#it just feels intentional from the writers

[spidermanifested]

another black sails fantheory ive seen around a lot is that silver is jewish, usually specifically sephardic, but despite its prevalence i havent been able to find anybodys actual thesis statements about it. so if there are Essays out there (especially by somebody with more historical-slash-judaism knowledge than i with my meager wiki-crawls) i would love Links

however once again ive pondered a bunch of the stuff ive noticed personally, about mr john "if thats even your real name" silver. and honestly at this point id be kind of surprised if it Wasnt the actual context the writers shaped his character around. everything just seems to come together really neatly

hes impressively literate for his circumstances/time period, and really good at quickly memorizing large amounts of text. a solid religious education could very well explain this

specifically– and this is one of the things that feels like a huge bit of intentional subtext to me– the scene where hes hiding with the lepers and memorizing the urca schedule REALLY seems to evoke someone reading scripture under a prayer shawl

not only does he not know how to cook pork, but does not even seem to know what pork looks like when finished cooking

the pretext flint used to get his crew to hunt down the hamiltons' ship was that it was carrying sephardic riches. this is a completely throwaway detail we learn secondhand, in a story where there are very, very few completely throwaway details

silver speaks at least some spanish. this comes up Once and goes totally unquestioned by everyone around him, likely because they think he just picked it up as a sailor. he almost certainly has not been at sea long enough for this to be the case. speaking ladino as a first language on the other hand would give him a huge leg up (so to speak.) in that department

further point. around the time period of the show, the biggest sephardic community in the world lived in thessaloniki in modern-day greece. it was:

a) one of the most major seaports in the ottoman empire

b) a famous center for learning, which boasted 100% literacy of its jewish population

and c) despite its long and prosperous history under ottoman rule, beginning to decline along with the rest of the empire, for many interconnected reasons, including but not limited to: Problems With the Governments Handling of the Textile Industry (where have we heard that before)

lotta unrest. religious schisms and doomsday prophecies. reactionary groups of overempowered soldiers attacking civilians for stress relief (again. where have we heard that before). people, unsurprisingly, started leaving

so if you did want, against john silvers express wishes. to theorize a backstory for a surprisingly educated stowaway of Mystery Origin, who has Mystery Trauma and doesnt want anybody to know who he is or where he comes from, and which would give a new level of relevance to all the greek stuff that permeates the show (down to the actual name of the thing!), along with containing parallels to several other backstories and events in the show proper,

Well this one make sense i think 👍

[kisakunt]

BABY TRAP? LIKE THE MOVIE WITH THE TWINS?

description… you two are meant to be. sealed by fate, star crossed lovers. you’ll keep each other around however you need to.

warnings… dark content! baby trapping! noncon! obviously they’re being baby trapped they say something trying to stop it. consensual sex. full penetrative sex.

a word from the writer… i’ve had this in the drafts for aWHILE. it’s about time. do yall still read dc? i’ll never stop supplying… are we too woke now?!

TRAPS YOU

you’re hot under him, and he’s making that face he always makes right before he cums. it’s like repetition; eyes blanked out, mouth ajar but not fully open, brows furrowed like he’s desperate— and it’s scary.

“baby,” the word is cut in two with how fast he’s going, tease of pain as he hilts into your cervix with every thrust. “baby, you’re not wearing a condom.” your voice is uneasy, shaky from the movement and pleasure and build up. you think, in a way, the way you have sex is unfair. he gives you so much, orgasm after orgasm, rubbing your clit as he drills you to the point you go fucking stupid.

you feel safe with him. sex is sacred with him, no matter how sick it gets. but right now, with your calves pressed into his shoulders, his hands pushing your thighs impossibly back, you feel uneasy.

“baby, baby, pull out.” he gasps, sweat dripping down right near your eyes as a shaky groan escapes him.

“fuck,” a chaste kiss to your forehead, a shakiness in his movements, an unmatched rhythm as he gets closer and closer. “fuck. oh my, god. you feel so fucking good— so fuckin’ good.”

and so does he. but you’re scared.

