#it was really about how little he actually does this (specifically as the series goes on) but he's done it

[shantechni]

A short compilation I made of Mikey successfully (and unsuccessfully) ending arguments between Leo and Raph.

[deconstructthesoup]

One thing I absolutely adore about Dead Boy Detectives is the immaculate costume design. Specifically, how it perfectly encapsulates who the characters are, both as a whole and who they are in the moment.

From the very first scene of the show, we know immediately that Edwin is a bookish, somewhat stuffy guy from the Edwardian era who attended a boarding school, and Charles is a punk from the 1980's who's most likely the wildcard between the two of them, just going off of the way that they're dressed. Both of them have distinct color schemes and different styles, but the general shape of their outfits is actually relatively similar---both of them have collared shirts (Edwin's dress shirt, Charles's polo), something over those shirts (Edwin's vest, Charles's suspenders), a jacket of some kind (Edwin's suit jacket, Charles's flannel thing), a longer overcoat (Edwin's traveling coat, Charles's peacoat), something around the neck (Edwin's bowtie, Charles's necklace), slacks, and nice shoes. They're distinct, yet matching, two clearly defined separate characters yet part of a set.

Edwin's prim, proper, buttoned-up personality lends itself to the way he dresses throughout the season---in the first episode, he only dresses down when he's in the office with Charles, aka his safe place and his safe person, and he doesn't really dress down like that again for a good long while after getting stuck in Port Townsend (though, if my memory serves me correctly, he does take off the suit jacket while watching TV with Niko). But in episode six, he's changed up his usual look for a cozier, casual-looking sweater and a little bit of collarbone, and in episode seven... well, he's in his nightclothes, and he's about as open, raw, and vulnerable as you can get. Edwin's color scheme is also predominately blue, which lines up nicely with his logical and practical, yet deeply sad and closed off personality, and the only time he really wears anything other than his normal blue-and-brown outfit (willingly, that is) is when he's in that green sweater in episode six. And, uh... all I can say is that it's quite telling how blue and green---or, well, teal---are the main colors of the gay/mlm flag.

Charles, by contrast, dresses down a lot, and that makes a lot of sense when you consider the fact that unlike Edwin, he feels comfortable pretty much anywhere. On any given episode, he goes from wearing his peacoat to just wearing his flannel to ditching the flannel to not even wearing the freaking polo---though, again, the latter is something that only happens when he's in the office with Edwin. Safe space, safe person. And, well, plenty of people have analyzed Charles's polo shirt going from red to burgundy to black over the course of the series, and there being a little bit of red under the collar of his coat that's only visible when Edwin fixes it, and then it goes back to burgundy, and then it's red again when Edwin's out of Hell... for good reason! It's color symbolism at its finest! Not to mention, the red and black not only perfectly contrasts Edwin's color scheme, but it also lines up with Charles's personality---he's a rebel, he's hotheaded, he's bold and brash and loud... and yes, he's angry, but he's also so, so loving.

When we first meet Crystal after she loses her memories, her outfit choices feel very deliberate. They're stylish and vaguely trendy, they're arty and a little bit witchy---pretty fitting for a psychic who's also a showbiz kid, even if she doesn't know that last part. But all of her clothes appear thrifted, or at the very least vintage, and the patterns and the general vibe all feel natural and comforting. Her makeup's always fairly simple, her hair's either down or up in a couple of cute space buns... overall, this Crystal looks like the kind of person who'd make you tea when you're in a bad mood, who'll listen when you just need to vent, and who may not always know the right thing to say but will understand what you're going through. But when we see her in the flashbacks, her clothing's flashy and prioritizes high-end trends over comfort, she's either got her hair up or has it straightened, and she not only has dramatic makeup, but acrylics. This is a girl who talks shit about you behind your back, who's bitter and cynical and wants everyone to feel the same way, who makes up for the lack of love and stability in her life via material things. It's also worth noting that Crystal's color scheme has a lot of purple, which is a color that connects to wealth and luxury, but also creativity and magic---which, yeah, fits her two conflicting sides pretty damn well.

You cannot talk about Niko Sasaki without talking about her outfits, and the meaning behind each of them has already been talked about at length. However, one thing that really stands out to me is that the reason they're so iconic isn't just because of the monochrome color schemes, but because they're out there. They're weird, they're eclectic, they're a little mismatched in style sometimes, and they're so unapologetically her. Niko wears heart-shaped sunglasses, unironically. Everything about the way she dresses speaks to how, even though she's a recovering shut-in who initially doesn't want to be perceived, she's still very sure of who she is.

Jenny's design, like Charles and Edwin's, is a design that gives you the key information you need the minute she first appears onscreen. The dark makeup, the silver jewelry, the leather apron, and the hairstyle all point to a person who's tough, doesn't take anyone's shit, and has long since given up on caring what other people think---in other words, she's a badass. But the butterfly tattoo hints at a softer side, a side that we see time and time again throughout the series as she shows that she cares about Crystal and Niko, and even the boys... eventually. Also, Jenny's design is perhaps one of the most clearly queer-coded in the series, to the point where her being a confirmed lesbian is pretty much a no-brainer.

Esther's design oozes camp, from top to bottom. The fluffy coat, the bustier, the boots and the cane and the everything, speak to a woman who's kept with the times and yet has seen it all. There's really not a lot I can fully say about her design, other than what Charles has already said: "She looks like a witch... like, kind of a sexy witch, who smokes a lot." (Or maybe I'm just tired and running out of steam at this point, idk, I love Esther's design and I can't really put it into words.) It's also pretty fitting that her color scheme has a lot of yellow in it---after all, she's always striving for more, so what better color for her than the color of gold?

Everything about the Night Nurse's design speaks to a woman who follows rules and discipline above all else, from the pantsuit to the pinned-up hairstyles to the tie to the heels. She's also the most muted out of the main cast in terms of color, dressing mostly in browns, dull greens, and duller browns---and while I don't have a lot to go into detail about there, I feel like that's kind of a symbol of her narrow-minded and bureaucratic worldview.

And the animal characters... Jesus Christ, I fully forget that they're all being played by human actors. Tragic Mick dresses like a man who's always spent his life by the sea, layered denim and all, and it's never a stretch to see this sad, bushy-bearded, baggy-clothed fisherman and imagine him as a walrus lounging on a beach. Monty, at first glance, seems to only wear black, which would be perfectly fitting for a crow, but when he's in better lighting, you see that he dresses in layers of red and blue, calling to how he envies Charles and Edwin and clearly longs for something more---and this might just be me, but I think that even though his outfits seem fairly normal at first glance, they feel kind of like a costume for Monty more than anything else, like he's trying to emulate a teenager that he's seen on TV more than someone in real life.

The Cat King fits this just as well, with all of his outfits aligning perfectly with whatever his cat form is at the time---when he's a fluffy ginger, it's always sequins and fur coats and clothing pieces that are specifically designed to take up space and call attention, and when he's a black shorthair, it's sleek styles and shiny leather and pieces that are designed to cut an intimidating yet more subtle figure. And while I could go into detail about all of those, what really stands out to me is how clearly queer everything is---more than Jenny's alt lesbian attire, more than Esther's campy coat and corset. From the very first scene he's in, he's wearing a skirt, and it looks natural. Nothing about the way the Cat King presents himself is exaggerated, nothing about the way he dresses is played for laughs---he's flamboyant and feminine and flirty, and he looks so fucking hot while he does it. It's gorgeous.

So... yeah, uh, all the awards for the Dead Boy Detectives costume designers!

[sleepypanda01]

CB theories/thoughts (part 1)

One of the things I love about CB is how the story immerses its reader into the story and makes them discover for themselves what is happening, watching it unfold and learning things along with Chase. The story is done in a way that it doesn't spoon feed you the information. It gives you the pieces and you have to put them together. There are so many details that can go unnoticed,but they can be crucial to the plot.

I am really interested in Nox cause he is the biggest mystery to me so far in the series. The guy is such an enigma,we know him but we don't know ABOUT HIM. Much like Chase.

I would like to point out that this is the first time that Nox saw Chase,he didn't look as aggressive as the first time he interacted with Chase,but he does seem to be under pressure.

Nox said that he has to get back THAT KEY, talking about Silver as she is an item? Why would he do that when he is a key himself? I did think of the possibility that he was human at first and became a key at some point later in the story,but I now doubt it. Mainly because he has known since the start how every story goes by the time he enters it and that's a trait the keys have. Plus, if he has been a key this whole time, the whole narrative makes more sense. It is interesting how Nox said "something is missing" and not "the key is missing" maybe because Silver is not what was missing or she is not the only thing missing. She did come with a torn paper that has instructions and we do see a book with a missing page. The page Chase found seems to fit,it is just that Chase is reading the other side of it,but the torn pieces seem to fit.

The questions that are arise are the following.

Was it Nox that torn the page? 

Who put Silver and the page in the library?

Why was silver cracked? 

Was silver intended to be found by someone specific?

 Was it Nox that torn the page?/ Who put Silver and the page in the library? If we look at the handwriting in the "read me" book it seems a bit sloppy. I think this is the kind of letters someone would have while trying to write in a hurry or fit a sentence in a small space. Or maybe these are the kind of letters of someone using a bigger pen than their size to write. I am giggling so much at the thought that Nox is actually living in some secret room under the library, and under some toy story-like operation, he managed to put the book in the library. The book was found after all on the lowest bookshelf and the only reason Chase noticed it was because he was lying on the floor. It is safe to assume that whoever has Nox and the keys are close to Sugar springs since two other keys were found there.

Why was Silver cracked? I honestly have no idea,I am not creative enough for that. All I can think of right now is that the last time she was in a book something went wrong. As I have said in another post, I don't think ex libris is active anymore cause whoever is that old man,he doesn't seem to fit the profile of Ex libris. In a previous post, I said that Nox and Violet do not seem strictly supervised and Nox is not forced to retrieve the keys as the old man doesn't seem to know of Silver's absence or even care. It is possible that he didn't know that her crack could be fixed so Nox saw it as an opportunity to sneak her out.

Was silver intended to be found by someone specific? Maybe, maybe not. Nox does say ‘’after all that and it is just a small weak little thing like you’’ which could mean that he did not know who was supposed to find Silver, or maybe he was looking for a candidate that he deemed worthy of including in his plans. I don’t think there is enough information to draw a clear conclusion for that question to be answered.

Bonus detail: Nox likes to hide between trees and leaves and that's where he was hiding the first time he saw Chase. When Bronze entered we see a rustle of leaves, implying that Nox did enter the book for a moment. 

I am thinking of making this a series of posts where I just overthink everything and I make silly theories cause I need season 2 asap and I feel a great urge to yap.

[wisteria-lodge]

Manipulative/Morally Grey Dumbledore? An In-Depth Canon Analysis

So when I look at Harry Potter, my goal is to separate what I think the books are intending to say, from what they actually say, from what the movies say… and what the common fan interpretation is. So today I’m interested in Dumbledore, and specifically in the common headcanon of  Manipulative/Morally Gray Dumbledore. Is that (intentionally or unintentionally) supported by the text?

PART I:  Omniscient Dumbledore

“I think he knows more or less everything that goes on here”

In Book 1, yes Dumbledore honestly does seem to know everything. He 100% arranged for Harry to find the Mirror of Erised, publicly left Hogwarts in order to nudge Quirrell into going after the Stone, and knew what Quirrell was doing the whole time. It is absolutely not a stretch, and kind of heavily implied, that the reason the Stone’s protections feel like a little-end-of-the-year exam designed to put Harry through his paces… is because they are. As the series goes on this interpretation only gets more plausible, when we see the kind of protections people can put up when they don’t want anyone getting through. 

Book 1 Dumbledore knows everything… but what he’s actually going to do about it is anyone’s guess. One of the first things we learn is that some of Dumbledore’s calls can be… questionable. McGonagall questions his choice to leave Harry with the Dursleys, Hermione questions his choice to give Harry the Cloak and let him go after the Stone, Percy and Ron both matter-of-factly call him “mad.” The “nitwit, blubber, oddment, tweak” speech is a joke where Dumbledore says he’s going to say a few words, then literally does say a few (weird) words. I know there are theories that those particular words are supposed to be insulting the four houses, or referencing the Hogwarts house stereotypes, or that they’re some kind of warning. But within the text, this is pure Lewis Carroll British Nonsense Verse stuff (and people came up with answers to the impossible Alice in Wonderland “why is a raven like a writing desk” riddle too.) 

This characterization also explains a lot of Dumbledore’s decisions about how to run a school, locked in during Book 1. Presumably Binns, Peeves, Filch, Snape are all there because Dumbledore finds them funny, atmospheric, and/or character building. He's just kind of a weird guy.  He absolutely knew that Lockhart was a fraud in Book 2 (with that whole “Impaled upon your own sword, Gilderoy?” thing after Lockhart oblivates himself. ) So maybe he is also there to be funny/atmospheric/character building, or to teach Harry a lesson about fame, or because Dumbledore is using the cursed position to bump off people he doesn’t like. Who knows.

(I actually don’t think JKR had locked in “the DADA position is literally cursed by Voldemort” until Book 6. )

Dumbledore absolutely knows that Harry is listening in when Lucius Malfoy comes to take Hagrid to Azkaban, and it’s fun to speculate that maybe he let himself get fired in Book 2 as part of a larger plan to boot Lucius off the Board of Governors. So far, that’s the sort of thing he’d do.  But in Books 3 and 4, we are confronted with a number of important things that Dumbledore just missed. He doesn’t know any of the Marauders were animagi, he doesn’t know what really happened with the Potter’s Secret Keeper, doesn’t know Moody is Crouch, and doesn’t know the Marauders Map even exists. But in Books 5 and 6, his omniscience does seem to come back online. (In a flashback, Voldemort even comments that he is "omniscient as ever” when Dumbledore lists the specific Death Eaters he has in Hogsmeade as backup.) Dumbledore knows exactly what Draco and Voldemort are planning, and his word is taken as objective truth by the entire Order of the Phoenix - who apparently only tolerate Snape because Dumbledore vouches for him:

“Snape,” repeated McGonagall faintly, falling into the chair. “We all wondered . . . but he trusted . . . always . . . Snape . . . I can’t believe it. . . .”  “Snape was a highly accomplished Occlumens,” said Lupin, his voice uncharacteristically harsh. “We always knew that.”  “But Dumbledore swore he was on our side!” whispered Tonks. “I always thought Dumbledore must know something about Snape that we didn’t. . . .”  “He always hinted that he had an ironclad reason for trusting Snape,” muttered Professor McGonagall (...) “Wouldn’t hear a word against him!”

McGonagall questions Dumbledore about the Dursleys, but not about Snape. I see this as part of the larger trend of basically Dumbledore’s deification. In the beginning of the series, he’s treated as a clever, weird dude. By the end, he’s treated like a god. 

PART II: Chessmaster Dumbledore

“I prefer not to keep all my secrets in one basket.”

When Dumbledore solves problems, he likes to go very hands-off. He didn’t directly teach Harry about the Mirror of Erised - he gave him the Cloak, knew he would wander, and moved the Mirror so it would be in his path. He sends Snape to deal with Quirrell and Draco, rather than do it himself. He (or his portrait) tells Snape to confund Mundungus Fletcher and get him to suggest the Seven Potters strategy. He puts Mrs. Figg in place to watch Harry, then ups the protection in Book 5 - all without informing Harry. The situation with Slughorn is kind of a Dumbledore-manipulation master class - even the way he deliberately disappears into the bathroom so Harry will have enough solo time to charm Slughorn. Of course he only wants Slughorn under his roof in the first place to pick his brain about Voldemort… but again, instead of doing that himself, he gets Harry to do it for him. 

Dumbledore has a moment during Harry’s hearing in Book 5 (which he fakes evidence for) where he informs Fudge that Harry is not under the Ministry’s jurisdiction while at Hogwarts. Which has insane implications. It’s never explicitly stated, but as the story goes on, it at least makes sense that Dumbledore is deliberately obscuring how powerful he is, and how much influence he really has, by getting other people to do things for him. But the problem with that is because he is so powerful, it become really easy for a reader to look back after they get more information and say… well if Dumbledore was controlling the situation… why couldn’t he have done XYZ. Here are two easy examples from Harry’s time spent with the Dursleys:

1. Mrs. Figg is watching over Harry from day one, but she can’t tell him she’s a squib and also she has to keep him miserable on purpose:

“Dumbledore’s orders. I was to keep an eye on you but not say anything, you were too young. I’m sorry I gave you such a miserable time, but the Dursleys would never have let you come if they’d thought you enjoyed it. It wasn’t easy, you know…”

It’s pretty intense to think of Dumbledore saying “oh yes, invite this little child over and keep him unhappy on purpose.” But okay. It’s important to keep Harry ignorant of the magical world and vice versa. fine. But once he goes to Hogwarts… that doesn’t apply anymore?  I’m sure when Harry thinks he’s going to be imprisoned permanently in his bedroom during Book 2, it would’ve been comforting to know that Dumbledore was sending around someone to check on him. And when he literally runs away from home in Book 3… having the address of a trusted adult that he could easily get to would have been great for everybody. 

