#it was so good at first

[peppermintquartz]

when i think about how Penny Dreadful could have created a whole new wave of Gothic Heroines but fell prey to a terrible ending because the head writer got tired of his creation i want to rip something apart with my teeth

[adrift-in-thyme]

Sometimes a book stays at its climax for waaaaaayyy too long

[shoomlah]

I have a feeling that beneath the little halo on your noble head There lies a thought or two the devil might be interested to know You're like the finish of a novel that I'll finally have to take to bed You fascinate me so

You Fascinate Me So, Blossom Dearie

[poorly-drawn-mdzs]

Must be a Sugondese joke.

[greykolla-art]

If Cursed Cat Alastor talked I imagine it would say so many upsetting things.👌

[aromantisk-fagforening]

reblog to give the prev a hot chocolate with (optional) whipped cream and marshmallows

[hinamie]

matching eye horror for u and ur back-from-the-dead bestie <333

[s0up1ta]

"so grunkle ford how do you know bill?"

"... that's not important."

[mellosghosts]

in my heart this joke is in the movie, but unfortunately im afraid only we, hughjackmaniacs, would get it 🥀

[softichill]

I think abt this tiktok all the time

[ID: A captioned Tiktok by @nextdreadpirate. A comment in the middle of the screen says, "Always tip the maid" as a skinny white man trots into the middle of the screen. He's wearing a frilly maid's dress and cap and holding a notebook and pen. The comment disappears as he says, "Hi! Welcome to the maid cafe where we're-" He turns to the right, does the nya hand gesture with each hand, then kicks up a heel, showing off a black pump. "-cuter than kittens!" He finishes, then drops the pose and turns back to face the camera, shuffling a bit closer and leaning in as he talks. "I'm the diversity hire, Bryson. Are you here for the gamer discount?"

A door opens in the background, and Bryson stands up and turns to the left, holding out a warning hand. "Okay, I can explain," he says to people offscreen, starting to laugh. Someone laughingly says, "Oh my god," and another person starts laughing as the video ends. End ID]

[thatskindarough]

They’re going to the movies

[hattersarts]

>>> Risk ineffable husbands, 7 pages

here's a little comic, it's not completely show!gomens compliant but its headcanons i enjoy

comic notes under cut :)

I enjoy Az already realising he likes Crowley by the time Adam appears but hasn't yet worked out what to do with that information bc acts-of-service Crowley Can't Talk, Wont Talk.

Crowley on the other hand has been VERY GOOD at ignoring why he spends so much of his time around Az so only on the crux of YOU'RE GOING TO LOOSE HIM did anything manage to force its way through to his brain. (i did not enjoy crowley being told he was in love with az in s2, i think he could have worked it out himself)

i rly enjoy hcs where they started sleeping together and with humans for fun (i mean the ox ribs scene sets some v good precedent for this) az sleeps with humans bc he indulges! he likes pleasure! crowely on the other hand is very bad at catching feelings and doesnt like it when they die so has mostly only slept with az (did i mention he's VERY good at ignoring his feelings) but they probably haven't slept together for a few hundred years when adam pops up.

my compliant show!hcs are still that az knows he loves crowley (i mean the scene with jim where he leaps out of the chair to attempt to protect crowley saying no he defo doesnt know ANYONE who he feels that way with, don't look closely at anyone he is with) and is just sort of sitting on it still, waiting for any hint from crowley, planning a ball definitely only for humans and no other reason. Crowley is obviously very protective of Az but he still hasn't clicked why he's worried about him but he doesn't have the excuse of heaven or hell anymore so it wouldn't have taken much for him to work it out (hello one of his first lines in s2 is "you ever think, what's the point?" the point is love you idiot)

(book!gomens is just they're already married and have been fucking for centuries but the book just doesnt mention that.)

[xshinina]

*Married life playing in the background

This idea was probably funnier in my head

[lab-gr0wn-lambs]

And lemme know your age (if you feel comfortable!), and when you got your first phone in the tags!

If these options are scuffed I'm sorry, I genuinely have no clue how many phones people are "supposed" to have had (hence the poll)

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[applestruda]

THEYRE HERE