#medieval romance

[nothwell]

I know I'm not the first reader to say "lesbian A Knight's Tale" and I doubt I will be the last.

But I'll be damned if Lesbian A Knight's Tale doesn't hit good.

There's more to it, of course, than the already very strong premise of hidden identity at a tournament. Even more than the even stronger premise of a sapphic cross-dresser fighting for her lady's hand. Every medieval history tidbit gave me a delightful sense of vindication. Every plot twist was both earned and satisfying. To say nothing of the beer brewing, the refreshingly non-villified embroidery, the literal bodice-ripping, and my favorite medieval English nickname. There's a lot here to reward the reader for diving in to this queer adventure.

All the Painted Stars by Emma Denny (@a-kind-of-merry-war ) is already out in the UK (you lucky bastards) but if you're stateside you can preorder it wherever fine books are found!

[emmanuellececchi]

Defending the castle like a man...

I've just read this article : Defending the castle like a man: on belligerent medieval ladies.

One of my friend is practicing HEMA (historical european martial art) as well as forging. We speak often about it and I have many question, mostly because of my main character in my medieval romance. As in forging, strength is not all in fighting. Know how to do it and practicing is first and foremost (she is smaller and thinner than me. she can wield swords that I cannot lift).

She reads lots of things about medieval warfare and we have discussion about it, and more recently because of my main character in my medieval romance. She had send me this article. And while reading it, I thought about some of my mutuals and the quite recent discussion about Eowyn and Théoden. So this is for you : @torchwood-99 , @from-the-coffee-shop-in-edoras , @konartiste. @errruvande I thought about you as there is a good reference about Alfred's daughter.

Reading this, I thought about Théoden. Rohan seems to have a certain history of female fighters. Shieldmaiden is not a name coming out of nowhere. So... what led Rohan to, seemingly, forget about this role? When did it happen?

In this article, there are a lot of example of women who did fight in war and defend their territory. It seems there are more and more proof of that. Even more, it seems women were actually expected to know at least how to defend their castle and lands. "Do as their husband do". So they had to know how to fight or at least strategies and siege... And some knew how to use bows, crossbows and even swords. Still, they had been, most of the time, erased or played down.

It is not said if this erasing was all along or more recent, as it is noted that those women of war were common up until the 14th centuries. In any case, they existed, but in later ages, it was inconvenient for men to have their female kin show "men's virtue".

Did something equivalent happened in Rohan? Why would something like this would happen? I would be the first to say "Oh it's all Saruman/Grima's fault". But no. Theoden do not think of sending Eowyn to war. He does not even have the reflex to think about her as a leader for his people. if it had been Grima and/or Saruman, he would have think about it.

Could it be his gondorian upbringing? After all he grew up in Gondor, had a gondorian mother? Thengel did not seem to held his countries culture in high regard. So, could it be this? Or even before that?

In my glèomenn fanfic, Tirwald said it was legends and old story. Could it be even older? Something more recent, linked to another culture?

So... What do you think?

[ola-the-clown]

a drawing of mine and my friend's characters because fantasy romance is gripping me by the throat still 🌹

he burns bright, she shimmers forevermore

[castle-calypse]

I need a fully armored knight to look down at me from his horse and all I can see are his pretty eyes through his visor and he is so transfixed by my beauty that he stops dead in his tracks to look at me and I smile at him and give him a flower or perhaps a cloth or ribbon to show my favor and he never takes his eyes off me as he takes my gift and my naked hands touch his cold armored fingers and he bows his head while looking into my eyes and he cannot get himself to move he is rooted to the ground by my presence and he watches me disappear around a corner but not before I look back over my shoulder to smile at him and it is as if a spell has been cast over him he became mine the moment our eyes met and he will not rest until he knows my name and has my hand in marriage

[prettiestgirlattheparty]

[aneurinallday]

Lancelot and the Lady of Shalott

Bold Sir Lancelot and the Lady of Shalott

(she dies from unrequited love for a hot guy she saw for 2 seconds in the distance and decided to chase down a river. girl same)

[a-kind-of-merry-war]

What do you do when your best friend tells you she's being married off as a prize in a tournament? You cut your hair, steal your brothers' armour and enter the tournament yourself, of course.

I am super excited to announce that Jo and Lily's story is coming in 2024!

~✩⚔✩~

When she hears that Johanna de Foucart's hand in marriage is the grand prize in a tournament, Lily Barden steals her brothers' armour and infiltrates the competition to save her friend. However, Jo quickly sees through her disguise, and after Lily is wounded she's forced to admit defeat. But before she can return to her northern home, a deadly encounter forces both women to flee the keep and set out to find safety together.

Monstrous Regiment meets A Knight's Tale in this Sapphic swords and shields, friends to lovers romance about freedom, choice, and finding love in unexpected places.

And brewing. Lots of brewing.

This is the first sequel to One Night in Hartswood, and if you've read that you're already familiar with Jo and Lily. You don't need to have read Hartswood to read this, but it probably helps 😉

[sister-lucifer]

In which Lucian, a humble baker, meets two very interesting customers who seem to be more than meets the eye. 

Content/Warnings: Original characters, slow burn, Medieval/Fantasy, charmingly mundane slices of life stuff, just fluff and character set up in this chapter, but if you like MLM Poly relationships you should stick around! 

You can find the masterlist for this series (among others) in my pinned post! 

I DO NOT GIVE PERMISSION FOR MY WORKS TO BE REPOSTED, USED COMMERCIALLY OR FED TO AN AI. IF YOU DO THIS I WILL HUNT YOU DOWN AND KILL YOU.

Not fully proofread! Please let me know if you catch any errors!

Lucian stretches out in his bed, groaning as his joints pop and his limbs wake up, readying themselves for the day. Begrudgingly he sits up, dirty blond hair tousled by his pillows in the night. He smooths it down as best he can with his fingers, but there’s not much he can do without the unforgiving bristles of a brush. 

With a yawn he throws his legs over the side of his bed and slides his feet into his tattered slippers. He cracks his back for good measure, sighing and blowing a curly lock of hair from between his eyes. As the outside world slowly leaks into his sleep-addled brain, he recognizes the familiar sound of the jays chirping endlessly outside his window; a sure sign that it is, in fact, time to get up.

When he pushes himself out of bed and parts the old curtains hiding his chambers from the rest of the world, the sun is eager to cover his freckled face in its warm light. He blinks a few times to adjust, the blinding brightness of the morning slowly melting into a pleasant glow.

