#it should be a chance for actors to act as the other characters

[flaphack]

everyone fumbles a body swap episode . except notably dungeons and daddies

[airenyah]

thinking about my tags on this post, specifically about:

#i keep watching ships on other shows kiss and it's like#this is nice and all but!! it's just not แค่เพื่อนครับเพื่อน bad buddy series ep. 5 [4/4] (11:33)

and it's like. not gonna lie but this applies even to the patpran ep11 beach kiss

[bluecrocss]

Yes. You are racist. (Buckle up, this is gonna be a long one)

So approximately half a year since the premier of the Disney+ Percy Jackson show, and almost two years since the announcement of the Trio's casting, I would like to take this moment to look back at the insane, racist and anti-black backlash that was launched at Leah Sava Jeffries and a few other cast members from the PJO fandom.

I'm not concerned with the trolls who are openly racist, who resorted to racist slurs and outright threats, everyone agrees that they "took it too far". I want to talk about the rest of you, the "I'm not racist, but.." people, the "What's wrong with wanting book accuracy?" people. Just to let you know, for the unasked question... yes, yes you are.

I've noticed the Percy Jackson fandom has been lording some weird superiority complex over a certain *unnamed* fandom that has fallen out of grace due to their recently outed bigot of an author. But honestly, y'all are not much different. The amount of vitriol and anti-blackness I have seen from this fandom (beyond just bullying a 12 year old girl), y'all don't have a leg to stand on.

Below is a breakdown of the most common arguments I have seen used to justify y'alls absolutely insane bigotry. I am going to explain why none of these justify the amount of anger and vitriol y'all have sent towards Leah, Rick or any of the cast.

I am not here to argue, and this is not a democracy. I am giving you a chance for some self-reflection and to understand that this pattern of violence directed towards POC actors (mostly black women) has never been justified in the name of "book accuracy"/"comic book accuracy"/"ending forced diversity" or whatever other excuses y'all try to make up.

If you still try to justify or argue further for any of these points, I will just block you. I am not coddling you through your racism. If anyone has seen any other dumb arguments floating around that I might've missed, feel free to sound off in the comments.

She's not book accurate:

Neither is Percy, Luke, Grover, Dionysus, Poseidon, and just about every other named character.

Rick already made it clear that physical features were not the priority with casting, rather it was actors that embodied the role. So why are the biggest complaints about Annabeth and Zeus? 🤔

What? You're gonna say everyone else got backlash too? I see you trying to obscure the main issue by playing dumb 😉

See my friend, yes, there were one or two comments about how Percy's hair should be black or how Luke is supposed to be blonde, but as soon as Leah was cast, none of those actors got any significant backlash. In fact, Walker and Charlie literally have an army of fan girls at their beck and call, calling them the perfect Percy and Luke, despite neither being "Book accurate". But then again, have we not observed the pattern of White boy of the month vs WOC to hate for the year? (Yes, I know Charlie isn't white. Further adds to the irony, doesn't it).

Why include character descriptions if you won't stay true to them, you cry? Well, my dear sweet moron, see, books and TV are two different mediums. Because in literature, you can't *Literally* SEE the characters, the author has to add descriptions to paint a picture in your mind, in TV... that's not an issue. So unless the character's appearance is necessary to the plot (like Luke's scar, or Nico being Italian) the show runners can actually focus on more important things.. Like ACTING and PERSONALITY.

2. It's just not how I imagined her:

News flash, babe! ANNABETH ISN'T REAL. None of these character are. They are concepts that originated from the brain of Mr. Rick Riordan. It doesn't matter how YOU imagined her. There are millions of people who read these books that imagined her several different ways. When the creator of the character watched Leah's audition and said, 'Yes! She embodies the character I created!", your imagined version of Annabeth ceased to matter. And guess what? The books still exist... they have not been burned. Your version of Annabeth has not disappeared. Go read the books.

3. Zeus can't be black/Gods have to be Greek/*Insert Character* can't be black:

Y'all did not read the books, I swear. You have to be fake fans looking to troll atp.

The gods move based off the center of western civilization. They change their forms/environment to reflect the culture they are occupying (they did it with Rome, now they're doing it with America). The gods change forms all the time. How we see them is not their true form as a mortal would disintegrate if they were to see their true form.

America is a cultural melting pot (specifically NY where Mount Olympus is now based). If the god's choose forms that reflect the current society they inhabit, they could literally be any race (keep in mind NYC is only 33% white).

All of this is literally SPELLED OUT in the Lightning Thief.

Furthermore, if you're going to push the ethnically Greek thing... Poseidon is British with a British accent and Hermes is Latino. The only ethnically Greek actor is Dionysus (who still doesn't look book accurate). Y'all are sounding like some white supremacists because do you forget that race is a social construct?

Before the advent of the transatlantic slave trade, I can promise you that the Greeks and the Anglo-Saxons did NOT view themselves as the same people. Why are y'all not taking issue with Poseidon's actor then?

Also, Percy Jackson has canonically had a slew of explicitly black demigods since the second book (including Harriet Tubman, which I have mixed feelings about 😭), so I genuinely have no idea where some of y'all are going with this point.

4. She was our smart blonde representation:

Don't pmo. I swear to God!

White, blonde women have NEVER been excluded from Hollywood. Representation is not something you lacked. The dumb blonde stereotype was a simple branch off of a larger misogynistic "dumb woman" stereotype. It has not truly been relevant since the mid 2000s outside of childish jokes.

This iteration of Percy Jackson will probably not go beyond the first 5 books, based off pacing and the age of the actors. So here's a fun game: 5 bucks to the first person who can find me a quote in the first 5 Percy Jackson books, where Annabeth laments her insecurities about being blonde (hint: there aren't any).

Also, her blonde hair does not hold her back at Camp because she is head of the Athena Cabin who are highly respected (and guess what?), ARE ALL BLONDE!

Her insecurities about her hair color are two or three lines at most in the later books, not this fundamental, core part of her character y'all all of a sudden wanna pretend it was. And guess what, as a non-blonde black girl, I was able to read those scenes of Annabeth feeling undervalued because of her looks and relate to her even if she didn't look like me at the time.

Why all of a sudden can y'all not do that with a black Annabeth? By every metric black girls are undervalued for their intelligence in academia more than white girls are, regardless of hair color. So your little representation of a woman undervalued by her looks would still hold. Do y'all dehumanize black women so much, that you are incapable of empathizing with show!Annabeth's plight in the way I could with Book!Annabeth simply because she doesn't look exactly like you?

Your issue isn't that she isn't blonde, it's that she is NOT WHITE.

Furthermore, Becky Riordan had tweeted previously (before the show was even cast) that Annabeth never needed to be blonde (probably recalling the BS y'all put Alexandra Daddario through), so even if they cast a white Annabeth, the blonde hair was never a guarantee. the author and producers all agree that it was not a significant part of her character. It's been a non-issue since day one.

Also, stop acting like smart blondes are rare in media... If you don't go watch some Legally blonde, Iron Man (Pepper Potts), Zack and Cody (Maddie), Liv and Maddie, FMAB (Winry), Captain Marvel, She-Ra, Buffy, The boys (starlight) etc. etc., and go sit down somewhere 🙄🙄🙄 (those were literally all things I've watched recently, off the top of my head, btw 💀)

5. It's not about race, but...:

Yes it is. It was always bout race. No other actors got as much hate as Leah. Her grandmother and other family members on IG had to mute their comments because they were getting so many threats.

Alexandra Daddario had to come to her defense on Twitter. Rick had to put out an official statement on his website. This girl has endured years of psychological torment for simply having the best audition. No one else is book accurate, no one else is ethnically Greek (except Jason Mantzoukas). Walker literally has British and German ancestry.

Why was she being called racial slurs on reddit and in youtube comments?

I know what you're gonna say, "I actually had problems with the entire cast", "I actually had a bigger issue with Walker's hair color", blah blah blah. Then why aren't you in Walker's comment sections? Why are you only making your displeasure known on posts defending/advocating for Leah? Why is she always your first example of 'wrong casting"?

Well, she "looks the most different"... Look up the term "scapegoating".

"Oh, I don't agree with the harassment. I just don't like the casting." Guess what? She's already been cast. They are not going to uncast her. What do you get out of still complaining about it.

All the vitriol you're stirring about her when you complain about her on Social media, it is directing people to send her hate, even if you're not writing it directly. It's is not enough to "not agree" with the racism, it is your duty to actively prevent it. And btw, these are young gen z actors, they are active on social media. They see the edits of themselves (even comment on it) and they most likely see these little "harmless" complaints you're posting. Are your upset feelings really worth contributing to the racist dogpile on this poor girl?

6. Why couldn't they atleast give her blonde braids?:

Why should they? Y'all wanted blonde because of the "dumb blonde" trope... that doesn't apply to POC.

A blonde black girl is gonna be viewed the same as a non-blonde black girl (or at worst, someone might decide she's "ratchet" or some shit for wearing colored hair). What difference would it make?

Why shouldn't Walker dye his hair, then?

7. Annabeth has Gray eyes:

Less than 3% of the global population has "gray eyes". Even if they cast a white actor, they would've needed contacts. Her being black is not the reason Annabeth's eyes aren't gray. Simply put, it is a plot element they removed, like the whole "names have power" element, or Ares having flames for eyes, or Dionysus using his powers to grow strawberries at Camp.

That's how adaptations work. Unnecessary plot elements are cut to save time and budget. This has nothing to do with her casting. They probably also didn't want to make child actors wear contacts (not a new practice).

8. Even if Rick chose her, he was wrong/Disney is forcing him to be okay with it:

Where do I start? Rick created the character. He can't be wrong. Do y'all have no self-awareness? Death of the author has no place here, because y'all are hung up on an aspect of the character that is not relevant to her arc or development.

Y'all's justification for wanting a "book accurate" Annabeth is that she was such an inspirational and important character growing up, and yet your behavior is so in conflict with the character you claim means so much to you. You're narrow minded, dismissive of bigotry and injustice, and disrespectful to the wishes of the creator of your favorite character; everything that Annabeth would never be. Y'all were never genuine fans of the books. You're bigots that needed an outlet for your rage.

Keep in mind, Rick has said countless times that PercaBeth directly mirrors his relationship with his wife. Y'all think he would have allowed them to cast someone who doesn't live up to the woman who has been by his side for decades? The mother of his children?

Regarding Disney forcing him, show me one piece of direct evidence that proves Disney in anyway pressured Rick to cast her. Cuz if you can't, that's baseless speculation. And if you have to resort to baseless speculation, maybe try to examine why it's so important to you to hold on to this belief.

9. So, I'm racist because I hate "race swapping"?:

To start, there is a difference between "race swapping" and "color blind casting". Often times, when y'all complain about the former, you're actually mad about the latter.

It would be "race swapping" if Rick and the team decided ahead of time that they wanted a black Annabeth and ONLY allowed black actors to audition. But the actual reality was that they accepted auditions from everyone (there were white actors and non-black poc that also auditioned for the role) and chose the best person who embodied the role. They didn't "make Annabeth black" and they didn't "make Zeus black", they cast black actors for those roles.

