#it doesn't really snow where i live
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little-pup-pip · 1 year ago
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White Christmas!!
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bread-is-my-life · 2 months ago
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Winter stainmight, winter stainmight! ❄️
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Plus a comic
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A silly headcanon of mine that is 100% canon/j is that Stain always has some spare pair of gloves with him ONLY because Toshi always forgets his 😭 I think after a while it will just become an ordinary thing for them. Just a small moment of Stain caring for Toshi hehehfd :3
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pa-pa-plasma · 7 months ago
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americans stop assuming winter sports are Rich People Things challenge (impossible)
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neoanedotheart · 5 months ago
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Lazy thing i wanted to do!!! they're just silly :3
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I think dave is a pretty princess and John is awkward
I'll be yapping below
I believe that Dave texts John right after he gets his ass handed to him DAILY. It usually plays out like this where they banter and Dave never really goes through the extent of explaining what thoroughly happens to him so John lives in forever ignorant bliss. And this leads Dave to feel like there's more of disconnect because he first of all doesn't really know how to articulate his feelings and second abuse doesn't seem like abuse to the victim. So he goes about everyday unknowingly yearning to be saved by someone greater than him, which is why I put the snow white reference at the end hehe.
Snow white as a fairy tale is extremely cliche, you got the prince in shining armor showing up conveniently on a horse and saving the girl. There's always this hierarchy placed upon the story where the damsel in distress is saved by a man, that man being portrayed as a greater being.
And with John taking place as the prince in this context paints him as this greater being. And I feel like a part of Dave envies and despises John for being this way, for being "perfect" or in a way. Greater than him.
The thing is in the original snow white story she's unconscious, that's undesirable. But it adds to the desperation of wanting to be saved, shining a better looking light on a person who isn't really there for reasons you want them to be. However John is a sincere person, it's more so the lack of communication or true understanding of one another that leads to this rift, this belief that John isn't there for Dave because he loves him, but because he's his friend and it's John's duty as a friend to save him. Which also brings me to the last line where Dave never corrects himself, and how he insinuates that he'll be unconscious due to being placed in a glass coffin much like snow white was when she was poisoned. He's at this stage where he doesn't want to be saved by an outer source, a greater person than him. He wants to be saved by himself he wants to prove worthy, but then conflicting within his mind is also this idea he isn't good enough to. We all know that Dave believes he isn't a hero and explicitly states John is the hero multiple times throughout homestuck. So he stays waiting.
John however, refers to Dave as Cinderella, Cinderella gets abused and put through plenty of torture from her step sisters and is saved through marriage of some person she just met. There's still this base line of being saved by man however there's this more mutual understanding of what they're getting into, a similar yearn for one another. Though he never caught her name he was still willing to find her, the real her. Which is John in this case, he probably understands he's missing something in the big picture but can never find out what and the best he can do is hope that the other half still held on to what they once were and was willing to share.
This is a pre-sburb interaction btw they're just unknowingly foreshadowing a shit ton.
Sorry if there's like bad shitty writing in here, I'm rambling and it's like almost midnight hehe
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sweetteainthesummerx · 6 months ago
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it's nice to have a friend !
★・・・・★・・・・ ★・・・・★
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nhl masterlist !
pairings: jack hughes x shy!reader, jack hughes x bsf!reader, nico hischier x platonic!reader, luke hughes x platonic!reader
warnings: mutual pining, fluff
summary: you gain a best friend and a lover, all in one !
song: it's nice to have a friend by taylor swift
word count: 3.3 k
notes: I love me a reformed bad boy! this is based on this request: here. I hope you like it!
★・・・・★・・・・ ★・・・・★
school bell rings, walk me home, sidewalk chalk covered in snow, lost my gloves, you give me one
"are you okay, miss?" a voice asks from behind you, and you jump.
it's a boy. he's real pretty, features the perfect balance between masculine built and delicate feminine.
you're so sure that you're fifty shades of red right now, but he smiles kindly at you.
"sorry, it's just you look really cold." he points at your hands, and the fact that your teeth are chattering.
you realize that you're still silent.
you hate that you're so painfully shy. it's especially hard after you moved from your hometown for work, where the little amount of friends had to bid you goodbye with worry.
sure, you talk to your coworkers, but it's not the same.
"I-i'm okay." you try to smile, but it comes out more like a grimace.
jack, you find out his name is, was raised by his mother to never leave a lady in distress (you almost laugh at that). he offers you his gloves, still warm from his own hands. you thank him quietly, and he grins wide, "you're welcome, sweetheart."
the sidewalk is still covered in snow, but he walks you back to your apartment building, where the two of you find out something else you have in common: you're practically neighbours.
he lives only 4 or 5 doors down from you.
he drops you off, brushing your fingers with his own bigger ones as he tells you to come find him if you need anything at all.
as he watches you enter the safety and warmth of your own apartment, he frowns.
why would he do that? normally he wouldn't care about this kind of stuff, but you looked so cold and down.
so when you offered him that sweet, shy smile, he melts despite the cold jersey weather.
it's weird, because you're very pretty, but he doesn't have the itch to fuck you and leave you.
he wants to know why you're here, what you do, you're favourite colour.
his phone dings with the notification of some instagram model he met up with a week ago. he sighs, turning back from his own door to go meet her.
for some reason, he doesn't want to go.
★・・・・★・・・・ ★・・・・★
"wanna hang out?", yeah, sounds like fun, video games, you pass me a note
you bite your lip, and retract your hand once more. you want to knock, but you...
just do it! you tell yourself, and you knock quickly, wincing.
a boy who is decidedly not jack answers the door.
"uh, hi?" he's tall, with curly hair and a lanky body.
you freeze up a little.
fortunately, jack pops up from behind.
he calls your name, with excitement and surprise. it makes something warm bloom in your chest.
"I brought you guys cookies?" it comes out more like a question, "I brought you guys cookies, because you walked me home last week."
normally, luke would be teasing his older brother - and the fact he was cheesing like an idiot still - but he smells the cookies first.
to your surprise, the younger boy grabs you by the wrist to drag you into the apartment, thanking you for the baked goods.
he offers you a hug, introducing himself.
you're a bit unnerved, but he's so cute, like a little puppy that you hug him back, patting his shoulder while stifling a smile. he reminds you a bit of your own little brother.
jack pouts. no way luke got a hug before him. so he sidles up to you, tucking you under his arm.
"wanna hang out with us? we're playing video games."
you don't know much, but you do know you like how he's looking at you, all soft brown eyes and crooked smile.
so you tuck yourself into the couch.
you find out a lot about both of them: they're brothers who play for the same nhl team - impressive - they can finish a whole batch of cookies in 20 minutes, and they have lots of friends.
people start popping up into the apartment, nico, johnny and so many more large, kind boys who hug you in greeting.
you almost don't mind, especially when jack texts you from across the room.
he's watching you from the kitchen where you're speaking in choppy german to nico. he's worried, because the first time he met you, you were so shy and shaking in your boots.
you all good? I can walk you home if the boys are tiring you out
you look up, a small grin on your face as you shake your head at him.
you look so at home on his couch with his friends, that something blind and unfamiliar stirs in his stomach. he ignores an incoming text from the instagram model he met up with, in favour to watch nico explain german grammar to you.
★・・・・★・・・・ ★・・・・★
light pink sky up on the roof, sun sinks down, no curfew, twenty questions, we tell the truth
jack thinks you're an angel. he'd come back to the apartment after a really hard game, battered and bruised. you show up to his door like you have been for a while, sometimes when it's just the two of you, sometimes when many of the boys are there.
this time, you're holding a bag in your hands. he sighs as he opens the door, falling into your arms.
"oh-! jack, you're too heavy!" you exclaim, trying to hold his weight. he pouts, leading you to the couch. he pushes you down gently, and you let him.
he snuggles up to you, head cradled by your chest.
he waits for you to coo and fuss over him, because you're just so kind and he finds this unprecedented comfort in you.
you feel like home, despite only knowing him for a few months.
"you okay?" you ask, and he pushes his head into your hands. you smile, getting the message.
you finally scratch his head, and he practically purrs. he settles into you, full weight like a thick blanket as you push through his hair with your nails.
"there you go," you murmur, quiet and loving. he thinks you'd be a good mom someday, and his heart twists when he thinks of you with someone else, making a home.
"can you scratch my back?" he knows he's being whiny, but you brush your thumb over his cheek and nod.
you're about to slip your hand under his shirt, but he sits up, tugging it over his head and returning to you like he always seems to do these days.
he slides his arms under your back, rubbing his head to your stomach.
you flush red, something unfamiliar spiking through your blood. he's all thick, soft muscles, unlike the vanity ones you see on some guys. raw, simple strength to take the hits and deliver them in his sport.
he's so handsome.
you scratch your nails down his back and he shivers.
"cold?" you hum, but he shakes his head.
after a while, he lets you get up because your legs are numb.
"you're too heavy," you grin again, and he complains that you're calling him fat.
he's ridiculous, with his abs under soft skin and big biceps. he still hasn't put his shirt back on.
"so, what's in the bag?" he asks, and you brighten up.
you dump it out on to the couch: it's face masks, eye masks and skin care.
"I like to relax with this, so I thought maybe you would like it?" you ask shyly, "we don't have to-"
"no!" jack exclaims, throwing everything into the bag and standing, "I want to. see what the hype is about."
he's seen the cute couple pictures online with the girl doing the guy's skincare; something about you suggesting it makes his feel ten feet tall.
so that's how he ends up with you on his bathroom counter, himself between your legs as you rub shaving cream onto his face.
"you better not slice me up," he pokes your tummy, and you giggle.
"don't worry, jackpot," you use his nickname, "cant' have the fans mourning your pretty face."
you carefully shave off his stubble, eyes concentrated.
you're so close, and you smell you, and you're so careful with him he wants to kiss you and give you his heart.
you hold his hair back as he washes his face. the act is so intimate, and the whole scene is so domestic that it makes him homesick for something he's never had.
"okay, so I'll put the eye masks on you first, then the clay one."
it's actually pretty relaxing, he has to admit. the eye masks are cool, and the clay mask is a little tight, but he likes to see you smooth it onto your own face, matching his.
he takes his phone, and you slide under his arm, linking yours around his waist.
the both of you smile wide for the mirror selfie, and he makes it his lock screen.
after both of you wash the masks from you - admittedly smoother - skin, he orders a pizza, and you make your way up to the roof.
the light pollution is too bad and he knows that the stars won't be visible, but the pink-inked sky is pretty as your smile.
the two of you talk about everything and nothing: some trick he managed to pull during practice, your co-workers pending divorce, something funny his mom said.
he wishes he could stay here forever, with you.
you, with your soft hair and smile, his too-big hoodie over your shoulders as you lean on him.
he likes seeing you all sleepy and vulnerable, answering his questions quietly.
"do you want a boyfriend?" he asks as the sun goes to bed.
"of course I do," you murmur, "but I just want the right person, at the right time."
he smiles at that. he wants to be that person for you.
★・・・・★・・・・ ★・・・・★
you've been stressed out lately? yeah, me too, something gave you the nerve, to touch my hand
"oh, shit." you swear softly, and sophie, your co-worker turned best friend - don't let jack hear that - apologizes.
"sorry! sorry! don't move, bro!" she rubs where the curling iron touched the back of your neck.
"that's gonna leave a mark. I'm sorry, sweetie." she fusses, and you tell her it's okay.
luke and jack are having a party for new years at their place, so you and sophie take that chance to dress up for once.
your makeup is done, so is your hair. you have to admit, sophie's done a real good job.
"yeah, dude. we look hot."
you're wearing a pretty red dress, with thin straps and material that clung to your body.
you were unsure, but Sophie hyped you up enough for you to put it on, and you felt really confident.
except you were a little scared at how short it was.
"hey, girl!" luke exclaimed when you entered their apartment. "you look great. hey, soph!"
he handed you both a drink, scurrying off to greet someone else.
the two of you link hands, trying and laughing while bulldozing through the crowd to get to the living room.
some guy catches soph's eye, and you encourage her to go off and talk to him.
nico finds you, being pushed around by the throng of people, and tucks you under his arm like your a football.
you giggle a little as he manages to navigate the way. jack's sitting on one of the arm chairs, and his eyes brighten when he sees you.
"special delivery!" nico pats your head like he would to his little sister, and you roll your eyes good-naturedly.
the only thing between you is many half-drunk hockey players and drinks on the ground. nico is about to pick you up like a cat, but jack hops his way over, swatting his hands.
"I got it, precious cargo, after all." he slips one hand under your thighs, and another arm wrapped round your waist so you're pressed against his vertically.
you cling to his neck as he makes his way back to his seat, turning you in his arms to fit you onto his lap.
"you look..." he breathes into your ear, "you look gorgeous, baby."
"thanks, jack."
the night continues like normal, until between the sheer amount of people in the apartment and jack's chest pressed against you is making you over heat. as you laugh at one of johnny's jokes you sweep your hair over your shoulder to let your neck breathe.
you feel jack tense beneath you, and he lifts you to stand.
"I-i need a drink," his eyes are panicked and shaky. he bolts, and you stand to go after him. nico and Luke call after you, concerned.
you find him on the roof, leaning over the banister, shoulders shaking.
"jack, honey?" you ask, slipping a hand between his shoulder blades, "do you feel sick?"
the cool air makes goosebumps rise on your skin, even more so when he turns to you, teeth grit.
"no, m'fine. go back to the party."
"not until you tell me-"
"why didn't you tell me you were seeing someone?" he blurts out, refusing to look at you.
"huh?" you ask.
"why didn't you tell me? I thought we told each other everything."
"what are you-"
"you don't need to pretend. I know-" he shudders, like it's painful for him to say this, "I know you're..."
"jack-" you start, but he grabs your hands, new determination in his eyes as he draws you close.
"you should know that I'm in love with you. so you have options, baby." his lip is quivering, and his eyes are rimmed with red.
"I-"
"I could treat you better than he could. and I wouldn't hide it, either. we would be so good together..." he's rubbing the length of your arms now, trying to warm you up.
"we already work so well together. we're best friends and you make me laugh so much. you make me feel safe and tethered."
he continues, "and...jeez, baby, you're fucking gorgeous. I just want to press you against a wall and..." he's talking low and heavy in your ear, and you lean closer to him.
"please, just consider me. I wouldn't just leave a hickey on your neck behind your ear and not celebrate new years with you."
"what?" you asked, surprised, "no, that's not a hickey. sophie burnt my neck while curling my hair."
jack colours a brilliant shade of fire work red.
he just got all in his head, seeing you dolled up and loose, that when he saw the mouth sized mark on the smooth nape of your neck, his only thought was: that should've been me.
"fuck."
you've got a teasing smile on your face now, "you loooove me!"
"I am a dumbass."
"a dumbass who loves me." you grin, cupping his neck, smoothing circles over the skin there.
"my offer still stands," he tells you, winding his arms around your waist.
"yes. I love you too, you idiot." the people throughout the apartment building are starting to chant.
3, 2, 1, happy new years!
"happy new years, baby." he says, and he presses his lips softly, and sweetly to yours.
he's so delicate, trying to make sure everything is perfect.
and it is, because he's with you, with the promise of more forever.
★・・・・★・・・・ ★・・・・★
church bells ring, carry me home, rice on the ground looks like snow
"yeah, mom. I know, I've been eating good. my girl's taking care of me."
you hear jack's voice from where you're measuring rice in the pantry. he definitely thinks that the pantry doors are thicker than they are.
you smile, because he takes such good care of you too: he washes your hair in the shower, he carries and stocks your groceries, he always makes sure you're fed and warm when you're too stressed.
and he takes care of you in other ways that makes you warm and all liquidy.
"I'm gonna make her my wife, mom. she's...she's the one. yes, I'll bring her to the lake house for the summer, but I'll have to ask first. okay. bye. love you too."
by that time you've made it out of the room, closer to him. when he says wife, you drop the whole bowl of rice you were holding.
"did you hear that?" jack's ears are pink, but he's got a cheesy smile on his face.
"yeah. you have a really loud voice, honey."
"call me that again." he asks, as you come to stand between his legs as he sits on the barstool of the kitchen counter.
"loud voice," you tease.
he laughs, and when the two of you quiet down, he rests his head on your shoulder.
"I mean it, y'know."
"we've been only dating for like a month," you protest weakly.
"and I can't wait to see you walk down the aisle to me."
"will you cry?"
"no," he lies, even though he's getting a little teary just thinking about it.
"hmm." you kiss him anyways, and Luke finds you there 10 minutes later, still wrapped up together with rice all over the floor.
"you guys are weirdos." he rolls his eyes, making a face as jack kisses your lips again.
"watch it, mister. you're talking to your future sister in law." you joke, and luke jumps, reaching for your hand.
"dude, were you fucking with me?" he whines, "I got all excited too."
jack hollers something insulting his intelligence as you laugh, watching the two boys.
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feels like home, stay in bed, the whole weekend, it's nice to have a friend
jack kisses your forehead as he hands you a plate of food. you bite his cheek as he shrieks.
you laugh, sitting up so he can see his shirt that's practically falling off of your frame.
you and jack had a slow morning, the sun streaming over your naked bodies as you simply enjoyed each other's presence. around noon, he finally got up to shower.
you refused to join him because "no, the two of us showering together would not save water, it would probably waste more."
so he showered, sad and alone, and made breakfast after you went to clean yourself off.
now, watching you eat toast and watch his past game highlights from last weekend, he knows.
he knows it's going to be you, no matter what.
he knows it's you he wants to grow old with, and have three kids - two boys, one girl, he has the names all planned out - and that picket fence shit.
he knows it's you who'll take care of him with your soft hands and heart at the end of the day, and you'll be the one he'll protect and provide for too.
he knows that he loves you like the back of his hand.
and he knows you're his best friend, the love of his life.
so he knows that he wants to make you his wife.
he leans over to his bedside drawer and pulls out a box.
he got it the weekend after the two of you got together, and he's shaking as you turn to him with wide eyes.
