#it was all kind of hypothetical and at the end of the story you realize that none of it had actually happened yet

[myokk]

My writing/reading question of the day:

Do you prefer present tense or past tense? Or something entirely different like future tense? For writing AND reading🫶

The more I write (I wish I realized how fun it was before this year😭😭😭) the more I realize I like to play around with language & tense choice can have such a profound impact on how your writing comes across & even how I feel as I’m writing. With my oneshots I’ve been playing around with only present tense & my main fic is past tense (but present during the flashbacks - idk don’t ask it just felt right😆).

Or does nobody else think about tense and I’m just alone in this😆😆😆 LANGUAGE IS JUST SO COOL !!!!

[ochibrochi]

spontaneous magic manifestation was NOT mentioned in the parenting handbook 😬

I know this isn’t how magic in dc works, but the fact that Damian’s ancestry includes some pretty powerful magic users is… INTERESTING 🤔? Drabble under the cut!

I wanna preface that I'M NOT SAYIN' that Damian should/does have magic powers, but there’s still so much unexplored potential with Damian's character, and the thought that he has a dormant adeptness in magic is somewhat compelling to me. Most importantly it would FREAK! BRUCE! OUT!!!!! What is this, magic puberty 😭??

By DC laws, anyone has the ability to learn magic, but it is also possible to be an innate ability. The Al Ghuls are no strangers to the occult-- Ra's has had increasingly been portrayed as a magic user, and the recent establishment of his mother being a sorceress/witch?? Even Talia dabbled in a bit of magic, I think. There is a catch that their power is suggested to be due to Lazarus exposure, but for arguments sake let's say the Al Ghul lineage is inherently proficient in magic (and Lazarus exposure simply enhances it).

I can't recall "magic" being a part of Damian's training/upbringing (I'm still slowly catching-up on Damian comics so apologies if I miss any canon examples of magic use). Not sure why Talia wouldn't want her little "heir to an ancient assassin empire baby" to learn magic, but it would at least give reason to Damian not knowing about his magic potential, or lack of interest in it.

Through the power of pseudo storytelling, what if Damian's encounter with Mother Soul could have triggered a manifestation of magic that was once dormant; like a pressure cooker waiting to explode with energy when it hasn't been given a safe outlet.

I've yet to read a satisfying arc where Damian truly gets to contemplate his Al Ghul roots outside of "dad is good guy, mum is bad guy". Damian's initial character growth stems from him running away from, and renouncing his association with the League (i.e. "I'm nothing like you, mother and grandfather!").

The most recent thing I've read was Robin (2021), and whilst Damian is much more cordial with his mother, there's still an emotional distance and sense of distrust/resentment (for good reason, even if the context was some cartoonishly evil writing). But there is a silver-lining that they still appear to be fond of each other, in a melancholy kind of way.

Realizing he's "genetically" primed for magic would be especially confronting to Damian. There's no denying his Al Ghul blood, forcing him to confront a facet of himself he can no longer ignore or reject. A family that he likely has to approach for help/guidance.

Damian is put in a position of acknowledging this power could be used for good, to be stronger, to fight crime, balancing it with the implication that what he possesses could be rooted in dark magic (Lazarus enchantment).

If he decides to embrace it, would that be too much of an endorsement of the Al Ghul's dark occultism? Can he separate the two ideas? What if he can't control it? What if he accidentally hurts someone? What if has the ability to save someone where his other skills fall short?

Ideally, I'd love for this hypothetical story to lead into Damian exploring his Al Ghul heritage more intimately, historically, and spiritually (à la RSoB: Year of Redemption adventures). Another little coming-of-age self discovery journey.

I have my own little personal thoughts on what Damian decides to do with his magic powers, but I'd like to leave that open to interpretation... By the end of it I hope that he will at least find some forgiveness over resentment, and a balance between accepting that side of his family a little easier. It is finally a sense of inner peace :)

Any thoughts? Did I get any characterisation wrong? Let's talk over on my DC blog @arkhamochi! I'm currently trying to read all Damian-centric comics until I catch up with the current run. I'm hungry for discussion and analysis!!!!!!

[bwat5-blog]

No Matter How The World Tries To Break You: Revisiting Vi's Loss

** Spoilers for all of Arcane**

"Vi is such a crap sister"

"Vi let Jinx die"

"All she had to do was move, she refused to listen to Jinx even after everything she did!""

"Jinx is gone because Vi couldn't let Vander go"

**This is sort of a return to one I've already done but with some updated thoughts and more of a complete picture, so if you read my stuff you have probably heard most of this**

In the weeks since the show ended everyone has been sharing their reactions, fan-art and fiction, trading theories and asking questions. It has been truly wonderful to be a part of. And my understanding and appreciation of these characters and their story has only grown thanks to this community.

However, certain things have also persisted. Things that I simply cannot wrap my head around. One of which, is the amount of people suggesting that in that last moment between the sisters and what used to be their father Vi failed. She faltered, "letting her trademark refusal to let go of the past cost her sister her life" (hypothetically)....

They dismiss or disdain her heart and refuse to consider it in their judgement. But to dismiss Vi's heart is, first of all to dismiss a massive part of her story, but it also to dismiss her humanity. And it is the humanity of Arcane that makes this story what it is. And so as I have in bits and pieces across other posts, we are going to take another very quick look at what she has been through, and keeping that in mind, discuss that tragic moment between the former family and why she can't move off of that platform.

A Barebones List of Vi's Suffering: No discussion of blame or right or wrong just what happened.

Age 9-

Witnesses the death of her birth parents and several of their people at the hands of Enforcers

Age 15-

Has spent years living in harsh and dangerous Undercity (think back to the fight with Deckard if you need reminding.. "wanna see how that ends")

Witnesses violent deaths of Mylo, Claggor, and Vander. All after coming so close to saving them and fighting off armed thugs all on her own.

Parted from Powder in way that leaves massive amount of guilt and fear for her little sister's well being

Kidnapped and thrown into prison with out cause

Age 15 to Age 22-

Seven years in Stillwater prison. Abused, assaulted, completely deprived of love and kindness and hope.

Age 22-

Stabbed and beaten by Sevika after being told her sister was Silcos daughter

Narrowly escapes Silco's ambush in her old child hood home, having to bring it down to get away

Reunited with sister to find she is unstable and dangerous, taken from her after barely any time together when Vi is knocked out

Almost killed by sister on same bridge where their parents died. Surrounded by victims of her sisters bombs

See's Zaunite boy killed during she and Jayce's raid on shimmer plant

Almost killed by Sevika again during fight, knocked out and abducted by Jinx after she wins

Her long lost beloved sister who has clearly become someone very different, offers to be who Vi wants her to be if Vi will just murder the innocent woman she has come to have feelings for. Vi stops Caitlyn from shooting at Jinx trying desperately to keep them both safe, sees Caitlyn violently knocked out, is then almost killed by Silco before Jinx saves her, but kills Caitlyn's mother.

She is willing to hunt Jinx down, but Caitlyn asks her to wear the uniform of the people who killed her parents

Survives the memorial attack in which Caitlyn was almost killed as well.

Agrees to become an Enforcer: Compromises her principles, doing violence in the streets of her home. Readies herself to kill her sister.

Realizes after giving up on and almost killing her sister that she IS still in there.

The woman she loves, who she put on the uniform for, tells her she is no different than her sister, hits her, and leaves her.

Age 23-

Spends several months totally alone in self-destructive spiral in which she has given up

Gets Vander back but he is in mutated form

Loses Vander in extremely violent fashion only a short time later

Loses Isha violently

Almost killed by explosion saving Jinx's life

Left behind by Jinx after going to free her

Fights in terrible battle in which for just one example of the death she saw Lorris riddled with arrows

Okay. that brings us back to the incident in question. Now, I don't know about all of you. But I read that list, and then look at the twenty-three year old woman trying to hard to protect the people she loves, and my heart breaks for her. That amount of trauma and loss is staggering. So when Violet stands over the prone body of what was once her father, she doesn't respond to jinx calling about the platform failing. She doesn't speak... she doesn't respond.... her whole world is centered around Vander's prone form, and when she falls to her knees we see what she is seeing.

Her father, the man who raised them when Felicia and Connal were killed. She sees the night he died in her arms the first time. When she was only fifteen... It has come be my belief, that Vi was experiencing what is sometimes called a "Dissociative Flashback" related to PTSD born of the horrific life she has lived.

** DISCLAIMER: I AM IN NO WAY A MEDICAL HEALTH PROFFESIONAL. THESE ARE THE OBSERVATIONS OF A FAN BASED ON RESEARCH AND BELIEF ONLY***

At the very basic layman's level, (because that's all I understand anyway) all of this trauma has culminated in a flashback where Vi is not able to process what's going around her, because her mind is locked in that terrible night all those years ago where she lost her entire family. She can't see the platform crumbling, she can't hear her sisters desperate calls. And it's not until what used to be her father tries to kill her, that her mind is ripped back into the present moment. And it's not the Vi we know... it's the Vi we knew. She blocks his first hit, but then.. she doesn't fight. She crawls back confused and afraid, and when she calls his name she sounds for all the world like a young girl who doesn't understand why her father is hurting her. This is a terrible, tragic moment in which we are seeing this incredibly resilient young woman just finally have enough. It's heartbreaking, and it is in that moment when she is more vulnerable than she has ever been, that the little sister she found her way back to saves her life.

As I said it my discussion on Caitlyn earlier tonight, this is not about favorite characters. This is not about liking or disliking Vi's arc either. This is about empathy and understanding. It is about seeing the humanity in this twenty-three year old woman who has been so strong for others her whole life, laid low and needing someone to stand for her. And so to those of you who feel targeted by this post, I am not questioning you for not liking Vi. That is your right. But perhaps if you cannot see the heartbreaking humanity in this moment, you should begin to ask yourself some questions.

Keep standing up for the stories that matter, because that my friends, is how they endure. Thank you for reading, see you all next time.

[raven-at-the-writing-desk]

you know i've been thinking about the consequences of malleus's actions in book 7 and i realized how much he's fucked everyone over including his grandma. bc like other than the fact that he ob'd (which literally has NEGATIVE connotations one of which being is idk ""UNSTABLE"" which isnt necessarily a good look for a crown prince is all im saying) he's literally causing terrorism (??? can you call it that idk how else to call it) which is going to setback his grandma's efforts (and lilia's and baul's, and every supporter of his and his family) in keeping peace in their kingdom and the favor of the humans towards the fae. Like. i feel so bad for grandmother draconia rn i can only imagine the stress and pressure she's under.

