#it is just my lore document cover

[galacticsabc]

Made a cover page for my worldbuilding lore document. I wanted to fancify it a teeny bit since I've started sharing it with some friends.

[nadas-dirthalen]

Dragon Age: the Veilguard Was Packed with Lore — But Many of Us Overlooked It

— PART ONE — [ 2 ]

Welcome back, friends and travellers. If you've been here a while, you'll know that I wrote 30,000 words of predictions in the week and a half before DA:tV released. But here's the most surprising thing—I was right, for the most part.

I spent my first Veilguard playthrough grinning (and then sobbing) at all the lore reveals. And here's the thing: I think most of us missed a lot of them, including even me.

So let's begin with...

Titans: Dark and Light, Compassion and Rage, the Eternal Hymn and its Endless Listeners (1/2)

This is your warning: This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

Alright, pals. If you've been here a while, you know how this goes. I always start by listing what we're going to cover, like anyone who's never fully recovered from academia.

Today's Discussion:

What Veilguard (Re)Taught Us about the Titans

The Titans the first Shapers of the known world.

The Titans are beings of the Abyss.

The Titans are sleeping, dormant—but alive.

Dwarves are the Titans' children, created to tend them.

The Evanuris mined the Titans' bodies to create people.

The Titans—the Earth—fought back.

What Veilguard (Re)Taught Us about the Titans

The best thing about Dragon Age, as someone who loves the series to death, is that its worldbuilding is consistent, but also bears the unique quality that we, as players, are not aware of it all. Our protagonists in each game don't know everything; the people they learn from also don't know everything. We learn what we can through codices that are all biased and need an extra layer of decoding. This is a feature, not a bug.

It also means that we did not know how to understand the Titans before. Even my 30,000 words of theorycrafting, especially my piece all about the Titans, had elements of speculation. I had to check that speculation against other sources like the Chant of Light, which is a source that we REALLY did not know how to decode when it was revealed piece by piece in DAO, DA2, World of Thedas, and Inquisition.

Here, I'm going to break it all down, piece by piece.

The Titans were the first Shapers of the (known) world.

It is said in the Descent DLC that Titans are enormous beings whose singing shapes the world. Their existence predates much of Thedas, if not all of it. The Titans are called the first Shapers for this reason, and in Veilguard it is restated several times over that they did, indeed, shape the world—for instance, by Cole in Inquisition.

"Their ancient shapers were mountains drawn of all their wills, walking their memories into valleys of the world." —Cole dialogue.

Inquisition told us so much more about the Titans than just that, though. The Titans have a realm all their own, a counterpart to the Fade, mentioned over and again in the Chant of Light and referenced as a quest name in Inquisition.

Here lies the abyss: the well of all souls.

The Titans are beings of the Abyss.

Now, it's important that I mention right here that the Chant of Light has existed long before Inquisition. In fact, its tale is what opens DA:O as the game begins. Recently Eurogamer stated that BioWare has had a massive lore document for the 20+ years of its existence, and I believe that there is no truer example of this than in the Chant of Light itself.

The Abyss, for a long time, was a mystery to us. Inquisition cleared it up a lot—not only with its game content, but with World of Thedas' publication shortly thereafter.

Not only is the Abyss referred to in many elven codices, but we go there. The key locations of the Descent DLC—the Forgotten Caverns, Bastion of the Pure, and the Wellspring—are in a region called the Uncharted Abyss.

Now, with Harding, we go deeper into the Deep Roads than the average dweller. The same is true in that instance: venture down far enough, and we reach a Titan's heart.

We find a Titan's heart there. But the Titan does not wake—none have before DA:tV, and even then, they have not fully woken. Because, for as long as we have known...

The Titans are sleeping, dormant—but alive.

"It's singing. A they that's an it that's asleep, but still making music." — Cole dialogue.

There is so much Cole dialogue in Inquisition that speaks on the sleeping Titans, on their old songs that once sang the same, on how they will never wake up, that it would be folly to try and post every codex here. Suffice it to say: Cole knows of the Titans, knows of their songs, and knows they are asleep. He is one of the pathways to our knowledge of the Titans in Inquisition, and his words are peppered throughout the game.

The Chant of Light also makes reference to a mountainous Maker, who oft speaks about a forgotten mountain. When Andraste meets the Maker "in darkness unbroken," specifically, these words are used:

The Maker Appears to Andraste (7) Eyes sorrow-blinded, in darkness unbroken There 'pon the mountain, a voice answered my call. "Heart that is broken, beats still unceasing, An ocean of sorrow does nobody drown. — Andraste 1:7

Heart that is broken, beats still unceasing — a being who has been broken, but whose heart still beats. We can hear that, in the Descent DLC.

Veilguard confirms that both sources are true through Harding, her personal quest, and the codices for the Dwarven people.

Records that exist outside of Orzammar mention "great sleeping Titans" and "the First Ancestors." — Codex Entry: Harding's Notes: Orzammar and Titans

Harding's experiences in Veilguard, in this way, serve to prove Cole right. That is a deliberate narrative choice: BioWare's way of saying, Yes, this is true. Yes, you should take Cole's take on Titans as correct.

We also know, from Cole, that this state of being is permanent. Not only are the Titans asleep, but they don't know how to wake.

Songs screaming far away. It wants to wake up but can't remember how. No one should be here. — Cole dialogue.

This becomes crucial information in Veilguard, and central to the main plot. It serves as the backdrop for what actually matters most to the characters living in Thedas right now, which is...

Dwarves are the Titans' children, created to tend them.

By now, a lot of people have seen this reveal in the art book: the dwarves were created to tend to their Titan hosts/makers. But we knew this before—we just didn't know it in context, and therefore we did not believe it to be objectively true of Thedas.

In truth, we've known about the elves and the dwarves' origin since the Chant of Light came out in full with World of Thedas volume 2.

At last did the Maker From the living world Make men. Immutable, as the substance of the earth, With souls made of dream and idea, hope and fear, Endless possibilities. — Threnodies 5:5

I talk about it in more depth in my Chant of Light dissection, but what this verse says in context is that the dwarves (the Maker's second children) are beings crafted by the maker: bodies made of lyrium, souls made of the same "dream and idea, hope and fear" as the original spirits.

This concept has already been massively hinted toward with both Valta (who has become The Oracle in DA:tV) and Dagna, who both connect to isatunoll during Descent and Inquisition's base game, respectively.

We've known about the Evanuris' horrible crimes since before Inquisition, as well, for the same reason and from the same verses in the Chant of Light.

Until, at last, some of the firstborn said: "Our Father has abandoned us for these lesser things. We have power over heaven. Let us rule over earth as well And become greater gods than our Father." (8) The demons appeared to the children of earth in dreams And named themselves gods, demanding fealty. — Threnodies 5

With the context given to us by Trespasser and Veilguard, we know without a doubt that the Evanuris are those "jealous spirits" that comprise the Maker's first children.

And just like the Chant describes, they sought to conquer the earth: the realm of the Titans.

The Evanuris mined the Titans' bodies to create people.

Trespasser taught us so much of what we needed to know about the Evanuris' and Titans' conflicts. Its codices in the Deep Roads outline how it was Mythal, specifically, creating some of the first elves in the coffins found in that zone. The Temple of Solasan features coffins of the exact same kind.

Ir sa tel'nal Mythal las ma theneras Ir san'a emma Him solas evanuris Da'durgen'lin Banal malas elgara Bellanaris, bellanaris. — Codex: Torn Notebook in the Deep Roads, Section 3

My (updated) translation: Isatunoll Mythal gives you dreams Lyrium within Becomes Solas evanuris Little stone boy You give nothing to the Titan (anymore) Forever, forever.

Trespasser reveals that Mythal mined the bodies of slain titans and rendered their demesne unto the People: she conquered Titans and used their bodies for her own ends. The hints about these actions, however, are not exclusive to Trespasser, nor to Solasan. These seeds were planted all the way back at the Temple of Mythal.

Elgar'nan, Wrath and Thunder, Give us glory. Give us victory, over the Earth that shakes our cities. Strike the usurpers with your lightning. Burn the ground under your gaze. Bring Winged Death against those who throw down our work. Elgar'nan, help us tame the land.

This codex to Elgar'nan makes reference to Elgar'nan giving victory over the Earth (capital-E, the Titans). Trespasser would follow this up with much context—that it was Mythal who was first known to have slain Titans, "rendering their demesne unto the People."

I theorized that Mythal's mining of Titans for lyrium to make elvhen bodies was what angered the Titans, based on codices in Trespasser and the Temple of Solasan. (I go into much more depth there!) Veilguard confirms this theory in Solas' Memory #4: A Memory of Manifestation.

Solas: I have the Fade. Besides, this talk of taking on a solid form. When you took the glowing stone to build your body, did the earth not shake? Mythal: The lyrium gives us the strength we had when we were of the Fade. We are the best of physical and spirit.