“you’re gonna make such a good mommy, gonna be such a good mama. gonna— gonna give you my babies. gonna get you pregnant, gonna make you mine.”

“hey, wait,” your hands raise to his chest but he hits that angle that makes your eyes roll and they fall back. it feels so good you almost don’t care. “baby, baby, baby stop. baby, you gotta pull out.”

“you’re gonna be such a good mommy. gonna give you my kids. gonna give you my kids.” and it’s instant. it’s before you can even think— if you could anyway— it’s pressed so deep in you you betray yourself and cum, too.

he places his head to yours, kisses you greedy and whole, and whines into your mouth. it’s him, it’s real, it’s love. but— and you know this— it’s something so wrong.

“did you just…?” and before you can finish your question, he’s regaining his rhythm, fucking his cum into you with a half hard dick. it’s precise, it’s calculated, it’s intention.

he looks at you, eyes wide, breath heavy, and gives you a little grin. “gonna keep fucking you even when you’re pregnant, baby. gonna make sure i can keep you all to myself.”

GOJO, GETO, SUKUNA, YUJI

GETS TRAPPED

your legs hurt. you’ve been on top for all of thirty minutes, which you have no one to blame other than yourself. you love to edge him, love to get him so close and then take it all away from him. you think it gets him a little addicted.

but right now, as he squirms under you, losing every ounce of masculinity he’s ever had, something takes over you.

“gonna cum,” it’s breathless, short and sweet. “oh shit, i’m gonna cum.” you think he must think you’re edging him again. you think he’s expecting you to slow down, stop all together, pick up off him fully for ten or so seconds and then slam back down.

but you pick up the pace, grinding your hips into his, hitting his pelvic bone with your own as your hands grip at his pecs.

“wait, are you—” he falls apart under you, voice failing him, body failing him, hands only finding the strength to grip at your hips. “baby girl, i’m gonna cum.”

it’s melodic, tactile and articulate, a steady flow of bounces while your squelch fills the room.

“sweetheart, you gotta stop.” your right hand lifts from his chest to his mouth, shoving your fingers between his lips while he groans. he’s so easy to you, for you, because of you.

and then you feel it, milk it, relish in it— the way he comes undone at your touch, loses himself deep inside you. you don’t say a word about it, don’t think about it too much as you press your wet fingers to your stomach.

it’s a quiet giggle as reality washes over him. he looks cute, you can’t help but realize, panic and flushed under you. you’re sure of it then; he’s gonna be a sexy dad.

MEGUMI, NANAMI, CHOSO, TOJI

[leavemebetosleep]

honestly the pony racism thing would've be fine as part of the plot/lore if it was just given like... an actual arc where it's properly addressed and they show the ponies working on their biases.

bc in the earlier episodes their biases are not shown as a good thing! they're wrong to have them. it feels like they might be building up to eventually talk about it more openly. it feels intentional

but then the show runners got cold feet about it, or it got forgotten as the show changed hands, or they just didn't care anymore idk, and so it ends up just hanging over the show in a very awkward way

Hasbro then insisting on the weirdly colonist school of friendship thing, which, from what I understand, the writers weren't super enthused with, doesn't help.

of course it also doesn't help that from what I can tell, most of the people working on this show were white, so even when they are trying to be anti racism they do cringey things like making the buffaloes into native stereotypes. this is why you need diversity in the writers room.

[kaiskornerart]

(UPDATED) OUTSIDERS HEADCANONS!

i fear im insane

PONYBOY CURTIS

 • Ponyboy, after Johnny and Dally died, rummaged through a drawer of old doodles he had. He found the old doodles he used to draw of Dally, and he decided to keep those doodles with the note Johnny had given him. He also drew a picture of the two of them so he never forgot what his friends looked like. 

• bro isn’t straight. bi or pan

 • (modern) LOVES TikTok. Forces his brothers and friends to do stupid trends with him. He and Sodapop do dances together. 

• Unlike most teenagers, he didn’t want to get a car or a driver’s license. He hates driving, since all he can think about in a car is how his parents died.

 • He likes musicals. No he doesn’t admit it. He just likes the storytelling through music. His favorite is West Side Story.