His shapeless pajama gown flows about his round body as he trudges to the bathroom, another yawn crawling up his throat as he comes into view in the mirror. His hair is flicked up in every which way, hazel eyes tired but not unhappy as he walks up to the sink, pudgy tummy bumping against it when he leans over to splash a bit of water on his face. 

He feels much more awake than before once he’s dried his rosy cheeks and rubbed his eyes. He plucks his hairbrush from its holder and runs it briefly under the faucet before running it through his fawn tresses, only until the thatch of curls becomes presentable enough. No one’s going to be looking that hard, anyways. 

The hairbrush clatters back into its holder and the toothbrush comes out instead. It too is run briefly under the water before being put to work, another step in the morning routine Lucian often finds himself repeating ad infinitum. Minutes later he’s back in his bedroom, rummaging through drawers for something that resembles a put together outfit. It doesn’t have to be perfect when it’s going to be covered with an apron all day. 

He decides on brown trousers that are loose around the bottom and a comfortable, worn tunic that won’t get in the way with its flowing sleeves or make his binding garment too obvious. He slips his feet from his house slippers and instead into his trusted woolen-soled shoes, long since shaped to the arch of his  feet after so many years. 

He pauses to glance in the mirror, turning halfway just to make sure nothing has an obvious rip or tear in it. He adjusts his pants and the bottom of his shirt around the chub of his belly before ultimately deciding it’ll do. 

He turns back to grab his mossy green, woolen sweater from the chair he draped it over the night before. The edges are fraying again, he notices, he’ll have to fix that when he has the time. He doesn’t mind it so much now, though, as his arms fit comfortably into the warm sleeves of the garment, thumbs skillfully avoiding getting caught on any of its unnoticed holes or the hasty stitching of its owner from decades prior. Lucian does take note, though, that the split in one side pocket is growing. He’ll have to fix that later, too.

When Lucian pushes open the door connecting his home with his bakery, the comforting, lingering smell of strawberry and buttercream greets him with vigor. It seems to permeate everything in his bakery, though he certainly doesn’t mind. This early the only ones out on the streets are stray dogs retreating to their hiding spots and children headed to the school building up the road. 

He pulls the door open and props it with the stop, then flips the sign set up in the window: 

Hensley’s is Open! Come on in! 

“We’re open, everyone!” Lucian calls, not to anyone in particular. 

The first preparations of the day are always the easiest. 

First, he pulls his trusty apron from its rack and ties it behind his back, double knotting it just to make sure it’ll hold. Then he pulls the still-good loaves and pastries from yesterday that weren’t sold from their covered baskets, arranging them in his display in the particular way he can’t explain but can’t do without. When he’s satisfied with the results he moves on, giving a quick glance to the door before turning to his oven. 

He grips the fire striker with less confidence than he should, his other hand tossing a few logs into the oven before grabbing his flint. As he strikes the stone and the spark sets the wood alight he resist the urge to scramble backwards despite the familiar heat on his knuckles. His back aches as he rises to his full height once more, setting the flint and striker back on their shelf. 

He turns his attention to the plants in his windows next. He fills the can with the spout around the side of the bakery (it’s too bulky to fit into the little sink at his station, after all), dropping a bit of water on the wildflowers that bloom outside the building on his way back inside. 

Slowly, the watering can’s spout moves over each pot, moved by a practiced hand that has done this countless mornings before. Only when the soil is thoroughly wet does he move on, cycling through one by one until all of his green children have had their fill and the can can be tucked neatly back into place in the cabinet.

Lucian pauses as he takes a look around his bakery. He stops and leans against the counter, taking a moment to admire the scene. 

The morning sun comes in rays through the windows, sunning his plants and warming the wood floors. The spring breeze meanders through the open door and just barely rustles his hair about his round cheeks. The distant sound of horseshoes on the path and the other businesses opening their doors signals the awakening of a bustling town. The— 

“Mr. Hensley! Mr. Hensley!” 

Lucian turns quickly to the sound of clattering and a call of his name outside his bakery, followed shortly by a bleat of surprise. He has only a moment to process before his first arrival in standing in the doorway, his dark hair bouncing in sweet curls around his flushed face and little tail flicking quickly to and fro as he recovers from his crash, bike now laying against the side of the building. 

“Oh, Callum,” Lucian sighs, rushing to the boy to brush the dirt from his sleeves, “You have to be careful! Your mother spent a lot of money on this uniform, there’s no telling how much that school will make her pay for another…”

The young faun only blinks up at him with wide blue eyes. He shakes some leaves from his unkempt hair and the fur of his ears before holding out the hot mug he’s brought with him, wrapped in a cloth to keep it from burning his hands.

“Here, Mr. Hensley. Your coffee.” 

Lucian’s eyes soften as he takes the mug, removing the covering from the top and watching the steam rise. 

“Thank you, Callum.” 

The mug is set aside to cool for now, and Lucian quickly returns his attention to the faun boy who’s just collided with his bakery. 

“You’re not hurt, are you?” He asks, plucking a stubborn twig from Callum’s nest of hair and rubbing over a scratch on the fresh nubs of his horns. 

“No, I’m okay,” Callum replies quickly, brushing off his uniform jacket, “Just in a rush. I woke up late, that’s all. I grabbed my books and I was out the door, I didn’t even have to eat breakfast…” 

“…Is that why you’ve left home without shoes?” 

Callum pauses and looks down, groaning at the sight of his bare hooves on the wood floors.

“Aw, man! I’m gonna get an earful from the headmaster…” 

Lucian feels a bit bad for giggling at the boy’s plight, but he can’t help it. He misses when his problems were that simple. 

“You don’t have to bring me coffee every day, you know. I appreciate it, but I’ll survive without it,” Lucian assures him.

“Yeah, I know,” Callum replies with a shrug, absentmindedly toying with the leaves of one of Lucian’s plants, “But Ma says it’s a nice thing to do, especially since you don’t have magic.”

“Oh, well—“

“She says that making coffee ‘n’ stuff without magic takes a lot of time that you don’t have, since you have to work so hard and stuff. Is that true?”

“Er, y-yes, but—“ 

“She wonders how you do anything without magic, yanno. She says it’s really impressive that this place has stayed open so long when you—“ 

“Callum! I mean…I understand, Callum. Thank you. Here…”

Lucian takes a loaf of bread from his display, handing it to the boy with haste. 

