources that it needs to expand the services it provides.

Being compassionate doesn't mean coddling. It doesn't mean holding their hands and it doesn't even mean being nice to them. It doesn't exclude holding people accountable for their views. It does require patience, though. And I understand that if someone is holding the belief that you are not allowed to exist, that isn't something you can do. And that's fine. It doesn't have to be you.

But somebody has to do it, and it has to be someone on the left.

Now none of that means that the suffering of men under patriarchy, and the fact that this has to be addressed loud and clear, are more important than the suffering that women, and especially women whose oppression intersects with other levels of oppression. I've seen some tags on reaction posts that stated "omg of course centring men in discussions of gender" - but the post was about men. That was the whole starting point!

Because men do suffer under the patriarchy. And it's pushing them to the right, towards misogyny and racism, unless they develop the necessary critical thinking skills to understand their own suffering. And you know who thinks so too? bell hooks.

Often men, to speak the pain, first turn to the women in their lives and are refused a hearing. In many ways women have bought into the patriarchal masculine mystique. Asked to witness a male expressing feelings, to listen to those feelings and respond, they may simply turn away.

Since men have yet to organize a feminist men’s movement that would proclaim the rights of men to emotional awareness and expression, we will not know how many men have indeed tried to express feelings, only to have the women in their lives tune out or be turned off.

It is a form of abuse that this culture continues to deny. Boys socialized to become patriarchs are being abused. As victims of child abuse via socialization in the direction of the patriarchal ideal, boys learn that they are unlovable.

The patriarchal model that tells men that they must be in control at all times is at odds with cultivating the capacity to be responsible, which requires knowing when to control and when to surrender and let go. Responsible men are capable of self-criticism. If more men were doing the work of self-critique, then they would not be wounded, hurt, or chagrined when critiqued by others, especially women with whom they are intimate. Engaging in self-critique empowers responsible males to admit mistakes. When they have wronged others, they are willing to acknowledge wrongdoing and make amends. When others have wronged them, they are able to forgive. The ability to be forgiving is part of letting go of perfectionism and accepting vulnerability. At the same time, constructive criticism works only when it is linked to a process of affirmation. Giving affirmation is an act of emotional care. Wounded men are not often able to say anything positive. They are the grump-and-groan guys; cloaked in cynicism, they stand at an emotional distance from themselves and others. Affirmation brings us closer together. It is the highest realization of compassion and empathy with others. One of the negative aspects of antimale feminist critiques of masculinity was the absence of any affirmation of that which is positive and potentially positive in male being. When individuals, including myself, wrote about the necessity of affirming men and identifying them as comrades in struggle, we were often labeled male-identified. The women who attacked us did not understand that it was possible to critique patriarchy without hating men. Indeed, recognizing all the ways that males have been victimized by patriarchy (even though they received rewards) was a way of including men in feminist movement, welcoming their presence and honoring their contribution.

“in order to create loving males we need to love males” means teach boys that they can be themselves without being less of a man. it means being encouraging and nurturing of their emotions so they don’t become cold and hateful. it means showing boys, early in their lives, that they have value outside of what our society deems proper masculinity. what it doesn’t mean is that it’s our job to handhold men who see women as walking sex toys through the concept of empathy, and maybe if we’re really really nice to them and don’t say things that hurt their feelings they’ll stop killing us for saying no

[brujamala-aka-gigi]

tarot tea spill session ౨ৎ ⋆｡˚

. ݁ hot girl mindset ⨾ 𓍢ִ໋

beauty as a reflection of self instead of the self trying to reflect “beauty”

Okay, so beauty is in the eye of the beholder and etc. And that's right, but many beholders of eyes have pretty unrealistic ideas of beauty. Beauty is subjective, yes, but this subjectivity is also heavily influenced by social discourses which are manufactured to remain unsatisfied and are meant to keep us engaging in a constant struggle to find our perfect aesthetic peak, and maintain it.  Although visual communication by engaging in aesthetic expressions of self is useful, from time to time it's hard to find out what exactly is the self we want to express. In no way I think wanting to be attractive is vain or superficial, I don't think looking for beauty is some sort of vapid journey. But I do think that in the same way paintings are beautiful not only for what's perceived by the eyes but also because of the feelings, thoughts, history and overall the aura they possess, human beauty can be approached in that way too. Some art pieces and some humans are not meant to appeal to everyone, but the ones who they appeal to are profoundly captivated by the depths of their meaning and their unique ways of communicating it.  These readings hopefully will give you some inspiration on where you can find the uniqueness and the true essence of what's attractive about you, but not by reducing aesthetics as just something pretty to look at, instead we are approaching this as a search for the meaning behind what could be communicated visually.

dividers by: @the-aesthetics-shop , @dollywons, @cafekitsune

pile one pile two pile three

.‧͙˚ *༓ scroll down for the readings ⋆ִ ‧͙⁺˚

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໒꒰ྀི 𝒑𝒊𝒍𝒆 𝒏𝒖𝒎𝒃𝒆𝒓 𝒐𝒏𝒆 ꒱ྀི১

The Fool & The Nine Of Disks

Both of these cards show stages of your journey. The fool is usually considered a beginning but I prefer to understand him as the constant creative potential that nothingness gives us; for it to be a beginning there has to be a starting point, and for many of us the starting point is a void we'd like to fill, or something that needs further exploration and understanding by providing meaning to it. This is something that could happen at any point in your journey. Yet as existential and subjective as this card is, usually leading to a more mind focussed approach to reality, the materiality of your spiritual or mental exploration manifests in a grounded sense of ambition. The nine of disks represents how the fruits of your well developed thoughts can manifest in or enhance material prosperity, but in combination with the fool it hints at a constant search for experiences that allow you to feel childlike wonder, and this seems almost like completion feels too close but never close enough. You are willing to evolve through experimentation and furthering the limits of your views and possibilities, but you are also capable of being grounded enough to be aware of what's in your best interest and what can actually be an opportunity for growth.  The beauty in you shows when you are embracing these journeys of self exploration and putting value in all the stages of your own personal development. How you feel while doing stuff isn't all that relevant, you could be ingenious, creative, naive, secure, anxious, angry or ambitious about what you do, but what really matters is that you are able to remain confident in your ability to navigate the feelings and the adversities from it; there are consequences implied (positive and negative) to the actions you take in order to become more comfortable and aligned with your ideals. Therefore, the best way to communicate this experiential based establishment of identity, it’s to explore and experiment with aesthetics until you establish a way in which you can visually communicate all the complexities of your identity, without limiting yourself to aiming for a perfectly curated presence. Allow yourself to make aesthetic choices that align with what you are going through as a person, but also don’t hesitate to choose elements of high value that could function as a reward you give yourself.

