#it is done.... *collapses*

[arielluva]

if only things had been different for you

id under cut

[ID] a digital painting of dahlia hawthorne and iris from ace attorney. their backs are facing each other, with dahlia on the far left of the picture, and iris on the far right. their hair is blowing towards each other, and connecting in the middle. dahlia is looking over her shoulder, with a neutral, but cold, expression. a single tear is falling from her eye, and her loose hair is blowing into her face. her right eye is not visible. white glowing butterflies are flying around her, and she has a noose around her neck. iris is facing sister bikini, who is off screen. iris is also crying, but bikini is wiping away her tears. iris's loose hair is blowing behind her, and out of her face. above dahlia and iris are two drawings of dusky bridge. above dahlia, the bridge shows the silhouettes of valerie hawthorne pointing a gun at terry fawles, who was holding a young dahlia hostage. no details can be seen on the figures. above iris, dusky bridge is on fire. underneath dahlia, there are red dahlias that are dripping blood, and under iris there are some irises. in the center of the picture, dahlia and iris as children are standing side by side. their hair is black and medium length. they have bangs and both twins have a braid going down the side of their head, dahlia's on the right side of her head, and iris' on the left. they are both wearing white dresses, white knee-high socks, and black mary jane shoes. both of their dresses are dirty, with dahlia's being slightly dirtier. [end ID]

[nobleriver]

The Doctor and River Song + Being A Besotted Old Married Couple

I’m all yours, Sweetie.  Only River Song gets to call me that.

Bonus:

[petricorah]

💘 💘 [id in alt]

[lystacre]

“We can rest now”

[crispinkiss]

did you know i have to draw the characters or ill die

[candle-scm]

the duality of Katara

[pointyfruit]

Happy (late) Valentine's Day @miwachan2 💖💞

HheheheHAHAHA

I want to say right off the bat (Get it?) that your designs are peak and I knew I was going to have fun drawing them since the very beginning. Your DCAs are so prettyy!!

I didn't know anything about the story so I kind of just winged it (Okay, I'll stop). My thought process was, "Hmm vampire.. vampire..... vampire like blood mmm.. vampire give real beating heart? Nooo too gore! hmmm.. vampire fancyyy.. vampire CASTLE!!! COURTYARD!!"

I started with this ⤵️

I chose Moon first because I'm a Moon lober. He's my shine. It's my rock. It's my wife. I love himb.

The idea was for Moon and y/n to have a chat (or rather, y/n yaps and moon listens) while walking through a courtyard in the flower garden. The camera was placed so only the viewer can see Moon's face. He has softened for them quite a bit.

Your y/n looks like the oblivious type, so they are unaware of this. They look studious and like some sort of investigator/explorer, so they're yapping about something they learned or something new they found.

It is mid-day. I don't know what his situation is but the fact that it's a vampire and, well, it's Moon, I figured the light wouldn't feel so good. I gave him a maAaAgicAlll umbrella with a veil to proctect him from the sun and any other light. Fancy how Moon went out of it's way to spend time with y/n in such a condition. He can get hurt. He could've been safe and comfortable in the dark but he chose not to.. Hmm...

Unfortunately, it was discarded because I couldn't get the perspective to look right. Trying to fix it felt unnatural so I decided to start a new one.

However, I did decide the keep the fancy castle theme. You got all this.. c a s t l e . . . with all this space. Surely, there is a ballroom in there. Naturally, as you do, someone would dance in them. Make the vampire. Dance. With y/n... Yes.

I started with this ⤵️

I chose to use Eclipse this time. The OOOs and AWWEs as I looked across the ref sheet peaked when I got to them. They're just so GRAND! I love the stars and shape of their cape and- I really wanted to do something with them.

I wanted it to be dramatic, so I looked through ballroom references for inspiration. I started off by drawing everything in black and white so I could work on my values. ⤵️

Honestly, I wish I wasn't shy about making things dark and gloomy. If I could change anything, I would make some values darker and others lighter. More contrasting stuff.

I added a new layer and changed it to some sort of overlay so I could color in the original instead of making a new one. ⤵️

Lineart felt unnatural that day so I had to do the classic old "throw a blob of color on the canvas and refine it until it looks like the Mona Lisa" ...or painting.. is the more popular term for it...⤵️

I don't have a proper screenshot but you can probably see. Eclipse and y/n are just refined blobs of color. Lineart was an afterthought.

I wish I could say it's just my style, but I gave Clippy little spirals in their cape purely for my enrichment. I like shapes.

