making a list of my favorite quote/ones that stuck with me from each season 1 episode because i feel like it
(i'm starting this after episode 4 but it will be a WHILE before i post it)
episode 1: "bones are a lie peddled by Big Milk" - alice
i love this one because it's a great introduction to alice i think. also it radiates spiral so i hope we get avatar alice not dead alice (isnt there a podcast called alice isnt dead?)
episode 2: "If I wanted to clear the canvas, I would have used turpentine." - statement
this one was just fucking powerful and caught me so off guard like 😶
episode 3: "What would I do without her?" - statement
the norris statement <3 it feels like martin asking what he would do without jon which makes mag200 a lot sadder and i love them
episode 4: "Perhaps you shall prove a stronger will than I, and will yet find it within yourself to destroy this hungry thing of wood and cat-gut." - statement
augustus sighting #1 and we immediately get jonah magnus expressing that it may be possible for gwen bouchard unknown family member to overcome the eye's hunger spooky violin
episode 5: "Voyeur needs to be seen to be believed." - statement
i feel like this one is pretty reflective of how the seasons gonna go? like if you explain the events of tma (mag200 specifically) no one's gonna believe you, it must be seen to be believed!! and also seen!! like the eye!!!
episode 6: "Not sca- This isn’t some poxy blood test, some little pinprick, this is hundreds, thousands of razor sharp points pushing into your flesh." - needles
i love needles so much and i thought this was really funny because it was like "you dont find me scary!! what the fuck!!!" just kind of toddler michael energy
episode 7: "It’s not like we’re wrestling with tape recorders and manila folders." - celia
STOP IT. celia you can't say that you just cannot!!!!!! you Know™ too much maam i cant with you
episode 8: "Pleasure to meet you both. I’m Gerry!"
RAGHHHHH OH MY GOD GERRY!!!! i love him so much and idk how to handle him being alive in the tmagp universe!! gertrude too but idk we got so much of her in tma and not nearly enough of gerry
episode 9: "And honestly, it’s kind of compelling by this point." - sam
they got him 😔😔 the horrors got sam 😔😔 also i found this to be an interesting contrast to jon's heavy resistance in season 1 like he was being compelled but he wasn't going to let anyone know that vs sam "its kinda compelling to trauma dump on this paperwork :]" how is he somehow even more victim material
episode 10: "Gosh you’re sexy, here’s a twenty for your trouble.” - alice
does this count as a quote if shes also quoting what she thinks sam should say? idk anyway i love her i would say that to her if given the chance and it was very silly. i will not be addressing bonzo i am scared.
episode 11: "...Thank you, Alice" - gwen
dyhard dyhard dyhard dyhard dyhard. okay also, the way she CRUMBLED at the idea of anyone doing anything nice for her please someone give her a hug and let it be ME. this series is tossing me back and forth between sam & alice (what is their ship name) and dyhard but this put me back to dyhard
episode 12: "You know it's rude to have absolutely no game?" - alice
she's so fucking funny i need her to be okay so badly!!!! i don't think even tim made me laugh as much as she makes me chuckle and this one really got me. it's hard to write such a comedic character in a podcast since you only have the voice but they really nailed it i adore her
episode 13: "Is it my fault?" - gwen
each of these episodes just reveal a little bit more about how loving and soft gwen is and idk i love her so unbelievably much so seeing that she felt guilt about the bonzo stuff just made her so much more real :(
episode 14: "Christ, they’re in the walls…" - statement
theyre in the walls!!! theyre in the goddamn walls!!!!! anyway that got me because i realized the hole before the statement said it. made more sad than scared tbh
episode 15: "Babies are cool!" - alice
this entire interaction between her and sam & celia was so awkward, she is so obvious and i love her anyway
episode 16: "It’s not like I was holding doors open for Mr Bonzo or anything." - gwen
my wife is so so so stupid but i adore her AND this gives room for character development. i wish she did not do that though. i love when characters are flawed and have depth but i struggled to get past THIS flaw of hers
episode 17: "Thanks, I guess. Not exactly the same, though, is it?" - celia
shes talking TO JON IN THE COMPUTER. SHE KNOWS. i lost my damn mind i love her i love her. get the gay people out of the puter please queen
episode 18: "Why would I need to talk to you? Your work is satisfactory. Unless you have a work-related issue I could assist you with?" - lena
solidified my opinion that lena is the best boss to ever have, i adore her and i would want to work for her if she wasn't the boss of Creepy Establishment #1
episode 19: "You’re going to throw it in the fishtank, aren’t you?" - alice
colin's behavior is like really worrying BUT i'm glad he's back. i was not convinced he was still alive
episode 20: "I suppose it’s too late for remorse, isn’t it? And why should I be sorry? This is what I deserve!" - ink5oul/statement
they reminded me of jon a lot, like especially his season 3/4 transformation when he doesn't quite know everything but he knows he isn't who he was in season 1 anymore, i hope we see more of their life and they can be helped :(
episode 21: [Tape Recorder Bites Ink5oul] - audio description
i know it's not technically a quote but this is just so fucking funny. why does it have teeth. what does this mean for the lore. holy shit.