• Afraid of the water. He used to love swimming, but now he hates it after Bob nearly drowned him.

• The way someone knows Ponyboy trusts them is when he info dumps about anything and everything. When Ponyboy info dumps about his interests, he’ll think you’re a safe person. The person he info dumps to most is Johnny.  

• Ponyboy and Johnny’s dynamic is 100% Ponyboy yaps and yaps and Johnny listens intently. 

• Grows up to be a well-renowned writer. 

• Ponyboy was closer to his mother. He was teased by the gang for being a momma’s boy. He’d help her cook, do laundry, and bake with her. He loved doing anything and everything with his mom.

• He has glasses, just doesn’t wear them around the gang because they always tease him for how nerdy he looks. Only wears them at night and when he’s reading, otherwise he will have to have everything basically up to his nose to read things.

• Has a diary (calls it a journal to seem more tuff). Was recommended to start journaling by a therapist he started seeing after Johnny and Dallas died. It really helps him understand his thoughts and feelings about everything. 

• Doodles on the cuffs of his jeans. Uses pen most of the time, and Darrel scolds him for using pen on his jeans.

• Continued to dye his hair blonde after Johnny died.

• Wears Johnny’s old denim jacket still, feeling closer to him that way.

• Since Curly Shepard knows sign language, he taught Ponyboy how to. They’ll sign to each other to talk shit about people they both don’t like (I can imagine them being incredibly messy)

SODAPOP CURTIS

 • Sodapop can play guitar and he can sing.

 • Sodapop wears a necklace with a guitar pick on it. That pick belonged to his father, and he wears it as a reminder of him. 

 • Sodapop was taught how to play from his father. His father used to play songs to the boys when they were younger. Soda sings those songs to his brothers whenever they’re feeling stressed or upset. 

• He’s a brilliant songwriter. 

• He has ADHD

 • (oh and he’s bi idc)

• After Sandy moved away, Soda would write letters, but never send them. He’ll crumple them up and toss them away. This went on for about a month after she moved away. 

• Sodapop gets easily attached to new relationships. 

• Sodapop is a pretty crier. 

• Became more of a songwriter after Sandy moved away. He felt like he was bothering his brothers with talking about her, so he channeled his emotions into music. Darrel one time found Sodapop writing and singing, and waited outside the door to listen. Afterwards, Darrel went into Sodapop’s room to give him the biggest hug. 

• (modern) Sodapop LOVES Chappell Roan.

DARREL CURTIS

 • Darrel stopped celebrating his birthday after the Curtis brothers’ parents died. They died on his birthday after they went to get icing for his cake, so it’s just a bad reminder of what he lost. 

 • Darrel and Paul are bitter exes. 

• Darrel used to play football, and was the star player. He keeps his letterman jacket on his bed, thinking about the what-if’s late in the night.

• Says he uses Paul’s old madras shirt to clean his toilet, but he did keep it. Sometimes when he can’t sleep, he just holds it close to his chest.

• Darrel is pansexual. He has the mindset of whatever happens happens.

• (modern) Makes Sodapop and Ponyboy have Life360. And then made the rest of the gang get it, too.

• Darrel goes to his parents’ grave when he feels lost. Searching for some kind of comfort and help with raising his little brothers.

DALLAS WINSTON

 • Insanely protective of his friends. Someone looks at them the wrong way? He will want to fight them. 

 • Not a headcanon, but insanely self-destructive. Drinks a lot, smokes nearly a pack every day, drives recklessly. 

 • Lets Johnny and Ponyboy drag him to watch sunsets with them. 

• Secretly LOVES sappy movies. Hates that he loves them. He once watched a sappy romance movie with Ponyboy, Sodapop, and Johnny, and he teared up. When the others started to tease him about getting emotional, he socked Soda in the face. He denied it and still denies it.

• Secretly loves to read.

• Ponyboy once gave him a drawing he had done of him for his birthday. He brushed it off as stupid after Ponyboy had left, but whenever he was alone in his room, he’d stare at it, shocked that someone would even want to draw him. He keeps it in his wallet now.

• Dallas is scared to love and to be loved. 