Y'all think you're being slick with your wording. Dismissing that is implying that they did not earn their roles fair and square. Which is racist. It's the equivalent of going up to a black college student and telling them they only got in because of affirmative action. You're dismissing the achievements of a person solely because of their racial background.

For all you people complaining about "unfairness" and "forced diversity", I would think hiring based on merit would appeal to you 🤔

71% of theatrical Hollywood leads were white in 2024 in comparison to 29% POC and you still think "black washing" is a thing? You still get this angry over a black person fairly earning a role because you think in a time where Hollywood only knows to do remakes and adaptations, that the majority of lead roles still *have* to be reserved for white actors?

Once again, white people have never been excluded from Hollywood for being white. Representation has never been something you lacked nor is it something you can lose. Your anger comes from seeing a black face where you think they don't belong. Because you feel you are owed a disproportion of representation in Hollywood.

10. Woke agenda/DEI/Forced Diversity:

If you are unironically using any of these terms in a negative light, it's already too late for me to reason with you. Look up the term "dog whistle". If you are sharing the same terminology with Elon Musk and his fanboys, maybe reevaluate some things.

POC are objectively underrepresented and have been historically excluded through actual laws and policies in Hollywood. There is no such thing as "forced diversity", you have bought in to a right wing conspiracy theory.

"Woke" is a term that was intentionally appropriated from the black community. It originally meant being aware of injustice and systematic threats to the community and is now being weaponized by bigots. Good job.

Diversity and inclusion is a good thing.

11. But POC deserve to have their own stories told:

We do. And we have been fighting for it for over a century now, and we've made great strides, no thanks to y'all.

No thanks to y'all gaslighting us about how little representation we get or that representation matters at all. No thanks to y'all pushing the idea that POC can't sell globally and obscuring POC actors in international promos. No thanks to y'all continuing to whitewash even to this day (Bullet train, the beguiled, gods of Egypt, atla, every portrayal of Jesus ever, etc.). No thanks to y'all calling every piece of media that has more than one black lead and more than one queer couple "woke". No thanks to y'all throwing a fit every time a black person in a fantasy setting isn't a slave.

Fact of the matter is, y'all never cared about POC "getting their own stories", you're only parroting our own words back to us now as a politically correct way of saying, "leave white roles alone" lmao

Well fun fact, actors of color getting opportunities to play lead roles and allowing poc to "tell their own stories" are not mutually exclusive. If y'all cared that much, instead of bullying a 12 year old actress, you could actually support up and coming independent POC writers, directors, and studios 😱

12. Studios need to stop "setting up" actors of color:

Do me a favor and google the term DARVO.

Your racism is not the fault of the studios for giving a POC actor a role that they earned. It is not up to the rest of society to tiptoe around racists to avoid their vitriol. It is our responsibility to hold them accountable and protect minorities from unwarranted hate. At most, you can say it's the responsibility of the studios to provide adequate support to POC actors who face this backlash.

At the end of the day, Hollywood only allows very few spots for POC actors (especially WOC), while simultaneously pushing a new white boy every month to put in everything. Putting minorities in these roles that are usually closed to them, usually opens the door to more actors of color than before.

Brandy being cast as Cinderella did a lot to push her into the mainstream (yes, she was already extremely famous in the black community atp), Halle Berry being the first, black, bond girl literally shot her to icon status, and even going as far back to what Anna Mae Wong did for Asian American actresses with her "femme fatale" roles.

At the end of the day, even with the backlash, *some* rep does more good for POC actors than *no* rep. The solution to racist backlash isn't to take away those opportunities, but rather to not be racist??? 🙄

Also, for everyone that claims that "POC race-swapping" is just as bad as "white-washing", despite white washing having a longer history and objectively causing more harm, note how the backlash to white washing never lasts as long as the harassment that POC get.

Like, no one brings up Scarlett Johansson's ghost in the shell role anymore, but you can best believe Candace Patton is still fending off racist trolls. As much as people hated the atla movie, people moved on quick from Nicola Peltz playing Katara since she was just a kid that accepted the role (re: daddy bought her the role), but y'all would not have any of that consideration for Leah Sava Jeffries.

But I digress...

13. What if we made Tiana white? Wakanda white? Hazel white...:

Ah, my favorite inane point. I was so excited to get here :)

See, I could start out by pointing out how "White washing" and casting a POC actor as a traditionally white character are not equivalent.

I could point out the history of hollywood ACTIVELY excluding POC actors and POC stories. I could point out how grossly over represented white people are in hollywood. I could point out that POC characters are so few in comparison that whitewashing them causes actual harm, where white people have never lacked rep.

I could point out how, because poc characters and stories are so often tokenized that their racial/cultural background is often directly tied to their character's identity, in opposition to a lot of white characters, since hollywood treats white as the "Default".

See, I could make all those points, but the thing is, the people who make this argument already know all that. They are trying to waste time by drawing me into a pointless circular argument that will sum up to "fair is fair", while ignoring all the context and nuance I previously provided.

So you know what? Forget it. Let me play your game.

I am actually fine with a white Tiana. Would it make sense, for her and her family to experience Jim Crow era racism, in the south while white? No. But we can look past it. Disney was never known for historical accuracy anyway 🤷🏿‍♀️

However, in exchange, the live action frozen will have a black Elsa and Anna, live action Rapunzel will be black, live action Merida will be black, we're re-filming Cinderella and Beauty and the beast to cast a black belle and Cindy, snow white will need to be recast as black, and we also get aurora whenever the live action sleeping beauty is announced. But then y'all can keep Tiana, deal?

You want a white T'Challa? Fine! (I'm partial to Ryan gosling), in the meantime, we'll be recasting Iron man, Captain America (Steve version), Bruce banner, Thor, Loki, hawk eye, black widow, ant man, captain marvel, Bucky, Peter Parker etc. All the avengers and their side characters, then y'all can have Sam Wilson, war machine and the whole of Wakanda (will it make sense that a sole, hidden, African nation is randomly made up of white people? Who cares? We get the avengers!).

You want white Hazel? You got her! I hope you have no problem with us taking Percy, Nico, Will, Poseidon, Jason, calypso, Rachel, Tyson, Silena, the stoll brothers, Sally Jackson, Hades, Hepheastus, ares, etc. But y'all can have Hazel and Beckendorf.

If we're gonna do this, let's commit all the way. Fair is fair, after all.

14. Leah isn't as "pretty" as Book Annabeth/Movie Annabeth:

I wish I could say this wasn't a genuine point I had read, but when all else fails, they will always go for a woman's appearance.

Now first of all, as a rule, I will never hold black women to white beauty standards. Our hair will never be long and silky enough, our nose will never be narrow enough, our skin will never be fair enough and our eyes will never be light enough (Might I recommend Toni Morrison, when you get the chance?). But Leah is unfairly gorgeous idc what any of you say, and you're not gonna have me use my defense of Leah as an opportunity to bash Alexandra either because she is also beautiful. These two queens slayed to the best of their abilities within this toxic ass fandom.

I find it funny, however, that so many of you harped on the "blonde" issue because you thought it was important that Annabeth be seen beyond just her looks, but quickly devolve to bashing an actress's looks when it comes to why she's not right for this role 🤔

I would also like to sincerely apologize that the 13 year old girl they cast in the show, wasn't as sexually attractive to you as the 24 year old woman they cast in the movie and sexualized through like 25% of her screen time (I'm actually not sorry. You're very weird if this is an actual point for you).

15. I don't agree with sending hate to the actor, but she's just not right for the role:

Once again, what are you doing by complaining about her casting on no other basis than her race?

The creator of the character said she embodied the role. She has already been cast, and Disney would be in a legal/production hell to recast her atp. Just because you're not directly leaving comments on her social media doesn't mean you're not part of the hate mob.

No matter how you look at it, your issues with her casting come from a very entitled and narrow-minded place. When you join in on these dialogues you are bolstering a sentiment that pushes more people to harass this teenage girl. When you leave these "harmless" complaints, on show content, fan posts or posts defending her, she's liable to read them because the cast regularly interact with fans online.

What do you have to say that is so important that it trumps protecting a young girl from the long-staying trauma of racism, of being told she doesn't deserve something she worked for because of how she was born?

16. I can't even criticize the show without being called racist:

Get. Over. Yourself.

Y'all are not the victim. Have fans of the show gotten protective of Leah and the young cast? Yes.

With good reason. This fandom is unbearably toxic.

Racism outweighs your need for a "perfect adaptation", sorry.

If you explain yourself properly and keep your critiques fair (like, even I don't think this was a perfect season, and will be sharing my thoughts shortly), no one is gonna call you racist.

You're preempting with that because in all honesty, you're probably planning to use your "critiques" of the show to pivot to one of the many points that I just outlined, and you want to pre-empt the criticism.

If a black Annabeth is the end all be all for you, just don't watch the show, no one's holding a gun to your head. Geez.

17. I'm Black/POC and I don't agree...:

Hey, Candace Owens... No one gives a shit.

First of all, for all the "I'm POC and I don't agree" people, you don't speak for us. Anti-blackness is rampant in just about every culture globally. You being not-white doesn't somehow make you less prone to hating black people.

But for the "I'm black and I don't agree" leftovers (assuming you're not just a 👩🏼‍💻 behind a keyboard). Black people are not a monolith. You're not obligated to think a certain way because you're black.

But consider why you're putting yourself up as a barrier to protect this hate mob. It's one thing to just state why you don't like Leah's casting, but to start off your spiel with "I'm actually black" as a way to weaponize the very identity politics you're critiquing... very strange. Not to mention, what are you defending?

The black community is coming together to defend one of our own, a kid who has been receiving death threats since she was 12, and this is when you feel the need to back the opposition?

I mean whatever... sometimes the house slaves would snitch to the master. There will always be some of y'all in the woodwork. It is what it is.

But when the exact ideology you defend is turned against you, when a Baltimore elected official is being accused of getting his job through "DEI", when conservatives are claiming that they wouldn't "trust a black pilot", don't decide that's where you'll finally draw your line in the sand.

All that being said, This is my Annabeth:

May every tongue that rose against Leah Sava Jeffries Shrivel and die in 2025 🙏🏿 My girl will keep winning ❤️

(video by @/waleahhasmyheart on TikTok)

[sp0o0kylights]

Indie horror filmmaker Eddie Munson, high off his first big (underground but notable) success, knows the movers and shakers of the film world have their eyes on him. 

They're just waiting to see if he was a one hit wonder before they open all the doors he's been trying to kick down. 

His next upcoming film is his chance, his shot at finally making it. Of being like Rob Zombie and the other creators he looks up to that masterfully blended metal and horror. 

This is his golden ticket. 

The project starts off smooth. His last success has greased the wheels, and things fall into place faster than ever before. 

He's got the best idea for this insane haunted house story, a true "mazes in mazes" type of deal with a queer twist. A real look at how a place can haunt a person just as easily as a ghost can.

 Everything's going swimmingly--until one of his leads drops out the day they're due to start shooting.

