#it would be such a good reference for art...

[musouie]

art by ohto.begone ノ divider by @/adornedwithlight

⟢ précis: vi seeks your comfort after reuniting with powder ꒱ inspired by s1 ep6

⟢ contents: hurt/comfort, angst, gn!reader, references to s1 ep 3 + e6, wc: 0.9k

Vi comes to you early in the morning. She slinks in with the rising sun, tiptoeing across your floors, narrowly missing the floorboards that often creak with an ease that can only be learned — and then, she sits. 

Quietly, on the edge of your bed, stifling her pained groans from throbbing wounds through clenched teeth and blueblack lips — taking the brunt of it as she’s always done…alone. She tries to fight it — the intrusion, the remembrance — but she’s never been good at forgetting, at smothering all the misshapen fragments of her memories until they were soot in her skull —

(Fire, heady and ashen on her tongue; the explosion, the beast Vander had become — and then all that came after. The poison of her words, the gravel of her voice, the tremble of Powder’s bottom lip as she harshly gripped her jaw)

— they haunted, they haunted, they haunted.

Her own lip begins to tremble, and quickly, she begins to undo her bandages, minding the shallow dip of your mattress as she shifts to a better position. (Perhaps the pain would distract her, one sting to outdo another of a different kind?) She unwinds it once, twice — and immediately her nose scrunches at the foul odour it emits: of blood and grime and sweat and —

“Vi?”

Her head snaps up; you’re staring at her blearily — vision blurry and cottoned around the edges as you fight your heavy eyelids. You blink twice and she nods, slowly turning her muscled back to you as you pull yourself into a seated position, legs still tucked beneath your blanket. “What are you doing here?” Her shoulders tense; you try again. “...When did you get in?”

“Not too long ago,” she mutters, gathering the last of her bandage in her scraped palm. “Snuck in through the window.”

You rub at your eyes. “You know I hate when you do that. There’s a key beneath the welcome-mat, you can just come through the front like normal.” 

She says nothing to that, but her shoulders do that curl, the one that tells you she’s annoyed, that another wall has been drawn up before you. You think it’s because you used the word ‘normal’ – your error. I’m far from normal, she’d whisper on starless nights, the things that happen to me don’t happen to normal people. 

She’d groan when you’d whisper back, And what is it that happens to you?

(What followed was predictable — routine. The crow’s feet by her eyes eased, and her lips hardened into a line — one that you knew not to cross, not to touch…not to kiss in lieu of all the ‘I’m sorry’’s and ‘Please forgive me’’s that neither of you would appreciate the outcome of.)

So you wait for her shoulders to straighten themselves, for the sun to peek through your window, one shy ray behind the other — and for the breath she’d been holding to release itself in one large huff.

“I–” she turns, and it’s then you glimpse the extent of her state, of her lips — indigo and swollen; berries crushed beneath a careless fist, one bruise atop another that has yet to heal. “Can I just lay beside you?”

“Your lips—”

“—They’ll heal.”

“But—”

“I said they’ll heal,” she bites.

And there it is again — the wall.

The wall.

(How many times had you tried to climb over it, to scale the bricks and mortar and find a way inside? How many times had you slipped and fallen, the jagged edges of its foundation cutting deep into the skin of your palms, your knees, the soles of your feet?

How many times had you bled, and bled, and bled, and bled, and asked no more questions?)

“Alright,” you murmur , lifting your blanket to invite her in.

(It was a small mercy, you supposed. To have a part of her, even if it was just a fraction, a piece, a fragment.

To have her close, and not so far away.) “Come.”

And so, she does. Wincing, groaning, hissing — she does.

You hold your arms out and she falls into them, her face burrowing into the crook of your neck. Her fingers, her nails, her hands — they grip the fabric of your shirt, bunching the cloth and pulling it tight.

(If you were to look down, you would see her knuckles, white, and the veins of her wrist, pronounced and raised — and, most of all, the tremor, the shake, the quiver, the shiver, the tremble of her entire being.

A leaf, battered and broken, blown and thrown by the wind.

A bird, with its wings torn and clipped, left to bleed and rot in the dirt.)

“I-I saw her.”

The admission is uttered so weakly, muffled by the fabric of your shirt, that you nearly miss it.

Your chest rises. “Who?”

“Powder. I–” Your shirt is drawn tighter. “It was so foggy… I-I didn’t even recognise her at first.”

“Vi…”

“I should’ve. I should’ve known. I should’ve seen her, I should’ve stayed with her, I should’ve—”

“Vi.”

“I should’ve—”

“Violet.” 

Her body shudders, her shoulders quake. “S-She was just a child.”

You pull her closer, until the two of you are flush and her body heat seeps through her clothes and your thin sleepwear, to your flesh. You cradle her, and carefully, you run your fingers through the jagged, pink strands of her hair — as though she’d skitter off at any moment.

“As were you.”

She doesn’t respond.

So you cradle her, until her breaths are yours and hers.

Until the blood on her lips are yours and hers.

Until her heartbeats are yours and hers.

Until her scars are yours and hers.

(And yours, hers.)

masterlist <3

[exhausted-archivist]

So I’m not going to touch on any of the opinion part of this, I just wanted to provide the context of this spread because there are conclusions being reached from it being out of context.

The thing about the Veilguard artbook is that it is separated into three parts. The three main “eras” so to speak, of its decade long development.