• Never told his father he was leaving New York. He just snuck out in the middle of the night and hopped on a train, traveling through the country, making a few stops, until settling in Tulsa.

• (modern) Secretly listens to the pop girlies when he’s driving alone in his car. If you hear him screaming ‘Good Luck, Babe!’ or ‘You Belong with Me’? Look the other way. Only person who knows he does is Sodapop, and they’ll go for drives just blasting the music and singing along together. (Their favorite one to sing is ‘Please, Please, Please’)

• DALLAS WINSTON IS BISEXUAL. The type of guy to see anyone hot and be like “yeah that one right there.”

• Dallas is a LOUD snorer. Can wake up an entire neighborhood with how loud he snores. 

• Was really close to Mrs. Curtis. When she was alive, he wouldn’t get into trouble nearly as much as he does now. Ever since she died, he got into more trouble than ever. It’s why, at the beginning of the book, he just got out of jail.

• The necklace he wears was an old necklace his mother used to wear.

• He was arrested at the age of ten for a store robbery gone wrong with the older boys who took him in. He had tried to beg them not to take him, that he hadn’t done anything, but they saw him as nothing but a hoodlum. From that day on he decided if they wanted a good-for-nothing hoodlum, they’d GET a good-for-nothing hoodlum. 

JOHNNY CADE

 • Johnny’s gay. 

 • Johnny started wearing a ring (gifted to him from Dally [which he stole from a Soc]) while he was out, knowing now he could do some damage if someone tried to jump him again. . 

 • Mr. and Mrs. Curtis adored Johnny. They’d let him stay whenever he was having family troubles, and made sure he was well-fed. He was closest with Mrs. Curtis. Her death really impacted him. 

• WILL pet any stray cat he sees out on the street.

• Never celebrated his birthday. His parents would always call it ‘a waste of money’ and ‘the day their lives were ruined’. The gang all pitched in for Johnny’s sixteen birthday to throw him a small party at the Curtis house, which Johnny sees as one of the best memories of his life.

TWO-BIT MATHEWS

 • Whenever someone in the gang mentions something they want (i.e., beer, cigarettes, snacks), he will MAGICALLY have it the next day (steals things for his friends)

• Him and Marcia started secretly dating. He steals a lot of things for her. Flowers from a garden on the way to her place, sweets she likes, etc.

• Two-Bit sneaks through her window every now and then to see her. Marcia loves it, feeling like her and Two-Bit are in some kind of cheesy Romeo and Juliet story.

• Incredibly affectionate with Marcia, and she’s the same way back. Always has an arm around her, holding hands, or she’s sitting on his lap at the drive-in. 

• Met Darrel in school, and, by extension, met the gang. Him and Darrel were pretty close back then. 

• CanNOT sit in a chair properly. 

• Him and Marcia dressed up as Mickey and Minnie Mouse for Halloween. 

STEVE RANDLE

• Surprisingly, a really good baker. When he was younger, he and his mom used to bake together all the time (during his birthday, Christmas, etc.), so he picked up on baking when he tried it himself. He bakes Sodapop cookies all the time (especially after Sandy left him).

[scrumpledorph]

Two points of preface. One, I like to talk in absolutes; 'never do this' 'always let this happen' etc. That's just a shorthand so I don't need to append a bunch of caveats to every sentence I write; in truth, there will be times where breaking the established rules will elevate your work. You kind of just need to get a sense for it, and I'm afraid I can't help you with that because it's also largely a matter of personal taste. Two, I'm not a professional, just a hobbyist with a couple friends who I solicit feedback from.

Likely the single biggest piece of advice I can give is: don't cut the tension. Marvel and its derivatives (henceforth referred to as capeshit for brevity) establish tense scenes, but they don't use them for tension - they use them as a punchline by having a character say or do something wacky right as things are getting good. Don't do that.

If you're establishing tension between two characters; an argument, a fistfight, what have you; play it out. Or, if you want that tension to linger; have an interruption that doesn't cut it, but denies them the ability to resolve it. Something more important than whatever they were fighting over comes up, and now they have to work together. This dovetails well into another piece of advice.