Mythal's crime was what took the war with the Titans in a new, darker direction. It was what would set off the chain of events that would change the very nature of the world—and it was foreshadowed, back in Inquisition, by Cole.

The Titans—the Earth—fought back.

"They made bodies from the earth, and the earth was afraid. It fought back, but they made it forget." — Cole dialogue.

In this post, I theorized that it was Solas' creation itself that caused the first Titan to "go red." That is to say, to change its nature and fight back. I used codices from Trespasser and Solasan to get there, as well as one paragraph from World of Thedas and this codex on Fen'Harel that describe the Forgotten Ones as "beings of terror, malice, spite, and pestilence."

Thinking about those words, and specifically terror, I read the codex in the secret Deep Roads room in Trespasser with fresh perspective.

For a moment, the scent of blood fills the air, and there is a vivid image of green vines growing and enveloping a sphere of fire. The vision grows dark. An aeon seems to pass. Then the runes crackle, as if filled with an angry energy. A new vision appears: elves collapsing caverns, sealing the Deep Roads with stone and magic. Terror, heart-pounding, ice-cold, as the last of the spells is cast.

Terror. The first of the turned Titans. The fire/plant/ice imagery also caught my eye, and when I went back to Solasan to check, there were many hints that this was, indeed, where Terror came into being. (For more, go look at the most recently linked post in this section!)

Huge implications for Solas aside, what this codex taught me is that Titans' natures could change. This was confirmed in Veilguard many times over, yes—but my point here is that Inquisition taught this to me, just a few days before I gained the context of Veilguard. This was never a retcon! However, this lore plays exactly to BioWare's rules: we did not have the full context, and so almost no one read that Deep Roads codex as it was meant to be interpreted—including me, the first few times I read it!

It was only when I'd seen the achievement icons before Veilguard's release that it all clicked for me. All of the lore of Inquisition and everything before it made sense. That was never a bug, never a retcon, but a genius twist on BioWare's behalf: one that almost no one guessed at for an entire decade.

One that changes everything.

Titans, we know for certain now, behave as spirits. Obscure hints in World of Thedas, Inquisition, and the previous games have been confirmed in Veilguard. This new understanding changes not just the Titans, not just the dwarves, but reframes everything we know about the entire history of Thedas and how its magic system works.

______

Thank you for reading! It means a lot when people engage with these. And don't worry: I'm not nearly through with them. It's taken me a while to compile everything, but with more of Veilguard added to the wiki every day, it's a lot easier to compile things for these posts!

(Immense thanks to the wiki staff, of course. <3)

Up Next: Titans and Spirits are far more similar than we think, and it means everything.

[a-magpie-in-gravesfield]

LINK TO ALL THE IMAGES AS A TUMBLR POST

(in case you don't wanna use Dropbox)

The Wittebane lore document is complete !! I put my heart and soul into it, so I hope you guys enjoy it ! Also like I wrote on the cover, other headcanons are valid too ! I tried my best to fill in the gaps in the timeline with some of my own stuff while explaining why I did it a certain way, but don't let that stop you from having your own interpretations too :) Anyway, here's the link ! The print only version is meant to be printed as shown in the gif here, on double-sided pages so the PDF won't look in order when you read it, but the read only version is meant to be read online, I also included a folder with the images separated so you can also read it on mobile if you'd like :)

You can print it at home and give away to friends as much as you want, just please don't sell it (I won't be selling it either since it contains a lot of canon screenshots from the show)

https://www.dropbox.com/scl/fo/lc5bun72g69quvo8lwl6d/AGBOVKfrGXGo4De_r0crLPQ?rlkey=koffhhiqt8xnlulqq8ymggg4l&st=i3bxs0kk&dl=0

[ahhhwomen]

Nothing really matters.

Vampire Empire

Part 3

Pairing: DarkVamp!Wanda Maximoff x DarkVamp!Natasha Romanoff x Fem!Reader

A/N: Well this was depressing to write... Anyways, enjoy!

Disclaimer: English is not my first language. All mistakes are my own.

AU Warnings: Human pets, abuse, violence, possessiveness, probably incorrect vampire lore, angst, panic attacks, hurt/comfort, kitten play (?), also this is not a Carol positive fic (I have nothing against her, but I needed a villain), death  Minors DNI 18+

Summary: You feel numb, what does it matter anymore?

Word Count: 2.1k

Taglist: @thinking1bee

The next time either of them sees you is in one of Natasha’s business meetings a few weeks later.

Back in Carol’s possession, you kneel in the corner of the conference room while Carol raises her voice at anyone with a slight attitude toward her idiotic ideas.

After half an hour, the constant bickering between the blond woman and Natasha’s respective staff members had become background noise.

There is a crinkling of paper as Natasha scuffles her documents around for a moment while deep in thought. The paper is smooth and high quality, her golden rings glide against the white surface, and she traces black lines of information she can recite in her sleep.

To Natasha’s surprise, you had seemed indifferent to her presence, you didn’t even glance at her once during the introduction to today’s meeting.

Following the same line back and forth, the ink smudges and blurs after the seventh round of Natasha's thumb gliding gently on top of the unimportant details.

She had to give credit where credit was due. You were poised and unbothered.

She could not say the same for herself, however.

Ever since she could smell you getting in the elevator with blondie, she kept glancing toward the door, waiting for your arrival. And now, she continuously spares a glance in your direction when she thinks someone talks too loudly or expresses themselves with broad gestures.

It doesn't take long for her to understand you a little better.

Carol changes you.

Your eyes are cast downward, and you hold your head low in a display of obedience. You are sitting on your heels with your hands just out in front of your knees. Your back is strung tight to form a perfect line and the muzzle is only for show. But whereas your posture and attitude would be considered perfection, your eyes are empty.

Natasha’s chair creaks and groans as she rocks back and forth, the leather cushion softens the knockback as her leg bounces against the flooring, unfitting of her usual characteristics, she can’t seem to keep her calm and collected demeanor.

Small tears and wrinkles form, as Natasha tightens her hands against some case report she wrote half-heartedly before bed the previous night. She inhales sharply, her nostrils flaring.

You are still covered in bruises.

They are healing, and so are the once red and angry lines, they are now pinker and more muted. But it’s clear some of them were fresher, it had been close to a month since she had seen you last, yet the color of some were as fresh as a daisy.

Specifically, your face seemed to have been put through the gutter.

Though it was clear that whatever transpired that day hadn’t been repeated, she could still sense in you that Carol wasn’t very light-handed.

She tells herself it is because she pities you for having to go through the blonde’s rage, but there is also something about the two small puncture wounds on your neck that aggravates her.

Her fingers drum against the table in annoyance while she thinks it over, her nails clicking against the resin top of her newly polished conference table.

Pinching the skin between her eyebrows she sighs loudly. Enough so, that the man currently presenting stutters and has to loosen his tie before continuing with a slight tremor to his hands.

She can’t figure it out.

She huffs and readjusts her posture to show she is listening.

Never mind, the little mystery you are, she has business to attend to. With one last glance, she emerges herself back in the matter at hand and makes sure to fix Carol with a hard glare whenever something becomes too heated.

You are sitting on an old wooden bench in the garden.

The flowers bloom around you and rustle in the fresh, spring, wind. If you close your eyes, you can almost smell the rosebush across the tiny plot of land. The birds sing in a tune you are not familiar with, but it’s nice. Lilies hug your legs, all colorful and fresh, there are tiny little droplets atop their pedals, it must have rained before you got out here.

That would explain the chill that settles deep in your spine.

There are dogs around, you hear them bark and growl at each other on the other side of the fence, but you don’t mind.

Because you are in the garden. With a fence between you and them.

Until one of them jumps the fence.

You have been staring at the ground with a slight tremor lacing your every move for the better part of an hour. She seems like a calm dog, but she’s big, bigger than you, and there is this presence to her that you don’t know what to do with.

She smells like the flowers around you, maybe that’s why you don’t flee. No matter how much you want to, you are frozen in your seat as the big hound stares at you.

She licks her snout and blinks slowly while you sit there. It feels like she is mocking you, almost as if daring you to move.

The wind picks up every now and then, the howling of the other dogs growing louder and more concerning, but the big dog doesn’t bat an eye. She growls deeply, but you can tell it isn’t directed at you, and then the other dog’s calm.

Maybe she is a nice dog, but it doesn’t matter.

A dog is a dog.

The fence opens with a piercing screech. Even as you close your eyes in hope, the big dog does nothing. She doesn’t run away, but she doesn’t help either.

She just watches as Master drags you away. You don’t know why you thought she would do anything else.

Master is right.

Master is always right.

No one will help.

You don’t deserve it.

When the meeting commends, Carol drags you out of the room quickly, she has other matters to settle tonight, and she can’t be bothered to stay here too long.