No call no show's, and later, Eddie will find out the guy got a last second call back to be a contestant on one of those Love Island bullshit romance gigs (and laugh his ass off when the main love interest takes one look at Billy Hargrove and goes on a five minute rant about ugly mullets on national television) but right now? 

He's fucked. 

He's called in every favor he has for this film. Maxed out every credit card he owns, tapped every contact, got on his hands and knees and begged his rising star journalist best bud to help him market it. (Which Nancy agreed too, for way less cash than she should have.) 

 Eddie can't get anyone on the phone, much less find a replacement actor and the amazing place they rented, that is so dark and wonderfully eerie, is booked out the rest of the year as an AirBnB. 

If he doesn't film now, he loses it all.

Cue the other lead, unknown theater actor Steve Harrington, watching his hair pulling, tire kicking, 'cursing and hopping while holding a toe' mental breakdown and asks why Eddie himself doesn't act in it. 

"Just go full Kevin Smith man. Act and direct." He says, with an easy grin. 

Jeff, Eddie's tried and true videographer, trades glances with Gareth and Grant (Eddie's long used special effects and makeup team, who double for about twelve other jobs because they're also his best friends and they're all in this together, make or break.)

"We don't really have a lot of other options." Gareth hedges. "You're already using me and Grant as background characters." 

Eddie, hands fluttering around his face as though trying to wave away this entire situation, squeezes his eyes shut and lets out a pained hiss. 

"Fine, fine!" He announces with the air of a man running towards a fire. "Fuck it, this is our one shot and so help me I will be shooting it!" 

Steve politely hides a laugh with a cough. 

"Chuckle all you want big boy, I'm going to tragically romance you so hard people will forget both of our characters actually live." Eddie snarls.

Steve, the handsome bastard, just winks.  "Looking forward to it." 

Eddie blushes, but hides it with a surge of frantic energy, conveyed by lots of yelling and moving and getting the ball rolling. 

Two days later, Steve would give the performance of a lifetime down on his knees, covered in a literal pound of fake gore, booty shorts and nothing else as he sobbed about how a lover could become a home. His hands clawed at Eddie's jeans before resting a tear stained face on a slim leg as he bent his body towards Eddie like it hurt to be away from him. 

Eddie would later receive equal praise in his own acting during the scene, with the world and every reporter in it asking how he conveyed an otherworldly panic so beautifully throughout Steve's performance. What was he thinking, to evoke those expressions on his face? 

The way his own pale hand, unmarred by blood and acting as a metaphor for the plot, would come to stroke Steve's cheeks.

Eventually he'd come up with a smooth polished answer that cheekily pleased his audience, but nothing would ever come close to the truth. 

("Eddie I've known you since grade school." Jeff said that night, a scant few hours after they'd wrapped. "You can act man, but not like that." 

Eddie made a wild "shut up" gesture, looking frantically over his shoulder before admitting; "You saw how close his face was to the prince of darkness!? I was seconds away from popping a boner next to his lips, in front of the 4K camera!” 

Eddie bounced into Jeff’s face so he could hiss: “He fucking had his chin on my thigh, Jeff, and I am only a man. A mere mortal!" 

"So we're gonna unpack all of that later." Jeff said finally, when he'd managed to get his mouth working and Eddie back out of his personal space. "But dude, we've talked about you calling your dick the prince of darkness." 

Eddie flipped him off.) 

One year later and critics named Corroded the best horror film of the year, praising the camera work, practical effects, and how there wasn't a soul alive who was surprised to hear Eddie and Steve were dating after their explosive on screen chemistry.

No one ever quite understood the prince of darkness jokes or why Steve mentioning it made Eddie blush, but that was a secret to find out later. 

Today on WIP’s I have no intention of writing, indie horror movie AU!

[artsekey]

Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

 When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”).  She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too!  Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

              What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

              But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

              In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

              While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.  

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

              But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

            It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

 But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

              Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

              It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

              They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

 The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

[amirasainz]

But what was their reaction when they first watched euphoria? Like what was sweet Amelia saying? Doing? Good lord. The absolute hatred they would express for Jacob elordi, like “let’s kill him” was said from someone in the room but no one will confess to it.

WOHO! George Russell, the man that you are! I hope you guys enjoy reading this and send me some request!

-XoXo

No Part 2!!!

Mount Everest ain't got shit on me

At first, everything was great. The drivers and WAGs were all thrilled for Amira when she announced her new role in a series called Euphoria. No one thought it was strange that she wouldn’t discuss the plot or her character. The only thing she ever said was, “Maddy is a badass. A real G.” So you can imagine their reactions when the first episode aired.

The drivers, the WAGs, and Roscoe were all gathered in Lewis’s room, scattered around as they waited for the episode to start. Lily and Carmen were excitedly gossiping about the other actors in the series. “Amira told me that Maddy is with Nate, who is played by Jacob Elordi. Guess what? Jacob and Zendaya used to date,” whispered Carmen, eliciting a huge gasp from the other women. Lily’s reaction caused Kika, Lily Z., and Rebecca to crowd around them, all sharing the latest celebrity and paddock gossip. “Is it true that Carlos is going to be the next safety car driver?” asked Lily Z. innocently. Rebecca looked at her confused, while the other three tried to hide their laughter.

Before Rebecca could defend her boyfriend, the opening scene of Euphoria started. And boy, was it an episode. When Amira said that Maddy was a ‘badass,’ they didn’t realize that Maddy Perez was a barely clothed, hot-looking goddess who didn’t shy away from using vulgar language. While the others were impressed by Amira’s acting, Carlos was speechless.

Why didn’t they give her more clothes to wear? And whose idea was the pool scene? Why did Amira’s character have such a bad boyfriend? Is this even allowed? Could he sue the producers? These thoughts were running through poor Carlos’s head. Meanwhile, the others enjoyed watching Amira on screen. Well, they enjoyed almost everything. After the first few Nate scenes, it was clear they didn’t like him.

“I just don’t understand it,” muttered Oscar, hugging a pillow close to himself. Charles, who sat next to him, agreed wholeheartedly. “Yeah, why would Maddy be with him? She deserves much better than this idiot.” “I mean, if I were part of this show, I would treat her like a queen. I would get her flowers every day and walk her home. On rainy days, we would cuddle up, watching one of her favorite movies. And then after date nights, I would take her to bed, kiss her, and we would have a night filled with passion and love…” Pierre said dreamily, a love-sick smile on his face. Kika, sitting on his right, just looked at him with a straight face, saying dryly, “Thanks. Thanks a lot, babe.”

The drivers and WAGs were so engrossed in watching that they didn’t notice Lando taking pictures of Amira every time she was on screen. When he lowered his camera again, he found himself looking straight into George’s eyes. “I—” he couldn’t even defend himself. George just looked him up and down, raising an eyebrow before turning his attention back to the screen and rolling his eyes. Never in his life had Lando felt so humiliated. It was a look that said, “Watch me and my girlfriend become a happy throuple with the girl you’re in love with. You stand no chance against us, Lando Norizz.”

After the end of the first episode, there was silence for a moment. "We should kill Nate" said someone (cough, Alex, cough). For a moment, they all thought the idea over. "I mean, it's just a TV series" tried Rebecca. "Yeah, but if Nate doesn't exist anymore, he can't be mean to Maddy, alias our Amira" stated Carmen, almost sounding bored to even have to explain. "Perhaps, we don't have to kill anyone. But if he wouldn't be found anymore" tried Oscar. Before anyone could say anything else, Charles proclaimed: "I know a guy for situations like this. He can help us. He won't ask any questions and will get the job done. Nice and clean." They all looked at Charles. "What the fuck" beeing the only thing said.

Safe to say, even though they loved seeing Amira on screen (not Carlos, he didn’t like the TV show), they hated Nate. And Checo? He thought because Maddy’s last name is Perez, he and Amira are now related, making him smile like the sun. Whatever helps him sleep at night, I guess.

[coolgrl111]

acting exercises

mike faist x actress!reader

Another press day. Another round of cameras, microphones, and the same recycled questions. It had become routine by now—sit in the chair, smile, deflect, repeat. But this time, the stakes were different. This time, you were seated next to Mike Faist, pretending, as you had for months, that nothing more than co-star camaraderie tethered you together.

You settle into your seat, smoothing the folds of your tailored suit as the interviewer approaches. His handshake is firm, his smile polite but perfunctory. The room is bright with stage lights, the kind that make everything feel more exposed than it should. You glance at Mike out of the corner of your eye, watching as he exchanges a casual word with Josh O’Connor. The three of you have done this dance so many times now, it’s almost mechanical—the smiles, the laughter, the shared glances that don’t mean what they should.

But then, there’s the secret. The small, electric undercurrent that hums between you and Mike, pulsing just beneath the surface. No one in this room knows about it. Not the interviewer, not the crew bustling around with cameras, not even Josh, who’s become like a brother during filming. Only a few close friends and family know the truth—that when the cameras stop rolling, when the world stops watching, the way Mike looks at you is anything but platonic.

The thrill of it buzzes in your veins. It’s almost too easy, this charade. Like an acting exercise you both excel at, slipping into the roles of co-stars, friends, professionals. But there’s something exhilarating about keeping the truth just out of reach, like dangling a secret in front of the world, daring them to catch on. The fans had begun to notice, though. Some had dissected every shared glance, every tiny gesture. The theories were out there, swirling online in a frenzy, but nothing concrete. Not yet.

"Nice to finally meet all of you! The movie was brilliant," the interviewer says, pulling you back into the moment. He shakes each of your hands, his enthusiasm palpable, but it’s the same script you’ve heard all day.

"Let’s talk Challengers. Your performances were all incredible."

The conversation begins, questions flowing smoothly about the film, the dynamic between your characters. You and Josh riff off each other easily, your responses playful and full of light, the way seasoned actors do when they’re deep in promotion mode. And then there’s Mike—quiet, thoughtful, answering in his usual understated way, the way that makes fans lean in, dissecting every syllable for something deeper.

But then, just for a second, his gaze flickers to you. It’s brief, barely noticeable to anyone else, but you feel it like a spark catching in the air between you. His eyes are dark, steady, and in that glance, everything is there—everything you’ve hidden, everything you’ve left unsaid in public. The nights spent together, the whispered secrets, the laughter that only you two share. The press day facade is a mask you’ve worn well, but beneath it, your real life with him simmers, waiting for a chance to break through.

You answer another question, something about the intense dynamic between Tashi and her lovers, laughing as you describe how complex the relationships are. But there’s an edge to your voice now, something just a little too knowing. Mike shifts in his seat beside you, his posture casual, but you know him well enough to catch the slight tension in his jaw.

The interviewer moves on, asking about the emotional weight of the film’s final scenes, and as Mike answers, you catch Josh shooting a playful glance between the two of you, as if he senses something, a teasing smirk barely hidden behind his professionalism. You wonder how much he suspects, how much anyone here really knows.

The interview drags on, each question blurring into the next, but that flicker of tension remains. You and Mike continue your careful dance, weaving through the conversation, but the air between you feels charged, like something about to break. And you realize, with a strange sense of excitement, that maybe it wouldn’t be so bad if the world found out. Maybe it wouldn’t matter if this secret, this thrilling game, was finally exposed.