- Part 1: Inquisition era during and post

This is stuff they concepted out while Inquisition was in production and shortly after

- Part 2: Joplin

This is the very early iteration where the sequel got the code name, and before it was halted for the team to shift their attention to Andromeda.

- Part 3: The Veilguard

This covers development time period when the code name for the game was switched to Morrison. This covers both the live-service version and the pivot to single player.

This spread in particular is concept art in the Joplin section, under the subsection titled Early NPCs. Meaning that not all concepts in this section, more specifically this spread, were meant to be companions. This section and spread covers named npcs, companions, and exploration of factions.

Imshael as far as I can tell from the concept art commentary was not supposed to be a companion. Calpurnia yes, Imshael no. Especially when you consider that you can kill him in dai, and they never have a quantum character of that caliber return as a companion (if they died in slides during the dao/awakening era those aren’t hard canon. That’s a whole other can of worms). Meanwhile, Calpurnia is more ambiguous in whether she lives.

In terms of how separated datv is from previous material, it really isn’t that different. There are less cameos (which personally I appreciate) but it is overall on par with da games. Especially default world states.

That said, for context, da games that we have concept work for always heavily reference previous installments and additional media. But it always gets parsed down as they calculate how many players are likely going to know that reference. We saw it particularly with Cole’s storyline in dai if you want a good example of how previous material reference gets whittled down. Or how they cut the Architect from dai because it had been 5 years, and they didn’t think enough people would know him.

Anyways, that’s the context of this stuff.

Someone on reddit posted a pic of the concept art characters from the DATV artbook and I'm just...so tired and disappointed.

We could have had Calpernia as a companion, not even mentioning Imshael.

This clearly shows that they initially - in whatever iteration of the game it is - cared about incorporating aspects of previous games. Imagine having Calpernia, Harding, and Imshael as companions and not having them comment/acknowledge the events of Inquisition! Imagine Calpernia talking and giving insight into Corypheous or Samson, or arguing with Harding in banter! Imagine Imshael talking about Michel deChevin or complaining that the Inquisitor stabbed them! Not to mention the other concept art that had Dorian and Isabela interacting - try making anything like that happen without acknowledging DA2 or DAI!

Can you imagine having all these characters in the game, then having the nerve to drop 'the south of Thedas is blighted and destroyed now lol' in a letter? No!

We live in the worst timeline with DATV - a game that utterly watered down, sanitized, and obliterated everything that came before it. A game that removed all mystery and intrigue, condensing it to "solas and the ancient elves did it lol' - telling us with no gravitas, bluntly stating it with the subtly and care of a fucking dragon in a tea shop. A game that, with no shame, went scorched earth with Ferelden, Kirkwall, and Orlais with the sole intent of clearing the board so that they can cultivate some new IP with the existing Dragon Age name.

What a fucking waste.

[e-adlirez]

You are expendable. You are not expected to return.

Hoping Tumblr compression doesn’t bite me in the ass

I know I’m very late for Halloween but shshshshshhhhhh

It’s Halloween in Mouseford, and well… let’s just say a hyperfixation was the cause of this group theme.

Cosplay breakdowns and BTS below ^^

Heehee

[emmanuellececchi]

Defending the castle like a man...

I've just read this article : Defending the castle like a man: on belligerent medieval ladies.

One of my friend is practicing HEMA (historical european martial art) as well as forging. We speak often about it and I have many question, mostly because of my main character in my medieval romance. As in forging, strength is not all in fighting. Know how to do it and practicing is first and foremost (she is smaller and thinner than me. she can wield swords that I cannot lift).

She reads lots of things about medieval warfare and we have discussion about it, and more recently because of my main character in my medieval romance. She had send me this article. And while reading it, I thought about some of my mutuals and the quite recent discussion about Eowyn and Théoden. So this is for you : @torchwood-99 , @from-the-coffee-shop-in-edoras , @konartiste. @errruvande I thought about you as there is a good reference about Alfred's daughter.

Reading this, I thought about Théoden. Rohan seems to have a certain history of female fighters. Shieldmaiden is not a name coming out of nowhere. So... what led Rohan to, seemingly, forget about this role? When did it happen?

In this article, there are a lot of example of women who did fight in war and defend their territory. It seems there are more and more proof of that. Even more, it seems women were actually expected to know at least how to defend their castle and lands. "Do as their husband do". So they had to know how to fight or at least strategies and siege... And some knew how to use bows, crossbows and even swords. Still, they had been, most of the time, erased or played down.

It is not said if this erasing was all along or more recent, as it is noted that those women of war were common up until the 14th centuries. In any case, they existed, but in later ages, it was inconvenient for men to have their female kin show "men's virtue".

Did something equivalent happened in Rohan? Why would something like this would happen? I would be the first to say "Oh it's all Saruman/Grima's fault". But no. Theoden do not think of sending Eowyn to war. He does not even have the reflex to think about her as a leader for his people. if it had been Grima and/or Saruman, he would have think about it.

Could it be his gondorian upbringing? After all he grew up in Gondor, had a gondorian mother? Thengel did not seem to held his countries culture in high regard. So, could it be this? Or even before that?

In my glèomenn fanfic, Tirwald said it was legends and old story. Could it be even older? Something more recent, linked to another culture?

So... What do you think?

[liskantope]

I'm going to get myself an onslaught of pushback that I in no way have time to deal with this week for making the points I'm about to make, but here goes. (I also may learn some new information from some of you, which would be good.)

