#it’s a full on story at this point?

[olivianott]

CAN I MAKE HER STAY?

I like you more than I planned | part five) start from the beggining here

Neville is working in his shop on Thursday afternoon. Working with plants and getting his hands dirty in the soil was always therapeutic for him. Whenever he needs to feel grounded, think, stop thinking about something, or forget someone, he goes to the greenhouse behind his shop and just loses himself in the work.

“Well, I guess it didn’t work out how I wanted it to, huh? What else did I expect?” Oh god, I’m a lunatic.

Yes, sometimes he talks with the plants and flowers, but he keeps that fact mostly to himself.

“Well, looks like it’s just you and me again.” He says to the peony that is so deep in color, it looks almost black. He rolls his eyes at himself but caresses the plant’s leaves anyway, before moving on with his bucket of soil.

“So, it’s true. You DO talk to them.” Pansy’s light and joking remark doesn’t match her facial expression or stiff body posture.

Neville freezes, still crouching down between the plants. How did he not hear the door?

“I don’t expect them to reply, don’t worry.” He says while he stands up and looks at Pansy with his arms crossed on his chest, waiting for her to be the first to say something serious. But she is fidgeting with her sleeves and tries to look everywhere but at him. Doesn't seem much like her usual confident self.

She still looks gorgeous. Like a dark depressed Veela.

Neville can’t stand the silence. “What are you doing here? And please, for the love of Merlin, don’t say that you don’t know. Again.”

Pansy flinches. It hurts her to remember their last interaction. Mostly because she still doesn’t know if she fucked up completely and he’ll laugh in her face for what she is about to tell him. But the things he said in the letter… It did feel very final though. Ugh, it’s a war in her mind, as always.

“No, I- … I know why I am here. I’m lost.” Neville’s face falls, and his jaw clenches. “I mean I’ve been lost… for most of my life. But recently I’ve found myself coming here. To not feel lost. My mind is constantly fighting me, always screaming at me, and I… “ Her vision blurs but she blinks through the tears. She continues more calmly. “I went to a mind healer again. I was going before but then everything got fucked up and I just felt like I was drowning again with no sense of direction and…  Doesn’t matter.” She stops herself. “That’s not what I came to say. The point is, I’m broken.” She chokes and has to stop talking for a second.

“You are not broken.” Neville immediately retorts.

“But I am, I know it-“

“Pansy, stop.” He goes to her but stops himself from taking her hand in his. “You are one of the strongest people I know. I’m in awe of you. You’re resilient, surviving even if you have never gotten the care that you need and deserve.” Neville grabs her face with both hands now looking at her. His eyes the clearest deepest pools of emotions she had ever seen.

“Barely. I’m barely surviving, and I’m tired.” She breathes. “But I’m trying. I came here because I feel lost everywhere else. I don’t want to be just floating through life pretending to be strong. I realized I want you. I need you. And not just for the nights either.”

Neville closed her eyes and let his hands fall from her face, breathing deeply. Doubt and insecurity started creeping into his mind again. It’s the games the Snakes play, they hate losing, it’s never just about wanting you.

“So you got my letter, huh? Is that why you’re here? Is this a game for you again? You realized the lost puppy is not going to keep following you around anymore?”

“What? No!” She immediately opened her eyes to look at him. “I did read the letter, but I was already about to leave for your shop when the letter came. I have already decided that I am going to fight for my happiness. For maybe the first time ever. I want to be with you. I never knew what calm and safety felt like before I spent time with you. That’s why I am here. To make you believe me when I say I’m in. All the way. I want to try to be enough for you, too.” She took a step back. Doesn’t know what more she can say. And if this is enough. With the door in sight, she continues quietly. “Now it’s your decision. The letter felt very final. Like a goodbye. So I understand if you need to think about it or.. or.. you moved on and don’t want … t-those things anymore.. “ She stammers. Please tell me I am not too late.

But Neville stares at her for too long. Saying nothing. He is trying to make sense of this rollercoaster. Make sense of what she’s saying. Does she mean it? What does she have to gain by pretending now? Despite her flawless makeup, he sees her tired eyes and the exhaustion on her beautiful face. It matches his own. He takes too long to get the gears in his brain to start turning again, and when he finally focuses on the world around him again, he only catches a glimpse of her flowy skirt before the door of the greenhouse clicks shut behind her.

go to the next part

[pirateshelly]

As much as nearly every character she meets tends to act like there's something uniquely broken and wrong with Claudia, at no point does it truly seem to me like there actually really is? I mean, obviously she is extremely fucked up, she straight up went through a serial killer collecting trophies phase, but there's a level of fucked up that's sort of the baseline for every character in the show, and obviously being turned into a vampire as a child puts her at a unique disadvantage. But for all that everyone around her spends their time bemoaning how dreadful and doomed her life is, even Louis who genuinely loves her but also builds so much of his identity around feeling responsible for her Terrible Fate™, I really don't think she's like, fundamentally damaged any more than any of the other vampires are.