“Can’t have you going on an empty stomach. Run along, and quickly, you’re already running late.” 

Callum takes the bread without hesitation, immediately digging in and thanking Lucian through a mouthful of it. In an instant he’s out the door and back on his bike, disappearing down the path. Lucian watches him go only until he’s sure he won’t crash once more. 

Lucian sighs as the ache in his back starts to return. The day waits for no one, though, and he’s got work to do. 

Throughout the day people pass through his bakery with leisure. Most are familiar, others are new but not unusual. The town of Lydell is a small one, after all. Not rich, but not too poor either, with a good part of its inhabitants planning bigger and better things for themselves and their families beyond the town limits. Every now and then he toys with that idea, that maybe one day he’ll pack himself up and move into one of the big, bustling cities he reads out in the books, with magic pouring from every brick in every wall on every street… 

…Foolish imaginings, that’s all. He’s got far too much to do here.

He watches from behind his counter as the sun lazily rolls into place in the center of the sky. The cool breeze of the March morning melts into something warmer, though not suffocatingly hot. Every now and then Lucian must wipe the sweat from his brow after standing in front of his oven for too long, but ‘tis the price one pays for a fresh batch of strawberry turnovers. 

Lucian looks up from the hot tray now cooling on the counter at the sound of a crackly meow. 

There, in his doorway, a slim figure of a cat with milky white fur splotched with inky stains of black around the feet and tail. It rubs up against the door, mewing softly just to make sure its presence is known. It sits with a regal confidence, not at all perturbed by the people who pass through the door beside it.

“Well, look who decided to stop in today,” Lucian says with a chuckle. The cat meows in reply before lazily sauntering over to the counter. 

“Give me just a moment, my dear. When I’ve gotten these customers taken care of I’ll get you your treat.”

The cat seems to understand. This is an exchange they have quite often, after all. With no collar to speak of and an insatiable desire to wander, the little animal is nearly an enigma to Lucian, but he’ll never complain about the company. For now he has to turn his attention to the lanky elf that is patiently awaiting his turn to speak. 

By now Lucian can navigate customer interactions with little to no friction. No, he does not have those in a different flavor. Yes, he can make them in a different flavor, but they wouldn’t be ready until tomorrow. Yes, he can go ahead and get some bagged up anyways. No, he does not offer a discount. No, he really doesn’t offer a discount. 

“Thank you, come again!”

Lucian sighs as the elf takes his leave, seemingly satisfied enough with the small bag of raspberry shortbread cookies. 

He turns to look down at the little cat still waiting patiently by his feet. It blinks slowly, then meows. Lucian laughs and mimics the sound. 

He then turns his attention to the cabinet beneath his sink. That’s where he keeps the little bowl and bag of dry food his feline companion loves so much. The cat meows excitedly, and Lucian can see it resisting the urge to hop up on the counter as he dumps the food into the bowl.

“Here, you’ve waited very patiently,” Lucian says as he sets the bowl on the floor, pushing it to the side where he can keep an eye on the cat without it being in his way when he walks around or behind the counter. 

He looks back up and out the open door, only to squint in confusion as he tries to make sense of what he’s seeing. 

It looks like two horses and their riders coming down the path, which wouldn’t be so odd if it weren’t for what Lucian could swear was the royal crest embroidered onto their side bags. The riders themselves are clad in varying degrees of armor, the metal clinking slowly getting louder as they approach the bakery. 

Royal guards? Here? In a little town like Lydell? 

Lucian quirks a brow as he watches them approach. He’s expecting them to simply pass by—they probably have important business to attend to, after all—but then one of them pauses. He pulls on the reigns of his horse, whistling and calling to his partner with words Lucian can’t make out from where he’s standing. 

It’s clear now that they won’t simply be passing by. Before Lucian even realizes they’ve stopped their horses outside of the bakery, and now they’re hopping down from their saddles.

Now that they’re closer, Lucian can get a better look at them. They’re definitely guards, that’s for sure, and much taller and stronger than any human Lucian has met here in Lydell. 

The first one is the shorter of the two, about 5’9, if Lucian were to guess. His skin is tan, a natural copper tone, and his curly hair is dark and thick, shaved underneath and left long on top. He’s smirking for some reason, the expression pressing dimples into his warm cheeks, though something about him makes it seem like he doesn’t need a reason. His eyes are sharp and foxy, the kind that notice little details about everything and everyone and leave others to feel uncomfortably analyzed. His armor is minimal, only a leather chest piece and gloves, and a few daggers are sheathed in his belt. He moves with a lithe swiftness as though he’s unaware of his own weight, hitting the ground without a moment’s stumble as he dismounts from his horse.

The second man isn’t nearly as graceful, but certainly isn’t to be taken lightly. He’s a hulking beast, 6’0 at least, perhaps 6’1, in a full suit of metal armor, save for the missing helmet. He’s paler than death, with long, golden blond hair that’s been lazily thrown back into a low, loose ponytail, leaving a few strands to dangle around his face. His long lashes are the same light color, hovering over icy blue eyes that give way to no emotion. Lucian can only see half his expression, as the bottom part of his face is covered with a dark neck gaiter. He comes down off his horse with a thud and a bit of metallic clinking, giving the animal a gentle pat. With a quick flick of his wrist and a skillful bit of magic he fastens the horses’ reigns to the post without touching them, and shortly after follows his companion inside.

“Woah, it smells amazing in here!” The shorter one exclaims, the pale one giving a nod of agreement in response, “I told you stopping was a good idea, I— Oh, look! They have strawberry turnovers!” 

Lucian has to bite back a chuckle as he rushes up to the counter like an excitable child, fumbling around in his pockets for money. 

“Two silvers each,” Lucian replies, “How many? And will you be staying, or should I get you a bag?” 

“Six please, three for each of us, and, eh…we’ll stay!” The man replies, shrugging at his partner, “We could use the rest. We’re headed back to Bascilium from Nora.” 

“Nora? Gods above, that’s far up north, what could possibly be so urgent the king felt the need to send his guards?” Lucian asked, not looking away from the two men as he moved to slip a few turnovers from their tray onto plates. 

“Oh, you know, just a little farm worker’s uprising. Apparently people don’t like having their gifts of agricultural magic exploited to feed corporate bigwigs. Funny how that works!”

Lucian forces a laugh, although he’s not sure what’s funny. The taller one still hasn’t said a word, instead occupying himself by looking around the bakery. 