Argumate's point, as a conditional statement, is 100% correct. I would also say the various Republican proposals of the past three years are, in my opinion, varying levels of reprehensible and idiotic in how poorly they're defined/enforceable. But, unless there are specific ideas on the table that for some reason I haven't heard of despite being on Tumblr and progressive social media bubbles all this time, the implication that Republicans are attacking the right to present as one pleases and choose one's name, even the right of adults to choose to medically transition, is suspect. And distorting that side's political behavior seems counterproductive.

Everything, first of all, seems to revolve around "protecting" the children rather than restricting the rights of adults.

There's clearly been a push to ban drag shows -- that is, a certain kind of performance art based around people cross-dressing (often in a sexualized way) in places where children could be exposed to it: schools, it seems sometimes public areas as well. This seems to have arisen in direct response to a quite novel trend of schools going out of their ways to show children this art when schools re-opened after COVID, not as a direct backtracking of civil rights that they were okay with ten years ago (even if in effect it is a sort of walking back of rights). For the record, I think banning drag shows in public sucks, and if I had my own kid, I would want them to be exposed to a "drag queen story hour" or two in school. But what has been happening there is a far cry from disallowing people from going about their own business cross-dressing or otherwise presenting as a given gender.

Where changing names is concerned, I can only imagine posts above this are alluding to Ted Cruz's proposal to make it impossible to fire someone for deadnaming or using a pronoun different from the referent's biological sex. (The naming thing would depend on the person's legal name; of course if they transitioned and changed their name legally -- which I realize may present its own slowness and difficulties -- there would presumably be no problem.) This seems like one of the weirder, harder-to-enforce hypothetical laws (how would one even prove that someone's pronoun doesn't correspond to their genitalia??), but it's one of those People Resent Being Forced To Utter Things They Feel Are Lies issues in the form of protecting someone from being fired for not making those utterances. I don't support it and hope it never becomes law, but characterizing it as "losing one's right to choose one's name" seems disingenuous.

Banning transition surgery and other medicine is clearly a huge thing right now but completely restricted to minors -- I think the closest I've heard to proposals for banning it for adults is (1) stretching the concept of "minor" here to age 25 due to questionable "mature brain" ideas, and (2) some bill in Missouri requiring six months of therapy before getting the go-ahead for medical treatment. It seems not unreasonable to imagine that if Republicans manage to get enough bans through for minors (by far the lower-hanging fruit, by far more popular among Americans) and are feeling sufficiently confident while running rampant, some will try to ban stuff for adults too, and there's the whole issue of which forms of gender medicine get provided by insurance and so on. I totally get a trans adult not being willing to live in a red state. At present the issue seems to be for minors, though, and again, while a rollback (one that was already happening in most of Europe I believe), it's mainly in response to something -- namely, an abrupt spike by more than an order of magnitude in minors seeking gender medicine.

I don't call for moderate stances on these issues but for some care and moderation on how we characterize them, especially at a moment when trans people are upending their lives to flee the country. I don't see how we're going to get out of this culture war mess with trans issues without engaging with what each side is actually doing (obviously I've believed the same about every type of current issue but this one has gotten especially out of control).

The state of gay rights in the early aughts was not good; criminal penalties for homosexuality were rarely enforced but were on the books in many places, there was no right to marriage, and the morality of homosexuality was hotly contested in public. Big culture war issue. In that environment, where substantive protections were lacking, Democrats could be tepid on gay rights without actively giving anything up—if, like Obama in 2008, you didn’t support gay marriage, you could still be seen (correctly) as advocating for an overall better situation for gay people, or at least one that was no worse, in contrast to your right wing opponents.

Trans rights are not in the same position. Before the big trans rights backlash started, access to gender affirming care was pretty widespread, was everywhere legal, and was a matter for private concern only. Trans people could play in school sports subject to whatever their league’s rules were, and the idea of trying to make it illegal to cross dress in public was absurd. The conservative position since has become one of an explicit rollback of rights: revoke access to gender affirming care, create new criminal sanctions to punish trans people, make it illegal for them to participate in school sports, etc.

In that environment, tacking to the right on trans issues means deciding which elements of trans rights you are willing to concede to this project of actually rolling back trans rights. The only thing comparable from the gay rights fight is maybe state constitutional amendments to ban gay marriage, or DOMA—all of which were, IIRC, passed despite gay marriage not being legal in affected jurisdictions. Their enactment, while deplorable, had no material negative affect; gay people already couldn’t get married.

And that this project of rolling back trans rights is not a particular fetish of the religious right is more worrying. Plenty of liberals and liberal institutions are pretty transphobic. Britain has been working to export its flavor of (Moderate, Sensible, Secular) transphobia to other countries in Europe and the Anglosphere. Transphobes winning these fights isn’t a status quo situation—it’s a sharp increase in repression of trans people.

In light of that, I regard calls to “moderate” on trans issues with at best scorn. I think the party of civil rights condoning the rollback of citizens’ civil rights is really bad for its brand, won’t win it more votes, and may sufficiently alienate members of the base—who are invested in the party specifically because of its historic support for civil rights—that they simply don’t bother to show up in elections.

[junktastic]

Hi everynyan,

Some of you will remember that I was taking names/addresses to send out free stickers in September. I am almost done sending them out now, so here's a quick update on that.

The Good!

I like this a lot! It's fun to do. For reference, I'm printing, laminating, and cutting these myself at home, so I'm learning a lot about my machine. I like being in charge of the quality control, I like doing the logistic work. Idk. It's fulfilling to me.