Because in the quiet moments, when the cameras stop flashing and the lights fade, it’s not the act that excites you. It’s him.

[clairedaring]

Compilation post of my favorite Nadao actors (Nonkul Chanon, JJ Krissanapoom, Tor Thanapob) & Bright Rapheephong giving some interview answers on why they decided to star in queer/LGBTQ+ coded series/roles, some of their takes on being in BL (Y)/Queer series.

note: if you find this post familiar, it's because i've posted this on Reddit before. reposting here for archival purposes

TOR THANAPOB

Tor Thanapob interview in April 2023 when being asked about starring in Midnight Museum (a queer-coded GMMTV series) - (translation by infinitygraph_)

Tor: I think nowadays we should stop talking about gender. It doesn't mean that I have to act with women all the time or I can't act with men at all. I feel that I have proved to everyone that, work is work, and everything is about art. Even my team who are staying with me all the time has all kind of sexualities. It's not strange if someday we want to try telling story of other sexualities that we feel that we might be able to help them telling. If you ask me if today I am like that, today I might not, but I have a chance to understand them more, so I want to do it. Q: Is it because of the spoiler that [Midnight Museum] might be a series Y (BL)? Tor: Nothing to do with it. I tell you, sincerely, it has nothing to do with the spoiler. I just want to say that you don't have to overthink about it because nothing is fixed. Actors are actors. These days there are some award shows don't divide genders into categories anymore. I think this is a great step. Actresses also don't have to act with men all the time, they can act with women. And they both being the main characters Right. Because not all the main characters from every project have to come with the word 'love'. Even if there's 'love', there're many kinds of love. It's up to the audience what kind of feeling they have. Do they feel the same as me or they even feel more than I do? Q: So that means these days you can accept the work without any limit about what you are, which genders... Everything is about the story/script-writing? Tor: Right. I admit that I was afraid before. I wasn't afraid about my image, I was afraid that I would tell the story without understanding it, because I didn't have any experience at all. But at some point I found the chance to be more open-minded, brave to act it out all the way, such as Midnight Museum...

Tor's Vogue Interview in February 2024 on Spare Me Your Mercy as another important milestone as an actor (all translation by saltymarbles on twitter)

Tor: As for Euthanasia, I’ve been interested in it just from its name. If we were to go back in time to the period of the Prime Ministerial elections last year, there was some talk regarding the laws about euthanasia. As such, I know the meaning of it but if I had to explain it, I wouldn’t dare to because I don’t know that deeply about it. Tor: Up to the day that this drama happens, the owner of this project told me he wanted to set this question before anything changed in society: ‘Actually, are humans capable of choosing their death?’. Tor: This question shot through the core of my brain and immediately, i was like: ‘I need to tell this story’. And the role that he hoped to give me also served that function too. It’s a character which sets up the question of ‘what is right?’.(t/n: "this question" likely refers to a more philosophical kind of question regarding morality which asks what does being ‘correct’ mean — what is ‘objective morality’ (if it exists)) Tor: Do the people who are really suffering have the right to ask to leave? (t/n: "leave" is just a polite way of saying die (Thai people usually don’t use directly use the word die when talking about humans, usually use a more polite way like how we say ‘passed away’ or ‘xyz has left us’) Tor: Thus I decided to play along with knowing that the timeline of Euthanasia will remain with one in a hundred (people), so I like shades of the polar opposite. If the first story is navy blue, the other will be red — not close at all.

NONKUL CHANON

Nonkul's response to the question “If you have a chance, would you consider playing in a BL series? If accepted, who do you to co-act with?” in a Facebook Q&A video in 2021

Nonkul: If that series is an interesting storyline for me, I am always open to any kind of genre. I never categorized BL series as an BL series, I just think of it as a series with another plot as part of my work. It is a normal series that can have any of the plots which I will categorize as Romantic Comedy, Drama or whatever. Thus, when I choose the BL series I want to work with, the love preference of the character does not affect my decision. If the plot of the series is interesting, of course I’m gonna do it for sure. Every work that I chose, I personally think it at least enjoyable for me. Of course, if in the future, there are BL series with plots that I find interesting, that I enjoyed the script. “Like, wow, that’s my type!”, I will definitely selected it to be my future project. A good written series is a good series. This is what I believe as an actor. For BL Series, I think I can work with everyone. I don’t think I have anyone in particular. One thing! I desire the character of that person/actor? to be close to the character in the series. At that point I will be satisfied. Sometimes, I as an actor have a chance to work with people who don't have a lot of acting experience. I will still discover something new from him as well. And there is a BL novel which I really like! [Nonkul explains the plot of his favorite BL Novel ‘Peremo’] I would prefer to choose the “heroine” role because it will be a new experience for me as an actor because it will be a new experience for me as an actor. Because basically I only play as a hero role for the main character or support character in my work, but a “heroine” role in a BL series is the only chance for me to play a character more feminine. So it is a new experience for me. [Nonkul continues raving about 'Peremo’]. But if you think that you can make [an adaptation of Peremo], please do not forget me, Nonkul! Pleaseeeeeeee, I will do my best, I promise!!! However, I’m not only fixated on this novel. I’m also open for many more BL series if there is an interesting plot.

Nonkul's response to being ask if he's worried about filming NC scenes in IFYLITA (translation by saltymarbles)

Nonkul: I have to say when I had finished reading [the novel] and it’s made me want to act (in this series). I am probably worried more about the CG because if it’s a fantasy story with time travel, if the CG isn’t good, people will feel that it’s ‘off’. Because CG is something we don’t know anything about until we see the final product. One of the reasons that I accepted this role is because for some series, when I’ve read (the script/novel) for homework, I don’t accept them because there are some scenes that are forced in just for the sake of fan service. And I’m not really into that. If it’s a natural NC scene, then I’m not bothered. I’m a person who places a lot of importance on the story in series making sense. So to me, if an NC scene is reasonable, I won’t be bothered by it. But if it seems forced, I’m not into it. It’s important to show human-ness.

Two clips of Nonkul being asked what he thinks about doing NC scenes in IFYLITA (Clip 1 and Clip 2). Nonkul said that he places great importance on the character's actions. If an NC scene is reasonable he wouldn't mind but would if it's not reasonable. For Nonkul, understanding character is very important, especially for himself as an actor. Nonkul also said previously he had rejected some BL series offers because he can feel when NC scenes are put in just for fan service, which is also a reason why Nonkul accepted to play Jom in IFYLITA is because the love scenes are natural and make sense.

JJ KRISSANAPOOM aka JAYLERR

JJ's interview in February 2024 on Spare Me Your Mercy and his chemistry with Tor (translation by saltymarbles)

JJ: The pilot of ‘Euthanasia’ has been received well since the novel has many fans already who are excited about it. JJ & Tor are similarly excited and are committed to doing their best. The chemistry between Tor & JJ need not be questioned according to JJ since they are already close with each other. The series is in the phase of pre-production currently.

One of my favorite fictional characters of ALL TIME (not just in Thai or BL series) has got to be Tangmo from Great Men Academy (2019) (the series that a lot of BL audience refused to admit it's a queer series). The character Tangmo (played by Jaylerr) was questioned by the press about his gay crush on the protagonist: "Do you think being gay affect your chance of winning the competition?" to which his reply was a stellar "Well then let me ask you something, Does being gay make my good deeds meaningless?"

This isn't the first time JJ has played a queer role, JJ has played a gay character in TWO seasons of the LGBTQ+ series Diary of Tootsies (2016 and 2017). JJ plays Gus, the love interest of the main character.

So even though many BL fans consider Spare Me Your Mercy to be JJ's "first" BL series (which I don't agree with this strict interpretation of BL series), it is definitely not his first QL (Queer Love) series nor queer-adjacent roles as shown through out his filmography.

It is also noteworthy that even during the airing of these series, JJ was already in a public relationship with his fellow actress girlfriend Thanaerng (who has also played sapphic roles). You can see that the real life relationship of JJ or Thanaerng do not influence how/what projects they take on because work is just work :D

BRIGHT RAPHEEPHONG (all translation by saltymarbles on twitter)

Bright at Mono29 Lineup event

Bright: I think that, as I’ve previously said, BL series are just like other ordinary series or movies. Like IFYLITA can be changed to be said to be more like a period drama. I feel that BL is just about two people loving each other, not about whether it’s about male-male or female-male. This series is a period drama and it’s a romantic comedy and the other series is an action drama.

Bright's Interview with LIPS Magazine

Q: What if one day, we’re sucked in by the ship? Bright: I think fans in this day and age don’t need actors to do fan service to that extent. For myself, I’ve never intended for it to be the foundation (of his work). I think it’s a matter of being partners and working together. As such, it’s somewhat good in every aspect because it’s not forcing it. But in some moments, there may some actions that may just be the result of being friends. So even if fans ship, it’s cute to me. (smiles) Q: Do you feel a sense of “newness” stepping into a full-fledged BL? Bright: I feel that BL series are another branch of acting. I don’t think of it as being a specific form of male to male communication. It’s just another type of series just like action dramas, comedy etc, it’s just another kind of role that we can play.

Bright's Interview with Praew Magazine

Q: How is it working with Nonkul? Bright: Nonkul is a person who already does a good job at his work. He does his homework and he is also good at delivering and receiving emotions when on set. It isn’t just Nonkul who is great but the other characters in this series too, this includes P’Tee, the director. We can always talk about ideas which made the work even better. If asked whether entering the scenes with Nonkul made me shy, I would say that BL series are just another branch (of acting), it is just another role. I don't think that when acting with another man, that there’s a need to feel anything. I feel that it’s just another form of work. Another thing is that our workshops were very complete. When we work together I know what level and extent I can go to, what I should do and also trying my best in how I should feel. Thus, I felt at ease working together.

