#it makes sense romantic

[linktoo-doodles]

resurrection is sort of romantic, isnt it

[ninja-knox-ur-sox-off]

Okay 3 things

1. I was thinking about an aroace Sonic who says things that can be taken as wildly flirty/romantic but he just means them genuinely. “You have beautiful eyes, I keep getting distracted while looking at them,” not cause he’s interested romantically in them but because eyes can be really cool and pretty man I dunno what to tell you he likes looking at cool things and he thinks his friends are neat. “You’re the most beautiful person here,” because he really thinks that, he loves his friends

2. Sonic randomly dropping heartfelt genuine comments on his friends out of the blue completely blindsiding them and then moves on like nothing happened while they’re left going ?????? Bonus points if he does something immensely stupid or jerkish just before or immediately afterwards and they can’t tell if he was serious or not with the compliment (yes he was)

3. Sonic usually being so allergic to truly vulnerable moments that when he expresses something heartfelt randomly Tails thinks he’s been stabbed or something and does not believe him when he reassures him that he’s fine he’s fine he’s not dying yeesh

[ruporas]

need to exist in your warmth (id in alt)

[rebpup]

how do you flirt?

stalking

[hajihiko]

Pre-lobotomy hajime is fun because he's back to being fully a bit of an idiot

[gabelew]

I drew the first image of Link and Bazz drinking and chilling together and then it spiraled

What can I say, I just really like watching these two interact, and I think Bazz is weirdly uniquely qualified to relate to at least some of Link's internal drama.

[kelpermoosee]

My friend labeled this “toxic aromantic yaoi” and I couldn’t agree more

[stompandhollar]

reminding everyone that the in-universe problem with The Doctor and The Master isn’t “ooo horrible nasty enemies who hate each other and don’t get along and fight all the time but are also in love”

the problem is that they get along. the problem is that they can’t stop themselves from falling naturally into a rhythm of riffing off one another and enjoying the other’s company. THAT is the problem. the problem is that it works and that’s the thing that caused all their issues. they like one another. they just click.

[wintergrofyuri]

does anyone else think about this every day

LIKE. the way she words it. the way she stabs you, the way her hand is positioned. her expression. the desperation and determination. the way to get here, you have to stab yourself when spectre possesses you. the way this can end with Her stabbing You to take you back.

every princess is alone. lonely. separated, from others, from you, from herself. the long quiet is her only companion and she is pit against them. heavily discouraged from even Speaking to her. and if that Does happen, she Still tries so hard to reach out. she asks you politely. she is still angry, but she is willing to let the past be the past in favor of teamwork. companionship. someone to actually listen to her. and when it happens AGAIN, she STILL is willing to forgive you. for the same damn thing.

the tear between the shifting mound and the long quiet was traumatic for both of them. they may not remember, but they still feel that emptiness. they are, subconsciously or not, trying so hard to return to each other. but whatever they try it still never lasts. its tragic. she is ripped away from you, you are ripped away from her. and it was intentional!!! the tear is jagged and messy and hurtful On Purpose. not maliciously (i dont think) but still. the narrator Did Not Care how traumatic this would be for the entities he was creating.

its just. ugh. the loneliness and the desperation and the little moments of respite and the way the shifting mound so desperately tries to convince you to stay with her, be with her, leave with her. together. the way she says her heart has ached for this moment. they can never truly go back to what they once were. and it hurts them both. but they can still stay close to each other in different ways. and she tries so hard to convince you.

What once was one, then was two, and then was one again. kill me oh my GOD

[theriverdraws]

Guys.

If we manifested Kerdly out of almost nothing, I will actually launch myself straight into the sun

(I KNOW THAT BERDLY HAS A CRUSH ON SUSIE TOO, however it doesn't seem like he would talk to her like that? I think he would be more like "m'lady" about it. "It disgusts me to say this but I guesss,,, you can go with me" that's more like him talking to Kris to me. We didn't see him interact with anyone else tho so who knows.)

[justaz]

arthur born of magic who lives where magic is outlawed and merlin who is magic and is forced to keep it bottled up recognizing each other without seeing the other. arthur who always feels a vague sense of numbness except when he’s around merlin bc the magic that is threaded through his very being wakes and buzzes in emrys’s presence, recognizing its kin. merlin who is constantly restless beneath his skin, his magic buzzing to be set free, finally feeling at peace with arthur, his magic warming and stilling beneath his skin. arthur feeling deprived of air or food or water when merlin leaves bc the life that flared inside him fades when merlin leaves. merlin feeling restless when he’s not with arthur bc his magic which has previously been content to reside within him is now lashing out, desperate for either constant release or arthur’s presence. arthur taking his aggravation out of his knights during training when suddenly he feels alive again and his frustration wanes and then merlin calls out across the field. merlin putting the restless energy toward scrubbing the floors until the itching beneath his skin suddenly fades and then the door to the chambers burst open and arthur waltzes in.