Then theres also aside from PHYSCIALLY compromising everyone's healths in sage island (BECAUSE THE MAJORITY ARE HUMANS OR AT LEAST THEY DONT LIVE AS LONG AS THE FAE). He's also fucked everyone mentally twice over!!!! By booting them straight into a world where none of their problems exist. Now that wouldnt sound bad if it weren't for the fact that dreams have to end, and life isnt kind. It rarely ever is, and i can only imagine how distraught i would be if i were to say, hypothetically lost someone a year before and the wound is so fresh and raw and, in my dreams, they never died and everything is okay, then i wake up and realize that it was just that. A dream, they are still gone and i wish i never woke up which would be a LITERAL DEATH SENTENCE. This isnt just an event that takes place in NRC either BUT THE WHOLE ISLAND and that domain is GROWING, GROWING. I can't imagine just how many would be so emotionally ruined after this. Like.....

If Malleus does not suffer the consequences of his actions istg i will be so pissed, at least REMOVE HIM FROM THE PREMISE OR SOMETHING GODDDDDDD this cannot be remedied with a slap on the hand!!!!!

(Note: Sorry for the long rant. I felt the need to get this out of my chest bc i dont mind malleus's archetype actually nor do i actually hate him, bc i enjoy him interacting w other characters a lot (my fave ever vigenette is him giving deuce the equivalent of minecraft diamon for fixing a retrobit gaming toy) BUT GOD DOES HE MAKE MY BLOOD BOIL)

Yeah, I do feel like the scale of Malleus's actions cannot be understated. I know it's kind of a fandom joke that the OB boys are left off with a slap on the wrist + maybe some social ramifications at school, but this is the ONE time in the main story where things are getting super big and the effects could be cripplingly long-lasting.

I don't know if TWST will seriously address the consequences after book 7, but I sure hope they do!! There is a lot of interesting ground to cover (many points which this anon has already brought up) in a follow-up main story arc or the next book.

For example:

Malleus obviously has to regain the trust of his peers and staff. He didn’t really have it before but now has to work twice as hard to make connections since he just took a drastic action that confirmed the rumors some were already spreading about how he’s a monster.

He’s the sole heir to the throne and has just betrayed the trust of the people of Briar Valley. How are they feeling about him now? Do they still trust him to lead them?

How does this impact their relations with other countries (since Malleus himself stresses how he represents Briar Valley)? This is a problem visible on a global scale, and surely this would damage their rep with other nations, particularly the predominantly human ones. It’s setting back what is hundreds of years of trying to fix the broken trust between their races.

Malleus’s UM potentially puts his victims in physical harm; in book 7, Ortho suggests that since everyone is sleeping, their bodies are not getting the food or water they need. As a result, they may physically waste away and then perish. (We have seen that there are sleep blessings that keep people sleeping for hundreds of years without detriment to the blessed though, such as the one cast on Silver—so we cannot be entirely sure if Ortho’s theory is correct or not.)

There is the possibility that Malleus’s dreams may traumatize or retraumatize his victims, particularly those with deep rooted troubles. An example of this is Idia, who had suffered the loss of his brother when he was like… 8 years old??? But then in his dream, Idia is living a happy false reality that Ortho never died. When he finally comes to this realization, he has to relive the trauma of the discovery all over again and breaks down sobbing. We also see in the most recent book 7 update that Vil had to face the evilest aspects of himself and a dark reality; Rook became very emotional upon waking himself. Admittedly, Idia and co. coped with it well enough—this is proof of their character development and the strength of the new friendships they’ve formed. However, all the people on Sage’s Island/Twisted Wonderland may not react so positively or be so accepting of their cruel realities.

Again, just the overall moral dilemma of one person robbing all of Sage’s Island (and soon all of Twisted Wonderland) of their autonomy.

Potential extra work for STYX and whichever countries Malleus’s magic manages to spread to (repairing any physical damage caused by the thorns + mental damage done to those that fell asleep). That’s money, time, and resources that aren’t going toward other everyday endeavors.

How will Malleus himself mentally and emotionally cope with what he has done? Is he going to show remorse and shame? How does he plan on rectifying his actions, if at all?

Will this change how his dorm members + family view him? For example, will Sebek become disillusioned with his liege/realize Malleus is not as perfect as he seems? Will Maleficia blame herself for not being there for Malleus? Will Lilia feel guilty for not teaching Malleus right from wrong? Etc, etc, etc.

I’d honestly love to read all of these! 🤔 It would add a lot to the lore and history of Twisted Wonderland, as well as serve as motivators for Malleus to change, “be better”, and actually earn the respect he’s so used to being handed by default. This would be huge for him, especially seeing as he has not really faced significant backlash or consequences for any other missteps he was responsible for or involved in. (I know I bring this one up a lot, but Endless Halloween Night is one such major example.)

[weebsinstash]

I'm sorry but I'm going insane for your idea of Lilith and Luci getting a sinner pregnant together can we please have more of your thoughts on this idea 🙏

Absolutely because I'm a dirty little heathen and Season 2 isn't just about to magically pop up out of the ground and I've had SOME THOUGHTS and also this post is way longer than it should be 💀

I was sitting and I was thinking of the concept of the Hotel having communal breakfasts or having at least one day of the week where there's food served and everyone (typically) eats together, not only as a bonding/unity sort of thing but also simular to how real hotels can have complimentary breakfast as part of your stay, and like, yeesh this is actually an entirely separate fic idea in of itself but you're talking with Alastor and you're saying something along the lines of "oh yeah, well, I was actually starting to think a lot about motherhood before I died, but, raising children is so complicated, not to mention society right now is so genuinely hostile and dangerous to children, and i wouldn't have been able to afford it anyways, and, well, you know, NOW i literally can't have them down here"

AND FROM THE COMPLETE OPPOSITE END OF THE TABLE

COMPLETELY UNPROMPTED

HERE'S LILITH, "Oh! It wouldn't be impossible at all! You and Lucifer could still have a baby :)"

RECORD SCRATCH SOUND EFFECT AS EVERYONE LOOKS TO THE QUEEN OF HELL. She seems completely unbothered while her husband is A TOMATO, he can barely even look in your direction, he's just tugging on her sleeve, "L-Lili, cmon, don't say things like that 😳🥴" and awkwardly laughing, maybe even asking to speak to his wife in private (I feel like its a regular occurrence for these two to dip out of a room and reappear and Lilith is reapplying her lipstick as she re-enters followed by a kiss covered Lucifer lmao)

Can you even imagine going to Charlie, "hey um, this is awkward, your mom keeps like. Jesus please don't kill me I'm not a homewrecker but your mom keeps making comments about me having a baby with your dad and she sounds completely serious about it and shes been bringing it up for like two weeks" and you could not be saying this in a more obvious "hey girl this is weird and I don't like it, can you chat with your parents for me to stop this" kind of way BUT, the actual way Charlie is responding ALSO THROWS YOU OFF. I can see it already, Charlie all but LIGHTS UP WITH EXCITEMENT and she, takes a breath, "oh!! I mean!! You don't have to do anything you don't want to obviously, bbBUT UH THAT BEING SAID oh gosh that sounds like it would make you really happy, aaaaand and I know you wanted a family of your own and, hey isn't this place about new beginnings and" GIRL WE AREN'T HAVING A BABY WITH YOUR DAD TF?

You know how I made that post "hey Lucifer kind of appears to have these vague Master Of All type powers down in Hell, what if he could manipulate your dreams and made you dream about being a kid because he's wanting to heal your inner child/adopt you". I also started thinking recently about Lucifer AND OR Lilith using these powers to make you dream about 1) being with them in general and more specifically 2) motherhood and i started mentally deep diving for that shit. Like. It could genuinely actually get so fucked up actually. Could you imagine you're just, VULNERABLE with the Queen of Hell and you're drunk and you're crying and you're just, SPILLING EVERYTHING, she's getting your entire life's story, and she's petting your hair as youre way too drunk to realize youre telling her way too much, amd she's just thinking "oh you poor thing, human society sounds absolutely dreadful now" and like. Think of it from a hypothetical fantasy psychology perspective. It's not like Lilith has never been part of modern society, she's been a member of Hell forever and has only been out of contact for 7 years, BUT she also exists from a time predating all of that AND she built Hell with Lucifer, so like, imagine she actually starts forming some um Strong Opinions on how, it sounds like all these complicated modern things are really dragging you down, both as a person and as a free spirit, and comes to a consensus that your life needs to be a little... simpler

I'm serious, I'm talking "Lilith makes you dream about being In The Actual Goddamn Garden Of Eden Itself with her and Lucifer and you're ALL naked". Just completely controlling your dream. You're naked as the day you were born and so are they and you can't control your dream at ALL. Lilith is wanting to like, watch you peacefully frolic around, I'm talking she wants to see you having your Hot Nymph Summer where you're napping in beds of flowers and you're having birds land on your finger and you're gasping at all the pretty flowers and wanting to explore and, experiencing the beauty of being alive without all these messy modern nuances and it's like NO MAAM I DONT WANT TO PICK BERRIES FROM THAT BUSH, YOU CAN SEE M Y BUSH AND I CAN SEE YOURS AND YOUR HUSBANDS---

Alastor is over here thinking he's hot shit, "oh I do so wish we could return to simpler times without all these modern trivial problems!!" MEANWHILE LILITH IS LIKE. ACTUALLY GOING THAT EXTRA MILE. Alastor is like "boo cellphones are bad and women dont dress modestly enough, people these days spend too mych time with technology and not with family" meanwhile in "the garden" a completely naked Lilith is braiding your hair and weaving flowers into it while an also completely naked Lucifer is feeding you berries by hand as they discuss the idea of having a nice fun swim in the lake passed the glade, like you guys really are frolicking and fucking around like a bunch of fairies and it's. It's peaceful and fun but also you miss your cellphone and having underwear 😩 like miss queen of hell can I PLEASE get some boob support--

Moving on, I was thinking of the Fake Garden in of itself, as its own idea, but like in this poly baby raising context, it would be essentially Phase 1 of the plan to normalize their presences to you and make you more comfortable around them and then skipping into Phase 10 of "oh hey by the way you're gonna have a dream about um sleeping with the King and Queen of Hell and it's Totally Not Real and you're Totally Definitely Not Actually Like For Real For Real Legitimately Pregnant Now ;)" like. First off before I get any farther in this post can we just like acknowledge the like HEINOUSNESS of you not knowing everything is "real dreams" and LiliLuci using this to their full advantage to ask and find out anything about you because basically to them, they think you're just being boggled down and negatively influences by modern human society and you're like an onion they have to peel some layers off of first to expose those juicy inner tender bits

Just. Ok. Like. High level fantasy horror concept ok, here we go I'm gonna cook here:

It eventually does move on to you having dreams about living in an actual home with Lucifer and Lilith, sleeping with them in you know, All Those Ways, basically in what you think is some weird imaginary throuple that while you do find yourself enjoying it like actually, you can't wake up from it, and these dreams can feel WAY too long sometimes. You're dreaming of some, "am I a man dreaming I am a butterfly or am I a butterfly dreaming i am a man" shit where you hit the pillow in Hell and Dream You is waking up, seeing your husband and wife get ready for work and you're basically a pampered stay at home spouse. I honestly can't decide what dynamic would be cuter: both of them having jobs, you and Lilith having jobs while Lucifer is the house husband, only Lilith having a job while you and Lucifer do dumb shit at home, or Lucifer being big daddy and bringing home all the money while you and Lilith lounge by the pool and she takes you to the spa and pampers you all day and is sending texts and photos of how cute you are to her husband while he's working

You're probably thinking "wait but weeb this is actually kind of cute, where is the horror" and for starters it just kind of, mentally wears your energy down over time to 'never shut your brain off' and have true rest, like Lilith and Lucifer intentionally 'trade' you being alert in reality to you being more conscious in the dream world, so, you're not as present when you're around ACTUAL people as you are when you're in their little, fucked up pocket dimension.