But Lestat is so unwilling to be wrong that every time her life hits an inevitable road bump instead of helping her through it he points and says "look! see! she IS a monster, I was right Louis, making her was a mistake!" (and I think he sees his own monstrousness in her but fails to also see her humanity)

And then Armand meets her and sees only someone who will inevitably lose her mind, so of course speeding up the "inevitable" and siding with the coven to plan her death is just a mercy, absolving himself of any blame. (and he projects his own frailty and desire for death onto her, failing to see her strength and her desire for life)

Which makes it so cathartic when she meets Madeleine, admits to her how broken she feels sometimes, and Madeleine's response is just. Well that's normal. Who isn't a little broken these days. Let yourself feel it, move on, let yourself feel it again if you need to. After spending her life having others act as if her emotions are something uniquely dark and worrying, Madeleine's incredibly blase attitude must have been such an incredible breath of fresh air for Claudia!

To spend her whole life being made to feel like something is Wrong™ with her, and then meet someone who's just like, "yeah, and?? Who isn't? Join the club I guess"

Which makes her death so incredibly tragic and frustrating because like. She was fine! She was making a life for herself! She wasn't doomed by her nature, she wasn't "doomed by the narrative" (whatever the fuck that even means), she was doomed for no reason other than that everyone around her (except for Madeleine) preemptively DECIDED she was doomed and never gave her a chance to prove them wrong.

[jays-doodle-spool]

someone should write a story where there’s ppl stuck in a time loop, but the pov is from someone who rlly doesn’t care. there’s a whole ‘protagonist group’ or whatever trying to figure out how to escape the loop but this dude has just kept living their life so no one has noticed that they’re also stuck. they’re just sipping the exact same coffee order for the hundredth time watching the group strategize at an adjacent table and thinkin “man, wonder if they’re gonna figure out how to fix that today.”

[bizarrelittlemew]

calling it right now that season 3 starts like this

[swampybogg]

[bamsara]

being an adult means we can buy or make as much self-indulgent shit (as we can afford) and unironically have trinkets of our fave things cause our teen years was bullied for liking things and hiding/denying we were ever neurodivergent to the point of suicide. sucks for anyone that thinks its weird cringe but I'm going to try and allow myself to love myself in little ways now

[gingermintpepper]

One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.

I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.

Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.

What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.

Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.

And that, while beautiful, is also tragic.

[captain-noir]

‘louis should go to therapy’ and ‘louis should work on himself’ and ‘louis deserves better than lestat’ are for the boring, conventional yellow bellied normies. i sincerly hope he gets worse. i hope he sells everyone he loves and cares for down the river for lestat’s radioactive dick. i hope he turns into the most predatory vampire akasha accused him of being and i hope he does it with a twinkle in his eyes

[atalana]

we can talk about buy gold bye all day but in retrospect this is my favourite bill moment from dreamscaperers, because he is having One Of The Days Ever

like you get summoned back to gravity falls for the first time in thirty years, already an excellent start (it is good to be back!)

and to make it even better, you know that one human you had every kind of relationship at once with and whose mind you know inside out but then he realised your true plans and tried to break up with you so you spent several weeks torturing him and now he's been MIA for said thirty years? of the all the jobs this random kid could possibly want from you, you're being hired to go break into his mind and steal from him

(been there done that kid!)

except plot twist! they don't actually mean that guy. they mean his identical twin brother who's been assuming his identity since then

and we get to watch bill have the realisation in real time that not only has he just worked out exactly what happened, he is the only person other than stan himself who has enough information to do so!

(this should be fun)

[hamable]

Ify using his DM minute to save Barsimmeon, summon more APS, successfully launch his car to land on the airborne White House, and unquestionably win the NSBU kill count competition by killing 10% of the world’s population (it’s okay they were all white supremacist super soldiers) managed to be simultaneously the exact brand of insanity that giving a PC full power would entail, while also all being satisfactory, story relevant, and tonally appropriate and I think Ify keeps proving he should DM a season in The future

More on Ify’s skills as a storyteller in the tags⬇️

[mitamicah]

What seemed like a stupid, unachievable dream back in november/december is now a reality:

May I present to you

The result

Of the ARE YOU tattoo saga

Thank you everybody for the support and to @feral4kaarijasquat in particular for given me the idea and courage to go for an are you from both boys 🥰💚❤️