2. When Vernon is about to actually kick Harry out during Book 5, Dumbledore sends a howler which intimidates Petunia into insisting that Harry has to stay. Vernon folds and does exactly what she says. If Dumbledore could intimidate Petunia into doing this, then why couldn’t he intimidate her into, say - giving Harry the second bedroom instead of a cupboard. Or fixing Harry’s glasses. In Book 1, the Dursleys don’t bother Harry during the entire month of August because Hagrid gives Dudley a pig’s tail. In the summer between third and fourth year, the Dursleys back off because Harry is in correspondence with Sirius (a person they fear.) But the Dursleys are afraid of all wizards. Like at this point it doesn’t seem that hard to intimidate them into acting decently to Harry. 

PART III: Dumbledore and the Dursleys 

“Not a pampered little prince”

JKR wanted two contradictory things. She wanted Dumbledore to be a fundamentally good guy: a wise, if eccentric mentor figure. But she also wanted Harry to have a comedically horrible childhood being locked in a cupboard, denied food, given broken glasses and ill fitting/embarrassing clothes, and generally made into a little Cinderella. Then, it’s a bigger contrast when he goes to Hogwarts and expulsion can be used as an easy threat. (Although the only person we ever see expelled is Hagrid, and that was for murder.)

So, there are a couple of tricks she uses to make it okay that Dumbledore left Harry at the Dursleys.’ The first is that once Harry leaves…  nothing that happens there is given emotional weight. When he’s in the Wizarding World, he barely talks about Dursleys, barely thinks about them. They almost never come up in the narration (unless Harry’s worried about being expelled, or they’re sending him comedically awful presents.) They are completely cut from movies 4, 6, and 7 part 2 - and you do not notice. 

The second trick… is that Dumbledore himself clearly doesn’t think that the Dursleys are that bad. During the King’s Cross vision-quest, he describes 11-year-old Harry as “alive and healthy (...) as normal a boy as I could have hoped under the circumstances. Thus far, my plan was working well.”  

Now, this could have been really interesting. Like in a psychological way, I get it. Dumbledore had a rocky home life. Dad in prison, mom spending all her time taking care of his volatile and dangerous sister. Aberforth seems to have reacted to the situation by running completely wild, it’s implied that he never even had formal schooling… and Albus doubled down on being the Golden Child, making the family look good from the outside, and finding every means possible to escape. I would have believed it if Molly or Kingsley had a beat of being horrified by the way the Dursleys are treating Harry… but Dumbledore treats it as like, whatever. Business as usual. 

But that isn’t the framing that the books use. Dumbledore is correct that the Dursleys aren’t that bad, and I think it’s because JKR fundamentally does not take the Dursleys seriously as threats. I also think she has a fairly deeply held belief that suffering creates goodness, so possibly Harry suffering at the hands of the Dursleys… was necessary? To make him good? Dumbledore himself has an arc of ‘long period of suffering = increased goodness.’ So does Severus Snape, Dudley‘s experience with the Dementor kickstarts his character growth, etc. It’s a trope she likes.

It’s only in The Cursed Child that the Dursleys are given any kind of weight when it comes to Harry’s psyche. This is one of the things that makes me say Jack Thorne wrote that play, because it’s just not consistent with how JKR likes to write the Dursleys. It’s consistent with the way fanfiction likes to write the Dursleys. And look, The Cursed Child is fascinatingly bad, I have so many problems with it, but it does seem to be doing like … a dark reinterpretation of Harry Potter? And it’s interested in saying something about cycles of abuse. I can absolutely see how the way the play handles things is flattering to JKR. It retroactively frames the Dursleys’ abuse in a more negative way, and maybe that’s something she wanted after criticism that the Harry Potter books treat physical abuse kind of lightly. (i.e.  Harry at the hands of the Dursleys, and house-elves at the hands of everybody. Even Molly Weasley “wallops” Fred with a broomstick.) 

PART IV: Dumbledore and Harry

“The whole Potter–Dumbledore relationship. It’s been called unhealthy, even sinister”

So whenever Harry feels betrayed by Dumbledore in the books - and he absolutely does, it’s some of JKR’s best writing  - it’s not because he left him with the Dursleys. It’s because Dumbledore kept secrets from him, or lied to him, or didn’t confide in him on a personal level. 

“Look what he asked from me, Hermione! Risk your life, Harry! And again! And again! And don’t expect me to explain everything, just trust me blindly, trust that I know what I’m doing, trust me even though I don’t trust you! Never the whole truth! Never!” (...) I don’t know who he loved, Hermione, but it was never me. This isn’t love, the mess he’s left me in. He shared a damn sight more of what he was really thinking with Gellert Grindelwald than he ever shared with me.”

Eventually though, Harry falls in line with the rest of the Order, and treats Dumbledore as an all-knowing God. And this decision comes so close to being critiqued…  but the series never quite commits. Rufus Scrimgeour comments that, “Well, it is clear to me that [Dumbledore] has done a very good job on you” - implying that Harry is a product of a deliberate manipulation,  and that the way Harry feels about Dumbledore is a direct result of how he's been controlling the situation (and Harry.)  But Harry responds to “[You are] Dumbledore’s man through and through, aren’t you, Potter?” with “Yeah, I am. Glad we straightened that out,” and it’s treated as a badass, mic drop line. 

Ron goes on to say that Harry maybe shouldn’t be trusting Dumbledore and maybe his plan isn’t that great… but then he abandons his friends, regrets what he did, and is only able to come back because Dumbledore knew he would react this way? So that whole thing only makes Dumbledore seem more powerful? Aberforth  tells Harry (correctly) that Dumbledore is expecting too much of him and he’s not interested in making sure that he survives:

“How can you be sure, Potter, that my brother wasn’t more interested in the greater good than in you? How can you be sure you aren’t dispensable (...) Why didn’t he say… ‘Take care of yourself, here’s how to survive’? (...) You’re seventeen, boy!”

But, Aberforth is treated as this Hamish Abernathy type who has given up, and needs Harry to ignite his spark again. There’s a pretty dark line in the script of Deathly Hallows Part 2:

Which at least shows this was a possible  interpretation the creative team had in their heads… but then of course it isn’t actually in the movie. 

So in the end, insane trust in Dumbledore is only ever treated as proper and good. Then in Cursed Child they start using “Dumbledore” as an oath instead of “Merlin” and it’s weird and I don’t like it.

PART V: Dumbledore and his Strays

“I have known, for some time now, that you are the better man.”

So Dumbledore has this weird relationship pattern. He has a handful of people he pulled out of the fire at some point and (as a result) these people are insanely loyal to him.  They do his dirty work, and he completely controls them. This is an interesting pattern, because I think it helps explain why so many fans read Dumbledore’s relationship with Snape (and with Harry) as sinister. 

Let’s start with the first of Dumbledore’s “strays.” Dumbledore saves Hagrid's livelihood and probably life after he is accused of opening the Chamber of Secrets - and then he uses Hagrid to disappear Harry after the Potters' death, gets him to transport the Philosopher’s Stone, and he’s the one who he trusts to be Harry’s first point of contact with the Wizarding World.  Also, Hagrid's situation doesn’t change? Even after he is cleared of opening the Chamber of Secrets, he keeps using that pink flowered umbrella with his broken wand inside, a secret that he and Dumbledore seem to share. He could get a legal wand, he could continue his education. But he doesn’t seem to, and I don’t know why. 

So, Harry Potter and the Methods of Rationality is a well known fix-it fic that basically asks “What if Harry Potter was a machiavellian little super genius who solves the plot in a year?” I enjoyed it when it was coming out, but the only thing I would call a cheat is the way McGonagall brings Harry to Diagon Alley instead of Hagrid. Because a Harry Potter who has spent a couple of days with McGonagall is going to be much better informed, better equipped and therefore more powerful than a Harry spending the same amount of time with Hagrid. McGonagall is both a lot more knowledgeable and a lot less loyal to Dumbledore. She is loyal, obviously, but she also questions his choices in a way that Hagrid never does. And as a result, Dumbledore does not trust her with the same kind of delicate jobs he trusts to Hagrid.

Mrs. Figg is another one of Dumbledore’s strays. She’s a squib, so we can imagine that she doesn’t really have a lot of other options, and he sets her up to keep tabs on (and be unpleasant to) little Harry. He also has her lie to the entire Wizangamot, which has got to present some risk. Within this framework, Snape is another very clear stray. Dumbledore kept him out of Azkaban, and is the only reason that the Order trusts him. He gets sent on on dangerous double-agent missions… but before that he’s sort of kept on hand, even though he’s clearly miserable at Hogwarts. Firenze is definitely a stray - he can't go back to the centaurs, and who other than Dumbledore is going to hire him? And I do wonder about Trelawney. We don’t know much about her relationship with Dumbledore, but I wouldn’t be at all surprised if she was a stray as well.

I think there was an attempt to turn Lupin into a stray that didn’t… quite work. He is clearly grateful to Dumbledore for letting him attend Hogwarts and then for hiring him, but Lupin doesn’t really hit that necessary level of trustworthy that the others do. Most of what Dumbledore doesn’t know in Book 3 are things that Lupin could have told him, and didn’t. If had to think of a Watsonsian reason why Remus is given all these solo missions away from the other Order members (that never end up mattering…) it’s because I don’t think Dumbledore trusts him that much. Lupin doubts him too much. 

“Dumbledore believed that?” said Lupin incredulously. “Dumbledore believed Snape was sorry James was dead? Snape hated James. . . .”

 We also see Dumbledore start the process of making Draco into a stray by promising to protect him and his parents. And with all of that… it’s kind of easy to see how Harry fits the profile. He has a very bleak existence (which Dumbledore knows about.) He is pulled out of it by Dumbledore’s proxies. It’s not surprising that Harry develops a Hagrid-level loyalty, especially after Dumbledore saves him from Barty, from his Ministry hearing, and then from Voldemort. Harry walks to his death because Dumbledore told him too. 

Just to be clear, I don’t think this pattern is deliberate. I think this is a side effect of JKR wanting to write Dumbledore as a nice guy, and specifically as a protector of the little guy. But Dumbledore doing that while also being so powerful creates a weird power dynamic, gives him a weird edit. It’s part of the reason people are happy to go one step farther and say that the Dursleys were mean to Harry… because Dumbledore actively wanted it that way.  I don’t think that’s true. I think Dumbledore loves his strays and if anything, the text supports the idea that he is collecting good people, because protecting them and observing them serves some psychological function for him. Dumbledore does not believe himself to be an intrinsically good person, or trustworthy when it comes to power. So, of course someone like that would be fascinated by how powerless people operate in the world, and by people like Hagrid and Lupin and Harry, who seem so intrinsically good. 

PART VI - Dumbledore and Grindelwald

“I was in love with you.” 

I honestly see “17-year-old Dumbledore was enamored with Grindelwald” as a smokescreen distracting from the actual moral grayness of the guy. He wrote some edgy letters when he was a teenager, at least partly because he thought his neighbor was hot. He thought he could move Ariana, but couldn’t - which led to the chaotic three-way duel that killed her. 

One thing I think J. K. Rowling does understand pretty well, and introduces into her books on purpose, is the concept of re-traumatization. Sirius in Book 5 is very obviously being re-traumatized by being in his childhood home and hearing the portrait of his mother screaming. It’s why he acts out, regresses, and does a number of unadvisable things. I think it’s also deliberate that Petunia’s unpleasant childhood is basically being re-created: her normal son next to her sister’s magical son. It's making her worse, or at the very least preventing her from getting better. We learn that Petunia has this sublimated interest in the magical world, and can even pull out vocab like “Azkaban” and “Dementor” when she needs to.   She wrote Dumbledore asking to go to Hogwarts, and I could see that in a universe where Petunia didn’t have to literally raise Harry, she wouldn’t be as psychotically into normalness, cleanliness, and order as she is when we meet her in the books. After all, JKR doesn’t like to write evil mothers. She will be bend over backwards so her mothers are never really framed as bad.

And I honestly think it’s possible that J. K. Rowling was playing with the concept of re-traumatiziation when she was fleshing out Dumbledore in Book 7. We learn all this backstory, that… honestly isn’t super necessary? All I’m saying is that the three-way duel at the top of the Astronomy Tower lines up really well with the three-way duel that killed Ariana. Harry is Ariana, helpless in the middle. Draco is Aberforth, well intentioned and protective of his family - but kind of useless, and kind of a liability. Severus is Grindelwald, dark and brilliant, and one of the closest relationships Dumbledore has. If this was intentional, it was probably only for reasons of narrative symmetry… but I think it's cool in a Gus Fring of Breaking Bad sort of way, that Dumbledore (either consciously or unconsciously) has been trying to re-create this one horrible moment in his life where he felt entirely out of control. But the second time it plays out… he can give it what he sees as the correct outcome. Grindelwald kills him and everyone else lives. That is how you solve the puzzle.

If you read between the lines, Dumbledore/Grindelwald is a fascinating love story. I like the detail that after Ariana’s death, Dumbledore returns to Hogwarts because it’s a place to hide and because he doesn’t feel like he can be trusted with power. I like that he sits there, refusing promotions, refusing requests to be the new Minister of Magic, refusing to go deal with the growing Grindelwald threat until he absolutely can’t hide anymore, at which point he defeats him (somehow.) I like reading his elaborate plan to break Elder Wand’s power as both a screw-you to Grindelwald, the wand’s previous master, but also as a weirdly romantic gesture. In Albus Dumbledore’s mind, there is only Grindelwald. Voldemort can’t even begin to compare. I like the detail that Grindelwald won’t give up Dumbledore, even under torture. And, Dumbledore doesn’t put him in Azkaban. He put him in this other separate prison, which always makes it seem like he’s there under Dumbledore authority specifically.  Maybe Dumbledore thinks that if he had died that day instead of Ariana…he wouldn’t have had to spend the rest of his life fighting and imprisoning the man he loves.

And then of course, Crimes of Grindelwald decided to take away Dumbledore's greatest weakness and say that no, actually he was a really good guy who never did anything wrong ever.  He went all that time without fighting Grindelwald because they made a magical friendship no-fight bracelet. Dumbledore is randomly grabbing Lupin’s iconography (his fashion sense, his lesson plans, his job) in order to feel more soft and gentle than the person the books have created. Now Dumbledore knows about the Room Requirement, even though in the books it’s a plot point that he's too much of a goody-two-shoes to have ever found it himself. He loved Grindelwald (past tense.) And Secrets of Dumbledore is mostly about him being an omniscient mastermind so that a magical deer can tell him that he was a super good and worthy guy, and any doubt that he’s ever felt about himself is just objectively wrong and incorrect. Also now Aberforth has a neglected son, so he’s reframed as a bit of a hypocrite for getting on his brother’s case for not protecting Harry. 

So to summarize, I think Dumbledore began the series as this very eccentric, unpredictable mentor, whose abilities took a hit in Books 3 and 4 in order to make the plot happen. He teetered on the edge of a ‘dark’ framing for like a second… but at the the end of the series he's written as basically infallible and godlike. I’ve heard people say that JKR’s  increased fame was the reason she added the Rita Skeeter plot line, and I don’t think that’s true. But I do think her fame may have affected the way she wrote Dumbledore. Because Dumbledore is JKR’s comment on power, and by Book 5 she had so much power. In her head, I don’t think that Dumbledore is handing off jobs in a manipulative way. She sees him as empowering other less powerful people. That is his job as someone in power (because remember - people who desire power shouldn't wield it.)

Dumbledore’s power makes him emotionally disconnected from the people in his life, it makes him disliked and distrusted by the Ministry, but it doesn’t make him wrong. That’s important. Dumbledore is never wrong. Dumbledore is always good. That’s why we get the Blood Pact that means he was never weak or procrastinating. That’s why we get the qilin saying he was a good person. It’s why we get the tragic backstory (because giving Snape a tragic backstory worked wonders when it came to rehabilitating him.) And that is why Harry names his son Albus Severus in the epilogue, to make us readers absolutely crystal clear that these two are good men. 