Bright’s Interview with NineEntertain

Q: Are you happy to do “ship” activities like this? Bright: I feel that if there’s an opportunity with regards to being an actor, I don’t want to be stuck in ships like this. I accepted this role with the status of an actor and I want to accept various roles too. It doesn’t always need to be BL or a specific kind of series. I will have another series next year which is ordinary boy-girl relationship and not a BL series. I feel that BL series are just another category of series — not like BL series are just BL series. It’s another category like action, romcom, or drama. It’s just another category. Q: There is still the possibility of coming to act as per usual. (unclear of what the interviewer said) Bright: I feel that with every work opportunity, it’s more about the script and storyline of the work that I were to accept. For example, I accepted the role of Khun Yai in IFYLITA as i felt that it was a script that was suitable for me. I didn’t think of it as “oh it’s a BL series, I need to accept it” because to be honest, I have been contacted for various BL series but because [IFYLITA] storyline is really good, I wanted to try acting in it. Q: What is the difficulty of acting in BL as an actor? Bright: I feel like there isn’t any difference compared to regular series. I feel that when two men love each other or kiss, I don’t think of it as (me and) a man, I think of it more as each of the characters or persons. Q: Does that affect the trend of being a ship? Bright: Hmm… Actually I am not able to answer that because I feel like it depends on people’s perspectives. Because some people may prefer that (an actor) has a (onscreen) gf/bf but some people may be upset about it. I feel like the trend depends on the people’s perspectives as people have different ways of thinking (about it). I think that I am open to listening to all different opinions on this. I feel that working (in this industry), you should be able to explore different things and you should not be fixed in one thing. We need to continue moving onto the next thing. I feel that Non has his own work and I also have my own work, and other actors too have their own upcoming work. It doesn’t mean that coming to act in IFYLITA means that you stay in IFYLITA forever. Q: Some may feel that it’s sad their their ship is coming to an end and that they are gonna work with different people. Bright: Actually, there are still some upcoming pair events but as I’ve said earlier, everyone needs to continue to do their own duties as an actor. Q: What if people change their minds about shipping your ship in the future? Bright: I think it’s a normal thing. I feel that when someone (likes us), they also like our work. I feel like our fanclub likes both Yai and Jom, and they also like Bright and Non. They like the characters and that Bright and Non play these characters and they so they like us at this point. I feel like people who came to like us are also fans of other people. I feel that they are a source of encouragement for me when they like me but I am also glad if they meet someone new or support another person. I feel happy when they come to meet me and if they’re happy when they meet other (celebs), it’s a good thing for them. If there’s a new person, an older person, a regular person or a person they just met that they are happy to meet, I feel that it’s nothing to be stressed about. Let’s say a fan comes and likes me and is following my work and there’s someone new who enters and they like their work, I am glad for them to go support that other person because that person can bring happiness to the fan.

Wow, I really got carried away with this compilation but as a fan who's followed Nonkul, JJ and Tor since their Nadao days, watching them star in queer-coded series/roles like Bangrak Soi 9/1, Hormones, Diary of Tootsies, Great Men Academy... (or in Bright's case a gay character in lakorn Rivalry), I'm just so proud that they have been able to receive "BL" series script offers that they would like to take on.

I've never sat well with the difference in the treatment of the press to "BL actors" and "non-BL actors". I wish there weren't such a distinction because it feels like the notion itself holds a lot of prejudices baggage with it, to both "BL" and "non-BL" actors. To quote a friend on Reddit, "I believe most actors would feel more fulfilled if they knew their fans loved/respected them as individual artists, instead of only seeing them as one part of a unit whose value is lower when 'separated' from their official partner."

[iphone18pham]

It's Just Acting

Disclaimers! Bad grammar, Not Proofread

Paring: Minji x Idol/actor!Reader

Masterlist: GG,   BG

Genre: fluff (enemies to lovers)

Synopsis: What happens when you are asked to play a lead in a new Kdrama series, about two high school girls falling in love at a very strict homophobic boarding school, but what you don't know is that your worst enemy Kim Minji from Newjeans was playing the lead's love interest.

requests are open!!!

Y/N was thrilled when she was offered the lead role in the new Kdrama series.

"I can't believe I get to play Lee Haein!" she exclaimed to her manager.

"It's a great opportunity," her manager replied. "But there's something you should know. Kim Minji has also been cast in the series to play Choi Sora." Y/N's heart sank. Kim Minji was her worst enemy in the industry. They had had several public feuds on social media and in interviews.

"You're kidding me," Y/N groaned. "I can't work with her!"

"I know it won't be easy," her manager said. "But you're a professional. You can rise above the tension and focus on your performance."

Y/N nodded, taking a deep breath."Okay. I'll do it."

On the first day of filming, Y/N walked onto the set and saw Minji for the first time since they were cast in the series. Minji walked up to her with a smirk on her face.

"Hello, Y/N. Long time no see." Y/N gritted her teeth, forcing a smile.

"Hi, Minji. Let's try to keep things professional, okay?"Minji shrugged.

"Suit yourself. But I can't promise I won't steal the show."As filming went on, Y/N and Minji barely spoke to each other off-camera. But when it came time to shoot an intimate scene between their characters, they had to put their differences aside and work together.Y/N was nervous as they rehearsed the scene.

"Remember, it's just acting," Minji whispered to her.

The cameras started rolling, and Y/N and Minji fell into their roles.

"I never thought this would happen," Sora confessed, blushing furiously. "But I can't deny how I feel anymore." Haein nodded in agreement, her heart racing with anticipation.

"Me neither," Haein said, taking Sora's hand in hers. "I think I might be falling in love with you too." And with that, the two young women shared their first kiss. Y/N felt a strange sensation in her heart. She had never felt this way about another woman before.

Weeks go by and after filming more intimate scenes was over, Y/N pulled Minji aside.

"I need to talk to you," she said.

"What is it?" Minji asked.

"I...I think I might have feelings for you," Y/N admitted, blushing. Minji's eyes widened in surprise.

"Really? I never would have guessed."Y/N laughed nervously. "I know we've had our differences, but I can't deny how I feel."

Minji smiled, taking Y/N's hand. "I feel the same way. Let's give this a chance."

As filming continued, Y/N and Minji grew closer and closer. The rest of the cast and crew were shocked by the news, but Y/N and Minji didn't care. They were happy together and that's all that mattered. The series was a huge success, and fans couldn't get enough of Y/N and Minji's chemistry on-screen. In the end, Y/N and Minji found love in each other, despite their initial animosity towards each other. It just goes to show that love can be found in unexpected places.

[poomphuripan]

EXCLUSIVE INTERVIEW: My Stand-In’s Up & Poom get candid about the hit Thai drama

First of all, we would like to congratulate you guys on the success of My Stand-In. And we are only 6 episodes in! How does it feel?

Up: Thank you very much! I promise it will get better and even more intense in the following episodes!

Poom: We’re very happy with the results thus far. Everyone worked very hard on this project, including the cast and crew, who all wanted to produce a great work that fans would enjoy.

Ming seems to have changed a lot when the new Joe sees him. But do you feel that he has sincerely changed and realised his mistakes?

Up: As the one who plays Ming, I really think he has sincerely changed, but does he actually realise his mistakes- I would say you guys gotta stay tuned for the subsequent episodes to find out!

Poom: From the viewer’s perspective, it is clear that Ming has changed when it comes to treating Joe. However, his personal traits remain the same – still being somewhat selfish. What stands out is his love and patience for Joe.

Despite everything Ming has done, we see Joe starting to melt a little especially when he sees that Ming has been waiting for him all these years. Do you think Joe should give him a second chance?

Up: I would say he should! He wouldn’t know what happened to Ming during those two years, what he has been through and how much he suffered.

Poom: Joe might still be confused because, for him, that process might be two years to Ming but it felt like it was just a day ago for Joe since he was in a coma. He might need time to think and observe Ming further. Deep down, I believe Joe will eventually forgive Ming.

If you guys could meet Joe and Ming in real life, what would you like to tell them?

Up: I would tell Joe to keep on fighting and grinding, you got a lot on your shoulder right now, but I know it will pass! For Ming, please stay calm and control your emotions. Everything will get better if you balance your heart and mind.

Poom: I wouldn’t say anything to Ming because I wouldn’t dare to approach him. For Joe, I would like to encourage him, to believe that the bad times will soon pass, and to wish for his happiness.

No spoilers but how do you guys think fans will react after watching the finale?

Up: No spoilers but it’s just gonna get more intense right till the finale so buckle up and be prepared for any possible plot twist!

Poom: I’m pretty sure fans will cry due to the mix of emotions—happiness, sadness, joy, and relief.

My Stand-In has quite a lot of emotional scenes. How do you recharge after filming such scenes?

Up: To be honest, emotional scenes are energy-draining, and as an actor, we will need to recharge. However, I think it’s important and healthy to handle emotional scenes correctly, as it can sometimes permanently damage the actors’ and actresses’ emotional health. 

One thing I love the most about working on emotional scenes with Poom is that we pass positive energy to each other even before the scene starts. We would find each other and hold hands or hug each other before filming these scenes, and that helped us pass through almost any difficult scenes. 

After we ended work each day, we would take a quick trip before going home to a nearby restaurant just to get a light meal and talk about the scenes (we filmed). That definitely helped us recharge and get rid of any negative energy we might encounter each day we were filming My Stand-In.

Poom: Definitely felt a sense of relief completing them, as there was a sense of anxiety about the heavy emotional scenes beforehand, and also letting the characters’ stories unfold. 

Your reactions to watching My Stand-In were hilarious. When you watch your own shows do you watch it as a fan or are you critical about your acting?

Up: Actually I do in both perspectives. We watch it as a person who would like to enjoy a good show which is usually while filming the reaction videos. However, when we are alone we would watch it and criticise our own acting and what we can do to improve in the future. We share this common goal and passion for our acting career, and we truly believe that self-development is critical in this career path.

Poom: I normally do like to watch my own performance to analyze whether it was a good job or not. If there are areas for improvement, I will note them down and make adjustments in the future. For the good parts, I work on enhancing them further.

Is there anything new that you’ve learned about yourself while filming My Stand-In?

Up: I really enhanced and further developed my skills in acting. I felt that I got more mature in my acting career. But the best thing I felt that I got from filming My Stand-In is that I got to play it with the best partner I could ask for, Poom who shared the same goal, passion and vision for this career path. I would like to thank him very much for being such a great partner.

Poom: I learned that when you commit to something sincerely, no matter the outcome, you’ve done your best. Effort never betrays anyone.

When you are not working, what is it that you like to do in your free time?

Up: If I get a day off (which rarely happens), I would just wake up and enjoy myself with a good book and cup of coffee. Or even go out for a round of golf with my friends.

Poom: I like to sleep, watch a comedy, listen to music, and play some games.

Your roles in My Stand-In are quite different from what you guys have done before. As actors, what is it that attracts you when you are deciding on a new project like My Stand-In?

Up: Being someone I couldn’t be in real life challenges me to grow as an actor, and every role I take on gives me the chance to try new things. I’m therefore quite open to new and difficult opportunities and that’s how I decided to work on this project.

Poom: As an actor, this project is very interesting because the character has a lot of emotional depth and many interconnected stories. The characters are quite complex, and the fun script and good production made it very appealing.

Up, you have a knack for picking up projects that tend to go viral such as Girl From Nowhere and Lovely Writer. And now My Stand-In! Did you know they would become hits back then or was it a surprise?

Up: It was all a surprise, the only thing I aimed to do was to continue developing my acting skills ever since my early years in this career. One thing I truly believe is that no matter how long it takes, your skill and talent will eventually be noticed. 

Poom, it must have been quite a struggle since the pandemic happened right during the start of your career. So, what motivated you to keep going and find your success?

Poom: Love for acting, respect for the profession, and the joy of doing it. 

After such challenging roles, what would you guys like your next projects to be? Something funny, lighthearted? Or similarly dark and full of angst?

Up: Actually we talked about this too. We would take up any opportunity presented to us. Because with a great partner, no matter the role we’re taking on, we know we will give it our all and do our very best to become a better version of ourselves.

Poom: Every project is challenging because each character is different. If possible, other than having a great partner back with me, I would like to try a project with even more action scenes. 

Well, we have been loving every minute of My Stand-In and will definitely be tuning in for the upcoming episodes. Any last words for your fans?

Up: Thank you very much for all your love and support, without you guys, we wouldn’t be here today. Please stay tuned for My Stand-In! And we hope that you will love all the characters as much as we love them! Thank you!