[usercelestial]

tbh i think a lot of the people saying "well both sides are wrong"/"bt stans are just as toxic" are just not exposed to other perspectives in this fandom. as a buddie fan who's been watching this show since s1, i can safely say that buddie fans have always been toxic. like as fact. to me, to say that bucktommy fans are just as harmful or just as annoying or just as bad as buddies consistently are is just. delusional. indicative of at worst a biased opinion and at best an uninformed one. buddie has been here since s2 and fans have ruthless ever since. bucktommy has been here for 3/4 of a season and for the most part, stay in their lane. i'm sure there are bucktommy fans who suck, like that's just being on the internet, but you have to be blind to ignore how insane buddie fans are and genuinely how much worse they are in comparison.

i don't want to generalize and i think constantly adding that disclaimer is annoying as hell bc obviously i'm not talking about everyone but because buddie has been here for so long and taken up so much mental space of very die-hard, passionate fans, you're going to see much more intensity on that side. after season 5, i had to step away from the fandom and the show because of how frustrating it got. it was annoying to see people swear up and down buddie will be canon by the end of s3-no wait s4-no wait s5-no wait- and ultimately it sucked my enjoyment out of a show i otherwise enjoyed because i got swept up in the Buddie Of It All and forget about why i watch the show to begin with. we've been left to stew in our theories and now we can't tell what canon and what's fanon anymore, and when the show reminds us, the disappointment and frustration kills our hopes.

i was also active in the dan and phil fandom and supernatural fandom, like ik why people think we're annoying and it's because we are. we make everything about the one thing we like, we comment on every post begging for it to become canon, we're violently disappointed when the show doesn't play into our fan theories because we've convinced ourselves buddie is going to happen by the end of the next episode or actually the end of this season or actually maybe the end of the next season. we've torn a part every female love interest, either making them boring or making them unlikeable in our fanon. all that to say is that when people call us annoying, they're telling the truth and when bucktommy fans say buddie fans are toxic, they're coming from a sincere place. i mean we can't even enjoy our own ship because we're so quick to get our hopes up and be let down about something as stupid it becoming canon. who cares if it becomes canon, just like it to like it.

and it makes sense why there's perceived "toxicity" on the bucktommy side. our energy is being matched; the obsession, the passion, the surge in fandom. if you don't like it or even just find it annoying, i suggest you guys look back on your own posts and comments and behaviors towards other people in the fandom and other characters and unbiasedly compare it to the Toxic Bucktommy Shippers you're claiming you hate. if bucktommy fans are obsessive, it's because we've set the stage for that. if bucktommy fans are getting aggro and defensive, it's because buddie fans have been on the opposition and don't know how to turn it off. we've gone from underdog to bully somewhere in the last 6 seasons.

[coolshadowtwins]

I do want to open this post off by saying that I don’t really like BingJiu. It’s just not my cup of tea.

But the idea of Binghe, our Binghe not og, going back in time to try and get his Shizun back, and going back to SJ’s disciple days. Binghe thinks he’s going to see, even if only briefly, his Shizun’s teenage days.

What he finds instead is a bullied disciple, sleeping in the woodshed.

This would have to be before SJ was the Head Disciple, or maybe just the early days of it, before he ever would have gotten his own sleeping space. He’s still supposed to be sleeping in the dorms, with the other boys. But he can’t relax like that, can’t sleep like that, so he goes to the old woodshed like he always does when he has to sleep on the peak. On top of that, he had just gotten back from a nasty fight with LQG, so he’s all beat up.

This is what Binghe sees. And this is what Binghe know has to deal with knowing- the image of his Shizun, in the same position that he had been in, when he first joined the sect.

(Honestly, with BingMei, all it does is give him more fuel to recuse away the early abuse for a bit, but the thought is there!)

[strangersteddierthings]

The Conversation

Final Part of The Interview [Part One] [Part Two] [Ao3]

Steve finishes putting on his boots, shoves a beanie on his head, and grabs his thermos of coffee before heading outside. Robin had texted when they left Pendleton so they should be arriving soon, and he wants to make sure the dogs stay clear of the driveway, and also finish some of the chores he is being lazy about. The mountain air is cold in February, and the snow is deep, but it's still warm for a winter day in Eastern Oregon.

His childhood house had been at the edge of a little forest. His current home is tucked away in the woods, trees for miles, and the nearest neighbor farther still than that. He's lived a lot of places, been able to see the whole of America almost, and in the process, he's learned that he'll always be a small-town boy. The real revelation is how at home he feels in this two-bedroom cabin sequestered away from any town at all. Sure, he's got to drive a little over half an hour to get to the nearest grocery store, but he's learned he likes that.

He's got 1600 acres of woods all to himself and the dogs. He's owned this property for almost four years, but recent events made him finally move out here. Originally, he'd bought it to make it as another flip project, but something in his gut told him to make it a vacation home / safe haven for his family instead. Robin, mainly, as a getaway from the LA life and overwhelming spotlight she'd started to face as her music career took off. He might be turning it into his permanent home and base of operations, but everyone knows they're still welcome.

