#it just means it isn't for you

[weregonnabecoolbeans]

Okay I understand Andor being most people’s favourite Disney+ Star Wars show

And that is an excellent choice because it’s an amazing show

But I always get kind of upset when I see people explain why it’s their favourite

Because I often just see people saying that it’s the best because it doesn’t have *insert list of stuff that other star wars stuff has*

But like…most of what I see in those lists are what makes star wars...star wars

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[inkskinned]

she's singing in another room and my dog is asleep at my feet. my grandma asked me why i haven't found a man yet and i laughed. oh, you know. i like my house clean.

my girlfriend is also my man is also "my partner" if i'm in a professional setting. yesterday we went to a ren faire and a man mimed at me - you're together? and at my delighted nod, his baffled, you're gay? made me laugh. a woman with rainbow hair said i love the two of you together. you're both so beautiful it's absurd.

my dad introduced my partner as my "..... friend. or whatever" the other day. he knows we're dating. in the same way, i was never able to get my sister's husband to stop saying that's gay like it's 2008. he still uses the word fa***t, and my sister's defense of him has always been well, he's just kidding.

my lover and i dance to old music in a tiny kitchen. we judge new music together and take food critique very seriously. we watch love is blind before we fall asleep and agree that if they had a queer season, it would be bloody but also make for excellent tv. of fucking course queer people would know someone for only 2 weeks and agree to get married. what are you saying.

at a bar with friends, a man puts his hand on my wrist. got a boyfriend? and yes, i do have a boyfriend, she's amazing. i am texting her while i wander around a gas station named after geese. i am visiting a swing state for a wedding. in the candy aisle i overhear: she's actually like a lesbian it's disgusting. two teenage girls with packaged sandwiches in their hands, giggling. no literally, like. i'm not, like. okay with her being there while we're all, like, naked and changing.

my girlfriend and i tailgate, drink gin and cider out of cups. from the frat group beside us, a man corrects himself with one of his friends: bro, i mean, nonbinary entity, and it makes everyone around him laugh, myself included. he razzes his friend the same way i would have killed for at 19 years old - like nothing happened, he continues: you apply sunscreen like an alien. he does a little sassy (and fairly accurate) dance interpretation of the motion. his friend is laughing so hard they're crying.

i am lucky, i live in a safe neighborhood in a safe state. my masc passenger princess comes up from DC. i drive her for an hour to where all the leaves are a violent arrangement of color. we walk along the trails, letting autumn into our blood. in this part of the state, there's a lot of pickup trucks and trump signs. when we chastely kiss before getting into the car, i accidentally make eye contact with a woman holding her child's wrist. she looks disgusted. she looks fucking pissed.

two hours later my girl and i are eating dinner on a patio, soaking in the last warmth of new england sun before the chill of winter sets in. we are giggling and trying to talk through plastic vampire teeth. at another table, i see a young woman sit up straighter. i watch her watch us. she blushes and takes her partner's hand from across the table. shy, like the taste of evening has just become something deeper.

it's worth it for this moment, i think. my lover is still humming the same song she's been singing for four days straight and i don't want to kill her for it. her guitar is beside my bed. her toothbrush is in my bathroom. in a few moments i will make us lunch. we are lucky enough to have found each other. it is lucky enough to be in love.

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[wiisagi-maiingan]

I love tornado survival guides. "Shelter in a basement or interior room without any windows. But if you're in a mobile home, just fucking die I guess lol"

[buggachat]

honestly what I love about miraculous and what I think a lot of people seem to hate about it is that the show is completely character-driven. it absolutely follows the rule of "would" rather than "should". episodes and plot lines and everything make so much sense and are so easy and engaging to follow when you understand that everything happening is because that's what the characters would do. things like: marinette would lie to protect someone's feelings, chloe would need more than just being queen bee to change her, adrien would forgive someone and try to see the best in someone who has shown him nothing but red flags. these aren't things they should do, it's just what they would. they don't change their behavior to tie up every loose end, they aren't vessels to give the audience moral lessons, their interpersonal conflicts are sometimes never addressed head-on and instead remain as a constant noise in the background of their relationship, they are all so stubborn and complicated. the plot bends to them, not the other way around. i see all the time people complaining about how the show is so bad/a failure but in the same breath say that they love the characters, as if the show's primarily goal is not to create and facilitate those same compelling characters that you love and let you watch as the story unfurls around them.