Have consequences for scenes. Capeshit more or less alternates between SNL bits and action scenes to make sure the audience doesn't get bored. Not much really matters. When two people shout at each other, have it mean something. Have an argument rise to blistering invective; make them want to genuinely hurt each other's feelings, and leave them raw after - towards each other and onlookers who try to make them feel better. Have a fist fight establish a power dynamic between two characters, have people lose or gain respect for the people involved based on whether they feel the attacker was justified or the loser is weak, things like that. A single interpersonal confrontation can loom over the story for chapters (scenes, episodes, etc.) if you do it right.

Treat your characters with sincerity. This is addressing lamp shading, and it's very closely linked to the first point. When capeshit has a character take themselves seriously, often the villain, other characters mock them in drawn out comedic sequences. While this can be done with intent - to show a lack of respect, goad someone into making mistakes, etc. the problem is the writers don't use it with intent: they always do this, because they're working with borrowed properties made to appeal to thirteen year old boys between twenty and seventy years ago, and think these characters are beneath them.

You should love your characters. You don't need to like them, maybe you think they're a weaselly piece of shit or an irredeemable monster, but you should be excited to flesh them out. You have to want the audience to feel things about them to elevate them above cardboard cutouts. This is a specific subset of the next point, but I felt it was a significant enough occurrence to warrant giving it its own paragraph.

Play it straight. Don't have your characters constantly questioning things if the only reason they're doing it is to signal to the audience that something is absurd. When confronted with the impossible, it becomes the possible, and the mind bends to accommodate it. No 'they fly now', no 'well that just happened'. Things are self evidently possible by virtue of them happening, and that's just how it is. If presented with enough confidence and follow through, the audience will accept it.

For an enduring example, JoJo's Bizarre Adventure constantly follows absurd leaps of logic, but Hirohiko Araki does it with such gusto and panache the reader simply can't question it in the moment, and even when they can later - they usually agree that it worked anyway.

As a closing piece, and I really believe this is arguably the progenitor of the entire problem: assume your audience likes your work. All of the things above are compromises made for a hypothetical reader, watcher, etc. who doesn't like your work, to make it more palatable to them. Cut that person out of your mind. You are creating art for yourself, and if they're lucky - a few close friends. Make your characters hyper competent and don't worry about the person saying it's unrealistic. Give your characters designs you think are cool without thinking about the Reddit dipshit who'll call it a donut steel. Let your characters give uninterrupted monologues at dramatic moments without imagining cinemasins dinging it because the other characters don't attack them while they're doing it.

To paraphrase a piece of advice from Mark Rosewater, the head designer of Magic: The Gathering; if everybody likes your work but nobody loves it, you will fail. It is better to alienate ninety people and make ten lifelong fans than it is to get one hundred fair weather fans. Capeshit ran out of steam the second the original set of characters were retired, because they were working off goodwill established back when they gave half a goddamn.

As I said at the start; every one of these points has caveats and exceptions that are too numerous to list. If I held you by the hand and told you exactly how to make every decision in your work, I can't imagine it would be very fun for either of us. But I hope I've established enough of a scaffolding for you to start building off of.

Few things I respect less than an artist or writer who lacks creative conviction. If your work is visibly self-conscious, how can you expect the reader to possibly engage with it with earnest? If even you don't believe in the work, how can the reader? Likewise I think that having artistic convictions is a boon that can guide a weak premise into a strong execution.

[castiels-undercoat]

Supernatural really came into it's own when they totally gave up on Deans whole "one night stand with random women" thing and just started writing Cas and Dean as a couple.

[lale-txt]

heartbreaking! one of your favorite artists makes fun of y/n fics!

[funhouse-mirror-barbie]

I’ll be writing a critique of the way Blitzø and Stolas’ relationship was handled more at length, but I wanted to stop and take a moment to look at this scene from the new episode, “Full Moon”:

This is the sort of power and control that Stolas has always had over Blitzø.

It does not matter that Stolas has never threatened to take away the Grimoire before, or that they were “friends” as kids, or that he offered Blitzø a few months off, or that he’s been nice to Blitzø in the past, or that Blitzø actually does have feelings for Stolas.