Anyway, the day might be warm for winter, but the night won't be, so Steve sets his thermos on the top of the wooden railing of the porch and heads down the steps to the woodshed. The plan in the summer is to update the cabin, which includes adding central air and a good heating system, but until then, portable heaters are in the bedrooms and the wood stove gets the rest of the cabin. There's also plans to start the construction on the guest house. It's going to be a busy summer.

He replenishes the woodpile on the porch from the woodshed and debates chopping more but decides against it. That can be a tomorrow chore. Next is cleaning up the snow paths he's made previously. Doesn't want anyone falling on their ass on the way to the house, no matter how funny that'll be to watch. As usual, Pancake makes the task difficult because she wants to play with the snow shovel. Melody cries until he throws snow into the air by the shovel full for her to play in. Chowder, old man that he is, supervises from the porch, front paws hanging just off the top step.

It's rough going but he manages to complete the few chores, even with two dogs underfoot.

Steve is on the front porch, forearms holding his weight as he leans against the railing, thermos of coffee between his hands, taking in the afternoon sun and enjoying the silence when Dustin's work truck slides into the driveway. Almost literally, given the foot and a half of snow still on the ground. The driveway is long, okay. Steve's doesn't have enough time in his day to keep up with salting it all.

It'll be strange to see Eddie after all these years. He still can't believe Robin got him to come. When he'd asked how she did it, she brushed him off with an it's not important.

Speaking of Robin, she's the first person out of the truck, sliding out of the passenger seat and then cursing when she drops right into the snow. She shoots an accusatory look towards the cabin, and therefore Steve, like he placed the snow there himself, when the fault is Dustin, who has left the driver side with plenty of room between the truck and the snowbank.

Dustin gets out of the truck and Steve faintly hears him say this side, man, less snow before pushing his door closed and turning to brace himself as Pancake and Melody rush from the porch to circle like sharks, barely restraining themselves from jumping up. Chowder follows after slowly, taking his sweet time getting to Robin, his favorite human. Steve can't even be jealous about that because Robin is his favorite human, too.

The back driver side door opens, and he watches as Eddie Munson all but falls out of the truck. It's the least graceful anyone's looked getting out of the back of the truck and that's counting Chowder and his old man hips. Seeing Eddie again is- well, it's a lot of emotions all at once, but they're are all overshadowed at the moment by how Eddie looks... well, bad. His hair is longer than Steve's ever seen it, a little longer than mid-back length, but it looks like it hasn't seen a proper hair brush in a couple of days. Even from this distance Steve can see the bags under his eyes. He looks like he hasn't slept in days.

He pushes himself off the railing and meanders down the two steps, waiting for them to notice he's waiting. Robin trudges out of the snow berm and to the front of the truck, where Chowder is waiting patiently for his pets and kisses. Dustin has managed to get Melody to stop hopping in front of him so she can get her side scratches, and Pancake has realized there is a new, third person with a set of hands currently not petting her, and is circling Eddie, waiting for him to reach down and pet her but he just stands completely still, heading tracking her in her circles.

"She's friendly, I promise," Steve calls out, which makes Eddie's head snap up to look for the source of the voice. Well, everyone looks, but Eddie looks like he's seeing a ghost, which. Fair. Steve kind of feels the same way.

"Hello, Dingus," Robin calls as she stands from her crouched position, where she's been cuddling Chowder. As soon as she stands, he starts making his way back to the porch. "I have delivered one Edward Keaton Munson. You are not allowed to ask anything of me for, at minimum, a year."

"Steve! Why didn't you tell me you knew the Eddie Munson?" Dustin shouts.

Robin is scoffing, clearly offended. "Am I not famous enough for you Henderson!?"

"Get back to me when you've run a 24-hour Dungeons and Dragons live stream for charity!" Dustin shoots back, then has to dodge Robin's half-hearted punch aimed for his arm.

Eddie stays silent, looking more pale than when he got out of the truck. Steve's a little concerned he's going to faint.

"You been living under a rock, Dustin?" Steve asks. "My knowing him is apparently the only thing on the internet currently."

Dustin puts his whole head into the eye roll. "You spend a month backpacking with your girlfriend in the southern hemisphere and you never get to hear the end of it. I told you I'd catch up on your drama after I catch up on my DnD Live Plays."

"You also missed me winning a Grammy, you know."

"I thought Steve's thing was more important?"

"You are impossible, Henderson."

"You guys going to argue in the snow all afternoon, or do you want to come inside?" Steve says then places his fingers in his mouth and whistles. Melody and Pancake dash for the front door, where Chowder is already waiting. Dustin, Robin, and a still eerily quiet Eddie fall into line to walk the trail to the porch Steve had cleared.

