#it wiped out all of my thoughts

[puppydogdarling]

I just came so hard with the vibrator😵‍💫 holy fuck that was really really really hot.

[shalom-iamcominghome]

Funny things about being in jewish culture™

You absolutely cannot expect jews to (1) stay on a topic topic or (2) be concise. The notion of "having a topic" to talk about is merely a suggestion (apparently, this includes me)

Jewish time means you're transported into a universe where time doesn't exist. Every shul has to have a portal to a different plane of oblivion - it's as important as having the scrolls in the ark

You might only know someone by their hebrew name and consider if they will look at you weird if you call them by it outside of shul

There is a latent jewish mother hiding in everyone and that mother will arise like a sleeper agent if someone has deduced that you aren't eating enough during any potential communal meals

Why so many puns

Why are all of you as sarcastic as me...

The one person who's actually fluent in hebrew flexing their superior language comprehension (diaspora)

Celebrating having a minyan

Singing prayers to popular children's songs

It's surprisingly normal to ask about someone's bris if it comes up

There are seven people in the building, yet I thought there were twenty

[deoidesign]

One of my first digital pieces (2010) versus one of my recent ones (2024)

We all start somewhere!

[art-is-kayos]

AU where Ayin Fucking Died so Angela had to make him a mini boxbot out of scrap.

[huellitaa]

i don't post about politics often but if you support trump, very disrespectfully fuck you and get off my page. this is genuinely such a dangerous situation and i wish only love and light for everybody. please stay safe

[balleater]

something i've already posted about in the past but am thinking about again because of the conversations in this episode is that i still truly do not understand bells hells'(well, particularly ashton's) view on what is going to happen if the information about aeor gets sent out to the people of exandria. obviously, i'm not an average person living in that world and am instead a viewer of the media with fairly extensive knowledge of the lore, so i could definitely just be missing what the impact would actually be! but the insistence that it would be a world shattering revelation that completely turns everyone against the odds just... doesn't make sense to me?

unless ludinus has a way of editing the information he presents and can take away the context, which would basically make the "footage" even more strange, what they're going to be seeing is... the gods saving themselves from people with the active ability to murder them all and having a rather humanizing crisis of what they should do about it? i guess the working with the betrayer gods part could be considered the controversial aspect of it, but overall, considering everything else that was destroyed in the calamity, aeor really was the one instance that was closest to being "justified". i don't think anyone who cares enough about the gods for this to cause any sort of big disruption of faith would have as big of a problem with it as they are assuming, nor do i really think it's something that would cause mass revolts against the gods in people who aren't devout.

[philosophiums]

I have given into peer pressure.

Below the cut is my un-referenced, not proofread, off-the-cuff thoughts on the main JJK characters and their tendencies to have traits that contradict themselves, which not only makes them more rounded characters but also creates a really interesting situation in which characters have mirrors and foils not only with other characters, but also with themselves.

The point of this post is that the characters in JJK are complex. None of them are one-trick ponies and all of them contain multitudes and have, at least once, contradicted themselves and their beliefs.

Might be spoilery? I tried to keep it vague enough that it shouldn't be, but read at your own risk if you're anime only, I guess.

The Obvious One: Gojo

Gojo is "the strongest." It's debatable, I think, whether or not being "strong" is a personality trait, but he makes it his defining personality trait. (And I'm not here to do a Gojo character study, so for my purposes, it will be viewed as one.) Obviously, The Strongest is a title given to him by others, but he fully owns it and believes it. This is his identity; it's how he views himself, how he handles himself, and it is a preceding reputation that he gladly leans into. It's not a mask he hides behind, it's a flag he proudly displays on his ship to warn others of exactly who they're dealing with.

It makes sense, then, that Gojo's self-contradiction is that he has the biggest, most obvious weaknesses of all the characters in JJK. The first of these weaknesses is his knowledge of how strong he is. Toji exploits that weakness in the Hidden Inventory arc, and it almost costs Gojo is life. His second weakness is, very simply, Geto. Kenjaku exploits that weakness during Shibuya. Interestingly, Geto is a victim of Gojo's first weakness (Gojo is so self-assured that he seems to extend that assurance to the people around him, thinking that they are "as gods" like him just for being in his presence, and therefore he does not pay mind to Geto's spiraling), and exploits his second. He, better than anyone else, knows that he is Gojo's weakness, and he uses that knowledge to do everything he does before and during JJK 0 without repercussions.

Gojo is framed by himself and by many characters within JJK as being the "savior" of the jujutsu world, but in many ways he was, in fact, its downfall - because of his strength, and because of his weaknesses.