It's also really delightful to see names on the list who I've known of for a long time. Old and new faces, people all over the world, I love seeing people adopt a catgirl. :3 And for free! I'm by no means making a lot, but being able to provide something fun and physical to the people who enjoy my art for free is just! Wow!

The Bad!

Everything that could have gone wrong during this process did, which is why they're going out so late. The at-home manufacturing process was relatively simple but the materials kept being funky, or I'd do something wrong, so I'd have to toss something that I'd completely fucked up, OR I'd just miscount how much stuff material I had left. It's been a pain in the butt, so I'm glad it's done and that I've learned so much from it. I ALMOST FORGOT, I DESTROYED ONE CUTTING MAT MAKING THAT ROGER STANDEE FOR MY WEDDING LOL SO I HAD TO SPEND TIME CONDITIONING THE NEW CUTTING MAT! UGH!

There's also: the money. I know it's gauche to talk about it, but doing this was pretty expensive. I live in Canada now, and most of the letters were going out of Canada, so that postage added up. Materials cost, time, it's a pretty good chunk of change, but I didn't go broke so I want to do it again.

The Other?

I definitely want (and plan) to do this again very soon. I'm talking within this month. I'm making Christmas cards! I've already set money aside for this so it's all good, and it involves less at-home manufacturing since I can just reach out to a local print shop.

I know some people were wary of the google form, but I can't really find a better alternative at this time. MailChimp has had at least one major information leak in 2024 alone, so I am not sure where else to turn for collecting addresses at this time. I had a few people who did not give me towns/zip codes, and the street address would have three or four towns in that state alone with that address. Since I didn't collect e-mail addresses, I didn't have any way to reach out to entrants about this. If you don't see your sticker in the next few weeks, this might be why! I also plan on adding a checkbox just to confirm that the person requesting the sticker is over 18, NOT because I plan on sending anything saucy, but I know what it's like to be a teen with parents who open you mail, an I don't want to cause problems for anyone because Mom and Dad think fairies are satanic or something.

Most people I've talked to about all of this have really emphasized that I need to reopen my Patreon. I'm not saying anybody is wrong on this, but it just makes me feel so uncomfortable. I think anyone who's followed me for a while has seen me try and fail to do art full time or, hell, even have a schedule for something, and I've failed every time. I'm so scared of failing people again. How can I ensure that I'm producing things on time, to a standard I am happy with, that anyone willing to support me (in this economy?) would also be happy with? It will probably happen, but I'm just so... Plus, with all honesty, I have a commission backlog that I need to finish first! I'm bad at the business part of this whole thing, I think. I'm a blue-collar labourer in my heart.

That's my update! I wish you all well, please stay safe and take care of yourself and those around you. I'll post again when I'm collecting addresses for the Christmas cards.

[ask-lps-staff-au]

Russell: To deepen the bond we have with our customers *cough cough* and to get our sales up *cough cough* we created this blog for you all to get in touch with us. Today, I’m going to introduce the rest of the staff here so you know who to address your questions to. Starting with-

Vinnie: ME ME ME!!!!

Russell: Yes, Vinnie, You.

Russell: What you do.

Vinnie: Ohhh! I like to dance :) 

Russell: No, what is your job?

Vinnie: Man, you should’ve just said that! My job is… well I lift heavy things sometimes? Like dog food and kitty litter. That kinda thing. Mostly just chill, though. That good?

Russell: You know what? Yes. That’s perfect, Vinnie

Vinnie: Sweet.

Russell: Minka, sorry to cut you short but can we have your name and job please?

Minka: I was just getting to that part! Anyways, my name’s Minka Mark, and I’m the cashier here, you hear?

Russell: Loud and clear, Minka.

Russell: They aren’t lines, just say it how you normally would!

Vinnie: Yeah, you just gotta say it Zoe-ey!

Zoe: Zoe-ey? Oh, that’s it!

Zoe: *singing* Yeahh Yeaaahhh~ The name’s Zoe~ And now you know-y~

Zoe: *back to talking* Oh, yeah. I’m in charge of grooming the pets.

Russell: Ohhh-kay. Let’s move on.

Pepper: Serious as I can be. Number 1: what has four legs in the morning, two legs in the afternoon, and three legs at night?

Russell: A man.

Pepper: Correctomundo, but are you ready for riddle number 2? What gets wetter the more it dries?

Russell: A towel. Are you just reading off a list of the top ten most basic riddles or what?

Pepper: I’ll answer that but you’ll have to answer three more riddles. Last one: the man who invented it doe-

Minka: HER NAME IS PEPPER CLARK AND SHE TAKES CARE OF THE DAYCARE PETS!!!

Pepper: Dangit.

Russell: Thank you, Minka.

Russell: Probably like 10 people at most.

Vinnie: But, hey! You never know if the algorithm could pick it up! You could be talking to millions of people right now!

Sunil: Millions?! Eek!

Russell: *sigh* That’s Sunil. Talk to him if you ever need help finding anything. I promise he’s more helpful than he looks right now.

Russell: … that’s it?

Penny: Was there supposed to be more?

Russell: No, this is just the smoothest interview I’ve had all day. I’m kinda shocked.

Penny: Well, I’m glad I did good.

Russell: Yep.

Both: …

Blythe: Ruff ruff!