໒꒰ྀི 𝒑𝒊𝒍𝒆 𝒏𝒖𝒎𝒃𝒆𝒓 𝒕𝒘𝒐 ꒱ྀི১

The Lovers & Seven of Disks

Honestly, these are lovely cards to get on this reading, pretty wholesome. Not because the lovers mean love and romance and so on, they do sometimes, but in this case I think it would be necessary to focus on the union and alignment that comes with the energy of this card. What I get from it is that you are naturally inclined to find connections between things that other people usually look to balance out, things that are usually thought as opposite to each other. Instead of that, you are capable of working with polarity in your life because you understand that putting in the work to ensure these apparent opposites are actually mutually nurturing each other or cooperating to further evolve, is what brings you a sense of natural harmony. Your instinctive need to find order and structures that embrace innate essential expressions of being, is something quite aligned with values such as perseverance, faith, gratitude, honest labor and most importantly, solidarity. For these reasons,the seven of disks indicates to me that you are someone who is willing to put in a lot of time, effort and work to create bonds with people, places, communities and activities, where everyone is having a positive impact on each other's aspirations and achievements. Taking this into consideration, first and foremost it is clear that no matter how you choose to express your aesthetic taste, it’s likely your virtues overshine any beauty that’s easily perceived by the eye. That being said, I would also point at the fact this also means there’s no need to feel insecure or overthink too much about if everyone else likes the way you look. Your actions and your warm presence speak louder than any kind of aesthetic choice that could be liked or disliked. Take your time to think about what are the elements you enjoy wearing or the beauty habits that could be positive. Choose beauty when it feels genuinely convenient and positive to you, only to you. I don’t think being conventionally attractive or deemed as beautiful by everyone is the best way to compensate or balance out anything you considered negative, but I do think that approaching aesthetics or any kind of beauty related activities as a little tool to take time for yourself, could be quite useful. Remember, appeal to yourself, to your eyes first. "Vanity" can be relaxing and/or empowering as long as it doesn't get in the way of your genuine desires and objectives. Embrace and enhance what feels true to you, be intuitive when dealing with your personal aesthetics.

໒꒰ྀི 𝒑𝒊𝒍𝒆 𝒏𝒖𝒎𝒃𝒆𝒓 𝒕𝒉𝒓𝒆𝒆 ꒱ྀི১

Ace of Wands & The Hanged Man

Okay definitely you are someone who is not afraid to go outside of people's standards or even your own when you are empowered by creativity. This combination of cards brings an outstanding and innovative approach to constructing ideas and taking action by being able to see all perspectives before crafting your own; there’s a heavy sense of complex integrity and depth to everything you do. You know when to be an observer and when to be a protagonist, you are comfortable in both and let’s be real, it's most likely that you don’t need others to give you the spotlight, as you are providing it by yourself for yourself. Attention naturally goes to you due to your passionate energy and your individuality. For better or for worse somehow it's pretty common for you to stand out, even if you don’t mean to. Many people try or have tried to single you out, or to force you out of places where your perspectives might generate discomfort. I doubt it is your intention to cause friction by existing according to ideals that many people don’t quite get or are unwilling to understand or tolerate. But I’m also pretty sure that you have the confidence and the knowledge to stand for what makes you distinct from others. These cards are conjunct in a way that shows me that you are aware of how to put a little bit of yourself and your creativity even when there’s restrictions to self expression. If you are interested in also taking an intricate, unique and maybe antithetical approach to aesthetics, make sure you find the right places and the right people to share this journey with. Sometimes eccentricity allows others to impose limits and judgments against us that are not worth the struggle, other times it is quite worth it to visually go against norms. I believe you are capable of understanding how and when to use all the tools and methods from people who inspire your creative processes, therefore I'm sure that you will truly bring necessary and valuable approaches to dissidence and defiance communicated by aesthetics, but also you will get closer to people who are drawn to you because you can look just as interesting and insightful as your thoughts are. It seems to me that aesthetics can serve you as a way to further develop your creative visions but also to find more like minded people who are not going to make you feel like an outsider. 

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btw after finishing this p.a.c i realized this would be a cool reading to provide as a personal service. so, here's the essence of beauty reading and a 40% off discount to it.

much love, gigi.

[girldriveroscar]

Parasocial Oscar and Landoscar analysis ahead u have been warned.

Contextually, 2020 Oscar was finally pushing open the door to the world of F1 as a potential driver (Mark Webber management, Renault Sport Academy, Eurocup Championship, etc.) and that fact combined with still being a schoolboy, surrounded by mates who actively followed his career and were his personal hypemen definitely made Oscar a bit of a hotshot to gossip about. Sure, he's kinda a nerd who games and races but also he's got great grades and a pretty girlfriend and he's coworkers with max fewtrell, best friend of emerging F1 heartthrob, lando norris, so really the cards were lining up in his favor. And yet none of that success (both socially, as it appeared to his peers, and personally, career-wise) went to Oscars head. Rather, he oozed this dorky endearing confidence that planted the seed of cool self-certainty that'd follow him into his F1 career. I mean from the very start, we can witness how Oscar took everything in stride, building a strong sense of self over easily inflating his ego.

This got kinda long so the rest goes under the cut for organizing sake!

Then, observing his Prema years, Oscar was newly thrust into a whole new team vibe. And in response, he outwardly tried time and time again to be a team player with the hazing/embarrassing bits (insert multiple clips of him dancing and singing despite initial hesitation, easily accepting very personal race vlogging into his daily regime, making hundreds of silly gifs for every occasion (heavily encourage everyone to take a look bc there's genuinely so many))

NGL watching Prema vids was what initially helped me understand Oscar better/made me like him bc we get the most clear display of his lack of ego. There seemed to be a general understanding coming out of this content: the media took an exorbitant amount of energy and wasn't at all conducive to developing his racecraft. buuuuuut regardless Oscar maintained an attitude of these people are my closest thing to family out here, they care about my wellbeing and my success and god damn it if they wanna take photos in matching Christmas PJs then hand over the damn PJs. And that was all of course bolstered by his growing success and notoriety on twitter. Just as he'd established a strong sense of self from the very start, now his public identity took it's shape in a way that felt honest and lifelike <Insert Clip of Angelina pointing out his messy clothes and Piastri Shrug>. He managed to carve out a niche amongst the Prema cast and it's not that he needed to be funny but if people memed him and laughed then hey if it gets me popularity I'm all for it. 