“So, I take it you got it figured out, then?” Lucian asks, handing the plates over. 

“Mhm!” The man replies with a grin, eagerly taking the plates and handing one to his colleague, “Well, as figured out as it can be for now. Things like this happen a lot in Nora with all the industrialization. King Ambrose is working on sending a few delegates down there to smooth out some of the systems. You know there’s—“

The man is swiftly cut off by an elbow to the ribs from his partner. He turns to question what the could have possibly been for, but the taller one gives only a one handed gesture in response. Sign language of some kind, if Lucian were to guess. Whatever he said, it puts the first man at ease.

“Ah, yeah, I’m rambling. Sorry about that, mister, uh…” He pauses, squinting to read Lucian’s name tag. “…Lucian. Hey, I like that name. I’m Tobias, Tobias Silva, and the guy I rode in with is Rex Theroux. I take it you’re the ‘Hensley’ that runs this place?”

“Yessir,” Lucian replies with a suddenly confident grin, “Lucian Hensley, that’s me. Forgive me for bragging, but this little place is my pride and joy.” 

“Well then I’m glad we stopped in! Feels like this trip has us running all over Divestia.”

This earns a snort from Rex, and a few more signs that have an air of sass to them. 

“Well, okay, yeah,” Tobias concedes, “It was my idea to take the scenic route through here, but it worked out well enough, didn’t it? You could never find good food this cheap in Bascilium. Oh, shit, I almost forgot—!”

He quickly dips his free hand into his pocket, pulling out a small pouch and setting it on the counter. He pulls out twelve silver coins and hands them to Lucian, who gladly accepts them and tucks them away into his drawer. 

“Thank you very much, Mr. Silva.” 

“Just Tobias is fine, don’t worry about it. We don’t really do formalities.”

“Oh, alright then. Thank you, Tobias. Enjoy your turnovers.”

Tobias gives a quick nod before gesturing for Rex to follow him to one of the little tables pushed up against the large windows of the bakery. Lucian finds himself smiling at the talkative young man and his silent, looming shadow; a charming pair, those two are. Perhaps that’s why Lucian finds himself glancing over at them as they eat despite his occupation with his work. Tobias’s chatter never ceases except for when he’s chewing, but at the same time his attention doesn’t waver from his silent partner when he signs a response. Tobias gestures widely as he speaks, threatening to knock over a plant or two when he gets particularly excited, whereas Rex keeps his movements sharp and controlled, a skilled hand showing his familiarity with the silent language he utilizes. The pair seem to get along with no issue despite the way their natures juxtapose one another, but then again, perhaps that’s what makes them so compatible.

Tobias and Rex sit and shoot the breeze for about an hour, maybe, having finished their turnovers halfway through but not realizing, or at least not caring. The sun has just barely rolled towards the west end of the sky, shadows now slanting under the light. The foot traffic around the bakery has slowed a bit, so Lucian has taken to wiping down his counter and empty tables. That is, until he looks up at the sound of his name. 

“Hey, Lucian?” Tobias calls with a wave of his hand, “Can you come here for a sec?” 

Lucian collects his rag and approaches the table Tobias and Rex have made themselves comfortable at, giving them a polite smile. 

“Yes? Is something the matter?” 

“Oh no, not at all,” Tobias is quick to reply, “Rex just wants to know about your plants, what kinda magic you’re using to keep ‘em looking this green.” 

Lucian’s eyes turn to Rex, and he’s almost surprised to see his neck gaiter pushed down under his chin. He’s not sure why he’s surprised; how else was he supposed to eat? Or, perhaps, he’s simply surprised that his face is so unremarkable. Handsome, yes, but no scars or deformities, although Lucian doesn’t know why he expected there to be any. Maybe that’s simply the assumption one makes when another has their face covered for without obvious reason. 

Wait, what was the question? Oh, right, the plants. 

“I don’t use any magic, actually,” Lucian explains, suddenly feeling sheepish, “I, um…don’t have any.”

“Wait, what?” Tobias says, a bit louder than he meant to (a lot louder, actually; the sudden exclamation makes Rex wince a bit), “You run this whole damn place without magic? Wow, I mean, don’t get me wrong, that’s really impressive! I just can’t believe someone like you would— Ow!”

He’s promptly cut off once more with a smack on the arm and a sharp look from Rex. Tobias swipes his arm away and puts his hands up defensively.

“What? What I’d say? I didn’t deserve it that time!”

Lucian laughs softly behind his hand, unable to ignore Tobias’s natural dramatics. 

“It’s alright,” He assures the two, “I get that sort of thing a lot. I admit, it is rather impressive, though I don’t like to gloat. As far as the plants go, it’s just a matter of keeping them watered and not letting the soil go dry.”

Rex considers his words, nodding and doing a brief gesture that almost resembles a salute. 

“Oh, he says thank you,” Tobias clarifies. 

“It’s no problem,” Lucian says, returning the courteous nod, “Can I take those plates from you?” 

“Huh? Oh! Yes, please, we’ve really got to get going…thanks again, those were amazing. We’ll definitely be stopping by again.”

“Well, I’m very happy to hear that,” Lucian replied, unable to stop himself from grinning as his heart swelled with pride. He’d just bagged himself two more returning customers, and royal guards no less! Perhaps they’ll spread the word of this little place. Wishful thinking, maybe, but maybe not. 

Rex and Tobias gather themselves and rise from their table as Lucian drops the plates into the sink. He returns a brief wave as they both walk out the door, Rex giving another salute before turning away; one last thank you, Lucian assumes.

He watches as the pair mount their horses once again, settling upon their saddles before heading off down the path.

“Interesting pair of characters, those two are,” Lucian mumbles to himself as he turns back to his work. The little cat, which has now moved to basking on the window sill, meows in what Lucian chooses to interpret as agreement.

The pair of guards arrive back to the castle at nightfall, the last few rays of sun allowing them to walk their horses back to the stables before they head in for the night. 

First thing’s first: The king expects a full report. 

Tobias doesn’t bother knocking, entering King Ambrose’s office with an incredible amount of casualness. He strides in with Rex, who at least has the decency to close the door back, following close behind him, as usual. Ambrose looks up from the papers he was studying, hard expression instantly melting  away into a familiar smile. 

“My boys,” Ambrose purrs, standing up from his chair and walking around the front of his desk, “You’ve finally returned.” 