Your knuckles rasp against the expensive flooring of Mrs. Romanoff´s office. The tasteful tree-work makes your bones ache, and your tag jingles repeatedly as bone connects with fifty thousand dollars worth of Brazilian rosewood. The blond woman tugs at your leash impatiently.

“Carol. Wait a moment.”

Please don’t.

Master halted her movements just before she passed through the elevator´s door, effectively also halting yours.

“There is some paperwork James wants you to finish up before you leave.”

Natasha waves her hand around with a roll of her eyes, showcasing false annoyance she knows the blond will eat right up, “Something about an unsettled bank record?” The redhead squints in the blonde’s direction, displeasure hidden not so greatly on the CEO’s face.

Natasha has to work extremely hard to not showcase how disgusting she finds the woman in front of her to be.

The woman beside you tenses up. She bunches her eyebrows and sighs before nodding slowly and releasing the tight clutch on your leash.

A pointed finger comes into view as Carol shifts her body towards you and tilts her head downward to face you. “Stay here.” Her voice leaves no room for arguing, it’s a clear command, you know she only does it to showcase her power over you. You couldn’t talk back even if you wanted to, the clinic made sure of that long before you even knew Masters hard angles.

Nonetheless, you bow your head and place your rump back onto the cruel flooring, somehow it feels even stiffer than the concrete inside your familiar slammer.

There is a long and rather awkward silence before Miss Romanoff clears her throat and breaks the stillness.

“Are you in pain?” Natasha gestures towards her own face as if you need a hint to understand what she means.

Just a few months ago, Romanoff acknowledging you in the slightest would send you through a rollercoaster of fear and wonder. Now you merely play dumb and tilt your head in confusion.

Of course, it hurts.

That was the point, wasn’t it?

“You smell different.” Carol scrutinizes you from afar.

If it weren’t for the years of experience you have with this sort of thing you would give yourself away immediately by tensing up and begging for her mercy, instead, you remain impassive.

The blond woman studies you carefully, waiting for any telltale that you heard her.

It’s easier than you thought.

Maybe it’s from the emotional drainage these days have been, but you barely feel anything as Carol looks you over. No matter how much she has hurt you, her eyes hold nothing compared to the power that the Maximoff clan’s leader has in hers.

You can hear the familiar crunch of rough concrete beneath a heavy army boot.

Master moves closer, but still, you feel nothing.

It’s been three days since that day. The first night you sobbed your sorrows, your pain, your fear, everything that has been building up and suppressed throughout the years all expressed in a puddle of tears and blood.

You don’t know what the women wanted, but something about them had made ancient wounds reopen, and the floodgates that followed were inevitable.

You don’t even remember falling asleep, you find it more likely that you passed out from dehydration or exhaustion.

The other days had passed in a blur.

It’s like you have been stuck in a trance where nothing really matters anymore.

Then the smashing of keys came back, and still, you were inconsolable. You didn’t even acknowledge her when she ran her hands over your bare body. Didn’t blink as her hands took a threatening hold of your collar.

She was testing this new side of yours; you could tell it angered her that she didn’t affect you.

You ruined her little power trip of the day.

She grips the back of your neck and forces you to face her. “Look at me when I am talking to you!” Spit sprays on your face as she talks through gritted teeth.

You don’t care, you just stare at her through hooded eyes, looking but not seeing.

Her hand connected hard with your face; you could feel the vibration inside your skull. And yet, all you could think about were them.

The feeling of concrete pouring through your veins wasn’t so scary anymore.

*slap*

You wonder what would happen if she went all the way…

*slap*

Maybe it wouldn’t be so bad if they killed you.

*slap*

“LOOK AT ME!” Carol screams into your ear, but it is fuzzy and unintelligible to you.

*slap*

“CAN’T YOU TELL I AM TALKING TO YOU, YOU STUPID BITCH!?”

*slap*

“Look at me?” Her hand strokes your chin lightly, but you know her…

*slap*

*slap*

Your head bounces against the pavement.

*slap*

Your vision becomes blurry and unfocused.

She hit you a total of twenty-four more times, before finally relenting and stomping away.

From that day forward you decided to play into it, pretend like what took place with the powerful women never happened to begin with. You were sure it would anger them.

If this is what Carol does when you ruin her little high.

Maybe, they will return and finish what they started if you ruin theirs.

Natasha scratches the nape of her neck as you sit there staring into nothingness. Your brows are slightly raised, and your eyes are wide, to Natasha, it seems like you are in a completely different world.

She leans against the wall, her shoulder squishing against the glass panel, and she crosses one leg over the other. Relying solely on her right leg to hold her up, she looks down at her dress shoes.

Her question was stupid, she knew as much, but what else was she supposed to say?

She wanted to talk to you.

Nat knows she should just leave you be and return back to her office, but when you were being led out of the room earlier your eyes had connected with her, it was a mere millisecond. But in that moment Natasha had felt a chill run down her spine.

Something was definitely wrong.

However, she didn’t expect you to completely shut down after just one simple question.

You are unresponsive to any stimuli while you sit in the hallway with Natasha’s presence close by. The older redhead tries to tap her foot or grunt obnoxiously, just to get a response, but nothing.

It’s not until you can hear Carol’s heavy footsteps that you quicken up and bow your head down.

Carol nods in Natasha’s direction before she passes her and collects you. Her gruff hands slide up and down the expanses of your leash until she finds the position that will yield her the most amount of control over your movements.

If the circumstances were different, Natasha would kill Carol on the spot.

Yet, as Carol takes ahold of your leash and steers you both into the elevator, Natasha lets you go.

Convincing herself it’s for the better. Again.

[royalarchivist]

For people who are interested in QSMP but don’t have time to watch hundreds of hours worth of VODs, I’ve created the QSMP VOD Timestamp Archive!

The archive includes timestamps for cool quotes, important lore, funny interactions, and more!

Complete VOD playlists, recaps, and additional resources are also included in the document for people who might be feeling overwhelmed by the amount of QSMP content out there. It’s never too late to get into the series!

Want to help? Consider writing down a few timestamps when important things happen in the stream you’re watching, then send them my way so I can add it to the archive!

I am just one person, so this archive is by no means comprehensive, but I’m constantly updating things and adding more streams and timestamps to the document. I’ve been working on this project since April and there are several hundred VODs covered in the archive, so I hope people find it useful!

[ Check out the VOD Timestamp Archive here! ]

[meanbossart]

DU DROW LORE ASK COMPILATION: COMPANIONS, ASTARION'S READING HABITS, AND HIS LONG-INQUIRED OPINIONS ABOUT BODILY WASTE REVEALED.

I don't think "discussed" is the right word, more so mocked her for her blind faith and got into brief spats. It was precisely Shadowheart's water-off-a-duck's-back attitude towards his remarks that kind ingratiated her to him - DU drow spoke his mind, she took it in stride and remained firm in her beliefs without arguing or trying to push it on him. That, alongside the fact that they are surprisingly similar people is what brought them together as friends.

Even long after the events of the game he's still opposed to her hopping from Shar to Selune, also. Shadowheart's attachment to religion is simply something they agree to disagree about.

Can I answer your question with one of my own?

Am I the only idiot that killed her in their first run LOL

BUT YES, he killed Lae'zel when she tried to murder suicide the camp and I went through the whole game without her. I didn't go to the creche either!

I have since had other runs and she's actually one of my favorite characters, I just haven't had the chance to draw her yet.

ACTUALLY - scratch that. I've drawn her once-

Somewhat! But not really. He genuinely just likes jewelry, and rings are the only kind that suit his life-style (necklaces and earrings are a hazard during fighting) this is a reference to his bhaalist days when he used to be completely covered in the stuff day and night.

Hence why he finds them comforting to have on in some way or another. They change around because he gets bored of/misplaces runs out of fingers to wear the new rings that he loots constantly.

The great link in question

I don't know if it's been made clear enough, but DU drow's love for Astarion is borderline pathological, LOL. He's got a good humor about things and Astarion is definitely no stranger to having little quips and jokes made at his expense (a few references to him being Pointy And Long here and there, for sure), but the guy overwhelmingly adores him and thinks he's always the prettiest girl at the ball, even when he gets in his face and his nose looks huge.

I'll be honest, Astarion strikes me as the kind of guy that has like, 3 really weird books he really enjoys and reads them again and again very slowly over the course of years. Otherwise, not really a reader, but I digress -

DU drow was probably never a big reader himself, I would say he got started on a couple of books back in the day but likely never finished any. He's fairly intelligent, but most of his downtime was spent managing the cult and parsing through relevant documentation.

I definitely don't think he'd have the attention-span for fiction (which I picture as being said books that Astarion enjoys) but he does like to snuggle up with his beau to watch him read - every once in a while he catches a particularly scandalous line or description and they bicker about it. He makes a remark, Astarion feels obligated to explain the context, it devolves into some playful kind of argument that ends with Astarion telling him to go dig a hole and die in it while playing with his hair - The usual LOL.