Steve jumps the steps, grabs his thermos, lets the dogs in, and then holds the door for everyone else. Robin and Dustin breeze past, but Eddie slows, eyes jumping around Steve's face as they just look at each other for a moment. Eddie opens, then closes, then opens, then closes his mouth.

"Hi," Steve offers up, shifting a foot to hold the door open so he can wave his fingers at Eddie.

Eddie swallows thickly, then whispers back, "hey."

"In the house, Eddie. Don't want to let too much cold in," Steve tilts his head towards the doorway.

"Oh, right, sorry," that kick starts Eddie again and he crosses the threshold, Steve close behind.

Robin and Dustin are currently occupying the bench just inside the door, taking off their shoes. Once Dustin has his boots off, he leaves the bench, heading to the kitchen. Eddie seems lost, just standing in the entryway, so Steve takes the spot Dustin just left and proceeds to undo the laces on his boots. He gets one boot done by the time Robin stands, wandering after Dustin once she's hung up her coat, scarf, and gloves. Eddie doesn't move still, so Steve pats the empty spot beside him.

"No shoes in the cabin. Dogs track in enough snow, don't need us doing it too," Steve says, then busies himself with his other boot.

He sees Eddie sit and begin to untie his- jesus, he's not even wearing boots. Just a black pair of sneakers. Eddie unties his shoes in silence, sitting rather stiffly next to Steve.

This quiet, obedient Eddie is not what he expected.

"You want something to drink?" Steve asks, once both of them are free of their shoes.

"No, thank you."

"Alright. Have a seat, then," he gestures towards the couch. The cabin door opens up directly into the living area, which Steve has set up as 3/4th a living room and 1/4th dining room, in that a small kitchen table is along the far wall. Beyond that wall is the kitchen, where Robin and Dustin are undoubtedly helping themselves to his coffee or hot chocolate.

Eddie shuffles off to sit on the edge of the couch, as close to the armrest as he can get. Now that Steve can see him closer, he can see he's added more piercing to his face than just the eyebrow ring he wore in high school. Snake bites, a septum piercing, and a second eyebrow ring next to the original. He's sure that if Eddie's hair wasn't covering his ears, he'd see more metal there. Eddie had hung up the coat he'd been wearing but under that is a hoodie he didn't take off, so Steve can only guess if he ever got those tattoos he'd been planning in high school. His entire outfit is black, which just makes him look sickly in the cabin lighting.

Steve drops himself into the chair facing the couch. It's Melody's favorite chair to curl up in, but Steve thinks she'll forgive him for taking it. There's tension in the room, so he tries to break it. "You look like you've seen a ghost, dude."

Eddie makes a weird nose, almost a whimper or a whine, but before he can say anything, Robin rounds the wall, holding a mug of hot liquid and she says, "Oh, I'm sure he feels that he has. I didn't tell me we were coming to see you."

"Robin!" Steve is shocked.

"What? You said you wouldn't mind getting some closure, so I got him here. Does it matter how?" She takes a seat on the opposite end of the couch from Eddie, making a show of how comfortable she is in the space by sitting cross-legged and leaning back against the couch, in comparison to Eddie who is sitting up completely straight, barely on the couch with how close to the edge he's sitting.

"Yeah, it does! If he's not here voluntarily- if Eddie doesn't want to talk to me you can't-"

"I do," Eddie says. It grabs Steve and Robin's attention and Steve sees Eddie almost wilt under their twin stares. He clears his throat before continuing, "I mean, I would have come still, if she'd told me. I do want to talk to you. Apologize for.... for everything. So much I don't even know where to begin, or how."

"Uhh, this feels like something personal," Dustin says from where he's standing with his own mug, hovering nearby. "Should I be here for this?"

Good question. Steve doesn't care if Robin and Dustin hear what they talk about, but Eddie might. "How about we just relax a bit. How was the drive?"

Eddie scrunches his face, a half confused expression on his face.

"Fine," Robin says at the same time Dustin says, "Tense as fuck."

"Those two things don't seem like they match," Steve says.

Dustin moves to plop himself on the couch in between Eddie and Robin, then quietly curses as his drink sloshes over the edge of the mug. He starts mopping at it with the sleeve of his shirt as he says, "Robin is a liar. The tension in the truck is going to linger that's how bad it was. I'll be feeling the tension every time I get in the rig. Clients will feel the tension when I pull up to their curbs!"

"It was not that bad!" Robin swats Dustin. Successfully this time, since there's no way for him to dodge unless he wants to spill his drink again.

Steve just laughs. "Robs, light of my life, mate of my soul, knowing you and your grudges, Dustin's probably going easy on the description of the tension here."

"Well, there wouldn't be tension if I was allowed to say what I want to say."