When you are in a situation where you cannot say no at the risk of losing your livelihood, you cannot give true consent.

This is the very BASIS of their relationship. It has always been the basis of their relationship—a quid pro quo relationship where Stolas holds all of the power.

I have seen countless people go over and explain in great detail why the full moon deal was not truly coercive, or a quid pro quo situation, or how it was completely consensual.

And it’s just not. It is sexual coercion where Blitzø cannot give meaningful consent. Because if he refuses Stolas, he’s at risk of losing everything.

I want to clarify that my criticism here isn’t with this writing decision. I’m not trying to say anything along those the lines of “because this fictional character did a bad thing the story is bad and people who like the character support sexual coercion!!” That’s not what I’m saying at all.

I am bringing all of this up because my criticism is not of this writing decision, but because of the framing of the Full Moon deal and of Stolas and Blitzø’s relationship.

The narrative often frames Blitzo as if he is the one who has wronged Stolas by not prioritizing Stolas’ feelings and needs above all else. Or, it frames both Stolas and Blitzo as being equally in the wrong for the conflicts in their “relationship”.

This framing, and the extent to which fans try to justify it as being ANYTHING other than what it actually is—Stolas coercing Blitzø into a relationship where he has no power and is at the risk of losing his livelihood—is baffling to me.

This framing, coupled with the writer’s absolute refusal to ever have Stolas held accountable for his actions (including Stolas still not actually apologizing for the situation he put Blitzø into—he acknowledges that the relationship being transactional is wrong, but does not acknowledge that he was wrong to coerce Blitzø into that relationship. He says “…it isn’t right…it never was”, not “What I did wasn’t right, and never was”) is why I can’t consider St0litz to be just a “complex” or “messy” relationship.

It don’t think it can be, because it’s not a relationship. Not a real one. It’s a transaction, where Stolas treats Blitzø like a sex object. And whether that was the intent or not, Blitzø’s reaction above and saying that he would do anything to keep the grimoire makes it really hard for me to see St0litz in any other light.

As a final note, I’m not saying that you can’t write dark relationships, or have complex and unsympathetic protagonists. You can ship whatever you want! You can have characters that sexually coerce and abuse others, you can write every dark and twisted thing your mind can come up with.

But it’s very clear that Helluva Boss’s writers want to frame Stolas as being the wronged party, and the one who we are supposed to sympathize with—and you just can’t have it both ways.

You can’t act like you’re writing a complex love story between two very complicated and real people, when the relationship that you’re describing is so utterly one-sided and unbalanced.

[sojourner-between-worlds]

You know what, no, I'm not done talking about this because the symbolism is god tier.

Yusei starts out as a Satellite. In essence, a fake star. Anyone who knows anything knows that when you look up at the night sky, the brightest objects are planets and satellites. They look like stars, but they aren't stars. They are man-made to serve a purpose, and when they wear out, they are easily replaced, the offline ones left to float around as space junk for the rest of time.

But Yusei's not a fake. He's the real deal.

He breaks out of Satellite and earns the moniker "Satellite's Shooting Star". But the thing about shooting "stars" is that they still aren't really stars at all, and worse yet, they burn out so quickly they barely exist for a moment in time. This is what was expected for him, too: he could have stayed where he was, a man-made object with a given purpose, but because he decided that wasn't good enough, he was going to get his moment to shine but then burn out into nothing.

But Yusei isn't a shooting star, either. He's not burning out.

No, he was just getting started.

He pulls other people to himself with all the force of a black hole yet without destroying any of them. (Well, except for one. One who willingly allowed himself to be destroyed to allow Yusei to shine all the brighter.) He gathers them and the future is so bright that there is nothing else to see and you get this sense that, even though you don't know what will happen, anything is possible.

Yusei's not a satellite. He's the real deal.

And he's not a shooting star. He's not burning out.

He's a quasar. He's creating endless possibilities.