Honestly when people dog on Oscar, saying he's got no personality it makes me crazy because it's the total opposite! I think the charm in observing his growth from Renault Academy to Prema to F1 is catching how quickly he established an unchanging confidence in not only his racecraft and wheel knowledge but also in his personality- and how that personality shines through in subtle ways. When Lando does his negging, everyone just heard Oscar sing for the first time in McLaren, am I a funny teammate, Oscar takes it in stride. He doesn't blush, nor take insult, because he has no complex - he's confident about who he is, even if people don't find it amusing. Oscar knows he's not too shy to burst into song, it's just that there isn't anyone who needs him to, so why should he? He knows Lando doesn't think he's funny, but it's not like he was trying to be anyways, so what's it matter? On the flip side too, the rare times we get an outward expression of his confidence are GEMS. The Pool Promo, where he *unprompted* shows off with a trickshot and wins, THIS VIDEO where he eggs on Lando to call lies on his confidence, calling out Carlos/Lance when they interfere with his driving, does it please you greatly that you've won before Lando, is max the best driver on the grid, the whole cricket video, etc etc.

(LOL because I write about fashion outside of this blog and someone might appreciate the connection, in my brain I kinda liken Lando and Oscar's respective confidence to loud/quiet luxury. Lando's a OOAK Hot Pink Birkin and Oscar is a Helmut Lang black slack lolol) (Not a diss btw both items have social connotations/importance that we could unpack for hours but I digress)

I digress I digress I digress. Going back to the Prema assigned humiliation rituals. In a way I think Oscar's ethos regarding embarrassment/lack of ego heavily simplifies down to this story. His mom goes on to explain how after winning an award she gave him a big kiss in front of the whole school and, contrary to how most kids would be embarrassed or angry at the sudden loud affection, Oscar just brushed it off like no matter! "He's just resigned to it" <- literally the most OP81 psychoanalysis of all time thank you Nicole Piastri. For Oscar, the implied embarrassment he should be feeling does not register, as he simply receives love without any grievances, and hasn't the mind to worry how everyone else perceives this exchange. I swear I have a point pls stick with me. So, reiterating, this is the Prema treatment, sitting in front of the camera, Oscar resigns to producing content that's at least moderately enthusing because at the end of the day, the love for his team and the people he's working with is what's worth sacrificing mystery or "cool-ness" for. And even that's a bit of a misstep because I don't think he views it as a sacrifice so much as 'being perceived' doesn't fall on his radar of important things at all. Which! is what makes Oscar SO effortlessly nonchalant in an objectively cool way! (like this is where the more surface-level likening to Kimi Raikkonen <certified Ice Man> comes from) (The real Oscar freaks know he's not any cooler than his indifference and he's actually an incredibly endearingly awkward guy. He just doesn't take himself too serious, idk you get it.)

Now continuing down this timeline, F1 Oscar, who's got exponentially more eyes on him and a humongous team of people who's names he is still learning- comparatively, who is the one guy he can definitely remember the name of. In this transfer of teams and people, all this “I love you even if its kinda objectively embarrassing for me” energy Has to go somewhere and where else would it go than the one guy who’s name he can remember; the one guy in the same exact position as him; the one guy who he’s followed and idolized since 14! YEAH YEAH. And now Lando himself is hardly an extrovert like Oscar’s old prema friends/coworkers, so instead of yes I'll do a stupid dance so you can have good content and make your job easier Oscar -Acts of Service- Piastri has kinda got the most easy job in the world of loving Lando —I just want to make eye contact and know you hate/love this as much as I do— Norris. Like they genuinely match each others freaks in the sweetest introverted mutually beneficial way.

When you really dissect Oscar's Prema content, he’s equally expressive to everyone! He stares holes in the heads of Fred/Logan, doubles over laughing at Arthur/Robert, blushes over Angelina's teasing; it's a sanction of his care and attention divulged to each person in his sphere, one slice of the Oscar cake. Now take Lando? He's been treated to the whole Oscar Cake with a side of ice cream and a cherry on top. Like imagine if you had 10 glasses of water and you poured all of that water into one glass. Suddenly it’s overflowing and there’s water all over the table and the mess is apparent to everyone and the waiter is bringing over towels and someone's grandma just fucking slipped in the puddle and there's a baby crying and- right? right. Oscar’s love language that was distributed across an entire team of people now has nowhere to go but Lando. And not only is it love in respect to the game, it's I've known you years before you knew me, I fell asleep to your voice, watched you grow into the man you are today type love. Oscar is folded at the waist drowning Lando, staring at him with the force of 10x one man's ration of love and we are all god's honest witnesses! Yea no wonder he want that cookie so effing bad tf!!!!!

And it’s such a compelling dynamic because Oscar has been ready to transfer that quiet affection since the very beginning (had old pics of Lando on his phone up through his first year of F1 rightttt right) and since the start of it all, we just get front row seats to Lando reacting to this unconditional respect/love. WHICH IS EVEN GREATER FOR THE FREAKS AND THE WEIRDOS BC LANDO IS SUCH A WEIRDO AND HIS COMPLEXES TOWARDS OSCAR ARE SO COMPLICATED. Basically like. idk. I love when they beef bc Oscar is like I love u I love u I love u and landos like idgaf I’m cheating on u actually no I’m sorry come here I will give u silly nicknames reserved for only me to call u, but actually fuck u and ur talent I’m not spraying u w champange but also oh my god I’m a mess come be freaky w me about it,,,,, the put Lando Norris in a scenario versus his own mind agenda is great. (Bringing back the og tag to just say not ln4 hate, i just like to observe him like a bug in a jar and shake the jar hard bc he is a millionaire and my silly wabbit who I experiment on) anyways. Yea. Lando is complex. Oscar is cool bc he doesn’t care if he is cool and yet simultaneously he's so uncool bc having a crush on a guy for 8 years before being his mclaren arranged failhusband has never been easier nor sexier. OKAY. NO MORE. for now.

[kathleenkatmary]

Yes. All of this. And to piggy back off of it, I feel like one of the big ideas the show highlights, particularly in the second season, is the way that trauma and pain can isolate us (especially women), especially when we're made to feel that expressing our pain and seeking help would be an annoyance or a burden to others and/or like our pain is misplaced or wrong because the perspective of everyone else seems to be that what we're experiencing isn't that bad, or isn't even bad at all. And in that isolation not only do we do things that close ourselves of from getting help from others, but it makes closes us off from seeing the pain the people close to us are struggling through.