"I love you. you're...you're it for me, baby. I want to spend the rest of my life with you, and I promise to keep you safe and warm and always finish your plate when you're full," he knows you too well, because your left overs are already on his plate, "and I just want all of you. will you marry me?"
"yes," you breathe, tackling him into the bed with a delighted whoop.
there's no other words to describe it, it's so nice to have you.
it's so nice to have you forever, now.
★・・・・★・・・・ ★・・・・★
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sanguineterrain · 12 days ago
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holiday spirit | jason todd
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Summary: Stuck at a shitty office party for your shitty job on Christmas Eve Eve, you’re at your wit’s end. The last thing you expect is to play vigilante for a night with the Red Hood.
Pairing: Jason Todd x fem!reader 
Word count: 7.2k
Warnings/tags: panic attacks, reader has anxiety, creepy coworkers, office party shenanigans, canon-typical violence, jason being both a menace and a sweetheart, attempts at humor, fake relationship, silliness!
the divider
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You’re grateful for a reason to escape. Someone announces that the lights on the obnoxious eleven-foot Christmas tree are burned out and you’re already on the elevator, volunteering to find spare lights. 
You hate these office parties. They’re just a way to play politics, show off fiancés, and reaffirm cliques. You wanted to skip it all together. But Mr. Emerson, your boss, had insisted that attending tonight’s party was mandatory.
Alma had told you about a hundred times to skip tonight, but Alma’s worked here since the Reagan administration and has too much pull to be fired. You, conversely, have been here eight months, and if you get fired, your next job is going to be as a henchman for a B-list Gotham villain. 
Being painfully ordinary and anxious is a toxic mix. Your doctor still thinks all your worrying is because of your menstrual cycle. He doesn’t believe in work-related stress.
So anyway. You’re just trying to get through tonight. And find some tree lights that work. 
You unlock the spare office where all the holiday junk is stored and turn on the light. 
The motherfucking Red Hood looks at you, one leg dangling outside of the window and one leg inside the office. He unclicks his harness. 
"Oh my God,” you say, hand frozen on the light switch.
Red Hood pulls his leg in from the window and steps into the office. He puts the harness in a duffel bag and roughly zips it, then tosses it unceremoniously onto the floor. 
"Oh my God.”
He glances at you, helmet eyes glowing. "No God here, just me.”
"Oh my God," you say again, near hysterics. "Oh my God, Red Hood."
"Always nice to meet a fan," he says irritably, brushing snow off of his jacket, flashing his holsters. Oh, fuck. That's a lot of guns.
"What, um—" You close your eyes, lick your lips, try to find your sanity. "To what do I—why—are you gonna kill me?”
"The fuck? You think I'd sneak into an office and kill someone in cold blood? What kinda operation you think I'm running?"
Your mouth opens and closes in horror. "Wh–I... I don't—I'm sorry, I didn't mean to offend you, Mr. Hood."
"Please, Mr. Hood was my father."
He laughs. You taste bile in your throat. 
Hood sobers. "Damn. Tough crowd. Look, sorry to freak you out, but I got shit to do. If you'll just point me to Hershel Emerson's office, I'll be on my merry way."
"That's m-my boss. Are you gonna kill him?" You can’t handle murder tonight. You’ll have a breakdown for sure. 
"Literally, what did I just say?" Hood throws his hands up. "Not one minute ago. I'm not killing anyone!"
"Yet?" you ask weakly, mind inundated with too many mob movies to watch your manners. You know what the Red Hood is all about. Everyone does. 
"No. I'm not killing Emerson. But he is a bad dude, so I gotta take care of business. Actually, I should kill him. He deserves it."
You squeak in horror. He raises a hand.
"But I'm not!" he says gruffly. "Respectfully, get a grip. You live in Gotham."
You swallow. "What're you gonna do to my boss if not kill him?"
Hood shrugs. "Eh, maybe scare him a bit. Mostly get intel to take him down. He's currently sitting on five million dollars of stolen life savings from clients."
You blink. "What?"
"Yup. What I really wanna know is which of his employees are in on it. He didn't do this alone."
Hood takes out a small roll-up pouch of what looks like lockpicking tools. You release your sweaty death grip on the doorknob, causing it to squeak. Hood doesn't look up.
five million dollars is ringing in your head. That happened here. Where you work. Your boss is even scummier than you thought.
“Is that a lockpicking kit?” you ask.
“Yup. Good eye.”
"This seems... illegal.”
"Well, I won't lie to you, most of what I do is. You won't be implicated though.”
He looks at you. You flinch. Even with the lights on, the Red Hood is scary as shit. 
"Yeah..." he says, shaking his head. "You wouldn’t do well in prison. I can tell."
Your chest hurts. "I don't think anyone does well in prison," you say, eyebrows scrunching. "Have... you been to prison?"
"Only to break out a friend. You ask a lot of questions."
"Sorry. Um, Mr. Red Hood—"
"Ah-ah. Call me Red. Or Hood. No Mister-ing."
"Okay.” You lick your lips, hoping he doesn't go back on his temporary no-kill policy. “Hood, do you think you could come later? After the Christmas party?”
He tilts his head at you. You keep talking. 
“Not that I don't admire what you're doing! Because I think taking down my boss for stealing money is great, eat the rich and all that, but, um, I came up here to get lights to replace the ones that burned out downstairs because that's a normal thing that happens and now you're here, at my job, and I'm freaking out. Oh God, oh my God—”
You grab the wall for stability, feeling like you've been rocking on a boat for hours. Sweat beads on your forehead. This time, you really do feel like you’ll throw up. Throwing up in front of the Red Hood would be humiliating. 
“Look, I got shit to do, okay? I'm sorry you're freaking out but your boss is gonna cash out in a few days and then I lose him and that five million. It's now or never."
You should've just stayed home and baked cookies. Fuck being social! This is what happens when you're social: you meet morally gray vigilantes who force you to be complicit with their crimes.
Your cheeks feel wet. Are you crying? Maybe it’s sweat. 
Hood points to the hallway. "Is there a camera outside?"
"Y-yeah.” Your voice is weak. “I think I’m having a heart attack. Can you call security on your way out?"
“Does your left arm hurt?”
“No, but—”
“Are your limbs stiffening?”
“No, but—”
“You’re not having a heart attack. Your speech is fine.”
Hood takes out a few more things from the duffel, then kicks it under a desk with his foot. You wheeze and grab onto the doorknob again. 
It’s quiet for a second. Then— 
“Shit. You're having a panic attack,” Hood says.
"Mm, probably," you say, hunched over like an armadillo. Fuck your stupid doctor. 
There's silence as you wheeze quietly. Then something small hits your head. You flinch and squeal.
"You don't need to throw things at me!" you say, beyond defeated, near tears.
"No, I wasn't—sorry. It's a Warhead. I have one when I'm feeling… not my best. They're s’posed to help occupy your other senses so the panic disappears."
You stare at the candy, confused and suspicious at once. "Is it spiked?"
"Again, what sorta operation do you think I'm running? It's not drugs. Look." Hood unwraps a Warhead and sticks it in his mouth underneath his helmet. You hear him suck on it. "Eesh, that's sour. Okay? No drugs."
So you take the candy from the floor, unwrap it, and pop it into your mouth. The sour taste immediately overwhelms you. It's like your brain resets. You pant through the sour.
"Ough," you say, face scrunching from the taste.
"Yeah, right? Life changing hack."
You suck on the candy desperately and close your eyes, trying to find your breath. 
“It’s okay,” Hood says, stilted and awkward. “Just, uh, focus on your breathing. Exhale longer than you inhale. Breathe through your nose.”
It takes another few minutes, but the feeling passes. Your chest lightens. It’s the quickest you’ve ever recovered from a panic attack. 
“I was just kidding about the prison thing,” Hood says. “You’re not gonna go to jail ‘cause of this, I promise.”
Yeah, but what if you lose your job?
You spit the Warhead into a trash can and smack your tongue a bit. “Are you sure you can’t come back tomorrow night?”
“No can do,” Hood says. “Your boss will be gone by then.”
“It's just that I'm really bad with keeping secrets and according to Google, that's how ulcers form and I really can't afford any sick days off, so—"
You yelp as the door suddenly swings open, hitting your shoulder. You spin around.
"Hey," Bill says, squinting at you. "Where have you been?”
"No!" you yell, and turn off the light. 
Bill stares at you, illuminated by the hallway light. “Uh…”
You clear your throat. "Ahem. I'm fine. It's just taking me a moment to sift through all these decorations. Please return to the party.”
You hate Bill. He’s a sleaze and doesn’t do any work. More than once, he’s trapped you by the water cooler in a conversation about his “smokin’” imaginary lawyer girlfriend.
“If you wanted me to come help you, you could've just said so," he says, reaching for the light, way too close. You don’t like his tone either.
"No!" you yell, blocking the light switch with your hands.
"What the hell? Why not?"
"Because—"
There's a creak from the back. You wince. 
Bill immediately whips his head toward the sound. "Is someone here? Hello?"
He reaches for the light. Again, you block him, swatting his hands away.
"Would you stop—is someone here?"
"My boyfriend!" you blurt.
Bill stops, looking at you. "Your boyfriend? You've never mentioned a boyfriend."
"Well, I have one and he's here."
"Okay. Why can't I turn on the light and see him?"
"Because he's... um..."
You spot the red Santa suit out of the corner of your eye. 
Oh, this is a terrible idea.
"He's changing! He's our Santa for the party. Surprise!" You make weak jazz hands.
Bill looks into the dark where you're pretty sure Hood is hiding. You hope, anyway. Otherwise Bill is going to tell everyone that you're making up boyfriends. "Really?"
"Yeah, really," comes Hood's unmodulated, deadpan reply, and you jump. "Don't turn on the light. I'm naked."
"Oh..." Bill looks queasy for a moment. "Uh—" He looks at you and suddenly grins. "Oh, I get it. You two were having fun before going to the party, huh? Didn't know you were such a wildcat."
"That’s disgusting,” you say. “I would never do that in the office.”
Bill wiggles his eyebrows. "Me-ow. Does the Santa thing turn you on?"
"I'm right here, Bill, and naked or not, I'll kick your ass," Hood says.
Bill pales and quickly backs out of the room. "Right. Sorry. Uh, carry on."
He closes the door. You push your back against it and exhale, heart racing.
"Bill is a shithead," Hood says. 
“How… do you know his name?”
“Employee background check,” Hood says mildly. 
"Oh… yeah, he's been written up a bunch of times for inappropriate behavior, but he's close with Emerson, so he never gets fired."
"Want me to kill him for you? Free of charge."
"What? No! Hood—"
"Oh, relax. I was kidding."
"Uh-huh." You turn on the light. Hood has his helmet on, and his voice is modulated again. "What're we gonna do?"
"Well, I'm gonna go make sure Hershel doesn’t fuck off to Bermuda. The lights you wanted are here, by the way."
Hood tosses you a box of multi-colored tree lights. Then he walks toward you. You plaster yourself across the door.
"Wait! You can't leave. I said that my boyfriend is going to be Santa. Bill will tell everyone. They’ll expect you.”
"I appreciate your quick thinking, but that's a hard pass,�� Hood says.
"You can't leave now! Bill's gonna tell everyone I'm a liar and they'll think I was up to something worse in here, like snorting coke."
"I mean this gently: I think you should look into anti-anxiety meds. My brother swears by Xanax.”
“My doctor won’t prescribe it to me,” you say glumly. “He thinks my anxiety is made up.”
“Huh. Want me to kill him? I know a better doctor.”
"Well…” You hesitate, then shake your head. “No! No. Hood, please. They’re all gonna expect a Santa. And when I don’t show up with Santa, they’ll remember that I didn’t participate in White Elephant or any of that other office nonsense that I don’t want to waste my money on. I need this job!”
“They’re not gonna fire you for not doing White Elephant,” Hood says. 
“You don’t know them! It’s a popularity contest.”
But Hood is indeed disinterested in the fact that you'll be the office pariah. Probably because he’s never worked in an office. 
Instead, he ushers you aside without a struggle. Then he turns the doorknob.
"Wait! Wait, listen. If you dress as Santa, you'll have access to the party and offices. You won't have to sneak around. And people get really drunk at these. They'll talk. You can figure out who's helping Emerson steal money."
His hand pauses. He looks at you. You look back, wringing your hands.
"You're pretty crafty," he says. 
"...Thanks?”
Hood releases the doorknob. "Alright, fine. I'll do the Santa shtick.”
“You will?”
He tilts his head. “Should I not?”
“No! No, you should. It’ll be a good disguise.”
He hums. “Sure. But we're in this together now, got it? You blow my cover and we both go down."
"Y-yeah, got it."
Hood heaves a gusty sigh. "Next time, I'm sending Roy in to do this shit."
"Who's Roy?"
"Ah." He holds up a finger. "Too many questions."
He makes a beeline for the Santa costume and then looks at you expectantly.
"Yo. Boyfriend or not, you're not watching me change. Guard the door, Mrs. Claus."
"Oh, right. Sorry."
You turn off the light and go into the hall, shutting the door behind you. It's empty, luckily. You rap your fingers on the box of lights, leg jiggling. 
This is insane. You should just tell Hood you can't do this and let him figure out his own plan.
But then... this would make it easier to find Emerson's crime partner. And you're really sick of Bill being a jerk. You don’t want to be called a liar, or get iced out for the rest of your time here because you didn’t bring Santa. Maybe having Hood be your Santa-boyfriend would make people leave you alone. Which is a crazy reason to stick to this plan, but still. You're trying to find the bright side.
And all those people that Emerson stole from... surely, you have a responsibility to help get their money back and bring him to justice, don't you?
The door swings open. You turn around.
“You wear a mask under your helmet?” 
“As a precaution.” He sounds defensive. “Lots of people in my profession do it.” 
You doubt that. “Don’t you think it’ll be weird if Santa has a mask on?” 
He hesitates, evidently debating between protecting his identity and arousing suspicion.
“Fine.” He carefully peels off the mask and tucks it into his pocket. The surrounding skin is slightly pink from irritation. His nose and cheeks are dotted with freckles. 
And wow. The Red Hood has beautiful eyes. So vibrant and clear, like seafoam. And young! How old is he, anyway? He doesn’t look much older than you, if at all. 
His eyes are framed by thick, dark lashes, and it makes sense, Hood being a brunet.
“What?” he snaps, glaring.
“Nice eyes,” you blurt.
His brows furrow. You remember the guns.
“Um, anyway. Should we go?” you squeak out, backing away.
Hood huffs through the beard. It flutters. "We need to have some ground rules."
"Okay."
"First, you should know that I will shoot if there's a physical threat at this party. Two, you're gonna call me Todd at the party. Three, if you try to tell anyone that I'm Red Hood or that I'm taking down Emerson, I will make your life hell. And if you're his partner, you'd better tell me now or I'm gonna be a lot less jolly."
"I'm not!" you say. "I would never do that. And I won't tell anyone you're Red Hood."
"Good. Let's go. Keep your ears open for hints about Emerson's partner."
He takes off in long strides. You hurry to keep up. The Santa costume doesn't slow him down.
"So how did you find out that Emerson's stealing?" you ask.
"Got a tip. You really didn't know he was stealing?"
“I don’t have access to the finances. I work in user interface. Website design.”
"Yeah? That's pretty cool. I got a brother who's into that stuff," Hood says.
"The same one who takes Xanax?”
“Would you believe it?”
You try to picture Red Hood with a regular family. With a brother or a sister or a father. It's hard to imagine.
“How come you don’t take anti-anxiety medication?” you ask. 
“I have Pit Madness Syndrome, and it has a weird chemical reaction with that stuff.”
“Oh.” Subject change. Quickly! "Do you celebrate Christmas?" 
"Not really. I'm not a believer or celebrator of much. You can see what my plans are two days before Christmas."
"Your family doesn't celebrate?"
Hood just grunts, eyes suddenly stormy. You take the hint and stop talking.
The room where the party is isn't particularly special. It's big enough to fit about a hundred people. For all the money the company makes, you'd thought that they could afford to splurge a little and rent an actual hall. Now you know what the profits have been going toward. But the decorations are decently lavish.
"Oh, wait." Hood leans in to speak in your ear. Lightning shoots down your spine. "I don't know your name."
You give it. He repeats it, and you shiver, like your boyfriend just said your name.
"'Kay. Stay in this room. We don't know how much Emerson or his partner knows, but assume they’re willing to do anything to get away with the money."
You nod. “Got it.”
“Hey, it’s Santa!” Bill shouts from across the room. “He made it!”
You smile tightly. “As promised.”
A few people wave. Others cheer. 
“These people really like Christmas, huh?” Hood asks.
“You have no idea,” you say, hyperaware of his hand brushing your back.
“Don’t think I got your name, man,” Bill says as he approaches. He sticks a hand out. “Bill.”
“Todd,” Hood says, taking his hand and shaking. Bill winces at the handshake. You hide a smile.
“Ah, Todd. Right.” Bill looks at you, trying to subtly soothe his hand. “You’ve never mentioned him.”
You shrug. “Never came up.”
“I’m pretty private,” Hood says, putting an arm around your shoulders. “But we’re very much in love. Ain’t that right, baby?”
“Th-that’s right… honey,” you say, face going hot.
“So what do you do for work?” Bill asks. “My girlfriend’s a lawyer.”
You roll your eyes. Hood snorts.
“There’s no way you’re dating anyone. You look like you got dressed in the dark, Billy.”