episode 22: "Jonathan Sims and Martin Blackwood" - celia. knawing at the walls of my enclosure i am so not okay. i'm not okay. wtf. wtf. wtf. they're real. wtf.
episode 23: "I had a favorite mug. It said “love you, bitch” and had a picture of a drunk dog on it." - alice. okay i just love this entire interaction because gwen got to open up a little bit and my dyhard heart is so full
episode 24: "I am told that children like me, and I’ve always held the opinion that the world would be a better place if everyone just thought more." - basira. once again this whole interaction was so fun but like idk i loved hearing basira somewhat happy and in a safe place :] my wife <3
episode 25: " I am trying to help, to save us from this goddamned fucking nightmare machine!" - colin. MAN I REALLY WAS ROOTING FOR YOU!!! I WAS SO CONFIDENT YOU WEREN'T GONNA DIE!!!! it's over
episode 26: "I was worrying for a moment that you were Magnussing." - alice. MAGNUSSING BEING CANON MADE ME SAY IT EVEN MORE I'VE SAID IT LIKE TWICE ALREADY
episode 27: "You didn’t tell me the room was labelled, “Archivist.”" - celia. oooooh somebody's got TRAUMAAAAA LMAO
episode 28: "So you’re telling me you know nothing about an OIAR external contract being found with the bodies of two tattooed thugs who met rather grisly ends?" - TREVOR HERBERT???? anyway. ink5oul mention!!!!! i hope they stop killing people it's really rude
episode 29: "Alice, er… we’ve got to talk. It’s important." - teddy. i knew it was over for him but i didn't think it was gonna be THIS bad??? bye babe i guess??? 😭
episode 30: how do i even pick. the whole fucking episode. i can't. i am in a state of shock. i need to lay down for 30 years.
24 notes
·
View notes
more zombie au :] (1.2k words)
The odor of rot has joined the damp growth of life from pots. Even if some things die off without human aid, there are always stronger elements that thrive in their absence.
The aisles are overgrown. Ritsu brushes past the vines as gently as he can, wooden floor groaning under his worn soles. There’s a gap of empty space in the middle of each aisle that he slots through, eyes roaming the shelves of largely useless things. Stronger stems snag onto his backpack and he tugs distractedly while perusing the labeled pots along the tables.
The barn is quaint, and Ritsu thinks he would love to stay. Moss eats at the boards under his feet and bugs swarm around him in the hot air incessantly, but it’s peaceful and there’s a constant sprinkle of sound to his ears that have grown so used to silence. Whoever owned this place beforehand put up a few wind chimes indoors—they must’ve always had the front entrance open for customers.
It’s a quiet little homemade garden center, or something similar, on the side of the highway. It’s an overgrown property with something dead in the backyard that Ritsu refuses to acknowledge or let Shigeo near. The shingles and boards in the roof have been replaced with polyethylene sheets—a barn-turned-greenhouse, uprooted from the hay and cattle it likely used to house and settled back into the Earth to be a paradise for plants.
There’s a large branch hanging through a hole poked into the plastic overhead. It sways with the wind and the chimes that follow, and Ritsu whistles with the leadless melody and gives it a direction while he studies old seed packets.
They didn’t stop here for any particular reason—a garden center doesn’t have much for apocalypse survivors, but Shigeo has always liked overgrown things. He’d always enjoyed taking care of their mother’s plants back home, and then Reigen’s at the office. His brother likes the humidity of greenhouses and the smell of soil and dirt and must.