I feel like the show was pretty explicitly critical of the way our culture treats trauma and the pain that comes from it and the way that "socially acceptable" ways of trying to deal and cope inherently isolate us from being able to both seek/receive help from others and offer help to those who need it.

Alison resorting to plotting to murder Kevin from the beginning of the show really highlights this, IMO, because it's made clear - particularly throughout the first season - that she's been made to feel like there's nowhere else for her to turn. She's surrounded by people who think Kevin is the greatest. Even the other women around her prop up this idea. There's at least one point where Diane talks about how great Kevin is and how lucky Alison is. Since she's known her Patti has been, from Alison's perspective, 'just one of the boys' when it comes to her relationship with Kevin. So when Alison looks around, it seems like she's alone. There's nobody who sees what she's going through, and with the way things are she understandably doubts that anyone would take her seriously.

And even when she and Patti do team up and start to see each other differently, there's still a lot of friction between them that comes almost solely from them continuing to operate like they were when they were alone because even though they are working together, they don't really know how to reach out to each other and ask for an offer emotional support. The culture they exist in doesn't teach them how to do that. And for them I think that's true twice over, because they both clearly grew up in families where that was the case, and the community they live in is clearly one where that kind of thing isn't really common or encouraged. It's not a coincidence that their relationship started getting healthier and more functional the more they both realized that they actually weren't alone in the things that they'd gone through and learned to both accept and offer support.

Patti and Alison really do represent the two different sides of this problem. Alison is self absorbed, she uses people, especially Patti, she often doesn't recognize what other people are going through, and she takes whatever help Patti will give her and then some without offering much in return. Patti, on the other hand, is constantly offering herself, her help, her support to Alison, even when it's detrimental to her life and relationships, even when she's getting very little, if any, help and support in return... but for much of their relationship, she doesn't really ask for it. There are points here and there where she blows up and points out how uneven their relationship is in this regard, but she always lets it go after that.

Alison doesn't know how to offer help and support, and Patti doesn't know how to ask for it. And when you look at their stories, it makes sense why that's the case. Alison has spent so long being so isolated, not really having any friends, the closest relationship she seems to have is with Diane, and even that seems pretty shallow. She's been stuck with this abusive asshole who sucks up all the air in the room, all the money she makes, all the attention and love from everyone in their lives, and through that all she has to watch and listen as people fawn over how great he is. She's been so alone in it for so long, with no relationships of any real depth. She's so self-focused because she's had nobody else but herself for so long, and nobody to see what she's going through. So when someone does see it and offers some kind of help and support, it makes sense that she would just take and take and take. It's like she's been stuck in the desert for so long and she's finally stumbled upon someone who's offering her a bit of water.

And in turn, it makes sense that Patti would continue to just keep giving, to just keep letting Alison take and take and take. She's been taking care of her brother for so long, even when he's an adult and he doesn't really need it, even when she know he's manipulating her so that he doesn't have to take care of himself. She found herself in this position when she was young where she had to take care of her brother, without anyone there to really offer and tangible help or support. She didn't really have any friends or close relationships of her own. Her life revolved around taking care of Neal, so the only 'friendships' she had were the ones she had through him, and while those relationships were shallow and empty they were the only ones she had. And she had them by way of taking care of her brother. She felt like she didn't have anyone to go to for help and support with her pain because not only did she not have anyone close enough to her to feel safe doing that with, but the position she'd been in since she was young made her feel like she was the one who had to take care of other people, not the one who was taken care of.

Alison and Patti were two women who had been traumatized at least in part by these roles they kind of ended up forced into, these roles that are very much consider expected and accepted roles for women in society. And society can be nasty to women who chafe against those roles. Especially when the men who make those roles miserable for them are so beloved by the community. Which just makes the women experiencing those traumas isolate themselves even more, and that results in them not being able to reach out to each other. It's also not helped by just the general way society teaches women to look at and think about each other. Both Patti and Alison express some pretty unflattering and stereotypical assumptions and perceptions about the other, which are based on (1) those cultural ideas about women, (2) the roles the society/culture they lived in forced them into, and (3) the roles they ended up in and the image they projected as a result of their isolation.

That's the tragedy that I think the flashback where they meet at the bar is really hammering home. These two had existed in each other's orbits for a long time, so close but just out of reach because of the way the culture and community they lived in taught them to isolate themselves, to wall themselves up, to shut up and deal with it themselves. If they had just been able to reach out to each other sooner, to both offer and receive help and support from each other, their situations never would have reached the extremes they did. But because they were made to think that they had to go it alone, that there was nobody else who could see what they were going through, that they needed to just keep their mouths shut and not make a fuss, they ended up having to struggle through it all by themselves for so long when they really didn't need to.

I've always felt like one of the biggest messages the show was trying to put out there is that there's no such thing as a 'perfect victim', and that a big reason for that is because our culture's relationship with trauma and emotional pain inherently puts people who have experienced trauma in a position that fosters those 'imperfect' things that can make victims selfish and mean and reckless and self-centered and irrational. No matter how much you'll see people online or in the media talking about self-care and mental health support and getting help, when it comes to actual people experiencing actual trauma and its aftermaths in an actual community, our society and culture is still very much set up in a way that discourages people who have been abused and traumatized isolated and alone, and I think Kevin Can F**k Himself did a really amazing job at really laying bare that reality, exploring just how damaging those norms are, and showing how powerful finding someone who understands and learning how to both seek and offer help can be.

A thing I find really important about the way Kevin Can Fuck Himself goes about its job: Allison is kind of a mess. She’s self-centered, she doesn’t put other people’s needs first, she makes reckless choices that endanger herself and others. And the show says: yes. Right. She’s flawed as fuck. And she still does not deserve any of what’s happening to her. It could be argued that she is, in fact, this flawed as a direct product of her trauma. Her self-absorption, unlike Kevin’s, is actually self-preservation. It puts Patty in danger. It tunes out Diane’s pain. It capitalizes on Sam’s relationship problems. And still, the show says: yes. Right. She’s going about this in fumbling, worrying ways. And she still does not deserve any of what’s happening to her.

Know how we know this? How we really know this, outside of our own objectivity, our own awareness of the abuse she’s enduring even to the soundtrack of laughter?

Because Tammy is the one to find her. Because Tammy is the one holding the cards at the end of the game. Tammy, who does not like Allison. Who sees so clearly the complicated, messy, dangerous person Allison can be. The mistakes she is prone to making in the name of desperation. How imperfect she is at every level. And Tammy, who is the character most explicitly set to call Allison on all of her shit, to drag her before a court of law, to lean on that hot-button of whether or not she’s a “good person” until it breaks—lets her go. Folds the cards up, puts them in her pocket, and leaves.