The guards nod in unison, and Tobias can’t stop himself from taking a moment to study his beautiful king. Ambrose is quite the stunning man after all; his skin is dark, as are his eyes, and his ebony hair is done up in locs so impossibly long they nearly brush the floor when he walks, decorated with gold cuffs and never less than perfectly maintained. His slim figure is draped in gold and white, as usual, for even a king’s most casual outfit is extravagant. He’s set his crown aside for now, as he usually does when working, but he has yet to remove the rest of his jewelry, as evidenced by the gold sparking on his wrists, fingers, ears and neck. 

“So? How did it go? I assume well, seeing as you aren’t quite as disheveled as I’d expect from a failed attempt at quelling riots,” Ambrose teases as he hops up onto his desk, crossing his legs and making himself comfortable.

“It went very well, sir,” Tobias answers with a grin, “Things have been set straight, and a temporary peace agreement was reached to keep the people satisfied until your delegates arrive.” 

“Very good, both of you,” Ambrose praises. Tobias’s grin only widens, and Rex signs a humble thank you. 

“Oh, and,” Tobias eagerly adds, “On the way back we stopped in at this little bakery in Lydell, and—“

“Lydell?” Ambrose interrupts, “That’s quite a ways off the path back from Nora. What were you two doing there? Is that what took you so long?”

He’s trying to feign seriousness, but the playful quirk of his brow and hint of a chuckle in his voice gives away his humor. 

“Mm, maybe,” Tobias says with a sly shrug, “But it was worth it. They had the best strawberry turnovers.” 

‘Although T was far more interested in the man behind the counter,’ Rex signs, eyeing his colleague with a lighthearted sort of suspicion.

“I was not,” Tobias quickly protests, “And just how do you figure that, hm?”

‘You kept glancing over at him while you ate. I don’t think you realized you were doing it, but it was obvious to me. Maybe he liked it, though. He kept looking at us, too.’ 

Tobias huffs, crossing his arms and cursing his inability to pull an argument from thin air like usual. His cheeks are getting warm. 

Ambrose laughs, hopping down from his desk and giving Tobias a reassuring pat on the arm. 

“So, he was a cutie, huh?” Ambrose chortles, “What was he like?”

“Honestly, cute is an understatement,” Tobias replies, “He was this short, chubby little thing who looked like he’d just rolled out of bed. He was nice, too, and I know he has to be nice to us because, you know, we’re customers, but still. And, I mean, how can you not be interested in someone who makes such heavenly strawberry turnovers?” 

“If they’re that good, I shall have to try them some time. See what all the fuss is about. Maybe I’ll have a chance to meet this little baker crush of yours as well.” 

“Oh, come on…!” 

Ambrose laughs again, unable to stop himself. For a moment Tobias swears he can even see a smile make Rex’s eyes crinkle at the edges despite being hidden by his neck gaiter. 

“Well, either way,” Ambrose coos, reaching up to gently cup his guards’ chins in his hands, “You’ve both done very well. Come here.” 

Tobias rolls his eyes, but nevertheless they both lean in, allowing their king to give them each a brief kiss on the cheek. 

“Good boys. Go on now, you need your rest after such a long trip,” Ambrose says with a wave of his hand before returning to his seat at his desk.

His guards bow briefly, all three of them exchanging well wishes and good nights before the door is shut again, leaving Ambrose alone in his study. 

“Cute little baker indeed,” The king mumbles with a laugh, “I’m sure they’ll be going back there…if Tobias has anything to say about it, at least…”

Like my writing? I take requests! NSFW or SFW for any fandoms in my bio (request rules + masterlist in pinned post)!

Also, please reblog! it’s free, takes two seconds, and really helps me out 

Feedback is encouraged and appreciated:)

Not fully proofread! Let me know if you see any errors!

[fated-mates]

This week, we're back to Mafia books, because it's been a few years since we've tackled this one and the landscape has changed drastically. We're talking about the appeal of the organized criminal, the way the genre is the direct descendant of the Medieval romance, and the fact that it underscores some of the deepest seeded patriarchy in the genre--for good and bad. Sarah shows off the Italian and the Italian American in her past, and tells a few stories about people and places she doesn't name because did she see anything? No she didn't.

[nothwell]

One Night in Hartswood by @a-kind-of-merry-war If you've ever seen A Knight's Tale and wished it was gayer, this is a book for you. We've got... • secret identities x2 • gory meet-cute • a misunderstanding that actually makes sense and results from the characters forming logical conclusions with the limited information they're given • hurt/comfort • angst • swordplay (both kinds) • a clever twist to snatch victory from the jaws of defeat • a gentle and lovely romance between our leads Ash is my bad boy fave and every morsel of his tragic backstory just made me ravenous for more. Lucky for me the sequel is out soon.

[emmanuellececchi]

Evening rambling on...

At the moment, beside writing a few shorts for LOTR, I didn't write much. Not even for my modern romance or for my medieval romance. I had a few ideas I wrote down but since then, nothing.

I need to do some research and it is a daunting task. That and editing the story, changing some things, adding the details I find from my research. Among other things, I need to have a better idea of the geography, of the way my people are clothes, trade, laws, rulers and co.

I have the calendar and, even though I was playing very hard with the idea of the ringed world, each time I want to go for it, I remember that I need to add even more things (animals, plants, weather patterns, etc.) that will be impacted by the shadow of the ring.

But a calendar and a vague idea of how they look like or are clothes is not enough. I want something more in-depth. Why are they in conflict? What is the base? Religion? commerce? control of lands? So many things I need to set. That and also the few madmen and women that are in many history.

I know I can just focus on my main characters but I don't feel comfortable if I don't have the whole worldbuilding set in stone. I need a map, distances, duration of travels, way of travels. Limits, mountains, and ocean. Weather patterns, even on a Earth-Like world, need to be known. Where are we? Southern Europe like? Northern? If I add a mountain what will be the impact and so on.

On one side, I really want to do all that. On the other side, if I begin that, I will not write much, even less than now. I have a few shorts hanging, but not sure if I'll finish them. I have a few fanfics that are waiting desperatly for my attention.

Let's just say that the fire is not really burning bright right now. At least, I love dearly the little I write. But I wish I could do more.

We'll see I guess

[mask131]

French fantasy review: Les flammes de la nuit

I do wonder why I make these posts – about French novels that I do not think were translated in English, reviewing them in English on an English-speaking website… I do know that some French people are lurking around under a mask of Englishness, but still, most people here are those that I guess will never have access to the novels I review… But oh well, I’ll do what I’ll do, as bizarre as it may sound: and what I’ll do is talk about the French fantasy.