[supernovafics]

series masterlist | last part — next part

pairing: modern!college!steve harrington x fem!reader, bestfriend!eddie munson x fem!reader

word count: 2.9k words

warnings: explicit language, nothing else really?

summary: your life goes back to normal— how things were before you knew steve— and it’s fine (or at least that’s what you keep telling yourself)

CHAPTER SIXTEEN | ❝𝒇𝒓𝒂𝒈𝒎𝒆𝒏𝒕𝒔 𝒐𝒇 𝒕𝒊𝒎𝒆❞

Spring Semester 2017

“This is how villain origin stories are born,” Robin said with a loud sigh as she closed her laptop for the time being. “Apartment hunting. Why does this suck so much?”

“Because everything’s severely out of our price range,” You responded, looking up from your own laptop. “Also, there are barely any three-bedroom options.”

“And the ones that are available and in our budget are very shitty,” Vickie added and you nodded in agreement.

The three of you were sitting on the carpeted floor in your dorm room. Living together for the next school year had been jokingly and playfully talked about in the very early stages of your friendship with Robin, but then as the months passed, it settled into an idea that actually became serious; mainly because of how much sense it made. And then Robin introduced you to Vickie and another friendship, and roommate, was born. 

Eddie was also set as a fourth roommate for a bit, but then he told you that he and Chrissy decided to live together for junior year, so it became settled that it would only be you, Robin, and Vickie. Which sounded great, and you were already excited about it since you hated living alone, but the apartment-hunting part quickly proved to be a lot more of a nuisance than any of you had expected.

“Fuck it, let’s just do a four-bedroom, then,” Robin said, shrugging. “There are a bunch more options for those, anyway. Like, the one I showed you guys yesterday. That place was perfect.”

“Did I miss the moment when our fourth roommate magically appeared?” Vickie asked, a playful smile on her face. 

“We can easily find someone else in one of those, like, Facebook group things.”

“That’s honestly not a bad idea,” You responded, already going to pull up Facebook on your laptop. 

Robin smiled. “Thank you. I always have great ideas.”

Vickie gave her a look. “Do I need to mention the ‘donating blood to get concert ticket money’ idea you had a week ago?” 

“No, that’s okay. We don’t need to discuss that low point.” 

You were the one who showed them Talia’s posting on one of the “searching for roommates” groups. She seemed nice and interesting and both Robin and Vickie thought so too. The three of you put together a quick message— briefly introducing yourselves and that you were looking for a fourth roommate— and sent it.

“Okay, fourth roommate, check,” Robin said once you pressed send. “Now, we have to get the place that I showed you guys yesterday.”

You laughed a little. “Let’s wait until she actually says something, Rob.”  

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。

Spring Semester 2018

Initially, it felt equivalent to a family meeting. Well, more so what you imagined a family meeting would be like because the four of you never actually had to have one before. 

But then, it actually felt like you were giving some sort of speech or presentation because of the setup. Robin, Vickie, and Talia were on the couch and you were standing in front of the TV and explaining everything to them. 

You kept in most of the details— you and Steve agreeing to fake date, your feelings for Eddie being the reason behind it all, and how it was only meant to go until Spring Break. 

Aside from the fact that they all seemed shocked to learn that you had feelings for Eddie, their collective thought was that the entire relationship between you and Steve had seemed so real.

“We were just really good at faking,” Was your response to Vickie specifically saying how cute you two had looked together; especially during the one reality TV night where Steve came over and picked the show.

You remembered that night pretty well, but you didn’t remember any specific moments where you had felt as if you and he had to “play up” the relationship or lay the PDA on thick since Eddie wasn’t around that night, so you weren’t sure how that moment was considered a definingly cute one for the two of you. 

“Were you good at faking or was it not really fake?” Robin asked, giving you a certain look. 

“Definitely fake,” You didn’t hesitate to answer because you deliberately didn’t want to think about her question too deeply. “We’re not even really friends, and he just went on a date last night. Hence the Eddie punch.”

Eddie was still sleeping in your bed. When you got back from Steve’s place, you weren’t in the mood to wake him up or tell him to shift over and make room for you, so you spent the night on the couch. 

“Damn, it kinda sucks that we’re never gonna see him again. He was the only one that liked when I made the pumpkin cheesecake cookies,” Talia said.

Vickie laughed a bit. “The only reason we don’t like it is because that's clearly a Fall cookie, Tal, and it's Spring right now.” She then looked as if she thought of something. “Hey, but at least you won’t have to get stuck on a team with Eddie for game night anymore. We’re back to individual stuff or you being the referee.”

Talia smiled. “Thank you for reminding me.”

“Wait, that just made me remember something,” Robin started. “Guys, I need you to please hear me out on this one,” She paused for what seemed like dramatic effect. “I think it's time to bring back Monopoly.”

There was a collective groan that immediately filled the air upon hearing her suggestion. Monopoly was a near friendship-ending game for you all, and it was only meant to be played on the rarest of occasions; which actually meant never. 

You sat down on the small loveseat then, glad that the subject had been shifted and that your speech, mixed with a Q&A, was over. “Robin, why do you wanna ruin all of our friendships?”

She quickly shook her head. “Come on, it’s been months. We’re all much more mature and reasonable adults, and I doubt we’ll have any arguments like last time.” 

Before any of you could respond with any sort of rebuttal, your bedroom door opened and out walked a tired looking Eddie. 

“Somehow, I heard the mention of Monopoly and I’m here to immediately veto that suggestion.” 

Robin rolled her eyes at him. “Go back to sleep, Munson.”

The game night conversation continued, and from there, things were normal. And you didn’t mind the normalcy that your life settled back into over the next few days and then weeks— even though, at one point, the thought of it bothered you and you had missed a lot of the things that came along with fake dating Steve. Now you knew there was no point in missing any of it; in fact, it felt kind of dumb to. 

Your classes got more and more intense during the entire month of April, so there wasn’t that much time to think about Steve or wonder what he was up to. However, the moments you did think of him surprisingly hit hard. 

When you all ended up playing Monopoly at game night, after Robin’s many begs and pleads, you thought about Steve and how different things would’ve been if he was there. You imagined him as a pretty competitive Monopoly player, and felt almost certain that he would’ve either had the biggest rivalry with Robin or formed some sort of alliance with her; she was the one that actually ended up winning after an intense and exhausting seven hours of playing that night. You wished that he could’ve been there. 

And then there were the reminders of him that were left around— his t-shirt that you’d never gotten around to giving back to him, his sunglasses that you didn’t realize you’d stolen until you were finally finishing unpacking your stuff from the Mexico trip, and the bear that he got you for Valentine’s Day that you refused to ever get rid of, but you eventually stuffed Hartford away in your closet instead of leaving him on your desk to make things feel easier. 

Anytime one of those moments happened where you randomly thought about him, you immediately reminded yourself of the rule and simply buried yourself further in whatever school assignment you needed to focus on, or made abrupt plans with Eddie, Robin, Vickie, or Talia. 

It was late in the month when Talia wanted to set you up with a guy from one of her classes, who she claimed would be “perfect for you.” Initially, you were hesitant— more so leaning toward no than yes— but he had the Talia stamp of approval, so you let it happen. She gave him your number and there were a handful of text messages shared between you two that led to a museum date a week later. 

It wasn’t terrible. But, your heart wasn’t in it at all, and neither was your head most of the time. And by the end of it, more specifically as you were in the elevator headed back up to your apartment, you realized that you probably wouldn’t see him again. 

When you walked into the apartment, you spotted Talia in the kitchen and the entire apartment smelled amazing; which, of course, didn’t surprise you at all.

“Hey, what are you making?” You asked as you pulled off your jacket and hung it on one of the empty hooks next to the door. 

“I got bored, so I decided to do a quick roasted chicken. It’s in the oven now,” She said, shrugging as if that was entirely normal. It would never not amuse you how her boredom would always spur on elaborate meals. “So, how was the date?”

“It was fine. Good, actually,” You answered after the briefest moment of hesitation. “He was pretty cool and we had a lot in common and stuff. But, I don’t know… It just didn’t feel right, I guess. My head was in a different place a lot of the time. Thinking about other stuff.”

“About Steve?”

Hearing her say that, surprised you. “What? No. I haven’t talked to him in like a month.” 

She gave you a quick shrug. “That doesn’t mean that you can’t think about him.” 

“I guess that’s true, but I haven’t really thought about him,” You said. It was a small lie that you were okay with telling because you didn’t want to admit or even ponder what it meant that you did think about and were so easily reminded of him sometimes. 

“I’m kind of surprised that you two aren’t friends or something,” She told you as she went to grab something from the fridge. “I don’t think I could do a whole fake dating thing with someone and not, at least, be friends with them after it.”

You leaned back against the counter. “We came up with a bunch of rules when we started it, and that was one of them.”

“To not be friends after?”

“Not exactly that, but pretty much, yeah. The rule was to go our separate ways once the fake dating was done,” You shrugged. “Becoming friends was the last thing on both of our minds when we came up with that since we were basically strangers at the beginning of this. And when we were ending things, we both knew that it would be impossible to be friends after because of all of the lies that started this.” 

She looked at you then. “But we all know the truth now, though. So you two could be friends and none of us would question it.” 

Talia’s words made complete sense and they were something that you should’ve realized and thought about a lot earlier than this moment. You were quiet for what felt like forever because you didn’t know what to say in response. Your immediate reaction was to still say no, you couldn’t be friends with him, but if she followed up and asked why, you knew that you wouldn’t have an answer. 

When the oven started beeping, it felt like a very “saved by the bell” kind of moment. Talia pulled out the chicken from the oven and let the conversation shift from there. “You got back from your date just in time, by the way. You wanna try this?” 

“Of course, I’ll never turn down anything you make.”

You went to your room first to change out of your date outfit and put on some pajamas instead and then you joined Talia back in the kitchen. The chicken was quite literally perfect, which didn’t surprise you, and you retreated to your room for the night after you finished eating, while Talia put on a documentary that she had to watch for one of her psychology classes. 

As much as you tried to focus on anything else as you lay in your bed, you inadvertently spent the rest of the night thinking about Steve— it was too hard not to. 

You thought about every moment that you had been reminded of him over the past month— how it hadn’t felt like much at first, but when you thought about it all at once, it was a lot. You also thought about what Talia said and why you and he weren’t friends even though it was pretty obvious that you should be— what else could explain why you both had prolonged and dragged out the conversation in his car the night you two “broke up”? Neither of you had wanted to let the inevitable happen. 

All of this was about more than just following the rule to you. Of course, it was about more than just that. 

Deep down you knew exactly why you couldn’t listen to what Talia said— why you couldn’t text him, go to his place, or do anything else to lean into that short-lived friendship you two had that you actually had a feeling was still there— but right then you refused to admit it. 

Instead, you grabbed your phone and put on a random podcast just so you could use the noise to drown out your thoughts and force yourself to fall asleep.

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。

It wasn’t until a few days before finals that you thought about Steve again. It was kind of hard not to because you ran right into him— or more so tripped over him. 

The campus library during the week before finals week was probably one of the worst places to be, but you were in a last-second search for a book that you needed to do an essay on and you refused to buy it online because, for some reason, it was way too expensive.

Your eyes were trained solely on the spines of books as you searched for the one in particular when you tripped over something in the middle of the aisle. It wasn’t a full-on fall, just a very awkward stumble, but it somehow felt just as embarrassing. 

You let out an abrupt yelp in the middle of your stumble and heard a voice before you even got to see what caused you to trip. “Oh, fuck, I’m sorry.” 

You recognized Steve’s voice immediately and it sent a surprised jolt through you as you turned to look at him. He was leaned back against the long bookshelf with his legs stretched out and there was a textbook opened in his lap. He must’ve just been sleeping because you saw him rub his eyes and let out a quick yawn.

He looked up at you as he crossed his legs under him instead of having them stretched out in the aisle. He seemed as if he was surprised to see you too, but from the look on his face, you could tell that he saw it as a good surprise; you weren’t sure if you could say the same just yet. “Shit, now I feel worse knowing that I just did that to you.”

That got the smallest smile out of you. “Yes, you should feel a thousand times worse for almost ending my life.”

“I’m sorry.” 

“Why are you sleeping here?” You asked. Both of you were keeping your voices low because you were on one of the quieter floors of the library. 

He shook his head. “I’m not sleeping. I was taking a break from studying for a test and just resting my eyes for a second.” 

“So sleeping?”

“A very brief nap,” He corrected.

“Ah, okay, got it,” You nodded, words coming out completely sarcastic. “Sorry for interrupting your very brief nap then.”

“Sorry for almost killing you.”

“Thank you.”

You knew that you should’ve let the brief conversation end there. You should’ve looked away from him then and continued searching for the book you needed to find. But, you didn’t. 

Instead, after the briefest moment of lingering silence between you two, you sat down across from Steve. The book and the essay that you needed to work on became the farthest things from your mind for the time being.

You didn’t have the strongest grasp on what you were doing right then and why you were doing any of it, but you decided not to question it. Instead, you simply did what felt good in the moment. 

You leaned back against the bookshelf opposite Steve and crossed your legs as well. “Hi.” 

He gave you a questioning look at first— maybe he was also expecting the conversation to end in that previous spot; like it would’ve with any other two people who weren’t really friends that had just randomly bumped into each other. 

But then, he was smiling, a genuine Steve Harrington smile that felt really nice to see. “Hey.” 

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。

a/n: ….. i'm sorry for the cliffhanger !!!!

next part!

taglist (lmk if you want to be added or taken off<333); @eddiernunson , @loulouloueh , @the-aster , @blckburd , @totally-bogus-timelady , @yujyujj , @irhdifartzamfyaa , @mochminnie , @munsonssweets , @blckbrrybasket , @xprloki , @definitionwanderlust , @dwcode , @sun-fiower-seed , @keerysfolklore , @damon-loves-pie , @lodeddiperrodrick , @bisexual-and-intellectual , @munsonburn3r , @negomi123 , @khena , @facexthexsunshine , @seatbacksandtraytables , @suckerfordylansstuff

(if your user is crossed out it means i can’t tag you</3)

[bookwyrminspiration]

Unraveled: B&N Virtual Event Summary

There are no unraveled spoilers; since we're re-covering a period of time we've already seen, there are references to specific events in Stellarlune

Shannon Messenger was accompanied by B.B. Alston, author of Amari and the Night Brothers, who asked the questions

Enjoy! (Quil note: this might be one of the best ones, lads 👀)

Shannon has pre-release jitters. Even though she's done this so many times, she'll never not be nervous

It's a different book with a different POV. She's just as excited as she is panicked. "I contain multitudes!"

Why is this 9.5 instead of 10? Why a Keefe book? Is this part of a bigger story or just a fun bonus? It's a little of both. Keefe fans are gonna love a whole book about him, but Shannon never would have taken attention away from the main story if it wasn't essential for the series, since everyone's anxious for book 10.

Be patient! She's never written a 10 book series before. She's "trying to build a bridge while crossing it."

Keefe wasn't just eating human food having fun, though Shannon would've written 800 pages of snacking if she could.

What he got up to Shannon planned/outlined that it would all come out in book 9 when he was back, but, "No, Keefe is not ready to share these secrets. There's reasons why he's gonna keep this hidden."

"That's a problem for future Shannon!"

But then everything future Shannon tried with book 10 didn't quite work. This is Keefe's story, and KOTLC is limited to Sophie.

In order for Sophie to know, Keefe would have to sit down and talk it out with everyone, and he wasn't quite ready to do that when Shannon needed him to.

So, special 9.5! So we can live that time with Keefe, see what he does, where he goes, who he meets, what he uncovers.

This way readers will be much more familiar with it when we get to all that in book 10--for the first time ever, readers will actually know more than Sophie!

Shannon confirms we're getting Keefe's middle name--she debated with herself, thought about keeping that secret forever, but she wants there to be big pay-offs in Unraveled. And what book could be more perfect for this?

Was it hard to write from Keefe's POV? Usually his voice comes super easily, so Shannon was expecting it to be word-vomit. But throughout the book and especially at the beginning, he's not himself. Everything he's been through has changed him, made him afraid of himself, more quiet and reserved. How does she balance making this interesting when her jokester character won't talk!

It was interesting diving into his head to see where he's at and why he's acting different. And it was interesting flipping it--Sophie's a fish out of water in the Lost Cities, but this time Keefe's the fish!

She had to keep reminding herself all this stuff familiar to her is new to him. "Flaming Hot Cheetos??? Is that food...????"