You cough your laugh into your arm. Bill’s eye twitches.
“Enjoy the party,” he says icily. He glares at you, then stomps away.
“That was amazing, but I think Bill might retaliate,” you say. 
“Don’t worry ‘bout him,” Hood says. “I’ll take care of it.”
You look at him with big eyes. “Hood—”
“Not like that. Just… it’ll be handled. Okay?”
You nod. Maybe it’s insane, but you trust him. “Okay. Want some punch?”
Hood hums. “No alcohol. Thanks.”
You go to the punch bowl, a little relieved to escape Hood’s piercing ocean-eyed stare. He’s intense. Whoever dates him for real is in for a ride. 
Then again, you can’t imagine Hood meeting someone for coffee or dinner. You giggle at the image of him showing up with his guns and helmet. 
“Hey, IT.” A woman in a white sweater you’ve seen maybe once waves at you. “Cool idea, bringing a Santa.”
“Yeah, Emerson’s too cheap to,” the man next to her says. They laugh.
You smile. “Glad you like it.”
You serve yourself two cups of the alcohol-free punch. Then you turn. 
Your smile falls. Across the room is Hood and Tanya Donaldson, resident shit-stirrer. She’s trying to cozy up to him. You sigh and walk over, bracing yourself.
“Hey, baby,” Hood says, practically dragging you into his side. He takes a cup of punch. “Just met Tanya.”
You can guess exactly how he feels about that.
"Oh, is he your boyfriend?" Tanya asks, eyeing Hood like he's a slab of steak. “I had no idea!”
"Uh-huh," you say. "This is Todd."
She wiggles her fingers, grinning. “So how often do you go to the gym, Todd?” She rests a hand on Hood's arm. "I didn't know Santa was so big and broad."
Your gaze drifts to where you're pretty sure Hood has a gun strapped to his ankle, and the temptation does appear, you won't deny.
But you need this job and it's going to be really hard to explain why Santa's armed and dangerous, so you just grit your teeth. Tanya's the worst for this kind of behavior and she doesn't respect you, so bringing your hunky boyfriend is like dangling a bunch of carrots in her face. 
And it’s not like Todd is actually your boyfriend. 
"Are you flirting with me in front of my girlfriend?" Hood asks, prying her hand off of his arm.
"Flirting?" She claps a hand over her mouth, the movement slightly delayed from all the wine. "No, oh my God! I was just saying—"
"That's really pathetic," Hood says. "Don't do that."
He walks away and you follow, leaving a wobbly Tanya on her own. You smile to yourself.
"Thank you for that," you say.
Hood gives you a thumbs up. "I can plant evidence on her and get her fired if you want."
"No, I don't want to feel damned for eternity. Thanks anyway."
"You have a lot of assholes at your job," Hood says. "But you're not one. I admire that.”
You sigh. "They're not all bad. Alma is cool. She keeps me from quitting.”
"And where is she?"
"At home. She's a sixty-two year old accountant who doesn't care about these parties. Her hip aches when it's cold."
"Mm. Maybe you should follow her lead," Hood says.
"But then who would help you with your spycraft, Hood?"
He allows himself a tiny laugh at that. You wonder how often he laughs. If ever.
“Well, suffering Tanya wasn’t in vain. She said this whole party cost twenty grand.”
“So?”
He gestures grandly. “Does this look like it cost twenty grand to put this together?” 
It's true. The alcohol is the most expensive thing here. No food, except for some people that participated in the potluck, but you don't trust anybody's food here. The decorations are old. Not to mention the Red Hood as your Santa. Your boss might have spared a thousand for tonight. No more. 
“So where did all that money go?” you ask. 
Hood snaps his fingers. “Bingo.” 
“That is so shitty. I got a chocolate-covered pretzel as my Christmas bonus,” you say. 
“A bag of ‘em?” He shakes his head. “Pretty cheap.”
“Ha, no. No, I got one big pretzel. In a box. The box cost more than the pretzel, I think.”
His eyes widen. “Jesus. Even I give more than that to my guys.”
“Got any openings?” you ask, half-joking. 
Hood snorts. “Don't think you'd like what we do. Why d’you stay?” 
You shrug. “Nowhere else to go. I have to eat somehow.” 
“Crappy boss, crappy coworkers, no Christmas bonus. Hell, I feel sorry for ya.”
The Red Hood feels sorry for you. Perhaps you've reached a new low. 
He drinks the punch and coughs. “Ahem, wow. Did you make the punch?”
“No, some people mixed it here.”
“Oh, then I'll be honest. Tastes like a flavor that's not found in nature.” He throws his cup away. You trust him and set your still-full cup on a table.
“I won't even mention the potluck,” you say. 
“Yeesh. Can't eat at everyone's house.” 
“That's what I say!” 
He winks at you. You look away, flustered. 
The crazy thing is, you could get used to this. Well, not specifically Red Hood, but having a boyfriend to bring to these functions, who’ll warn you against gross punch and defend you against Tanya. 
And Hood is surprisingly good at this. If you forget the past hour, you can almost pretend that this is just another office party that you happen to be spending with your new boyfriend. 
"Hey, look! It's Santa! Dude, check me out with Santa!"
One of the finance guys who's very drunk—you want to say that his name is Matt—bounds up to you and Hood. Hood tenses, reaching for his hip (gun!) and you touch his elbow, reminding him to relax. He drops his arm. 
Matt reeks of alcohol, the front of his shirt stained with bourbon. He laughs, forehead shiny with sweat.
"Santaaa, hey, Saint Nick, take a pic with me, man!"
Matt throws his arms around Hood. Hood does not like that and shoves him off accordingly. But Matt doesn't seem to notice and holds up his phone, camera facing front. Hood slaps the phone out of his hand.
"No pictures," he says.
You wince. The guy stares and blinks, taking three to five business days to process what just happened.
"What the fuck, man? That was my phone!"
"Sorry. I'm drunk." Hood sighs like he's physically in pain, then leans back and makes drinking motions with his fingers. "Fuckin' wasted! Did you try those rum shots? Lit, dude!"
The guy cheers up, forgetting all about the phone. "Oh, yeah, for sure! I'm gonna go get one right now! Thanks, Santa!"
"You do that!" Hood says cheerily.
As soon as the guy leaves, Hood returns to his resting scary face.
"Wow," you say.
"I know. I threw up in my mouth a little."
You laugh. Hood grins. Then it fades.
"Damn it. We're getting no closer to finding Emerson's partner. I should just interrogate Emerson until he tells me."
Interrogate makes you feel woozy. You're pretty sure you know what Hood's idea of an interrogation is.
"Wait! We just need to lure them out. If they think their money might be in jeopardy, they'll sneak out of the party to go check on it, right?" you ask.
"Potentially, yes. But how do we lure 'em?"
"There's an alert if someone withdraws more than ten thousand dollars from the company. But I don't have access to the accounts," you say.
Hood smiles slowly. "You don't need it. Remember I mentioned my computer whiz brother?"
"Yeah…” You grimace. “This sounds illegal again.”
"Hell yeah it is. He owes me a favor too. Lemme call him."
You two go off to the side while Hood dials.
"Yeah?" comes a voice on the other end. He doesn’t sound at all like Hood, more like a one percenter from the Diamond District. This is Hood’s brother?
"Aliases only. I need you to withdraw fifty grand from Emerson Corp,” Hood says. 
"Why?”
“‘Cause you owe me a favor. Just do it.”
“Zombie breath.”
“Shortass,” Hood says, voice taking on a distinct older brother tone. 
“You’re such an asshole,” the voice says. He yawns. “B’s wondering if you’re coming tomorrow.”
“I’d rather die again,” Hood says. “And you can tell him I said that.”
“The broody emo bullshit is getting old, dude,” the voice says.
You giggle. Hood looks at you sharply. You press your lips together, properly chastened. Sorry, you mouth.
"Who's that?" the voice asks.
"No one," Hood says. "Did you do it?"
"Chill out. I'm getting past their firewall. So who is that?”
“It’s the TV,” Hood says.
“No, it’s not. That was a lady's laugh, IRL. And you wouldn’t lie if it was someone we know…”
“Mind your damn—”
“I’m helping him with a case,” you blurt. 
Hood throws his hand up, glaring at you. It’s silent on the other end of the phone for a solid ten seconds. Then…
“Holy shit,” Hood’s brother says. “You do have a girlfriend. Wait. Hold on. This is wild. You don’t even have a social security number.”
“I do not have a girlfriend!” Hood snaps, drawing the attention of some coworkers. You nudge him. He exhales through his nose.
“I don’t have a girlfriend, you little fucker,” he says, quieter. “She’s telling the truth.”
“Can I ask your girlfriend a question? Respectfully, what were you thinking? You can do so much b—”
“Text me when it’s done,” Hood growls and hangs up.
You look at each other for a moment. 
“You didn't hear any of that,” Hood says. “Got it?”
“Got it.” 
“Good. Let's see who gets scared. He should do it right about…” 
His phone beeps. You look around the room. 
Soon, your culprit reveals himself. Matt!
Holy shit. 
"He didn't want a picture," Hood says slowly. "He was frisking me! Motherfucker."
"But isn't he drunk?" you ask.
"No." Hood sighs in disgust. "How did I miss that? Br—someone I know does that all the time, spilling alcohol on himself so he smells like he's been drinking. God. Oldest trick in the book!"
"Do you think he knows you're the Red Hood?"
"No. But he might suspect something. Let's go.” 
You follow Matt out of the party. He's walking fast. Yeah. Definitely your guy. 
Down the hallway, Matt turns around and makes direct eye contact with you. You panic. 
“Hood!” you whisper. 
“I know,” he says. “Follow my lead.” 
Loudly, he laughs and puts an arm around your waist. “C’mon, baby, no one’ll know.”
And then you're being herded into a janitor’s closet. 
You stumble in, confused and reeling from how easily Hood plays the affectionate boyfriend role. He follows you in, shuts the door, and pulls the chain dangling from the ceiling. The single light bulb turns on. 
You take care to not knock over any cleaning supplies. You don't see the mop on the floor, however, and you trip backwards on the handle. 
Hood's reaction time is impeccable. He jerks forward to catch you, tugging you back on your feet with his hands on your arms. 
“Y’alright?” he asks. 
“Uh-huh,” you say, mildly mortified. “Thanks.”
He lets go. You shift on your feet. 
“How long are we gonna stay here?” you ask. 
Hood checks his phone. “Well, he should've moved on by now. Let's—”
The doorknob jiggles. You look at Hood in fear. His expression is similar. 
“Pretend!” you whisper, and that's all he needs to understand and move. 
You're expecting your arms around Hood, maybe exaggeratedly feeling him up. You are not expecting Hood to hoist you up by the backs of your thighs and press you against the wall. You squeal, arms shooting out to hold onto his neck. Hood's beard ends up in your mouth and you spit it out. 
The door swings open, revealing a very tipsy couple. 
“Oops!” the woman says, grinning. “Sorry. Carry on.”
The guy gives a thumbs-up. “True love.”
You smile awkwardly. Something is pressing into your hip.
“True love,” Hood deadpans. “Rock on.”
As soon as the door closes, you're squirming. 
“What is that?” you hiss. 
“My gun! Oh my God, it's my gun,” Hood says, quickly setting you down. “It's not…”
He trails off and backs away. You stand there, processing what just happened. 
“That wasn’t—”
“I didn’t—”
You both stop. Hood adjusts his beard. 
“You're really strong,” you say, wringing your hands. 
Hood nods. “Sorry about the, uh…”
“Yeah, let's just not talk about this.”
“Yup. Find Matt?” 
“Absolutely.” 
You open the door and peek out. The hallway is empty. Glory be.
“All clear,” you say, and Hood is on your heels as you sneak out. 
“Any ideas on where he'd go?” Hood asks. 
“Matt works in a cubicle like the rest of us. Emerson’s office is on the twelfth floor.” 
“Fine. We'll hit Emerson's office first. More privacy, and maybe they'll both be there. Two birds.”
“Emerson's office is protected by a password lock. He changes it every night,” you say, scurrying to keep up with Hood. 
“That's fine. I got a key right here,” he says, patting his holster.
“Wait! If the lock is tampered with, it sets off an alarm and security will come. You can't shoot it, Hood.”
He stops and sighs. “Why is everything so goddamn complicated? Alright, new plan. I'm gonna get my stuff from where we were and I'll break in the old-fashioned way.” 
Fifteen Minutes Later.
“This seems really unsafe!” you say, watching Hood dangle outside a three story window on a wire. He's attached to a grappling hook but still. Still! 
“Eh, I died once. Didn't stick. Hold the hook.” 
“I am!” As if you'd do anything but. You don't want the Red Hood to become Red Goo. 
Chilly December wind makes your eyes water and your nose cold. Still, you hold on. 
“Almost there!” he says. 
“Hey! What're you doing?” 
You whirl around and close your eyes due to the flashlight shining at them. Even though the lights are on. 
An elderly security guard glares at you. It's a good thing you're not an actual criminal… though after tonight, you're not so sure. 
“Um.” You try to hold onto the hook while hiding it behind your back. “Bird watching?”
The guard turns off the flashlight and tucks it into his belt. He slowly walks to you. 
“If you're doing something illegal, Miss, you're in big trouble.”
Well, this is fantastic. Of course it would be you that gets caught. 
The guard is getting closer. Your grip is sweaty. He peers over your shoulder. You let go of the hook, praying to every spirit out there that Hood is as good as everyone says he is. 
The guard looks around and scratches his head. You shrug, heart in your throat. 
“See?” you say. “Bird watching.”
He frowns at you. “I've got my eye on you.”
“And I commend you for that.” 
“Are you sassing me?” 
Are you? You might be. You've been spending too much time with Hood. 
Hood! You turn and look out the window. You don't see any red goo below, but it's also cold and foggy. Shit. You hurry to the elevators. 
“Okay, happy holidays, bye!”
The elevator doors open. You press twelve and close the door before the guard can consider getting on with you and shooting you a hairy eyeball all the way down. 
You hurry out and run down to Emerson's office. The door has been left ajar, which is good, right?
Bang!
You throw yourself against the wall. Shit. Maybe not. 
Ugh, you told Hood no shooting! Son of a bitch. 
“We're doing this tonight!” That's Emerson's voice. “I don't care if I have to shoot my way out.” 
Shoot? Oh no.
You carefully peek through the crack. Hood is standing with his hands behind his head. His beard has blood in it. Emerson is in front of him, gun to his head. 
Hood catches your eye. He gives you the tiniest head shake. You swallow. 
You can't just leave him there. 
Okay. Think. Emerson's back is to you. You can't see Matt, but you figure he's far enough away to not immediately shoot you. Hopefully. 
Anyway, what's your other option? The feisty relic upstairs? You can't risk any civilians getting hurt. 
Technically you're also a civilian but not tonight. Tonight you might as well be Batman. 
You slowly pull the door open further. You sneak in, then hide behind the secretary's desk.
“Is it done?” Emerson snaps.
That's when you see Matt in the corner on a laptop. 
“It takes time,” Matt says, obviously stressed too. 
“Well, hurry up!” Emerson looks at Hood. “Then we'll dispose of Santa here.”
Hood shrugs. “You can certainly try. Many have. ‘M still here.”
“Lots of bravado for a man in a costume,” Emerson sneers. “What are you, police?”
Hood groans. “As fucking if! I'm not a cop.” 
He hums. “Perhaps not. Otherwise this place would be crawling with them already. But you're alone.”
“How d'you know I'm alone?” Hood asks. 
You're glad he's calm because you're feeling the beginnings of another panic attack. But you can't panic, not now. The adrenaline pulsing through you is the only thing keeping you from going catatonic. 
You have no weapon, no plan. How the hell are you supposed to help Hood?
“You're bluffing,” Emerson says. 
“He has a girlfriend,” Matt says. “Some IT girl. She might come looking for him.”
“Then we'll take care of her too.”
Matt looks uncomfortable but he doesn't say anything. Hood is still cool as a cucumber. 
“She won't look for me. We had a fight. I forgot to buy the candy she likes.”
Candy? Why would—oh!
On the secretary's desk is a glass bowl filled with mini candy canes. You wrap your hands around it. 
“She knows my favorite,” Hood says, locking eyes with you.
You throw the bowl with all your might. Emerson is too slow—Hood grabs the bowl one-handed and swings it, knocking the gun from Emerson's hand. The candy explodes into pieces. Hood swings again, this time into Emerson's head. The bowl cracks. Emerson crumples to the floor. 
“Are you o—”
Bang! Bang! Bang!
In a blink, Hood wraps one arm around your waist and yanks you to the floor, covering your body. You curl into him on instinct. 
“I got you, I got you,” he says, patting your shoulder. “You okay?”
You nod, words not coming right now. You squeeze his hand. Hood seems to understand and he scoots you both behind Emerson’s desk. Then he loads his gun and cocks it.
“Stay here,” he says, then fires six shots. 
“Goddamnit!” Matt yells across the room. “This wasn't the plan! You're not supposed to be here!”  
Hood laughs, which is absolutely terrifying. “Don't talk to me about ruined plans, buddy. I've been waiting all night for an excuse to shoot somebody. Please make my night.” 
Matt fires four more shots. 
“Fuck you, cop!” 
“What the fuck? Fuck you more! I'm not a fucking cop!”
“Maybe it's the way you stand,” you say, teeth chattering from anxiety. 
Hood squeezes your shoulder comfortingly. “I stand like a cop? Gross. I gotta work on that.” 
“You're somebody!” Matt yells. “You're not just some guy, Todd, don't lie to me. You and that chick from IT are in cahoots.”
You huff. “He knows your name but not mine?”
“I’d take it as a compliment.”