Oh man I have a few more in-dept descriptions of how that went, both lore-wise and just for me as the player - but in summary, DU drow was pretty mean to everyone earlier on in the game and he did catch onto Astarion's very obvious and obnoxious seduction attempts very clearly. He doesn't like being so desperately pursued and they actually got off on the extremely wrong foot because of it, LOL.

After being unpromptedly rejected at the tiefling party he was a little more enticed by him, basically the "no" was his "go". I like to think of it like Astarion catching onto the fact that his initial strategy wasn't working and that this man in particular needed him to play hard to get - from that point on, DU drow started playing along. DU knew this was still a game, but now they were playing it on even ground so he was fine with it.

First of all - he inexplicably got butt-ass naked for the event.

All in all he liked it a whole lot and it was his re-introduction to the concept of pain being dished out as a form of love and his deep enjoyment of it.

Thank you so much, glad to hear you get some joy out of my work!

Dang it I had a pretty good write-up about his thoughts on Wyll from a long time ago, but I can't find it 😭

In summary, Wyll was a frustrating person for him to be around because of what he viewed to be a deeply ingrained naivete about the world. He shockingly didn't hate him (Wyll is kind of difficult to hate) but he never really saw him as an equal either, and definitely not as a friend. Du drow just desperately wanted him to express something that he would perceive as a genuine emotion; some kind of outburst or show of anger or frustration, but all he ever saw was someone trying to put on an act of performative heroism that he didn't buy at all.

At the same time, Wyll was far too young for him to be too mad. He might have held his father more accountable for making the guy into what he was than Wyll himself, really.

Can a man be scared of being scared? Because if so, it's that.

He also doesn't like shit a normal amount. (piss is fine depending on whose it is.)

[quantitative4rts]

I've been going insane based off of some implications from one of Monique's videos, which is this one.

your obligatory bad gore doodle you are welcome 🫡 but i needed to get this idea out so whatever

whole rant under here guh. Spoilers to one event (Abandoned Kerfur) in 0.8.1

Even if there's different lore related junk, this is mostly what I interpret it as so shrug.

I think that Dee definitely got snatched in some way and put into that one abandoned Kerfur robot that you can find buried. I THINK that the gore and guts inside of it are Dee and I have very limited evidence but I DONT CARE he's special to me.

(Text reads: Bloody robot. Even if there's a lore reason, I still think Dee got shoved into the robot and was trying to get help.)

No body found on the ENTIRE property, but his Kerfur was still trying to communicate with home base? What if Dee was shoved into that robot fucking FNAF style and was trying so hard to get help, but no one could understand him. Bleeding out, stuck inside of a machine with no chance at being saved... With how insane other topics in the game are, I think it's possible for Dee to have possessed that robot and that's why he attacks Kellin. I think that the robot attacking Kellin was just an unconscious response by the machine and Dee's anger at being abandoned.

Now I know that you can buy the orange Kerfur after defeating the abandoned one... But what if Kel decided to salvage this abandoned, bloody robot? I think Kel would be willing to go through hell to repair this thing, fix its broken paneling (from Kel beating the shit out of it with a crowbar,) and give it its own Kerfur-O body. Maybe he just wanted another robot, but he wanted to save it in some way. Eventually in some way it would be revealed that this robot has some aspect of Dr. Dee in it.. The guy who died with no care by the organizers of these experiments, the guy who was there at the base before Kel... And just imagine him seeing this early 20s enby guy just fucking thriving out in the mountains.

I've been thinking about these guys for a while and making my own characterization of Kel and shit so who cares if it's non-canon. Here's some fun facts about Dee from whatever this is. An AU maybe. Idk. Let's call this the Dr. Dee lives on AU. (DDLO.)

I'm fairly sure the abandoned Kerfur model might be thinner / slightly smaller than the one you can buy, so imagine a grown human skeleton being shoved into that thing.

With that in mind, Dee's Kerfur-O shell is missing its right arm, which shows off the internal gore and his right humerus bone. Super fun!

His eye also pops out of the fucking screen cause I wanted it to.

He used a cane for the first two weeks because he could not remember how to walk (It had been only two months but being half alive in a robot will do that to you.)

Once he got mobility back, he started to do tasks around the base for Kel. These included cleaning up trash that he left around before dying, collecting scrap for his shell or just for other projects Kel has in mind.

Kel gives him weekly journals to write in to document his experiences and to keep him half sane as crazy shit happens around them. Dee probably has insane panic attacks considering what happened to him while he was ALIVE THERE.

Kel ordered so many materials to make extra scrap (to make Dee another arm,) from the store that Ena had to send him a message asking what he was using it all for. Obviously he lied cause otherwise Kel and Dee would probably both be killed.

Dee is very appreciative of Kel and claims that "He does more for me than that company ever did."

After two weeks of being reanimated, Kel eventually just gave up on making another arm and just welded Dee's open wound shut with extra metal. He also started wrapping Dee's screen with bandages to cover the eye. Mainly so it wouldn't possibly get infected, but also because it was slightly freaking Kel out.

ok that's all I have developed for now, I will have more later maybe depends on how obsessed I get over them again. i have been playing votv nonstop i do not know how I have not gotten one of the forbiddens yet

[avianoutcast]

[MASTER POST]

(LIST & LINKS DOWN BELOW)

Outcast: Sup fellas. Outcast!Sans here! Me and my partner, Avia, would like to welcome you all to our lil' side of the multiverse.

Avia: For this post, we'll be creating a 'Master Post' documenting all our progress (and shenanigans) in the creation of this AU.

So if you're interested, please like, follow and stay tuned for further updates!💜

And If any of you have questions either about the lore or characters, please feel free to Ask!❤️💙

Outcast: Aaannd if ya just wanna chillax, you can always ask good ol' Sans for some 'rib-tickling' jokes! Heh

----------------

[MY AUs]

PROMISEDTALE

AU INFOS

Soul Modes

Data Collection

Outcast's Soul

Soul Synchronization

Scrying Poppies

Height.lol

Crashing

Error Confrontation

Bad Sanses

SNOWBY NO!

COMIC

File_01—Gaster

Cover-p. 5, p. 6-8, p.9-10, p.11-13, p.14-15, p.16-17, p.18-21, p.22-24, p.25-28

DREAMLESS AU

Creator's ramblings

More ramblings TwT

Besties XD

The Skele-boys Gang XD

Nightlight outfit design! (Line art)

Finding Dream

Dreamless

Height

Meeting with the OGs X3

Dreamless' Last Letter

Dreamless in color (still too lazy to make a ref sheet TwT)

Inevitable Fate

------

[AU SPECIALS]

(just for fun and art practices)

Outcast!Sans zine cover

12.22♑

Christmas Special X3

New Year 2025!

----------------

[TAGS]

#asks

#au info

#PromisedTaleAU

#PromisedTalefanarts

#DreamlessAU

#avia

#Outcast!Sans

#Dreamless!dream

#undertale

#undertale comic

#utmv

#utmv au

#reblogs

[genericpuff]

So Webtoons is getting sued by a bunch of law firms in class action lawsuit. Saw it on reddit. Apparently they lied to shareholders about revenue which is like one of the worst things I could imagine doing to your shareholders. Then their stock dropped again. Wow....wonder how this is gonna effect readers going forward or how they're gonna be more exploitative in the future. Not saying the down of Webtoons has begun but I wonder if it's gonna be the start of it.

Yep, I've been following this since the initial investigations began.

All that said, we likely won't see anything of this for a while, if anything even comes of it. The reality is that Webtoons... really didn't actually lie about being bad at making money. It's literally outlined in their IPO documentation:

So these lawsuits, at least in my opinion (*I AM NOT A LAWYER NOR AM I ANYONE WHO HAS ANY EXPERIENCE PLACING WALL STREET BETS, TAKE WHAT I HAVE TO SAY WITH MOUNTAINS OF SALT) is less about Webtoons 'lying' to shareholders and more so about them kicking the debt down the road which these lawyers want to try and hold them accountable for. It's not uncommon for startups to seek out private and/or public funding to help them stay out of bankruptcy, but such practice is incredibly shitty because if a company was already near the point of bankruptcy to begin with, what exactly is going to change to ensure that they actually make that money back with an additional net gain for those investors?

So in that sense, either something will come of this, or it won't, nothing's really a guarantee as of now. It's just as common for startups seeking public investments to get sued within their first 1-2 years because a company not returning on their initial investments within 3-6 months is a prime cut for lawyers to drool over. Despite their attempts to be honest about their earnings, the vast majority of Wall Street investors are paranoid little fuckers who invest in whatever's new and exciting with the hopes that it'll turn them a profit quickly and without headache. Unfortunately, Webtoons isn't a company that's known for having huge profit margins, which these investors would have realized if they knew anything about this industry or at the very least, bothered to read the fine print that Webtoons was obligated to lay out for them in their documentation. At best the majority of them saw Webtoons' offering that covered buzzwords like "content generation" and "AI" and went "yes please, I love money!" without realizing that webtoons, as a medium, have some of the highest production expenses to lowest-paying demographics out there and therefore companies like Webtoons aren't going to be a short-term gratification. It's more like waiting it out for the "next big thing" that will make that stock valuable again, a massive gamble that isn't guaranteed to payoff. And that's just the game of Wall Street in general.