i mean, it's completely fine if you hate it. it's fine if you'd prefer every loose end to be tied, if you prefer the plot and story to take center stage, if you don't like it when a plotline seems to be forming but the characters decide against it, etc. it's a narrative choice, and not a "good" or a "bad" choice, just a choice. we all have our preferences. but your hatred of it is not any more "objective" than someone else's love for it. sometimes being a character-driven-story lover is difficult when online media criticism seems to always see it as a bug and not a feature.

[poorly-drawn-mdzs]

Conceal, don't feel, don't let it show.

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[knightofleo]

Angela Orosco Silent Hill 2

[ps1demodisk]

Sorry I'm not low empathy autistic in the "mysterious loner boy who secretly cares about his friends and talks in a monotone voice" way and I'm actually just completely indifferent to the suffering of people I don't know personally and help strangers out of a sense of "this is the right thing to do" and not "I feel so bad for this person" or guilt.

I sit and listen to my friends even though I don't really care about hearing about their problems because I know they'll be upset if I don't, and despite the fact I honestly can't genuinely care about the issue itself, I care about the impact it's having on my friends and that's enough to make me want to help them through it.

Did you know that's actually an expression of empathy all of its own?

It will absolutely happen again I literally am not even sorry

[bumblingbabooshka]

People honestly portray Tuvok as far too "rolling his eyes, reluctantly going along with Janeway's silly little shenanigans" - he's literally so serious about being right there with her on every decision she makes. Janeway's like "I'm going to stay behind if the ship blows up" and Tuvok's like "I'm staying with you." Janeway's like "I'm going to deliver every member of the Equinox crew into the jaws of death via an alien revenge massacre" and Tuvok protests a grand total of one time before being fully on the bridge assisting her. He was the only one with her when she made the decision to honor the caretaker's wishes and save the Ocampa, dooming them all. He was willing to get court marshalled in order to fulfill a wish she couldn't grant by her own hand: Get them home [no matter what happens to me] <- wherein 'me' is Tuvok. This was the same wish that spurred him forward when he had to leave her on that planet and everyone left thought him cold for trying to fulfill it without her when in his mind it was akin to a dying wish, the last thing she'd ever express to him: Get them home [no matter what happens to me.] <- wherein 'me' is Janeway. He told Seven that the golden rule to follow is that the captain is "ALWAYS RIGHT" <- (His ACTUAL words) and when Seven asks if the captain should be followed even if someone KNOWS she's wrong he says "Perhaps." This man is perhaps the most ride or die dude in the universe about Janeway. Despite her labeling him her 'moral compass' he is by NO means impartial or unbiased. He'd defend her to his last breath. He canonically makes detailed psychological observations about her and has for years. He accounts for her luck when calculating the success of certain plans. It's implied in 'Twisted' that Janeway typically listens to Tuvok's suggestions and follows them nearly without fail - to the point that he's surprised and obviously irritated when Chakotay doesn't. Despite this they've been inside one another's quarters so infrequently that Tuvok can remember each instance. They call each other "Captain" and "Mr. Tuvok" even though they've known each other for twenty years. There's something wrong with them.

[yandere-romanticaa]

It was a dangerous thing for a man to fall in love. Men lose all rationale, all meaning and thoughts if they were to merely catch a glimpse of the object of their affection.

Such a thing was even more precarious if the man in question was Calcharo.

Calcharo, in lack of words, did not know how to love. He was unfamiliar with the soft touch a lover was required to have, the thought of having to constantly shower you with gifts and praises made his stomach churn with nausea.

So, he settled with being a silent observer. In his head that was the best possible outcome he could have. This way he would never taint you but he would also be capable of having you to himself.

Loving you brought no pleasure to Calcharo. He was often found crouching near the group campfire, his gaze distant and heavy, the grip on his weapon was so tight that the men around him were positive that if anyone dared to even approach him in such a daze, their head would be chopped off clean from their shoulders. His heart would ache so badly, Calcharo felt as though thorny vines had manifested deep inside of him and conquered his soul, leaving him powerless.