Because Tammy, like the show, like the thesis statement of abuse is never earned, never deserved, never warranted, understands. This is a world that so often sanitizes women after it’s too late to save them. A world that insists she should have done more to get out. A world that insists you should be kind and moral and perfect, or maybe you got what was coming to you. This is a world that sees fighting back as an equally heinous crime. As punishable, if not more so, than the actions of the instigator.

But this show doesn’t want to play that game. This show doesn’t want to fuck with it at all. Allison doesn’t have to be perfect and moral and above reproach. Allison has blood on her hands, and a DUI neatly ignored, and knowingly has an affair with her married boss. Allison hurts her friends sometimes, and she makes awful decisions out of desperation, and she doesn’t always pay attention to other people’s plotlines. And the show says: yes. Right. She’s making choices you probably should not agree with.

And she still does not deserve any of what is happening to her.

[fictional-reylin]

A simple one-shot of Aizawa and his cat gf. People usually write the reader as an opposite to him, but I wanted to experiment with a reader who has a similar personality, maybe even somber. Enjoy !

You are welcome to send requests/asks. Just make sure to read my rules.

As you sat by your desk, working away on your computer, you could hear the sounds of rain hitting on your window. Despite being partially a cat, you liked the rain, it brought to you a strange sense of comfort that you couldn't really explain, like it was a sign that this was going to be a peaceful evening for you.

You looked out through said window and began staring at the droplets sliding down the glass, watching them connect as they slid down, until you saw Shōta's reflection. Not very clear, but you could still see his usual tired expression that greeted you every time he came back from UA.

"You look dead" you said turning around to face him, your usual deadpan expression in place. "Did someone steal your sleeping bag at work ?”

"Verry funny y/n. Did the rain traumatise you ?” He said referring to your face. Never mind his tired state, he quickly made his way over to you and pulled you into a hug by your waist, burying his face into the crook of your neck.

You let out a hum of contentment before wrapping your own arms around his shoulder, hiding your face in his chest, seeking shelter from the cold weather that managed to get into your shared apartment. He was always so warm, it always made you sleepy.

You stayed like this, almost falling asleep, until he started toying with your tail and you shot your eyes open in slight annoyance. Looking up at him, you saw that cocky smirk that adorned his face every time he would do something like this.

“Seriously ?”

“Blame yourself for dating a cat person” He answered, kissing the top of your head.

You were never really annoyed at him. You enjoyed his little shenanigans, how he would always scratch your ears, tell you to purr for him or play with your tail. It was a sweet reminder that your quirk wasn’t just something that made your life more difficult because of loud noises or tail getting stuck somewhere. For him it was a cute part of yourself that he could adore as much as the rest of you.

Of course, you would never admit that to his face. Communication wasn’t really your strong suit, and neither was it his, but you always managed to understand each other through your actions, and that’s what made him all the more attractive in your eyes. You could still be this quiet and introverted self, and he would still get you as if he had read your mind

“But seriously, you look tired. We should nap” you dragged him towards your bed without waiting for his answers, pulling him down with you and laying on his chest under the covers. In the short amount of time that you two dated, you quickly understood that he enjoyed this, being able to wind down, with you clinging to him, your soft purrs rumbling through your chest and your tail wrapped somewhere around his body.

He wrapped his arms around you, scratching the back of your head as he could finally relax in your embrace. He sighed, looking down at you with half lidded eyes.

“I love you, you know that ?”

“You show it to me like a million times a day”

“You say it like it’s a bad thing”

Not wanting to further this discussion you just kissed him, smiling against his lips as he returned the gesture

“Now shut up and let me sleep. Love you too”

And with that, you both felt asleep in each other's arms, the sweet sound of your purrs and the rain echoing somewhere in the back of your minds.

Thank you so much for reading ! If you want to join in my daydream, consider checking out my navigation.

[that-fruitsbasketcase]

While Windbreaker is trending I just wanna draw attention to one of my favorite elements of this manga that I haven’t really seen explored: the treatment of the canon queer characters.

A lot of times in this type of manga (shounen, gangster ect.) queer characters (especially effeminate characters) are the butt of a joke. In windbreaker that is not at all the case.

Most important example, LOML Tsubaki. He’s an openly gay cross-dresser who is one of the most well developed characters in the story, despite basically being a side character. (While the fandom likes to interpret Tsubaki in different ways- NB, Trans ect and use varying pronouns- officially the Mangaka has stated he uses he/him pronouns. Which is a really interesting choice and adds a lot to the character. So I’ll be using he/him, since Tsubaki calls himself a man.)

Tsubaki is in love with Umemiya, the head of the student body and it’s not treated as a joke, which is super refreshing. He just has a crush and everyone knows including Umemiya. We’re not sure if it’s reciprocated but the two are very important to each other and Umemiya relies on Tsubaki.

We get a glimpse into Tsubaki’s past and see a very scared little boy who doesn’t understand why he likes what he likes.

Fortunately he finds people who encourage him and love him as he is which gives him the strength to express himself how he wants (wearing makeup and high heels).

He is incredibly strong and brave and will not tolerate anyone who mocks what he or anyone else loves or tries to control them.

Love is his greatest strength and what he fights for the most! And because he’s so determined to fight for love, he’s just as determined to reach out to even his opponents and offer them the same kindness he’s received.

He’s such a passionate, warm and loving person and I fell hard for queen Tsubaki!

Tsubaki is all about self love and acceptance and it’s so refreshing to see a character who presents differently and acts differently than you’d expect from a man (especially in such a conservative country as Japan) be treated with such care and respect by the creators and the characters.

Exhibit B, shorter because we don’t know as much about him, I’m not allowed to post many more pictures, and also because he’s not Tsubaki- my man Endo!

He’s a masochistic weirdo but also it’s kinda just sad that he’s been mooning after Chika for forever and doing everything for him but is treated horribly and practically doesn’t exist in his crush’s eyes. And when he fights with Sakura and feels seen for the first time, he falls hard. (Ok let’s be real everyone is in love with Sakura at this point.)

And as usual, in the face of affection, genuine feelings, and any sort of compliment, our baby boy blushes.

I literally adore his response. As with Tsubaki, he’s very accepting and open. GOOD BOY!!! ALL THE GOOD BOYS!!!!

Anyway I just love that the queer characters are taken seriously and well developed. All these characters are amazing and I could probably make a whole post about each of them but I won’t.