Then you've got. The baby. You're pregnant ONLY in the dream. You have THE ACTUAL PAINFUL EXPERIENCE of giving birth, BUT THEN you're waking up and you can't hold your child, show them to your friends, have the, SANITY AND COMFORT OF KNOWING YOU ACTUALLY HAVE ONE. You're waking up DEVASTATED. Where's your baby? 🥺 oh right.... They're not... actually real... like it fucks you up psychologically

I just picture, if I were to put it in an order of events. You go from 1. Lilith and Lucifer are just your casual acquaintances, Charlie's parents that you know through her 2. They start getting closer to you as you stay longer at the Hotel 3. Ok we get along and have fun moments and even sing songs and we have fun times with your daughter ^^ 4. Ok you're getting maybe a little comfortable, am I tripping or are you a little too comfortable 5. You're Bush Out in Fake Eden 6. You accidentally slip up and get more cozy with them in reality because Ok Maybe The Stupid Garden Bullshit IS Fun And Maybe A Little Soul Healing 🙄 7. You're getting banged in the Garden 8. Being in reality is awkward now, suddenly you're avoiding them less, so you're dreaming about them more, having them push themselves closer to you in response to you trying to pull away, like even if you're spending entire days outside of the Hotel you can't escape needing to sleep eventually 9. Suddenly you're like, not in Eden, you're in a hospital getting an ultrasound w Lili Luci holding your hands as a doctor tells the three of you you're pregnant and oh no you're actually really happy and excited about it 🥺 10. crushing crushing reality. You're single and not pregnant and you're beating yourself up for these fucked up dreams you're blaming yourself for having, as if they're some self conscious desire and you're kinkshaming yourself for having them 11. Dream You is having your baby, everyone is so happy like it's actually so perfect, even when you're stressed as a first time parent you have so much love and support to keep you strong 12. You wake up and it's nothing but DEPRESSION DEPRESSION DEPRESSION where is my baby and my wife and my husband who love me and I love them DEPRESSION DEPRESSION DEPRESSION 13. Lilith and Lucifer HAVE TO to spill that Hey Our Baby Is Real because you're like going near insane with "grief" like youre like actually wanting to try and end your life or constantly self harming because Where Is MY CHILD 14. You're so fucked up at this point you don't care to ask questions when they hand your Very Much Real Baby to you looking exactly how you remember them from your dreams. You're just happy your baby is real and now you can be with them all of the time and you don't even care that um This Was Such A Fucking Ethically Dubious Conception.

Do you think the other Hotel residents would have a sliding scale of being ok with this. Like you just SHOW UP WITH THIS LITTLE BLONDE BABY IN YOUR ARMS and Lilith and Lucifer are all but glued to you and they're all fucking confused because WHEN DID THIS HAPPEN??? you barely even spend time with these two, or so they thought??? When were you PREGNANT??? HOW??? I feel like realistically if they aren't all, you know, as Equally Crazy For You, that they would find this extremely manipulative and fucked up MEANWHILE CHARLIE DOESNT CARE and may have been in on it.

Also "something something what if Reader being able to get pregnant also turned out to be like God Himself being like 'hey lucifer lilith here's the deal I'm throwing you a bone right now, ok, this is for you, to keep things chill between us mk' and there are added layers of Oh Shit You Were Created To Be With Them" as if your ass wouldn't have an impossible enough time escaping as is 😭💀

But like... the concept of Reader falling so deep into "grief" that it gets so bad that you're basically not eating or sleeping, Lucirer and Lilith were always gonna tell you but they're forced to do it abruptly because you just breakdown and can't stop crying. Or it's even Charlie disobeying her parents and running up to you with your baby who stops crying the moment they're in your arms

I also just... as a final note..... just as a cute palette cleanser there's one specific idea I keep thinking of... you have your new baby and you're showing it to all your Hotel buddies and you give it to Alastor to hold because your baby was giggling and gurgling at him and you're just, death grip on his shoulder, "alastor please hold my child :) they're excited go meet you, say hi" and while you're like, vaguely threatening him to interact with this baby which he has Extremely Valid Reasons To Find Abhorrent, his deer ears move or twitch, and your baby is just looking up at him with their big eyes, watching those ears twitch, and, poof! Your baby has their first Lucifer/Lilith related shape-shifting incident and suddenly your baby has twitching little red ears and they're looking up at Alastor with these big cute eyes and here you are, "alastor :) aren't you going to praise my baby :) they just had their very first shift and it's for you :) tell them what a good job they did :) you're not trying to make my baby uncomfortable are you :)" and. Ok Maybe this does win Alastor over a bit being the narcissist that he is BUT THE TRUE REWARD is Lucifer scrambling into the room after you call out in excitement, dropping to his knees and all but wailing, "NO, WHY IS MY BABY HAVING THEIR FIRST SHIFT FOR Y O U AND I MISSED IT" and you just have Alastor being an ABSOLUTE SHIT, suddenly oh so cozy with your baby, "well talent recognizes talent! This little one clearly has potential! Why, look at how clearly they ALREADY ADORE THEIR DEAR UNCLE ALASTOR >:)" and from then on you can't leave these two men alone with your baby or they'll be having nonstop contests to "win them over" and prove who the best role model/caretaker is

Ok. Lastly. Lastly lastly lastly. THIS BABY SPECIFICALLY IS RUINING MY LIFE. Look at those STUPID CHUBBY cheeks and those big eyes and how attentive and focused she is like oh my godddddddd if LiliLuci handed one of those to me "this is yours" i would just die like 🥺🥺🥺 man, I'll have to tell you guys later about my idea for "Reader wants to see if Rosie will let them adopt a Hellborn baby and Alastor helps vouch for you and lowkey becomes your husband/the child's second parent" or "Reader finds an abandoned imp baby and all the shenanigans/protective possessive feelings from your yandere/s that follow once you begin your motherhood journey "

[gargyshmub]

DELTARUNE; Gargy's Fairytale Theory

So, lately I've kind of had an itch in the back of my mind about DELTARUNE, more specifically the secret or hidden bosses in the game and a little correlation they all share. I'll try to keep this under 100 pages but i promise nothing (tee hee hee)

If you've played the game to the extent you're looking at a tumblr blog dedicated to it, you're probably familiar with the character's jevil and spamton. These are the two characters coined by the community as "secret bosses", since you have to stray away from the games intended path to find them (in most cases.)

When you defeat spamton in his 'NEO form', a neat little song will play with his dialogue "a real boy!", this is a nod to the fable/fairytale "pinochio" I'm sure everyone's familiar with. It's a story about a doll that comes to life in search of becoming 'a real boy'. This corrilation made me realize there are A LOT of similarity's between pinochio and spamton. The strings, his regular form being a mockup of a doll, even his goal to become "big", its almost like becoming a 'real boy'. He knows he's not 'real', and just like at the end of pinochio, he too becomes renewed (reneo'd).

This made me wonder if the other secret boss, Jevil, represented something other than the Joker card. Then I realized whenever he was hit in his fat empty head it actually sprung out like a jack-in-the-box. I initially discarded this since it wasn't really a fable or fairy-tale, but if you do some digging you'll find it actually is!!!@! back in the 1400's somewhat, the jack in the box was originally named 'The Devil in the Box', essentially it's a story about a man who trapped a devil in a boot in order to save a village in france at the time, kinda like that one story about the court jester who got locked away by his magician friend in order to save their kingdom (haha. hahahahha. thats from deltarune. hahaha.) just to run home my point, jack-in-the-box; Devil in the box. Jack; Devil. What way could you fuse them together? Dack? Jackil? maybe some other 3rd way that has some importance to Yea thats right you know you've always known its Jevil.

Obviously, in deltarune fashion, its easy to overthink most elements in the story. Granted, toby will make an entire 2nd game about a hypothetical character you've never met but no you've only ever POSSIBLY met through a 1/100 chance door where he'll show you his asshole and then disappear into a million pieces, but yea, it's easy to make certain correlations that aren't even really there. In this case however I'd say that there's one more correlation that seals the deal that makes this theory WORTH theorizing.

Yea gaster. even though he's not even technically a character yet, every piece of information regarding him seems to lead people to believe he's not only the narrator at the beginning of the game, but he's also the 'man' behind the tree (since the way you find 'his sprite' in undertale is almost exactly similar ['theres a room in-between, theres a room, in-between']). I'm assuming you know what there is to know about gaster so im not gonna go into it, so onto the correlation.

I've read before someone talking about how gaster represents easter eggs in video games, not only physically (egghead) but metaphorically (the way you find him, his implied involvment with the secret bosses, the fact he gives you an '''''EGG''''' when you DO find him). Well if he is technically involved with the secret bosses, wouldn't that make him a fable too? I'm here to tell you he is. he is HUMPTY DUMPTY from SECOND GRADE FAIRY TALE PLAY.

I've already gone over his physical and metaphorical symbolism relating to eggs, but the story of humpty dumpty is also very, haha, hahahaha, hahahhahahaha

Humpty dumpty sat on a wall (The Core)

Humpty dumpty took a big fall ("Fell into his own creation")

All the kings horses and all the kings men (Who did gaster work for again?)

Couldn't put Humpty together again ("He was shattered across time and space")

What could this mean? for the future it means that if this theory is right, EVERY secret boss we meet is gonna represent not only a lightworld object, but an actual FAIRTY TALE, a FABLE. I mean, how many fables are out there. I know theres one in particular, one that the game is named after, one that has to do with an ANGEL. an ''''ANGEL'''' with ''''TATTERED WINGS''''''.

but then again idk

EDIT: ALSO LITTLE MISS MUFFET THINK ABOUT THAT UNDER-HEADS LITTLE MISS MUFFET SAT ON HER TUFFET

Last edit: also this has no grounds as an actual theory but uhhh that mf that made the Undertale RED boss fight got hired on the team. Huh. I wonder what Red was a reference to. Huh.

[twinklelilstarkey]

Tutor: Control

Words: 5.6k+ Type: Angst & Smut Summary: It's the day after the fight, and you've been avoiding Rafe, so, he decides to take matters into his hands. Warnings: Fem!Reader. Arguing/fighting. A lot of crying. Overthinking. SMUT [risk of getting caught, as always, and kind of teasing each other for it; piv; no protection (she takes the pill); on the softer side; fluffy at the end].