Matt fires again. Hood tucks you behind him. 
“He won’t kill anybody,” he says, with way too much confidence, in your opinion. 
“Oh, is that why he's peacefully shooting at us?”
“He's scared, sure. But he can’t kill. Trust me, I know. Hey, Matt!” 
“What?”
Hood stands up. Your eyes bug out of your head. 
“Hood!” you hiss. “Hood!”
He ignores you, of course. 
“You won’t hurt anyone,” Hood says. He starts walking toward Matt. “You're not a killer, Matt.”
And all this time you thought Hood was sort of sane. Nope. 
“I will shoot you!” Matt warns. 
“Aw. You wouldn't shoot Santy Claus, would you?” 
Matt pulls the trigger. You gasp. It clicks. The magazine is empty. 
Hood closes the distance between them and grabs the gun, then elbows Matt in the face. Matt sprawls onto the floor. 
“Yeah, I don't risk my life on human emotion,” Hood says, loud enough so you can hear. “People can be so unpredictable. I will take a chance on a gun that only fires seven rounds, though. For a guy in finance, you're not very good with numbers, Matty.” 
You sigh in relief, slumping against the desk. After tonight, you're retiring. 
“Y'okay over there?” Hood asks. 
“Yeah.”
It's quiet for a bit. Then Hood returns and offers you a hand to help you stand. You do so on shaky limbs. 
He's got a cut on his eyebrow and a bruise on his cheek. You frown. 
“I'm sorry I let go of the hook. I thought—”
“You let go of the hook?”
You stop. “Um. No?” 
Hood squints at you. “Choosing to forgive you for that.” 
“I knew you were inside the office!”
“Yeah, sure.” 
“I'm not the only one taking risks,” you say. “Matt still fired at you.”
“Eh.” Hood shrugs. “He’s a crap shot. And I counted the rounds. I maintain my point. Factually, he could not shoot me.”
“You could've told me the gun was empty,” you say. 
“I wanted you to think I was cool and brave.” 
You laugh. “I already think that.”
Hood looks at you for a moment, like he’s trying to see right down into your soul. Intense. You cross your arms.
“So, um, ready to ditch this party?” you ask. 
“With pleasure.”
“What about them?” you ask, pointing to Matt.
“I have backup arriving soon. Let's get your coat.” 
You get your things while Hood changes back into his usual garb. He meets you at the back exit, the one that leads to an alleyway, Santa suit gone. The party's winding down and most are getting into their cars. You're grateful no one stops to ask where you disappeared to. 
There's police outside, but they're not here for Emerson. It's Bill that's being questioned by Commissioner Gordon. You stop short at the sight. 
“Hood… what did you do?” 
“Hm? Oh! There might have been some discrepancies in Bill's finances and he might have committed fraud to pay off his gambling debts. All circumstantial, though.”
“Please don't tell me you framed my coworker because he's a jerk,” you say. 
“No, but I'm not above that, for the record. I recognized Bill from when I was casing the Iceberg Lounge. That's where he racked up all that debt.”
You nod slowly. “That's how you knew his name.”
“Yup. He was a nobody, so I didn't bother with him. Had I known he was such a menace at work, well…”
You grin. “It's okay. I appreciate it now.” 
Hood nods. The silence is awkward for a few seconds. 
“So—”
“You don't have to keep working here,” he says. “You can leave if you wanna.”
“Hood…”
He puts up a hand. “Hear me out. I have a contact at Wayne Enterprises. I can get you an interview. Hell, I can get you the job.”
“And what would I owe you?”
He shakes his head. “Nothing. Think of it as a thank you for tonight. You didn't have to help me but you did.”
You open and close your mouth. “I don't… I don't know what to say.”
“Don't gotta say a thing,” Hood says quietly. “If anyone deserves a new year, it's you.”
“Oh.” Your throat feels tight suddenly. “Oh, Hood, that's really—that's nice of you.”
“It's been known to happen. Don't spread it around though.”
“But I don't want the job without interviewing!” you say. “I want to get it on my own.”
Hood nods. “Deal.”
You want to hug him but that seems like too much, even with all you’ve done tonight. So you take out a candy cane instead.
“I salvaged one from the bowl,” you say. “Merry Christmas, Hood.”
He takes it, tucking it into his pocket. “Merry Christmas. Need a ride?”
You shake your head. “I'm fine. See you around?”
“Maybe, maybe not. Stay safe, alright?”
“Oh, I will. Will you?”
He laughs. “No promises.” 
Then you blink and he's gone. You shove your hands into your coat pockets. 
In each pocket, there's a handful of Warheads. You smile.
537 notes · View notes
rayroseu · 12 days ago
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I really appreciate the beauty of Malleus New Year's card. But most importantly, other than its gorgeousness, I also appreciate how it pays so much homage to his status and character, from the flowers, the clothes, and the setting. 🥹
We know that wisterias were prevalent in his Dorm Groovy SSR, this time its another flower which is the red plum blossom here😭❤️
In Chinese philosophy, the Plum tree’s blossom is a symbol of winter ending and a herald of spring. The tree’s pale pink blossoms are cherished because they bloom vibrantly and so bravely amidst the winter chill. They symbolise perseverance and hope, as well as, beauty thriving in adverse circumstances.
The way this flower's meaning is so matched with Malleus' character is so precious. We know he's "the herald of spring" because his birth brought forth a hope that the Draconias(or the faes in general) won't die out just yet (the ending of winter) and the fact that this flower blooms even in winter probably symbolizes the fact that when he was an egg, he was still perservering to live. This also applies to his life as he grows up. With the way even if his life is riddled with loneliness and exclusion, he makes an effort to go out and adjust himself with others, he doesn't give up even if his reality consistently places him in situation where his goals can never be achieved (that is, him being accepted socially and him being ignorant of human culture but still makes an effort to understand it), he just continues to be hopeful that someone/ some place will invite him, therefore his ability to thrive in adverse circumstances.
The way he slowly rises in this card makes me feel like it symbolizes how slow paced Malleus is "in going out/getting used to outside of his comfort zone", actually lol. He described his admission to NRC as him being nervous because its an unknown place but still hopeful for the experiences that he might get(acccording to the vignette of his GloMas SSR), just like him here rising from the snow and the way he lifts the veil which makes me think he wants to see the world outside of his country's point of view with his own eyes.
Japanese tradition holds that the Plum (or ‘ume’) is celebrated as a protective charm against evil, so the ume is traditionally planted in the northeast of the garden, the direction from which evil is believed to come.
I also read this symbolism which makes me tear up lmaooo 😭Because we know in Book 7, Briarland was invaded from northeast where the Silver Owls originated from 💀 The fact that the plum blossom is a protection flower and he's surrounded with it in this card makes me think that it symbolizes how protected he was during Briarland's era 😭and another thing to dissect from his slow rise from the snow with the fact the plum blossom signifies protection is probably the fact that he took so long to hatch despite many people caring for him.
Side note that in Malleus Bloom Birthday Groovy, it implied that he was born in daytime during a snowfall, and he was happy experiencing the winter, just like in this New Years card where he's smiling against the heavy snowfall 🥹
In Japan, plum blossoms symbolize good fortune, an auspicious flower, along with pine and bamboo, and the arrival of early spring. They are often used as the design for New Year’s greeting cards and other celebratory occasions. (And maybe this is just the likely reason why this flower is here in Malleus' card and I'm overthinking it above lol
Next thing I want to mention is his clothes, that attire reminds me of the formal outfit of a Japanese Emperor (From what I searched, its called sokutai, but what Malleus wears is much more simpler I guess, its a outfit derived from it which is called ikan.) This post is a great overview about these two outfits.
Ikan is the work clothes of nobles and government officials in the Imperial Court after the Heian period. Sokutai is a formal costume for those from the Emperor to the court nobles in and after Heian period (Heian costume). Ikan is called 'tonoi (nighttime) costume', whereas sokutai is called 'hino (daytime) costume'. (which probably references the fact that he's a night fae)
The point is, what Malleus wears in this card is a very traditional garment that only high ranking Japanese officials can wear. But what he wears isn't the clothes of an emperor yet, but just for a high ranking official, which is accurate to his status that he's still a crown prince not yet the king, because only Maleficia truly rules Briar Valley right now.
I love the decision that they made him wear such a prestigious outfit because the story of the New Years event is the characters working on customer service lol Its like his clothes is a reminder that he is still highly distinguished even if temporarily he's a worker.
Lastly the VEIL !!!!!! That's the thing that catched my eyes the most in this card lol I KNOW they're not referencing a wedding here because the veil don't look the same, but its so good not to mention that the one of the headress of a Japanese bride is called tsunokakushi and its description can be related with Malleus a lot lol.
The term is a compound of 角 (tsuno, "horn") + 隠し (kakushi, "hiding"). This derivation is listed in some sources as a reference to hiding a bride's "horns" of anger, jealousy, or other negative qualities, in order to present a more virtuous image for the wedding. However, this interpretation might be a folk etymology resulting from a shift in the reading and meaning.
The headdress and the veil aren't the same thing but I kinda feel like this is the idea they're going for considering the veil is 1) hiding his horns, 2) he's a character associated with being jealous, and most importantly, 3) only the person he is looking at can see his face (which is the point of most wedding veils/headdress, to hide the bride's face so that only her partner can see it).
But long veils, like the one Malleus is holding is also just a garment for a noble to hide their nobility. Which is this is probably the likely reason, considering he's using that veil to cover up his horns and his clothes, the most obvious features of his status.
Also, it could be just a fun reference to the fact that Maleficent in live action wore a long veil to hide her horns so that she wouldn't scare the humans lol
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osarina · 17 days ago
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ᡣ𐭩 WERE WE BETTER UNKNOWN?
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FEATURING: dazai osamu
SUMMARY: your story with dazai comes to a close... but is it really the end?
AUTHOR'S NOTES: guys. oh my god i have so much to say, i will put it all at the end. but i am so annoyed because the heart in the title looks wonky as hell—for some reason it looks fine on desktop but on mobile it’s fucked ip :’) comments & reblogs appreciated!
GENERAL WARNINGS: fem!reader, port mafia executive!reader, civilian!dazai, dazai's struggles w suicide & sh, reader partakes in mafia business, dazai isn't dazai without a bit of obsessiveness and possessiveness (the possessiveness doesn't come til later but the obsessiveness starts from day 0).
CHAPTER SPECIFIC WARNINGS: hardly edited. mentions of past suicide attempts (dazai). non-sexual nudity/intimacy. reader has 1 scar that dazai points out.
SEE: WASTELAND, BABY! SERIES MASTERLIST
Dazai dreams of a vast frozen lake.
Is he dreaming? He’s not sure. It’s cold, he shouldn’t be cold in dreams, right? 
He lets out a shaky breath, and he can see the cool air fan around him. He shivers, hands running up and down his arms to try to warm himself up, but it’s futile—the snow that flutters from the sky is sharp against his skin and the air is bitterly cold, but the wind is oddly still. Eerily still. His shoes crunch against the snowy bank as he draws a bit closer to the edge of the lake, trying to figure out where he is.
“... are we going to…”
Dazai startles at the vaguely familiar whispery voice, eyes wide and searching as he looks around trying to pinpoint who had spoken, but there’s no one in sight. He can hardly see
Hell, he thinks dizzily, is he in hell?
Dazai’s fascination with literature began with his fascination with death. It started as a child—morbid and odd as it might’ve been, he was bored with life. He supposes that it’s part of the reason why his siblings didn’t like him, besides his ability, of course. He always had questions that people couldn’t answer—what happens after someone dies? They go to heaven, honey, his mother would reply. How do you know that? We just do. But how? What if we don’t? What if we just die? Stop asking so many creepy questions, Osamu, his sister would snap at him, curling into his mother’s side. But what-
He would keep asking until his sister got visibly upset and his mother had to take her out of the room. He never really understood why—they were legitimate questions—but his mother’s evasion of the topic and his siblings’ aversion did not deter his curiosity. In fact, when the first of his cousins died at the hands of one of his others, it spiked his curiosity. He almost found himself jealous that they would have the answers to the questions that have been plaguing him for years.
His questions of self-worth and his place here on earth didn’t come until he was a bit older, but he supposes at some point they probably merged together. His own doubts about himself and his lack of normalcy compared to other people led to his general fascination with death slowly turning into fascination about his own death. He found it quite ironic, and maybe a bit disheartening—he can’t even die correctly—that of all of the many members of his family, the one obsessed with death was the one that survived the longest, in spite of actively striving for eternal rest.
His fascination with death was put to an abrupt halt by Odasaku’s arrival in his life. Or well, that’s not exactly right. His fascination with his own death was put to a halt—Odasaku humored all of his questions, even if some of his answers were absurd and nonsensical, but when Dazai tried to spin the conversation back to himself, Odasaku would put his foot down. 
Dazai only tried to kill himself once while he was living with him—it was around when Odasaku first took him in, and Dazai didn’t think the man would care all too much if he was gone. Ango was the one who found him in the bathroom, funny enough it was his first time meeting the other man, but when he woke up in the hospital, Dazai decided he never wanted to see that haunted expression on Odasaku’s face ever again. 
It was around then when Odasaku started telling him about his book, and he helped redirect Dazai’s unhealthy fascination with death to a different outlet: literature. The Divine Comedy, the Aeneid, the tale of Orpheus and Eurydice—it was Odasaku who introduced him to them all. He enjoyed reading other peoples’ interpretation of the afterlife; he and Odasaku would have full blown debates over which interpretation was nearest to truth. 
Dazai isn’t particularly convinced there is an afterlife at all, but he always thought that if there was one, it might look most like Dante Alighieri’s vision. 
Like this. 
“... can’t just stop, he’ll never let it be…”
This voice isn’t unfamiliar. Dazai’s head snaps up, eyes wide and searching as he tries to seek you out. Your voice sounds like it’s coming from all around him—the wind carries it, he can’t tell where you are and the icy air makes it hard for him to keep his eyes open to try to track you down. The wind is strange though; it stops blowing all around him, and instead begins billowing inward toward the center of the lake.
A foreboding feeling suddenly settles over Dazai.
Lake Cocytus—if this is what Dazai thinks it is, then it’s meant to represent the Ninth Circle. Treachery. A little ironic, maybe, considering loyalty is what got Dazai killed—your loyalty to the Port Mafia. 
Is he dead? He realizes suddenly that he very well might be, not quite as pleased with the idea as he might’ve been in the months before he met you. He feels… unfulfilled almost. He never finished Odasaku’s book. He didn’t even manage to get his degree. He felt what it was like to be loved for a few months, but it wasn’t enough. He’d wanted more. He wanted a life with you. 
He still wants a life with you, he thinks miserably. Even after everything that happened, he still wants it.
He must not be dead, he thinks absently, kicking at the snow on the banks of the lake before slowly treading out toward the center of it. If he was dead and really in the Ninth Circle of Hell, then he’d be stuck in the lake with the rest of the betrayers. Although, Dazai thinks if he really was going to hell, it wouldn’t be this circle—he doesn’t think he’s ever really betrayed anyone to this degree.
Or maybe he did, his thoughts take another dejected turn. Would his ‘betrayal’ to you count? It’s not like he actively tried to deceive you, so he thinks he should be given some leeway. But maybe it wouldn’t be too bad, if he’s here because he deceived you, then you would certainly be here for betraying him—he wouldn’t mind being stuck in hell if you were there with him. You both could be buried in the ice together, eternally frozen and suffering for betraying each other. 
It’s kind of romantic, if you really think about it.
Something bubbles in his chest—maybe a laugh, or maybe a sob, he can’t tell, he thinks maybe he’s a bit hysterical. 
It must just be a dream, he thinks again for some minimal solace. Or maybe a warning, maybe he’s somewhere caught in-between and God is striking down his hammer, warning him this is where he’s going to end up if he doesn’t change his ways like the message of the Divine Comedy itself.
The thought makes him laugh.
He sobers up quickly though as he starts his trek across the lake, thinking that maybe if he got to the other side, or the center, he’d wake up. He thinks you would find this funny—one of your first conversations with him had been about The Divine Comedy, and he spent many nights at dinner roping you into conversation about it, and convincing you to read some of the other books and poems that Odasaku had introduced him to. You-
“... one life or hundreds, that’s what he said…”
Dazai nearly slips on the ice when he hears your voice again, looking around as if you would just magically appear around him. You don’t, but it does leave Dazai a little disheartened hearing you repeat the words that Mori had said to convince you to kill him. He sighs as he keeps his gaze trained ahead, careful to not look down at the ice lest he find himself looking at something he would rather not.
The outskirts of the water were the traitors to kin—Dazai remembers that well. The first time he read the poem, he realized that this is where the majority of his cousins and older brothers would be. They spent almost two years killing each other for their grandfather’s inheritance; Dazai went from having seven siblings and almost two dozen cousins to three siblings and a handful of cousins by the time of the coup.
Traitors to country in the next section—Dazai thinks a bit gleefully that Mori would end up there. The Port Mafia isn’t exactly a city or country, but it’s still an entity, and Mori certainly betrayed it when he killed Dazai’s grandfather in his own bed, no matter what the reason for it might be.
Traitors to guests in the next section—this gives Dazai a bit of pause, he doesn’t know if he knows anyone that would fit in that section. Ui, maybe? Inviting him to work with his journalism house only to give him up to the Guild. Maybe Mori again, Dazai thinks, highly amused, because Dazai was a guest to you, and therefore, the Port Mafia, when everything happened. 
And the last section—traitors to benefactors. He can’t avoid looking at them; they’re the only ones above the surface of the lake, grotesque sculptures of ice that decorate the surface of the center of the lake. His steps slow as he walks through them all, a heavy feeling settling over him as his gaze focuses on the oddly familiar sculpture in the very center of the lake.