The Main One: Yuuji

Yuuji is the king of contradictions to me. Not all of it is within himself, and in fact a lot of it occurs because a large part of the plot is happening to him instead of the other way around, but he has one dichotomy that I do think is All Him. Yuuji defines himself as a cog - in his thoughts, he has been used and beaten down for evil already, so why not just be used for good as well. He thinks of himself as expendable and easily replaced; a foot soldier in a war being fought by titans. At some point, his goal stopped being to follow his grandfather's last request and instead turned into the simple act of persevering for as long as he can just in case anyone may have need of him. In a way, his outlook and perspective on everything became rather bleak and inhuman - quite literally, as, again, he views himself as nothing more than a cog.

And yet, for someone who has claimed his only purpose is to be used to kill Sukuna, everything Yuuji does is so achingly desperately human and is born out of his own desires to save people. Every other sorcerer has a CT or a fighting style that disconnects them from their foe - be that ranged attacks or weaponry - but Yuuji uses his fists. It's raw and almost savage in a way that is unavoidably intimate and human. He says, "Use me," (and, don't get me wrong, he is used) but even the act of offering himself negates the connotations that revolve around being used and shines such a lovely warm human light on him.

Yuuji doesn't push people away. The other "strong" characters isolate (Gojo has infinity, Yuuta literally fucks off from the narrative, Geto fucks off from jujutsu society, etc.), but Yuuji hoards people and connections (and yes, those become weaknesses, but the thing is: they become strengths, too). Sukuna takes Megumi away from him, but that just makes Yuuji more determined to kill Sukuna and get Megumi back. Everything he does is out of love, and he has a drive to do what he has to in order to save (or avenge) the people he keeps close. That's not exactly cog-like behavior.

The Fandom Discourse: Megumi

In my opinion, of all the characters (but especially the first-years), Megumi is the logical character. Especially when it comes to his job as a sorcerer (fighting and killing curses). He is knowledgeable about the world of sorcery, the most book-smart of the first-years, and he is smart and methodical when he fights.

He is also the only character who has openly admitted that he really only cares about saving the people he wants to save, as opposed to the general rhetoric of saving everyone. He's selfish, and he's not shy about it. Even he doesn't try to rationalize it; it's just part of who he is. Logical, methodical, smart, but also deeply, truly, selfish when it comes to where and how he expends his energy and efforts.

And yet, he is also the character who is most willing to die. Now, before half the fandom jumps down my throat, I don't mean to say that he wants to die or that he is constantly trying to - I'm just saying that he is willing to. (Obviously, Yuuji is also a character who is willing to die, but Yuuji is only willing to do so if it would also kill Sukuna, and he is determined to stay alive until such a time. Megumi, on the other hand, doesn't have a similar end-goal ultimatum for death). Yes, he comes at dying from a logical point of view, and yes, he only ever brings martyrdom into the equation if he feels he has no other option, but he has no hesitation when he reaches that point. And you (he) can rationalize self-sacrifice as much as you want to, but that is a very emotionally driven response, regardless of the situation. It's a last stand not only for himself, but for his friends, his family, the world. It's the end of the line for him, and it's something he is willing to do if it means taking out his opponent and making the world safer for everyone else - not just for his "select" people.

He is willing to run away from a fight he cannot win, but he is also willing to do something that he knows for sure will kill him if winning and running are no longer options. And I know that not everyone will see these things as opposites or all that detached from each other, but, to me, intelligent and methodical fighting does not naturally go hand in hand with, essentially, grappling your opponent and jumping off a cliff with them.

The Favorite Child: Yuuta

Like Gojo, Yuuta has access to an overwhelming amount of power. There's no doubt that when it comes to raw energy, he is the strongest sorcerer in his generation. He's exceptionally skilled when it comes to fighting and is often able to get by on simply overpowering his opponents (truly, much like Gojo). He doesn't embody being strong, though - he knows that he is, but it's not something that he considers a defining trait for himself. Instead, Yuuta's whole thing is that he has a tendency to shoulder burdens that other people won't (much like Yuuji, actually) (also it's kind of funny because of all the characters in JJK, I would consider Yuuta to be a "cog" way more than Yuuji, but that's a whole other thing). Yuuta is willing to be a monster, to make hard calls and suffer the consequences, because he has internalized what everyone keeps telling him - that, after Gojo, Yuuta is now "the strongest."