[hanzajesthanza]

"the michael kandel translation of "the witcher" short story can't hurt you!!"

the michael kandel translation of "the witcher" short story:

[iguessitsjustme]

Love Sea Ep 1 Thoughts

Okay. I know I said my next liveblog would be She Loves to Cook and She Loves to Eat because it won my poll BUT I decided I’m gonna be liveblogging Love Sea as it airs each week. And I will be liveblogging She Loves to Cook and She Loves to Eat later today. Or at least starting the liveblog. But liveblogging Love is the only way I think I make it through this series. I got my snacks I my got a diet coke. Pray for me watching a MAME show. Keep in mind that I am not a fan of MAME generally (and I have now finished this episode and this show is no exception. Don't get mad at me if you click the read more and don't like what I say). Under the cut as per usual:

I do like water so the water effect and sheer amount of water at the very beginning makes me extremely happy. I want more water forever.

FISH!!!!

“Dive and go get it” is not an appropriate response to dropping a pen in the water. Accept your loss.

DON’T PUSH PEOPLE OFF OF BOATS. DO NOT PUSH PEOPLE OFF OF BOATS. I DO NOT CARE. DO NOT PUSH PEOPLE OFF OF BOATS. HE IS NOT WEARING A LIFE JACKET. HE IS NOT PREPARED TO BE IN THAT WATER AT ALL. DO NOT PUSH PEOPLE OFF OF BOATS.

A nice, tranquil place being called heaven on earth makes sense. Our protagonist showing up and immediately calling it hell on earth because ???? does not make sense. Maybe see more than two feet of it before declaring it to be hell?

Calling someone that speaks a different dialect an idiot when you are on their island…bold. Dumb. And bold.

Do not steal his phone. You’re just an asshole. You’re both assholes. But you pushed a man off of a boat so I hate you more. All the other guy has done is been uppity and snobbish. He hasn’t actively endangered anyone’s life for a laugh.

And now purposefully speaking a dialect he doesn’t understand. Yes, he was an ass about it, but you knew he didn’t understand and did it anyway. And now he has explicitly said he doesn’t understand and you’re rubbing it in his face. You can speak a dialect he knows and understands and you both know you can and yet…

Oh I got it. He behaves like a teenager. But like the kind of teenager that needs a good life resorting. He’s a bully but no one really calls him out for it because he disguises it behind class clown behavior. He needs a swift kick in the pants considering he’s an adult that’s behaving this way.

I dislike how these shows always portray women as incapable of talking about the hotness of these guys. It’s not just BL. Other dramas are just as guilty if not more so. But c’mon. Having women characters does not excuse your portrayal of the other women in the story as only caring about some random dude’s hotness. Mut is hot? Not my taste but I can see why people consider him hot. But I guarantee most women on vacation, while they talk about hot guys, are also doing other things and talking about other things. Like the books they are reading on the beach. And how hot they themselves are. And the next activity they’re doing. They aren’t laser focusing on Mut. Except that the show says they are. Because they have no identities outside of a weak plot device to convince the audience of how hot Mut is. If he was really that hot, this tactic would not be needed. It would be conveyed in the rest of the show.

See how differently it’s framed for the men? Women are the ones interest in Mut, but when it’s for the men, it’s that Mut is open to them. The attraction is his. This is definitely setting the tone for the relationship that’s being built. Cause our other lowkey asshole (I’ll learn his name eventually maybe) is a man. He is not interested in Mut. But he is apparently Mut’s type so Mut will be attracted to him. It’s a different way of taking away agency but here it is on a character level and not removing agency from an entire gender.

They better be delivering this to me I have a feeling I’m gonna need it.

BAHAHAHAHAHAHAHAHAHAHAHAHAHAHA get em

This montage of people interacting with Mut trying to tell us what a good person and community member he is feels like such lazy writing. Incredibly lazy writing. Like makes me angry because despite her faults, I know MAME is capable of better than…that.

DID HE JUST LEFT HIMSELF INTO THE ROOM BECAUSE HE HAS A KEY. ABSOLUTELY THE FUCK NOT.