"Can we go, like, five minutes without your negativity?"

"My negativity!? I'm not negative, I'm rational and level-headed!"

"You are not sounding very level-headed right now."

Dustin chimes in, "Steve's right. Level-headed people don't have to shout that they're level-headed."

"What say you, Eds?" Steve asks, the old nickname slipping out. He doesn't have time to be embarrassed about it though.

Eddie stands quickly and flings his hands in the air, having reached an invisible limit Steve is unaware of, pacing about the living room as he basically shouts, "Why don't you hate me!? You should hate me! I hate me! I can't- why are you just sitting there, trying to have a-a decent conversation with me? You should be screaming at me! You should be mad! Why aren't you? My fuckin' song ruined your life!"

The silence in the living room is heavy following that, all eyes on Eddie. Even the dogs, who had been in various states of sleep, lift their heads and look in Eddie's direction.

He looks mortified by the out burst, and his face turns red. "I-I'm sorry. I- I'm just, I'm sorry. I need air."

They all watch silently as Eddie jams his shoes back on and goes out the front door without tying them or grabbing his coat.

Steve sighs, deep and annoyed. At Robin and himself. He looks to Robin and she looks shocked by Eddie's outburst. She was watching the door, but turns her head to meet Steve's eye, a small frown on her face.

"Well, it's not like he's going far," Dustin says. "You going after him?"

"I don't know if I should."

Dustin scoffs. "Don't be an idiot, of course you should. We drug that guy to the middle of nowhere to talk to you. He agreed to come to the middle of nowhere even though I could have been a hit man hired by Robin to off him in the woods and he didn't even complain. Didn't even question. I don't know what happened, but I think you two need talk it over."

Steve blinks at Dustin. "Since when did you get so wise?"

"I've always been wise. You just refuse to see it with your ageism. Go. Robin can fill me in on the beef, here in the toasty, cozy cabin, while you two chat in the cold, and freeze your asses off."

"I don't have ageism-"

"Wrong argument to be having, Steve!" Dustin interrupts. "And take another cup of coffee with you. Even if he doesn't drink it, dude doesn't have gloves either so y'know, warm the hands."

Steve does just that. Fills his other thermos with coffee, taking a chance by adding cream and sugar, before putting his boots, coat, and beanie back on. He throws Eddie's coat over his arm and tucks both thermos' against his body with that same arm so he can have a free hand to open the door.

Eddie isn't far. He's pacing back and forth in front of the truck, talking to himself.

Taking a deep breath to steel himself, Steve steps off the porch and makes his way to Eddie. "Hey."

The pacing stops and Eddie turns to look at Steve. They just look at each other as Steve approaches. Steve doesn't stop until he's close enough to reach out and touch before he shuffles the two thermos's to his other arm and extends the one with Eddie's coat on it out.

"Thank you," Eddie says, taking the coat and shoving himself into it quickly.

"Brought you coffee, too," Steve holds out one thermos and after a pause, Eddie takes it, too, then almost instantly brings his other hand up to cradle it, warming his fingers.

He looks up from the thermos and meets Steve's eye. "I am sorry, Steve. I'm sorry for how things ended between us, and for the song I wrote, and for-for not thinking about how people would be able to work out that you were the Steve from Hey Steve. You should hate me for that alone. I'm so sorry for everything that's happened because I didn't think of the consequences."

"I don't- I don't hate you man. Not... not anymore. Not for a long time."

"Well, you should!"

Steve frowns. He wants to argue because who is Eddie to tell him how he should feel? But that's not going to help anything. "When Robin called me. During her interview after the Grammy's and asked if she could tell the truth I never- I didn't know what she meant by the truth. But. Well, nothing she said was a lie, but it wasn't the full story."

Eddie stays silent, seemingly waiting for Steve to continue.

"Those first two years after our breakup were- I'm not going to lie, they were fucking awful. I think I received my first bit of hate mail the very same day Hey Steve released. It was harsh. All from the same person, but sent to my Facebook and my Twitter and Instagram. Guess they really wanted me to read it.

"And then, with each passing day, a new person, new message, just as awful. After three days I deleted Instagram and Twitter. Then I locked down Facebook but like- physical letters showed up at my house. I can't lie, it certainly felt like you'd ruined my life."

Eddie makes a wounded sound at that. "That's because I did! What I did was unforgivable and-"

"You don't get to decide for me if I forgive you or not!" Steve snaps. "I haven't actually said I did forgive you, did I? All I've said is I don't hate you."

That gets Eddie quiet again for a moment, then he says, "you ended up hospitalized because of me."

"Robin said I ended up hospitalized, and that's true, but it wasn't- It was more complicated that just being your, and your fans', fault. For people who were supposedly on 'your side' of our breakup, they used a lot of homophobic language. That's how my mom found out. The letters were easy enough to just get rid of because all the bad shit was on the inside, but someone sent a post card, and mom collected the mail that day. It's... I don't like talking about this."