[sixtsposts]

Bad memories - Bucky Barnes

TW: female!reader, fight in a couple, mention of Steve's death, mention of Rebecca, sad Bucky, past trauma, from angst to fluff?

"You're not even trying!" You were pissed off right now. Like a lot, to the point where you are pacing around your shared bedroom with Bucky staring at you.

It's been about thirty minutes that Bucky and you are arguing and your starting to loose it. You just didn't understand him right now.

"I'm just asking you to come to the cinema with us! Seriously Bucky, what's the matter here?" You shout again but with an undertone of curiosity in your voice.

Bucky look up in your eyes and it hurts him to notice the worry in the frown of your eyebrows, "There's not matter, okay?" He sighs and rub his face, turning slightly away from you.

"So you just don't want to spend time with me, that's it," you reply harshly, with a hurt expression.

"That's not what it means doll, you don't understand," Bucky sighs and try to take a step closer to you. Though you take steps back refusing to lean in.

"And what should I understand Bucky? You've been gone on a mission for two months, you're back since a week and all you do is meeting Sam to prepare new missions. And now, you even refuse to spend few hours with me and our friends?" You yell at him, "You're right, I don't understand," you cross your arms in front of your chest, you're so upset you could cry.

Bucky put a hand on his hip and rub his forehead with the other, "That's not- you don't get it," he says with whar looks like a tired expression.

"Indeed," you point out with a cold demeanour.

"I'm not trying to hurt you doll!" He suddenly turns to you with a sincere expression.

"But that's what you do though!" You reply back, taking a step closer witha frown.

"I'm scared doll!" He shouts suddenly and your angry expression flatters, "I can't handle this and it makes me scared, okay?" He repeats with a quieter voice. He turns his back to you, his arms fold against his chest almost in a protective manner.

You bite your lips, the way that his voice slightly broke not going unoticed by you. You sigh by your nose, starting to feel slightly guilty for your behavior. You walk to him slowly and gently put your hand on his back, stroking it softly in a soothing manner.

"You can talk to me babe, I'm sorry. You can always talk to me," you say quietly with a soft voice tone. You want him to feel safe around you as much as you feel safe around him. But you just failed.

"I could handle loosing my mind, my arm, my self-control because Steve was here. But now he left me and... I just don't think I can handle it, so I try to keep myself occupied," he starts to explain, the plain pretty clear in his voice. You don't interruped him but you wrap you wrap your arms around him back, holding him warmly in your loving embrace.

"I didn't mean to hurt you doll, I'm just so weak since he left," you shush him and stroke his torso with your thumbs.

"I know Buck it's okay, you're not weak," you mumur with a soft voice, holding him closer and tighter. He puts his hands above yours on his torso.

"The cinema it's just... I didn't do that since 1942 doll," Bucky keep explaining, his tone no more harsh at all. Your expression softens even more as he turns to look at you. "Going to the movie theater, it was always with Steve or... Rebecca," you look up in his blue eyes and grab his hand gently in your. If Steve was a hard topic now, Bucky's little sister completly taboo most of time. You understand that he's really opening to you right now. Your thumb stroke the back of his calloused hand in a soothing manner.

"I don't wanna bring up bad memories or force you into anything baby. But maybe it's the right moment to try things again? You can't stop doing all the things you did in the forties," you tell him with a soft voice.

Bucky sighs one more time, squeezing your hand gently.

"I'm scared- I don't want to go and find out everything is different. It'll remind me of Steve and het but at the same time prooving me they're both gone for real..." he pass a hand on his face again and you can see his internal conflict mixed with this sadness in his eyes.

"It's okay baby," you say as you put your other hand on his cheek. "I know you're doing your best and you're doing great."

You try to catch his gaze and when his eyes meets yours you smile warmly. "What do you think about staying here instead and cuddling in front of a movie with Alpine?"

Bycky chuckles slightly, his eyes full of tender and love, "Sounds good to me doll," you got on your tip-toes and leave a small kiss on his lips. He squeezes your hand again and lean in for another kiss, deeper this time.

"I love you doll," he mumbles as he put his forehead against yours. Your smile widen, "I love you too Buck."

[former-leftist-jew]

By the blood of the conquerors do you mean the innocent men, women and children slaughtered droning the Nakba?

Nakba? You mean the "War of Annihilation" against Jews started by five Arab armies from five surrounding Arab countries (Egypt, Lebanon, Syria, Jordan, and Iraq) who invaded Israel specifically to kill and push all the Jews into the sea?

The war was described by Abdul Rahman Hassan Azzam, then Secretary-General of the newly formed Arab League (in 1945), who famously said:

I personally wish that the Jews do not drive us to this war [by declaring independence], as this will be a war of extermination and momentous massacre which will be spoken of like the [Mongol] massacre or the Crusader wars.

(For context, invading Mongol hordes brought medieval Islamic empires to their knees--and the First Crusaders massacred 90% of Jews living in Jerusalem.)

I believe that the number of volunteers from outside Palestine will be larger than Palestine's Arab population... You might be surprised to learn that hundreds of Englishmen expressed their wish to volunteer in the Arab armies to fight the Jews.

And get this: Before Israel declared independence, Abdul Rahman Hassan Azzam was considered one of the most sympathetic of the Arab leaders to Jewish autonomy and independence. (You think you know a guy.)

But then, considering the company he kept...

By the way, "From the river to the sea" is indeed hate speech just as much as "the South will rise again!" because it was said by Arab leaders promising to "push the Jews into the sea" for daring to want autonomy.

By the way, the Palestinian flag is indeed a hate flag just like the Confederate flag is to African Americans, because it was raised in opposition to Jewish autonomy as sure as the Confederate flag was raised in opposition to black abolition and de-segregation.

Arabs were less beliggerently antisemetic against Jews as long as Jews "knew their place" as a separate but inferior second class citizens in Arab Muslim-majority counhtries.

The minute that Jews dared to want equality, self-determination, or self-rule, even the most sympathetic of the Arab Muslim leaders declared "the Jews are forcing us to kill them all and drive them all into the sea."

Let's move on.

Like many others, the Palestinians existed long before Islam (though not under that name), and they did not come from the Arabian Peninsula. The Palestinas are a merger of Canaanites, Philistines and non-diasporic Hebrews with a later small immigrant Arabian population.

LOL Close. While it's true that the Palestinian Arabs are genetically descended from a hodgepodge of different ancient Middle Eastern peoples that mixed and merged over the centuries...

While vaguely P

As to "the men women and children you massacred during the Nakba."

Okay, how about the Jewish men, women, and children that Arab Muslims massacred over the centuries, LONG BEFORE Israel became independent?