I already translated a long time ago some articles written about the French fantasy literature, but here I will share my personal thoughts and favorites when it comes to this genre of fantasy that is considered “foreign” and “exotic” by the simple virtue of… not being written in English. France is the land of literature, and has already bred, nursed and thoroughly exploited and theorized the two genres that gave birth to the fantasy and yet are so hard to translate in English: the merveilleux of fables and epics, the fantastique of 19th century supernatural tales… Why wouldn’t France have fantasy too? The name of the genre stays English, unfortunately, but it has enough echoes and roots within our own féeries and surnaturel to find a place prepared for it since centuries…

Anyway, enough lyrical: let’s get into the meat of the subject, let’s dig to the bone, and I want to begin with “Les flammes de la nuit” (The flames of the night) by Michel Pagel.

When I picked up this book I was not expecting anything precisely from it, I was just curious. I had only ever heard of Michel Pagel through a huge and dark series of his called “La Comédie Inhumaine” that everybody loved and that was renowned as a dark and violent fantastique, but I never read it. The reason I picked up this book was due to its relationship with fairytales. If you do not know I am REALLY into fairytale stuff, I even have an entire sideblog just to talk about fairytales ( @adarkrainbow ). And this novel was advertised as being a fairytale subversion, so I thought, let’s get into it! [EDIT: I actually also had heard of Michel Pagel through another work of his that now I will definitively read, Le Roi d’Août, a supernatural historical novel that faithfully retells the biography of the king Philippe Auguste… While filling some historical blanks in his life by the intervention and encounter of the supernatural folks hiding within the French landscape.]

Most notably, when I checked briefly online reviews to see if I should get the book, all agreed on a same thing: all said that the book was absolutely great, with wonderful ideas and powerful characters… until the very end which had disappointed everybody (at least at the time the reviews were made, so by the 2000s/early 2010s). As a result I went into this novel saying to myself “Okay, the beginning and middle will be great, the end will be bad, get ready”. And… what a surprise! The ending was not bad at all. A bit confused and rushed but… it was a good ending. Or rather a fitting ending (because it is not a happy or positive one, nor is it a negative one – it is a grandiose, tragic, bittersweet but hopeful ending perfect for the tone of the novel and the project the author set upon himself). If you ask me, all the reviews were wrong – and I had been deceived for the best, since the novel surpassed what I was expecting. Now, I won’t throw the stone, I actually understand why these readers were disappointed with the ending and I’ll explain why (spoiler: it is a question of context and point of view). For now, I’ll simply say that I greatly love this novel which definitively goes into my top French fantasy novels.

In terms of editions and publications, a few indications… This is one of those typical edition thingies that are so peculiar to France. The novel was originally published as a series of novellas. Four in total, between 1985 and 1987, in the “Anticipations” collection of the Fleuve Noir publishing house (it was still in this era where in France fantasy and sci-fi were sold together as one and the same). Later, the four novellas were collected into one full volume, one novel divided into four parts. This complete volume was published in 2000 (in a small format by the J’ai Lu Poche Fantasy, in a large format by Denoël collection Lunes d'encre), and it is both the version I read and the one most people refer to when talking about “Les flammes de la nuit”. I do not know if the text was edited or slightly rewritten for this new format – I don’t think so, but I have to admit the text felt so much like an early 2000s story I was quite surprised it came from the mid-80s… There’s quite notably the fact the main character is openly bisexual, but hey, the 80s in France were quite a time too… More recently in 2014 Les Moutons Electrique republished the integral in a large format, and then in 2022 in a middle format, proving this novel’s great and enduring success.

 [Note: As I am writing this post I made a quick checklist and I just discovered that Michel Pagel actually was the French translator of Neil Gaiman’s Anansi Boys and American Gods, as well as of Gary Gygax’s Monster Manual for D&D… Wow, that was a total surprise – and it does explain some things, I notably see how Neil Gaiman’s writing could have had an influence over this novel…]

Let me briefly set you in the mood the very first pages plunge the reader into… We follow an old man who is travelling on a pilgrimage to a great lake at the center of a medieval kingdom name Fuinör. He isn’t just any old man: it is but one of his masks. He is the Enchanter, a great and powerful wizard as old as the universe itself, a supernatural being known to take many forms, and who can be as much a wild animal of omens as a seducing woman luring knights to an uncertain doom… Once he reaches the great lake, called the Mirror for its still waters form the perfect reflection of the sky and the sun above it, in a great burst of light, the sun disappears… and reappears. But the sun is not golden anymore: it is green. And with the sun everything changed color within Fuinör: the sky is not blue but indigo, the sea is the color of emerald, the trees have blue leaves, human skin is orange… And this is perfectly normal, for in the world of Fuinör, every seven years the sun is reborn above the lake, turning into a different color, and with it everything in the world also changes its hue. And as such, seven year by seven year, the light goes through all the seven colors of the rainbow…

This sets the stage for what “Les flammes de la nuit” is. And it is many, many things, a story which likes the sun of Fuinör undergoes different stages and tones (the serial publication helps this feeling of slow transition and evolution throughout the novel).

The story opens as an open, cynical and dark parody of fairytales – for the world of Fuinör is a world of stock fairytales. It is a world in which, when the king has a daughter, seven fairies, each for each color of the rainbow, arrive to bless her with all the usual gifts – beauty, grace, singing – while carefully avoiding anything like strength or intelligence, for these are male gifts for those destined to rule. It is a world in which, when the queen gives an heir to her king (and there is always only one king and one queen), she must die in labor – and if she happens to survive… then the royal doctor must prepare a certain powder to make sure the queen respects the tradition. It is a world where barons often declare themselves vile rebels and wicked usurpers and try to overthrow the high king… but they are always defeated because the law claims there can only be one rebellion at a time, and each baron must warn in advance the king and let him decide how, when and where he wants to do the battle. It is a world where there is a land for each thing – quite literally. Fuinör is divided into different “countries” each dedicated to a specific area: there is a land of Hunting, where the hunts take place, and any hunting elsewhere is outlawed. There is a land for War, and nobody would ever think of waging war elsewhere than there. There is a land for Love, and all love and romance and sex can only take place within its boundaries. Such as the laws, and the customs, and the traditions, and they have always been since the beginning of time…

Fuinör is a mix of all the classical fairytales and the traditional medieval romance and Arthurian tales – but all taken to an extreme. Fuinör is a world stuck in an endless cycle of loops, where the events all repeat themselves in the same way with predictable end, where everyone is given a specific role and fate since birth, where everything is stuck under an order that has been decided by ominous gods a long time ago, and where no surprise and no disorder can ever happen. The brave knights in shining armor always win the heart of princesses, the high king is always victorious of anyone that tries to take his throne – and if someone ever does, THEY are the rightful high king and the other is the usurper – and the peasants… well who cares, they don’t count, they’re not even considered human, they are just here to work and be background props.