He made a rule that he will never, ever, allow you to touch him.

If he felt the gentleness of your skin on his own, there would be no going back. He would be lost deep in the abyss.

His love only brought him pain. And like the madman that he was, he continued to fall even deeper under your spell.

He was not sure if he was ready to face the pain of the absence of your presence.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[lauriemarch]

and at the end of the day, people will still hate women.

because beyonce is a terrible songwriter who has a good body and nothing more and she's really nothing compared to olivia rodrigo, that stuck-up bitch who steals other people's music, but taylor swift is an old, bitter nothing who clearly hates other girls. and sabrina carpenter deserves to die because she followed her heart, not her brain, and that's exactly why zendaya will never be good enough for tom holland. don't forget about kylie jenner, who's stealing precious timothee's innocence away and dating her is like committing arthouse cinema suicide, or how we said the same thing about miley cyrus and her disgusting profanity, think of the children, poor liam hemsworth, trapped in a marriage with such a horrible woman. lana del rey was hot until she was big and she made trailerpark sexy until her ass got a little too fat. and ariana grande, talentless homewrecker, and selena gomez, jealous and unreasonable, and hailey bieber, even more boring than the blood drying on the knives you are so quick to pull. sophie turner is a bad mom and megan thee stallion deserved whatever was coming to her.

and amidst all of this, we still don't know these women. we cannot fathom the pain of having a public divorce, one where people choose sides and hurl insults at you until the battery on their phone dies. we don't watch them chase after sweet-cheeked children in tucked-away backyards or play board games with their best friends while their chests heave in laughter. we don't know their marriages and we don't know their solitudes. we don't watch them unravel themselves, time and time again, preparing for the battle that we have made of their lives. they can never make a mistake. they can never cry. they can never be who they believe themselves to be.

and we take all of this and we go to work, we ride the bus, we go grocery shopping, we walk in dappled sunlight, and we let ourselves shrivel. i compare myself to every body i see and i comfort in the fact that i can still encircle my wrists with my fingers. food turns to dust in my mouth when i think about the fact that taylor swift thinks she's fat and people still hate sabrina carpenter for sticking by joshua bassett's side when he almost died, for God's sake, and now the people on my twitter feed are saying GUTS is the worst album they've ever heard. i liked it, the tiny voice in my head cries out. she wrote songs that made me feel noticed. they're calling the song i relate to the most a total skip.

so i close the app. i try not to think about the endless profiles screaming about how much they hate a nineteen/thirty-two/thirty-eight/twenty-three/twenty-six/forty-two year old. i try not to think about how much they would hate me, if they knew anything at all.

[rosecoloredtarot]

I think people have become so far removed from the natural world that "witnessing nature do it's thing" is often misinterpreted as having mystical significance.

This is not meant to be a judgement of anyone, no one here is the reason we live in a society away from the wilds. But I think that the little to no exposure people have with non-human spaces turns perfectly ordinary occurrences into something of a spectacle.

"I keep seeing large groups of crows around, who is trying to reach out?" Probably no one, crows are diurnal flock animals that actively seek out people because they are smart and know we have lots of stuff they can scavenge.

"This tree in my yard put out SO many flowers but seems to be dying now, did someone curse me?" Nope! Trees, particularly fruit trees, can stress bloom, where they put out tons of flowers in response to any number of stressors. Might wanna see if you can fix the stressors to save the tree.

"I was walking around during a storm and lightning hit a tree I was near, what does that mean?" It means you should thank your lucky stars you didn't get hit yourself. Lightning wants to touch the ground so badly and will zap the tallest thing around because that is the fastest way there.

"A cat gave birth under my house, do I have a familiar now?" Maybe. But under the house is dry, warm and relatively safe. She picked that spot because its a good place to keep her babies.

All of these things and more happen ALL THE TIME, we just aren't as aware of them as we used to be. Seeing nature in action is incredible and special in it's own right, just maybe not in the way you want it to be.

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)