Okay, how do you explain the Arab Muslims who completely massacred Orthodox Jews living in Hebron and Safed in 1929, over two decades before Israelis declared independence?

How do you explain when Arab Muslims massacred Jews living in Hebron and Safed in 1834, because they were frustrated by Egyptian soldiers conscripting and taxing Palestinian Arabs?

Same as when the Ottoman Turks conquered Arab Muslims in 1517.

It's funny how no matter how many times Arab Muslims decide to kill Jews for little to no reason--openly declare they want to kill us all just because we're not Arabs and we're not Muslims--you ignore it or excuse it.

"Arabs can do no wrong, and Jews can do no right."

[glade-constellation]

I was scrolling through TikTok and came across this audio that really just, put all the puzzle pieces together for how Nexus really felt. Imagine Sun is the one speaking. Sun never said this, he never would say this to Nexus back when he was “Moon”, but this is how Nexus interpreted it.

Nexus woke up with no identity. Not a single clue of who he was, what he was meant to be, or what he could become. But there’s someone there that’s telling him who he should be, and no one is arguing it, so that just must be how it goes. He never even tries to start figuring out who he is, he goes straight into being who someone else wants him to be. He was Moon. That was his name.

But then they start telling him all the wrongs he did. No one was telling him he needed to take the blame, but to him it was clear they wanted him to. Because he was Moon. And Moon had done those things, even if he didn’t. He had no memory of doing them, but he was Moon so he had to have made those mistakes. They were his problems, and he had to fix them.

So he does. He stops Eclipse. He tries to fix what he can with Sun, and be there for his brother. He desperately tries to keep Lunar safe even if Lunar was not happy with him afterwards. But that’s just it. He’s doing all these things and it feels like he’s getting nothing back. No one seems to acknowledge what he’s putting in, and when they do recognize it they give him shit for it. He keeps trying and keeps seeming to fail.

Then, he has a chance to talk to himself. The person that is actually Moon, the one who actually made all those mistakes. The one whose entire identity was forced upon Nexus. There is no thank you. There is no heartfelt conversation. There is nothing but mildly curious indifference and once again being forced to into an identity that wasn’t truly him. Told to die in it, if it kept the family happy.

Then Solar died. And he was devastated. And he grieved. But apparently, he wasn’t even allowed to grieve as his own self, he had to grieve like Moon too. Had to still be there for others while grieving himself, keep up an act to keep them happy while he was suffering. They weren’t there to comfort him, they were there to comfort Moon, and they weren’t still doing a pretty poor job of that.

That was his breaking point. Never once did he feel like his family cared about him. They cared about Moon. He was so, so tired of the identity forced upon him. From now on, he was going to call the shots in his own life. If he died, he’d die as his own person, and no one else.

Nexus was constantly buried under the weight of being someone he never truly was by his entire family. Earth was the only one who treated him as his own person, and that’s because she only knew him as himself. She had never known Moon, and had no bias to go off of. Lunar, quite obviously at this point, didn’t like him and made a point of showing it. Because he wasn’t the original Moon and Lunar didn’t like that. Sun obviously had years worth of bias. I think that’s why he favored Earth over the others, because she actually cared about him. She didn’t care about what he was supposed to be, she cared about who he was.

There’s a deep complexity to Nexus as a character that I need people to see and understand. People feel like Nexus only started his downward spiral after Solar died, but he has been suffering since day one. He had an entire year’s worth of trauma, both his own and those forced upon him, that lead him to becoming Nexus. Nexus becoming a villain felt like a wildly outrageous “edgy emo teen” phase because, in a way, it was. Nexus had never known who he truly was, because he had never expressed himself outside of the realm that was Moon. He was simultaneously trying to find himself and distance himself as far as he could from Moon. He was trying to become everything that Moon wasn’t so he could escape. His turn to becoming a villain was because, despite Moon having hurt people, Moon had never been a villain in anyone’s eyes.

Becoming Nexus was his way of freedom. He was happier dying the villain than he was living as Moon.

[semipreciousgemstonejade]

Land of Secret Flames

Rafayel

This kindled moment was just... so aesthetically pleasing. Rafayel's expressions are haunting.

I enjoy the way he talks more openly and is revealing pieces of their shattered memories. It appropriately feels like he is getting serious with MC in their relationship like the branch story should, IMO.

It's reminiscent of a tug of war between his deeper feelings towards MC and being afraid of frightening her to the point that she wants nothing more to do with him. Try as he might to push her away, meanwhile feeling conflicted in doing so, he fails much like he did in Ebb and Flow. And he learns the same exact lesson, our MC will not walk away so easily. If he's not in this moment willing to be fully honest with her about the reasons why she should, she's not going to consider that an option.

Even in a state of anguish, a meaningful touch can provide even a modicum of comfort.

He wants to protect her. Will she be afraid? Will she still want him no matter who he becomes? No matter the sting of the words that fall from his lips? Their bond has already been forged. He has given himself to her. Quite literally, actually. But he is still giving her a choice.

Rafayel, the strikingly beautiful Lemurian, is cunning, intelligent, self-assured and impressive. Capable of moving fluidly in different circles without effort. Now he has willingly received a powerful gift, bestowed upon him by the Tome of the Sea God. There is more to this choice. Still waters run deep...

"With the authority granted to me by the ocean's covenant, I order you to snap out of it!" - MC

Instinctively, MC knows what she must do. His heart recognises her voice, so when she calls his name he subliminally follows.

"The Dead Deep Sea and the Sea God's power have been awakened. And since I accepted its power, I must answer its call. Even if certain futures have a predetermined end, I can't refuse..." - Rafayel

Their bond is protected by the Tome and so she is protected by him. And with that, although she doesn't fully understand the ordinance of their bond, she knows enough to bring him out of his trance.

She intends to keep her promise: to find her way back to him. Just as the rain and seawater find their way back to each other in the state they were before they parted ways.

[mvrdermeharder]

Part 2 of Kaiser-goal analysis

[This post is a continuation to my previous one, where I tried to theorize how Kaiser’s goal celebrations differ from other strikers’ and the reason(s) behind it. I highly recommend you to read that first. I’ll also edit this post and link the third part here, when I upload that.]

[Also, tagging u @pixie05love <3]

Okay so, in this part I want to talk about what happens between the third and fourth goal: the failed attempt of the Magnus (the culmination point of Kaiser’s desperation to reestablish and reinforce his shaken self-esteem) and the events leading up to it. I think it’s important to recap these events and Kaiser’s down spiral to have a better understanding of the Magnus and it’s significance later on.

