#it just hurt me a lot

[stil-lindigo]

lead balloon (the tumblr post that saved me)

if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.

--

no creative notes because this isn't that kind of comic.

I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.

I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.

If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.

[exhausted-undead]

"It was affection that held us together."

zoom in for better detail (tumblr likes to butcher my quality lmao)

[poorly-drawn-mdzs]

Heh...Literally nothing personal, kid.

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[ducktracy]

there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love

[barghest-land]

ata tu corazón, mi amor, y arrástralo por la tierra

[xxplastic-cubexx]

apocalypse doodlings aka We Couldve Had Grey Hair Erik And Charles Is There Too I Guess

[hinamie]

色彩 [Shikisai]

[emberglowfox]

who are you, when everything’s changed?

[junkmailmusubi]

see i keep noticing this "rule" in a lot of fandom spaces that lighthearted fandoms tend to write edgy stuff abt the characters Going Through It and dark fandoms tend to write a lot of fluff. this makes the isat fandom a Very Funny exception to this rule because from what i've seen they all got to watch siffrin's deteriorating mental state in real time and said "hey what if it was Worse. what if we put him through More"

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[meansevika]

okay so very long thinkpiece about meljay and jayce' treatment of mel / the writers treatment of mel and how i think that all things considered she hasnt really won as much as we think she did

the thing about this that makes me so mad or rather sad (both, actually) is that we learn in season 1 how mel was brought up, that she didn't get to be soft and kind, that her surroundings were hard and rough just like her mother was, that love isn't a thing she knows like that especially not in relation to vulnerability. now if you think about media in general there is a pattern we know. the black woman is always the strong woman, the independent woman, the woman who doesnt get to be vulnerable bc of the first two points. so here comes this man she's trying to use not just for her own endeavors but for the good of piltover, clearly having a different mindset than her mother, and he cracks her open just like that. he's vulnerable with her and he lets her be vulnerable with him and it allows this woman this kind of vulnerability that she was never allowed to feel. she feels and she loves and there is someone who holds her and looks out for her when things go bad. he is his first thought after the bombing and hes so loving and endearing unlike her mother who is concerned, of course, but straight back to business too. and oh what a lovely thing that was to watch as a black woman who to this day still doesn't get to see this as often as we really should

so mel gets to experience something she hasnt before and you can tell it means something to her because when she gets back in act 3 the first reaction to him is an excited, hopeful one.

this is the man she cares deeply for and it is also the man who shes comforted before many times. something she needs in those very confusing times too. something she might be looking out for. something she might hope to get herself. some comforting after what shes been through for months. someone to share what is going on with her and how confusing it is to find out all those lies and secrets about herself.

until she notices how changed he is, how different he looks, so instantly she is worried. of course! who wouldnt be! she very likely didnt even know he was missing since its the first time we see her back in the city so she must've assumed he has been here and well for the whole time being (does she even know how long its been?) but it isnt fine as we know. she puts herself second! immediately! (and rewatching that scene now it actually makes me mad how she does that. and how anyone can question any of her feelings for him when shes immediately all jayce. or how in general people think shes only interested in her own goals) she asks this man who has shown her to be vulnerable around him and it BEING FINE, what happened, shes opening herself up to him, again, over and over, and he not only tells her it doesnt matter (what happened to him) but TURNS HIS BACK ON HER. he is literally shutting her off. he is saying with his body she does not get to do that. and for someone who has grown up like this, with a mother cutting off any kind of displays of weakness, this must be a familiar feeling, something that goes off like a bell

but she still tries! she still tries! she sees something is wrong but she tries to get comfort anyway, because this is jayce, right, this is the man she cares for deeply, the man who has opened this door for her and the door she's let herself through, the man who has always had compassion for her. of course she tries again. why wouldn't she? so she starts that something has happened to her but he doesn't even let her tell him what happened (actually it makes me so mad seeing this again and how crazy hostile he is towards her, its like im looking at the mel hating part of arcanetwt and him repeating beat for beat what theyve been saying for years) he doesnt give her room to speak, just takes it for himself, prioritizing himself and his own feelings. and, yes, figuring out the bombing thing and wanting to talk about it is valid and i think in general this could've been a great angsty way to deal with this topic IF they would've had the opportunity to talk this out properly but what happens instead is that the man that makes mel feel safe starts INTERROGATING her like she is a criminal that should be held for trial FOR SAVING HIM something she doesnt even undestand herself. and suddenly she is in a whole different position and i think by now she knows that this kind of compassion and understanding and room for vulnerability isn't part of their conversation anymore

she loses her composure and that of course isnt a first because she has started to be less put together around him, allowing her more room to "sway" but this kind of destruction is a different one because she feels at trial, feels cornered, feels like she has to explain herself but - and thats what is important - isnt heard. and i think that is something she knows very well, something shes grown up with, trying to explain herself and not being heard.