Tutor Masterlist

I do NOT give you permission to repost my work. If you’d like to read my stories on other platforms, you can find them on my Wattpad and AO3.

“So, you think we should talk to her now?” One of the girls asks.

The girls all sit around in the living room comfortably. Some are on the couch, others on the floor to make a perfect circle. Kristy holds her mug close, warming her hands while listening to their words and questions.

“Not now.” She says.

“Why not now?” Another one of them asks.

“Well, for starters,” Kristy checks her phone mid-sentence, “It is past 10 PM, and I am not about to wake up her parents to go over and talk about this.”

The girls contemplate her words in silence. They stop sitting upright, acting like Kristy destroyed their whole mission of saving you instead of simply delaying it. They look around each other as the TV stays in a soft murmur that fills the room in times like this.

All of the girls are dressed in their pajamas, as tonight had been a plan to sleep over at Kristy’s home since her parents are off the island. It used to be something that all of them always did as a group, including you.

They could’ve gone to a party instead, and some wished to. Yet, after much talking to the avid partygoers of the island, the girls didn’t exactly like their options for this weekend, especially after hearing what happened yesterday.

“I’m worried for her.” One of the girls breaks the silence.

“We all are.” Kristy tells her.

They contemplate their hypothetical reality, making horrible images pass through them. Those same images always prove every warning they gave you regarding him, and they all end with you hurt in some way - physical or emotional.

“Do you guys know the details of yesterday?” Kristy asks out of nowhere.

They all look around each other in silence until one of them speaks.

“I only heard that it was near the end of the party.” She says, getting the attention of everyone.

Everyone on the island knows how yesterday's party ended and who got taken to the hospital. But truly only a handful of people know what actually happened. Or, better, no one is actually giving out any details about what happened, only the outcome.

“Has anyone talked about how long Aiden needs to stay in the hospital?”

“I don’t think his parents have said anything.”

A little more silence.

“Do you think they’ll press charges?”

“Not if Ward Cameron hears of it. You know how it is…”

Kristy looks at the girls in silence as they speak.

“Nothing happens to people like them.”

“And to think she probably watched the whole thing…” One of them whispers in realization.

“She could’ve been home when it happened.” One of the girls tries to ease the tension. “She never liked parties.”

Kristy doesn’t believe that, but she doesn’t say anything.

On another note, one of the girls does seem to be the most worried of everyone else. She looks around at the gloomy faces, all of them imagining what happened at a kook party, and she can't but feel the same.

“He wouldn’t do anything to hurt…” Another one of the girls whispers but fails to say it out loud, “Right?”

They all look at each other in silence, fearing to answer. Not wanting to seem too negative or too positive. As they all just want to be wrong.

“We’ll talk to her tomorrow,” Kristy says. “As soon as we see her coming into school.”

“But she has been getting in late.”

“Then at lunch.” 

“If she wants to have lunch with us.” Another one of them adds bitterly.

Kristy bites her tongue to not say anything, as she seems to be the only one in the group who sees the true reason why you have grown quieter and more distant.

This whole plan was supposed to lead you to them and to talk to them, not the opposite. Not this. The plan wasn't for you to be mistreated by your own friends when you could be in such a sensitive situation.

“We’ll talk to her tomorrow.” Kristy ends the conversation.

(...)

You sigh while turning off the lights in your bathroom and stepping into your room. The room has grown colder than you remember when you stepped out, but you do have your wet hair to blame for the chills.

You go over to your bed, throw your phone onto the covers and turn on the light on your bedside table, illuminating your room ever so slightly. Your phone lights up with a notification, and you stare at it in the distance, not daring to reach for it and simply letting the call go to voicemail.

Letting out a long breath as you walk, you look over at your bookstand, scanning through the options of your night read. Your finger traces the spine of a book as your eyes stay on the next.

A few seconds go by and all you can hear in your bedroom is the whistling of the wind outside, as tonight has to be one of the coldest nights in the past few days.

You cannot choose between two books after much looking around, and as you're about to give up something grabs your attention. It was a sound, a soft one. You look away from your books to look around your empty room. It could’ve been the wood of the furniture cracking, but it sounded like something else.

It could’ve been your parents if only they were awake. They have been asleep for the past hour after telling you about how exhausted they felt. All of it was due to running around about something you did not care to ask about. They were so tired, they didn’t even annoy you too much about spending your Sunday in bed. They just let you do it.

You look back at your books and finally choose a random one. You eye the cover while walking over to your bed, and suddenly freeze when hearing that sound again.

It was a light sound, nothing too loud. And it was something you’ve heard before but can’t exactly understand from where.

As you’re about to take a seat on your bed and ignore it once more, your window opens, startling you.

Your curtains fly with the strong wind, and a figure gets inside your dark room with absolutely no struggle.

He doesn’t say anything when he gets in, he simply turns around to close the window without making much of a sound. You watch your curtains hide him from you as they fly gracefully, and your heart drops.

You do not want to see him, let alone talk to him. But you cannot bring yourself to even open your mouth.

You should’ve expected this. You had been ignoring his calls and his texts all day, especially last night after the party. How had you not seen this coming?

The curtains fall back to the sides of your window as it closes, and he is completely visible to you now. You look at him up and down, watching as his body could move towards you at any second.

His hair is messy and falling into his eyes, and he's wearing a simple striped t-shirt and gray pants. His eyes take a bit to find you, but when they eventually do, he doesn’t move.

You snap awake from whatever trance you were in and shake your head at him.

“I don’t want to talk to you.” You tell him in a whisper, so soft he almost didn’t hear you.

Rafe looks at you entirely, not missing an inch of you. He turns, and you can tell that he is upset. He isn’t smiling like he usually is when he sees you. His face is not serious either. It is something different.

“Just give me-”

“No.” You interrupt him. “Leave.”

You two stand quietly, staring at one another in complete silence. Rafe attempts to reach for you, but that only leads you to move further away from him.

“You have to listen to me-” He whispers with you.

“Rafe, I am serious.” You tell him, already feeling your eyes pathetically begin to sting.

“So am I, please,” He pleads, his voice becoming breathier than before. “Just let me talk to you.”

You shake your head at him, and he takes a step towards you.

“You can’t be here.” You tell him. Your voice, in a whisper, sounds shakier, and you hate every bit of it.

He comes closer, and you step back. 

“You aren’t picking up my calls-” He starts.

“Because I do not want to talk to you.” You interrupt him, backing away yet again.

Rafe moves closer to you, and you refuse to be near him by taking another step. His face is hidden from your only light, and he continues to move, closing the distance between the two of you.

“Do not do this.” You whisper shakingly at him. “I do not want to see you. And I do not want to talk to you.”

Rafe pauses, faceless due to the lack of light, and you simply stare at him, waiting for him to give up and just abandon your room, leaving you to be in your silence and peace. But he does none of that. He just stands there, watching you with the advantage of the light still lighting your face.

He can see your saddened eyes, and how you are holding yourself back to not cry. He does not wish to leave, nor does he wish to let the silence between the two of you go longer than a day. This is fixable, he knows it is.

“I just want to explain-”

“There is nothing to explain.” You tell him with the most heartbreaking tone on the planet. You stare at him in complete distress, “Nothing could explain yesterday.”

“I’m sorry.” Rafe says quickly.

“I do not want you to apologize, Rafe.” You whisper at him, letting your eyes fill with tears. “He’s in the hospital… Everyone knows about it. Everyone knows how horrible you hurt him.”

“I-”

“Do not say anything.” You plead to him, voice shaking, “I am begging you, don’t.” 

He does what you ask him to but he does stay near you. Your tears begin to fall down your cheeks while images of the prior night hit your mind from every direction. Your heart is beginning to race, and you struggle to calm it down.

“God, you can go to jail for this.”

“I won’t.” He tells you, awaiting you to silence him, but you don’t.

You sniffle and bring your hands to your cheeks, cleaning your face of the tears that have been repeatedly wetting your face for the past day. He notices the way you are shaking but stays quiet.

“Just... Why did you have to do it?” You whisper to him, as your eyes come back to his faceless figure.

Rafe hesitates to answer you.

“I get that he is a bad person and that he shouldn’t have said what he did, but you went beyond every… every limit,” You tell him.

Rafe tries to reach for you, but you simply move aside and walk away from him before he can corner you.

“I know,” He tells you while turning around. His face is illuminated now, and it just makes everything so much harder for you. “I’m sorry.”

“I am not the one that you should be apologizing to, Rafe,” You practically sob out your words.

His face twists as if you struck him. He tries to reach for you again, and, this time, you do not move.

“I am not apologizing to him,” He whispers to you.

You stare up at him in disbelief and try to pull away from him, but he is too close to let you escape his space. You breathe out a long breath, and another tear slides down your cheek.

“I lost control. You shouldn’t have seen it-”

“It shouldn’t have happened, Rafe,” You tell him with impatience thick in your tone. Your frown worsens, and you know that you are seconds away from crying your eyes out as you look at him. “You went too far.”

Rafe isn't sure why, but he grows defensive at your words as he says softly, “What he said-”

You send him a glare of pure betrayal, making him tense up and shut up.

“Do not try to justify what you did.” You say, even when lost in tears, with a harsh tone.

“I was trying to protect you… I only fought him because of what he said to you,” He lays his hands on his chest, sounding and looking sincere with his words.

“Aiden’s in the hospital,” Your breath hits his face as you are so close to one another.

He tells you, “I know. But what he did-”

“Do you hear yourself?” You whisper out a yell at him while mentally cursing at the tears that keep on falling. “Rafe, you could’ve killed him! This isn't normal.”

Rafe stares at you in silence, his face beginning to twist with sadness. His eyes stay on you and bites his tongue or tenses his jaw to try and get a hold of himself.

“Was there nothing else you could’ve done?” You ask.

He lets some seconds go by in silence and decides to not answer you. Your eyes disconnect from his and look around the room, trying to find something to ground yourself with. Rafe continues to look down at you, watching you get more and more hurt by the conversation.

“You could’ve ignored him.” You say with a shrug, faking a smile to emphasize your point of how easy the other options were. “You could have simply walked away with me.”

He doesn't answer you, so you continue, “You only proved him right by fighting him. He wanted to piss you off, and you did exactly what he wanted.”

Rafe's eyes fall to the ground, feeling as if he was back to being a small child. And he almost felt like one as he spoke, “He insulted you.”

“You think I don't know that?” You sigh the words. “I just didn’t take much offense to what he said because he was drunk and practically failing to stand straight.”

Rafe looks up and answers you. “I didn't know he was that drunk.”

“You...” You let out a breath, “You shouldn't have fought him...” You await his answer, but he clenches his jaw.

You shake your head at him and try to move away, but he does not let you. He follows your movements, never reaching for you, but stepping to the side and not letting you move. You take a step back again and sigh. He stares down at you.