How has Keefe changed the most since book 1? In some ways he's lost his confidence. He's discovered a lot that's made him question if he's good, if he's causing problems, if he's putting people at risk. In his head he's not nearly as much the casual, lighthearted guy he seems.

He's also matured. He really had to step up and say, "Okay, it's time to take action. I can't just goof around. I've got the fate of the world on my shoulders in some way too." He's also trying to protect his friends and feels very personally responsible. His burden is a lot heavier than it used to be.

What's his favorite part of the human world? He definitely enjoys the human pop culture. Seeing how humans depict elves, certain (not all) human foods.

Lot of fun for Shannon as a snacker, but he's vegetarian, which makes it harder. He can't have fried chicken--but not every scene is about food.

Any places Shannon knew she had to send Keefe? She prefers to write places she's been if possible; in fantasy, if you can get the real accurate, it makes the fantastical that much more believable. So she started with places she's been, but she hasn't been nearly enough to cover all this. So she included places she'd like to, places she knows other people have been so she can get details from them.

(itty bitty seriously small spoiler from Shannon) Keefe starts looking for libraries, so Shannon googled cool libraries and went down that rabbit hole.

Keefe's been crushing on Sophie since the moment they met. What's does he like the most about her? (Lot of hearts in chat). "Keefe appreciates that Sophie is such a different perspective. He really sees that she doesn’t necessarily see herself accurately, but he understands her. He can see why she’s harder on herself with her upbringing, the bad thoughts she heard. He realized she doesn’t always understand herself."

He’s also really impressed by how brave and strong she is, and how she’s willing to risk her life and do the thing when everyone's like Sophie don't do the thing! And she’s like I must do the thing! Keefe thinks, “Wow can’t stop her from doing the thing!" It'd be great if she stopped ending up in the healing center, but he appreciates her for doing it despite the consequences. Admires her for it. He really wants to be worthy of how amazing he thinks she is. (More hearts in chat)

Can we confirm Keefe's POV of the kiss? Yes! Shannon almost wasn't able to do it. Unraveled was supposed to release November 12, but then her kids, "caught every possible virus they could possibly catch." Plus, publishing takes time, so they had to move it back. Those extra days allowed her to squeeze in the bonus story and she had a lot of fun writing it.

She knew she couldn't continue the book past when he leaves the human world, but she knew readers would really want it. She understands if you skip to the end to read it first--and there shouldn't be too many spoilers if you do, but she still recommends going from the beginning.

Why did it take Sophie and Keefe so long to get to the kiss? Did you know it would be in Stellarlune or did it happen naturally? Shannon tries not to pre-plan emotional things because it makes it feel forces. As the author she's in charge of the plot, not the emotions. Every time Sophie almost dies, that's her, but how Sophie feels about almost dying is all Sophie.

So anything emotional like this, Shannon's checking in with Sophie, and, "She really wasn't ready to see this was an option for her--she really was in the Great Foster Oblivion. She had no idea that Keefe liked her, and she wasn't the type to start developing feelings without having that piece of the puzzle. She genuinely thought Keefe was just teasing and was a flirt with everything. She didn't think it was something to take seriously."

She also had her eye on someone else for quite some time, so the story had to wait until Sophie was ready to take that step. Shannon discussed it with her editor a lot

Every week they have a zoom meeting to talk through the plot. They thought Stellarlune was probably the book for the kiss, but Shannon didn't know for sure until she got to that chapter. She's very proud of Sophie for being brave enough to take that step and bring the walls down.

The fact it took so long and tortured readers wasn't on purpose--"Torturing my readers is fun, but I wouldn't do it unnecessarily!"

It was interesting going back to write the kiss from Keefe's POV. She was worried as she did that though Sophie was ready for it now, what if Keefe wasn't? But, "then it was like oh, no, nope he’s on the same page." Keefe was screaming "FINALLY!!!" in his head.

How different is KOTLC now from how you first imagined it? The problem they're dealing with is fundamentally built into their world--it's not just an evil villain who decided to take over. "Multiple rebellions are going on because there are some fundamental injustices that have been ignored and ignored and ignored. And two groups have said enough is enough."

She always knew they'd have to reckon with this--in some ways they have, but there's more to come. But she also always leaves room for ideas to grow. Her first ideas aren't her best; they're too obvious. Now she's had a lot of time to think Keeper through.

Even still, she worries about doing it justice and, even with a plan, never knows for sure what will happen until she sits down to write it.

Shannon returned the question to B.B. He said the same thing--at a certain point as the story grows, you can really do so many more things, you have so many more villains. It builts the characters and relationships.

Shannon takes a moment to recommend B.B.'s series, Amari and the Night Brothers. She can't sing it's praise enough. "After you race through Unraveled, race through this!" There are 3 books out with 2 more to come. Maybe more.

10 books is a lot--how does Shannon do it? This is part of why she has those weekly zoom chats. But she's constantly going back to look things up, making lists of unanswered questions, listening to the audiobooks. It's all daunting. "It's all chaotic. Wonderful, glorious chaos. That's what I'm telling myself."

Readers are anxious to get back to Keefe and Fitz. How awkward would a conversation be now? Oh yeah. They've had to be around each other since all of that, but that haven't had to openly acknowledge it. But Shannon can feel the scene on the horizon and can't avoid it forever--though Keefe would love to. "Peace out!" Given Fitz's temper, Shannon fully expects there to be yelling, but sometimes he surprised her. We'll see once she gets there.

When Shannon gets too specific in outline, it sucks the life out of her story. She needs to know the rough order of the plot--this threat, then this thing, this this reveal. But the little emotional beats are more up to the characters. Talks this through with her editor too.

Can you tell us anything about book 10? Would love to be like it exists and it's coming out tomorrow! Sadly, still writing it and doesn't know the exact release date. She promises she'll get it to us as soon as she can. Obviously we left Stellarlune on a huge cliffhanger and Unraveled answers some questions but doesn't deal with it at all.

"Keefe's secrets...secrets do have a way of coming out." He can't hide them forever and it'll take something big to motivate him to come clean. "Wow, that's the most non-answer. I swear answers are coming!"

Is there any news on the movie? Earlier this year they announced Warner Brothers got the rights and Emma Watts is the producer. Currently Emma is working hard to get everything behind the scenes in a row to give the movie the best possible chance it has to get greenlit and made since it'll be so expensive.

Shannon thinks this team is one of their best shots at it happening. There's still a bit of finger crossing, but it anyone can make it work, it's Emma Watts.

Shannon is NOT writing the screen play. She's got book 10 to write, plus she doesn't think she can be objective about the changes that'd need to be made to adapt it. She's too attached. She wants to give input and suggestions, but wants something with more screenwriting expertise and distance from the story.

B.B. doesn't want to write his screenplay either--it's a totally different skill.

What's your best advice for new writers? Ooh, okay. 9 times out of 10 when a young writers asks for advice, Shannon asks "Have you written your book yet?" And the answer is no. They're just thinking about writing a book. So her advice: focus on writing! Finish that book! You can't be a writer unless you write! Then revise and revise and revise. "The work is not done when you get to the end."

When you have the best book you could possibly have, then think about next steps and publishing. But for now...write!

Shannon returned the question to B.B., who says to read widely. Read as much as you can to build up your story skills. Find what you like. As KOTLC readers, we've seen in the story how to develop characters and plots and arcs.

He also says don't put pressure on yourself. Write for the fun of writing, so even if it never goes anywhere, you still have something you're proud of.

"Once it's a job it's a job. It's different."

Shannon doesn't find books on writing helpful for her; they're procrastination. Instead she reads and asks herself what's working and why--why am I enjoying this so much?

She learned the most from books she didn't like. She asked herself why she wasn't into it--which doesn't mean there was anything wrong with it. It was personal preference, which helped her find her writing voice. She likes a lot of dialogue, a lot of humor, cliffhangers, etc.

School may ask you to read things you don't like; as a writer, take it as an opportunity to pick it apart and find out why.

How do you come up with character names? Baby name books. By the time she had to name her own kids, she was already an expert. She likes names to match the character.

Sophie was going to be named Alexandra because it means helped and defender of mankind, but it was too on the nose. She wasn't an Alex, or Alexis, or even an Alexandra

Sophie means wisdom, which is what she gives to her world. "No pressure, right?"

Fitz is from Fitzroy, which means son of the king, and his family is almost like royalty.

"Keefe means handsome. *shrugs* So. Obvious there." The book she got it from said "good-looking one" specifically.

It's the same for B.B. He likes to look at the year the character was born and what was popular, too. Amari means inner strength, and a big part of her story is learning she's more than where she's from and to believe in herself

How does it feel to write from a new POV? Would we maybe get a Fitz book? Shannon's learned to never say never. The story could throw her another curve ball, she might do a short story in his POV. If the story dictates she needs to step into anyone else's shoes, she will. "I've gotten this far by trusting the story."

Who was Shannon's favorite author/book when she was 12? Shannon grew up before the big children's media boom, she she didn't have a lot of options. She did like the Lion, the Witch, and the Wardrobe

"You have no idea how lucky you are there's so many great stories out there. Different POVs, more characters that look like more people--though still need more work on that front."

For B.B., he was a huge fan of Charlie and the Chocolate factory--but he also didn't have much to pick from.

When Shannon was around 12, she also fell out of love with reading. She had a 7th grade teacher who was very strict about reading "at your level." And she decided Shannon was at college level, so kept giving her older books like Crime and Punishment, Little Women, etc.

While Shannon appreciates the classics, they weren't what she wanted to read, and it turned it into a chore. She went from a kid who took stacks home from the library to someone who only read if it was an assignment. (Shocked faces in chat).

Shannon firmly believes in letting your kids read what they want. That doesn't mean don't encourage them to broaden their horizons, but don't take away things they love. That's how you kill someone's love of reading.

B.B. gives props to Shannon for the female main character; it's one of the reasons Amari can exists--"well Shannon did it and it worked."

Shannon's very glad Amari exists. Keeper got a lot of rejections with coded wording that made it very clear female main characters were not as marketable as boy heroes. And she wasn't an instant success--it took about 5 books to gain momentum, and a lot of that was teachers, librarians, book sellers, and the kids themselves telling their friends to read it.

Any info on the graphic novel? Part 2 is definitely coming and in the works, it just takes time. She's seen some tentative cover sketches, might see more soon, and is very excited.

Team Fitz or Team Keefe? Even though Shannon's written a whole book from Keefe's POV *she holds it up backwards, then upside down, then gets it right* and has a Keefe cutout in the corner *moves the camera so we can see him--he was gonna be in the background but it looked creepy*, she truly is Team Sophie. If she ever got a tattoo, it's say Team Sophie. But she's terrified of needles so never will.

People think they kissed so it's settled, right? "Well, the series isn't done yet. Sophie could change her mind." This goes back to what Shannon talked about with letting the characters dictate the emotions.

What first inspired Keeper? A lot of things. Hilariously, it started as a short story. Epic fail--she's what, 8,000 pages into her short story? She was working on a different book and got stuck, so decided to get to know a side character.

The side character she chose was Fitz. For some reason, she doesn't know why, the plot was he'd meet a little girl and realize she was an elf.

But "Guess what, you're an elf!" was a terrible ending and she couldn't stop thinking about it. What happened to that little girl? How could she not know she was an elf? Why would they hide her?

A few weeks later she knew "yeah, I gotta switch books." She couldn't get it out of her head, but it was daunting because she knew it would be a massive project. But that little girl would not go away.

What was the inspiration for Amari? Doing pre-med stuff is long and boring, so he was looking for something fun. He thought about Men in Black and what if there were supernatural creatures living amongst us. He was working on the world and one day Amari popped into existence.

Has Shannon ever made the Keeper recipes and what's her family's favorite? Shannon actually developed the recipes herself, which wasn't something she ever thought she'd have to do. It took a lot of baking fails, but her favorite is anything mallowmelt--but she always warns people it's SO sweet. Good, but a few bites is enough sugar for a week.

Planning any non-Keeper series? Shannon doesn't know what she'll do once she's done with KOTLC. She'll definitely keep writing because she loves telling stories, but she's so immersed in Keeper all her other ideas are on the back burner.

B.B. thanks Shannon for being so inspirational with her work and how she interacts with her fans--he learned a lot from her. Shannon says B.B.'s always one of the top people she loves to do events with.

Once again, she is begging everyone to read Amari and the Night Brothers. "Please, please, please read them! Oh and I guess read Unraveled too. *accidentally holds it upside down again*"

“Tomorrow it's out in the world. Thank you for your faith in me and I can't wait for you to learn all of Keefe's secrets. It's gonna be an adventure.”

[brucebocchi]

Ranking 2024 anime, Pt. 4: #20-11

hey, this post is also available on my ko-fi, so please check it out and consider tipping/donating as i do this for free and am currently between jobs. you can find part 1 of the list here, part 2 here, and part 3 here. thanks!

You know, I'd really planned to keep my re-reviews much shorter but I'm finding it harder to do so when I get into the anime I actually liked. Maybe that's a good thing.

And away we go.

20. Solo Leveling

Portal isekai, sad loser secretly gains crazy powers and instantly becomes a stoic gigachad, menu screens everywhere, entry-level power fantasy. You’ve seen it before. Honestly, Solo Leveling is total slop. I wouldn’t have it any other way.

If you’ve watched a couple isekai, like, ever, you’re not going to find much new here. There’s some interesting enough worldbuilding outside of the dungeon stuff; I did find myself intrigued by the level consideration given to how much this preponderance of portals would influence Korean economics and politics, and even moreso that much of the story so far revolves around how those corrupting powers can lead to hunters using dungeons as their own playgrounds for personal gain at others’ expense. There also seems to be a larger malefactor behind all of the menu screens driving protagonist Sung Jinwoo’s growth and titular leveling, so there’s the hook.

Even putting aside the few interesting parts of the otherwise boilerplate story, Solo Leveling both looks and sounds pretty darn good. The soundtrack is laden with Hiroyuki Sawano’s trademark build-ups and drops, and though the character art and dungeon designs aren’t always the most eye-catching (early on it did look like A-1 Pictures was going to default to “fuck it, we’re making money anyway” mode), the action animation goes absolutely bonkers in its best moments.

The second season is already up and running, and although I can barely remember anyone’s name outside of the protagonist (maybe that’s on me, I consume very little Korean media and am not great at retaining Korean names), I’m in this for the long haul. Great turn-your-brain-off action schlock.

19. Wind Breaker

At this point you could put a sign that says “DELINQUENT WITH A HEART OF GOLD” underneath a box-and-stick trap and I’d walk right in. I am not immune to your Josukes Higashikata, your Ryujis Sakamoto, what have you. The angry and violent type who will nevertheless stick up for what’s right and remain fiercely loyal to those they care about. Wind Breaker is rife with characters who fit that archetype, but it’s not exactly a delinquent anime so much as it’s a Dudes anime. More specifically, a Dudes Rock anime.

Yes, Wind Breaker’s ensemble cast is almost entirely Dudes, and they do indeed Rock. Protagonist Haruka is a self-inflicted outcast, and his tsundere ass does not appreciate all the positive attention he’s receiving after proving himself in street combat prior to his transfer to an all-delinquents high school. Nevertheless, he wants to fight his way to the top of his new environment, and if that means sticking up for the little guy along the way, all the better. 

I love that Wind Breaker’s overarching messages of self-improvement and helping the weak without expecting a reward are basically anathema for the base power fantasies that largely come from light novels over the past decade and change, but even moreso that Haruka, loner that he is, keeps having to learn that he’s not going to get anywhere without surrounding himself with the right people and relying on their support. Battle shonen are usually pretty blatant with this stuff, but to see it spelled out so clearly in a series like this just hits right.

Wind Breaker looks terrific at just about every step, too. Every single thing I’ve seen from CloverWorks from the past few years has been a bop, which makes it that much more maddening that this is the studio that bungled the Persona 5 anime and supposedly botched The Promised Neverland in its second season. I get that not everything works out as planned sometimes but I find myself waiting for the other shoe to drop sometimes. I’m glad it’s been smooth so far, at least. Some pacing issues and a weird place to end the show, but I know for a fact I'll be there when this comes back in spring.

18. Laid-Back Camp, season 3

I am not immune to the Cute Girls Doing Cute Things genre, and when all is said and done I think Yuru Camp could very well stand alone at the top. A show this directly responsible for the uptick in camping culture and countryside tourism in Japan clearly holds some sway over pop culture, and it’s clearly deserved.