Is that-
“There’s only one way this ends.”
Dazai’s breath catches sharply. He slips on the ice as he rushes forward, eyes widening and hands flying forward to catch himself, but his stomach lurches painfully and before his hands can hit the ground-
Dazai sits up with a ragged gasp, eyes wild and nails digging into the fabric of the soft couch he’s laying on. His head is aching and he feels sluggish; he’s still reeling from what he’d just woken up from, but his heart rate is starting to calm down.
Just a dream, he confirms, but now he’s more preoccupied with trying to figure out where the hell he is and why he isn’t dead, because the last thing he remembers is you lifting a gun to his head and pulling the trigger. The room he’s in is small—there’s no windows, there’s a tiny kitchen on the left side of the room, and on the other side-
“Everyone out.”
Dazai’s gaze settles on you. You’re standing near the far wall—you haven’t changed from what you were wearing at the conference room with the other Port Mafia executives, and Dazai can see Ace’s blood still crusted around your finger nails and splattered on your shirt. Your gaze is focused on him, an unreadable expression on your face, and Dazai is so tunnel visioned on you that he hardly notices that there are a handful of other people in the room: your three subordinates, Nakahara Chuuya, Albatross and one other who had been at the fight against the Guild.
They don’t argue with you, most of them file out of the room without a word, only Albatross and Chuuya linger. The ginger gives you a long look before saying, “We’ll buy some more time. Just… figure out if this is really what you want to do, okay?”
You finally look away from him at Chuuya’s words, cringing and averting your gaze to the ground. You say quietly, “It doesn’t matter what I want. It has to be done.”
Chuuya sighs but nods, motioning for Albatross to leave with him—and then the two of you are left alone. You don’t approach him. Ironically, you look like the one akin to a cornered animal as if you hadn’t been the one to shoot him. If anyone should feel like a cornered animal right now, it should be him.
Instinctively, he lifts his hand to his forehead, frowning at the bandages wrapped around the top of his head. He looks back up at you curiously, but you grimaced and looked away as soon as he touched his forehead, so he can’t catch your eye.
He has a million questions he wants to ask. What happened? Why didn’t the bullet kill me? Why didn’t you kill me? Did you believe me? Do you believe me? Are we okay?
Dazai doesn’t know if he wants to know the answer to the last question, so he settles with: “Where are we?” 
Though you’d stiffened as soon as his lips parted to speak, you relax when you hear the question he asked.
“A safe house in Sakae,” you say quietly. Dazai starts to sit up but his vision swims so he has to stop and rest back down against the arm of the couch, blinking furiously. “You should take it easy… You’re probably going to feel a bit off for a couple of hours.”
Dazai is about to ask you what exactly happened, but the words die on his lips when you finally draw closer to him. You sit down on the couch next to where he’s laying, your body brushes his and Dazai feels warm. The remnants of the frigid cold of his dream vanishes as soon as the warmth of your body grazes his—he knows that there are many things that need to be addressed, but he would be content to avoid those topics and bask in your comfort for as long as he can. 
His eyes slide shut as you reach up to cup his cheek. He doesn’t even bother reopening them when he feels you lift your other hand to remove the bandages from around the top of his head—he thinks maybe he could almost doze back off. It’s only when you let out a soft sigh and fasten them back on does he finally bother to open his eyes again. 
“I don’t have enough bandages on me already?” he asks, his voice is light and the smile on his lips is teasing as he tries to lighten the mood a little, but it doesn’t work.
You don’t respond to his comment. You look down, and the small smile on your lips doesn’t meet your eyes, so his falls off his face as he stares up at you carefully and finally asks the much dreaded question that would lead to even more dreaded questions:
“Will you tell me what happened?”
--
“We need to go,” Chuuya says, hand wrapped around your wrist tightly. You don’t budge from where you’re standing, staring at where Dazai had fallen back over the edge. It was a short drop with mud softening the fall, he would be okay—if everything went according to plan, that is. Otherwise, the bullet you just shot at him killed him anyway, so the fall is inconsequential. “Come on. We can’t stay here. We have to go.”
“How do-”
“Not here,” Chuuya hisses. “Come on.”
“Chuuya-” you breathe out, voice wavering over his name. You can’t bring yourself to move even as Chuuya tries to drag you away. “Chuuya, I need to kn-”
Need to know if this worked. Need to know if he was able to stop the bullet. Need to know if you actually just killed the boy you’re in love with.
“Not here,” Chuuya replies, voice harsh, cutting you off before you can say anything more incriminating. 
This time, he doesn’t wait for you to follow him—he yanks you along with him, not even bothering to steady you when you stumble. You know you should snap yourself out of this, you know Mori has people trailing you to ensure you follow through with Dazai’s execution, but you’re haunted by the expression on his face when you pulled the trigger.
He accepted it.
You had the gun to his head. You asked him to forgive you. He said he did, and he accepted that he was about to die at your hands. A part of you is eager to convince yourself that maybe he saw through your plan, that he realized you weren’t going to kill him, but that look in his eyes…
He didn’t know, and he accepted it anyway.
Your stomach churns. The ragged breath you take in cuts off abruptly as you gag over it—you saw the blood, you don’t know if Chuuya was able to stop it. You don’t know if Dazai’s nullification ability prevented Chuuya from using his own ability to slow the bullet before it killed him. You don’t know if he fell backward because he was shot or because the high dosage sedative that you swiped from Mori’s office set in as quickly as it was supposed to. You don’t even know if Chuuya had been able to inject it in him with his ability. You don’t know anything.
“Don’t you dare throw up on me,” Chuuya mutters as he opens the car door and ushers you inside. 
Instead of sitting in the front with Albatross, he sits in the back with you, sharing a sharp look with Albatross before the other man finally pulls away from the ports. He still doesn’t say anything else—he knows better. This is one of the Port Mafia’s cars, tapped and actively being transmitted to one of Kouyou’s subordinates who will report to her and Mori anything that seems off, and you need to buy as much time as you possibly can before Mori realizes Dazai isn’t dead.
Because Dazai isn’t dead. He can’t be dead.
It worked. It all worked.
It had to have. 
Just as you expect, your phone rings as soon as the car starts moving. Mori has eyes on you—he was waiting for you to finish with the execution before calling. You’re certain that he’s going to send someone to check the body now; he doesn’t trust you to finish the job, not when something as fickle and unpredictable as love is involved. 
Klaus will have to be quick—you don’t even know if he was able to find a lookalike to kill so he could swap out the body. You only were able to give him a twenty, maybe thirty, minute heads up. Dazai is plain looking, yes, and the mud he dropped in should do some work at concealing his identity, but if Mori’s shadow sends him a picture to confirm the kill, the slim amount of time you hope to have bought with your fake out will be halved.
You stare down at the phone and let it ring once, twice, and finally on the third ring, you lift the phone to your ear and accept the call, waiting for Mori to speak.
“Has it been done?”
“Yes,” you reply, voice steady even if your fingers are trembling around the phone. “Do you need me back at headquarters?”
“No, I’m sure that wasn’t easy for you. You should get some rest. I have a meeting with Tolstoy in a bit anyway. I’ll meet with you tomorrow after I have tea with Elise-chan so you can debrief me on the meetings with the Guild,” Mori says easily, his tone is light and airy, and it makes you angry, because how dare he sound so flippant after what he just expected you to do. “... I’m sorry things had to end this way, dear. I’m proud of you. You did well.”
“I know,” you say tightly in response before hanging up and putting the phone back down in your lap. 
Chuuya watches you carefully, but he doesn’t say anything, and you stare ahead at the back of the driver’s seat. It’s a twenty-five minute drive from the ports in Naka to Sakae—for better or for worse, it’s going to be a quiet one. For better because you think you might start crying if you have to speak, and for worse because now all you’re plagued with is your own thoughts and the image of Dazai’s face before you shot him.
You didn’t shoot him. Not really.
But you did, you don’t know if Chuuya was able to stop it. You don’t even know if Chuuya knows if he was able to stop it. There was a splatter of blood. You saw that, and there shouldn’t have been blood if this worked, so the worst case scenario looms over you heavily. But you won’t know until you get to the safe house—until you hear from Klaus. Your breath hitches over a sob you’re forced to swallow; your chest burns and tightens uncomfortable.
You had to do it, this was the only option. Anything else and there was no shot he wouldn’t have been killed. Maybe not today or tomorrow, but he would be killed. You wouldn’t be able to protect him from Mori otherwise—he would’ve put a hit out on him, and Dazai would have all of the most dangerous assassins in the underworld out for him trying to get the bounty. You can’t protect him from that. You needed to buy time. You needed to buy time so you could-
You don’t finish the thought. 
You don’t think you’ve come to terms with what has to be done if you want to protect Dazai. A part of you doesn’t even know if you’ll be able to follow through with it, but you’ve already set yourself down the path of no return and you’ve dragged Chuuya down it along with you. Either you follow through, or the three of you are going to be on the run for the rest of your lives.
Shit.
Your gaze tracks back down to your phone. Still nothing from Klaus—nothing from Akutagawa either. The silence is too loud, each second that passes has you aching with a pain that feels like knives dragging against your bones. You just need to know, you need to know that he’s okay, that you didn’t-
You rest your forehead against the window when nausea builds back up in your stomach. It’s cool, and a welcome reprieve from the heaviness weighing down on you, but the moment your eyes slide shut, you’re faced with Dazai again and no amount of deep breathing and grounding techniques can stop the way your heart rate sky-rockets, breath becoming quick and shallow.
You see him. You see him, and he’s looking up at you, dark eyes wide and adoring as he looks at you like you’re the only thing in the world that matters to him, and his lips part to say something but before he can, you see something thick and red trickling down his face over his lips, and suddenly something is weighing cold and heavy in your hand but you can’t bring yourself to look down at it, but you can’t drag your eyes from his face. Can’t hide yourself from the way his warm eyes are suddenly wide and glassy, void of all of the emotions that you’d just-
Your arm hurts—sharp and painful and so sudden that you’re dragged from the images haunting you. Your gaze cuts over to Chuuya, who’s giving you a concerned look. You realize he must’ve shifted over a bit, brushed his arm against yours to use his ability to jolt you out of your spiraling thoughts. When he realizes that you’re back in the present, he gives you a pointed look and then directs his gaze outside.
You’re almost there. How much time had passed?
Why hasn’t Klaus or Akutagawa reached out to you?
What is going on?
Albatross doesn’t stop in front of the safe house—there are too many cameras in the street and all of the Port Mafia’s cars are tracked. Instead, he takes a left on the next street because it’s one of the few without a red light camera and a blind spot on the corner. His gaze flickers up to the rearview mirror and he pointedly raises the volume of his shitty music a few decibels louder to cover the noise of the car doors opening and closing as you and Chuuya slip out when he stops at the red light.
You leave your phone in the car and you’re careful to avoid the camera near the bakery on the corner as you follow Chuuya around to the alley that leads to the back entrance of the safe house. It’s not a Port Mafia safe house—it was Itou’s. This was where he stayed in the few months during the Dragon’s Head Conflict where he was on his own, after he left Strain but before you recruited him to the Port Mafia. It was well hidden and well protected, you hadn’t been able to track him down here until he brought you here—he made sure that it was a blind spot in the Port Mafia’s ever-watchful eye over Yokohama, and you made sure to keep it that way once he was gone. 
It’s only once the steel door is shut behind you that you can finally speak, gaze focusing on Chuuya desperately as you wait for him to tell you if he was able to do it or if Dazai’s ability…
“Did you hear from Klaus or Akutagawa?” he asks quietly, and that’s enough of an answer.
He doesn’t know. 
You feel sick—your stomach lurches and you don’t know if you start to stumble toward the bathroom or the couch or straight to the floor, but it doesn’t matter because Chuuya is darting forward to grab you and guide you over to the couch.
“Chuuya, if I-” you start to say, your words are raspy and you can’t even bring yourself to finish them. “If I-”
“Don’t,” he says, wrapping an arm around you. “Don’t bother going there yet. Wait for Klaus and Akutagawa.”
“But-”
“Stop,” he insists. “All you’re going to do is torture yourself.”
Isn’t that what you deserve? You want to say to him, nails digging into the palm of your hand so deep that it draws blood. Chuuya catches what you’re doing and immediately moves to unfurl your hands. Everything you’ve done. You killed Dazai’s family. His siblings. His cousins. You ruined his life, and then after everything, it wasn’t enough. You ruined his life and then you took-
“Hey, stop,” Chuuya interrupts your thoughts, clearly realizing what path they’re going down. You don’t realize your breath is ragged again until he grabs your chin and twists your head to force you to look at him. “I know what you’re thinking, but we can’t do this right now, we need to plan. We don’t have time, and when Klaus and Akutagawa get here with him, we need to know what we’re doing. You need to snap out of it.”
You don’t respond to him—your lashes flutter and you see Dazai again, you see blood, you see empty eyes, you see the gun in your hand, and you feel something warm and wet trickling over your cheeks. Chuuya spits out curses to himself and wipes away the tears streaming down your face. He’s gentle now, the rough grip on your chin disappears and is replaced with his hand cradling the back of your head as he pulls you closer to him. He presses your ear to his chest, hoping that the steady thrum of his heart is enough to ground you.
“Where the fuck are they?” he spits out more to himself than to you. His breath hitches and you can hear the stammering of his heart, and you know that he’s nervous, but he’s trying to hide it for your sake. “I need you here. What we just did-fuck-”
You try to snap out of it—you do, but every time you blink you see him. You see what you did. You knew this would happen from the very beginning, you knew it, and everyone warned you, but you’re selfish. You’ve always been so selfish.
You don’t know how much time passes. Ten minutes. Twenty. Thirty. It all blurs, it all feels like eternity, but eventually, the door to the safe house slams open, and only a handful of people know about it.
Your gaze snaps up, and you don’t realize you’re holding your breath until Klaus steps into the room with a familiar figure slung over his shoulder like a sack of flour. Both of them are covered in various substances that you think you would rather not know what they are, but you can see the steady rise and fall of Dazai’s back. You rise to your feet abruptly and Chuuya lets out a relieved breath, shoulders slumping.
Klaus immediately points an accusing finger at you. “I had to hunt down a civilian, kill him, crawl through shit and trash with a dead body to swap it out for your boy, I had to carry him across half of the city, and I couldn’t even channel Mephisto because he nullifies him. You better not complain about any messes I make for the next six months,” Klaus demands, and then points wildly back toward a very clean Akutagawa, who casts an unimpressed look his way. “And he didn’t even help me. He stood there and watched.”
“I was ensuring that no one saw what we were doing,” Akutagawa replies primly. “Even more important than your job, considering if someone saw it would all be for naught. You should be thanking me.”
Klaus’s face goes red with anger as he whips around to face him and roars, “More important? Thank you?!”
You laugh. It’s so startling that all of the anger washes away from Klaus’s face and the goading expression on Akutagawa’s disappears. Or you think you laugh—you think you might be crying again too. Both boys look aghast by the sight of it, looking at each other as if waiting for the other to do something to make you stop.
Eventually, Klaus steps forward and unsurely tries to pass Dazai’s unconscious body over to you as if to try to make you feel better by shoving him in your arms. Chuuya slaps him hard over the back of the head causing him to yelp.
“Put him on the couch, what the fuck is wrong with you? Why are you passing him over to her like he’s a fucking stuffed animal?” Chuuya snaps, giving him a plainly judgemental look before resting his hand on your shoulder. 
Klaus looks disgruntled, but he does as Chuuya asks, laying Dazai down on the couch where you and Chuuya had just been sitting. You drop to your knees next to him, and the room is oddly silent as you look down at him. You don’t feel their gazes on you, so you assume they’re giving you privacy as best they can.
He looks… peaceful. You could almost imagine that you were coming home to him napping on your couch after he spent the whole night playing some stupid video game in your living room. You try to imagine that’s what this is, but the bloody indent in his forehead prevents you.
It almost broke through his skull.
He almost died.
You almost killed him.
You feel a bit sick as your fingers trace up to the wound on his forehead. It’s still bleeding, but his forehead is clean compared to the grime that covers the rest of his body. Klaus and Akutagawa must’ve had the brain to stop and clean the wound before it could get infected—that’s probably what took them so long.
You feel someone come to your side, glancing up to see Akutagawa hovering next to you with bandages in hand. He passes them over to you silently before quickly walking away. You let out a soft breath as you unwind the bandages, gently lifting his head so you can wrap them around his forehead. Immediately, they’re staining red—you grimace and look away.
The silence hanging over the room only lasts so long.
“What’s next?” Klaus asks quietly. “This won’t work for long. What’s the plan?”
Your gaze lowers as you rest your hand against Dazai’s cheek, memorizing his face as best as you can. The heaviness in your chest returns, and along with it, the damning reminder of your reality.
“I have to kill Mori.”
--
Dazai suddenly understands his dream.
“It’s the only option,” you say quietly when Dazai’s expression immediately twists at your words. Your eyes look so heavy and your expression is so crestfallen that it makes Dazai ache. His fingers twitch to reach out for you but you shift away, shaking your head. “It’s the only option, Osamu. It has to be done.”
“But-”
“He tried to have me kill you,” you snap, and he almost rolls his eyes because he doesn’t need reminding of that. He’s abundantly aware of the fact that he almost died at your hands because of Mori. He refrains if only barely. “Why do you care about what happens to him?”
“He’s your father,” Dazai says, watching as you go stiff. He knows he might’ve just made a mistake saying that, but he doesn’t even know if you fully understand the gravity of all of this or if you’re just running off heightened emotions right now. “I don’t care about him, he can go fuck off and die for all I care. I care about you-“
“He’s not my father,” you spit out, voice tight, “and maybe you shouldn’t care about me.”