“You are uncontrollable, Rafe.” You tell him, “You do not fight like a-”

“A normal person?”

“Yes,” You nod. “You fight as if you want to kill a person. And that is not normal. That is… terrifying.”

He watches you closely as your eyes tear up again at the last word. He knows you do not like to be mad at him, but he cannot bring himself to lie to you and say that he understands, because he still does not.

You let out a breath, and it’s so shaky, Rafe could hear it clearly, making him question it to himself. He does not wish to make you afraid of him, of course not. What happened on the night before had been reckless, yes, but he did not... he did not think it had been this bad.

Your cheerless eyes stay on him, and it hurts him to see it. You, someone who is always so sweet and caring towards him, have seen him in a completely different way than what he had always tried to be. He hurt you, of course, he did. Rafe had always promised you that whatever he showed you or wherever he brought you to, you would be safe. Because he would keep you safe. And, after all this time, he was the first person that made you feel unsafe. Not Aiden. Rafe.

All because he could not handle seconds of arguing with a drunk. And in those seconds, he went from being loving towards you to pushing you to the side to fight someone you know. And the only justification he could think of was how Aiden had offended you. He beat him up, and from the flashes of last night, he can't blame you from feeling this way.

Rafe hurt you, and now you are standing before him with shaking hands and a face covered with tears. It is his fault. His own fault. No one else's.

“I'm sorry.” He tells you, even when he knows that you do not wish to hear it. You simply look at him, and your hands come back to wipe away your tears. “You're afraid of me,” He concludes, making you pause.

You scan his face and notice how he tenses up as you stay silent.

“You-” He goes to repeat himself, but you stop him.

“No. I am afraid of what you will do,” You say. “To whoever else crosses you…”

Rafe looks at you, watching as yet another tear falls. 

“I can't do it, Rafe.”

His eyes study you as if the words didn't make any sense to him. Your hands wipe the tears away again angrily, and you sniffle before speaking again.

“We can't-” You whisper to him, so, so softly, and with a voice so broken.

“Don't,” He whispers back to you.

You shake your head, feeling the tears come up again. Rafe moves his hand to come closer to you, and you practically jump when it lays over your waist, holding you like he usually does.

“I can't.” You tell him.

“No.” He whispers back at you once more.

“I need to, Rafe.” You tell him, watching as his face changes expression. “I can’t be with you.”

His eyes scan you in a panic, and his mouth opens to say something, failing repeatedly. Only after a few seconds is he able to say something.

“I’ll try-”

You look him in the eyes, pausing him.

“I don’t believe you.” You say to him, voice above a whisper, hurting him further.

Rafe stays silent, and you try to calm down with a very shaky deep breath. He comes closer to you, and you watch him as his face twists in further sadness. “Let me try.” You shake your head, and you see the growing glistening of his eyes, “Please.”

“You will hurt someone else.”

He shakes his head to emphasize his words, “Please, let me try.”

Rafe pulls you close to him as you watch him, and your heart squeezes tightly. You hate this.

“Please.” He whispers breathily. “Please. Just one more chance.” His thumbs caress you over your shirt as he awaits your answer.

“I don’t know.”

“I promise,” He tears up further, and you watch him. “I promise I will do my best, just… Please don’t leave, okay? Please.”

Your hand comes up and lays over his cheek. His skin is familiar, and his warmth is more than inviting. You stare into his eyes and think, even when you know which one would be the right answer for you.

His arms wrap around you, and he pulls you close to him. And for a few seconds, everything pauses, and you aren’t sure what to do.

Your heart is still rapidly beating in your chest, knocking against your rib cage in some sort of panicked song, afraid of what could come next. Not that you don’t trust him. You trust Rafe. But everything in you feels uncertain after yesterday. After what he did. How much he seemed out of his own body, and seeming as someone completely different from who you know as him.

Your fingers caress his cheek as he holds you, and your mind never stops. You have no clue if what you'll do the right thing. Everything tends to feel better with him. But your gut is beginning to tell you otherwise.

How strong can his words of promise be if he gets drunk or high? It isn’t that you even condone him of being any of those things, and you can't help but feel uncertain.

Rafe looks at you, quickly noticing the hesitation and the slight agitation. He knows you aren’t comfortable, and he isn’t sure how to feel about it.

“Tell me.” he whispers softly.

You don’t speak at first, but Rafe doesn’t back away, he simply scans your face for answers.

“I’m scared that you don’t mean it.” Your voice comes in such a faint whisper, you’re scared you might have to repeat the words because he couldn’t hear you.

“I mean it.” He whispers close to your face.

There are some seconds of silence.

“I mean it.” He repeats.

“Swear it.” You whisper, and he nods before saying it.

“I swear it.”

“You promise.”

“I promise.” He repeats after you, leaning close to your touch.

“I’m serious, Rafe,” you pause, and he nods, his eyes still filled with tears.

“I know.”

Your heart squeezes at his tone, and you scan his face for anything that could mean something else. You won’t find it.

“You’ll have to talk to him.” You whisper faintly, eyes half closed. “You’ll make sure everything is fixed with him. You’ll apologize.”

Rafe hesitates, but you hold the back of his head softly.

“You will apologize. Even if he doesn’t accept it…” You whisper to his lips, “Which is fair if he doesn’t.”

“Apologizing won’t do anything.” Rafe whispers back to you, holding you tightly and closer to him.

“It might not.” You shrug, “But it will matter to me.”

Rafe does not say or do anything for a bit, and you know he is fighting it in his head due to how much he does not want to do it. You watch him closely as he stays quiet, practically already knowing the answer that you’ll get just by the way he is looking at you. 

Your hand moves over his cheek, which now you notice has a small bruise at the top, and Rafe then finally nods.

“I’ll do it.”

You slowly reach up and kiss him. The kiss is so soft and so loving that Rafe swears that it pulled all the air from his lungs. His arms tighten around you, and you melt against him, missing his touch and his kiss as if you had been separated for longer than a day.

You are led by Rafe to bed, and he takes a seat, bringing you to his lap. His arms let go of you, but his hands grab onto you. He grabs at your exposed thighs, at your waist or hips. And only after some moments, do his hands travel into the inside of your shirt, holding onto your skin and touching it as if it is the first time.

You separate from the kiss, and Rafe pulls his shirt over his head, throwing it to the ground. He then helps you take off yours, which also ends up on the floor. Your lips reconnect, and you’re pulled to lean in closer to him.

The bedroom is so silent, yet, with the new buzzing in your ears, you can’t hear the wind whistling anymore.

The kiss is slowly becoming rougher, and with a simple movement made from your hips, controlled by Rafe’s hands, a small moan comes out of your mouth. Rafe, with it, kisses you harder, and you’re left to try and tell your own body to shut up, due to how risky all of it is.

You two separate again, and Rafe’s lips lift from yours to lay on your neck, leaving a trail of kisses that leads to your shoulders and eventually to your chest. Your long breaths and breathy moans make Rafe’s body react instantly, from his hands grasping onto you tightly to the growing tightness in his pants. All from sounds.

Your hands move from Rafe’s hair to his wide shoulders, grabbing onto him as his warm kisses continue to be displayed all throughout your skin. 

With your fingers back through his hair, you pull his head back up and bring your lips back together. The gesture alone made Rafe take hold of your hips again and move you on his lap, causing yet another sound leave your lips.

In the midst of the kiss, you feel Rafe touch the fabric of your underwear on your hips, and you bring your hands down to his lap. He grabs onto you tightly again, and you undo the button and zipper of his pants. With a swift move and with one of his hands away from your hips, Rafe pulls your underwear to the side and touches you.

A sound begins to leave your lips as his finger touches you, and Rafe brings his other hand to the back of your head to make sure you won’t pull away from the kiss, muffling your noises. His wet digits begin to move and reach your clit, worsening the fire beginning to burn at the bottom of your stomach.

Your hands, now laying over his chest, remain agitated, and your hips begin to involuntarily move against Rafe’s fingers. You forcefully pull away from the kiss, and your hands move over to Rafe’s pants again.

He doesn’t stop you, if anything he helps you push down his pants and boxers just enough.

“Come here.” He whispers at you while bringing his hand back to your hip and pulling you upwards on his lap.

You don’t answer verbally, but do it by doing as told. Rafe moves his hand away from your pussy, and helps you align perfectly before you begin to sink into his lap again. Both of you seem to stop breathing, and his cock slides inside you. Your eyes stay on his, as your mouth stays slightly open and his lenched shut.

You sit down, and Rafe can’t help but let out a small groan. Your breathing is heavy and is the only thing you can actually hear now. You peck Rafe’s lips softly, and his arms wrap around you as you do it. The next kiss is the same but longer and impossibly more loving than the one before.

When pulling away, Rafe kisses your neck once and then your shoulder, and his arms relax around you. With your knees on the bed as you straddle him, you begin to move upwards and downwards slowly and, as you do it, Rafe swears he will go insane with the speed you’re choosing to go at. But he remains quiet.

You begin to gain speed after a few movements, and Rafe lets go of you, bringing his arms behind himself to lean back and hold his torso upright. His eyes stay on you, watching as his cock disappears inside of you, and he can see, even in the dim lighting of the room, how wet you are.

Your hands move to his torso, and you feel like you cannot keep looking at Rafe, as his stare is way too intense for a moment where you need to be so quiet. Your nails on his skin bring chills to Rafe, yet all he could do was tense his jaw and stay silent.

As you keep on going, Rafe watches you without ever reaching for you and observes as you grow wetter and wetter with each movement. And the burning at the bottom of your stomachs seems even more intense at the sight of each other.

You can now see how your nails are leaving reddened trails on his skin. Nothing that would leave much of a mark, but, still, something that is getting a reaction from him - much to your amusement.

Rafe lifts one arm as he holds himself with the other, and his hand reaches for your hand on his stomach. He pulls you towards him and that pauses your movements for just a bit. Your lips touch again, and you let out a small sigh. Rafe’s hand moves in between your bodies, and, while in the midst of the kiss, his fingers find your clit.

Caught off guard, you moan against his lips due to how sensitive your body feels, and Rafe smiles at you, ending the kiss. Your hips begin to lift from his lap again, and his hand does not stop, only making it harder for you to keep quiet.

Your eyes are closed, and your faces are still so close to each other, you could practically feel each other's breathing.

The fire of pleasure is beginning to spread all throughout your body, making it harder and harder for you. And all Rafe does as a response is to shush you with his mouth against your own lips. 

With it, you try to pull his hand away from you to make this position more doable without a risk of you moaning, but he doesn’t let you. In fact, he puts down more pressure into your clit while he circles it, making you pull away from his face and sit back down.

“You want to switch?” Rafe whispers at you as you do so, and you can only shake your head as a response, knowing that if you dare to whisper, the risk of sound doubles.