He sees the top of Shigeo’s head over the aisles, across the barn. He walks past a shovel hanging on the wall and yelps out a grunt when it clangs to the floor behind him. Ritsu shakes his head and smiles, running his fingers along faded price tags.
The feeling of greenhouses has always had this… wet fullness, to Ritsu.
When he breathes in it’s like he can taste the life that breathes out and it feels like a conversation, a question and an answer, both of which he’s not sure how to articulate. The leaves wave to him and he waves back, the once-active sprinklers pepper his skin with dots, with compliments, with proclamations they are eager to share. The vines weave between fencing just to reach him, just to talk.
He understands why Shigeo likes it, and why he’d always asked to accompany their mother on trips to get new seeds. Ritsu hadn’t really understood, then, how pretty it could be, how full it could feel.
Shigeo had always been right about loving the little things. Ritsu wishes he’d seen that sooner.
His brother ambles down the aisle ahead of him and he listens to the quiet patter of his sloppy footwork, moving around a table of seed trays. His whistles carry across the barn, sort of aimless in their own right instead of leading the wind and the chimes somewhere worthwhile, but the sounds soak into the overhead plastic nicely, so he keeps going.
He pulls back a layering of vines and leaves to scan the contents of another shelf, and then he notices Shigeo stop in his peripherals. His dirty shoes stay planted in the corner of his vision, leaves burying the toes, and Ritsu looks away from the products.
He means to say something, to ask him what’s up even if saying things to Shigeo very rarely results in productivity, but he stops when he realizes his brother’s head is… tilted.
He’s looking at him with as much inquisitiveness as his dulled down awareness can muster, pale eyes flickering across Ritsu’s face like he’s working out some puzzle. He instinctively stops whistling, brain lagging behind on this new info of this new behavior, and the sound fizzles out into a little huff of air that leaves the greenhouse feeling oddly empty.
Shigeo studies him for a moment longer, blinking slowly, and then he straightens his head out as Ritsu stares back. His brother’s gaze lingers there on his mouth, like he’s still confused, like he still expects something to happen.
Ritsu blinks once, twice. The wind chimes call as wind pokes at his greasy spikes, as it prods at the ends of his jacket and fills the silence with a different flavor of itself. The interest in the zombie’s eyes fades a little, gaze straying to the vines around them.
Very tentatively, Ritsu wets his lips and blows. The whistle grabs his brother’s attention immediately, and he’s suddenly tilting his head like a curious dog.
He can’t help the laugh that spills out and makes the whistle a mess of exhales. His shoulders shake a little and he hurries to keep the tune steady and consistent; a few seconds pass and Shigeo tilts his head the other way, exhausted eyes big and more alert than they’ve been in days.
Ritsu experiments, and ventures around with the sound—goes lower and higher and watches his brother twist his head back and forth like he’s trying to understand calculus. There’s something very innocent about it, about the look in his eyes that reminds him of when they were kids and their father would show them magic tricks.
It’s muted by the ever-present fog there in his pupils, but Ritsu thinks he sees a spark of that life in them, of that curiosity born from a mind that knows little. He gives him a simple sensation, a simple experience, and his brother is eating it all up like he’s four again, like he’s new and everything is colorful and unknown and big.
Ritsu watches Shigeo tilt his head back and forth, watches the rusty gears behind his window panes move. He changes tactics, because some sad part of him tells him to, and whistles Shigeo’s favorite song instead.
He remembers the name, but he doesn’t need the name because when he thinks of the tune he thinks of his brother, and that’s all that matters. It’s happy, because Shigeo likes happy music. It’s chipper and yet it meanders, like it’s willingly getting lost, like it’s wandering where it wants to and it’ll eventually find its roots again. It’s happy the whole time. The whole adventure.
Shigeo stops tilting his head, and the gears behind his eyes churn a little bit faster. His gaze clings to Ritsu’s and his brother makes actual eye contact, sinks his own being into Ritsu’s head when he’s least prepared for it. The recognition in his gaze has his soul souring.
He keeps whistling. He doesn’t want to stop, because Shigeo feels like Shigeo right now, and he doesn’t want that to stop.
His brother stares. Ritsu’s grief tints the music.
51 notes
·
View notes