Poom: I have nothing to say but thank you. I feel deeply grateful and appreciate the fans very much. Everything we do is to make the viewers happy and entertained. If everyone enjoys it, we are happy too. Finally, I want to thank the fans because, without them, I wouldn’t be here today. Thank you.

[fictionaltrvlr]

Roman Empire this, Roman Empire that. I don’t really think I have a Roman Empire-

The Overwhelming Hatred of Rachel Zegler

This rising star of a 22 year old woman is being torn apart by men and women alike and I’m so tired of it.

I’m disgusted by the amount of hate she’s getting and you best believe I’m gonna lay it out. I’ve tried to organize this but I’m really tired so bear with me.

Main Controversy

Her saying that it’s no longer 1937 and Snow White doesn’t need to be saved by the prince is not her saying that women can’t want to have a husband or a family. Simply that they don’t need a man to give them value.

And to be clear, yes, okay? Yes. Women should be allowed to soft, they can want families, they don’t need to be badass to be happy. They can fit “traditional” roles. Women can want different things. Meg March, the icon that she is, “just because my dreams are different than yours doesn’t mean they’re unimportant.” 100% yes. But Rachel wasn’t saying otherwise.

She said the prince was a bit of a stalker so they’re not doing that this time… and yes? The prince was weird. I thought we agreed on that. Snow White was 14 in the original and got kissed while she was unconscious by an adult man… but sure, ✨iconic✨.

And it’s fine if you don’t like the *apparent* girlbossification of Snow White, but people are acting like Rachel wrote the movie?? Did it ever occur to people that maybe Disney wants the “girlboss independent woman who doesn’t need a man” picture presented?

She’s doing press for the movie, is she maybe taking the direction Disney gave her?? Also… we. haven’t. seen. the. movie. The teaser only just came out!

Strike Comments

Her comments being popularized during the strike is already suspicious enough. Is it not in the studio’s interests to portray the strike and those taking part in it as unreasonable?

Her saying she deserves to be paid fairly for the hours she spends in a dress playing an iconic Disney character is completely valid. She wasn’t saying she’s the most amazing actress ever or that she plays the hardest roles or does the most complicated stunts. Just that she deserves fair pay… like every other striking actor and writer??

Childhood Relationship With The Character

Her saying that Snow White scared her as a child and she didn’t revisit it until she got cast. Why does that matter so much?? There were scary things in that movie! The witch, the poison apple, the forest coming to life and trying to grab her.

Tastes change as we grow and Rachel has shared her excitement about getting to play the character now.

She was a child. *screaming*

The Extremely Different Treatment Men Receive in The Same Situations

May I present, Robert Pattinson?? Mr I hate these books and felt like I shouldn’t be reading them?? Mr Edward is creepy?

He mocked and joked about the Twilight series every chance he got and people ate it up. They loved it and still do. He’s funny, he’s confident, he’s so real for that.

Harrison Ford wanted his character to die off and said it had run its course. He was praised for his humour and honesty.

Oh but Rachel is ungrateful. She’s rude, she’s cringe, she’s mean, she’s annoying. She’s irredeemable, she’s overbearing, she’s smug, off putting. There’s just something about her that we don’t like…

She’s pitted against other successful women, like Halle Bailey. She’s pitted against Kristen Stewart. Against Elle Fanning, Jenna Ortega. Ignoring, may I point out, how hated so many of these women have been at the different points in their careers?

This is how Brie Larson is being treated and now she wants to leave Marvel too.

Women can be sarcastic. They can joke and speak their minds. They don’t have to package every thought with a pretty little bow so it’s palatable to you.

Rachel’s statements are being misinterpreted and twisted. But on top of that, even if she was what people are saying, have we forgotten about Tom Cruise? Leonardo DeCaprio?

These men are insufferable and problematic and yet some of the biggest names in the industry and, again, confident. Boss. In charge. Charismatic. Not annoying, not petty, not “oh you should be grateful you have anything!!”

Let me pull out Taylor Swift for a hot second because she does a wonderful job of describing the different ways we talk about men and women.

A man does something and it’s strategic. A woman does the same thing and it’s calculated. A man is allowed to react, a woman can only overreact. […] A man shares his experience in writing and he’s brave. A woman does the same thing and she’s over sharing, she’s over emotional, watch out!

America Ferrera when she said that the only difference between being bossy and being a boss is that one is a woman.

People need to listen to “All American Bitch” again -

I know my place, I know my place, and this is it! I don't get angry when I'm pissed I'm the eternal optimist I scream inside to deal with it All the time I'm grateful all the time I'm sexy, and I'm kind I'm pretty when I cry Oh, all the time I'm grateful all the time

And not that women need to be grateful because they don’t, but just to be clear, she is grateful.

She has expressed how lucky she was to get Shazam and how much she enjoyed it and made amazing friends. She was excited to play her version of Snow White. She shared pictures of herself as a child dressed as Snow White. She’s thrown herself into it.

Conclusions

Hate trains fun, I get it. But let’s not pile on young women when they’ve not even done anything wrong. Question why all of a sudden everyone hates this person, what are the facts, what else is going on, what confirmation bias do we have?

There is something so much worse to me about seeing other women tear her down. Like yeah, men will be pigs, but what are you doing? It’s so sad.

And women like hunting witches too, doing your dirtiest work for you, it’s obvious that wanting me dead has really brought you two together… (Mad Woman, Taylor Swift)

Rachel seems like such a joyful person and people are out here bullying her like she kicks puppies on the weekends.

Claiming to be a feminist because you want a wide variety of princesses (ie, ones that get saved by their prince), and then sending death threats to another woman for possibly appearing as though she holds a different opinion about one princess - is not only a contradiction, it’s just baffling.

Anyway stan Rachel Zegler

That’s my speech, please do contribute collaboratively if you want :).

[yannaryartside]

Tragicomedy

Okay I am gonna add my opinion that nobody asked for to the “is a comedy?” Debate. Is not like I know what reason they used to classify it in awards (and there is some part of me that thought they did that because the Bear is considerably modest in budget in comparison to the most resent winners in the drama category and they wanted a fighting chance).

But there is an outlet for them to be in this category…

The tone

Now, I studied film, there are plenty of definitions for what a comedy is…some of them have to do with duration/format/overall mood. If you go on a count of quantity of jokes or mood the Bear is definitely not that.

For some people, the defining aspect of a comedy is that there is a element of “fantasy” to it, in the sense that nothing that you do will have a logic, real world consequence, like those movies where you can throw a guy from a roof for comedic effect and not suffer real consequences like criminal charges or mortal injuries. The Bear is not like that.

But there is also something called a tragicomedy, a genre that is normally used in theater. Is a gender that explores the absurdity inside tragedy and humor and hope in the face of adversity. Some of this pieces will ridicule suffering and others will have a happy bittersweet ending. At some levels you could say the Bear is like that.

I would have put it in the category of drama because I am more of a “mood overall makes the essence of the story” kind of person. If drama and consequence are more powerful in the mood that the humor (such as s3) you should be a drama. You could say the bear is a drama and a tragicomedy, there is no mutual exclusion in writing.

If you think of “themes” and using the “absurdity/irony of suffering” (how we are our own worst enemy) it technically is comedy and can be judged in that aspect because is not “just a drama”

(and they decided to be judge as a comedy to have a chance imo).

Shameless was also a tragicomedy that made the spectator think they were watching a “suffering porn” kind of show where the struggle and absurdity of situations was the norm. There is precedent, so…

The performances

A little bit of a tangent, this is me and my opinion. Opinions are like asses, to each their own…but I understand why is unfair to some to judge a comedy actor vs a drama actor.

Saying that drama actors have more chances to make “remarkable performances” than comedy actors…I get it. We see this at the Oscar’s every time where they reward the actors that are portraying mentally ill people and historic tragic figures. The darker the character the more “difficult” the performance…to some people. IMO a person that is always happy could be as easy to perform as a person that is always sad. Acting is intellectual, physical and even spiritual. Acting is about bringing to life what is on the page and tone should not had anything to do with it. There is acting that is effective because is subtle and some over the top. And you can find that in any genre.

There are performances in comedy that are very impressive and difficult, not to mention that not everyone can act comedy. Comedies that treat with very deep/philosophical/social issues. Judging an overall performance because of how much time they are portraying “difficult emotions” is…idk, but that seems to be the norm.

I understand that is frustrating to see your fav comedy actor be judged next to someone that had to act drama and comedy and feel like is unfair. You want the actor to be rewarded as a comedy actor and their capacity to make you laught and cry (inside the expected format of a comedy) not a drama actor that sometimes makes jokes in a show with a lot of dark themes. You could also say the format expected from a comedy doesn’t allow for elasticity in character arcs and therefore performances. That is very true in some cases. The comedy that most people are used to has characters that have to remain a certain way for the plot to make sense.

I will also argue the reason the acting in the bear is so acclaimed is because there is a lot of nuance under it. You can see a million hidden details in fishes, I had to watch it 3 times to notice the exact moment where the drugs hit Michael. Jon was portraying a character that was also pretending to be something else. Is very impressive. They have a fighting chance against the other dramas imo but the comedy category was more convenient for the format of the show.

So yeah, is kinda unfair, but is not like they are “cheating” because the element of tragicomedy is the gender/theme that shapes the story.

[ancientgoddessofegypt]

5th house placements yall aren’t meant to have regular degular jobs. Y’all should be out there hosting, entertaining, sharing your heart, and going to places that will allow the artist in you to show. When you trust this you’ll feel more fulfillment.

Mercury 5th house are the writers, the poets, the comedians, the speakers. We love your words and we like listening to you.

Neptune in the 5th - the actors, the greats in theater, you guys have a GIFT with this please go and use it im begging. Drama is for you guys. Something about singing and dancing you guys do eloquently but very differently. You guys “feel” the music and you go with it you don’t go against it. You merge with the song it doesn’t merge with you. You become it. Giving it the soul it needs and being the messenger in what ever the music is trying to convey.

Pluto in the 5th - POWERHOUSES!!!! You guys can make anyone cry !! Like your gift here is so intense you make everyone feel these deep emotions as if you were the character really going through it in real life. This connection you have to your art it’s as if your psychic prowess can turn it into a unique experiment to heal yourself and in turn you heal the world.

Sun in the 5th - beautiful beautiful beautiful beautiful. You guys are artist who neeeeed to allow this to grow or you will suffer burn out. You guys are meant to live an artistic life where you express your passion in everything that you do. You MUST get into hosting, comedy, acting or whatever it is you choose. Allow yourself to move into this direction for more fulfillment.

Venus in the 5th - my babies !! You guys are meant to party & hosting something really cool is definitely for you. I could see you being into burlesque or somethjng seductive that shows off your sensuality. Doesn’t matter who you are. Your energy is very healing and it draws everyone to you wanting more.

Moon in the 5th - majestic energy, you need to act out your emotions in some way and I know dancing is something that can heal the sacral chakra for you guys. Sacral connects to our emotions so the more you focus on healing your emotions with something artsy (doesn’t matter what it is) it’ll have good results here and manifesting will be a lot easier for you. Needs a calm life where doing what they want is the main source of income.