But things will change… Things will change thanks to the Enchanter, who decides that when the new princess of the kingdom is born, little Rowena, she shall receive a gift no other princess ever received… the gift of intelligence. An intelligence that will allow her to understand the absurd logic of her world, and use the sclerosis of archetypes and the rigidity of millennia-old customs to her advantage. An intelligence that will make her greater and more powerful than anyone – an intelligence that will threaten the very existence of Fuinör… Thus is the beginning of “Les Flammes de la Nuit”.

The beginning of the novel, Rowena’s own youth and story, is clearly designed to deconstruct all the archetypes, stereotypes and point out all the bad side of both the generic fairytale (especially Disney’s version of fairytales – the novel is filled with jabs at Disney and the “Americanized” fairytale, the seven fairies being basically Disney’s fairy godmothers mixed with Glinda from The Wizard of Oz MGM movie) and of the Arthurian romance as we know it today. It does not mean Michel Pagel hates those genres, quite the contrary! This book heavily pays homage to both domain, in which Pagel has clearly a great interest. In fact, this book is much more “medieval romance/Arthurian epic” than fairytale in tone, and while anybody who saw the Disney movies or read Perrault will get the fairytale references, I do believe someone with zero knowledge of the Arthuriana will miss a LOT of cultural jokes and clever references in this text. From the get go the Enchanter is clearly supposed to be inspired by Merlin from the Arthurian myth – but not the Disneyified, Americanized Merlin. The original Merlin, Myrddinn, the mythical, legendary, ambiguous and terrifying entity that exists beyond shapes and times and manipulates fate as he pleases… In a similar way, if you haven’t done any research on the evolution of the legend of Avalon you won’t get how twisted and cool the climax within the domain of the Fairies is… But I won’t reveal too much spoilers.

But loving doesn’t mean being uncritical, and this book is clearly the result of Michel Pagel thinking about what he adores, and highlighting in an entertaining way all that is wrong with those classical tales. The first part of the story is centered around Rowena, this intelligent and daring girl born within a world of the worst fairytale stereotypes and outdated medieval chivalry. And as she grows up she gets to explore what others were too afraid to explore, she understands what nobody understood, she gains power nobody had access to before… all the while suffering from what her world really is: unfair, classicist, sexist, misogynistic and abusive. And this begins already the bittersweet tone of the novel. At the same time we have a very funny parody that enjoys dark humor and plays all the code of the traditional “fractured fairytale”, and yet it alternates with very sad and dark moments where Rowena is confronted with the cruelties of such a universe and understands why being an intelligent girl in a world where women are to be submissive and stupid can be dangerous. But all is in fact set and prepared for her own fate, prepared by the Enchanter in person: for Rowena will become… the Witch.

And of course I love this, because who doesn’t get to love a dark retelling of fairytales, who doesn’t like a faithful retelling of medieval epics with an acute sense of modern values clashing with outdated morals, who doesn’t get to love the story of how a girl became a witch-queen? But… I think this is where the “fracture” with a certain part of the audience happened. I will return to the reviews I talked about above: many people thought the ending was worthless or were betrayed by it. Having read the novel I understand why they felt that: in their own words, they were sold and expected a feminist retelling of fairytales about breaking conventions and stereotypes. They were sold the story of a girl being a hero, and the old fairytale clichés being mercilessly mocked and denounced and beaten upon. And that was it for them. As such, yes, the ending probably disappointed them… Because it isn’t what the story is about.

It is made clear in the beginning of the story: being a Witch is not a pleasant thing. It is not a power fantasy. It might look like it, and Rowena uses it as such, but we are clearly warned that a Witch is still an unpleasant, dangerous and sometimes disgusting existence which will require suffering, both inflicted by the Witch and received by her. It is in such a path Rowena sets herself upon – and this is part of a greater scope of things. Rowena is the main character of the novel, but she is part of a wider plot by the Enchanter. The Enchanter wants to break the endless, frozen cycle of Fuinör. He wants to destroy those paralyzing traditions and this unnatural order. He wants to plunge back the world into chaos – a benevolent, needed, positive chaos, but a chaos still. And one of the very strong messages of this tale is: a need to go beyond Manicheism. To go beyond simplistic duality or archetypal characters. What Rowena, and the Enchanter, and others later, bring is complexity. The entire point of the novel is to go beyond the idea that there is all good and all bad, clear cut good and evil, black and white. As such, slowly as the cosmic battle wages on, as the Tradition and the Divine Law unravel, the characters grow into shades of gray as all their values, their positions and their allegiances are redefined, put to test or exposed, as the very machine of the universe starts to be pulled apart. Characters that start out as nice and lovable heroes turn into selfish villains. Characters that appear as flawed jerks and unsympathetic narrators learn from their mistake and grow heroic and wise. Courageous warriors grow into cowards, figures of sanity become mad, and this entire novel is the story of one huge revolution where everything changes: moralities, social hierarchies, laws of justice, and even genders! (The novel notably features an exploration of non-binary genders through one specific character – or three depending on how you count it – not including the various shapeshifting of the supernatural entities, which again helps make it resonate with a modern audience despite being around for quite a long time)

As such, no, this story is not a feminist power fantasy, and those that go in expecting this will be disappointed. It is a much, much larger and complex story about an entire world, about this fictional place born out of the classic fairytales and the medieval romances and the Arthuriana, and how this thing is confronted with its own choice of “evolve or die”. And this is still a very powerful and admirable story, which at the same plays subverts tropes, while also playing many clichés and stereotypes straight, but with a clear knowledge of this. Some people in the reviews said they were disappointed that ultimately, it seemed that Michel Pagel, in trying to break down and denounce clichés, ended up himself reasserting those same clichés. And I honestly do not think it is the case – as the novel is rather a strong defense of “We should get rid of all clichés and stereotypes, because they’re always going to trap us, no matter on which side they are”. But again, I can’t reveal too much without spoiling this long modern epic.