Russell: Oh, yeah, that’s right! Don’t forget to check out Blythe-Style pet clothes which you can find on the racks in the front of the store (which are made by a different Blythe and not this Blythe. A human Blythe. Obviously because why would a dog make clothes!! That’s absurd!!! Almost as crazy as a group of people who can understand ANIMALS hahahaha!!!)

Russell: Those questions aren’t- Whatever. Ask us anything, I guess.

---

Hello, and welcome to the ((very much unofficial))* Littlest Pet Shop page! Please drop any questions you have for us in our inbox - Best, R. Ferguson

*((this is in no way related to or authorized by hasbro or the Littlest Pet Shop brand. This is a fan project fully made for entertainment purposes. I make no profit from this.))

((Hello!!!! Double parentheses mean that I, the person who runs this blog aka @octodrawn, am speaking. I wanted to give you a couple guidelines before you submit anything. If you’re interested, please click read more!

I want to start this off by saying I am a human person with responsibilities, boundaries and a lack of free time so it may take a while to answer your ask. I also have the right to not answer every ask I receive.

We are keeping things generally PG/PG-13 here, so that means Minimal swearing, no violence, Minimal references to drug use, nothing sexual except for maybe the occasional ‘I did your mom last night’ type jokes because they are funny to me.

This is primarily an art ask blog, but I will only use text for posts on occasion.

I’m not gonna put a cap on ‘what do you think of __ x __’ questions for now, but if they become a majority of questions asked, then I will. Currently, no ships are canon in this AU, so don’t expect any answers to say anything differently.

Don’t take the setup of this blog being diegetic too seriously. If you want to send something that’s like *gives them all cookies* or *transforms them into turtles* I won’t stop you.

Have fun and be yourself :-)

Please keep this in mind before asking anything. This is all for fun, so please don’t take this too seriously.

I’ll be making a tag list soon but feel free to send asks now :3))

[artlasjc]

I UNDERSTOOD THE REFERENCE!!

I know it hasn't been an easy month so far for most of the fandom, so I'm going to say a little fun reference that I caught in the last episode that aired this Thursday. Kent Puckler from Dr. Drazel's troupe in episode 113 said a line that when I heard it I thought there was something more to it.

At minute 30:00 of the last Live while Scanlan says goodbye to "The boys" and Grog says "Watch out for Bears" Kent Puckler says: "I, I have a Thing with Bears"

Of course, it was a loose sentence in the middle of a special episode with the cast playing with Vox Machina again, but I (as I do with a lot of things in this fandom) thought deeper about it and remembered a fact that I almost missed if I hadn't been glancing at Taliesin at that moment, just glancing at it.

Because when I looked at Taliesin and at the same time Sam by his side, I remembered the One Shot Choose Their Adventure...Again! From Red Nose Day, where after Liam couldn't appear as Bard for this one-shot (He escaped again!!) Sam had to replace him at the last minute and since Sam didn't have another character he instead played a younger and I would say "innocent" version of Scanlan Shorthald before Vox Machina was even formed and still lvl 5.

Oficial ART from Annalise Jensen here is on Tumblr too from @may12324 amazing ART

I lost focus a little, sorry, ADHD,

Returning to the Subject in this One-shot we are introduced to another character who interacts with both Scanlan and Kent, the character of Taliesin Bobby Socks the SON of Kent Puckler

Again same artist Annalise Jensen

Well, if you've read this far, you must be wondering what Bobby has to do with Kent Puckler's phrase. Well, it's simple because Bobby Socks is a DRUID class, a Shepherd subclass.

With a BEAR TOTEM Call Bauble.

So since this came to my mind I've been wondering if this means that Kent Puckler has a bear problem because he has a son who is a Druid and is a good child that when Bobby talks about his father the Bears bother him, or because Bobby's own Bear Totem OR even Bobby himself turns into bears to scare his father thinking it's a joke???

We'll never know because I'm probably overthinking a joke I made at the moment about bears being scary to a troupe of musicians being Centaurs on a Road Trip.

Anyway, I just wanted to bring a smile to the face of the person reading this and take away some of their worries about the world. <3 <3

So if you can go watch 2023 Red Nose Day One Shot and have a laugh about Bobby Socks and a young Scanlan Shorthald.

thanks for reading this far

Good morning, good afternoon or good evening to you reading and it's Thursday yet?

[nameismizuki]

Hi...

So i just saw your art and kind of fell in love with it on the spot. Its got me really inspired, to the point that i've actually decided to start trying to draw myself, making this blog for it and everything. A cursory look at some resources suggests studying different artists at some point might be good. You're definitely on that list for me, but if you have any other artists to recommend for this that would be nice...