Oh, here it comes, Dazai thinks dreadfully. That was the opening you needed to bring up the subject Dazai desperately wanted to avoid. He has made a fatal mistake. He should’ve just nodded along and agreed to your plan.
“You’re right he’s not your father,” Dazai immediately agrees to appease you and try to avoid the imminent conversation. “I don’t know what I was thinking. Hey, do you have food here? I’m so hungry all of a sudden, wow, do you hear my stomach-” 
You sigh, looking away. Your eyes are suddenly very tired and Dazai’s words falter on his tongue as his gaze settles on you. His fingers twitch to reach out for your hand but you draw them back into your lap. Dazai’s gaze drops at the blatant rejection, but as soon as you notice, you reach back out to intertwine your fingers with his. He feels placated, but only a little, because he still has a tight feeling in his chest that he can’t push away. A looming fear that something is going to go terribly wrong.
“Can we please talk about this?” you finally ask quietly, and even though Dazai does want to say no, he simply cannot bring himself to. 
So, instead, he nods, and braces himself for what he knows is bound to be a terrible conversation. He waits for you to say something—you look like you want to, but he thinks that maybe you’re struggling just as much as him at opening the conversation. 
This isn’t going to go well, he realizes again, swallowing thickly. 
“Come on,” you finally say, rising to your feet. You hold out your hand to him and Dazai stares at it for a moment, confused. “Let’s get you cleaned up, you smell disgusting.”
“I wonder why,” Dazai mutters, and he means for it to come out as a joke, but when the small smile on your lips falters, he realizes it probably came out much too bitter so he quickly grabs your hand instead, letting you help him to his feet. He tries to get you to smile again by giving you a soft one of his own, but now the expression on your face is heavy and conflicted. “Are you gonna take a bath with me?”
“You should probably rinse off before we get into the bath,” you say dryly, thumb running along the back of his hand before you let go of it. “Otherwise we’ll just be sitting in shit water.”
Dazai almost gags. “Don’t remind me what I’m covered in right now,” he pleads. “Where is the shower?”
The light returns to your eyes, a smile flickers to your lips, and Dazai considers it a win even if he is covered in shit and god knows what else. He glances back down to where he’d been laying and winces when he sees the stains. His eyes flicker back up to you and he cringes when he sees the displeased expression on your face.
“I’ll make Atsushi and Akutagawa clean it,” you say more to yourself than to him, shaking your head and motioning for him to follow. “Bonding exercise.”
Dazai raises his eyebrows, unsure if the couch is even salvageable, and almost lets a comment slip about it considering you were so quick to throw out his couch to replace it, but he refrains when a sad expression crosses your face when you think he’s not looking. He frowns, looking around a bit more scrutinizing now.
This place looks nothing like your apartment.
Your apartment is… plain. Minimalistic. The most you have decorating it is a handful of paintings on the wall and a couple of antiques displayed on dressers. Other than that, you have your furniture, your television, and that’s just about it. Dazai had joked once about it feeling like a hotel room, and promptly stole your credit card to buy things to decorate with—gaudy Christmas lights even though it’s not Christmas, a couple of fake pumpkins to line against your wall and a plastic skeleton to pin up near the window. He even bought an inflatable snowman to put in the middle of the room, but it hasn’t come yet. You rolled your eyes every time you came back from work to see some new, seasonally inappropriate decoration in your apartment, but he could tell the more things he added to your apartment, the happier you seemed to be. 
This place was actually decorated. Pictures and trinkets set up on the dressers, all of the furniture matched and the walls were a warm burgundy instead of the off-putting, psych ward white of your apartment. You said this was a safe house, but it seems more like a home than your actual one. 
“What is this place?” he asks again, because it’s something more than a safe-house, he just doesn’t know what.
“I told you,” you frown. “A safe house.”
Dazai’s lips curl down in response but he doesn’t press, gaze flickering over to one of the side tables against the wall, trying to figure out who exactly is in the pictures on it, but as he strains his eyes to focus on it, pain ricochets through his head and he has to abandon the mission. Disappointed, he follows you into the back bedroom and realizes he’ll just have to figure it out later.
He almost stops in his tracks in the doorway when he sees that the bedroom is just as homely as the rest of the safe house. It’s weird—the same burgundy walls, dark mahogany furniture, there’s what looks to be a handmade quilt draped over the foot of the bed. It’s just so unlike you that it almost has Dazai reeling.
You give him an odd look when you see the twisted expression on his face, but motion toward another door. “The bathroom is in there—go rinse off and run the bath, I’ll be in there in a minute, I’m going to grab a change of clothes for you.”
“Mkay,” Dazai agrees, a jump in his step as he rushes over to the bathroom. 
He only pauses for a second to take in his surroundings when he gets in there—he’s not as surprised now by the style. Less modern, more rustic, just like the rest of the house; it’s more like something he’d expect to see in one of those American holiday movies. He leans over the tub to run the hot water before pulling off his clothes. He squints as he starts to unwind his bandages, looking into the shower and realizing that the only soap in there is an unopened bar soap, and a men’s shampoo and conditioner set. 
A bit suspicious now, he glances at the door leading to the bedroom before kneeling down in front of the cabinets beneath the sink. With one hand, he unwinds the bandages around his legs, and with the other, he reaches out to open the cabinet so he can snoop. Just as he expected: men’s deodorant, a spare baking soda and peroxide toothpaste that he knows you hate, and a handful of different colognes. There’s one bag off to the side and Dazai reaches for it, peeking in and finding your typical bath soaps and hair care.
Whose place is this? He wonders, pausing for half a second before taking out your soaps and bringing them into the shower with him. It’s not Chuuya’s—Dazai knows that because he hasn’t seen a single tacky hat yet, but then whose?
He’s quick to clean himself off, eager to be with you and still a bit anxious that you might disappear when he’s not looking. The water runs brown as it rinses over him, but it feels nice—Dazai realizes that this is his first shower since he got kidnapped by the Guild, and a part of him wants to bask in it. He wants to wash off all of the unfamiliar touches and the dirt and the blood, but more than that, he wants to surround himself with you instead. Which means he has to hurry out of here and drag you into the tub with him. 
He thinks maybe he should be biding his time. He has a lot to think about before he actually talks to you—he’s hardly even had a chance to process everything that happened—but still, he finds himself rushing to scrub himself. It couldn’t have been more than ten, fifteen minutes before he’s stumbling out of the shower and grabbing a towel to wrap around his waist. He almost expects you to be waiting in the bathroom for him, but you’re not, so he frowns and creaks the door back open to look for you.
Your name is on his lips as he steps back into the bedroom, but he falters when he sees you standing in the same place he left you: right outside a closet, except now the door is open and there’s a sweatshirt in your hands. The expression on your face is destroyed, and Dazai isn’t exactly sure what to say, luckily, he doesn’t need to because you hear the door open and turn toward him.
Whatever you’re about to say dies on your lips as your eyes trail over his body.
Another fatal mistake.
Dazai instantly realizes that he has never taken off his bandages in front of you before—that night at the beach house, he thought you were going to ask him to take them off, but you didn’t. He was glad for it, because he wasn’t sure if he was ready, and after that… Well, everything went downhill after that.
Dazai suddenly wants to flee. He becomes acutely aware of all of the scars on his body plainly in view. The warm, dim lighting becomes spotlights shining down on him, highlighting all of the flaws that he’s feared your reaction to. He waits for your face to twist—or, he knows you, you probably wouldn’t have such a visible reaction, so he focuses on your eyes instead.
But they only curve up along with your lips, a fondness in them that he doesn’t expect. You place the clothes down on the bed and approach him, his breath catches when your hands rest on his hips right above the towel. The skin-on-skin makes his chest ache—he’s missed you so much, he hadn’t even realized how hard it had been to breathe without you until he was back with you again.
“I’ve missed you so much,” he breathes out loud, lashes fluttering when your thumbs circle over his hip bones, right over a jagged scar that cuts across his lower abdomen—the product of an unfortunate encounter in Suribachi. 
“I missed you too,” you say softly. Your eyes trace over his face like you’re trying to memorize each little detail—usually he feels uncomfortable when under a scrutinizing gaze, he never wants someone to look too closely at him in fear of what they might find, but he feels warm beneath yours. “I’m sorry.”
He’s not sure exactly what you’re apologizing for; it could be anything from almost killing him to letting him into your life at all. He’s not yet ready for this conversation to start, he hasn’t even gathered his thoughts yet, so instead he glances pointedly back toward the bathroom. You let out a soft breath—he can’t tell if it’s irritation or you’re just tired, it might be both, but you do motion for him to go in and he can hear you following him.
The water is still steaming as he lets the towel drop to the ground and sinks into it. His muscles instantly relax, eyes sliding shut as he rests against the back of the tub, letting out a soft sigh. For a moment, he can almost forget everything that’s happened, his head falls to the side to focus on you as you undress, folding your clothes and placing them on the side table. He blinks when you pull off your dress shirt, gaze zeroing in on a scar marring your upper back. It’s small, circular—a bullet wound, maybe? It doesn’t go through to your chest though, he would’ve noticed that. 
“How did you get that?” he asks curiously, belatedly realizing he probably has no right to ask about scars considering his body is riddled with them and he’d probably evade most attempts at your prying if you asked. 
“Hm?” you ask quietly, looking over your shoulder at him as you finish undressing.
The words falter on Dazai’s lips as his gaze roves over your body. You’re beautiful, he thinks again, a bit more dreamily this time. You’re beautiful, and he’s missed you so much, and he just wants all of this to be over so he can go back to lounging in your apartment and spending your money all day. It’s only when you raise your eyebrows that he clears his throat and nods his chin to your back.
“The scar on your back,” he explains. “How did you get it?”
“Oh,” you realize, making your way over to the tub and tapping his shoulder, motioning for him to shift forward. You slip into the water behind him, circling your arms around his waist and Dazai’s chest feels warm and full as he rests back against you, eyes sliding shut. “An assassination attempt when I was eighteen. I was… reckless, saw it coming and… Well, luckily, the Flags had been in the area. Iceman figured out what was happening and they got there quick enough to stabilize me and get me to Mori.”
Dazai’s throat swells at the implication of what you’d said, trying to distract himself with the feeling of your fingers tracing across his abdomen. He notes softly, “You’re never reckless.”
Your fingers pause in the absent patterns you’re tracing on him, and Dazai wonders if it’s a sore topic, about to retract his words. Before he can, you let out a soft breath and drop your forehead down on his shoulder, arms tightening around him.
“This was Itou’s house. All of the stuff in here, it’s his family’s—stuff he was able to salvage after they were killed. He tried to keep the house like how his mother used to keep it as a way to memorialize her,” you say quietly. Dazai’s eyes widen as he recognizes the name of your old partner. “We were enemies when we first met, y’know? It was during the big conflict six years ago. He was part of one of the foreign organizations. I ended up recruiting him, but he spent a few months on his own here. He was careful to keep it a blind spot to the Port Mafia even after he joined up, I always thought he was paranoid about it, but he was quite insistent that there was no need for people to know about it.”
“Makes sense,” Dazai says dryly. “I wouldn’t want Mori knowing where I’m living either.”
It’s an off-handed quip, but you still stiffen and again, Dazai fumbles to say something else because he clearly upset you. He starts to add, “I-”
“I killed him,” you finally say, voice weak and airy. Your arms loosen around him, but his hands drop to cover yours, holding them in place. “I killed him, Osamu.”
“I thought you said he died on a mission,” Dazai murmurs, hand tightening around yours when he feels the way your fingers are trembling. 
“I… Itou was born into this life. Was born into a Yakuza-family based in Tokyo, trained since he was old enough to walk how to use his ability… how to kill. The Yakuza syndicate his family was the head of was wiped out by the Sun and Steel when he was eight… nine, maybe. His mother was able to get him and bring him back to Australia—that’s where she was from. It’s how he ended up with Strain,” you explain, and the water suddenly feels a bit cold—what happened to Itou’s family sounds a lot like what happened to Dazai’s. From the way you pause, you wonder if you realize the same thing. You quickly change the subject, “He tried getting me out of the Mafia.”
“What?” Dazai asks, surprised. He shifts to physically look at you, catching the wistful expression on your face. “You wanted to leave the Mafia.”
The wistful expression shifts into something much more conflicted. 
“I didn’t-” you start to say before cutting yourself off. “I don’t know. I think maybe a part of me might’ve wanted to. I was… curious. He was sneaky—he was always such a sneaky bastard. He tried to ease me into it, show me what a different life was like. Called them training exercises, wanted me to blend in with kids my age.”
He remembers you telling him this at the beach house, but he listens anyway because now you do sound wistful. His eyes slide shut as you hold him tightly, pressing your lips to his shoulder blade before resting your chin on top of it. 
“His gift to me for my eighteenth birthday was an acceptance letter to university. He pulled some strings. It was for YNU, actually, funny enough,” you say softly. Dazai’s eyes widen as he turns to look at you again; there’s a small, sad smile on your lips and when he turns, you take the chance to steal a kiss from him. “Imagine, we could’ve been first years together.”
Dazai doesn’t dare to respond. His hand tightens around yours—if it’s painful, you don’t let it show. Odasaku dragged him to orientation, and he imagines meeting you there. You’re good at socializing—charming—Dazai can be too when he wants, but he definitely did not want to during orientation. He mostly sulked away and waited for it to be over so he could go back home. He imagines that you’d be in the same group with him, and although he’d probably ignore you the first few times you tried to talk to him, he’d eventually give in. Dazai is weak to pretty women, especially when that pretty woman is you.
Or maybe, you’d meet during a shared class. You would probably be a poli-sci major, but he’s taken classes in the field for requirements. He hated them, thought they were boring, but he probably would’ve enjoyed it much more if he had you to admire all two hours of the class. And maybe-
“I was curious,” you repeat, voice tighter. There’s more of an edge to it now, and Dazai realizes that this story is about to take a turn. “I… I wanted to try it. I told Mori.”
Dazai’s eyes widen and he sits up straight. The water sloshes around him as he physically turns around to face you. He asks, but can’t finish, “Did he…”
“He said it was a great idea,” you say tightly. “He encouraged it. I accepted the spot, and a week before orientation, Itou died on a mission that we got bad intel for. My whole team, they died to make sure I got out alive. Mori denied having any involvement, said he wouldn’t risk an ability user as powerful as Itou, but I know. I know he had a hand in it. I’ve always known it. The government had been after Itou for years—they said he was a national security threat. A couple of weeks later, we suddenly have the skilled business permit that Mori’s been trying to get for months. It was a trade-off. I know it. Two birds, one stone. The skilled business permit and my full focus back on the Mafia for Itou’s life.”
Dazai’s lips part to say something—anything—but he can’t. Your eyes are misty, and the foreboding feeling that’s been haunting him since he woke up intensifies. You shake your head, blinking back tears. 
“I never should’ve brought you into this world, Osamu.”
Dazai needs to think now. He needs to figure out how exactly he’s going to go about this, whether he should be soft and demure, appealing to your heart, or if he should be more forceful, triggering your guilt. 
He goes with the latter.
“Well it’s too late for that,” Dazai says, keeping his voice steady until he knows how you’re going to react to it. When you instantly shake your head again, his voice hardens. “It’s too late, I’m already in it. You can’t just get rid of me. Take accountability.”
“You don’t think I have?” you question dryly, looking away from him. But he needs you to look at him for this to be effective, so he reaches out to grab your hand, dragging your attention back toward him. “I killed your family, Osamu.”
“She was a girl my age—the previous boss’s granddaughter—she was asleep, had a bear tucked in her arms and a nightlight on the right side of her bed. I slit her throat, then both of her older brothers. They were kids.”
Her name was Akane. Bunji and Touma were her brothers. 
They were Dazai’s brothers. Dazai’s sister. The stuffed bear was called Coco, and Akane would clutch it and cry whenever Dazai started talking about things like death. She was scared of dying; more than that, scared of the people she loved dying. She cried for weeks when their grandmother passed, and got angry at Dazai when he didn’t even cry at the funeral. Dazai used to share a bedroom with her and Touma, but he hated her nightlight—it was purple and it was always right in Dazai’s eyes when he laid down. He convinced his mother to force Bunji to swap rooms with him, so Dazai had his own room on the second floor of his grandfather’s estate.
“You were a kid too,” Dazai rasps out the same thing he said at the beach house, but it comes out a bit weaker this time knowing exactly who the people you killed were. “You were fourteen. You-”
“I played a role in tracking your mother down,” you continue. Dazai’s breath catches as his fingers loosen around yours. “It was my punishment for not making sure all of the grandchildren were… eliminated. I was the one that was tracking her down, and I was the one that was going to interrogate her for your whereabouts when I found her.”
“Stop,” Dazai says quietly, voice wavering.
“No,” you reply firmly. “No. You need to understand this-”
“I do,” Dazai insists, voice cracking. “I do understand-”
“You don’t, Dazai,” you raise your voice and Dazai cringes back. You sigh and soften your voice, but the damage has been done, Dazai’s fight or flight instincts have been triggered. This conversation is not going to end in his favor, so he needs to run before he gets hurt, but he can’t because you have him stuck in the bath with you. You reach out again to take his hands in yours, fingers absently running along the scars on his wrists. “You don’t, otherwise you wouldn’t have been so quick to join me in here. You haven’t even had time to process it.”
“Yes, I have,” Dazai whispers weakly. “I have.”
“I ruined your life, Osamu,” you say quietly. “Everything bad that’s ever happened to you started with me.”
“That’s not true,” Dazai argues, nails biting into your skin as he clings to you. “My life sucked before everything really went to shit. The first time I tried to kill myself, I was eleven. You saved my life. I was going to kill myself that night we met at the bar. You saved me.”