"Then don't," Eddie is quick to say, "you don't have to explain anything to me, or make yourself relive these events. It's- you don't owe that to me."

"I think I need to. I wrote you a song, said I'd do it all again, and I meant that. I want you to understand why. Just. Just give me a minute."

Eddie nods and takes a sip of his coffee. He looks pleasantly surprised and takes bigger drink before his face falls into a frown as he stares down at the thermos and Steve has to look away. He turns and squeezes his eyes shut to continue. "Mom showed the postcard to my father, and he confronted me that evening. It was.... it didn't start off bad. He asked if it was true. That I was gay. I made a choice, then. I didn't have to; I could have lied. I could have told him I was straight and that I didn't understand what the postcard was saying, but I didn't.

"I knew how he felt about queer people, and I told him the truth anyway. I was bisexual. I thought it was a miracle that he didn't kick me out instantly. Instead, he calmly asked me if that meant I liked woman. I said it meant I liked more than just woman.

"Then he told me that didn't matter. That so long as I liked woman, I would be with a woman, and that we never had to speak of this again. And I told him no. He didn't get to decide that for me. He said that he would rather have a dead son than a faggot one. And I thought- I never- surely he was just meaning, like, metaphorically, right? Like, he'd disown me, kick me out or something so I scoffed and said- God, I was so stupid. I knew it wasn't safe, but I was so angry at him, I shouted 'dead or alive, I'm your faggot son so deal with it.' And he- he said 'dead it is' and he attacked me."

He hears Eddie suck in a breath, hears the crunch of snow in what could only be Eddie taking a step towards him but stopping after just one step. Steve doesn't know if he wants Eddie to close the distance and give him the hug he knows Eddie wants to do. Steve doesn't know if he'd welcome the embrace or not. He sucks in his own shaky breath, and continues, "He almost beat me to death that night. The only reason he didn't was because mom dialed 911," Steve turns around, looks at Eddie and sees the tears falling down his own face reflected on Eddie. "As far as I know, dad's still serving time for his attempted murder, so like, at least I don't have to worry about him. And mom... I don't even know what to think of that.

"She called 911, didn't want to see me die, I guess, but also couldn't have a gay son. She sold the house, and everything in it, while I was still in the hospital, and just... disappeared. Robin's family took me in. She told that story during the interview, you knoe, but I wasn't even at the house when that guy with the gun showed up. I was meeting with a lawyer.

"She-Mom was- I don't know what she was trying to do but she gave me the family business. The whole company! It felt like she was trying to buy my forgiveness, except she didn't ask for it and still hasn't contacted me. It's like... she felt guilty about what happened but hated me at the same time. Felt she needed to do something to alleviate her guilt? Or maybe she just wanted to cut herself free of the whole Harrington name; free herself from me and my father. I don't think I'll ever get closure for that one."

Steve quits talking, needs to take another moment. He'd already rambled on about more than he meant to but talking to Eddie had always done that to him. Afterall, before they dated, they'd been friends. He sips at his coffee, not knowing what else to say.

"Jesus, Stevie, I'm so sorry. I didn't know- It's no excuse but I'm just so sorry."

He doesn't think Eddie knows he called him Stevie, but it's nice to hear. "So, see, it wasn't your fault. Your song set things into motion, for sure, so it's nice to hear an apology, but like, if anyone is the bad guy in this situation, it's Richard Harrington."

"But Robin said she just had to help you move to here. That you still get hate mail, and doxxed. That's on me. I saw your list of addresses, Steve! You've had to move, like, eight times a year!"

Steve can't help the cackle that springs from him. He surprises himself with the laugh, and Eddie, too, if his wide eyes and eyebrows hidden behind his bangs are any indication. "I- yeah, I move a lot. And yes, this most recent move was because of a brick with Hey Steve scratched into it broke my living room window, but like, I've only had to move because of harassment like, four times, if I'm counting the whole mom-selling-the-house thing."

"What?"

Steve holds up a finger, adding a new one as he counts them out. "Mom sold house. Scary gun guy at Robin's. The year anniversary of your first album's release. I was still in Hawkins, figuring out what to do with all the money I'd, uhh, inherited I guess, so I was easy to find. And the most recent one. Not sure what inspired it this time. Usually, the hate mail resurges when you go on tour, but it's less and less every time. Anyway, none of those other moves are because of crazy fans."

Eddie blinks at him, a picture of confusion. "But I found a YouTube video and that guy- he showed all your old addresses. He said- I thought..."

"Well, there are a lot of addresses. But not because of your fans. I move for my job. Do you... did you even read the truck?" Steve gestures to Dustin's truck and Eddie steps around to see the printed H&H Project Flip and below that is their website.