That said, it's because of how difficult it is to directly monetize digital comics that Webtoons often has to rely on selling merchandise and IP rights in the hopes they'll land a whale - but even their pre-existing whales like Lore Olympus and Let's Play have either nothing to show for themselves, or have left the platform entirely. Of course, they'll vaguely claim that two of Netflix's highest-performing projects came from their platform, but any peek at an aggregated Top 10 list will prove that that is simply not true, and at best, they're referring to True Beauty's live action adaption, which is simply not even close to breaching that list of all-time top-performers (except probably in Korea but this is Goldman Sachs and their American investors they're trying to convince), All of Us are Dead (see above, same situation as True Beauty), and Heartstopper which is... not even an Originals series. Of course, that didn't stop Webtoons and Tapas from boasting about Heartstopper's Netflix adaption and its success on the platform, but literally none of its success is exclusively owed to either of those platforms, Alice Oseman flies solo and if anything, Heartstopper never would have gotten to the point it's at if it were tied down to a Webtoon Originals contract.

So in a sense, until anything comes of these lawsuits, they're more so just lawyers jumping on their own investment opportunity - the opportunity to get settlements from Webtoons for both their clients and themselves by extension. At best what they feasibly have against Webtoons is the company getting way too high on their own supply without anything to feasibly show in terms of profit for their IP's. Considering how many IP's they sold to television and film production studios back in 2019-2022 when they were at their peak over the lockdowns - a peak that is long in the rearview mirror - they are incredibly behind in actually paying off those promises. Even in a recent meeting they held just the other day with Goldman Sachs, they're quoted as saying: "When Rachel Smythe was a graphic designer in New Zealand, 4 or 5 years ago, and she had a story to tell, we enabled her to not just tell it in one part of the world, but globally. She became a NYT Bestselling author, she is rumored to be releasing soon as a major animated release."

When even the company that hosts Lore Olympus as its prize pig can only say that its long-anticipated TV production that both Rachel and Webtoons have been assuring people on repeat that the show is "still happening" and that what they've seen so far "looks amazing" is simply 'rumored to be releasing soon'... I don't even have the words to describe how embarrassing that is for them. Never mind the fact that Lore Olympus has been over for months and both it and its creator, Rachel, have been falling into the pits of irrelevancy. They don't have any other home-runners to bet on, they're just continuing to bank on Rachel as their own example of someone who "got big" even though it was years ago and that fame is now shrinking with the passage of time, you can even see the performance of the series dipping in its own front-end metrics over time. They are trying so hard to convince people that they're worth investing in when the one thing that actually DID have that kind of allure has now come and gone.

Never mind the fact that again, most Wall Street investors probably don't even participate in webtoon culture so the name "Rachel Smythe" isn't some golden ticket to fortune. Lore Olympus might get a bit more of a reaction, but it's going to be a lot more mixed due to how divisive the series became in the end, and general audiences who are new to Webtoons as a public company (and the medium as a whole) are still not so likely to know what the fuck that means or why it's significant. The best time to pull the "we have Rachel Smythe!" card in the public investing pool was, like many other things Webtoons has fallen behind in, years ago. Now it's clear Webtoons thinks that Rachel is their own personal J.K. Rowling, but they forgot the part where Rachel is creating for an incredibly niche and historically unprofitable medium that is nowhere near as big as what Harry Potter was back in its prime, and - personally speaking - that Rowling and Rachel are both, well... terrible at what they do.

Webtoons also has the added burden of not being a startup company. They're not some grassroots Silicon Valley tech startup run by a bunch of friends "with a dream", they're an extension of an industry that thrives overseas but barely has any infrastructure to support it here. They've been bankrolled for years by an overseeing tech company - Naver - but have consistently failed to get out of the red and so of course, now they're turning to public investments to help them out and subsequently, are passing that debt off to the next highest bidder, which is Wall Street. They had nearly a decade to figure their shit out here in the West and while they had their opportunities to thrive, those opportunities have come and gone, a lot of doors have closed and now this all feels like their own attempts to rip those doors back open again.

There is a LOT to insinuate already that Webtoons - a Korean-hosted platform - wasn't ready to enter the Western market and this fumbling of their public stock image is yet another great example of that. Even outside of Webtoons, other Korean-run platforms like Tapas have relied on private investments to keep them afloat (and still do, Tapas is still operating privately) and have routinely struggled to get a real foothold in the greater Western industry despite how much they hyped themselves up as the "next big thing". They're all playing the same game over and over again expecting better scores even though the playing fields are entirely different than what they've come to expect in Korea, where much of the entertainment industry is built around webtoons, much like how our entertainment industry in the West is built around comic giants like Marvel and DC (and even those giants are faltering as we've been seeing over the past several years).

Anyways. I don't know if this lawsuit is gonna go anywhere, there's a lot to the legal process that could lead to a variety of different outcomes, but at the very least, their plummeting stock value and the lawyers circling them from above is yet another notch on their belt of fuck-ups over the past few years. I know it's easy to say this in hindsight and I'm not the kind of guy to say "I told you so", but considering I've been following along with the bullshit of these major platforms for years and knew as soon as Webtoons was rumored to be going forward with an IPO that it would lead to disaster, I'm pretty confident in saying, "No really, I told you so." And I don't entirely blame the investors for that (except for the ones that clearly didn't read the fine print) - I also blame Webtoons for that, because they are a chronically unprofitable company run by a bunch of clowns who manufactured their own demise by getting in WAY over their heads and clearly don't even have a concept of a plan let alone an actionable one.

And that sucks, because the people who stand to get hurt the most are the ones who were made those empty promises years ago, long before the platform entered Wall Street - and that's the creators who were promised that their livelihoods would be secured and their work would be protected.

I will forever bully and make fun of Webtoons for everything they've done in and to this industry. I hope at the very least those investors learned an expensive lesson, and that the damage these lawsuits have already caused to Webtoons' public image - regardless of whether or not these lawsuits win - empowers others who have been screwed over by them to speak up and make their moves. They are not a monolith. They are a brittle business operating from the trunk of a clown car on their way to becoming a penny-stocks sham.

Fuck Webtoons <3

[gatheredfates]

Hi everyone! It's been a hot minute since I did a Compendium update, but I promise I'm not dead. For those who don't know, I got a new job! That meant pretty much the entirety of October was spent wrapping up my old job, going to my new site and trying to learn the new one. I'm on break in approximately two weeks, yay! ☃️

These updates will take on a wintery/Starlight theme to celebrate the season, much like All Saints. I hope you enjoy.

Additionally, myself and the lovely folks at SEAFLOOR are having a Catch up (for) Starlight Challenge! You should join us if you're interested. ❄️

However, without further the following communities have been added to Sea's Community Compendium for XIV Creatives.

LARGE SCALE

The Help Lines—We are a community-based discord to be used to play the critically acclaimed MMORPG Final Fantasy XIV. We host almost all content including DRS and BA, Raiding, Deep Dungeons, Blue Mage and more. Our mission is to create a welcoming space for any individual in need of assistance to reach out and accomplish their FFXIV goals in a toxicity-free environment.

The Aether Entertainer—Founded in 2021 on Aether, The Aether Entertainer is player-made virtual magazine covering music, theatre, art, current events, and Eorzean popular culture.

LORE

Final Flowery XIV—Compiled by ann0yance(bsky)/@sa8oteur, this guide explores the various flowers in XIV, comparing them to their real-world equivalents and meanings.

On Elementals, Accountability and Criticism—An essay written by @morgana96 that explores the lore of elementals and their place in Gridania (and beyond)!

MISC

Vanilla Gpose Tips by Winterdeepelegy—A how-to guide on effectively utilising the vanilla gpose tools to create visually stunning screenshots, written by @winterdeepelegy.

WoL Reference Sheet—Created by @coldshrugs, a handy WoL reference sheet you can build in Canva!

NA GPOSE Studio/Themed Housing Directory—A player-made repository of North American Gpose studios and themed houses!

CHANGELOG

The Scholar's of Nym—The link has been modified at the request of the owner.

Skystone Co.—Has been removed at the request of its owner.

UI Macro Menus—The link has been modified to accurately reflect the bookmark.

Have you thought about joining our Tumblr Community? You can find it here!

Want to submit? You can either fill out the google form here or send me an ask with the relevant information!