Reaction to defeat:

We have left off with the results of his shameful third goal: he fixates on Isagi more than ever, not bothering to award Ness. The game ends, with his rival as the ultimate victor. And just like after his latest goal, he tries to hold it together: covers his expression with his hair, head held down, being silent. But he obviously can’t take it anymore: his frustrations break through the surface completely, even though Ness isn’t there this time to “provoke” Kaiser’s ire.

(I am NOT placing the blame on Ness for how Kaiser responds to him in a verbally abusive way. That is not what I’m getting at. Just to be clear.)

And I want to note the obvious difference between these two responses to a loss: at first, his anger is icy and chilling, we get to see his vicious expression and eyes (they are the focal point of the panel) and it literally freezes Ness. He’s mad, it’s showing, but he still stands straight as the bet is not lost just yet. At the end however, his anger is loud and startling, he is hunched over, expression covered with shadows. He’s even more on the edge of an identity crisis, embarrassingly losing the bet that he had proposed in the first place, and having his self-obtained “humanity” (causing pain to others) ripped away from him.

So obviously, he doesn’t give a shit about his new offer. Prestige, wealth, and an escape from BM are only secondary goals: they do not “make him human”, only causing despair does. That is the source of his ego. And so, we get to the first self-harm scene.

Psychology behind the self-harm:

I think it can be interpreted in multiple ways, as there isn’t a clear indicator whether he’s punishing himself intentionally or subconsciously. I am PERSONALLY leaning towards the second possibility because of this one reason: he’s feeling like “shitty trash”. And how I see it, this feeling isn’t evoked by him choking himself, it’s quite the opposite, actually.

It is the same phrase his father had told him while putting his hands on Kaiser’s neck, the exact words Kaiser used to identify himself with as a young boy. But for a while now, he’s been considering himself as someone with success, who has built up his humanity, and so feeling like trash again this suddenly could’ve triggered his memories of the times he felt this way the strongest = under his father (who had spat these terrible things in his face) being totally helpless, with a pressure around his neck.

In short: he’s feeling worse than ever -> it triggers his ptsd of the most intense moment he’d felt this exact same way -> he’s reliving the memory -> subconsciously chokes himself, to imitate the situation in real time.

(But, as I’ve said, this is only my interpretation. I do not study psychology, nor do I have personal experience with ptsd and trauma responses.)

Between the Ubers game and the PxG one, we first see Kaiser at practice, as he acknowledges that he can’t gain back his feelings of comfort unless he beats Isagi. Later on the same day, we get to the second time he chokes himself. With recordings of Isagi playing in the background, he is literally facing his own defeat over and over again. It would be no wonder if the reasons behind his self-harm were the same ones that I had theorized regarding the first instance (feeling like trash more than ever -> subconsciously imitating a traumatic moment)

But there is another possibility as well. It’s now crystal clear to him that crushing Isagi is the end all be all. So, maybe, to come up with a way to do just that, he is intentionally placing even more pressure on himself (both figuratively and literally) to find a way out. He overwhelms his psyche on purpose, so that his base instincts for survival would kick in, searching for newfound inspiration to escape the situation. And it works:

Magnus’ failed attempt:

After Isagi scores the first goal, Kaiser’s situation is even worse. Not only is his one satisfaction of ruining other’s careers is being ripped away, but also his other accomplishments (his position, his team). Now even more things are at stake. Again, his anger is loud, bigger than ever.

But he puts a lid on his frustrations again, maybe so as not to scare Ness away; after all he needs him to set up his goal. But his emotions and desperation are clearly showing, they make him utterly irrational. Which costs him a miskick.

And at this moment, we have finally arrived at the pinnacle of his accumulated despair: for the very first time we can clearly see and observe every detail of his overwhelming frustration on his face: his hair is completely out of the way and there are no shadows to cover his expression either.

(I know this last part about the failed attempt is more of a recap, but some parts that I’ve mentioned will be important regarding the actual Magnus analysis itself… or at least I think so…)

Edit! Read part 3 here!

[singto-prachaya]

Barcode made a twitter post addressing heavy issues and what's wrong in the industry

Google trans translation under the cut

This is not a small matter that should be overlooked… Since I was first portrayed in the industry as a weak, fragile child who had to be bright and innocent all the time… Changing myself according to what others expected was not easy.

Many people may not know that this affects both our mental health and our growth. Many artists and actors face too much pressure, not only to maintain a familiar image, but also to affect our mental health in a way that many do not see and do not understand. Stress, loneliness, it is not just about the outside, but we have to experience changes within ourselves that everyone may not see.

What I want to say is that I am not just a character in the image that people expect me to be. I am a normal person who needs growth and recognition from everyone for being who they really are.

And it's not just me, it's a problem that happens to many people who have the same problem in the entertainment industry that expects too much from us.

This is something that I have been sharing and observing for quite some time now, and I think I need to communicate these things to myself and many others who are facing this problem.

2 things that I and many of my colleagues in the industry have to face, whether intentional or unintentional.

Many people who enter the industry at a young age are constantly portrayed as “children”, as if they are imprisoned in an image of innocence and weakness, which causes both mental and professional problems. People develop their thoughts and grow, but some groups stick to the image they used to have when they first started. As a result, my thoughts and decisions, and many others, are always questioned, told that I am “not mature enough” or “need to rely on others”, as if no matter how much time passes, I am still the same child who will never grow up.

In psychology, this is called “gaslighting,” which is when a person is made to feel self-doubt or manipulated in a way that undermines their self-worth, making them feel incompetent and inadequate in making decisions. No matter what they choose, they are constantly criticized as “not thinking things through” or “not good enough.” This practice not only causes short-term pain, but also instills insecurity about their identity and abilities in the long run, causing them to rely more on the opinions of others than their own, which can gradually erode their self-confidence.

Furthermore, when we look at the dimension of Benevolent Sexism, especially in the BL industry, some male stars who are portrayed as weaker or more innocent are expected to play such roles and behave like that all the time. This pressure prevents them from expressing themselves or growing up freely. They are pushed to believe that weakness and dependence on others are necessary and “appropriate.” Some may see this as protection or support, but in reality, it is silently diminishing their abilities.

Everyone should understand that this is a serious matter. If we continue to set expectations for others without caring about what they are going through, it will eventually have a negative impact on them. There is nothing wrong with growth and change. I urge everyone to support themselves in whatever path they choose. I also support everyone, whether in or out of the industry, to express themselves and be their true selves.

Thank you for all your support. 🙏

Original full tweet