I also just saw your day 19 reward drawing and it gave me an idea if you're still doing drawings for some peoples asks and taking suggestions. Could you draw Sky getting a Rupoor (the -10 rupee)? This was very long sorry.

hiii! thank you so much 🙏❤️ and omg that's great that you're starting on drawing! i'm proud and i give you my support 🥹

i would definitely recommend you to check out balo-badartist(if you haven't yet), the details in their art and how they color are just top tier! and i'm sure there will be more awesome artists you will encounter to help you on your art journey! you should also check out different references for poses/anatomy, cuz that's what i do a lot of times hehe

and of course! here's sky getting a rupoor 😆

and please don't apologize for the long message, i really love reading them! have a great day/night!! hugss 🫂

[pocketsizedquasar-3]

technically posted this to the comic site last week but oops! executive dysfunction

reminder that i am raising money for @fahedshehab-new’s family! i am selling Moby Dick prints and old copies of my queer post apocalyptic comic to raise money for him and his family in Ghazzah. please consider buying some art or donating to them directly!

anyway. chapter 3 of Moby Dick: or, the Webcomic coming soon (within this month). I actually have 5 pages Complete presently, and another 7 in progress. I am holding myself to this. I am sorry for the long wait. thank you for being patient with me.

also, for who have been keeping up with some of my goings on may already know I have been long working on a fic I’ve lovingly and uncreatively referred to as “Good AU,” a Starbuck/Ahab centric fic exploring the possibility of Starbuck successfully convincing Ahab to abandon the chase, and thus saving the ship. I just last week!!!!!! posted the final chapter. You can read the whole thing on ao3, called “The Chase, Unraveled.” Obviously, it does include spoilers for the true/canon ending events of this book, so if that’s somehow something you’ve managed to avoid, since it is a 170 year old book, and would like to continue avoiding, maybe skip it for now.

anyway. thanks for reading. we will return shortly.

[explodingchantry]

A review of Veilguard from a long time, die hard fan of Dragon Age

When the review embargo on Veilgurd was lifted, I found it hard to take any review at face value. Dragon Age is unfortunately the one series I am very pretentious about, and I can’t trust reviews from people who aren’t huge Dragon Age fans like I am and who don’t hold the same views as me -- those views being, to keep it short, that Anders was right and justified, that he is one of the most tragic characters in the entire series, that he is a hero, that Bioware’s writing can be shockingly biased at times in the wrong ways, and that Inquisition is really not that good at all. These opinions have a lot of weight in whether I will listen to someone about Dragon Age matters. And I haven’t see a proper review from someone like this -- though granted as soon as the game came out I locked down and refused to look at anything in fear of spoilers lol. 

This review will be spoilers free, and there will be an addition at some point with all the spoilers and what I think about specific story details, because I have so much to say. 

The TL;DR? It’s a good game. If you like Dragon Age like I do, you’ll like it. If you open your heart to it, you’ll love it. It was made with love. 

This will be divided in section based on people’s biggest worries about the game and how much I have to say about each of them.

The art direction

Honestly I was a defender of the art style as soon as the trailers started coming out and my opinion has not changed lol. Dragon Age was never exactly known for its graphics - Origins and DA2 look… okay. And Inquisition was fine for its time but has aged like the most rotten milk you could find. Its environments are still pretty, but its characters, man… I’m sorry, it just hasn’t aged well. Frostbite engine did not help Bioware in this case. They’ve spoken about how it was a new engine for them and how they struggled with it and it shows. 

This game? Oh boy, yeah, no, I can believe they got a handle of Frostbite now. It is breathtaking. The environments are crafted so meticulously and with so much love, the lighting is beautiful and that’s even without RTX (because I’m in the AMD gang and can’t splurge on Nvidia lol). Many many times I would stop and go into photo mode either to take screenshots or to just admire the world around me. I’d spam screenshot in cutscenes, too. The character animations are good, especially the facial expressions -- though the body animations remain a tad stiff, like everyone’s got a broom up their ass and forgot their spine can bend and move. It’s not that big of a deal, but I did notice it a couple times. 

You can tell Bioware had fun both with character design and with the environments, now that they’re free of Ferelden’s basic medieval england looking ass. You grow attached to the beautiful and lively environments. Treviso has got to be my favorite, but there’s a lot for everyone in there. 

And no, the smoother art style does not make the game less dark. If anything, some of the enemy redesigns really help make the game scarier. The first time I was faced with the blight in game, even though I’d seen it in all of the promotional screenshots and trailers -- I was horrified and sickened by just how gross they made it look (and sound.). I promise you, you shouldn’t be scared of that. 

The emotional moments sold well even “in spite of” the art style. I don’t know, it’s hard for me to even understand people’s worries about that. Not everything’s got to be hyper-realistic, ya’ll. 

The combat system

That IS one thing I was a tad worried about, when we first saw it. It looked good, but it was definitely a departure from what we were used to. 

Honestly, to sell my point, we have to look at the previous games’ combat system. I don’t actually know if there’s a specific name for this style aside from, idk, “CRPG combat” lol. I like to refer to it as MMORPG combat because you mostly see it in MMOs now, I feel. Your character cycles through a bunch of basic combat animations for basic attacks, and has a lot of abilities to throw in combat which can synergise which each other. DAO had the best system, but DA2 felt best to play due to the updated and dynamic animations and faster paced combat. DAI had the weakest both due to the way they overhauled the classes (especially mages) and made us lose fan-favorite specialisations (spirit healer and blood mage) with not much in exchange. It was simplified and a bit sluggish, in my opinion. It missed the strategy imposed by DAO as well as the punch from DA2. 

And of course, there’s the battle tactics. You get to basically program companion AIs and can chain some really, really good combos with them. It’s really fun once you get the hang of it, but let’s be real: very few people did. Very few people actually used them, as good of a system as it was. 

This combat system… has aged a tad, unfortunately. It doesn’t fit today’s gaming landscape, but even if it did… It would need more to land, I think, if they kept it as it was. Something to make it feel less sluggish, more intense, more involved. Make the attacks FEEL like they land and hit and hurt the enemy. Because the harsh truth is, although DAO has the most in depth combat system of all of the games -- it also has numerous popular mods to skip combat entirely. 