“Osamu-”
“You’re not listening to me,” Dazai interrupts, voice taking a more manic edge as he shakes his head. He can talk himself out of any situation—why is he failing now when it matters most? “You’re not listening. You saved me. I love you.”
“I love you too,” you breathe out, but the words don’t settle his nerves because they’re heavy and full of sorrow, and the tears that had been pooling in your eyes finally start to spill over.
“Then why does this still feel like a goodbye?” he begs, breath shallow as he searches your face for an answer.
You don’t respond, but you don’t need to. He finds his answer in your eyes. He always does. You look at him again with that desperate, longing expression, like you’re trying to memorize the details of his face even though you know it’s futile. 
This is a goodbye.
--
Dazai hasn’t spoken to you once since your conversation in the bath.
Chuuya, your subordinates, and the Flags are back now, and Dazai is sulking in the bedroom watching one of his dumb reality shows. You can hardly focus on the conversation at hand because of it, and you know the others are starting to get irritated by your distraction considering the stakes at play right now. If one thing goes wrong, all of your lives would be forfeit. They’re risking everything by helping you right now, and you can't even bother to give them your full attention.
“Out,” Piano Man suddenly says. Your gaze snaps toward him, as does all of the others’ in the room. When nobody immediately moves, he raises his eyebrows and continues dryly, “Are you all hard of hearing? I said get out.”
“Where are we supposed to go?” Albatross demands. “Her boy’s in the bedroom. This place is small-”
“Go crowd in the closet for all I care. Get out,” Piano Man says dismissively. Still, no one moves until his gaze sharpens and they realize he’s being entirely serious. You shift to leave with them until his eyes land on you. “Not you.”
You feel like a child about to be scolded, which is ridiculous because you’re a mafioso, and though Piano Man is technically the same rank as you, he’s not really. He can’t scold you, but you shift awkwardly on your feet and share a concerned look with Chuuya anyway as they all wander out of the safe house and into the small hallway outside.
Once the two of you are alone, you finally glance back at Piano Man, who’s watching you carefully. After a few moments he says, “I take it you told him the plan?”
“I did,” you reply quietly.
“He didn’t take it well?” Piano Man questions.
“You know the answer to that,” you say a bit more dryly before shaking your head. “Would you have taken it well?”
“Of course not, I’d be livid,” Piano Man says immediately, making you cringe. “Does this mean we’re changing the plan?” 
“No,” you tell him. “We can’t. This is the only option.”
“I know,” Piano Man says with a thin smile. “So stop sulking and get your head in the game so we don’t all die trying to perform a coup.”
You’re startled by the sudden sharpness in his voice, but you suppose you shouldn’t be. Piano Man has always been capricious, going from his whimsical moods to more cold and ruthless ones within a matter of seconds. You can hardly meet his eyes now, looking down at the ground to avoid them.
“Why are you helping me?” you ask after a few moments.
You don’t have to look at Piano Man to see the way he raises his eyebrows judgmentally. “Excuse me?” 
“I was going to kill you earlier. I held a gun to your head. Why are you helping me?” you press, the words weighing heavily on you as you remember the way he met your eyes when you lifted the muzzle of your gun to his temple.
Piano Man has the audacity to look amused. “When I first recruited Lippmann, I tried to drown him in the harbor because I got paranoid he sold me out to the feds after a mission went wrong. It happens—the next time it does, I’m going to be pulling my own gun out though. So, don’t let it happen again, yeah?”
“Yeah,” you agree quietly. “I’m sorry.”
You don’t apologize often, even when you know you’re entirely in the wrong. Mori has taught you only to apologize when it serves you, otherwise you should never make an admission of guilt or liability. So it’s not surprising when Piano Man’s eyebrows shoot upward, but his expression softens after a moment. He reaches out to pat your head.
“I know this isn’t easy,” he murmurs, “but we need you at the top of your game if this is going to work.”
“I know,” you reply. “... I know.”
“Good,” he says, patting the top of your head yet again before sighing. “Let me go get them and we’ll get back to planning, okay?”
“Mkay.”
You lean back against the wall as you look down at the table Lippmann set up for planning. The Flags, your subordinates, Kajii Motojiro—they’re non-factors in the planned coup. The Flags will support it, your subordinates will support you, and all Kajii cares about is his experiments. Paul Verlaine is not quite as secure, but Chuuya is confident that he’ll support whatever Chuuya goes along with.
The issue lies in Kouyou and the Black Lizards.
You already feel a headache come on just at the thought, lifting your hands to your head and rubbing your eyes as you knock the back of your head against the wall and let out a heavy sigh. Kouyou and Hirotsu won’t support the coup, you know it. They’re both loyal to Mori—both victims of the previous boss who found refuge in Mori when he took over. They’ll fight for him, and you know better than anyone that during a forceful transition of power, all dissidents must be removed, especially ones that hold significant power and influence.
But it’s Kouyou and Hirotsu. Kouyou, who was the one to teach you how to do your makeup properly, who bought you your first kimono to match her own. Hirotsu, who was always quick to execute anyone that openly disrespected you, who took you to a movie on your fifteenth birthday when Mori was busy dealing with the power transition so you didn’t spend it alone. The thought makes you sick—they were family, and maybe Hirotsu could be convinced. He’s loyal to Mori, yes, but more than that, he’s loyal to the Port Mafia. If you can manufacture a legitimate reason for the coup…
You sigh as you glance down the hall where Dazai is hiding in the bedroom, startled when your gaze catches his familiar brown. He’s seemingly just as surprised that you caught him spying, immediately slamming the bedroom door shut to retreat back into the safety of the room. Your lips curl up into a small smile, which is quickly washed away when your subordinates, the Flags and Chuuya all file back into the room.
“I’ll talk to Ane-san,” Chuuya finally says, reigniting the conversation. “I’ll make her see reason.”
“There’s no time for talking, Chuuya,” Piano Man tells him. “This all has to be done within hours. If we let word get out about what we’re doing… The coup is risky, and a civil war would be the end of this city.”
Frustration flashes across Chuuya’s face. “I’m not budging on this,” he says, voice tight with thinly restrained anger. “Either you give me the chance to talk to her, or I’ll withdraw my support.”
“Chuuya,” you sigh tiredly, wanting nothing more than to just sit down.
“No,” Chuuya interrupts you. “I won’t actively stand against you, but I won’t stand with you if you don’t give me the chance to talk to her.”
“Fine,” you finally say even though you know it’s a mistake. It’s asking for trouble. Piano Man gives you a sharp, disapproving look, but you shake your head. “It’s fine. She won’t be keeping her executive position.”
Chuuya’s face twists. “But-”
“No.” This time you interrupt him, holding up your hand. “I’m not budging on this. If you want the chance to talk to her and convince her this is the best route, I’ll give you it, but you need to meet me halfway. She’s not retaining her executive position.”
Chuuya looks unhappy, but after a few moments, he nods. “Fine.”
“I can’t risk it, Chuuya,” you tell him quietly. “I need people who I trust in the inner circle. I can’t trust her after what just happened.”
“I get it,” Chuuya says. “I just don’t like it.”
“That leaves three executive seats we need to fill.” Piano Man lets out a heavy sigh as he sits on the edge of the table, tilting his head back in exhaustion. “Your’s, Ace’s, and Kouyou-san’s. Do you even have three more people who you trust?”
Klaus and Akutagawa, you think to yourself, but neither of them are executive material. Your gaze drifts over to Albatross, Iceman, and Doc, each of them pointedly looks away, none of them want the open seats. Lippmann can’t take it, not with what you have planned for him. So, who else-
“Verlaine?” Chuuya offers. “He’s got a ton of experience with the European organizations—we’ll probably need it considering Dostoevsky’s involvement with the Guild, and this Book that’s apparently somewhere in the city. If it gets out to the public, we’ll have organizations swarming just like during the Dragon’s Head.”
You don’t like the idea of Verlaine being an executive, and you don’t think Piano Man does either considering his unfortunate first meeting with the man, but Chuuya raises good points. You have your own experience with the European underworld, but it’s nothing like what Verlaine has.
“Okay,” you agree, “and the other two?”
The Black Lizards are its own command unit that answers directly to the Boss. They don’t have a seat at the table because it’s not their field. Their field is war, not politics… but what other options are there? The people you trust are far and few in-between, you can probably count them on one hand.
“What about Tolstoy?” a familiar voice asks quietly from down the hallway. You look up immediately, gaze focusing on where Dazai is standing in the door of the bedroom, hands shoved in the pockets of his sweatshirt, shoulders hunched. He doesn’t like the attention of everyone on him, so he keeps his eyes trained fully on you. “Mishima?”
“They’re not part of the Port Mafia,” Chuuya dismisses, “they don’t get seats.”
“But what if they were?” Dazai presses, shuffling forward. He hardly spares Chuuya a glance before looking at you again. “The transition of power is going to be shaky, you need to strengthen your position in other ways, otherwise…”
“You think we should merge with the Three Deaths and the Sun and Steel,” Piano Man realizes, sitting up straighter as he considers Dazai’s proposition. “Doesn’t that risk destabilizing us even more though?”
He looks at you for an answer, but your gaze is focused on Dazai. He’s not even gone yet, but you already miss him desperately; all you want is to be with him, but it’s just not possible. You can’t have him and run the Port Mafia at the same time; he will die because of his affiliation with you, just like he almost did when the Guild captured him. It wouldn’t matter how safe you tried to keep him, one mistake and he would die. And that will lead to every decision you make being centered around him, not what’s best for the Port Mafia and that will lead to its inevitable ruin. 
“No, Osamu’s right,” you say, and Dazai preens at the praise, but then quickly deflates again. You want to reach out for him, but you refrain. “Not a merger. An acquisition. The Three Deaths and the Sun and Steel are already pretty much extensions of the Port Mafia, we would only be formalizing it. I trust Tolstoy and Mishima—I pretty much built the Three Deaths into what it is today myself. We’d give the Port Mafia an official foothold in Russia, more sway over everything that happens in Tokyo. It’s a good plan. Great one, even.”
“Will they even agree to it?” Chuuya asks doubtfully. “Go from being fully autonomous to answering to us.”
“They pretty much already do just answer to us,” Albatross mutters.
“They’ll agree to it,” you tell him quietly. “I’ll make sure of it.”
Tolstoy won’t be hard to convince. He, Chekhov and Gorky are all good friends of yours, you helped them build the Three Deaths, you helped them win territory battles against the Pale Flame and the Red Chamber. All it would take a few words of convincing for them to agree to it. Mishima might be more difficult, but all you have to do is convince his daughters, and they hang off your every word.
There might be some dissent from the Sun and Steel executives, but even then, you think it would be minimal at worst. It’s a good plan. Having Tolstoy and Mishima sitting at the executive table would lend you some much needed support during the transition, and with the Port Mafia subsuming the Three Deaths and the Sun and Steel, it would provide a major deterrence against any foreign movements from Cao Xueqin or Yi Sang.
“What about Hirotsu and the Black Lizards?” Akutagawa asks, shifting awkwardly when all eyes turn to him. He doesn’t meet anyone’s eyes, and you know it’s because he actually cares about what your answer might be. Akutagawa likes to pretend that he doesn’t care about anyone, but you know he has a soft spot for the unit that took Gin in so easily.
“We can’t afford to lose the Black Lizards,” Iceman notes as he lights another cigarette. “Especially if we’re bringing in other organizations. We don't want our own people to feel like they’re being lost in the mix, y’know?”
“I’ll handle Hirotsu,” you finally say. “It’ll be fine. I just need to figure out how to frame this. Needs to be framed in a way that makes him feel like this was the best, and only, course of action for the Mafia. He’s loyal to Mori only to the extent that he’s good for the Port Mafia. I’ll figure it out. Leave that to me.”
“Ace’s subordinates?” Albatross prompts. “They been handled? We can’t have them knowing about him. Can’t have anyone knowing about him.”
“Dead,” Akutagawa says. “I killed them.”
“Security cameras? CCTV? Any record of this kid being affiliated with us?” 
“Wiped,” Klaus answers flippantly. “We’ve gone through it every day since they met. Weren’t allowed to sleep ‘til made sure everything from the day was wiped. There’s no physical record of him ever being around us.”
“Okay, so we get this settled, and then we wait on Repin for the rest of us, right?” Albatross asks. Dazai cringes at the mention of Repin, and you look away from him, unable to watch the pain that crosses his face.
“Yeah,” you say quietly. “It all needs to happen within no more than a couple days otherwise we risk the wrong people finding out so…”
“So we should get started,” Chuuya sighs, pushing himself off the wall. He squeezes your wrist as he passes by you, walking in the direction of the door. “We’ll give you guys some time. I’ll let you know how things go with Ane-san.”
You nod, eyes following him as he leaves. The others follow, filing out of the room until it’s only you and Dazai left again. You turn to look at him, so many words on your lips but incapable of pushing a single one out. Instead, you reach out to cup his face between your hands, running your thumbs across his cheekbones. His lashes flutter shut as he leans into your touch.
“It doesn’t have to be like this,” he whispers, brown eyes heavy and glassy as he looks down at you. “We can figure something else out. I know we can. Just give me some time, I just need a little time, I’ll figure something out.”
“We don’t have time,” you say, voice cracking over the words. “I love you, Osamu.”
Dazai pulls away, shaking his head. He wipes quickly at his eyes before looking at you again. You expect what he says, but it doesn’t make it hurt any less.
“I won’t forgive you. Not for this. Not ever. I can’t.”
“I know.”
--
SIX WEEKS LATER
“I must say, I wasn’t expecting this invitation,” a familiar voice hums as the door to your box opens. You don’t turn to look at him, keeping your gaze trained down on the performance taking place below. “Not from you, and not after everything that’s happened.”
“No?” you ask absently. “It’s unlike you to not expect something, Dostoevsky. Less like you to admit it.”
“Fyodor,” he corrects as he comes to stand next to you. He’s close enough to you that you can feel his body brushing yours. You finally turn your head to look at him—his lips are curved up into a deceptively soft smile, violet eyes glittering with a type of mischief that you know is dangerous. “We are well enough acquainted to be on a first name basis, no?” 
“Dostoevsky,” you repeat pointedly, looking back down at the show as the first act reaches its climax. Of all of the shows you’ve seen, Tosca is still your favorite. This rendition here at the New National Theatre isn’t quite as good as the one at La Scala, but you’re enjoying it well enough.
Dostoevsky lets out a huff of laughter, you don’t turn to look at him when you feel him reach out to touch you. His fingers trace along the maroon scarf hanging loosely over your shoulders. You barely withhold a shiver when you feel his knuckles skim your neck—rumor has it, skin-on-skin contact alone with Dostoevsky is enough to kill. You don’t die, but it’s enough to beckon your attention back to him.
“Red is your color,” he murmurs, looking down at you through his lashes. “You look beautiful.”
“It isn’t yours,” you reply quickly, glancing down at the red tie tied neatly around his neck. “Neither is flattery.”
Dostoevsky does laugh this time—it’s soft and short, pretty like a bell. Unbefitting of him, just like the color red and false flattery. 
“It isn’t?” he asks, keeping his voice deceptively playful. “I wore it for you. Since you invited me, I thought it appropriate that we match. I heard of your success in Yokohama. I should congratulate you on your new promotion. Or perhaps extend my condolences for the death of your father? Are condolences still proper when you were the one to drive the knife into his back?”
It’s a dig, an attempt to get under your skin and throw you off before getting into the meat of the conversation. You can feel his eyes on you, the soft playfulness gone and replaced by a sharpness that has you on edge.
“You said it yourself. One life or thousands.”
“It was a bullet to the head,” you correct idly—the words taste like poison on your tongue, but you’re careful to not let it show on your face. “Condolences are unnecessary. He was not my father.”
“It’s okay, dear, this was how it was always meant to be.”
“Hm,” Dostoevsky hums, amused. “I was quite pleased when I found out about the coup. I wasn’t expecting it.”
He wants to add something else but he decides against it. He’s very calculating with his words, he always has been, but he is especially now. You know that each word he speaks is chosen for a specific purpose, and it’s hard, even for you, to break down each one as he speaks it to understand why he says it so you can choose your own words carefully in return. Fyodor Dostoevsky is the only man capable of consistently beating you in exchanges of words, and that is concerning. 
It’s why you invited him here—you need an idea of what he’s planning while you solidify your newfound position.
“It seems you struggle to expect many things I do,” you note. “I should add it to my resume. I doubt many people are capable of repeatedly surprising Fyodor Dostoevsky.”
“It is true,” he agrees with an airy laugh. “You are a… difficult opponent. I will admit it.”
 “Is that so?”
Dostoevsky makes a soft noise of agreement, lashes fluttering as he glances over at you once before he looks back down at the show taking place down on the stage. 
“You are not guided strictly by logic,” he muses. “It's there, of course, you are very intelligent but it’s laced with so many emotions. It is difficult for me to determine your course of action because I can never predict when you will lead with emotion, and when with logic. And even then, there are grades to it. I could account for dozens of plans of action and miss the one you take because you are just a bit less emotional than I anticipated… I did not predict that you would go for Zelda Fitzgerald, it was quite bold—there was a high risk for failure. You make things… much more interesting. I enjoy it.”
“You would find something like that enjoyable,” you say sarcastically, taking a sip of your champagne. “There is something seriously wrong with you, Dostoevsky.”
“Fyodor,” he corrects again with a light smile. 
“Dostoevsky.”
“Heh,” he laughs quietly. “I will… wait for things to settle before making another move here in Yokohama. I’m curious to see how all of the chips fall on their own. You’re in for quite the storm with that bill that just passed through the Diet, aren’t you?”