Eddie looks back to Steve like that answers nothing. Which, fair, but it would answer a lot of questions if Eddie had looked up the website. "After that surge of anniversary hate, I knew I needed to get out of Hawkins. Robin was graduated, then, and headed to college. I decided I wanted to see more than just Hawkins. I followed Robin to college in Chicago, and uh, bought a house. A real fixer upper but that was fine. I had plenty of money to throw into it. On a whim I thought, what if I try to fix it. I had a lot of free time and if it ended up badly, I could afford to pay a professional to fix whatever I broke. I found that I loved doing that."

He's still just being looked at like he's not making sense.

Steve rolls his eyes, "I flip houses, dude. Me and Dustin. Harrington and Henderson Project Flip. I was in Chicago for three years, lots of addresses for that city. But then Robin pointed out there were a lot of states. That I should see all 50 of 'em by renovating a house in each. She'd moved in with her then-girlfriend by this time, so she said I should go. See the States at the least. So, I did. I find it easier to just live in the house I'm renovating, so I'm not paying mortgage and then rent somewhere else in the same city."

Eddie looks like he's had a rug pulled out from under him and he lets out a laugh that's a little hysterical.

"And moving so much has allowed me to meet so many amazing people, y'know? I got friends in all the states. So, like, yeah, you did ruin my life, but like, just my life from 18 to 20. So, yeah, I'd do it all again. Did you think I've been living in perpetual misery for the last ten years?"

"Robin certainly made it easy to assume that, so yeah!"

"I think she did that on purpose. To hurt you back."

"I deserve it," Eddie says. "I didn't even try to check in on you. Well, once, but when I couldn't find you on any socials I just. Gave up."

Steve shrugs. "I didn't reach out either. And if you'll remember, I broke up with you. Screamed in your face that we were over and went home."

"I don't know when, or even if, Corroded Coffin will tour again, but I swear to you, we'll never play or release Hey Steve again. And I'll release a statement, or go on camera, or something, and address this. I can't make it right, but I can make a change starting now, to do better and be better," Eddie says this while gripping his thermos to death.

"I believe you, and I forgive you."

Eddie nods grimly, then looks from Steve to the cabin, and back to Steve. "Do you think Robin will ever forgive me?"

"I don't know. You hurt her pretty badly, too. We were all best friends in school and when we broke up, you cut off Robin, too. And then, when she started to gain her own fame- I think when she first moved to LA, she thought you'd try to reach out. But you never did."

A silence falls over them, and Steve refuses to break it. He's done enough talking. They drink their coffees 'til they're empty before Eddie speaks.

"Where does this leave us?"

Steve thinks about it before answering. "You were my best friend before you were my boyfriend. You'd been in my life longer than you've been out of it. We don't have to be anything. We can have our closure and go our separate ways, if you'd prefer. But, I think I'd like another chance at being your friend."

"I can do friend," Eddie says slowly, like he's picking his words carefully. "I can. But, full transparency, I think I still love you."

It hurts to hear, after all the pain and the time, and it's a bittersweet kind of hurt. "I'll always love you, Eds. I meant it, you know, every word of the song. But I don't know if we can, or should, try again. We were so good until we weren't."

Tears spring from Eddie's eyes when Steve says he loves him, and they don't stop falling even as he's nodding along with everything Steve says. "No, I know. I know. I just, I needed you to know. Friend is, it's so fucking great. More than I ever expected, and certainly more than I dared hope."

"Come on. Let's go inside where it's warm and chat with Dustin and Robin like civilized people. I need a break from the heavy talk."

"Yeah. Me too. Thank you, Steve. For the chance."

Steve shrugs and shoots him a crooked grin. "Yeah, well, ruin this a second time and Robin will rip you to shreds on live TV, probably."

There's more to talk about. More hurts to heal and things to discuss, Steve knows. And maybe after all the talking, they'll learn they've changed too much to even be friends. But that'll be okay, because if that's how it goes, it'll be because they talked it out instead of screaming at each other in a living room.

If they've changed too much, this time, it'll end gently.

It doesn't stop Steve from letting a little bit of hope in. That this won't end, that they can find a way to be in each other's lives again.

As friends, or more.

[olasketches]

so because we have only three chapters left, I’ve decided that I’m going to wait for the official release instead of going through the leaks as I’ve been doing for… almost the past 2 years. I don’t want the leaks and the fandom discourse to ruin my last experience with jjk as a still ongoing manga… plus I thought it would be more fun and enjoyable this way... more special ig (I’m being so sappy ik) wish me luck guys!!

[krizs-main]

big fan of the tumblr sexyman descendants thing but mostly because of spamton jr and the potential dadton

spamton jr design was made by @sporesgalaxy