Saturn in the 5th - enjoy enjoy enjoy. That’s the secret. Don’t let things bottle up inside you and bring you down. Keep working on those talents it’ll all pay off. You can be a teacher to those in some way who need to know that it is possible to be who they want to be. Take a chance in focusing on your art with no distractions, let go and let your heart sing . <3

Jupiter in the 5th - you have an abundance of magic in your gifts talents and skills. You may can do more than one thing and this can create a lot of income for you. Big personalities and I notice comedians can have this placement attracting a larger audience. When you dance or sing, it attracts a lot of people to you because your energy is powerful and potent here.

Uranus in the 5th - eccentric skills and can be used to shock people . The way you express your art is something no one else can do, so this is how you attract others to you making you a star. Never change the way you express yourself because it works for you and you alone. Gifted in multiple artistic hobbies, but the way you do them makes everyone want to ‘steal’ your blueprint. Be careful cause a lot of watchers are trying to figure you out , but it doesn’t work how they think it will.

[girlactionfigure]

He was born on April 16, 1889. His father was an alcoholic, his mother would be committed to a mental asylum. The young boy would spend his early years at a Workhouse and other institutions for destitute children.

At the age of 14, he decided to become an actor. He started doing plays and vaudeville. In 1914, he arrived in Los Angeles. He started working in film, accepting small parts.

For his second role, he decided to dress himself, wearing baggy pants, a tight coat, a small hat, and large shoes. For the final touch, he added a small mustache.

"The Tramp" character was born, eventually making Charlie Chaplin one of the most popular actors in silent film and an international star.

After Hitler and the Nazi Party rose to prominence, Charles Chaplin wanted to address the escalating violence and repression of Jews by the Nazis throughout the late 1930s.

He would make a daring film, his first true talking picture, which would become one of his greatest films - "The Great Dictator".

It was an act of defiance against Hitler and Nazism. Chaplin played 2 characters, one a Hitler parody, and the other a look-alike Jewish barber persecuted by the regime. In the conclusion, the Jewish barber as Hitler would make a speech. It is said that during filming, Chaplin actually drops out of character and speaks his mind, denouncing dictatorship, greed, hate, and intolerance, in favor of liberty and human brotherhood. It would be called one of the greatest speeches:

"I’m sorry, but I don’t want to be an emperor. That’s not my business. I don’t want to rule or conquer anyone. I should like to help everyone if possible- Jew, Gentile, black men, white…

"We all want to help one another. Human beings are like that. We want to live by each others’ happiness, not by each other’s misery. We don’t want to hate and despise one another. In this world there is room for everyone. And the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way.

"Greed has poisoned men’s souls; has barricaded the world with hate; has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical; our cleverness, hard and unkind...

"We think too much and feel too little. More than machinery, we need humanity; more than cleverness, we need kindness and gentleness...."

In the speech, he urged people to unite, to "fight for a new world, a decent world that will give men a chance to work, that will give youth a future and old age a security . . . To do away with national barriers! To do away with greed, with hate and intolerance!"

The Jon S. Randal Peace Page

[athena5898]

Given the nature of my blog at this point, i tend to shy away from posting about media stuff. Buuuuut I think there are a lot of younger people experience this slightly "political" dude bro phenomenon so I kind of want to walk them through it. So Dawntrail the most recent ff14 expansion. Is actually pretty good. Now if you listen to some aspect of the community you are going to get some other........."perspectives" on that. Dawntrail is flawed, of course it is. This is the expansion that would have been in development during mid to post 2020 AND it's the expansion that needed to come around after Enwalker to build up the new story. Endwalker that spent YEARS building up to a climatic finish. What does this have to do with the first paragraph? Well, I'll tell you.

Dawntrail focuses on the story of a coming of age of a nontraditionally feminine woman lead Wuk Lamat (who is voiced by a trans voice actor) and we, the heroes of the world, are now going to help and take a back seat to this person. Who she and the entire expansion is based on Indigenous people from various parts of "America" so you know, they should be front a center and our out-of-town asses *should* take a seat in the back (some of you will read this and immediately go "oh that's why it's getting extra hate") If you do not know and was lucky enough to not be a woman or non cis het white male in the 90s trying to play video games or enjoy nerd culture....All of what I just stated is a big problem. Dude bros as I like to call them, (aka someone who you will always be curious if they were or would be part of Gamer Gate. Also please note a dude bro doesn't have to be a man...trust me on that) hate this kind of shit. They naturally feel threatened when the media's focus is not about them. So what do they do? They take legitimate criticism of something and BLOW IT THE FUCK UP. Suddenly that thing that was kinda annoying, is now just the fucking worst. A story beat drags on a little long? Worst media ever. A character has a minor plot hole? Worst media ever. dialogue a little blah at one point? Worst media ever. etc etc etc These are the same kinda people mind you who will write a 8 page essay how (insert average mid action movie here) is the most amazing masterpiece of a film. (which I don't really care about, but it shows that these people are not exactly the most objective purveyors of media arts as they like to claim to be when it's suddenly about their misogyny and white supremacy) I'm bringing this up cause I'll notice some well meaning people being confused saving things "well...I kinda get *this* part of the criticism but...not this other stuff. Why is it a big deal" or some version of this. They don't actually care that much, they just care that an Indegenous GNC cat woman is getting more screen time then their precious gods gift to Eorza WoL. If they had made this expansion about a white guy or our WoL and it wouldn't of gotten nearly the same level of backlash. People will disagree with me, but I'm sorry this is just a fact. And because this is the reading comprehension website, no it's not bad to dislike Dawntrail. No it isn't bad to think a character is annoying. But the patterns are there and the chances of this JUST being about the real issues is just fucking zero. You dont' spend that much time complaining about ONE character as the focus if it isn't about the bullshit dude bro gamer pride. Honestly given how fucking gay this game is I have no idea how these people play this game without burning up like a vampire touching sunlight ALSO...I'm a ex wow player who played that game for the story (I was 14, give me a break) from BC all the way up to 7.2. So I kinda know what i'm talking about when it comes to toxic dipshit gamer behavior *looks back at that last paragraph* god that's so fucking sad. Oh fun fact, according to Wuk Lamat's voice actor Sena Bryer, all voice acting for the new area in Dawntrail was given to Latino/Indigenous voice actors for every single character. (from this area of course) *edit* lol yeah anyone saying i'm wrong is just a fucking grifter or liar. Found this while looking something else up. You know it's bad when the god damn director has to step in and say "yo you little assholes cut it out" https://www.pcgamesn.com/final-fantasy-xiv-a-realm-reborn/naoki-yoshida-wuk-lamat

[iamawolfstarsimp]

what's up ya'll

as previously mentioned I saw @fickle-tiction headcanons for a superbat (superman/batman) and yeah, here we are

just a quick side note for everyone to go like/follow/reblog her fics and headcanons they're literally the best ever

3,342 words

hope you enjoy!!

It all started with a quiet knock on his door early one morning.

"Ms. Diana is here, she says she needs to talk to you about a mission the team said was 'tailored to you.'" Alfred said in his usual neutral tone.

Alfred walked into his room with the usual greeting and started opening his curtains to let in some natural light that instantly blinded Bruce for a few moments.

"Just let her in then," Bruce mumbled, too tired to get up just yet.

"Very well." Alfred said and opened up his door to let Diana walk through. She walked in wearing dress pants and some new fitted top (new because Bruce didn't recognize it) while holding a folder in her hands and took a moment to look around the room before thanking Alfred and walking over to Bruce.

"Hey, you." She smiled at his messy hair and sour expression. "How did you sleep?"

"Alright, considering." Bruce answered while trying to blink away any grogginess he had left.

"The team found this undercover mission for you if you're up to it."

"Give it to me, I'll look through it." She handed the folder to him.

He flipped it open to see the location which was some island near the coast of Florida where the host was having all of his guests at his private mansion. They had the targets listed with a list of who they are and what information they needed from them. Then the character he would be playing. He was supposedly going to be called Mark Wilson who attempted to go the military (specifically marine corp) but then won the lottery randomly and left (wow, what a great guy) but then used his money to sponsor random charities and then got famous off of that. He also was recently getting into acting and was apparently starring in a new movie that was to come out next year. But ever since his rise to fame he mostly attends parties, golfs, spends his money, and spends time with his-

"Husband?" Bruce looked up at Diana.

"Yeah, that's the part I thought I should ask about.." She grimaced a little.

"Does his 'husband' have to be at the event or can I make something up?"

"He has to be there." Diana said.

"Who's playing the part of my husband then?"

"Clark?" Diana eye rolled when Bruce chuckled and gave her a look. "We all agreed that you two would be best for this since you both have natural chemistry. It wouldn't look fake in front of public eye."

"Is Clark really up to it? He doesn't seem the acting type."

"We asked him and he said it was perfectly okay with him. And give him some credit, he pretends to be a new reporter and has to hold back on everything he does so he doesn't break anything. Granted he has gotten a lot better at the last thing and maybe not so much on the first but we didn't pick him for his spectacular acting, that's why we picked you." Diana explained. She looked at him with a piercing look, arms folded so he felt like he was being scolded. Bruce sighed.

"When do we leave?" He asked, letting some of how tired he was feeling seep into his voice hoping to get some pity sympathy.

"This evening, I'll have a jet ready for you guys and Alfred will come and get you both." Diana puts a hand on his shoulder and rubs his back for a moment before walking towords the door.

And so after a long jet ride of getting into character and banter with Clark he ended up here, talking to some random reporter.

He looked over at Clark (he got to play Oliver Brown/Wilson who was a full time actor in mostly comedy, romance, and action movies and the two met on a red carpet for charity event and they "instantly clicked") who was on the other side of the room making small talk with one of their targets while the reporter was asking 'how is your husband doing, I haven't gotten the chance to talk to him yet?'"

"Oh, he's doing amazing and he looks amazing while doing it too?" He and the reporter laughed and nodded at each other. "I mean what the heck are we all doing?"

"I've heard a rumor that he night be a co-star for you in your upcoming movie." The reporter says.

"Well who said that?" Bruce asks, a playful glint in his eyes.

"He did!" The reporter laughs at Bruce's expression of surprise but then exceptance.

"Well to be honest with you we haven't started shooting the film yet but from what I hear the budget for this film is top tier and they've started wrapping up auditions." Bruce answers. "But if the producers decide the want him in it then they'll let him know, I mean we would be happy to have him, he's a fantastic actor and a wonderful person to have around and just lights up any room he walks into." Bruce was mentally cringing at his answers, he wasn't used to playing the "happily married with two dogs and a house".

"Aww, that's so sweet." The reporter coos at him and he just smiles back. "Oh, speak of the devil!" The reporter says and Bruce feels a hand slide across the small of his back and onto his waist and pull Bruce closer to Clark so now they're shoulder to shoulder.

"Oh hey, we were just talking about you." Bruce says, doing his best to smile and make it look like he was in love.

"All good things I hope," Clark grins at Bruce then the reporter who laughs and immediately starts asking questions. Bruce allows himself to zone out a little bit while Clark answers said questions and just look at him at the reporter.