[deathdetermineslife]

selfshippers;

don't feel bad if you "haven't done much" with your life. don't feel bad if you don't wanna go to college or a trade school or are nervous about getting a job.

don't feel bad if there are things stopping you from doing all of that. your f/o wants you to know you're doin alright. and, I'm sure, at least to some extent, they may have felt the same way at some point. imagine how they felt if they ever had to figure out if they wanted to go to college, what they would go for, what they would do with their life now that they have the option.

and if you're thinking right now "yea but my f/o has accomplished so much in comparison to me" I'm sure they think the same about you.

sometimes living is enough. and that's okay.

[chickadeethoughts]

reread this post and maybe this is an unpopular mclennon opinion? but i think they both didn't actually understand each other as well as they thought they did. i think both of them believed the other could read their mind and then filtered their subsequent actions as a conscious slight. like. john should know that paul is someone who keeps his feelings very closely guarded, who will always choose to keep the peace and to put on a good face when he's upset. but throughout the breakup, when paul seemingly stays as productive as ever, staying distantly polite to yoko while urging john to keep writing, keep beatling, everything's fine, time to put on a show, john takes it that paul doesn't care one way or another about their partnership dissolving, he's a perfectly capable one-man band hit machine anyway. this is seemingly confirmed by paul announcing the breakup to "sell a record," effectively ending all hope of quietly reconciling and supporting john's theory that paul was done with the beatles (john) anyway and had been on his way out once he learned he could write a #1 song without anyone's (john's) help. all he cares about is hits and money and his new perfect family and farm.

meanwhile. paul should know that john wasn't handling the pressures of the beatles well. he should know that he needed more support. but paul seems to be someone who gets stuck in his ways of thinking about people (see also: george), and doesn't seem to have ever shaken the image of john as the older, cooler teddy boy on the bus who he'd do anything to impress. he thinks the world of john and spends the 60s thinking they're in a friendly competition, not realizing john has started falling into the paranoia that he's losing. you can see it in get back. paul is waiting for john to write his next great song, to set a new bar for paul to push himself to reach. paul got john by impressing him with his music and when he's losing john he doubles down on it because he thinks that's the only valuable thing he has to offer. he might have offered the support john needed instead if he knew what that was, but he didn't. but mid-60s john, who still thinks paul understands him, thinks paul knows he needs him but chooses to spend his time flitting around swinging london instead, which deeply hurts him. john clings to yoko because she's a breath of fresh air from the constant race he's been running for a decade. a creative partner he doesn't have to chase down. someone who needs him as much as he needs her. a woman he can marry, can have a real commitment to. he can be everything to the person who is everything to him. but paul sees this as john finally outgrowing him and finding someone better.

paul also should know that john often speaks first and decides whether he believes what he said later. but it seems he only ever takes john at his word. when john leaves the beatles that's it, no negotiation, because if paul has lost john to someone more interesting, more artistic, then that's that. when john starts to talk publicly about paul's muzak and granny shit that must be true too, it's why john left after all. and granted john just wont stop shit talking him and it's not like he just fell on a keyboard and how do you sleep came out. but this is how you get a paul who starts to see himself as a villain and questions whether john did love him. he doesn't think too many people was that nasty compared to what john was saying about him in interviews because he doesn't realize that one of john's biggest fears is that he's incapable of being a great songwriter without paul. so to john, the lucky break line is paul admitting he agrees with that assessment and twisting the knife. but paul wouldn't see it that way because he's only ever had john on a pedestal.

so by the 70s, on their worst days, john thinks paul is cold marble statue who knows he's better than him and delights in it and paul thinks john is entirely out of love or use for him, if he ever had it in the first place. and of course, they could never talk about any of this openly because neither of them were willing to face the pain of confirming that their love really was one-sided.

[shivgirly]

Shawngus: An outsider's perspective

[shouts-into-the-void]

Taiju and Yuzuriha have loved each other for 3,705 years and Tajiu's desire to tell Yuzuriha kept him conscious for the entire time he was petrified

Senku trusted without a doubt that Taiju was still alive and that he would be conscious enough to break through the stone without Revival Fluid, with no evidence to back it up

Yuzuriha used to pay attention to all of Senku's science lectures and he turned the science flag she made him into the symbol for the Kingdom of Science

Chrome literally spent his entire life rediscovering science and beat the second strongest warrior in the village to try and heal Ruri

Even while leading opposite sides of a war and trying to kill each other, Tsukasa and Senku considered each other best friends and they know each other so well they can predict the other's behavior

Gen, even before he'd met or decided to side with him, had already grown an incredible fondness for Senku and went so far as to condemn his soul to hell (his own words) to further his goals

Kohaku had complete trust in Senku immediately, despite never having heard of half of the things he talked about past the negative association with sorcery and is one of the only people to notice how much he actually misses his dad

[ttroubledwaters]

"I'm gunna write an au marauders fic" ok, ur only rule is sirius and james are involved in some way shape or form and it has to be the most co-dependent relationship you've ever written