Is my space suitable for the Compendium? Most of the time, yes! Below the read more is some more information/stipulations. This is all publicly available on the document. 🦌

Below are the following things I do not accept on the Compendium:

Personal/Single-Character LFC ads. (Though these get posted to the SEAFLOOR Tumblr Community when I find them!)

Content intended for or can be used for bullying, harassment and OOC gossip. E.g. ‘Secrets’ blogs, receipts, callout posts, etc. This does not include IC tabloid blogs or other ventures used to generate roleplay.

Communities that do not have an RP/writing element (large-scale exempt).

Anything I find personally distasteful or goes against the spirit of this project.

Common-sense rule applies.

I want to put my community on the Compendium but we have an application process. Is this okay?

Yes! Just note somewhere in your application that's a requirement. The only thing that is mandatory for the Compendium is that you must be open to new members or have a public-facing/accessible facet. There's no point advertising a community if no one can join it in some way!

I want to put my Community on the compendium but I only have x number of members —

Also totally okay! People don't start with large communities. Activity is a must but, whether your server has two or two thousand members, if you're looking for new people to join, I'd love to help you find people.

I want to put my community/resource on the Compendium but I worry its too niche?

Okay, and? If your Eorzean Fishing Alliance has four members but you roleplay every second weekend, I still want to know about it. The same goes for resources; if it's relevant to the game, it'll be useful to someone.

How active does a community need to be?

If you find a community has not been active in about two/three months, send me a message and I'll take a look at it. Communities have ebbs and flows, especially event spaces that may take hiatuses depending on member interest/life events. I'm not strict in my implementation provided a space isn't dead. If a link or anything is broken, contact me asap!

I have [insert a question not stated here]?

No drama! Send me an ask or use the #Compendium channel in my Discord!

[thatfrenchacademic]

OK so about this "34, unmarried and childless" article about Taylor Swift. Let me tell you about Scam Academia.

TL;DR: some mediocre dude had a half baked opinio nabout Taylor Swift that everyone hated, but like Mother Nature I let nothing go to waste.

Here is the take you have not heard yet, about this opinion: this guy is actually a good case study on how to develop your academic literacy, aka how to recognize a true academic from a scammer who presents themselves as an academic, but is just a crook. In a world of pseudoscience and pretend experts that have enough resources to organize their flat earth conference, let me walk you through the world of Scam Academic, where for a few thousand dollars, you too can claim to be a researcher with a doctorate! Follow me down a rabbit hole that I hate with my whole heart!

Preamble: I have zero skin in the TS game. I don't get the hype, the lore, the obsession with those 2000s bracelet or dissecting every single line or every single song.

But then. Some guy had to write an op-ed stating Taylor Swift was not a good role model for girls ("in the US and beyond"), and it is a terrible take on so many level, but here is the thing. Whiny conservative think-pieces about highly successful women who should get back to the kitchen and think of the children are nothing new. But this one is different.

This one is fucking terribly written. It's just an abysmally written blog post. Genuinely one of the worst thing I have ever read, and I read hundreds of undergrad essays every year for a living. It contradicts its own arguments in every paragraph. It over-explains concepts like it's a high school essay and he's trying to meet the word count. It says "this is a valid question worth asking" but does not actually explain why it is worth asking. It is so, so, so bad.

Conservative writers are usually more the "high brow, drowning you in grandstanding" kind of writers. They are, usually, good technical writers - it's the one thing that helps make their talking point sound legit and palatable. So an abysmally bad conservative writer? Ok, I am intrigued.

The author is one John Mac Ghlionn. I look up the guy on Google and...

Oh.

Oh no, John.

Spewing conservative bullshit at women AND a researcher? You're in my turf now, John. You could have continued to cover UFC Pillow Fight Championships, or alien technology and other riveting subjects, but you had try to connect two brain cells to argue a thing, and slap "researcher" on top of it. Now I'm offended, as a researcher.

1. I am sorry, researcher WHERE?

Ok so if one is a "researcher", it means one conduct "research". and contrary to what backyard conspiracy theorists think, "researcher" is an actual job. It is an actual professional occupation. You get an actual contract, and you are paid actual money. By an actual employer: public (University), private (Think tank, private company), or a mix of both (at Unviersity, but on a privately funded project, for example).

So where does our John Mc Ghlionn work?

Well. Nowhere, as far as I can tell.

John does not list any affiliation. Usually, when they write, academics will state their exact position (Researcher, Doctoral Researcher, Associate Professor, Chief Engineer, Head of Department, Research Director...) and where they work. For example:

That's what it is supposed to look like.

But John? Nope, no affiliation anywhere, on anything he ever published. That's a pretty massive read flag. Research takes ressources: at the very least, time and access to database and documentation, even in social sciences in humanities. You may not need a lab, but you sure as hell need money and full access to JStore at least.

So I thought he was just one of these "I google therefore I research" kind of dude. But then, out of nowhere:

I am sorry. He has a WHAT.

2. I am sorry, a Doctorate from WHERE?

So. One thing to claim to be a researcher when you are just a professional yapper. Another to claim a DIPLOMA.

And not any diploma. A doctorate.

Let's pause. "Doctorate" is actually a really broad umbrella term of all doctoral-level degrees. The most famous (and most prestigious, for better and worse) is the PhD, but a PhD is technically just one of many Research Doctorate of, theoretically, the same level (cue this helpful reddit post). A second category of doctorates are the Applied Doctorates, and while there is Discourse on where they sit vis-a-vis PhD, the easiest is to consider that they are not research-oriented. They are hands-on, practice-oriented degrees. For example: you can practice medicine with an MD. You don't need a PhD. You can still call yourself a doctor, though.

Alright, so which of these does our friend Johnnie has? Or is currently enrolled in? And in which University?

You will notice that John does not go by "John Mac Ghlionn PhD" or even "Dr John Mac Ghlionn", when you just KNOW he is the sort of person that would but that shit everywhere. And no shade here, because I, for one, do put that shit everywhere. Maybe he is just currently enrolled in a program and has not graduated. Fair.

Since John does not list affiliation, I had to switch from academic to internet sleuth, and dig out this article:

But we learn that in 2021, John was a "PhD Scholar" in "Parkmore Institute". "PhD Scholar" is not a title I am sued to, but it's also not raising any red flag: ongoing PhD researchers can be "PhD students", "PhD fellows", "PhD researchers"... It varies from country to country and from institution to institution, so why not "PhD Scholar".

Let's check out the Parkmore Institute.

Ok, they are not a traditional university, but they appear to be more of a postgraduate institution: offering only higher level degrees, not undergrad courses. Once again, not necessarily a red flag. They are usually very heavily research focused, and embrace the "research" side of academia more than the "teaching" side. In Germany, the Max Planck Institutes are research-only institutions who deliver PhDs. They conduct cutting edge research, in part because their researchers rarely have to spend time teaching.

But that is NOT the Parkmore Institute. First of all, let's see what programs they offer:

None of them are legit.

And I mean, none of them are recognize as even Applied/Professional Doctorate by the National Science Foundation (US based). And while a PhD in Human sexuality would be perfectly valid, but I'm going to on a limb and say I have some serious doubts about "Bodymind Healing" as an academic field.

These are not legit academic degrees.

What they are, is an excellent money-making opportunity for anyone working at the Parkmore institute. Students will pay, at the very least:

And 60% of this goes to their " faculty mentor". The Parkmore institute provides no research fund, no desk or office space (they are entirely digital), no access to any resources or library, not even a Zoom account. There is also no mention of any timeline: how long a PhD take to complete? Who knows. 6 months ? A year ? 5 years? What are the requirements to graduate ? Who knows ! And I would need to pay $200 to get in touch with them, so I sure as fuck won't know any time soon!

But let's get back to our friend John. Remember that he stated, in that 2021 publication, he was a "PhD Scholar" at Parkmore ? Well that's a shame because Parkmore does not deliver PhDs. Ain't that a bitch.

ALSO. Parkmore helpfully has page with all their Doctoral Recipients! And guess who is NOT HERE ! That's right, our Johnnie !

How can this be ? Well, three possibilities:

John is still not done with a PhD. After 4 years ? In a crank university where I am pretty sure I can submit the first draft of a litt review and graduate ? Nah

John never completed the thing. Boo, that would mean that John is lying, when he says he has a doctorate. Bad, bad.

John did graduate, and obtained his doctorate in [scrolls back to check] psychosocial studies, and then was not put on the website or was withdrawn some time before today, as Parkmore institute ended their affiliation with him, as per this bit in their application form

A shame, really. If John had been affiliated with the Parkmore Institute, it would give a shred of legitimacy to anything he writes to anyone just skimming.

Now, I would love to get in touch with the Parkmore Institute and ask to see John's doctoral work, which they DO have, since the application for also has this very interesting section:

(definitely very legit, very normal).

But I am not sure how I would even phrase that request without transparently going

"hey, would love to see what bullshit research is being done over there, since one of your graduate decided to go all Handmaid's tale for the last 2 years".