Your hips continue moving up and down, seeming to take his dick deeper and deeper with absolute no sense. You bite your own lips whenever the pleasure increases due to him hitting a certain spot, and Rafe is left to watch without doing close to nothing.

His finger keeps circling your clit watching as it affects the way you move on top of him. You never seem to leave your rhythm, even when he speeds up as a test. He is sick.

Your thighs begin to burn at the movements, but you refuse to ask to switch positions, even when it sounds like an amazing idea. So, you speed up. Rafe’s fingers stop for just a bit as you do so, and you watch as that seems to affect him now. He can feel the way your pussy clenches around his dick, and he's the one that struggles to not make a sound this time.

He reopens his eyes, and the look he gives you just tells you everything. You just started an entire game.

You know this isn’t ideal given your circumstances and fear of making a sound, but you have to admit, it feels good to do it.

Rafe responds by speeding up his fingers, and that sure does make you pause for a second. Again, you try to pull his hand off, and the fucker thrusts upwards, causing you to let out a quick high pitched squeak. And that does make Rafe stop, probably remembering how much he should not make you moan.

After some seconds to breathe, you lean towards him and push down his chest, making him lay down on the bed. You hover over him, and his other hand is now free to roam your body.

He kisses you as his hand pulls away from your pussy, and both of his hands go over to your ass, squeezing it hard and causing you to whimper against his mouth. 

“You need to be quiet, baby. Come on.” He whispers against your lips, holding back his laughter.

And as he says it, he holds you in place and thrusts up into you once. Whatever words you were about to say to him were lost in your mouth, and, for your safety, your hands come up to his chest to you pull yourself upwards.

Whatever teasing smile Rafe had quickly fell due the view he gained from his joking around. As you begin to ride him all over again, Rafe feels the absolute need concentrate.

Your movements are quick right as you start, and Rafe’s hands stay on your thighs as you move. You do your best at not making any sounds, even with possible smacking of skin. Gosh, but it does feel good, even when your thighs are already burning.

Up and down, you continue, and you slide your hands over to your legs, holding onto Rafe’s hands and making sure he does not do anything.

The burning of your body worsens by the seconds, and Rafe’s hands squeezing your flesh is just an indicator that he too is close. You look down as your hands smooth over his muscled arms, starting with his forearms, and you continue to do your best at not moaning.

Your movements get slightly quicker, and Rafe hears you whisper out some sort of curse word as you do it. He wishes he could tease you for it, but he knows damn well that he is no place to do it. With your soft hands over his, gripping onto each other as his dick slides inside of you with ease due to how wet you are, yet so tight at the same time. Rafe swears that he has never focused so hard on a task as this one.

When getting so close to finally coming, you let go of one of Rafe’s hands, and he automatically knows what you want from him. His hand moves over to your clit and does the last needed movements. And your orgasm feels stronger than you would ever expect it to.

Rafe helps you ride it out. Your movements are sloppier as you continue to move, and you finally let yourself breathe. Your breathing is shaky and Rafe could hear the very small whimper after that breath.

When it ends, you slowly lay back down onto Rafe’s chest for a break. He brings the hand he had on your hip to your face, moving your hair back as your hands stay on his arms.

After seconds of silence, you look up at Rafe, lifting a bit off his body and still with him inside you. You know he hasn’t come yet, therefore, your night is nowhere near complete.

You pull at his other hand, the one that had played with your clit all this time, and he watches you as you bring it up to your face to lick a finger at a time. Your eyes stay on his as you do it, and the look he gives you only makes you smile as one of his wet fingers slides over your tongue.

“Fuck you.” He whispers at you before pulling his hand away from you and kissing your smiling mouth, muffling your giggles as he does so.

As you holds you tightly and flips you around, your smile disappears as you know he won't gloss over what you just did.

IT IS FINALLY POSTEEED!!! I PROMISE THAT I AM BACK NOW, I DO. I FINALLY WILL FINISH THIS GOD DAMN STORYYYY.

Hope you liked it <3

[cologona]

See in my eyes the greatest tragedy of DITF is that events were leading up to Bruce and Jason finally resolving this simmering issue between them, where Jason thought being Robin was what gave him a place next to Bruce, and Bruce was treating his, Dick, and Jason’s trauma as identical.

The thing that busts my balls about Robin Lives is that it has the broad strokes of what the hypothetical timeline where Jason lives should have.

Bruce realizes his mistake in uncritically projecting his own trauma and coping mechanisms onto his sons, growing from hyperactively empathetic into genuinely compassionate. Jason gets security (emotional security, which given that superhero comics are a story of symbols means it’s the most important kind) from the reassurance that he is loved regardless of his title as Robin and gets to really choose if he wants to be a vigilante or civilian. He gets to grow up.

That Jason doesn’t survive in the main timeline is a tragedy because instead of that emotional resolution and eventual growth we just get a teenager’s corpse and a father regressing into the worst possible version of himself.

But Robin Lives isn’t interested in any of that. It knows but it doesn’t care, because a lot of that great juicy stuff is just relegated to stray panels and background exposition.

Despite the narration being from the POV of Jason’s own therapist there’s very little description of what Jason’s actually going through at all. He gets like a few panels on one page max to voice his thoughts and the rest is what? A bunch of vague drivel about how he’s so broken and traumatized. More frequently the therapist narrator is talking about how beautifully and nobly Bruce suffers. Gimme a break!

As far as Robin Lives is concerned the most interesting thing Jason can do is be a wretch. As far as it’s concerned Jason is nothing, he’s a prop, he’s a moral landmass over which the forces of the two real main characters of this story fight.

I can’t express how much contempt I have for this story, with that ending which is clearly trying to make a Deep Statement about ~the cycle of violence~. Except if it was really invested in the point it was trying to make it’d take more interest in Jason himself as the principal subject. It would give a shit about how valuable the opportunity to heal is.

It would not have Jason get help and grow into his own as an adult, only to inexplicably become evil because what- he killed Joker so that means the moral disease transferred to him? See how stupid it sounds when I say it out loud. According to Robin Lives there’s just no hope once you’ve been Broken. You are doomed to become your abuser.

And that shallow symmetry this story forces the characters into, with Dick and Jason becoming the new Batman and Joker rubs salt into the wound. A dichotomy between those who are Good (like Bruce and Dick who respond to trauma by becoming even more pure) and those who are Weak (like Jason and -apparently- Joker, who go into hysterics and subsequently catch the disease of Evil). How OOC the characters felt should’ve been a warning to the writer that something was off, but alas!!!!

I’ll stop here now because I’m getting too heated to be coherent, but yeah I Dislike This Comic.

[deathbealady]

Y’ALL. I had a very important revelation while yelling about ACOTAR with a friend today

I’m sure everyone has realized this already but please humor me bc I’m simply raging from this revelation

So, remember how in ACOMAF or ACOWAR (sorry I forget which, but I know it’s one of them), Feyre had told Rhysand that she wanted to live and enjoy her new immortal life with Rhysand before they went on to try for kids? And then, in ACOFAS, she immediately changed her mind and decided she wanted to have Rhysand’s baby? That old thing?

Well, my friend and I were talking about how we didn’t like this change of mind for Feyre and thought it was stupid and unnecessary. I mean, sure Feyre is allowed to change her mind but like, stay with me for a moment on this

Feyre specifically changed her mind because she met that lady who lost her husband and said she didn’t even have kids to have that part of him left. Yes, I can understand how hearing the woman’s story can hit hard. It was very sad, and I get how Feyre would hear that and be like “I’m so lucky to still have my husband” and “we should make the most of any and all time we left have together” and that’s why she decides they should have a baby right now after all, bc omg what if Rhysand dies again????

Except… Feyre literally never has to imagine a world where one is left behind with no part of the other left, because they fully had a conversation that went: “hey. if I die, you die?” “bet”

They made that irresponsible AF death pact at the end of ACOWAR, so they have nothing BUT time in the world together! They will literally never have to live without each other!! Which makes the whole plot point of Feyre rushing into having kids even stupider than it already was, because Feyre made the decision based on a literally impossible hypothetical situation

Feyre:

This kind of bs is what I’m talking about when I say Feyre is so dumb it’s embarrassing. It’s really so fucking sad because (like so much else in the ACOTAR series) she could’ve been really great, if only SJM would get out of her own way 🙃

[spaceorphan18]

If you had to cast the Bridgerton actors into glee 09-15 as special guests stars, have you any thoughts on who any of them could be? I could see Jonathan Bailey as a cousin of someone, maybe Blaine (and bring back Cooper) or Rachel. Or pick a Bridgerton actor as love interest for any of the glee characters? Or a mother figure or mad teacher?

So. I thought about this all the way to and all the way from my doctor's appointment today. And the more I thought about it, the more fun I had with it, lol! I have soooo many thoughts, so you're getting a whole bunch of ideas, Nonny!

Btw, I realized that the Bridgerton actors are, on average, younger than the Glee cast! Isn't that wild? Mostly because it's been so long since Glee was on the air.

So, I came up with story lines for a hypothetical Glee Season 7 -- that takes place solely in New York, and ignores about half the plot points of Season 6, lol. Oh, and I decided the Bridgerton actors are playing characters with the same or similar names because I'm too lazy to create new character names for this kind of thing.

Oh. And. Apparently, Glee makes everything just a smudge gayer, lol.

I hope the five of you who don't mind me continuing these crossover things enjoy this <3

*****

Nicola Coughlan...

... (as a season long guest star) plays Penny, a quirky, fun loving, gossipy student from Ireland, come to New York to study script writing. She and Kurt take the same class, and Kurt thinks she's the greatest thing ever, and the two become joined at the hip (much to Rachel's chagrin; Blaine doesn't mind one bit). She and Kurt decide to work on a project together -- writing a play about a drama school -- it takes them the whole year to do (and of course, they put it on at the end of the season/year).

And I mean -- I'm not out here advocating for people to be in Ryan Murphy productions -- but if anyone could really sell one of his bonkers characters, it'd be Nicola Coughlan.

2. Rege-Jean Page...

...plays Simon; a hot, young TA for stage combat and movement, and every one has lined up to take the class.

3. Pheobe Dynevor...

...plays Daphne, a young girl whom Quinn is mentoring. She ends up pregnant and alone, after her boyfriend dumps her. Quinn takes her under her wing, and helps her figure her life out.

4. Jonathan Bailey...

...as Tony, Cooper Anderson's just as neurotic, weird, and attention seeking roommate, who also wants to be an actor. The two of them have a ridiculous love/hate relationship, which makes staying with Blaine (and Kurt) question whether or not they might actually be in a relationship together. (The answer is no, but Tony is gay, and he and Cooper are ultimately fond of each other)

(if there's another person who could also really go all in when it comes to eccentric Ryan Murphy characters -- it'd be Jonny Bailey.)

5. Jessica Madsen

...as Cress, a waitress at the same bar where Santana works. She's has a fiery streak about her, and goes toe to toe with Santana. She's also a lesbian. There's a regular enemies to lovers thing going here.