Which means that Yuuta also needs an equally large weakness to balance out that power. But where Gojo had arrogance (and his boyfriend), Yuuta has innocence. There's this pure sort of worldview that Yuuta carries with him that completely counterbalances the part of him that is willing to get his hands bloody. He has this youthful sort of hopefulness and naiveté that if he does the dirty work and puts in effort, then things will work out in his favor because they must. If he is sincere, if he shoulders an unbearable mantle, then everything will be fine simply because he chooses to do so. He does things because they are right and just, and he wants to believe that the universe will acknowledge that and be fair - even though he wouldn't have to do these unnamable things if that was true.

The Less Obvious one: Nobara

Nobara doesn't have a lot of screen time compared to the others, and specifically not a lot of time spent planning for/fighting in the "big fights," but she has one thing that the other characters don't have: self awareness. Nobara is the only character who knows what her contradictions are - she even says them out loud.

She wants nothing more than to be a normal girl who is into fashion, who could be a model, who does her hair and her nails and her makeup, who goes on dates, who has a lot of money and spends it freely. That's her ideal, that's her goal. But that's also who she is right now. She dyes her hair, wears makeup, is feminine in all the ways that would mark her as a girl to strangers on the street, goes shopping and buys too much and makes Yuuji carry her bags. She likes being girly and doesn't shy away from it.

But she is also, and I mean this with all the love in my heart, a feral little gremlin who is willing to bash people's skulls in with a hammer. She's brash and rude and loud. She takes up space and is unapologetic about it. She's vicious on the battlefield. She's not afraid to get bloody, and she hates being viewed as a damsel in distress. She's strategic in her fights, and she uses the fact that opponents underestimate her to her advantage. And she knows all of this, too, and she likes it.

She's self-actualized <3 No notes from me; I love my girl.

Anyway, that's it KSJDBVJKLDFVBJKDFVB There's no real point to this. I'm not saying anything profound, I don't think. This was all just a thought that I had, a little thing that I noticed, and I was bullied (affectionate) into sharing.

[il3x]

Any idea how more power solves the problem of being a good person?

With more POWER, you can protect your teammates. With more POWER, you can defeat the Aberrant criminals who kill and extort and farm children for Rapture. With more POWER, you can avenge Jaeil. With the right kind of POWER, you could reform the Aberrant Corps from a killer, his killer, into a true hand of justice. You could impose Goodness across the entire world. With enough POWER, you wouldn't even need violence to do it.

And on the smaller scale... POWER can erase your mistakes. Good? You could be perfect.

[aroaessidhe]

2024 reads / storygraph

Outdrawn

f/f contemporary romance

two cartoonist who’ve been rivals since uni, and now have competing webcomics online, have to work together on the relaunch of a cult classic at the comic press they both work at

they both struggle with art-related physical and mental health issues, and complicated families

[queenimmadolla]

nah, she was for real forced to attack and bring her loving parents into the upside down mess, and essentially kill them. i know that must have been agony for her, to have to watch and be unable to save them.

[introspectivememories]

I FORGOT I EVEN SENT THAT ASK AND YOUR RESPONSE HIT ME LIKE A TRUCK OHMSYGODDFJDJ

I seriously love your writing so much you always put a heap of emotion into it 😭😭

also adore the idea of TIM being the one who's obsessed with bear and going to such lengths just to keep seeing him, I tend to prefer happy endings so I like to think they work it out after a while but like also the angst is amazing

god the amount of yearning in this au makes me so mmmpfhhhf

god im just so sorry that it took me soo long to reply!!! you sent just as i was taking my break from tumblr and other social media :(((

i remember reading it and thinking to myself "god if i had the timbern brainworms, i could write smth for this" but then recently they've been coming back and i was a church bored out of my mind when i was like "hmmm maybe i should respond?"

and ohhh my god, when i first got it, i immediately thought about how toxic it could get and like, personally, i feel like i can't write complicated characters? if that makes sense? to me, im not very good at writing multi-dimensional characters. which to be fair, i never set out to become like a pulitzer prize winning author. i just do this for fun haha.

and like i knew that my answer to your ask was always gonna be toxic timbern but i didn't know if i could write it? ig??? bc like tim is a good person. he is!!! he just wants bear so badly. and it's past the initial physical attraction now.

he and bear are all grown up. he likes bear's wit and humor, well the wit and humor he gets to hear when bear doesn't know he's around. but bear wont let him in!!!! bear wont open himself up and tim's apologized!!!! he did!!! he doesn't even know what he did and he still apologized!!!!! and it changed nothing. bear doesn't talk to him or look at him or anything. nothing but polite professionalism.