A good example of why for example this novel isn’t a pure “feminist fantasy” as many believed: Rowena is not the only main character. There’s another one, a “male counterpart” so to speak of the Witch-Queen in training. A character who doesn’t really have a name (well he has one but it is kind of a spoiler domain), and whose own backstory forms the second part of the novel (or the second novella of the series). A character who lives in a different part of Fuinör, and also should have been trapped in a cycle of millennia-old rituals and binding traditions and unfair customs, but whose fate changes completely due to the interventions of the Witch and the Enchanter… Except that, whereas with Rowena we had a bittersweet parody of Disney movies and traditional fairytales, with this second character we rather explore a deconstruction and attack of a different type of folktales. There is notably a brutal takedown of the whole “Journey of the Hero” system and the “Monomyth” idea. And I don’t say “brutal” lightly: this part of the novel is very, very brutal, physically speaking. Because this second main character is the helpful companion on the road in fairytales that helps the hero get the girl while himself having nothing. He is also the stock archetype of the Fool doomed to make mistakes and be ridiculed or punished. And he is the False Pretender, the False Hero of fairytales here to put in value the True Hero… Except we are told the story through his point of view. Except he is not evil, he is a guy who is trying his best but is put in an unfair position and only gets endless bullying. Except the True Hero doesn’t seem to be deserving of his position, and the question is raised of “Maybe the other guy should have been the Hero”… But here we shift into a fantasy version of what Terry Gilliam’s “Brazil” was and we fully explore the magical dystopia that is Fuinör.

Overall I do have to say… I think so far the closest thing I have seen in terms of overall tone and ambiance, in the English-speaking world, to compare these works… would be Dimension 20’s season “Neverafter”. Both works deal with a very funny parody but also very dark twisting of fairytales and folktales. Both deal with characters being abused and going through horrors at the end of great cosmic powers and otherworldly narrators. Both tread between comedy and horror ; and both deal with the protagonists’ attempt at breaking endless cycles set upon by fairies (because, in both Pagel’s novel and Dimension 20, the fairies are one of the numerous antagonists as the ruthless and terrifying enforcers of the “laws of fairytales” that get everybody stuck in their roles and functions). Of course, the two works are very different beyond that… But there is a common bone.

A final element I need to add so that you get a full understanding of this novel: Michel Pagel placed his book under the patronage of Shakespeare. And if the fact every part opens with a quote from one of Shakespeare’s play, from Hamlet to Macbeth passing by Romeo and Juliet, King Lear and more, wasn’t enough, anyone versed in Shakespearian studies will see how among the many archetypes and stock tropes of the novel, those of Shakespeare also regularly pop up. Someone once wrote that this novel started out as a fairytale parody, but slowly evolved into a Shakespearian tragedy, and I cannot agree more. It does start out as a dark and morbid but entertaining parody – and then things get really brutal, really violent, really sad, really serious, and we enter a terrible and dreary fantasy, but still very poetic and very human, that moves towards a universe where all of Shakespeare’s greatest cruelties fit right at home. The novel most notably has a lot, a LOT of fun exploring the Shakespearian archetype of the “Fool”. There’s almost two handfuls of characters that each is meant to explore a different aspect of the Shakespearian Fool, each expressing a difference nuance of it (the famous non-binary character is one of them, paying homage to the typical gender-plays and gender-questioning within Shakespeare’s plays) – and I am glad to be a Shakespeare enjoyer when reading this novel because again, a random person with zero Shakespeare knowledge would miss a lot of things. (Which again is I believe the reason the Internet reviews attacked this novel, there is a certain degree of medieval and literary knowledge needed to get the parts of this novel that pay homage to the older texts and more ancient roots of the clichéd, Disneyified myths we have today… Without it the novel can still be read, but it might seem much weirder and bleaker than it truly is)

Finally a flaw, because there needs to be a flaw in every review, it can’t all be glowing: I do admit that of the four parts composing this novel, the fourth one did felt unbalanced. Notably the author seemed to spend too much time, description and effort on characters barely introduced (which at the ending climax of a story is not good), and not enough on the characters we were following since the very beginning… But I will blame that on the fact the fourth part was originally meant to be an independent novella read one year after the last part was published. I do believe that, while putting the full series in one volume is quite convenient if you want to buy something to read over holidays, it does make one feel a bit tired by the end since you literally absorb four years of writing into one go… So, my advice would be to enjoy this book by making pauses between each part, to not do an “overdose” that would be too abrupt.

Or two flaw, I feel generous: when it comes to the second part, it felt a tad bit repetitive. A tad bit too much repetitive. I get that we are supposed to have a hopeful character that is trying his best to make things work and obtain what he wishes for, and we are supposed to fully get the injustice of the situation and the hardness of this world… But precisely because of how it explores casual violence and vicious brutality, the repetitiveness is felt more. It’s a type of “break the cutie” (who isn’t here so much a “cutie” as a morally neutral human being) scenario, and I am not well placed to say if the author did just enough or too much.

[Edit: I do love how the original covers for the 80s series tried their best to make it seem like a full horror series... when it is not]

[sarusquillart]

🎀

[aneurinallday]

Star-Crossed Lovers

"Romeo's boring, you know, like he's so wet, do you know what I mean? He's not really that attractive" ~ Aneurin Barnard, 2024

[a-kind-of-merry-war]

One Night in Hartswood is coming to the US on 7th Nov! 💙💗

One Night in Hartswood is a queer medieval romance novel about why making out with a mysterious guy in the woods the night before your wedding (and then running away with him) might not be a very good idea, especially when you’re both lying about who you really are (and he’s the brother of the woman you’re supposed to be marrying.)

It's available for pre-order now in US bookstores, including Amazon, B&N, Target and the HarperCollins website.

Find out more (full blurb, art, content warnings etc) on the Hartswood Masterpost!

[more-profound-bond]

Queer Books for Pride Month:

"Reforged" by Seth Haddon

"Reforged" is a romance book set in medieval times, but it's also so much more.

It's action-packed, full of political intrigues, betrayal, magic, love, music and a world building so well crafted, you'll have your hands full for days trying to solve the knots the plot tricks you into.

Zav and Balen are fantastic. Their loyalty and affection for each other are only the tip of the iceberg in the greatness that is their relationship.

I honestly love their banter and their characters in general. 

The writing in this one is quite descriptive though, so be warned.