Romance *gags* aside, this is incredibly poor customer service. He didn’t knock. He didn’t announce he was coming in. I’m hoping it’s not early in the morning and that our lowkey asshole is just sleeping in. He’s cleaning the room and going through not-his-things. HE TOOK PICTURES. Someone call the police. Or call the me. I’ll go kick his ass.

Also also also the fact that he had that key that he was supposed to give to lowkey asshole means that HE SHOULD NOT HAVE USED IT TO ENTER THE ROOM. HE SHOULD NOT HAVE HAD IT.

Okay I need a break. This scene has gone on entirely too long with just the two of them standing on talking. There needs to be some movement on the screen and the tiny amount of body movement is not cutting it. Lowkey asshole should be walking away during this conversation. That would be in character and provide the necessary movement. But as it is…this whole scene feels stale and stagnant. So I’m gonna go make some food. Maybe I’ll be less pissy about this whole scene when I come back.

Okay. I am back but I am not less pissy. Tell me, how did I manage to mess up pasta? Truly is a skill I must say. And I’m not that bad of a cook. I swear but…I digress. Let’s just get back into it *grumbles*

That was the weakest punch I’ve ever seen. And I have weak little noodle arms.

Even the GL part of this is toxic. Miss secretary ma’am. I have an idea. Send her all of the shit on your plate. Email her all of the shit you have to do. In the email tell her what hours you are actually available and if she cannot work with that, then that’s unfortunate but that is her only option.

You don’t call the owner’s secretary to fix a light bulb. You call maintenance. Girl if you don’t grow a spine and tell her no….

I had to mute this damn show because the music is trying to convince me this is romantic and I am not a fool. I have eyes. Also stop using flashbacks of things that happened earlier this episode. This is the first episode. We know what Mut is thinking about when staring at his hand. We were there for that scene five minutes ago.

If someone started reading what I was writing over my shoulder without being explicitly invited to, I would pour hot sauce in their eyes.

This hug makes me mad. I’ll leave it at that.

Okay. It’s time for something I can’t believe I’ve never done before! Rae’s hatred scale. Where I rank the characters on how much I hate them:

Vi - 2/10. Honestly give this girl a raise. She isn’t paid enough to deal with this. I do need her to get a backbone though. C’mon my girl you can do it. You can learn to stand up for yourself. I believe in you.

Rak - 5/10. Look I learned his name! I think. He’s lowkey an asshole but honestly he just wants to be left alone but was sent on this trip that he didn’t ask for and is now being harassed by this guy that he doesn’t like because his “friend” paid for it.

Mook - 10/10. Girl what’s wrong with you? I hope someone slaps you in your face. Learn how to treat people.

Mut - 1000000000/10. DO NOT PUSH PEOPLE OFF OF BOATS.

[dennistakesamentalhealthday]

the nancy boy thing is just so fucking insane because like. they broke from the spelling of this name to do it but also incorporated it into the spelling of his name with n for nancy (possibly showing how he associates it with himself). but the license plate could have been any letter and that letter could have been any word and they chose b for boy. they could have cut to the license plate from any letter in dennis and they chose n for nancy. and we already know the way dennis spells out his name/words in this scene is very important metaphorically they showed us with that alternate D.E.N.N.I.S. system he gives us so.....they did that on purpose and drew attention to it

[mechieonu]

FROM THE START self-love and acceptance has been one of the major themes of the series and if ANYONE could benefit from that tigress is RIGHT THERE

[aho-dapa]

This fandom is honestly...

Like, there is something to be said about fandoms in general and how they've changed as a whole generally but

There's also something about how the acotar fandom is especially toxic like

The idea that a post is surprised a murder hasn't happened yet and I found myself agreeing??? Is honestly telling

Like, also. A massive part of this is shipping and maybe it's because I have my corner of this fandom, but even then shipping the "wrong" thing in general has become something I honestly have to take in consideration when thinking of my mental health and if I can personally be prepared for any backlash??

This fandom at large doesn't feel safe and that's majorly concerning tbh

Maybe instead of saying shippers as a group are doing harm, we should just disavow harmful actions in general and not be complicit in it idk???

[lewyn-martell]

.

[sskk-manifesto]

(´･ᴗ･ ` )