Combat in Veilguard feels really, really good. When I first started I often found myself grinning, going “oh HELL yeah” at the screen, because it felt so good. I almost raised the difficulty a few times because I wanted combat to last longer because it just felt so damn good. I do wish it was a bit deeper, especially in the case of combos, but it remained nonetheless fun to cycle through abilities and companions depending on the area and type of enemies I was fighting. It feels more action-y, but it isn’t a damn hack n slash like I’ve seen people say lol. Have none of these people ever heard of the term action RPG or what. Because that’s what Veilguard is. It’s an action RPG and there’s nothing wrong with that. 

I think Bioware always kind of wanted to move towards this, as well. Since DAO, Dragon Age felt like it kept its combat system not because it was the most fitting for the games Bioware wanted to make, but because they “had to”. Because it was right for the genre. Because it’s what players expect. Because they’d get backlash if they didn’t. But they finally decided to change it, and I think it’s right, for Veilguard. I think Bioware had fun making this system, and it is very much extremely fun to play. 

My only wish is for spirit healer and blood mage specialisation to come back, and for companion leveling up to have been deeper and more varied. They basically have set abilities that you level up and though you can change some aspects of them, that’s it. But it remains a good system. I liked it. I genuinely have really enjoyed fighting in this game and will be exploring all classes and specialisations thoroughly in my next replays, as well as exploring every difficulty. 

The writing

It’s fine. It’s brilliant, at times. Cringy, at others. And you want to know a secret?

You could say that about every god damn Dragon Age game, lol.

I’ve recently -- as in, very recently -- replayed the whole series in preparations for Veilguard. Not only did it have cringe-worthy moments in all games, but some even made me grimaces. DAO is staggeringly misogynistic both for its time and for its setting: You are told in the character creator that men and women are equal in Thedas only to constantly face outward sexism at every turn. It’s shocking. As for DA2, it’s weirdly mean spirited. It calls a lot of its characters crazy and makes fun of them for the meanest fucking reasons. It has a character who fights for his people’s freedom approve of you when you give another character over to a slaver, for fuck’s sake lol. It is very mean. This one is the most “product of its time” of all three, because DAO was misogynistic even for its time lol. And DAI… well, DAI is bland and lacks depth and feeling ina almost everything lmfao. 

Veilguard holds your hand a lot, especially in the beginning, and kind of babies you at times. It also suffers from painful expository moments. Thing is, I feel for Bioware: They have three games and dozens of side media’s worth of lore to explain to you, and have to keep in mind not only that some players will have never heard of Dragon Age, or that some have only played the games and never touched the side media, or that they played the games a whole DECADE ago and can’t remember shit. It’s hard. I would’ve done better lol but it IS difficult. I feel for them. 

Some things are a little less excusable, like the game REALLY holding your hand through a couple puzzles and through the fact that you need to focus on companions and do their quests etc. A part of me wonders if it came out of playtesting, or something. It definitely took me out of it a little bit, not gonna lie. It felt quite jarring. 

There’s a couple other things, like having far too much telling in places. I’d also have liked to do some of the cool stuff my Rook does in cutscenes within actual gameplay, lol. And there were beats where I was left thinking “... that’s it?”, which is never good. 

The codex entries are great and interesting though. Only game in the franchise where I read every single codex entries I found (AND I FOUND ALMOST ALL OF THEM!!!!). A lot of them are fascinating, but more are just very sweet or funny, and they help build the characters and the world. 

And my god, those characters are ALIVE. I truly understand when Bioware said they really put emphasis on the companions. There are so many cute banters, a lot of which you can catch in the lighthouse, as well as little scenes that mostly serve to humanise the companions and make them feel alive. Not only that, but you also get attached to a lot of NPCs -- and I do mean a lot. Each faction has NPCs I cared for deeply, and you always just get to visit them and talk to them, even if it’s just them saying a line or two of dialogue at you. It still helps to build a relationship with them, and care for them. And your companions interact with them sometimes, too! And they have history! It makes the world genuinely feel so much more alive and makes you feel so much more involved than you were in DAI! They manage to transform from pixels on a screen there to give you quests to actual characters with rich lives and feelings that you want to see succeed.

I romanced Lucanis and he is by far my favorite of the companions, but I love all of them. This means it’s the first game in the series where I genuinely really love all the companions. There was always one, maybe two, in each game whom I didn’t care much about or which pissed me off -- but they’re all immensely likeable here, and I care so much about not only my Rook’s relationship to them, but their relationships to each other. And there’s so many little banters, notes, and codex entries which helps further their bond and makes them feel like roommates. It’s very sweet and enjoyable.

I also love my Rook a lot. I played mostly as a sarcastic Rook who was very impulsive and wasn’t afraid to speak their feelings out. There are times you can express genuine fear, hurt, or anger at certain NPCs or situations, and the line delivery really carries it. They felt alive and involved, so much more than the Inquisitor ever did. My Rook has a personality, and not only that, but the way the factions were integrated was really nice. I played as an elven mage grey warden, and each of those bits came up a lot. I’m a bit miffed that you don’t get to choose whether you were dalish or city elf, and more miffed that the game/npcs try to explain dalish lore at you even when you put a wholeass vallaslin on your character, but aside from that I’m rather pleased with the integration of the faction. I imagine some factions (lords of fortune) got the shorter end of the stick - but playing as a grey warden was deeply rewarding in this game. Rook can make comment about it in dialogue, in banter, and other characters mention it too. I got to discuss the joining with another warden, and my Rook commented a few things about their time in the order. And it made my friendship with Davrin mean so much more, too. It also made every plot point involving the wardens hit like a TRUCK. 