He didn't expect Clark to be so good at this. And none of his movements or touches seemed forced or nervous and he seemed completely relaxed and comfortable. He zoned back in just in time to hear Clark turn and flirt with him with a wink before continuing on with what he was saying. He would have to take back what he to Diana, Clark was really good at this. Almost better than Bruce was.

Bruce spots one of their targets lingering in the corner, sipping on champagne. "Our target is sitting in the corner, I'm gonna go talk to him before we have to walk out onto this red carpet for photos." He whispers in Clark's ear, head turned far enough away from the reporter that she can't try and read his lips. Clark laughs like Bruce said something funny and nods and Bruce excuses himself from the conversation.

He bullshits his way through a conversation with this target who doesn't really know who he is but is too drunk to ask questions. He gets the information out fairly easy and then spots Clark walking the red carpet and quickly joins him.

Clark slips his hand around his waist again and when he can't hold his waist he grabs onto Bruce's hand as they walk.

Later in the evening when the event is drawing to a close, Bruce is talking to one of their targets. He's making small talk and asking about the man's hobbies since he's already gotten the information he needed.

Out of the corner of his eye, he sees Clark walking over but decides to ignore him and continue his conversation. Once Clark reaches him he does what he's done all evening and puts his hand on Bruce's waist. He's done it so much Bruce now notices when the warmth of Clark's hand isn't there. He trys not to think about that right now though and just smiles and Clark and continues talking.

He isn't looking at Clark when he decides to lean in and kiss him. It isn't the first time it's happend this evening but he usually did it on his cheek or temple but this time decides to go lower and touches down onto his neck.

Without thinking Bruce squeaks mid sentence and scrunches his neck into where Clark's head is to rid of the sensation on his neck because oh my gosh it tickles. He chuckles despite himself and glances over at Clark. To any outside person his glance appears to just be a couple sharing a look maybe could even be taken as a way to flirt with them. To Bruce and Clark it means "do NOT do that again, I swear to everything on this green earth I will rip your arms off".

Clark just grins and (thankfully) doesn't do it again. But if Bruce knows his best friend then he knows there's more to come.

After what feels like an eternity of the host thanking everyone for coming and explaining why he decided to set up the event and thanking the sponsors, he and Clark and finally back up in their room.

They get undressed in mild silence until Clark dares to break it.

"Soooo.." Clark starts and Bruce can practically hear the grin he's wearing. "ticklish, huh?"

Bruce eye rolls. "Stow it, you just caught me by surprise." He says while taking off his shirt and putting on comfortable shorts.

"Oh really?" Clark says and Bruce can feel the sharp poke to his side coming but he was too slow to avoid it and let's out a shout, turning around to face Clark with a scowl on his face.

"That's not the reaction a nonticklish person would have."

"It's a character, doofus." Bruce says but keeps his hands out in front of him to protect himself from any more pokes.

"Ohhh, okay." Clark says and it appears that he decides to drop the subject for the time being.

The two get into bed and Bruce lays down on his back, thinking about all that had happened over the past two days, how many targets they had left, information they had gotten, how good Clark was at his role, his hands on his waist and his back and his neck and kissing him-

His thoughts were interrupted by the same person he was thinking about. Clark had rolled over onto his stomach and poked Bruce's side. He didn't react because he was slightly expecting it but he did look over at Clark.

"You're really not ticklish?" Clark asked. "I thought all humans were ticklish, it's a defense system isn't it?" Bruce sometimes forgot Clark wasn't actually human. He had to learn human customs and culture and how their bodies worked so he could pretend to be one.

"It's common for people to be ticklish but most grow out of it after childhood because their sense have been dulled by time." Bruce answered.

"That makes sense." Clark replied. "What happens if I do this?"

Clark reached out and Bruce expected him to try and tickle him in some way but all he did was reach out and wiggle his fingers just barely above Bruce's stomach and sides. Bruce instantly tensed his stomach and felt his face heat up from his cheeks to his ears. He just hoped it didn't show on his face.

Clark noticed the reaction he got from that and continued even after Bruce smacked his hand away.

"What's wrong, Bruciee?" Clark said, that mischievous grin of his plastered to his face again. "I'm not even touching you."

"I hate you." Bruce grumbled, glaring at his best friend. Clark just laughed and continued.

Bruce finally had enough and rolled over onto his stomach, face in his pillow, hoping Clark would get bored when he couldn't see his face or any reactions and go to bed. (spoiler alert: he was wrong.)

Clark took the liberty of his new work-space which was Bruce's back and started to drag his fingertips across the whole of his back, admiring the goosebumps left in his wake.

Bruce smushed his face further into the pillow hoping it would spare him the embarrassment of dying to Clark Kent and smother him to death. If he made it out of this alive he was going to kill Clark.

"Wanna hear a nursery rhyme?" Clark asked. Bruce wanted to shake his head no but he didn't want to give the satisfaction of an answer, and a small part of him wanted to see where this was going. "I'll take that as a yes."

"Walking through the jungle," Clark said slowly in a sing-song voice while walking two fingers up Bruce's back. "X marks the spot," Clark drew an X over his back with his fingers. "dot, line, dot, line, dot dot dot." Clark did exactly as he said, poking his back whenever he said dot and tracing a line down Bruce's spine whenever he said line.

"Heree come the spider to bite you in the neck!" Clark scurried his fingers up Bruce's back until they reached his neck to scribble in the crooks of his neck. Clark almost got Bruce to squeal, but he did manage to get him to scrunch up his neck. "Tight squeezeee," Clark reached down and squeezed his sides a few times. "cold breezee," Bruce swore that Clark used his powers to make his breath colder as be blew on his back and at his ears, which tickled like hell. "now you have the tingles!"

Bruce let out a sigh of relief from the rid of tickle-y sensation. He was holding in more laughter than he thought he was.

He thought Clark was done until he started over, doing his little nursery rhyme of torture (he was being dramatic, he knew that, but it was the only name that felt appropriate) for however many more times, sometimes with the words and sometimes without, til Clark finally got tired and turned off the light.

He let his body fully relax for the first time since early today. He felt his muscles release all the energy contained inside of them and from Clark's terrorizing he actually felt tired.

He was almost asleep until he felt a poke to his side, and five minutes later a cold breeze directed at his ears. He rolled over to glare at Clark just in time to see him jump on top of him and start digging into his ribs. Clark started vibrating his hands into his ribs at an inhuman speed, causing Bruce to dissolve into laughter instantly.

Bruce tried to protect his ribs and throw Clark off at the same time but managed to succeed in neither. It tickled so bad, the electricity of the tickles racing through his body and lighting him up like a firework. He shoved his face deeper in the pillow, hoping to find some means of escape in there.

"Poor, Bruce." Clark laughed from above him. "Too ticklish for his own good." Clark made sure to say that directly in his ear so that his breath tickled him. Bruce screamed at the feeling, squirming more than ever.

"G-get off of mehehehe!!" Bruce laughs, resigned to his fate but praying that maybe pleading will work.

"Be quiet, you're gonna wake people up." Clark replies, ignoring Bruce's whines and protests. "There's something I wanna try."

Bruce quiets himself but strengthens his struggles more than ever. Unfortunately a regular human doesn't do much against superman who is over 200 pounds of pure muscle.

Clark leans down and starts pressing kiss after kiss on Bruce's neck, starting at the nape of his neck and moving towards the crook of his neck and next to his ear and Bruce freaking giggles. If there's one thing Bruce thought he didn't have the capability to do anymore, it would be to giggle.

But of course, Clark Joseph Kent would be the only one to get it out of him. And of course it's like this.

"You- wait, do-hohoho-don't! Kehehent!!" Bruce spluttered through his giggles, eyes starting to tear up in his mirth.

"Hm, what's that?" Clark said into his neck om the part right below his ear so that the vibrations from his voice would tickle him too. "Sorry, can't hear you over all these giggles."

Clark was ecstatic about being able to get The Batman, Mr. Sour Face Grumpy Pants, The Broody Knight himself to freaking giggle.

Clark let Bruce roll over onto his right side to try and protect himself even if it didn't help much but he knew that Bruce liked to have the feeling of some control.

"Okay, okahahay!!" Bruce laughed freely, pushing at Clark's shoulders as he dove back in to kiss the front of his neck, even daring to throw in some nibbles.

He reached down a pinched Bruce's taut stomach as well, feeling the muscles jump away from his touch and shake with deep laughter.

"Y-you win, you wihihin!" Bruce cackled, shoving at Clark's face with one hand and covering his stomach with the other.

Clark stopped hearing the desperation in Bruce's voice. He leaned back to admire his work. Bruce's neck was covering in some red spots where Clark had kissed him and his face was bright red all the way from his cheeks to his neck. Clark felt his heart race a little bit looking down at Bruce and realized he was still straddling him. He slid off quietly and they sat in silence for a while while Bruce caught his breath.

"I hate you." Bruce muttered, glaring at Clark. It would have been more effective of his face wasn't still red.

"I love you too." Clark smiled brightly at him.

Bruce eye rolled and flopped over onto his stomach but otherwise didn't move his position from the near middle of the bed. "Mention this to anyone and you're dead."

"Noted." Clark chuckled underneath his breath and lay down next to Bruce, finally letting sleep engulf him.

Surprisingly, Bruce slept the best that night than he had in a while.

For the next few days Clark stayed close to his side, always either touching him or talking to him not that he minded.

But every time he'd try and talk to someone and Clark was with him, he'd take the opportunity to sneak hands into his suit jacket and make Bruce wiggle away from him or press a kiss to his neck or ears just to see him scrunch up.

Bruce always laughed it off in the moment but as soon as they were back in their room it was all glares and scowls meanwhile Clark was ever the ray of sunshine.

He didn't know why he didn't get Clark back, he knew he was ticklish (ridiculously so even, Diana had shown him one time when she snuck up on Clark and tackled him to the ground, wiggling fingers into his sides and scribbling on his neck. He suspected Clark might be extra sensitive to tickling because he was never exposed to it as a child and was also an alien). Maybe it was because he thought Clark wouldn't tickle him anymore if he did and he was just getting used to Clark touching him, he wasn't ready for the touch to stop.

He was shocked by his own thoughts but shook them off. He would deal with his feelings for Clark later.

The mission ended rather well and soon enough they were on a jet flying back to one of Bruce's mansions where Diana would be waiting for them. They'd have a team meeting next week to discuss the information according to Alfred, whom was driving the jet.

Bruce set his phone down and looked out the window, thinking about all that had happened the last few days. He didn't know what was going on between him and Clark and he was okay to let it go for now and just enjoy the feeling of warmth that spread through him whenever he looked at the brown haired dork.

He glanced over at Clark who immediately fell asleep as soon as they got into the jet, chair leaned back and arm thrown over his eyes. Bruce smiled and looked away again. Yeah, he could get used to this.

I kinda went a little free hand for some parts (I'm not great at writing anticipation and such but I'll improve) but I you liked it!

(I very briefly proof read it but not too much because I have school in the morning so if there's mistakes then I'm sorry 😭)