6. Claudia Jessie

...as Ellie. She's the student director of the all-female play that Rachel is starring in. She doesn't really like Rachel, and felt somewhat forced to have her in the production, but deals with her anyway. She's smart and clever and really opinionated and very direct, and she and Rachel butt heads a lot. But Rachel becomes a better person after being in the production and having Ellie really help her get her shit together.

7. Adjoa Andoh

...as Mercedes's favorite aunt, Agatha. She's in town and helps Mercedes decide how to move forward in her life. (And also shows up to attend the wedding between Mercedes and Sam.)

8. Luke Thompson

...as Ben, Tina's new boyfriend. Who figures out he's bisexual when he does a play with Blaine. Blaine helps him figure out his sexuality (not personally - Klaine is still very much a thing) but it's alright, he does actually like Tina, too, and they stay together. :)

9. Yerin Ha

...as Sophie, Mike's girlfriend-turned-fiancee. She is not at all in the entertainment industry, and Tina decides she doesn't like her. Until she meets her, and thinks she's great. It gives Tina and Mike a chance for some real closure.

10. Golda Rosheuvel

...as Char. She takes over NYADA after Carmen Tibideaux retires, and she makes Carmen seem kind and charming.

11. Hannah Dodd

...as Frannie. Artie sees her in a coffee shop once and becomes obsessed with her -- wanting her to be the star of his movie. He searches the entire city for her, only to find that she works in the building next door as an accountant (who loves her day job). She won't star in his movie, but she does agree (eventually) to go on a date with him.

12. Victor Alli

...as Johnny, Brittany's new best friend, a rich, handsome, world traveler, who is using Brittany's intelligence to help him in his scientific work. It's a season runner -- where she always mentions him, but everyone thinks it's just Brittany just being Brittany, until he shows up at the end of the season to be completely real.

14. Martins Imhangbe

...as Willy. He runs the piano bar they all go to (and Santana works at). He doesn't really like theater, and finds the kids annoying, but hey, it's a living.

15. Simone Ashley

...as Katie. She rides a motorcycle, and frequents the piano bar, and Santana is obsessed with her the whole year. Santana finally figures out how to talk to her, and the two hook up, but Katie does not have time for Santana's bitchy shenanigans, and puts Santana in her place.

(I don't know why my brain wanted this to happen, but my brain wanted this to happen.)

16. Luke Newton

...as Colin, Elliot's younger, half-brother, whom he hasn't seen in years. He's in New York to try to reconnect with Elliot (and hey, why not form a new band and bond through music). Kurt hates him. Mostly because he's way too distracting to Penny, and my god, they have to get their script done!!

(See...tying it all together ;) ... also, things I never knew I needed - Luke Newton to work with Adam Lambert.)

17. ...and Julie Andrews

...as Kurt's Grandma Hummel. Because it's what Chris always wanted. :)

Alright, I know I didn't get everyone (Sorry Ruth Gemmell, I just couldn't think of anything!) But man, now I want/wish we had all of these things. :D

[astrolotte]

I remember seeing people point out that Dev shares some similarities with Irep, and that his and Hazel's relationship has a lot of parallels with Irep and Peri in the original series. And while the original ended with them on good terms (or at least with Irep acknowledging that he didn't actually want Peri to die), in ANW it definitely seems like their relationship has taken a turn for the worse. For one, Irep's apparently okay with killing Peri now and is back to trying to one-up him. For another, Peri's jealous when Irep takes over, but is content to sit back and watch until he has a chance to cut in with Jorgen. And immediately starts laughing and gloating over Irep's defeat.

Which kind of makes me think that pairing Peri with Dev was an even WORSE idea. Like- does Dev remind Peri of Irep, or of the things in their friendship that caused it to go wrong? And that's why he keeps snapping at a literal child and instinctively escalating situations, even though he clearly knows on some level that he's not supposed to do that?

Yeah, that's definitely a possibility! I've noticed Hazel and Dev being similar to Peri and Irep's dynamic too, with that on-again off-again friendship.

Though, honestly, I could see that potentially helping Peri and Dev! Peri knows from personal experience that being on Hazel's side- that is, constantly trying to be friends with someone who always turns around and tries to hurt you- SUCKS. In theory, this could give him inspiration to try and help their relationship, as he knows that having that dynamic with someone is just awful in the long run.

Obviously that's.. not what happened, but I'm just rambling here. Maybe it could happen in the future, idk. More likely, if Hazel & Dev are going to be outright compared to Peri & Irep at all, I'd say maybe it's Peri recollecting on how their friendship was awful, and Dev realizing how much him doing similar is hurting Hazel? No I'm getting caught up in hypotheticals again, back to the point.

Where they are right now, it really wouldn't HELP I'd say. Though from what I can remember here, I don't really think there's been any outright inclination that Dev reminds him of Irep? Just based on how Peri interacts with him- he moreso gets annoyed than flat out hateful. So I don't think that's something that'll be brought up in the story, but it's definitely an intriguing concept to think about. Would make for a good introspective oneshot, methinks.

[caligvlasaqvarivm]

Idk if anyone asked you this, but what's your take on the alpha kids?

I have a feeling that the alpha kids were a bit rushed? Especially Jane! (because of the trickster stuff + her being controlled by the Condesce) And the problem Dirk and Jake had was resolved so quickly that idk, it didn't feel natural to me??

ANYWAYS, I just want to know your thoughts on the alpha kids and how they would work things out and everything! :)

Less "rushed" and more "literally unfinished" imo - the same with almost all of the rest of the cast. They do get themselves into drama a lot faster than the beta kids do, but by that point in the comic, we kind of Get It, y'know? We did the song and dance already with the beta kids and trolls, there's no real reason to draw it out.

That being said, I do think if I had any major writing critique for Homestuck - like if I were being paid to edit it professionally for some sort of hypothetical director's cut - then it would be to have the alpha kids have more of a presence through acts 1-5, even if not necessarily the alpha kids exactly. More stuff like Jake sending John a happy birthday letter. Bro Strider/Momlonde/Nannasprite remain mysterious and vague in ways I think don't necessarily contribute to the story; it'd be neat, for example, for Rose to have stumbled upon some of her Mom's writings from when she was a kid, or for some second avatar of Bro in the form of a programmed robot to heckle Dave and foreshadow Dirk's splintered self/HAL.

This isn't to say I think Hussie did a BAD job, it's just going to be an issue with serial works in general - the alpha kids, their personalities, and their drama were not fully developed, if at all, at the time that the guardians were introduced, so there are things that Act 1-4 Hussie literally could not have written in that Act 5-6 Hussie probably would've. Hence, this would be a change to make in a theoretical director's cut; adding more alpha kid presence in Acts 1-4 makes it so we have to play less catch-up when the alpha kids are properly introduced.

As for how their arcs resolve... or, rather, literally don't resolve. Well, I personally believe that everything after Game Over is a heavily truncated version of the ending that was originally intended, and the alpha kids - along with most of the other characters - were kind of at the low points of their respective character arcs when Condy showed up and shit went south, and never really get the chance to pull themselves out. So, y'know, I personally believe the original ending would have had... more of that. I'm realizing now that, with the way retcon/dream/etc. mechanics work, it's totally possible for Roxy to have made a Choice with Nyx to die, but transfer her memories to an earlier version of herself, and for (Dirk) to finally make it out of the Furthest Ring to arrive in a completely different timeline. and it would be really funny

[bonefall]

Ask Etiquette

HELLO sorry for the intimidating post lmao, I just need something to toss up on the masterpost because I feel bad deleting asks and then people will never really have an idea of why I never answered them

I get a ton of asks (usually anywhere from 10 - 20 a day!) and I'm not able to get to them all! I try to answer as many as possible but I'm still just one guy. So with that in mind, there are some sorts of asks I will simply not answer, and some 'requests' I have for people who send them in;

Please keep your asks short PLEASE try not to send me essays if you want a response; I still love reading them! But if you send me walls of text/analysis you are asking me to write a lot in response, which I'd rather spend on actually writing or designing cats. (On that note if you send a bunch of questions at once, the likelihood I respond goes down.)

Do not send me personal questions Listen... I'm a stranger on the internet. I'm overjoyed to see when my art connects with people and helps you realize things! But don't ask me sensitive questions like how to move out of your abusive parents' house!! PLEASE learn internet safety and get less comfortable with volunteering that kind of information to people you don't know!

Do not ask me personal questions you do not need to know what i study or where i work. get less comfortable asking these sorts of questions to queer people on the internet, especially when they talk openly about having previously been abused or stalked. (not that a person should even need to be as open about that as i am)

If I don't have a good response I won't answer Especially for suggestions I don't vibe with. I try to only say "No" if I have a particularly interesting "No" to talk about, if that makes sense! If I had to write a full explanation for every veto or idea I don't vibe with, this blog would be 90% what isn't in BB.

No AUs within the AU. "What if Hawkfrost survived his impalement? What if Firestar never joined? What if Tigerstar was never born?" Listen, buddy, you're creating an exponential distraction for possible ways the story could have gone and I'm not looking to write several essays for the literal hundreds of alternative ways Clan history could have been written. It takes you 5 words to ask "What if X never died" but it takes me paragraphs to answer. (This isn't about suggestions btw, I very specifically mean ppl asking hypotheticals for fun.)

Don't be rude. I feel like this should go without saying but please mind the parasocial gap. Especially if you're on anon, I don't know you, your backstory, or your cadence.

No "Fight Baiting" You're free to ask me to speak about fandom trends, or for my opinions on general ideas, character discussions, and popular arguments! But it crosses a line if you're linking someone's posts with their uncropped usernames, sharing unsolicited google docs, youtube videos, etc, with the intention of getting me to attack a third party. We can talk about ideas without making it a PVP battle.

And, lastly, CLANMEW ASKS!!

I make a hard effort to get to everyone!! Those are published on Clanmew Day (WHICH IS NOW JUST GOING TO BE THE 30TH OF EVERY MONTH SO THAT IT'S LESS CONFUSING) but PLEASE understand I get a ton of them.

As I write this I have more than 26 tabs open of unanswered Clanmew asks, a lot more in my inbox, and 9 already in the queue. So that you understand the sheer volume of asks I have there.

If I didn't get to you that month, chances are that I'll get to you on the next, but please understand why I ask for folks to not re-send asks

So here's Clanmew-specific requests;

PLEASE just try a translation on your own first! Don't just send me raw lists of OCs to translate, give it a go first using the Lexicon, just so I can see you tried. I will happily and gladly make more specific words for you when I see you try!

When you send OCs you've translated, ask me for a new word at the end if you didn't already in your list. Just in case I can't think of a witty comment or a word suggestion, you will help me a lot

Please try to format with lists like this one Folks will send me double or triple-indented lists and it will take up my entire screen when they've only sent like, 5 names. Remember that posts you send to me go on people's dashes, be considerate please You can open a list like this by starting a new paragraph, typing -, and then an immediate space. Hold Shift + Enter to indent without adding another bullet.