If anyone feels like sending that email, I am begging you to keep me in the loop.

3. Back up, back up, what's up with that article?

Remember the article where he was listed as a "PhD Fellow"?

Well, about that... No. Welcome to the world of predatory publishing, one more cog in the Bullshit Academic ecosystem.

First: not at article. It's a "commentary". Could be worth something ia good journal, but still would not be a piece of research. But that is the least of its sins.

Its sins are being published in a journal called "Sociology and Criminology-Open Access", by a publisher called "Longdom". Longdom publishing has a bunch of journals on a lot o different fields, with the particularly of being predatory; they will publish absolutely anything you send them, as long as you pay their Article Processing Charges:

There are entire lists of Predatory journals on the web, you can find on here and another here , Longdom Publishing is in both.

This is how John can publish this last minute, Redbull-and-weed-induced essay in an actual journal, with an abstract that, I kid you not, finishes with "Please find the paper attached." He slapped together a shitty essay about people in India are poorer and therefore more likely to exhibit psychopathic traits and therefore engage in corruption, purely base on vibes. It does not even deserve be given any consideration, not even to be debunked. There is nothing to be debunked. This would be a failing grade for a 1st year intro class.

CONCLUSION

On the surface, John Mac Ghlionn is the poster boy of failed edgelords who really wish they were Jordan Peterson, but unfortunately are just Doug, the guy for 10th grade who failed the Literature class and decided it was because litterature was too woke today anyway.

Beneath the surface, John is a case study in Scam Academia, and the proof that no matter how bad actual academia is, Scam Academia can always get worse.

A quick checklist to go through whenever someone claims be a researcher, an academic, a fellow, a doctor, a PhD or anything of the sort:

What is their affiliation? Is this a legitimate organization?

Do they have a PhD? Another doctorate degree? From where?

Have they published ? Where is it published?

[weezer-weeboo-original-content]

I had another perryshmirtz dream so I’m documenting it here (usually I just tell my bestie about my crazy dreams but she’s not a perryshmirtz shipper. It’s ok tho, she lets me yap about Batman lore)

First thing I remember is for some reason Doofenshmirtz was at phineas and ferb’s house and the whole gang were trying to help him out (he was trying to get ready to give a speech why excepting an evil award or something)

They all watched him practice his speech witch of course ended with “and i will take over the entire TRI-STATE AREA!”

He then looked at them expectantly and they all looked unimpressed. Isabella said he “didn’t look intimidating enough” Everyone agreed and eventually reached the conclusion that it is because he’s short. Doof then informed them he is in fact not short he just slouches.

Then phineas pulls out a book that says “how to manifest being taller” and starts reading it out loud. It’s all just positive affirmations about how great it would be to be tall. It says stuff like “imagine being so tall you could lord it over your enemies” the page also had a photo of Zim from Invader Zim in huge platform boots that made him 1/3 taller and he was standing on the earth laughing evilly.

Doofenshmirtz stops slouching and does the speech again. This time everyone loves it. The second he’s done he immediately slouches again and slides down a wall onto a floor and says how exhausted he is just from standing up straight for that short while.

“That’s ok you only have to stay standing up straight for the speech” phineas says pleasantly

“Good because I’m not used to being straight” Doofenshmirtz doesn’t mean it like that and nobody got it but he laughs a little bit to himself

Doofenshmirtz then announces that he hates everyone that’s showing up to this ceremony and he plans to give his speech, get his trophy and then blast everyone with his Mud-inator, ruining everyone’s fancy outfits they wore.

He goes to turn on the mud-inator to demonstrate, but just as it goes off and get mud everywhere, the kids can’t see so Perry kicks Heinz’s Mud-inator, landing it in mud of course where it short circuits and explodes (it was not mud proof)

This blasts Doofenshmirtz out into the backyard where he ends up covered in mud and bits of exploded house. Doofenshmirtz is now in swim trunks for some reason. Perry hands him a house to wash off before tipping his Fedora and running off. The hose then blasts doof in the face causing the water to hit the wall next to him and wash off the mud on part of the wall to make it read “Perry”

Doof: “wow really?”

*water* blasts again this time living a little heart by Perry’s name

Doof: “awww”  

Yeah, i don’t know either. My bestie always tells me it’s like I snorted a line of crack before I go to sleep and honestly, she’s right.

[folk-enjoyer]

Song of The Day/history of cotton eyed joe

do you want the history of a folk song? dm me or submit an ask and I'll do a full rundown

"Cotton Eyed Joe" Terry Callier, 1963

As a disclaimer, "Cotton Eyed Joe" is my least favorite American folk song and I'm going to talk about why, and I'm going to talk about why Terry Callier's version is subversive and good.

The Earliest date we have for the song's origins is from 1882 when it was Published in "Diddie, Dumps, and Tot, or, Plantation child-life" by Louise Clark-Pyrnelle. This book is a nostalgic recollection of her childhood as a plantation owner's daughter. She reminisces fondly about slavery, missing the old plantation days. Honestly, some of the quotes within this book are beyond parody, in one sentence she says "... My little book does not pretend to be any defense of slavery" and in the next sentence when referring to the morality of slavery she writes, "there are many pros and cons to that subject", later at the end of the chapter she laments about the forever lost emotional connection between the Masters children and the enslaved people. hate this woman and her little book.

It is also important to note that this book goes out of its way to caricature black people, throughout the book she exaggerates accents and dialects to dehumanize them. This is a recurring theme in early publications of this song. Another early publication of the song comes from Dorothy Scarborough in "On the Trail of negro folk-songs" 1925 who got it from her sister who also learned it on a plantation, in Texas. She writes "This is an authentic slavery-time song" This book, if you can believe it, is remarkably racist and dismissive of black music, even as a more "progressive" songbook of black folk songs.

In 1922, the song's history was documented a bit more extensively by Thomas W. Talley in his book "Negro folk rhymes". He writes that it has "deep roots in black traditional lore". Thomas W. Talley was also just a cool guy in general, this book is one of the first compilations of African American folk songs, and it has been a pioneering book in its field. Even today, this book is still one of the best sources for the history of African American folk songs.

So, this is a black song. This was a black song whose first wave of popularization was through the caricature of black people to be amusing for white folks. Let's move on to its second wave of popularization.

The song was first recorded in 1927 by "Dykes Magic City Trio" (all white band) then about a week later by Fiddlin' John Carson (white performer) then in 1928 by Pope's Arkansas Mountanaineers (all white band) then in 1929 by Carter Brothers and Son (all white band) and then it wasn't really recorded for a while because of the great depression and the war but the times it was recorded, it was by white people. We know this because it was mostly recorded by John Lomax and despite documenting southern folk songs, he almost went out of his way to avoid recording black people singing them. Then, in 1941, it was recorded by Burl Ives (painfully white).also covered by a few white country singers like Adolph hofner bob willis but I think you get the point. It wasn't until later that year that it would be recorded by a black person, performed by josh white in 1944-45, who covered it as a lullaby.

However, it wouldn't be until the 90s, during its 3rd wave of popularization that it became its most grotesque. "cotton eye joe" was recorded and released by Swedish Eurodance band Rednex in 1995 as a, to paraphrase reviews, 'Way to make fun of backwater southerners'. This song became incredibly popular throughout Europe and in the USA as well, charting as a number-one song in several countries, sometimes for weeks. Not only is this song incredibly classist, it is, whether by omission or deliberately, fundamentally racist, adding to the whitewashing of black folk and minstrelsy of black people. The attitude and humor derived from the Swedish version are the same as the version in 1882 when it was a "classic slave song".

So, why is Terry Callier's version important, why talk about it? Terry Callier's version is the first version of the song that I have heard and it is not a comedy. It isn't meant to be funny. It slows the melody down and draws attention to itself. It's almost a ballad, showcasing Joe as a tragic but mysterious hero, maybe a love song. His voice is angelic as well. Terry Callier once again, subverts expectations and creates something beautiful out of a song that has been so whitewashed and appropriated that no one remembers its tragic origins.

Thomas W. Talley

some other versions by black folks Josh white 1944-46 Nina simone 1959 The Ebony Hillbillies 2004 Leon bibb 1962 Ella Jenkins 1960 Josh White Jr 1964 Queen Ida 1985

[demigod-shenanigans]

Have not posted about mine and @queenjunothegreat’s next gen kids in way too long so: Pipeyna kiddie

-Her name is Emilia McLean. Her go-to nickname is Em. When she’s in trouble, Piper calls her Lea. Yes, she‘s named after Leo. He would not stop wailing when he was told about this.

-Em is Sofía’s best friend. She’s three years older than Sofía and they grow up considering each other sisters. (Good luck trying to tell Sofía they’re not sisters because they’re not related, she’s not related to her dads either and they’re still her dads, so checkmate)

-When they were small, Sofía followed Em around like a little duckling, insisting to play whatever Em was playing and do whatever Em was doing. There’s nothing these two wouldn’t do for each other. (Also yes I gave them matching earrings in different colors because they’re dorks and they would.)