Returning to the present day after the 2022 film gave us a look at the Outdoor Club in adulthood, Yuru Camp’s third season gives us exactly what we wanted: More of the same. We largely focus on the solo expeditions of Rin, Nadeshiko, and the latter’s hometown friend Ayano as they trek to their collective meetup spot, and as the seasons change we get the entire gang together for some springtime hanami. It’s cute, it’s funny, it’s whimsical, it’s Yuru Camp. You know what you’re getting into at this point.

With studio Eightbit taking over the series in its third season, Yuru Camp still largely looks the same, and wonderfully so, but it can be a bit off at times: CGI vehicles look far more distractingly out-of-place, and for as gorgeous as the background art was in the first two seasons and movie, it can come across as a bit more uncanny this time out. I don’t know whether some of the shots of sakura branches were traced or run through some kind of AI post-processing from archival photos, and I hate to speculate on that, but given that this is the same studio that bafflingly under-animates the money printer that is Blue Lock, I can’t exactly put it past them.

Production quibbles aside, I can’t really complain about more Yuru Camp. It’s a bit lighter on plot than previous seasons, but this is a series that was light on plot to begin with. We get to spend time with these goofs, learn about camping and the Japanese countryside, and then maybe go touch grass ourselves. That’s a good message for a Cute Girls Doing Cute Things series to have: Go do your own cute things.

17. NieR: Automata Ver. 1.1a, part 2

The second half of this adaptation was going to be the metric by which fans of the 2017 action-RPG judged the whole work. The first half in 2023, covering the game’s A and B routes, was a solid if troubled production that did a good job of covering the narrative and action, even implementing surprising easter eggs from NieR Replicant along the way. Sloppy CGI integration in early episodes and a COVID-induced delay hampered things, though, so there were some nerves about the show’s return.

Any fears were quickly allayed once the second half of the series began, covering the real meat of the story in routes C-E. Ver. 1.1a immediately looked exceptional, with expressive character animation and fluid action sequences. Real pathos was instilled into the route’s early tragedies. Most welcome of all was the serious work put into expanding A2’s character and role in the story (as well as her backside). It felt like she’d gotten the short end of the stick narratively in the game, so it felt right to spend more time with her, tie her story in the present back to the past that was hinted at in the Resistance flashbacks, and just get to see her be a tsundere a couple times. I’m gonna have to go back and rewatch the whole series dubbed because I just know Cherami Leigh crushed it.

I’m of two minds about Ver. 1.1a as a whole: On one hand, this is just about as good an adaptation of the game as we probably could have gotten. On the other, a big part of what makes the NieR games’ narratives work so well comes from the fact that they could pretty much only be told through the framework of a video game. While Ver. 1.1a does a perfectly fine job of delivering the game’s narrative and providing its own take on the game’s extremely video-game-y ending, much of what makes NieR’s tragedies so impactful is the player’s agency (and occasional lack thereof) in these matters. 

Nothing can replace actually playing NieR: Automata as a means of experiencing its story, but Ver. 1.1a is a darn good companion piece, and one that may even hint at the future of the Drakengard/NieR franchise. Now if only Yoko Taro would focus on something other than gacha games and death game anime for two seconds…

16. Train to the End of the World

The writer/director duo behind Squid Girl came back to give us one of the best and most bizarre original anime this year. Train to the End of the World is overtly and unapologetically weird, and that’s the way I like ‘em.

This weird and wonderful trek across a warped and wildly varied landscape dazzles the eyes and rots the brain in unexpected ways, but it’s a stellar character comedy through and through. Shuumatsu Train’s oddball protagonists are goofy, galaxy-brained, and sometimes flat-out mean in ways that only teenage girls can be. The dialogue is expertly written and some of the punchiest I’ve ever seen in anime. The girls bicker, mess with strangers, and engage in the kinds of inane conversations you only have when you’re the most bored you’ve ever been in your life.

While rarely laugh-out-loud funny, Train to the End of the World is intrinsically hilarious. The sheer absurdity on display is the kind that leaves you just shaking your head in disbelief. One episode they’re playing House of the Dead to get out of a real-life zombie situation, and in another they’re acting out their favorite fictional anime that you, the viewer, are just expected to know about already. It’s a stupid show in the smartest ways; a classical Homerian epic with ruminations on the future, but also one where the girls threaten to wipe out a Lilliputian colony by peeing on it. It’s both eschatological and scatological. With the recent discourse over modern adaptations and interpretations of The Odyssey, this anime might as well be the nuclear option.

Train to the End of the World was a standout in a strong spring season, but it didn’t shake out super high in a long and darn good year of anime. That’s fine and all, but I really hope it ends up attaining the cult hit status it seemed destined for. 

15. Mayonaka Punch

This one had been distant on my radar for a couple of weeks after it premiered, but as soon as I found out it was a P.A. Works original, I picked it up immediately. Any original series by the studio that gave us Akiba Maid War’s glorious gut-wrenching insanity (as well as last year’s exceptional Skip and Loafer adaptation) is going to get my attention, and although Mayonaka Punch doesn’t quite reach the same highs as Akiba Maid War, it does try to match the latter’s most madcap moments.

I don’t have a better pitch than “Canceled YouTuber starts up a new channel with a house full of lesbian vampires,” nor do I really need one. Mayonaka Punch’s comedy largely revolves around the personality clash between the disaffected, avoidant Masaki and the pushy, hyperactive Live (who definitely wants Masaki for more than just her blood), but the whole cast is a riot. Throwing in a baby day trader, a taciturn fujoshi, and a big-titty pachinko fiend are just the right spices to make this a particularly tasty stew.

Chaos naturally ensues, and watching these women try to channel it into a successful YouTube channel is an easy recipe for comedy. Everyone has terrific chemistry and I was rapt with attention every time we got to learn more about each of these vampire girls’ history. What came as a huge surprise, though, was how potent some of the emotional hits ended up, even when it involved characters outside of the main pairing. The fact that the biggest one came in just the fourth episode was a masterstroke; I was already on board for the comedy but just like that I was fully invested in a character other than the one who wants to suck the protagonist dry. I’m not rephrasing that.

This one absolutely deserves to be a cult classic, and the door is left open just maddeningly enough at the end that I can only pray for more. Mayonaka Punch is a boatload of fun and deserves way more attention than it’s gotten. You can change that. Right now. Watch this show.

Prior to writing this, Fairouz Ai (Live’s voice actress and a huge presence in a handful of the shows I’ve already discussed) announced that she would be taking a hiatus from VA work following a PTSD diagnosis. I wish her all of the time, recovery, and support she needs.

14. Urusei Yatsura (2022), season 2

The opening salvo in the ongoing Rumiko Takahashi revival (weird thing to say about a mangaka who’s still alive and working, I know) returned this year for the second half of its “all-stars” run, marathoning us through retellings of the classic manga’s greatest hits, the oddest of its many oddballs, and its spectacular, heartfelt conclusion. More Lum is always a good thing.

I’ve written plenty about Urusei Yatsura’s remake following each cour except the first, and I don’t have much more to add at this point. It’s a classic for a reason and it laid the foundations for dozens of jokes, tropes, and standards that are fundamental to comedy in anime to this day. Even when some of the jokes may come off as trite or tropey, it’s easy to see just how and why it made Takahashi so successful. The exaggerated slice-of-life hijinks, outsized slapstick, and time-and-space surrealness are just as much of a treat as the deep, eclectic cast. And to top it all off, here’s Ataru and Lum being a couple of freaks who deserve each other.

Even though the 46-episode run certainly feels truncated compared to the 191 episodes, six films, and ten OVAs that came before it, David Production did a fine job of putting a modern touch on such a classic work and highlighting its strengths. And even though most of the run was an abridged run through the greatest hits, I’m really glad the studio made sure to dedicate the last few episodes to the manga’s final arc, bringing Lum and Ataru together in a beautiful and (briefly) satisfying climax.

And even for as satisfying as that ending was, it was nearly overshadowed by…

13. Ranma ½ (2024)

…the revival of Takahashi’s biggest hit.

Yes, right on the heels of the ending of the remake of her landmark romcom classic, came the announcement that her even BIGGER landmark romcom classic was also getting a remake. Ranma ½ is one of the hallmarks of 90s anime writ large, working late-80s Japan’s fascination with Chinese martial arts (partially due to Dragon Ball’s success) into a romantic-comedy framework that also accidentally served as the genesis of the harem genre. I’d somehow never actually engaged with Ranma prior to the remake, so I was happy to get in on a new ground floor and I was immediately sold.

As the youngest daughter of the Tendo Dojo, Akane Tendo is put in a predicament when her father betrothes her (at her sisters’ urging) to his friend’s son, Ranma Saotome. Though both are skilled fighters and a good match in that regard, Akane is a bit of a hothead and doesn’t much care for boys, so she’s not a fan of this arrangement, but it’s made all the more bizarre by the fact that Ranma is also a girl sometimes. Thanks to a bizarre accident in China, Ranma turns into a girl when soaked with cold water and back into a boy when hit with hot water. Shenanigans ensue as Ranma and Akane’s contentious relationship hits innumerable peaks and valleys, all the while fighting off an ever-growing menagerie of powerful, fight-happy suitors gunning for the hands and lips of Akane and both versions of Ranma.

MAPPA of all studios being the one to re-adapt Ranma came as a surprise, and you probably could’ve convinced me David Production took over this Takahashi adaptation as well. Ranma’s remake adopts several of the same visual flairs you’d see in Urusei Yatsura, including the Ben Day dots, color inversions, and manga-style onscreen onomatopoeias. On the other hand, while most of the moment-to-moment character animation is pretty much what you’d expect from any given anime, several of the action sequences are very well-animated to MAPPA’s typically high standard. I just hope the animators weren’t getting the Chainsaw Man or Jujutsu Kaisen treatment.

Ranma ½ is as hilarious as ever, but it can get a little wonky thematically when it comes to gender politics, boundaries, and expectations, as I’d been made aware before ever engaging with the work. I also knew from the Urusei Yatsura remake that this was basically Takahashi’s wheelhouse, as there are a couple of pretty genderbendy characters in there as well. Several of the male antagonists in Ranma are more than a little pushy when it comes to women who catch their eye, and a lot of the humor around Ranma’s gender swaps revolves around how their male socialization affects the lack of modesty with which they present their female form (more on that later). People who are much better versed in gender matters than myself, both academically and personally, can speak on the positives and negatives of these things much better than I can, and it’s too early in the series for me to really make a judgment call. I do think it’s odd, though, that even with the central romance, Akane doesn’t seem to remotely entertain the thought of getting involved with Ranma’s female side, and unfortunately I don’t really see that ever happening. So far, all of these things just come across as flat-out silly and more of a product of its time than anything nefarious. 

The original Ranma ½ adaptation remains a seminal work for a solid generation and a half of anime fans, so of course a remake was going to be met with some criticism. Some didn’t appreciate the more muted color palette compared to the late 80s/early 90s Studio Deen version, and while it’s certainly missing some of the flair of the hand-painted backgrounds and saturated lighting effects the medium has missed since that era, I personally like the softer hues; I find them a lot more reminiscent of Rumiko Takahashi’s own colorations for her art outside of the manga. It’s not as technicolor as the Urusei Yatsura remake, but I think that actually helps set the new Ranma apart rather than riding the former’s coattails.

The main difference people seem to be complaining about, however, has more to do with boobs. Takahashi has never been shy about including nudity in her manga, and in an era where uncensored bazongas were perfectly fine to publish in boys’ manga magazines, she was typically more matter-of-fact about the female form instead of pursuing titillation. As such, a story like Ranma’s, in which its title character is typically blase about presenting their female incarnation modestly, had a lot to work with on that front, and the original anime played along.

Not so with the MAPPA version. Nipples are conspicuously missing in scenes that legitimately do call for nudity, and an ass crack appears to be missing from an early scene as well. Personally, I don’t mind the Barbie doll treatment, and as I’d been reading the manga as the anime’s story progressed, I didn't find all that much missing in the transition from page to screen. Weebs tend to convince themselves they’re the most oppressed people on earth, so of course there were cries of censorship, which is a claim I don’t really care to entertain. These are different times, broadcast regulations in Japan are almost certainly different from what they were 35 years ago, and Netflix and/or MAPPA likely didn’t see the need for it. Could be any of those things. I’m not losing sleep over it.

And with that, I’m done talking about Rumiko Takahashi (for now). I’m grateful for everything related to her work, even tangentially, that came out this year, and my life is richer for it. I’m glad to have gotten into her work in earnest this year, and I can say with all conviction (hot take incoming) that she’s one of the greatest mangaka ever. I look forward to diving further into even more of her work.

12. The Elusive Samurai

I’d have been perfectly happy if Wind Breaker had been CloverWorks’ only beautifully-animated oddball shonen hit this year, and then they went and outdid themselves the very next season with this one.

The Elusive Samurai is a gorgeous, timeless-looking piece of historical fiction beginning at the very end of the Kamakura period, following the last survivor of the Hojo clan, the young Tokiyuki, as he’s urged by an eccentric priest to lead a pack of freedom fighters and take revenge. Despite coming from a prominent family within the shogunate, Tokiyuki was an impertinent kid and preferred to play hide-and-seek instead of attending any combat training. The priest, Yorishige, receives a vision of the future that predicts that Tokiyuki will fell his family’s usurper not by becoming a powerful warrior, but by doing what he’s already best at: Being a squirrelly little shit.

I just gushed about how good this show looks three months ago, and even now I’m thinking back fondly on how well it blends whimsy with brutality. You can have Yorishige and the kids goofing off and cracking jokes one minute and vibrant crimson beheadings the next. Even little Tokiyuki makes a joyful game out of slicing a bandit’s veins to ribbons later in the season. It feels like a callback to anime films and OVAs of the 80s, with the film grain effect to match. Almost every single thing about this show looks and sounds incredible.

Of course, there’s the CGI. I really don’t like complaining about that sort of thing, but it was such a blatant and unnecessary cost-cutting move that it almost cheapens the rest of the show. Look, I get that horses can be a pain to hand-animate after a while, but having characters’s CGI models speaking while riding on horseback is just enough to take me out of the show, especially when they already look as bizarre as, say, Sadamune. How that passed muster with the rest of the show’s standard is beyond me.

So, maybe I did dock it a spot or two for that, but I see that as a wrinkle that can be ironed out. The Elusive Samurai is absurdly promising, and its debut season is a tremendous statement. Can’t wait for more.

11. Makeine: Too Many Losing Heroines!

As I made clear last year by putting 100 Girlfriends’ debut season in my top ten for 2023, for as much as I love a good straight-up romance story, I have ample room in my heart for trashy dipshit romcoms as well. Makeine shares that affection and forges its own identity from it, establishing its own throne atop a hill of garbage.

This is not a “yeah it’s good if you can look past the tropes” show. Makeine is firmly on its bullshit, and it is firmly about its bullshit. It’s not nearly as off-the-wall as 100 Girlfriends, few shows are, but it’s well aware of your expectations and leaves you guessing whether you’ll have them expertly subverted or just thrown right back in your face. Even the protagonist, the light novel fanatic Nukumizu, is calling out the tropes as they happen, but it’s been a fun time watching him learn that he’s more than just a wet-blanket LN protagonist. He thinks he’s just along for the ride like any other blank-faced self-insert in these stories, as gets roped into the personal lives of these poor girls and learns that, yes, they are real people and that, yes, he is too.

I could go on and on about Too Many Losing Heroines’ idiosyncrasies and offbeat characters and punchy dialogue, but I did that plenty just a few months ago. Instead, I want to call attention once more to just how freakishly well-made this show is. A-1 Pictures had zero reason to go this hard on a goofy, trashy light novel romcom adaptation, and yet here they were, throwing their A-team at the whole project. Character animations are intricate, background art is sumptuous, lighting effects immaculate, and music on point at all times. The OP is an earworm (and one of a surprising number of ska intros and outros I’ve taken in this year), and having each of the main titular heroines perform her own story-appropriate ED was a masterstroke. Even the visual gags are perfect and allowed to land on their own.

I already cannot wait for more of this. If A-1 has given us all we’re going to get of the Kaguya-sama anime, then I’m as all-in on Makeine as they are. Not the best romcom out there, but easily one of the best-made out there.

[kradogsrats]

I've been kind of hesitant to voice this analysis/theory because honestly even I find it hella depressing, but... here goes.

At the end of s6e5: "Moonless Night," we have this kind of cryptic sequence with Viren:

Now, this isn't exactly subtle. It starts with a callback to Aaravos's "the human mage, already tainted by darkness and destined to play right into my hands," line (and a nice Callum > fake pearl > real pearl > Viren cut sequence) and ends with the kind of spider-and-fly imagery you bust out when you want the audience to really get the point. This sequence tells us in no uncertain terms, Aaravos will inevitably use Viren again... at least one more time.