If you could put "Clanmew" somewhere in your ask, like even if you open up with "Clanmew: Here is my question blah blah," it would help immensely I physically can't get to every ask I receive on Clanmew Day, so if you have "Clanmew" in your ask somewhere, it makes it a lot easier for me to find it when I can finally answer! I really wish Tumblr had ways to sort asks, but currently, I've just gotta make due with Cntrl + F.

[the-kr8tor]

Sometimes I think about my OC (Could be R too tbh) who is a fallen "Angel" because she was born in a crime family, witnessed all the people doing horrible things her whole life yet still decided to trust in humanity because of how kind and caring and loving her (said crime) family is. Also her family is kinda "preserving the family business" kinda crime family and tbh did more good for their community then their corrupted PD and government could do so, it's so natural that she tries to see good in everyone. But Fate was never on her side, like she could be the unluckiest being in her universe. (If there's a hypothetically an always winning horse and she bets on it, that horse will get lose every time she bet kinda level unlucky LOL) hen she gets 🕷🕸 power, it was so painful. Like normal spidey get bitten and they're not even caring more than a flinch, right? I was inspired by a headcanon that Hobie's spiderbite event would be more painful and severe than normal "peter's spidey" or Miles' one would because his would be the spider that crawled out of frickin radioactive wastes, hence stronger reaction to the body. And I couldn't think of other ways except that scene you wrote in TTN. I'd like the irony of a teenager who's afraid of spider and heights becoming a spidey, lolol. also thinks of Angel not only having severe reaction for the bite because it alters her sensory and skin, it's all she got. Like sure, now she can feels more vibrations against her skin if the distance is near enough(constant annoying spidersense) and she can crawl against wall now, but not much strength enhancement, no natural webbing, no strong healing, etc. Thank god that she's too durable orignally because she'd be long gone even before meeting Hobie if not, LMAO. Basically, the supposed "power ups" are contradicted to her fears but she tries and makes things work, yk. She's so naive, and childish and friendly sometimes. Girlie trusted someone falling down on her through the multiversal tube line (Hobie) right on the scene. No questions asked I would trust whatever his pretty arse sprew abt too tbh They became friends, he becomes her moon as she shines on him like the first ray of sunshine in the morning (I'd say Hobie's pretty cooked when he described her like that since he's from London-)but THEY NEVER CONFESSED BUT BUT... When Hobie finally brings out the courage to ask her out because he just realized how dangerous their line of work is and wants to say it to her before one of them is gone... She died from blood loss after bleeding out all night after her last fight with Green Goblin and stopping his crime family went downhill because Goddamn Capt. Stacy not only snitched her out but also led her to the wrong death end so she's cornered... He did those because Gwen and Peter are held hostage but I still hate him for the writing decisions I made<//3 After Hobie reached her and tried to stop the pale blue body that had too much cut on the beautiful face he admired so much in silence while sobbing, it was finally the moment that Death claimed her after a long agonizing, bleeding night, right on his arm... Thank you for listening to my rant ted talk~ -🦊

Me on the first half:

Angel has such an interesting back story!! I love her already 😍 Hobie's reaction to her being a crime lord's kid would either be hilarious or a real wtf expression

Lmaoo true I'd trust hobie with my life

Me reading the end:

DAMN U CAPT STACY!!!

They never confessed 😭😭😭😭😭😭 POOR HOBIE HE HAS ANOTHER CANON EVENT 😔

Thank u for the ted talk ❤️

[mydearestbeloved]

I've really been enjoying the story up until now but the last few asks have kinda made me hesitant, especially your explanation/idea of both the bittersweet ending and rough concept of your guide AU. I understand they're just that - ideas and concepts, but honestly they're just making me not want to continue reading your story tbh. I'm here for an x reader with a happy ending, which is what I kinda thought this was?? (Sorry if I misunderstood or something lol). Like you're writing an AU, nothing says you have to be so canon compliant and include JinHae (even to a small degree), but also it's your story and you're allowed to do whatever you like, but I also think it's totally fair for us as readers to ask that you kinda include that since the beginning so we don't get invested and then sorta disappointed when we don't want to continue reading. Kinda sucks but live and learn I guess. I think you're a great writer and I've loved looking forward to your posts but you should probably have a concrete idea of an ending before you start writing the story to avoid situations like these in the future. Good luck to you and all the best

Hi there! First of all, thank you so much for your kind words about my writing and for sharing your honest feedback. I truly appreciate that you took the time to voice your thoughts, and I completely understand where you're coming from.

To clarify: the Trial Player AU will have a Happy Ending.

Addressing the Bittersweet Ending Discussion

No, you didn’t misunderstand. The Trial Player AU will have a Happy Ending.

The topic of the bittersweet ending actually originated from a discussion in the comments section, and I understand that not everyone may have seen the full context. My apologies for not making things clearer earlier! The increased interest and back-to-back questions about the bittersweet concept got me overly excited to share and expand on the idea, which might have made it seem like I was changing the story’s direction. I assure you, that’s not the case.

From the start, I’ve been leaning toward a Happy Ending as the canon ending. While I’ve brainstormed multiple possibilities (Happy, Bittersweet, and Bad Endings), the Happy Ending is the focus of the main story, and I’m not planning to change that. In fact, I already have drafts for side stories that build on the Happy Ending.

The bittersweet ending came up as part of my thought process for an initial idea for a sequel (Guide AU in the context of Solo Leveling: Ragnarok). That idea stemmed from the bittersweet route, but even then, it was an early concept that I never fully committed to and am already working on revising to better align with the Happy Ending. I’m so sorry for any misunderstanding this has caused!

Regarding Jinwoo x Hae-In

The mention of Jinwoo x Hae-In was also part of the bittersweet route discussion, but I want to emphasize that I don’t plan to delve deeply into their relationship in this story. The closest we’ll get is perhaps Jinwoo/Reader/Hae-In or just Jinwoo/Reader featuring Cha Hae-In.

In this story, Jinwoo is already deeply attached to Trial Player!Reader, even if he hasn’t fully realized the extent of his feelings yet. Likewise, TP!Reader and Hae-In already share a strong foundation of mutual respect and camaraderie. Even in a hypothetical situation (emphasis on hypothetical), their bond wouldn’t be easily broken, as Hae-In and TP!Reader found each other long before Jinwoo officially entered the picture.

Jinwoo x Hae-In is only mentioned in the story because of TP!Reader’s internal struggle to align herself with the canon events she remembers, as well as the system nudging her toward a canon-compliant path. However, this is tied to a deeper plot that will become clearer as the story progresses.

Again, I’m so sorry for the confusion and for making it seem like the Happy Ending wasn’t the focus of the story. I’ll be more mindful of clearly communicating my plans moving forward. I’m incredibly grateful that you’ve enjoyed the story up to now, and I hope this clarification helps ease any concerns. Thank you again for your support, feedback, and patience—it really means the world to me! 💖

[inbarfink]

Before the final episodes of “Fionna and Cake,” there was a theory that Simon would move to Fionna’s world, since that world is normal, and non-magical and Fionna and Cake would live in Simon’s world, that is, in OOO, since that world is magical and full of adventures. Do you think this ending would have been better? Like, Fionna's world is legal, she and Simon can call each other, but they swapped worlds

Hmmmmm... okay, so there's two Things that I think about Re:Endings

Endings can't just get swapped in and out of a story, because Endings are built up to during the course of the entire narrative. To hypothetically change the ending of F&C, you don't just need to change the last few scenes of the show, or even just the last two episodes - you're gonna have to rewrite a lot of the series from the ground-up because it's been building up for that specific ending that we've got.

Fionna and Cake is a series whose core conflicts are not exactly... directly applicable to the real world. All of it's lessons and themes have to be understood via the lens of Metaphor. As such, with Endings in general, but with endings of something like F&C especially - it matters less What Happens on paper and more what does it Mean. The question of which alternative universe Simon or Fionna needed to end up on is dependent on the thematic implications of that plot point.

So, like, the show has already spent a lot of time subtly establishing it's themes of acceptance and self-growth - and the way they relate to Fionna and Simon's issues within Fionnaworld and Mainworld. An ending where they just swap places would probably feel unsatisfying because it wouldn't gel with the thematic and emotional concepts we've set up so far.

Fionna thought the problem with her World was that it lacked fantasy and magic, but her real problem was that she felt stuck, helpless and unable to affect meaningful change in her life and world. So when she learned to think things through and accept that her actions have consequences

She realized that she didn't need the Magical Adventures to make her life meaningful. She can make changes in her world in all kind of wonderful normal ways.

And honestly, if she ended up in Ooo without learning this lesson... she wouldn't have actually being much better off than she was in her old World before the series started.

If anything, she would've been worse off because she was cutting herself away from her entire support network and, as a result of her not thinking about her actions and initially viewing Ooo as just a manifestation of her escapist fantasies and not as a real world with real people... as far as Ooo is concerned she and Cake are violent criminals.

So, like, the only way she could've ended up even remotely happy in Ooo is by learning the lesson that meant that she didn't need to go to Ooo to be happy.

Simon would've been in a very similar position. There's also the problem of him living all of his loved ones behind with just Fionna as a point of contact. And... his depression and trauma would not be cured by just a change of scenery. And sure, maybe he would feel less isolated in a world where he's not the only 'normal guy'...

....or his problems will just end up inverting themselves. Because the experiences of living in Ooo have changed Simon, most notably in the character beat in Episode 3 where he's surprised by the presence of a non-talking cat.

Cause, yeah, Simon is 'just a normal guy' - but he's a normal guy whose been living in a world of Wacky Magic for years now and he survived an apocalypse and he used to be Cursed Wizard and his adopted daughter is a Vampire half-demon and he's technically over a 1000 years old... In an actual Normal World, he might start feeling like a Weirdo.

Which is what he was before the Mushroom War.

Simon never truly 'fit-in' into any 'world' he lived in. So he's better off not searching for the One Perfect Place where he belongs - whatever it's a Normal World, or like a Normal World (with a little bit of magic sprinkled in) like what Fionnaworld ended up being - it's to accept the fact that he doesn't need to perfectly fit-in to be happy and feel like he belong and relate to people.

And the ability to accept change and to stop romanticizing the past is a huge part of the Betty part of Simon's arc. So it just fits in better if Simon also has to accept that the world he exists in and the life he leads have changed, rather than being able to go back to a recreation of the Pre-War World he remembers.

... but I am saying all of this because this is what F&C chose to build up to and what F&C chose as it's themes and metaphors. A version of F&C where Simon ends up in Fionnaworld and Fionna ends up in the Mainworld can absolutely exist and work... it's just that you need to rewrite at least like half of the series to build up to it in a way that feels like a satisfying and appropriate conclusion. But also, like, I'm happy enough with the ending we've got that I don't feel the need to do all of this lol