-Em loves skirts and dresses and putting her hair up in fancy braids. Reyna’s got the braiding covered due to her time on Circe’s island, but when Em asked her moms to show her how to do her makeup, they were both sweating profusely because Piper hasn’t let anyone put makeup on her since she was twelve and Reyna’s just never really bothered with it? They spent like an hour trying to watch a makeup tutorial before giving up and admitting they need help. Hylla never lets Reyna live it down, but Emilia is thrilled because “the queen of the Amazons taught me how to do my makeup” is a pretty cool thing to brag about. (There was a discussion on whether or not to call Drew instead but in the end they settled on Hylla because they knew Hylla would be annoying but not as overly smug about it.)

-Drew absolutely takes Em clothes shopping sometimes because she’s decided Reyna and Piper are both useless. Piper lets it happen because it makes Em happy but is also fuming about it. Reyna is honestly just grateful to be getting out of clothes shopping lmao her closet is almost entirely made up of work outfits.

-Piper and Reyna have a rescue dog named Kitty (Em named her when she was three, in honor of that the name is spelled in all caps in all official documents) and Em loves that dog so much. It’s entirely mutual. Kitty is wildly protective of Em and will bite people if they so much as look at her weird.

-Leo is Em’s chaotic fun uncle and they get into so many shenanigans together. Jason is a significantly less chaotic uncle than his husband but somehow always ends up caught in the crossfire of their uncle-niece shenanigans.

-Leo being the chaotic fun uncle inevitably comes back to bite him when Em takes a page out of his book and starts getting into shenanigans with Sofía. Piper is absolutely cackling in the background.

Some more lore stuff under the cut since this is getting kind of long

-Em is actually the only next gen child named specifically after another demigod. This is both because Leo is close friends with her moms and because in a universe where names have power, choosing the name of the guy who beat the odds and quite literally rewrote fate—who defied death not once but twice so he could have his happy ending—is the greatest blessing Piper can think to give her daughter.

-Leo has thought of himself as a curse for a large chunk of his life. The concept of having his name used as a blessing is something he never fully recovers from.

-Speaking of names: Reyna’s bloodline and family legacy was meant to be intricately tied to New Rome’s survival. It ruined her life and took away almost her entire childhood. She happily laid her family name to rest and took Piper’s when they married. They mostly live in the mortal world and her ties with New Rome aren’t nearly as strong as they used to be when she was growing up, but there’s a part of her is terrified that this will come back to haunt her daughter one day. She never tells her daughter about Bellona’s prophecy. She won’t allow for her to grow up with the future of New Rome on her shoulders.

-Emilia is a natural leader. Aside from her general proficiency with various weapons, her main power is a sort of motivational charmspeak—not quite Piper’s ability to control others, and not quite Reyna’s ability to project her own emotions outward, but a milder combination of both that allows her to demand the attention of other demigods, instill confidence in those listening to her and rally her troops. Everyone knows she’d be a praetor at Camp Jupiter in no time, and it terrifies Reyna.

-But Em is a legacy of Aphrodite and Bellona both. She has a place at Camp Half-Blood as well as Camp Jupiter. And when the time comes for her to choose, she chooses Camp Half-Blood and goes back to live with her moms once the summer is over. Reyna nearly cries with relief.

-Maybe Leo’s name worked. Maybe the prophecy won’t be of any relevance until they’ve all long passed, many generations down the line. But Em strays from the path that seemed so set for her. She’s free, in a way Reyna never was.

[blood-n-candy]

The Tree that ruined Christmas...

My fav tree ever, Noël! I really like how snow came out :)

Below is my interpretation of its document/my headcanon lore:

Despite being first recorded in 1931, it is possible that M.A.H.C.T. has existed for as long as christmas trees have existed (mid 16th century circa)

There have been 12 incidents total, 9 of them involved the physical manifestation of Christmas-related media. The involved media are: A Christmas Carol, Santa Claus and Rudolf the Red-nosed Reindeer, Frosty the Snowman, The Nightmare Before Christmas, The Grinch, the Nutcracker ballet, the Polar Express, and Saint Nicholas from Christianity

In the 3 incidents that didn't involve media (something covered in pinecones, "fear of God", spawn of an "analog horror" VHS tape), real people have been damaged. The third one, where an anomalous VHS tape was created, was probably an attempt by Noël to expand its ability to start incidents instead of just relying on decoy presents

The last incident, involving Saint Nicholas, is the one that officially ruined Christmas. Now any incident from that moment forward will affect directly humanity with no media to tank the damage.

Since there have been 12 incidents, it is possible the 13th one will truly be the end of the world, as the christmas tree tradition was born in Europe, and in many european countries the number 13 is unlucky (either for christian or norse religious motives)

[chirp-a-chirp]

Ikepri: Chibi Pet Shop

Emma: One Leon please! *Holds Leon lion chibi tenderly in her arms*

Sales Clerk: Ah, a classic choice. Can I interest you in other chibi selections?

Emma: Oh no, I love my Leon, he’s—wait, what’s that? *Ears perk at nearby loud barking*

Sales Clerk: Hmm, the dogs are fighting again. *The Rio beagle and Silvio Dalmatian chibis circle each other, growling*

Emma: Shouldn’t you stop them?

Sales Clerk: Oh, they LOVE each other! *Silvio has Rio in a headlock, Rio whimpering and yelling “OW ARF OW!”*

Sales Clerk: You know, Silvio comes with a bejeweled collar. Included with purchase.

Emma: No thanks. One Leon please. *Lion Leon nuzzles Emma’s hand affectionately*

Sales Clerk: You like affectionate pets? Jin the Eagle would be wonderful!

*A green cloth materializes out of nowhere from Leon. He covers Emma’s chest protectively while shaking his head*

Emma: Aw, thanks Leon! I was getting kinda cold here!

Sales Clerk: Man, where does that lion keeping finding those green flags?

Emma: Anyways…Eagles are very majestic and awesome but they’re not my thing. Plus, you know, talons aren’t exactly cuddly.

Sales Clerk: You like cuddly? How about cats?

Emma: You mean like the LION here in my arms?

Sales Clerk: *Ignores Emma’s comment* Now where’s that sweet little Yves kitty I can show you….Here kitty, kitty, kitty…

*Sales Clerk walks around the store and nearly falls into a gapping hole in the ground. A cat hisses from the bottom of the pit, tail bristling. Licht the wolf is also in the pit, silently watching Yves*

Sales Clerk: CLAVIS! *A pair of golden eyes glow from atop a cabinet. The purple leopard smiles and flees, laughing*

Sales Clerk: Umm, do you like troublemakers? That leopard comes with a set of nets and shovels too, free of charge.

*Leon Lion jumps out of Emma’s arms and ties a number of green flags end to end into a makeshift rope. Yves kitty and Licht wolf climb up and walk away. Emma crouches down to pick the Lion back up, ruffling his mane*

Emma: I’m sure that leopard’s GREAT and all but—

Sales Clerk: TIGERS. We got premier tigers. Cream of the crop. VERY popular. Look at this white tiger! *Points to a majestic Chevalier tiger chibi, elegantly sitting in a chair reading*

Sales Clerk: And this tiger has EXTENSIVE documentation on his background and where he came from. Very detailed and thorough.

Emma: Yeah, I meant to ask about documentation. See, Leon only has a single page with the word “ROAR” on it. Do you have ANYTHING else regarding his background? Lore?

Sales Clerk: He’s a Lion.

Emma: How about what he likes?

Sales Clerk: Of course! *Hands Emma a single paper with “MEAT” on it*

Emma: Seriously?

*A black Tiger chibi with an eye patch slinks next to Emma. He puts something in Emma’s hand, grinning*

Sales Clerk: Oh, Gil LIKES you!

Emma: Ummm, this tiger just handed me a piece of paper with my address, last three jobs, and a list of all my allergies and food preferences. Has he been following me?!

Sales Clerk: He REALLY likes you!

Emma: Good for him! But I want—

Sales Clerk: Foxes? Snakes? How about a nice stag?

Emma: I don’t get it. Leon’s your poster boy. He’s LITERATELY on a poster on your front door. Why are you trying to get me to prefer other chibis?

Sales Clerk: *Blinks*

Sales Clerk: So, can I interest you in Gil—

Emma: NO! No eyepatches, no puppy butlers, no lone wolves, no tricks or traps! No blushy tsunderes, no salty dogs, no cold beasts!

Emma: ONE. LEON. PLEASE.

Sales Clerk: OK FINE.

Emma: THANK YOU.

*Sales clerk rings up purchase*

Sales Clerk: Oh, here’s your complementary bag of green flags. Leon goes through a lot of them.