I say it's cryptic because the eventual payoff is a lot more subtle, particularly since everything escalates so rapidly and is actually presented as a crazy, unexpected twist. Basically, there's no follow-up until s6e8: "We All Fall Down," where we have a highly specific series of events:

Sol Regem, under Phaaravos's direction, attacks Katolis

Viren decides to make the sacrifice of both doing dark magic again and losing his own life to protect the people from Sol Regem's fire

Viren successfully casts the spell and the people are protected

Phaaravos does this:

Once Viren has cast the spell (and is probably dying), Aaravos is pleased and ends Sol Regem's attack.

Aaravos needs three things to free himself: the pearl, the staff, and a sympathetic mage. He can't just possess Callum and free himself at the start of the season, because—whether that would work or not—he doesn't have the staff. He knows, however, that Viren is going back to Katolis, so he can influence Callum to switch the real and fake pearls. Then, when Viren arrives, the pearl and the staff are lined up... but Viren is no longer sympathetic (and possessing him wouldn't really do any good because like, come on... he's in prison).

The way that the attack on Katolis plays out gives him everything: the pearl and staff are abandoned in the chaos, leaving them free for Claudia. Viren, being dead, is also now unable to influence Claudia directly—not to mention that, despite what he told her in s6e1, he chose to do dark magic again.

There are several reasons that could be behind Phaaravos's smarmy little smirk there—either he's satisfied that the staff is in play and will be easily accessible to Claudia instead of buried under a castle's worth of rubble, or he's satisfied that Viren is going to die and that removes what could actually have been a very serious obstacle to Claudia's persistence, or... he's pleased that Viren has caved and done dark magic again, whether because that's leverage he can use with Claudia, or for a more insidious reason.

We can stop here, because "Aaravos uses Viren's loyalty to his family and Katolis to manipulate him to his death and to set up his daughter for digging herself deeper in aiding his own return" is honestly plenty of payoff as far as Aaravos "using" Viren a final time. BUT just to get a little tinfoil-hat, here:

How exactly are we supposed to understand the pearl got from the subterranean secret dark magic workspace to outside in the ground-level courtyard... except by Aaravos walking the dying Viren down there to bring it back out, then neatly arranging pearl, staff, and Dad's dead body in close proximity for Claudia's homecoming? Which is pretty fucking grim.

As a counterpoint, the one thing this series sometimes plays extremely fast and loose with is the space-time continuum: like, working out travel times? Good fucking luck—it takes exactly as long to get somewhere as the plot demands, regardless of distance, terrain, or mode of transportation. So "how did the pearl get into the courtyard" could just be one of those "how did Soren and Claudia get up the Cursed Caldera without Lujanne knowing"-situations where the answer is "it's fine, don't think about it."

Sure, the staff, pearl, and Viren's body are all suspiciously accessible, but we also don't have screentime for Terry and Claudia to do an extensive search of the rubble overlaid with sad music and intercut with flashbacks. Sometimes shit just has to be convenient so we can move along... but I'll probably still always kind of wonder.

[canary-curse-57]

Hellooooo everybody, it’s CC back again with my favorite pastime:

ANALYZING JIMMY SOLIDARTIYGAMING’S (WILD LIFE) DEATHS

In this post, I talked about why I thought he could win the life series, and I analyzed his deaths from every series (excluding Real Life and Wild Life) (THIS HAS SOMEHOW MANAGED TO BE ALMOST AS LONG AS THAT ONE). Now that Wild Life has been over for a while, however, I’ve decided to analyze his deaths from Wild Life, as there’s one in particular that completely doesn’t fit in any previous categorization I had. 

As a quick recap, my previous categorization system consisted of Bad Luck, Silly Decision, and Accident. One death could be more than one category at the same time. If you have any questions, feel free to leave a comment/ask!! I love yapping about the life series :D

Anyways, let’s get into it!!!

First death - Creeper - Bad Luck/Silly Decision:

This is one of a handful of deaths that he’s had over the course of the series that I genuinely think could potentially fit in all 3 categories, but I ultimately feel like leaving off Accident because it doesn’t fit quite well enough. Either way, this is one of many incredible examples of Jimmy Solidarity’s Unbelievably Bad Luck. I mean, to have not just one, but TWO creepers sneak up on you from completely opposite directions while you’re trying to fight a zombie is just INSANELY Bad Luck!!!! 

So while Bad Luck is easily the primary category here, I’m also including Silly Decision because I am of the firm belief that going ANYWHERE on your own at night is not the best choice, and doing so has gotten Jimmy killed/knocked out of previous series before (For example: his death to the enderman at the end of Double Life) so he really should’ve started avoiding this type of situation a while ago. 

Second death - Creeper - Accident/Silly Decision/Bad Luck:

What’s this? Our first triple category death? A shocker, I know, and I’m honestly not entirely confident in it. Here are my reasonings anyways:

Accident is quite simple, really: Jimmy accidentally misses his second hit on the creeper that kills him. If you slow down the video, you can see that the second time he engages with the creeper, he swings his sword at the creeper three times, landing the first hit, missing the second, and seemingly hitting the third. However, the fact that he misses his second hit means that the creeper doesn’t die, and still has enough HP to explode and kill Jimmy. There is also an element of Bad Luck at play in this specific moment too. 

Silly Decision honestly comes from what he was doing before this death: messing around and letting three whole creepers explode in front of him, blocking the explosions with his shield. Doing so is a little bit of a Silly Decision, one that Lizzie even reprimands him for, although I feel like transferring from that method of killing creepers to actually hitting them to kill them may have caused him to somehow let his guard down. (This, too, feels a little like Bad Luck, but in the specific way of the universe not taking kindly to him messing around)

Again, this is one I'm a little shaky on, so I might edit/change this up in the future. 

Third death - Snail - Accident/Silly Decision:

For the most part, this is an accident, pure and simple. Jimmy didn’t know the snail would kill him, he got a bit too close to it, and whoops, there he goes! However, I’m still adding a small amount of Silly Decision to this, because I personally feel like getting close to what is clearly the wildcard is a biiiit of a risky move, especially when you don’t know what it is/what it does yet. 

Fourth death - Snail - Silly Decision:

Jimmy knew the snail kills you the moment you touch it/it touches you, and yet he still decided to try and get incredibly close to it and get it to lunge at him. Silly Decision to the max /pos

Fifth death - Creeper - Bad Luck/Accident:

Damn, I always forget about just how rough of an episode this was for him!!! He dies four whole times in the span of ~7 minutes of video time. That’s almost one death every two minutes what on EARTH. I also very fondly remember this session being released the week after I posted my original analysis post about why I think he could win the life series someday. Absolutely hilarious timing to me lfhwejkfhwjkefhwjkhf

ANYWAYS, analysis time!! 

This is a lovely lovely example of Jimmy’s Bad Luck creating absolutely hilarious moments/the universe deciding it hates him! Oh, you want to talk to the only other yellow on the server about how it stinks to be yellow? Creeper from behind!!

I’m only adding an Accident classification in here because I watched this moment from Skizz’s POV, and he had enough time to warn Jimmy had he noticed the creeper, so I feel it gets a slight Accident rating. 

Sixth death - Dripstone - Accident:

Aaaaand here we have it folks: the death that could’ve taken Jimmy out of the series if not for Ren sacrificing himself in episode 3!! The craziest thing about this death is that it’s an accident, plain and simple. Martyn didn’t think there was really a trap, mined the block for funzies, and caused Jimmy to plummet to his death. Could you imagine if that was somehow the way Jimmy went out??? One could make an argument for Bad Luck, but I don’t really feel like it fits. 

I also strongly considered adding a Silly Decision to this one. I mean really, who stands on top of their own trap?? There’s always a chance someone might break it, and in this scenario that chance occurred!! However, in the end I feel like it classifies as more of an accident, because really, this one’s entirely on Martyn. 

Seventh death - Falling/Ravager - Bad Luck:

Ah, yet another death that I briefly considered adding Silly Decision to. I ultimately decided that it didn’t fit at all; after all, no one had any clue what could happen if you got the answer wrong at this point, so really you weren’t sure how careful you needed to be around Trivia Bots. That being said, going up into the tower miiiiight’ve not been the best choice, but ah well.

This death really felt like it was mostly Bad Luck to me because Jimmy really should’ve survived the fall!! Had it not been for his ender pearl hitting Martyn & the tree being right beneath him, I firmly believe he would’ve either teleported away safely or managed to hit a water bucket clutch (he got the water down right before he landed, it just didn’t save him because leaves (leafs?) waterlog)

Eight death - Snail - Accident/Bad Luck/I don’t even know dude this death made me lose it:

This death was quite possibly the most PAINFUL DEATH I HAVE EVER HAD TO REWATCH EVER. EVER!!!!!!!!!!!!! The fact that he just WALKED into the SNAIL has me LOSING IT like DUDEEEEEE AUGHHHHHHH

Anyways creepers and snails are now tied for Things That Caused The Most Amount of Deaths for Jimmy, with 3 each!!

But yeah. Accident all around, with maybe a smidgen of Bad Luck thrown in there because how.

Ninth death - Bloop (Iron Golem) - Accident/Silly Decision:

Sigh. It wouldn’t be a Jimmy SolidarityGaming Life Series without multiple deaths that hurt your soul /lh

Anyways, yet another Accident. Obviously he didn’t mean to hit Bloop. But ALSO this is VERY MUCH A SILLY DECISION!!! Jimmy. Jimmy why would you try to kidnap an iron golem. Jimmy. Please. You know the universe likes to take the mick out of you dude (no i’m not british idk how else to put it tho 😭). You laughed at Mumbo’s grave and Grian basically made Bloop to be Mumbo cause he was lonely, of course it would go wrong /lh. 

Sigh. C’est la vie ig. Anyways, it’s this next death that’s the whole reason why I’m doing this,,,,,,

Final death - Grian/Explosion - ?????????????????:

There is only one other death in the entirety of the life series that I consider to be uncategorizable for Jimmy, and that one was when Tango died while they were soulmates.

So this death? This death is special.

It wasn’t an Accident. Grian had sworn for a long time that he would take Jimmy out of the series. Grian always holds tight to the promise of death. This was intentional. Planned.

It wasn’t Bad Luck. Jimmy wasn’t in the wrong place at the wrong time. He didn’t randomly have tnt spawn around him. This was intentional. Planned.

It wasn’t a Silly Decision. One could argue that it wasn’t one singular Silly Decision that got him to this point, but multiple small ones, stacked up high enough that Grian decided to act. And I could almost bring myself to agree with that, were it not for the fact that people have done worse to each other in this series and been spared. This death was completely out of Jimmy’s hands. It was unexpected. Intentional. Planned.

For the first time, Jimmy was the main target. For the first time, he wasn’t just caught in the crossfire. For the first time, he didn’t instigate right before his death. 

For the first time, he was viewed as someone who should be taken down.

Admittedly, it’s quite a stretch to say that Grian viewed him as a threat. I honestly don’t think Jimmy will be viewed as a threat anytime soon. The legacy of the canary curse lingers far too close for now. 

But think with me, for just a moment, about what may have been. He was surviving. Others had died to the combinations of wildcards thrown at them, yet Jimmy was surviving. How far could he have made it? How long could he have lasted, had Grian not taken matters into his own hands?

I’m in no way saying that I think this was Jimmy’s best season, or that I think he could’ve won if not for Grian. This was one of the most unluckiest seasons he’s had in a while, and the silly decisions and accidents added on top of that were a recipe for disaster.

But this was the first season where he really truly showed fight. Getting kills, celebrating, gloating; for a moment, he didn’t just survive. He thrived. 

If you combined his survivability from the first 5 sessions of Last Life with the killing power he had in Wild Life, I truly think you would have a winner. 

So despite the 10 deaths, despite the silly decisions and the laughably bad luck, despite the highest highs and lowest lows, I am not left with a lack of hope for Jimmy. 

If anything, this season has just made me believe in him more. 

[anghraine]

I finished TOS today :'(

From J's loathing of the series finale, I thought it would be worse tbh. It is not good, to be clear! Obviously the whole conceit of the episode is intensely misogynistic (and transphobic, though I think that was less intentional) and Janice is so completely identified with Gender while also being so mediocre that her characterization is somewhere between insulting and comically stupid, but with a bit of generosity there are some things I can find intriguing about it.

For instance, Janice's rage over Kirk leaving her for his career only for Kirk to be like "actually I left you because your internalized misogyny was incredibly off-putting" is phrased in a deeply cringy 60s way. Yet, J and I have both found this to be basically true IRL. Self-hating misogynistic women do make for terrible relationships and Janice is at Lady Macbeth levels of it.

I also found it interesting that Janice (in the body of Kirk) is so sneeringly mocking of the idea that a woman could possibly have physically gotten the better of a man, when the reality is that a) she knows perfectly well (as does the audience) that this is exactly what happened, and b) this has happened to Kirk numerous times before (I think on at least four unrelated occasions in this season alone).

On just an acting level, I guiltily enjoyed Shatner's performance of Janice body snatching Kirk apart from a few specific scenery chewing moments. There's this blend of his usual Kirk performance with hints that something isn't right that get stronger and stronger until he's such an obvious monster that all the crew except security are refusing to follow blatantly unethical orders and actively trying to use Starfleet protocols that allow them to remove a superior officer (it's a surprisingly good episode for Sulu and Chekov because of this, as well as for the ever-reliable Spock).

The earlier phases of Shatner-as-Janice-imitating-Shatner-as-Kirk have this kind of almost-but-not-quite-right uncanny quality that I thought was actually pretty well done. It's rather better than the guest actor's performance of Kirk-stuck-in-Janice's-body until she really gets going.

So, like, there's this wild moment when Janice is sweet-talking the awful doctor into helping her commit murder, and it's clearly coded as, you know, the evil tempting ways of women as Janice leans in both kind of seductively and kind of menacingly. But Janice is performed by Shatner throughout the entire scene, so it's ... uhh. Well. A lot.

Meanwhile, Kirk-trapped-in-a-lady-body is trying to prove that he is Kirk to Spock, who is basically willing to entertain the possibility but not at all certain. I was half-jokingly telling J, "I feel like a mind meld could solve a lot of problems here" when Kirk did suggest a mind meld with Spock via the incredible line "You are closer to the captain than anyone in the universe. You know his thoughts" which UHHHHHH and then Spock does mind meld with Kirk and is immediately convinced that this really is Kirk, but Kirk is played by a woman the whole time, so. Hmm. Plausible deniability?

I'm honestly reminded a little of my Shakespeare class's discussion of how Twelfth Night would have registered to audiences at the time, when Viola would be played by a boy pretending to be a woman pretending to be a man. It's complicated. Obviously this bad episode is no Twelfth Night, but ... well.

I do also appreciate that the episode takes a very strong "just following orders is not an excuse" position, as does virtually everyone on the Enterprise except the security people. If the usual female cast members were more present, I think the gender stuff wouldn't feel as bad, tbh—I don't recall seeing Uhura at all, Chapel is hesitant but goes along with basically everything, the random woman on the bridge is just kind of scared where the men simply refuse to comply...

The conclusion is also just ambiguous enough to read the way I'm choosing to read it, which I feel is absolutely not what was intended, lol.

For context, a lot of Actual Janice's unhinged rage is driven by a mixture of what seems to be a very real glass ceiling in Starfleet + a distinctly authoritarian approach to power (J and I have long joked about half the cast of Mass Effect whining about "red tape" and we started going "RED TAPE!!!" as Janice transparently fumed about operating within an organization in which authority figures are actually answerable to other people and regulations exist around institutional power) + A Woman Scorn'd misogynistic tropes.

After Kirk and Janice are restored to their respective bodies and Janice is led away by the doctors, Kirk says, "I didn't want to destroy her."

Spock's last line in the show is his reply: "I'm sure we all understand that, captain."

Kirk responds, "Her life could have been as rich as any woman's, if only..."

And that's the end of the episode! And the show! And I was like "as any woman's, yeah, but she didn't want to only have the opportunities available to women, which is entirely fair even if she individually sucks." But since Kirk just trails off and wanders sadly away, there's no clarification of what "if only" refers to. I would guess that the writers intended something more like "if only she'd been happy with her place as a woman" or whatever, but I'm choosing to live in a world where it's more like this was a perfect storm of about five different factors and not specifying lets him wave vaguely at all of them rather than attributing her actions to any single cause.