Thank you again for being so patient with me. I was worried and the milk and cookie helped a lot! I hope you have a nice day and good food comes your way! 💖💞

[cj-kenobi]

On my knees begging for anything trans!Obi-Wan :') love your work btw

your wish is my comand lovely anon, here's obi-wan having a nice peaceful moment training

[starflungwaddledee]

a light shines through a cloud of colour fumes and i can feel the warmth of the sun

Gravity, let me go ♫⋆｡♪ destroyer - of monsters and men

⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☀︎｡ ⋆｡ ﾟ ┊ ┊ ┊ ┊ ┊ ┊ ┊ ˚★⋆｡˚ ┊ ┊ ⋆ ┊ ★⋆ ┊ ◦ kirbytober 2024 #01 ★⋆ dream // revenge // song

[halloweenorangesoda]

my entry of a sonic/amy/shadow bodyswap as seen in @eccentricglimpse 's fic Walk a Mile in My Shoes for the 2024 SONIC BIG BANG !!!! in a matchmaking mishap, sonic swaps with amy, amy swaps with shadow, and shadow swaps with sonic. (i also included my interpretation of a 2nd swap not shown in the fic, because i couldnt resist drawing shadow as amy) check out @frostios and @peachy-keenss for other fanart of this fic!!!

i am so thankful for the mods of this event and all writers, artists, and readers involved for fostering an incredible environment. this was a blast to be apart of, i cant see what the future brings. CHECK OUT @sthbigbang ❗❗❗❗❗❗ RAAAAAHHHHH

[megamindsupremacy]

The Batfam ranked by how good they are with kids (ages 3-12):

Jason: the best with kids, and also the most low-key about it. the kind of adult that kids like because he talks to them like adults and doesn’t treat them lesser because they’re younger. If you dropped him in a room full of kids he’d be perfectly fine and able to handle anything that happened.

Duke: enjoys hanging out with kids but WILL panic if the kid starts panicking. If you dropped him in a room full of kids he could keep them entertained with his powers and stories and he’d have a good time unless someone starts crying, at which point it’s t-minus two minutes for Duke to find an adultier adult until he also starts crying from stress

Dick: theoretically good with kids but it’s all an act. Kids LOVE him so people assume he is also the best with kids of the batfam but he’s really just putting on a front. Drop him in a room full of kids and he’s kinda uncomfortable with how they’re all over him and love him so much but you wouldn’t be able to tell because he’s great at keeping them entertained

Cass: Ambivalent about kids. Can sometimes freak them out if she’s in one of her scarier uniforms but she can always calm them down. Very intense about children’s safety conceptually but in practice not great at interacting with them in-person. Drop her in a room full of kids and she can keep things from going insane but would rather not be in this situation without backup.

Steph: wants to be good with kids but simply does not have that intrinsic talent. Something just doesn’t click with trying to interact with them. Drop her in a room full of kids and she’ll do her best and feel really bad when the kids just aren’t vibing with her. Tries to not take it to heart but reminds herself that at least she’s not as bad as Tim.

Damian: kids really like him because he’s One Of Them but he doesn’t really like kids. In part because he straight up does not have the life experience to relate to kids around his age or comfort kids younger than him. Will go through the motions of his training and rattle off scripts and stuff but really would rather not interact. Drop him in a room full of kids and he is the center of attention and everyone is fascinated by him but he just Really Wants Out

Tim: so insanely bad with kids. he’s learned the psychology and done the training and memorized the scrips and stuff but he is simply bad at all of it. Kids sense his negative aura and flee in the other direction. Drop him in a room full of kids and everybody including him will be screaming within five minutes.

Bonus:

Bruce: absolutely loves kids and kids are quietly fascinated by him. On par with Jason in terms of “good with kids”. Not an entertainer like Duke or Dick but really good at empathizing with kids, especially if they’re going through a hard time. Drop him in a room full of kids and within thirty minutes he’s separately told all of them his secret identity and sworn them to secrecy with a wink.

[jesuistrestriste]

Art gets post nut shakes

oouuuHHhhgg yea .

like as soon as he starts to cum, his entire body tenses up; all of his muscles tightening and clenching as he tries to stay conscious through the feeling of his orgasm..

his balls are pulsing with every hot sticky rope being shot out, and then his thighs lock up and tremble like he’s struggling to hold out against the waves of pleasure. he just becomes a total wreck.

+ if ur on a bed with him, the entire mattress shakes while he curls over and gasps for air; his eyes rolled back, his mouth hung open, his brows pinched together. he basically turns into a human vibrator— the base of his dick shuddering in response to the rest of his body’s jerky little movements..

i think he blacks out for half a second every time he finishes ! :)

[s1ck-pupp3t]

I love, Ms Paint. CHEERS!

OK real art dump over. Click MORE for Real dumb stuff

something something They faces killing me why nobody gaf. Its a Transparent .PNg! You can put them any where to Not Care About.

[sourapplesauces]

i miss my sillies

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

[girldriveroscar]

CARLOS AND OSCAR RAWDOGGING ON THEIR FLIGHT🤯🤯🤯🤯🤯🤯🤯🤯CARLOS HAS COMPROMISING PHOTOS?????🤯🤯🤯🤯🤯🤯🤯🤯🤯🤯🤯🤯🤯🤯🤯