all of that happens while he is, mind you, still holding onto that hammer. something she surely notices too. the man who's usually quick to let down his defences around her, who isnt councilor talis or mister talis but just jayce around her, is holding onto that hammer like shes a threat. so he tells her he thinks shes lying and she asks him why he would think she'd do that, obviously, because her understanding of their relationship and their trust is a different one than his or at least this jayce that has come back from the arcane, because clearly this kind of understanding comes from somewhere and it comes from the times they've spent together alone throughout season 1 and a little in the beginning of season 2.

he throws at her that shes been using him, something that surprises her, because clearly she doesnt know what has happened, but she tries to explain anyway, because she doesnt know what has happened at least not in full (as you can tell by her reaction to viktor appearing, sensing the hostile mood between both, but also the way she reacts when viktor mentions the noxians intentions), and you can see that these thoughts of his are a result of months in the arcane alone with them and imagining conversations over conversations (although for me its still hard to understand how he grew that hostile towards her this quickly as if she were responsible for everything that happened but those are thoughts for a different post). he crashes out during that conversation, his face is warped with hatred and that is. all. for. her. to. see. and then BOOM goes the hammer off. mid conversation. a conversation that should feel safe with a man she should feel safe with but none of that is there. there is no space for her. (and yes i know hes aiming at viktors puppet but that isnt somethng mel is aware in that moment)

it all leads up to a fight and eventually they walk together and he apologizes, although very distantly and without much explanation, and despite it all, despite having good reasons to shut off and not share what she's feeling, she does. she talks to him about what is on her mind and they have a short, bittersweet exchange but it's just nowhere to what they've established in the first season. as a shipper of course that is super frustrating, but as a mel fan it's just sad to see that the person she felt safe enough to seek comfort in is just so closed off. but not only that, it's obvious they're parting ways and it's very obvious this is coming from his side and i think that is also why she so wilingly accepts it. she doesn't fight much back throughout their whole fight earlier either, she tries to explain herself, but doesnt demand that room for herself even though in this relationship she should be able to take just as much room for herself and her feelings as he does, but she doesn't. she just lets it happen and i understand it bc you have this man you trust and probably love and his first reaction to you is hostile when hostile has never been a response to her. he made a complete u-turn and of course that's off putting, maybe even scary, of course it shuts her down, makes someone who's so good with words and fighting just try to cause as little damage as possible because that is how she's grown up, isn't it?

and that is why i am sad about this. she learned that love doesnt have to look like her mothers and that being vulnerable isnt a weakness and its his doing but here she is met by this kind of hostility she only knows from noxus and it hurts even more that it COMES FROM HIM and over something as SAVING HIS LIFE when its clearly was an act out of love and not investment bc if i'd would've been just that than she would've saved viktor as well? but it wasnt about that. it was her subconscious making a decision and it was something her mother would describe as an act of weakness (theres a reason she gets renni to attack him bc she sees how fond mel of him is maybe even because shes been fond of a man herself once and she knows what itll do) and i think the worst part about it is that she doesnt ever get to truly articulate this or anything else and now that jayce is gone (dead? in a stone? who knows?) she won't get to ever probably. she won't get to say what she thinks and explain herself truly and she won't have anyone to confide in, to be comforted by or comfort. elora is dead, kino wasn't real and the real one is actually dead too, jayce is well whatever he is, and her mother died in her arms. yes, mel is a mage and that is fucking awesome and i was so happy to see her go off and get so many spotlights in battle, but shes also so fucking tragic actually. because here she is with a fuck ton of weight on her shoulders, the noxian army looking up to her, the whole name, not knowing who her father is or what any of her powers mean, the whole black rose thing, everything unresolved between her and jayce, the death of the people she loves, and shes all alone with it. shes all alone with it and she gets no one. man im just fucking sad that this woman got a glimpse of what it could be like to be loved and have someone to "come home to" just for her to have literally no one left like why do you hate black women so much why cant they get a fucking good ending and why cant they be fucking loved even when things get hard

also im lowkey mad that jayce got to find comfort in her lap so many times and not once did she get that in return, not even a squeeze of her shoulder, but dont let me get started on that....

[koszmarnybudyn]

So this song fits them so very well right?

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[sysig]

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