Regardless, I'm sad to leave TOS behind. For all its warts (the godawful handling of nearly all female characters comes from barely ten years before Princess Leia blasted her way into cultural consciousness; the writing and direction is wildly erratic in quality; the characterization sometimes wobbles to serve the plots; etc), I've really loved it. I'm very fond of so many of the characters and feel I know them despite the wobbling. I love how the show uses color in such a vivid way (even accounting for tech changes that affect this, like the lighting making green command uniforms look gold), I love the willingness to try different things with angles, effects, light, stages, whatever. I love the worldbuilding-as-we-go that gradually coalesces into something familiar. I love the way it's episodic enough to watch in any order but kind of builds on itself nevertheless (it feels very right for "Amok Time" to long precede "Journey to Babel," for instance).

I even enjoy the glaring-to-a-modern-eye staginess. I'm so tired of glossy de-saturated sci-fi aesthetics that TOS being like "fuck it, let's try X" whether it succeeds or not is just very welcome. I've loved checking out different costumes, hairstyles, various little details that make it feel real in a larger (and brighter) than life way. RIP to TOS from the future: nobody's doing it like you.

[thecoolerliauditore]

long post: the neck kisses playlist on joel's spotify is about jimmy (and kind of etho too a little bit)

it's not actually about jimmy it very much is not about jimmy. however I had visions when I listened to it and I know at least one person really wants me to put this into words so

"I Miss Having Sex But At Least I Don't Wanna Die Anymore" is a pretty straightforward song about Awsten Knight's post-break-up life as well as his frustrations with his fanbase.

The feelings post-break-up are described as freeing, hence the title ".. don't wanna die anymore" but the ending of the song hints at some nagging regret despite that, with the desperate repeating mantra of "but I think it's fine, it's cool"

While I don't think all of these songs signify chronology (and some I don't think are literal at all unless c!Joel has some weird daddy issue lore I'm unaware of), I do like to think the start of the playlist calls to pre-3L jimmy/joel, most specifically their relationship in x-life.

In x-life, Joel establishes a totally-not-cult religion he dubs "Jeremyism", Jimmy being his first member after he fails to trick Lizzie into joining. He later gives up his leader title, quote, "for content". Jimmy is unhappy with this development and begs Joel to stay, but Joel refuses. While their relationship in x-life would be hard to define as romantic in any sense, they were clearly fond of eachother before Joel eventually broke away.

Things get a bit hazy here since "for content" doesn't really translate to anything in-universe, but I think it's interesting to note that both the song and Joel mention an audience, specifically one that they feel the need to appease. Whether this is a metaphor or watcher lore or some secret third thing I have no idea but it sure is there 👍

In my mind, it goes like this: Jimmy and Joel meet, they hit it off, Jimmy is affectionate and Joel starts to catch feelings. Joel cuts Jimmy off for making him feel weird.

the second song in the playlist reinforces this, being a much angrier post-break-up song.

While this seems out-of-order (why does the immediate anger come after the song about life after the break-up?), I think it's interesting if you look at it from an angle of this not being fully Joel's feelings towards Jimmy, but Joel's frustration towards himself for messing it up.

with a little bit of frustration being placed on jimmy too:

pictured: joel in third life with a message from jimmy that he very much. does not answer.

personally I like to think Joel held a lot of resentment towards Jimmy in Third Life, both for homophobic reasons (i.e. you made me feel gay and now I'm gonna punish you for it) and for jealousy reasons (start of his number one scott hater arc)

this one's just in the wrong playlist first of all why does he insert this between two waterparks songs. whatever man.

anyway this song's interesting to me because it's literally just about a hot babe getting rejected by some fuck who refuses to be ball-and-chained.

there's two directions this could go imo: one is that this is, once again, evoking joel and jimmy's relationship. Joel acknowledges that he a life with Jimmy would be nice, but he refuses to settle down because it would rob him of his identity/freedom.

the other is that brandy is joel and the sailor is etho, since brandy shows an admiration for the sailor but also an awareness that he loves his job more than her

this storybook like description of how brandy saw the sailor's tales is very smalletho to me idk. very hand-in-hand with joel's child-like view of who etho is.

I don't have much for this one tbh it's pretty much just a love song and Joel really liking waterparks (king)

That being said, there's some fun imagery to play with here:

yellow = jimmy makes a lot of sense (blonde hair, canary imagery, yellow also representing people on their second life in the life series which evokes neither the assumed skillfulness of a late game green name nor the danger of a red name), as does green = joel (the green streak. shrek. yeahg. and while red joel is iconic "green like my insides" could also be read in this context as "deep down, I am safe to be around" which I think is neat)

"natural blue" is a bit harder to interpret (especially considering the original context of this being a joke about Awsten dyeing his hair) but blue is of course scott's colour. this could be read spitefully as Natural blue (was in love with jimmy first) vs scott's dyed hair or it's. joel saying that's he's gay idk man.

"at least I match your eyes" is pretty simple, with both of them having brown eyes, "jealous and hypnotized" once again alluding to some jealousy, likely towards FH again if you believe the blue line is alluding to scott.

however joel has plenty of people to be jealous of in regard to jimmy so. shrugs. hey you can even interpret this line as talking about jimmy's desirability. neat.

there's also this, which again might allude to flower husbands, implying in this fake world I've created that Joel doesn't view them as actually "married"

ok this is getting too long lmao see you guys next time i feel like writing about this stupid fucking playlist again

[muzansfangs]

NSFW ALPHABET — Grimmjow

Starring: Grimmjow x f!reader

Format: head canons

Warnings: nsfw, vaginal sex, spanking, degradation kink, handcuffing, dacryphilia, choking, oral sex (f!reader receiving), oral sex (Grimmjow receiving).

Plot: basically, a series of nsfw head canons about Grimmjow, based on the alphabet.

﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏

A = aftercare (what they’re like after sex)

Grimmjow is definitely not a gentleman. When he is done with you, he simply rolls beside you and lays on his bed with a devious smirk plastered over his face. He is selfish and that should not be a surprise.

However, there are times when he shows you a part of him you did not know he actually had.

Whenever he thinks he has been particularly rough with you, he jumps on his feet and grabs you a glass of fresh water. He kind of enjoys taking care of you from time to time. Therefore, before letting you go to clean yourself, he simply pulls you back onto the bed and allows you to snuggle in his arms. This small moment of affection usually includes forehead kisses and his arm draped over your waist in a protective iron grip. He is not that good with words, he just likes to make you understand that he cares.

B = Body part (their favorite body part of theirs and also their partner’s)

Once he has chosen you, he is obsessed with every inch of your body. Yet, if he has to pick his favority body part about you, there is no doubt that it is your hips. Why? He loves digging his nails onto them as he pounds you at a feral pace. Also, he is addicted to them and loves to watch you sway them to tease him.

His favorite body part of himself are definitely his thighs. They are muscular and they grant him the chance to stand still for hours as he takes you up against the wall. Also, he really loves the sound of his thighs slapping against your backside as he takes you from behind.

C = Cum (anything to do with cum, basically)

The pride and joy he draws from spurting his cum into you is immense. Yet, there is something that really makes him feral. Maybe it’s all because the beast inside of him is an apex predator, who knows, but he loves to spill his cum on your stomach and chest. Why? He thinks of it as a way to mark you permanently.

No man or hollow is allowed to come anywhere near you like that.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

He would always deny that, if you ever found out about it, but he has always wondered what it would feel like to involve Ichigo in one of your intercourses. He is not really into threesomes. Grimmjow is extremely territorial. Yet, his thirst for glory and supremacy makes him wonder if he would be able to satisfy you more than Ichigo could during sex.

He will never talk to you about that, of course.

Maybe you could suggest him that? Oh, the effect you would have will be: Grimmjow.exe stopped working.

E = Experience (how experienced are they? do they know what they’re doing?)

Of course he is experienced. He has been around for a long time and someone with that appearence, cockiness and smug smirk on his face knew exactly what he wanted. Despite that, he surprisingly had high standards. For real. Therefore, he usually had to turn to masturbation most of the times.

However, he knew very little about some experimental stuff and he did not know anything about toys. Yet, he made you feel things you did not think you would have ever been capable of experincing. And all of that happened without the use of toys. Guys, he is too good for this world.

F = Favorite position (this goes without saying)

This man has two favorite positions. Missionary and doggy. It should not really be a surprise. Let’s take a close look at why he enjoys taking you in these two specific positions, though.

Grimmjow is a dominant man, a partner who loves to prove you that no one could ever make you feel the way he does and he likes to show it through his actions. While he surely enjoys gripping your hips until you will be left with some marks resembling small crescent moons on them, shout-out to his nails, he loves watching the effect he has on you. Therefore, missionary. He needs to look straight into your teary eyes and take pride in the way you leave your mouth hanging open in pleasure, as he takes you on cloud nine. According to him, you make some very lewd faces he could never get tired of.

Now, doggy is a position connected to his primordial desire to submit you. It’s an animalistic feeling, the uncontrollable urge to sheathe himself into you as deep as he can and make you beg for mercy. It is not like you can easily escape his grip like that and he loves it. Also, the spectacular view granted by this position is exactly what he needs to lasts for hours. Your arched back and you ass are better than a fight with Ichigo. And you know how badly he wants to fight that man.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Grimmjow is straight up serious. He takes the matter of pleasuring you as a military task. Yet, he always tries to whisper some dirty pick lines before the act to get you in the mood. Although they are really bad, and you wonder has taught him them, you just laugh it off and appreciate his jokes.

Some teasing comments here and there and even his attempts to tickle your sides to make you laugh make the whole experience balanced. Overall, he is the perfect mix you would always open your heart to.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

The carpet definitely match the drapes. Grimmjow takes pride in his masculinity. While he did not really pay much attention about how well groomed his hair were before he met you, that changed when you two crossed paths and, eventually, explored your intimacy.

He did not really want you to be uncomfortable while you gave him oral and he decided to trim and take care of the matter. While they may have been unkempt at first, now they are definitely shorter and tidy. Whenever you tease him about how lovely it was of him to do you this favor, though, he always grumbles excuses about the fact that it is a simple trend.

I = Intimacy (how are they during the moment? the romantic aspect)

Grimmjow is not very romantic, so do not expect him to light up some scented candles and scatters some petals around your bed. When it’s your anniversary, when he feels particularly affectionate towards you, he will surely try to put some more effort throughout the whole act.

How? Long, passionate kisses and his fingers running through your hair to massage your scalp as he lets you ride him sensually. That intimate positions and some sweet nothings whispered in your ear are his love language.

J = Jack off (masturbation headcanon)

Before meeting you, it was another form or stress relief for him. Nothing he would seek continously, of course, still he needed it. Things changed since you are together. Why would he need to jack off, when he can simply ask you to help him out.

The funny thing is that, if you are not around and he feels certain urges, he just waits patiently for your return or chases you down. Girl, you cannot escape the panther inside him.

K = Kink (one or more of their kinks)

Some kinks are part of him exactly like the hole in the middle of his abdomen. Let’s get started. He is not into hurting you, really, but leaving some marks on your skin and making you emit those cite little yelps he adores are not something he is willing to gove up on so easily.

Biting your neck and spanking you are probably at the top, but let’s not forget choking. He would never let it go too far though. Seeing you hurt and knowing it is his fault would probably only make him feel bad for real. And he loathes the negatives feelings.

L = Location (favorite places to do the do)

Anywhere. Jokes aside, his favorite place to have sex with you is in your house. He loves paying you visits in the world of the livings and making memories with you in every corner of your house.

Your bedroom has a special place in his heart.

Maybe, Ichigo’s rooftop too. But that’s only to piss him off.

M = Motivation (what turns them on, gets them going)

You. The sight of his partner walking up to him with a soft smile on her face is enough to get him turned on. He has to admit that when you wear his robes he feels the urge to take you right here and there. He cannot still explain himself why, but he likes you wearing his jackets.

It probably strokes his ego.

N = No (something they wouldn’t do, turn offs)

Seeing you cry. You can tell he is not into dacryphilia. He loves seeing you desperate for him and exhausted. Overstimulated, at best, but not crying. As soon as a tear escapes your eye, he stops. No matter what you say, no matter if it was a natural reaction. He is not going to touch you again for the rest of the night.

Of course, if you point this out and accuse him of having turned into a sofie, he will yell at you. Typical of Grimmjow.

O = Oral (preference in giving or receiving, skill, etc.)

Grimmjow is more into receiving oral. The reason is simple. He likes to feel praised, honored and pampered. Also, he is kind of selfish and he likes watching you struggle to take it all in your mouth. You look cute like that, according to him.

If he feels the desire to give you oral though you are in for a ride. He only laps at your folds, if you sit on his face. Do him a favor, make him happy, just lower your heat on his mouth and let him enjoy his feast. The bruises on your thighs of his fingerprints are worth it.

P = Pace (are they fast and rough? slow and sensual? etc.)

Rough and steady, fast and feral. It does not matter which pace he picks. You are always going to end up squirming in his arms. If he has to choose a pace by default, he will go with fast and feral. It is just in his inner nature.

Yet, especially if you have been apart for too long, he will take his time with you. Hard, deep and steady thrust to create a passionate rhythm are what await ahead of you. Long nights in his bed and days spent in trying to walk properly are a sweet torture you can endure.

Q = Quickie (their opinions on quickies, how often, etc.)

He is not against them, but he is one of those guys who do not want to feel the pressure of time on their shoulders. Every single time you end up in bed, he wants you to feel good for real. He believes that quickies may ruin his performance.

Then again, if he is stressed or angered, he would have no problem in cornering you somewhere safe from prying eyes and steam off some stress by thrusting into you at a feral pace. He does not even care if someone walks in on you two.

R = Risk (are they game to experiment? do they take risks? etc.)

This man is down for whatever. He would do whatever it takes to please both you and himself. He is willing to experiment anything you suggest, even if sometimes he is the one who comes up with new ideas. This might have happened after he bumped into porn sites. Take the computer away from him.

Yet, the risks he is willing to take never go too far though. Since he actually can’t get you pregnant, he does not consider finishing into you as a risk. He won’t go too far in risking to hurt you either. The furthest he is willing to go is probably public sex. He is completely unbothered by the idea of getting caught during the act. It’s a risk that turns him on.

S = Stamina (how many rounds can they go for? how long do they last?)

This man can and will last for hours. Most of the time, you end being overstimulated and he draws pleasure from it. While he is a little bit selfish and keeps on chasing his orgasms no matter what, he knows he cannot risk having you faint on him or be too sore.

He stops as soon as you ask him to. He has some sense of decency and respect for you. He loves you, after all.

In terms of rounds, he could literally go for five, or six rounds, but restrains himself and sticks up to a maximum of three. You matter more than his climax to him.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Grimmjow didn’t actually know about toys and their use until you introduced him to them. He was intrigued at first and decided to use even some of them. His favorite ones are clearly restraints and it is not a surprise that he loves to handcuff you and watch you squirm as he tortures you with the use of a vibrator.

However, his pride sometimes suggests him not to involve them too much during your intercourses because he would rather be the one to cause you pleasure directly.

U = Unfair (how much they like to tease)

Despite what the majority of you would think, Grimmjow is not much a teaser. Why? He is too hungry to waste some precious time in trying to constantly bring you to the edge and let you down before you can reach your climax.

Unless you have somehow truly got on his nerves or you beg him to actually tease you, he will go straight to the point. He has to admit that your pleas when he hundcuffs you are quite arousing though.

V = Volume (how loud they are, what sounds they make, etc.)

Actually, Grimmjow is not that vocal. Naturally, he is not that silent either. The sounds he emits are guttural, almost animalistic. He loves to grunt and growl next to your ear, whispering some dirty words here and there to point out that you are the reason why he is sounding like a beast. He is so masculine and his raspy voice as he swears before reaching his climax is one of the most arousing sound you have ever heard in your life.

W = Wild card (a random headcanon for the character)

What makes him go absolutely feral? Well, as mentioned above, he loves to cover you in his cum. Now, if you ask him what paradise feels like for him, that is the scenery he is going to describe to you.

Grimmjow spurting his semen on your face. It is degrading, animalistic, vulgar and dirty. Yet, he does not intend it as such, not even as an act of submission. He finds it adorable the way you look like that, messy and kneeling in front of him as he marks you as his preperty.

Yeah, the infamous Sexta Espada is going to go for another round with you after that.

X = X-ray (let’s see what’s going on under those clothes)

Probably around 6 inches long and impressively thick. He definitely knows how to make the experience enjoyable for both of you. The tip is a bright shade of pink and his light-blue patch of hair on ‘v’ line makes him absolutely hot as he towers over you before the act.