and then one day, he sees bear on his balcony as he's swinging through the streets of gotham. and bear isn't doing anything special, he's just sitting there in sweats and no shirt and the moonlight hits his pecs just right and his shoulders are so broad and-

well he cant be blamed for stopping to take a peek, right? and maybe when he has has time he swings by more and more. just watching for longer and longer, until one day bear catches him. and as they stare at each other from opposite sides of the street, tim thinks this is it. the cold glances and frosty words are going to come back. bear's never gonna just sit on his balcony again. he's lost this too. but then-

oh.

bear sends him a hesitant wave and tim raises a trembling hand to wave back. and bear- well bear's mouth splits into a smile brilliant enough to rival the sun. beautiful like the sunrise. the promise of a new beginning. if he closes his eyes, tim thinks he can feel the sunlight's warm rays on him.

hes' hooked after that. he comes around again and again. one day bear lets him on the balcony. weeks later, bear's hugging him. weeks after that, tim's in bear's lap. and he knows it's not right. that bear thinks he's someone else. that bear doesnt want anything to do with him but how is he supposed to let this go? how is he supposed disentangle himself from bear's arms?

so he lies and he lies and he prays to any and every god he can think of, that he'll get to keep this. plus he's not really lying to bear, he's just... not talking about it! if bear asks, he'll tell him point blank. he swears it. but that's a problem for another day. things are looking up! bear said more than 5 sentences to him the other day and yesterday? he even got a small smile. it'll all work out. he'll be fine.

[stardustdiiving]

How evil is arlecchino and what is she cooking

As of 4.2, I’m really curious what they’re planning with Arlecchino as a character, especially as a villain/antagonist/morally dubious character, and how far/which direction they may go with that

Intuitively my impression is we’ll see her do something way more “villainous” than she presents herself as being for majority of Fontaine’s AQ in front of us right—(which isn’t a surprise given that, you know, Arlecchino nor the House of Hearth have never been presented as 110% ethical LOL) but I find myself not being in complete agreement with most analysis or speculation threads I see about Arlecchino’s morality and the like, level of sinister people seem to ascribe to her.

Idk how to put it, especially in regards to her children I do agree they are not a wholesome found family, that Arlecchino is not above pulling strings or using them for her own ulterior motives, but I kind of hesitate on the idea she only cares about the Hearth children as a means to the end/things she can control and there’s nothing else going on with her characterization wise there. I’m not saying that impression seems remotely unreasonable or unfounded, but just that it feels there’s something intentionally missing in how we are supposed to conceptualize her as a person

My main reasoning for this hunch is the fact they have not elaborated on Arlecchino and the previous Knave—who Arlecchino is stated to have taken over the position from by force. The extra tidbits I think about are that 1) Arlecchino was previously an orphan in the Hearth 2) the previous Knave is described as way, way crueler to the children of than Heart than Arlecchino was from when she took control of the House

Often, people’s major indicators that the House of the Hearth is kind of super fucked up are the NPCs we meet in world quests who are part of it and clearly suffering. But one thing I haven’t ever seen people mention w this that i think is a very interesting detail is, in The Very Special Fortune Slip Inazuma worldquest, where we stop this House of Hearth guy (Efim Snezhevich) from manufacturing tension between Watasumi/the Shogunate to restart the war with his other Hearth subordinates, at the end of the quest we get this dialogue that reveals he had been acting under the previous Knave’s directives:

It’s also mentioned he’s employing this plan in an attempt to “rebuild the prestige of the Knave” following Signora’s death, iirc? Now, see, the dialogue itself says that this is “assuming our captive is telling the truth” so who knows what’s really going on, but I find this a really odd/interesting thing to highlight. I’m a bit fuzzy on other world quests with Hearth members, and am not saying none of them were acting and subsequently being treated poorly by our Arlecchino, but like, this gives me a lot of questions especially when paired with implications this previous Knave seemed to be way worse

Like, what drove Arlecchino to take over? How unexpected and controversial was this within the House? Assuming the above information is all true it definitely says something this guy went rogue and acted on what the previous Knave would want and didn’t think our Arlecchino would greenlight it, which does feel consistent with the previous Knave being described as basically worse & crueler than our Arlecchino. It also makes me question how much house of hearth things we’ve seen outside the main story are the work of our Arlecchino or if there’s a bigger divide of loyalty. Heck, I could be wrong but it doesn’t even seem like we know if the previous Knave is dead or not

