#it wasn't awful
Explore tagged Tumblr posts
communistcephalopod · 11 months ago
Text
so season one of the new percy jackson show ended with a post credits scene where instead of sally having agency and freeing herself from her abusive relationship using medusa's head intentionally, gabe just so happens to stumble upon it before anyone else with no mention of it being sold.
wait, sorry, i was thinking of the infamously inaccurate movie, who's reputation in the fandom is so bad that it has been a long running joke to pretend it doesn't exist, a reputation that rick himself has promoted by publicly stating his distain for the movies multiple times, including during the lead up to this show, a reputation he took advantage of to market the show as the perfect adaptation we were waiting for all this time.
what i meant to say is that it ended with a post credits scene where instead of sally having agency and freeing herself from her abusive relationship using medusa's head intentionally, gabe just so happens to stumble upon it before anyone else with no mention of it being sold. wait a minute...
171 notes · View notes
seagiri · 9 months ago
Text
when did this happen???
27K notes · View notes
ladybugkisses · 2 months ago
Text
Tumblr media Tumblr media
Happy Halloween!! ! 🎃
Eleanor's fashionably late, and a new clown has arrived (Camille belongs to @allusionaries)
5K notes · View notes
of-another-broken-heart · 1 year ago
Text
me: my keyboard is behaving sticky even though I cleaned the fuck out of it and I am absolutely depleted of energy to try to fix it again.
my coffee cup, defying gravity to eject the half-slurp of coffee I didn't fucking finish: hey wow look at me! *tumbles entire upside down on a flat fucking surface* Guess you have to clean your keyboard!!
1 note · View note
000marie198 · 2 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media
I don't care how excited it might make some people, I don't like this remake
2K notes · View notes
hajihiko · 12 days ago
Text
Tumblr media
'Strong opinions about femininity and masculinity' moment
799 notes · View notes
moonwoodhollow · 7 months ago
Text
Tumblr media Tumblr media Tumblr media
some much needed distraction
617 notes · View notes
khaopybara · 4 days ago
Text
Tumblr media Tumblr media Tumblr media
the holy trinity™
237 notes · View notes
secriden · 17 days ago
Text
Tumblr media Tumblr media
This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.
It's a direct reference to this moment earlier in the episode:
Tumblr media
At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:
Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.
In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:
Style: What do I have to do to gain your complete trust?
Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.
Tumblr media
I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:
Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.
Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.
Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.
And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.
Tumblr media Tumblr media
Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.
Tumblr media Tumblr media
Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.
Tumblr media
I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.
Tumblr media Tumblr media
I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.
Tumblr media Tumblr media
And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.
Tumblr media Tumblr media
Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.
It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.
Tumblr media Tumblr media
So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.
Tumblr media Tumblr media
He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.
Tumblr media Tumblr media
And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).
So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.
Tumblr media
What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.
Tumblr media Tumblr media
Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.
Tumblr media Tumblr media
When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:
Style: One day, I'll be your 100%.
This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.
I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.
Tumblr media
But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.
Tumblr media Tumblr media
And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.
Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.
Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.
Tumblr media
And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.
249 notes · View notes
foldingfittedsheets · 29 days ago
Text
Vegan leather is a plague.
211 notes · View notes
userarmand · 1 year ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
edizzy + glimpses of their prior dynamic
1K notes · View notes
ahopefulbromantic · 1 month ago
Text
No please you don't get it you don't get how heart-wrenchingly sad the golden calf thing was
Remember the conversation right before it? in which God tells Moses all about the ark and the offerings and the tent and the rituals and the garments and the Sabbath? The conversation that everybody thought was boring (fight me. FIGHT me this instant)?
The conversation in which God excitedly says, "Okay Moses, my Love, this is gonna be so great! I will live among you, among my people! I'm so happy!!! So here's the plans I've made while I was up here, you will build me a little house! That I will dwell in! Here's how I want it to look, I thought about the exact measurements and ornaments so you could build it for Me and we can live together! I will be your God and you will be My people and I love you all, I love you so much. And here's what I will eat, here's what I like so you can cook it and we can have meals together! And here's how we'll be spending our holidays together and here's how we will all be dressed, I thought about everything! And, and-"
And suddenly His face drops.
"Moses," He says quietly. "I think you should go back down."
"...Why?" asks Moses, his heart already sinking.
"They've made themselves a new god to worship. They... didn't want Me."
Can you imagine? All this holiest excitement doused, all this going out of His way for the Almighty to be family with humans crushed in one moment when God maybe suddenly realizes He isn't loved back? How heartbroken, how utterly crushed must He have been that the Boundless Love could even think about just killing Their people then and there?
Good thing Moses still couldn't see His face. No human would be able to handle so much sorrow.
171 notes · View notes
silverwhittlingknife · 9 months ago
Text
from this real advice column:
Tumblr media Tumblr media Tumblr media
i see you person who wrote this sdfsdfdsf
411 notes · View notes
lazylittledragon · 2 months ago
Note
Stupid question maybe but did you hand paint the moons on the edges of the coat?????
not a stupid question at all, it's completely reasonable to assume that i figured out a smarter way to do it and didn't sit there for hours with my miniature brushes painting individual moons on 3 feet of coat
look i tried to find a more efficient way like making a stamp or a stencil but it was just wasting time so i did it by hand
158 notes · View notes
mrsfitzgerald · 5 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media
gelsenkirchen 😁 29.07.24 ♥︎ video: iinchicore
273 notes · View notes
chonideno · 2 years ago
Text
literally where can the zelda franchise go after totk. this is it. we've reached it. the pinnacle of video game entertainment. the whole dev team should just pack their stuff and enjoy a long and comfortable retirement. whoever decides their team has to follow-up on that with the next zelda game should answer for their crimes at the hague. what the fuck. I haven't even beat the game yet but what the fuck.
and how are AAA video game devs everywhere not losing their minds. how the hell did nintendo do any of that? and on that console?? you mean to tell me I can stack 15 differently shaped objects on top of each other and they don't vibrate violently into the skybox?? you mean to tell me the physics engine gladly accepts whatever I throw at it and holds it all together without dropping a frame while running on a machine that was outclassed two generations ago??? this is not witchcraft it's a grandiose demonstration of mastery over every aspect of game development that casts an immense shadow over every other AAA studio. fuck. fuck!!!!
everything about this game is crazy to me. the visuals are crazy. the soudtrack is crazy. the complexity of all systems and how they interact is crazy. the sheer amount of non-repeating content, NPCs, quests, dialogue, puzzles, environment variety - all crazy to me. every time I boot up this game I am humbled by the monumental effort and obvious love that went into every facet of the resulting experience. no cut corners anywhere. mirror-perfect chrome polish.
it's so rare we get something like that, in any field. I'd understand if nintendo never made a zelda game ever again because how do you follow that. god I hope everyone who worked on this game got the fattest check and the sloppiest head. I'm so happy I get to live in shigeru miyamoto's world
2K notes · View notes