Y = Yearning (how high is their sex drive?).

High, extremely high. If it depended on him, he would probably have you pinned down underneath him every time you make eye-contact. If your gaze lingers on him for too long, approximately, five seconds, you are surely not going to be able to walk properly for a few hours. This man is hungry. Feed him.

Z = Zzz (how quickly they fall asleep afterwards).

He does not really feel the urge to sleep and his stamina are something out of this world. He could literally lasts for hours and still not feel the urge to sleep. However, since you do seem to enjoy cuddling after it and resting together seem something he labels as a ‘couple thing’, he allows himself to take small naps.

If he does, there is no way in the world you are going to leave the bed. If he sleeps, you will sleep with him.

AUTHOR NOTE.

Hi guys! That’s the first nsfw alphabet I have ever written in my life and, as you have requested in my poll, here we are with Grimmjow. Next to come will be Aizen and Urahara! Let me know if you want to be tagged in them, when I will update the works!

Likes, comments and reposts are appreciated!

[alicerosejensen]

Idk if you’re taking requests but what about RE6 onwards Leon with reader who is much younger (early twenties)? I think it would be sooo cute

If someone has requests, then I accept everything! I have practically no topics that trigger me, so if someone wants to see some headcanon, then I will gladly try to fulfill his desire)

To be honest, Leon was 36 years old at the time of re6, and if the reader is twenty… for me, 16 years is a small age difference because I literally know a couple with many children, who have an age difference of a little more than twenty years, and they live together perfectly. it makes me believe in love.

There comes a moment when, probably, it was worth realizing that the woman who was being chased for more than twenty years was just a love interest and beckoned only with her mystery and flirtation.

It's unpleasant, but Leon came to this conclusion almost immediately after Lanshiang. The last night with Ada put all the dots in their strange relationship.

It was as if Leon had received a sobering slap in the face that brought him back from heaven to earth. On the other hand, Ada will forever remain a part of the history of his life, but not of the future, but only of the past.

Some part of him wanted to take care of someone close, despite all the fear and risks. Every living being wants to love and be loved in return.

But Leon was still afraid to take risks, however, he was not averse to having lunch with a beautiful girl who did not refuse a free dinner.

At some point, a free dinner for you and a quiet conversation with a person, not a zombie for him, turned into a series of pleasant dates and gifts in the form of fruit baskets to your rented apartment.

You liked Leon, but you understood that he was…a little older than you… Actually, for as many as 15-16 years, but he definitely wasn't fit to be a father yet. The actual question was, what did he want from you?

Does he just want to have sex with a young girl? Well, then you let him know that this number will not work with you.

You already want to close the door in his face before he suggests the usual walks. Just talking. Without dirty hints or suggestions from which you could slap him a ringing slap in the face.

He is glad that for some reason you agreed (because you found him interesting yourself), and conversations with you bring him to his senses, making him believe that there is still something to fight for in this world.

Previously, your meetings were held in crowded places, but after a couple of months you ventured to invite him to your place and treated him to lunch. "It's not Italian pasta from a professional chef, but I hope you don't die of poisoning". Leon laughs, encouraging you that your food is more edible than what he can cook.

More and more Leon finds himself fascinated by you as a person. He likes to listen to how your day went, to see your smile, something blooms in him when you are next to him.

You really look like an angel sent to him by heaven. He does not believe in God, but it seems to him that a real blessing is in front of him.

Leon will take the initiative of the first kiss when he realizes that he is in love. This is the first time he's worried about your age difference even though he hopes you won't push him away.

He's a broken man. Therefore, when you reciprocate him, something inside him clicks, triggering like a switch. Leon will wrap his hands around your face, deepening the kiss, but will not go further if you are not ready for more intimacy yet.

He thinks you're too perfect.

He likes to give you sudden compliments and watch you blush. I think he will specifically shower you with various pleasant epithets so that you are embarrassed.

The tone of his voice is always filled with love. Leon likes to hug you from behind when you're cooking or doing something. However, he completely goes crazy when you start taking the initiative and, for example, hugging him. Then don't even hope to escape from his strong arms. "You wanted hugs yourself, but I refuse to let you out of them".

He seriously won't let you out. Instead, he will kiss the top of your head and stroke your back, holding you tightly to him, as if afraid that you will be taken away.

"You mean a lot to me." - The thumb strokes the skin of the cheek. - Tell me if you don't want any serious relationship. I'm often away from home, I'm much older than you…damn it, the last reason should be more than enough for me to leave you and my fucking feelings. I don't want to force you into anything, so if you're not sure or don't want to, then I'll understand everything.

You cover his lips with an uncertain kiss, hoping that such an answer will suit him. Pulling away just to press against his forehead while your warm palms hold his face.

This answer will suit him perfectly.

Leon's defender mode is clearly activated.

At first, he will come to your house to have dinner and spend time in your company, but he will constantly comment that there is barely enough space in this "cardboard box" for one person, let alone two.

A subtle hint that his girlfriend moved in with him.

He will help you move all your things. In fact, despite the vastness of his apartment, Leon admits that it is too empty, but hopes that you will fill the space. In truth, he wants it himself. Now he had a good reason to come home as soon as possible.

When you're not too busy, he'll distract you from your studies.

You can tell Leon a hundred times that you love him, but everything you do for him (even if it's insignificant little things for you) makes him love you much more. However, what he definitely doesn't want is for you to see him in a broken state.

Leon hates thunder and lightning. It reminds him of a traumatic childhood, pulls out the memory of Raccoon City, so he will leave the warm bed so as not to wake you up and go to the kitchen trying to overcome another nightmare.

The last thing he wants is someone to comfort him. He couldn't save a lot of people, he lost someone all the time and still can't forgive himself for the death of the president. You are his sun, while he is just a shadow. Leon is not going to pour out all the shit that happened to him on you, but you are just a real blessing that takes away his pain when you press your chest against his broad back, kissing the skin covered with goosebumps.

Are you so worried about his condition? Leon would prefer not to bother you, but the way you take a glass of whiskey from his hands, sit next to him on the bar stool, remove the bangs from his face to see how broken he is.

Tears are not weakness! You cover Leon's face with a lot of gentle kisses, hugging him to you, whispering various endearments in his ear. "If you need my support, then you will get it"

Taking care of him does something to his heart, but it's not something terrible. On the contrary, Leon wants to return this love to you in double size, so be prepared for manifestations of tenderness. What is completely normal and natural for you, for Leon is very expensive. In addition, you are the first woman in a very long time who stays with him in bed after sex, and in the morning cooks him breakfast, because Ada never stayed with him for more than one night.

And he is grateful to you.

"Will you stay with me?" - A request that sounds almost like a mantra when he sits you down on the table, hugging you under the hips. - "I know I'm old for you, but I want you to be mine. Tell me you want it to… Because if you want to leave later, I won't be able to let you go."

Now you are in the same boat with him, but we must admit that if this boat sinks, he will do everything to pull you ashore. Understand how you want. If earlier he could still agree to a meeting with Ada while your relationship was in limbo, now he belongs entirely to you in body and soul. Leon knows that you are too young, but he hopes and trusts that your fellow students will not become your love interest. You promised him.

He likes to give you gifts, but what he doesn't expect is that you will give him a wristwatch.

"Just a sign of attention. I thought you might like it, but you don't have to wear them if they're not your type".

Your gift is now always on his right hand.

Well, after a long relationship, he decides to put a ring on you and hopes that you will say yes. This is a risk he is willing to take, promising himself that he will protect you in case of danger.

[sunshine-zenith]

(Different anon) one of ANW's writers talked on twitter about how the crew was thinking of bringing Timmy back in S1 (as the founder of the Galax Institute! neato), and that's a fascinating what-if, but I'm glad that the writers ultimately elected to hold off. I kinda agree with the other anon -- Timmy's doing a good job of haunting the narrative, right now. All the parts of ANW that he's (in)directly impacted fascinate me. And yet... I'd also love to see him again? The writers withholding him while they figure out how/where they want him to show up makes me hopeful that whenever he *does* debut in ANW, it'll be good.

I remember hearing that — it could’ve really worked with the episode, especially with how Crocker was specifically reminded of Timmy because of Hazel’s outfit (if Timmy had been the Galax Institute’s founder, this would’ve gone from a reference to actually pretty neat foreshadowing). Still, I’m glad that they didn’t go that route — I watched an Awestruck Vox video on the topic of Timmy a couple weeks ago and he pointed out that Timmy opening the Galax Institute could easily turn into a Crocker 2.0 situation, which I kinda agree with — I want Cosmo and Wanda to matter to him, and him spending his adult dedication to studying the supernatural is kinda cool, but I don’t want to see him derailed completely due to obsession

The more I think about it, the pickier I realize I am when it comes to adult Timmy lol — I definitely don’t want him to be miserable, otherwise it feels like Cosmo and Wanda’s love and efforts did nothing to help him in the end and the irl decade+ the OG series ran for was a waste; I don’t want to see him be a stick-at-home-in-denial-about-growing-up adult (which is why I avoided the live action movies as a kid, even if I knew he’d get character development); I’m torn on him becoming a fairy — if it happened during the OG series and he spent his life from childhood onward as a fairy, I’d be super down with that, because he’d officially be able to grow up with Cosmo and Wanda and never lose them because they’d be his actual adoptive parents, BUT learning the timeline where he became a fairy in canon is the timeline where he grew up, got in a serious relationship, and then died trying to save his loved ones is a little… why tho??; and overall I love that ANW is generally compliant with Channel Chasers, because seeing Timmy grow up to be a genuinely average, seemingly well adjusted adult with a loving family who, even if he doesn’t remember Cosmo and Wanda, still has positive feeling associated with them — it amazing to see as a kid… until it was revealed that his kids had their own awful babysitter and needed fairies. It was less a the story goes on moment and more a slap in the face, especially as a third grader

That said, I 100% trust the crew working on ANW. They did a great job with references to him in season 1, and if they want to bring him back in a potential season 2, I know they’ll do something wonderful. Plus, ANW has Infinity Train alumni working on it — if there’s any series that mastered balancing bringing character back and knowing when to leave characters behind, it’s that series

[ohitsjae]

Little!SKZ putting up Christmas Decorations...(Pt.2)

tags: Age Regression, Little! Maknae Line, Caregivers Stray kids, sfw - i.e.: this is non-sexual age regression NOT age play, gen/no romance

summary: a series of unrelated scenarios/imagines based on SKZ Maknae Line in Little space putting up Christmas Decorations

(Part 1 with the Hyung line can be found Here!)

Jisung

I think Jisung's headspace can fluctuate a lot. He easily and fluidly slides between the ages 1-4 each time he slips and so the members always have to keep a close eye on him in case he ages out of whatever activity he's doing.

He definitely tries to eat a bauble (or eight) whilst decorating the tree! And he loves the lights! As quick as the members can put them on the tree, he's accidentally pulled them off the tree trying to get a closer look at the twinkling lights.

He *loves* those interactive Christmas decorations that are like teddy bears reading Christmas stories or a plushie-Santa singing Christmas songs. The dorm has loads of them and he loves waddling through the dorm and trying to set them all off at the same time.

He doesn't like making Christmas baubles but he does love paper chains - especially as its an activity that he can do pretty well regardless of what age he slips to. Hyunjin is forced (read: Sung pouts at him for all of .5 seconds and Hyunjin immediately agrees lmao) to paint/colour designs on paper so that Han can use them for the chains.

The day ends with Jisung demanding cuddles on the sofa as they watch his favourite Christmas film; Peter Pan Goes Wrong.

Yongbok

For Felix I think he'd always hover around 2-3 times, but sometimes ages up to around 6-7 and there's no real reason why he does he just does.

The tree looks like Christmas threw up on it. Literally, every branch has a bauble on it, and there's so much tinsel wrapped around it that you can barely see the lights. He spends agesss decorating the tree, but unlike some of the other members, there's no specific pattern or placement for the baubles it just takes so long because there's so many of them.

In contrast to his love in decorating the tree, he's not bothered by the rest of the dorm as much. He does go around after the members have decorated it and say hello to all the ornaments but he doesn't really care about actually putting them up.

Tries to make paper chains one with Hyunjin's help, but by the second link, he'd glued his fingers together, and they only narrowly avoided a meltdown, and so now that activity is banned when he's little no matter how much he pouts.

Felix finally calms down enough for the members to wrap him in blankets and settle in from if the TV to watch his favourite Christmas film; Elf.

Seungmin

I always imagine Seungmin as having the most solid age in headspace out of the members. I'm thinking like 4, and he's only ever 4 in headspace. Sometimes, he'll have a habit/characteristic of a younger age, but if you ask him what age he is, his answer is *always* 4.

Loves putting the baubles up on the tree but gets tired of it quickly which upsets him so the members put all the plain baubles up first before he's awake and then have him put all the fun ones up - like the ones that he's made, the skzoo baubles and baubles that have their names on.

Hates the feel of tinsel - loves how it looks but will scream if it touched him. So he sits in front of the tree and directs the members on where to put it.

Same with tinsel around the dorm - he'll follow the members and point out where he wants the tinsel going and then make them readjust it 1000 until its perfect. The members silently laugh at each other every time one of them gets told that 'they've done it wrong' but they don't actually mind as they get a big hug and a smiley 'well done' from Minnie when they finally get it right!

After the decorating is done, Seungmin orders them all to the sofa and they snuggle up to him whilst watching his favourite Christmas film; A Christmas Carol Goes Wrong.

Jeongin

I think Jeongin is normally around 3-6 years old and can slide around whilst in headspace but it's rare for him to do so unless he's been very stressed out of headspace. If he has then his age is very very fluid to the point where it can be difficult for the members to keep up but they don't mind because it's worth it to get hugs from a giggly, carefree Innie!

Loves lights!! The tree probably has more lights on it than baubles (and definitely has Chan worrying about the fuses blowing!), and most of the Christmas ornaments around the dorm light up.

Christmas carols for hours. Just little Jeongin bouncing around the dorm wrapped in tinsel singing along to Christmas songs whilst the members smile fondly and decorate the dorm.

Speaking of decorating, he's not that bothered with it. Don't get me wrong, he *loves* it when the dorm has been decorated, but he doesn't have the attention span in little space to actually enjoy getting everything set up. He'll help pass things to the others and have a look at all the ornaments and turn the lights as they go out but other than that he's happy to just sing and dance to Christmas songs whilst the members do the hard work. (However, he absolutely must be the one to but the star on top of the tree!)

Jeongin eventually crashes on the sofa and they members take the opportunity to cuddle round him with blankets and hot drinks before ending the day watching his favourite Christmas film; The Grinch Stole Christmas.

---- Hope you enjoyed it!! 🦦

(also you should absolutely check out the Goes Wrong Christmas films - they're some of *my* favourite Christmas films!! They're done by Mischief Theatre and are absolutely hilarious 😂)

[dukeofdelirium]

your top 5 kataang moments? 🩵🧡

oh god that’s a tough one but I’ll try

1) the desert scene when Aang goes into the avatar state and everyone else runs away, but Katara stays and pulls him out of it.

I cant believe love was invented in 2006! seriously though, everything about this scene was so well done from the music to the animation to the writing. it’s one of my favorite episodes in the entire series and one of their best moments imo

2) the scene when Aang tells Katara how much she means to him/how much he loves her at the end of the Serpent’s Pass. It’s seriously such a beautiful scene for them and the fact it’s the episode that follows up The Desert makes it even better. The emotional weight of the scene is so good and it’s just so so sweet

3) the finale scene/the final kiss

It isn’t even specifically the kiss that I like the most. I actually love the hug more. The animation is so beautiful and they look so in love with each other 😭 it’s so well done and the second I hear that Cave of Two Lovers music start playing I start crying fr

4) the entire Kataango dance scene in The Headband. Listen, this remains probably my favorite episode in the entire show. There is something so comforting and feel-good about it! And their little dance is the cutest thing ever. I especially like when he approaches her to dance and she starts nervously playing with her hair (something she does a few different times around him in the series if you pay attention). I just love all the cute details like that and this scene is just so great to see especially since it follows up The Awakening which is also a heavy kataang episode!

5) the “I did get to meet you” scene in the second episode of the show. Idk why, but it’s always just stuck with me. There’s just something very wholesome and pure about such simple dialogue from Aang, and I think it really embodies their entire relationship. That yes, they have suffered extreme loss, but they also would never have met otherwise, and through their meeting they can make something new. And I think that’s such a wonderful message

I could yap about them all day. They’re one of my favorite ships ever, and are very special to me bc they were the first pairing I ever shipped :)