And my god, do some of the missions in this game hit like a truck. The villains are believably terrifying. This isn’t Corypheus 2.0. I hadn’t felt this level of dread in Dragon Age since DAO. Some missions especially have rocked me to my core, and some of them I consider to be absolute masterpieces (Weisshaupt, my god Weisshaupt. My favorite mission in any Bioware game, period.) I wish the last boss had been scarier and stronger, though. I felt it did fall short in regards to that. Funny enough a lot of the side bosses were harder than main bosses. That was a bit sad. But yes, Elgar'nan and Ghilan'nain feel like gods that you are facing. It is so much better than DAI in that regard.

The game does make you care deeply about everything happening, I can promise you that. And it manages to make even vehement Solas haters like him. I used to be a Solas hater back in 2014/2015, though I did mellow out over my replays. By my last Inquisition replay I did come around to him and was just mildly annoyed at how popular he was because I still found him overhyped, mostly because he suffered from DAI’s bland writing. But Veilguard makes you care for him, and elicits a lot of strong reactions towards him. He’s made me cheer, and also made me feel extreme anger, and then a lot of sympathy. He’s a marvelously complex character and one of Bioware’s best. He went from being one of my least favorite characters to one of my favorites - potentially even top 10 material. This is high praise for me lol. 

The matter of bringing choices in is…. Well, not gonna lie, a few events I was like “hm, no this wouldn’t happen in my world state” or “oh I wish they took in account past choices for this scene/plot point”. It remains an extremely baffling choice from Bioware and I remain really pissed off about it, lol. 

The Inquisitor was fine. I’m not attached to the Inquisitor, so I’m not able to make many comments about them. I’ve seen other people who ARE attached feel happy about their inclusion, so I’d go with that. There were a few nice moments. 

Act 3 is absolutemy amazing, also. It's engaging and terrifying and broke my heart several times. I do not cry easily but I was left sobbing and whimpering at Bioware lmfao. Granted, it was my first playthrough, and my emotions were heightened by having a new Dragon Age game after so long. But I do think Act 3 is just... really, really good. It gets the point of the game across very well, too.

The lore

This… is where the game falls short the most, for me. 

Don’t get me wrong: we get a LOT of new lore and a lot of it is insanely satisfying when you’ve been in the trenches for a decade and had tons of theories. A lot of discoveries left me buzzing with thoughts, new theories, ideas, and excitement. It was exhilarating. 

But there’s many points where, as a guy who just casually reads the lore books for fun, I was left saying “uh, no, that’s not true” to “that doesn’t make any fucking sense”. Mostly, a lot of my issues comes with the integration of the politics of the game. Dragon age has always been a political series, in the sense that the politics of Thedas are just as important as any threat we face in the game. And for like 15 years, the north was built up in a certain way -- and in many aspects, Veilguard does deliver. In others, it feels like it glosses over very important lore, or just tries to gaslight you into thinking you were wrong all along. Some of it is clever recontextualising that I did appreciate, considering all the lore we DO know is in universe, which means biased by the areas we learn the lore from. But there are a few times where the lore breaks took me out of the game and felt very immersion breaking.

Unfortunately I can’t go to much further into this without spoiling anything, but it’s definitely where I was the most disappointed. It’s small things, it’s always small things, but it’s definitely made me either raise my eyebrows or be very disappointed at times. I’ve already spoken about a bit of it in previous posts, and need to write something lengthy about magic specifically. Just beware that if you are insane about the lore, it is where the game will fall short at points. But it will also offer you amazing lore in turn, so you know. It’s a balancing act. 

It feels like the writing has mellowed out in this aspect. It makes me wonder how different the past games would be, if written by these people. How different this game would've been, if it was written by past writers. Only game where I've gone "wait why am I not getting hate crimed right now".

Also the secret post credit scene sucks entire ass and ruins everything lmfao I am ignoring it entirely.

There’s obviously a lot more I want to say about many things. I want to talk about Lucanis, about Taash, about Emmrich, about Harding -- about everyone, really. But that’ll be for further, spoiler-full posts. 

I’ll also save some more in depth review for a later post because I wanna go play dolls in the character creator again.

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[puppyeared]

renaissance dogys

characters belong to @canisalbus

[chriskotiesen]

I've shared a few pretty straightforward images using my CRT effect, but not much yet that really shows off what an over-engineered monstrosity I've created.

For a start, it's actually 3D. I built most of this in Blender.

Except for the optional bit that simulates composite video artifacts. I wrote that part in shader code and apply it to the base image as a separate step.

I made a high-res shadow mask texture, so it looks pretty good even from absurdly close up.

I can also adjust the scanline hardness and swap the slot mask for a dot mask or aperture grille to simulate different types of display.

Raytracing the whole thing ensures that all of these little details look nice and get sampled correctly, and if I want to change the glare reflecting off of the screen...

...I can adjust it by rearranging the furniture in the room.

So... yeah. That's what is current going on whenever I post pixel art with my CRT effect. It's not quite perfect yet, but I think it's getting pretty good.

[courfee]

17 December 1975 / 15 May 1976

[nevvn]

saw a wizard meme and thought hm. what if it was solomon.