This isn’t me saying Arlecchino couldn’t possibly be treating hearth children worse than she wants us to know, especially ones who aren’t her “favorites” the way the fontaine trio seem to be, but I really don’t feel sure about making a solid conclusion of her exact level of malice the way ppl r generally understanding it rn when it feels there’s going to be more about her. Just the idea of she, as a Hearth child, clashed with the previous leader who was known for being cruel, overtook their position and took on less harsh methods of leading that made at least some members with more power/possible closer proximity to the previous Knave go rogue and try to commit atrocities in the previous Knave’s name…I feel this leaves a lot of room to suggest there’s more going on with how Arlecchino is as a person

I don’t mind if she’s just very evil and deceptive bc if she totally had me fall for thinking she was less evil than she actually was that’s fun tbh. But I feel people suggest that’s all her character could be with no degree of like, “sympatheticness” or deep grey morality and that if her character did go there it would be automatically poor writing and genshin walking back on making a truly evil woman when IDK. I feel you can claim at this point they have left it open ended and it’s never been completely confirmed she’s pure evil. Also sometimes I just get a hunch and feel cautiously confident in Genshin executing certain characters well. Not all characters, just certain ones. Especially given Fontaine’s character writing being very good and a character like Lyney feeling very solid to me when any development with Arlecchino would likely involve him and his siblings as well, I honestly feel open to the idea of Arlecchino being satisfyingly written to be both villainous/morally dubious but “sympathetic/likable as a person” in ways outside of just her ruthlessness if that makes sense

If I’m wrong/they drop the ball with it more than I anticipate I’ll eat my hat but I am pretty excited about her character and which way they decide to go with it. I will say the only potential impression I have of where they’ll go with her has been wondering if it will go in a “cycles of abuse” direction—I’d be surprised if they ever elaborated on Arlecchino’s character especially in how she feels about things and her also growing up as an exploited child of the hearth wasn’t relevant

[fisheito]

snakes have something called a jacobson's organ that allows them to smell. they stick out their tongue, and then when it enters their mouth again, the jacobson's organ processes what they just smelled with their tongue. i say this to propose that, after yakumo licks eiden's dick for a good 10 minutes, he closes his mouth and processes it all like O_____O

when i TELL YOU that this message left me bracing the wall like

(overwhelmed with positive affect)

[yearning-gay]

bought a dildo but i don't have lube and i need to sort out a way to store it because it did not come in a convenient box but i have it and it's smaller and something i could probably take woo

[emotinalsupportturtle]

Man who just walked into coffee shop and is acting like total psychopath, this is Patrick Bateman in American psycho behaviour

[recitedemise]

𝗧𝗵𝗲 𝗻𝗲𝘁𝗵𝗲𝗿𝗲𝘀𝗲 𝗼𝗿𝗯 𝗮𝗰𝘁𝗶𝘃𝗲𝗹𝘆 𝗿𝗼𝘁𝘀 𝗮𝘁 𝗚𝗮𝗹𝗲'𝘀 𝗯𝗼𝗱𝘆. And it is excruciating. On his chest, one can trace its ugly mark, the brand less discoloration and more, unfortunately, a deep-grooved scar. It is unavoidable and impossible to ever miss. Similarly, the way it eats at him is obvious, too. Gale, especially at the start, when his condition, fresh and disorienting, was still abundantly new, the effects of the orb were frighteningly worse. At that time, he little knew how to quell it, that feeding off the Weave would balm the pain, and so for all those days and weeks of panic, he rotted and ached at a terrible pace. He had decayed. And he had bled. Gale's body oozed black, skin, especially at his casting arm, rupturing like cracks in terracotta. He tasted filth always, the bitterness of wasting flesh thick in his throat, nose perpetually leaking with the ink-dark of bleeding. He'd labored to breathe, a feeling like devouring maggots pulsing in his chest. In fact, at the lowest point by then, wallowing and stuck in his tower, Gale began to lose hair, his nails loose and cracking as he scrabbled at the floorboards, knees weak and pain bolting when he collapsed to the floor. He was a pitiful sight. And a worrying one. And even now, with the consumption of magical artefacts, one can still see the way he bows to the blight, heaving for breath when it takes his chest again, sweat at his temples and mouth gone dry. It's all-encompassing. The agony is chronic. It feels like being eaten, being hollowed to his barest self right from the inside. He's a vessel of magic, and the orb means to consume him down to his every last molecule, teeth bared, hackles raised, and appetite crushing. It's like--dying, stolen away to be but swallowed down whole, surrendering to the suck of a hungering vortex. He's unsightly. As well, too, as a burden, he thinks, to the very naked of his bones. But when someone hangs back, touches him despite his rot, he thinks, you shouldn't have to handle something like this. This mere shamble of a graveyard--he's so sorry to dirty their hands.