You don’t respond. You got the answer you needed, so there’s no reason for you to keep entertaining his snide comments; you’ll just watch the show in peace. You’ll have the bit of time you need to get things settled before Dostoevsky makes his next play. Though the man is a compulsive liar and you have no reason to trust him, Dostoevsky has never lied so blatantly to your face, so you’ll take him at his word until you have reason to believe otherwise. 
Dostoevsky takes your silence as an opportunity to continue talking, naturally.
“I did have a question for though,” he says, a bit too thrilled by the prospect of your answer. You don’t like the way his eyes are lit up, and you especially don’t like the smile on his lips. “Entertain me?”
You raise your eyebrows pointedly, waiting for him to ask it. 
“I heard rumors that the reason behind your sudden decision to overthrow your father was more… intimate than most believe,” Dostoevsky murmurs, leaning like he’s sharing in some schoolgirl gossip with an old friend. Your brows furrow as you process his words. “You must tell me what boy has managed to steal your heart. He must be something special. Not even I was capable of that, I’m almost jealous.”
You look at him now, gaze sharp but confused as your eyes trail over him before focusing back on his face. He seems surprised by your reaction, tilting his head to the side and studying you carefully.
“I have no idea what you’re talking about.”
--
to be continued in ... the land is inhospitable (but are we?) [est. release: early feb]
--
WOWWWWWW GUYS WE FUCKING FINISHED CIVZAI .... or well, ;) civzai1. some notes:
i promised a happy ending, i know ... but i promised it for civzai in general, and they DO have a happy ending ... just not yet. pls dont bully me ill cry i'm so proud of this. i didn't lie.
i always intended on there being two parts to this series because i feel like time apart is essential in the pmreader universe. when dazai defected in canon universe, and now with her taking over as boss and wiping her memories of him. the first part was always gonna be the guild arc, the second arc is gonna be my rendition of the hunting dogs and the decay of the angel
this is the ONLY universe where pmreader becomes port mafia boss ;) i actually had it noted that there was only one universe on the background page in wykyk once i started writing wasteland, baby but no one caught it ;) i was wondering if anyone would put two and two together
i actually went back and retconned chapter 1 to have them talking about the divine comedy instead of petrarch because of the first scene in this chapter. i thought it would be neat coming full circle with the themes of betrayal and death, + the hozier song this chapter is based on is about the 9th circle in the divine comedy. so everything just tied together too neatly for me to not add it.
;) just remember now with repin involved, reader's narration is now entirely unreliable. we don't know what's truth and manufactured by repin.
i was actually really tempted to base civzai2 off of a mother mother album just because hayloft II fits what's going to be the first half of it SO fucking well, but i had to go with mitski because the whole album literally captures the vibes of the second series perfectly
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elsaxmerida · 3 months ago
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Ariel gets married to an adult at the end of her original movie. Eric has likely been an adult for several years before the start of the movie, if we are going off of Grimsby's lines to him when he's giving him the statue.
GRIMSBY: Yes, I commissioned it myself. Of course, I had hoped it would be a wedding present, but... ERIC: (grabbing the telescope from Grimsby) Aw, come on, Grim, don't start. Look, you're not still sore because I didn't fall for the princess of Glowerhaven, are you? (Eric looks out the telescope for a second before tossing it back to Grimsby, who catches it clumsily.) GRIMSBY: Oh, Eric, it isn't me alone. The entire kingdom wants to see you happily settled down with the right girl.
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I would beg for people to be at least as critical of the source material as they are of the lesbian fan art.
I will repeat, would it be helpful to have fan artists include the intended ages of the characters down whenever they're posting?
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Isabela: Ariel! That's -
(a weed)
Ariel: 😀
Isabela: Pretty 😍 ✨️ 💖
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snowsinterlude · 1 year ago
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melted snowflake.
(coriolanus x plinth!reader)
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summary: coriolanus never thought he would fall into his own trap. his plan wasn't falling for you. no, it was the contrary, he was supposed to use you. but god, you were so perfect for him.
based on this ask!
c.w: snow being a bit of a jerk, manipulation, jealousy, plinth reader x coriolanus snow, snow being head over heels with you, fluff (?)
you were a district girl, of course. your parents made sure to take that out of your head, but you couldn't simply forget about everything you lived in the districts. you were a child, but it didn't mean you were dumb or blind not to caught up on the things surrounding you.
the first time you saw snow was when your father met panem's president and left you to play on the kindergarden with your brother, sejanus. of course, it didn't go as planned when you were pushed away by a random kid and he protected you and your brother.
of course, after that, he never talked to you guys. a snow is not supposed to talk nor look at poverty with kindness. that's what his grandma'am taught him.
with this being explained, neither him nor his grandma'am expected your family to get richer than the snows, but after his father's death it was only natural they would be poor.
"y/n?" he approached you, now at the academy. he was a beautiful young man, often obtained your attention because of how much praise he recoeved from teachers and others. even though you were rich now, of course you wouldn't fit in as well as he did. not when you and your brother disagreed with everything the capitol kids stood for. "i'm sorry to interrupt you, but the teacher assigned us to do our assignment together." it was a lie. you could tell right away.
but why not see where he'll go with this?
well, that's what you decided to do. every lie he told you made you want to slap him from how dumb he seemed to think you were.
everyday you would caught him staring at you, at your eyes. stealing glances, stealing everything he could from you. hearing your voice was turning out to be the best moments of his days. but you knew deep in your heart that he was taking you for stupid. you were a girl, smaller than him, more soft looking than him, and he thought it was adorable.
but snow, being a snow, had something other than that silly feelings in his body. plans that didn't go as planned when you slapped his face hard, the red print kf your hand on his white skin being visible.
"hey! what are you-?" you interrupted him.
"look, i allowed you to go as far as lie to me about everything, even what others had to say to me. but i will not allow you to say anything about feelings, snow. this isn't funny. this is sick, and twisted. to think you want to have whatever i want so much that you would go as far as say you love me makes me sick." you said, and he blinked his eyes quickly, dumbly looking at you.
"ah, c'mon. don't look at me like that. you really thought i would believe you when you said clemencia hated me? man, she doesn't even know my name!" you kept going, and he gasped a feel times, his hand touching the place you slapped. "stop coming after me."
and you were gone, just like that. everything snow had planned for you both had gone down the drain while you walked away from him.
and after that, he tried to talk to you. he truly did. but you were always so far away from him, and when you caught a glimpse of him walking your way, you would always exit whatever place you were entering.
"man, what you did to the plinth girl? she's running from you like the devil runs from a cross." festus said, watching you exit the library the moment he stood up from the desk they were in.
"i don't know," he said, but he knew what he did to you. he knew he was wrong. and god, the ache he felt on his chest when he saw you laughing at a joke some body made to you was unberable.
that's when he noticed it. that's when he noticed he liked you, more than he planned to. you were supposed to be his accessory, his pretty ornament on the shelf, used when needed to. but now? ah, you had him at your bare feet and you didn't even knew, and if you did, you didn't care.
it was his fault, of course. he didn’t need to tell you that clemencia hated your guts, or that festus was betting that he could fuck you till the end of the year when you said he was pretty, or anything before and after that.
and thinking of that, he had a white bouquet of roses on his hand, provided by his grandma'am when he said he needed to apologize to the prettiest girl he had ever seen. mentally rehearsing his apology and what he would say, he didn’t even notice when he was already at your door, nervously knocking.
you were rich. why was it you the one who answered the door? god, if you were his wife in a near future, you wouldn't even need to move your hands to eat a grape and-
slam!
you closed the door right when you saw the white bouquet on his hand and the ashamed face he had on.
"y/n!" he called you, knocking on the door and pressing the bell of your house multiple times. it was so loud, so irritating, that you opened the door again.
"god, what the hell do you want?!" you asked, angrily frowning at him.
"you," he said. "please, i'm sorry. i-i didn't took you for stupid- you're actually the smartest girl i've seen in the academy, and the prettiest too, and i'm so sorry for being a douchebag to you but i wasn't planning on-" he stopped talking, gulping down.
"planning on what? being a jerk? a liar? a manipulator? a-"
"on falling in love." he said.
"there he goes again." you said, rolling your eyes.
"y/n, i'm serious!"
"prove me." you said, crossing your arms. and he fell on his knees at your feet, placing the roses delicately on your ground. "i'm sorry. i think love is a weakness, i am not used to feeling it- nor any kind of affection towards others but- i can't stand the sight of you, the thought of you being with anyone that isn't me, please-"
ah, how cute. anyone who saw coriolanus at your feet right now would be surprised, his grandma'am would go nuts, saying that snow's are supposed to be on top and not on the bottom of some district girl's feet. but he didn’t mind. he needed to do it. if being on his knees was the only way to get back at you, fuck it. he would be.
"get up." you said, looking away. he obeyed you promptly, eyes looking at you with hope. "that's your last chance, coriolanus." he nodded, almost falling on his knees to kiss your feet.
well, within the span time of seven months, you both were dating. but it didn't change much, coriolanus was always, and i mean always ready to get on his knees for you. he was a sucker for you, even if he was all high and mighty with others, with you, he was a melted snowflake. and he was fine with it.
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henley-reeves · 1 year ago
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"The Runaway Bride" is such an iconic episode, really. It was just Donna in her wedding dress appearing in the TARDIS while the Doctor was in the middle of a heartbreak, and she immediately changed his life, and hers in the process, from the second she started yelling at him to TAKE HER TO THE CHURCH.
This woman came up with a whole variety of pet names for the Doctor in a span of a few hours, some of which (SPACEMAN) would become legendary and character defining and would be remembered fondly by the Doctor.
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This episode is full of iconic scenes, like Donna getting kidnapped by a robot Santa and the Doctor trying to save her by encouraging her to jump out of a moving car on a motorway, and while Donna is refusing to jump arguing that she is in her wedding dress, the Doctor's best response is to compliment her look like "girl, you look perfect for a jump out of a moving car on a motorway."
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And the next scene on a rooftop solidifies the silly tone of this relationship by the Doctor putting a biodamper ring on Donna's finger cracking a wedding joke, which Donna immediately joins in on.
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This scene right there was the start of their friendship and that bond that would last for the rest of their lives. It all started with a robot Santa, a wedding ring and a silly joke which hilariously continued into the next scene with the Doctor and Donna standing under the "Just Married" banner. Comedy gold.
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A very underrated moment of the Doctor continuing the affectionate insults tradition between them by calling Donna a 4H pencil, trying to explain to her how she got transported into the TARDIS.
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There were these small moments throughout the episode that showed exactly how this friendship of a lifetime started. Like the Doctor taking Donna to see the creation of Earth right after the moment her fiance betrays her and admits he hates and wants to kill her. The Doctor sees all that and tries to distract her by showing her something so extraordinary and beautiful that no other human saw before her. And it works. This woman who has been so unimpressed with him calling him SPACEMAN (derogatory), was now cracking jokes and laughing with the Doctor and very much enjoying his company.
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The Doctor and Donna who spent the good portion of the episode trying to get rid of each other, were now ride-or-die besties.
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The Spaceman and Earthgirl are now imprinted on each other so much that this little Christmas adventure will become a life changing event and a start of a relationship so meaningful and deep that it will end up changing the Doctor's and Donna's lives fundamentally and save this world and a multitude of others.
The Doctor started the episode with "I don't want you here anyway" and ended it trying to make Donna laugh and making it snow when he heard she didn't like Christmas, and openly telling her he would be lucky to see her again and inviting Donna to come with him.
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And Donna who starts the episode yelling at the Doctor and being so unimpressed with him, ends up understanding him on such a deep level and leaving him with the words that he would carry for regenerations to come. And failure to remember these words would lead to the death of this incarnation.
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Donna is asking the Doctor to find someone, and she doesn't yet realise that he already found that someone he needs, a platonic soulmate, a friend, a partner, and that someone is her.
"The Runaway Bride" was a start of a many years (for Donna) and many centuries (for the Doctor) road from that rooftop to the garden where they will sit together with a bright shared future ahead. Best mates having the best of times for the rest of their lives. TOGETHER.
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familyvideostevie · 1 year ago
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you have me, you have me only
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joel miller x reader you get (minorly) injured on patrol. joel does his best to patch you up and not worry too much. | jackson!joel, hurt/comfort, wound-patching, some blood, a jesse cameo, joel being joel, all that good stuff. | 4.2k a/n: part of the just and just as verse. not too soft but not too angsty, either. just another day after the end of the world, you know? thank you @mrsmando for your eyes on this! <3
___
"Almost there," you mutter. "Fuck."
The icy winter wind dulls the stinging in your palms to a numbness. The leather gloves you've had for half a decade stay tucked in your pockets. You don't want to ruin their lining with dirt and blood.
"How's the head?" 
Jesse pulls up alongside you in a trot. The adrenaline from your patrol-gone-wrong pulses heavy at the top of your spine, your vision sharp and the whole world a little too loud around you as Jackson comes into view at the bottom of the hill. Your head, like the rest of you, throbs.
"I'll live."
He scoffs and his horse snorts as if agreeing with him. In truth, you're more pissed than injured, though it certainly looks like you lost a fight. Jesse's cheekbone will no doubt bloom purple tomorrow and his lip is still bleeding sluggishly. His jeans are splattered with gore, same as yours.
"Thanks for back there," he says.
You shrug and wince when it pulls at the skin of your side where you fell. 
"You, too," you tell him with a grimace. "That was quick thinking with the brick."
You like him -- he's good at his job and he's a good friend to Ellie. You know Tommy and Maria are not-so-subtly training him to run this place someday if he wants to. As a patrol partner, you can't ask for much better. He knows all the routes and he's a good shot and his mom knows everything there is to know about everyone in town and sometimes he passes tidbits on to you.
But knowing your shit doesn't mean a damn thing in this world, sometimes. You can still get ambushed by infected on patrol and it can still fuck up your day.
He waves you off. "I just can't believe an elk chose our station to fucking die in."
"Tommy is going to shit himself when you tell him," you laugh. It pulls at your ribs. God, is there any part of you that didn't take a beating?
"He'll just be pissed he wasn't here."
Your horses reach the bottom of the hill and Jesse hesitates, the green scrap of cloth in his hand. The red one indicating an injured party peeks out from his pocket.
"Are you sure you don't want to go to the clinic?"
"I'm fine," you say firmly. "I can patch up at home."
He eyes the cut on your forehead and your scraped palms but caves under your glare and waves the green flag.
"Joel makes the same face," he mutters. "Ellie does, too. Freaky."
The gates open and you grunt when you get off your horse, palms back to stinging.
"Joel's two expressions are pissed and annoyed," you say. “Not hard to pick one up.” You press the back of your hand to your forehead and it comes back tacky with blood. "Fuck."
"I don't think you'll need a stitch." Jesse holds his hand out for your patrol rifle and pats the neck of your horse. "I'll debrief and get these guys settled. You go home."
Normally, you'd protest. But you really just want to take a hot shower and sleep for twelve hours, so you nod and shoulder your pack carefully.
"Make sure you tell Tommy about beating a stalker to death with a brick," you call over your shoulder. "He'll be impressed."
Jesse laughs.
Snow crunches under your boots on the way home. Fuck, you're exhausted. The adrenaline fades with each step and the aches become sharp pains. There aren't too many people out today on account of the cold but you nod and wave, ignoring the double takes at the blood on your clothes.
It'll be a pain in the ass if you can't patch the ruined knees of your jeans. Maybe you can convince Joel to carve something for the woman down the street who can sew better than anyone in town. Finding new pants is damn near impossible.
You’re practically dragging your feet by the time you reach your house. The mailbox labeled Miller, the wind chimes gently swaying on the porch, all of it puts you at ease. You made it home.
The porch steps groan as you climb them and the front door opens from the inside as you reach the top. Joel steps out, hand still on the knob when he looks up and sees you. His eyes widen.
He was on patrol today, too. You left at the same time but he had a shorter route and must have gotten back a while ago.
"Are you coming to meet me?" you say with a grin that's genuine despite the way your body pulses with pain. He does this sometimes -- milling around the gate, chatting with people on the wall as he waits for you to return. You never really feel like you're home until you see his face.
Joel does not smile back. His eyes rake over you the same way he surveys a room, cataloging all of the important things. The gash on your temple, the rips in your jeans, the way you're favoring your left side. The blood, too -- it's everywhere, you're sure. Palms, knees, collar. Jesse helped you wipe your face before you rode back so that you could see without blood in your eyes, but you must look pretty fucking rough.
"Jesus," he says. His hand twitches like he's going to reach for you. "You okay?"
"I'll be better when I'm not standing out in the cold."
His nostrils flare and he heads back into the house, you on his heels. You dump your pack and sit down heavily on the bench to take off your boots. Joel beats you to it, lowering to one knee with a slight groan, fingers working at your laces.
Normally he'd ask how patrol was, how Jesse did, if you saw anything interesting. Instead, his cheek twitches like he's clenching his jaw so hard it hurts. He unties your double knots with practiced ease and his silence fills the entryway of your house.
In another life, the sight of him on one knee would set your heart aflutter. As it is, you want to run a hand through his hair and smooth the worry lines on his forehead. You know him and this is how he handles it -- he chews on blame that doesn't belong on his shoulders until he can fix it.
"I'm fine," you say softly. You open and close your hands, resting them on your knees. You got most of the gravel out but there's dirt and god knows what else embedded in the tender flesh. Joel pulls off one boot with a firm hand on your calf and then the other before finally looking up at you.
"You wanna explain...this, then?"
His hand waves up in your general direction. There's no tremble in his palm but his brows are furrowed, his shoulders set in that way of his, like he's bracing for bad news. You have a rule about not lying to each other. So if you say you're fine, you're fine. Achey, bloody, and gross, sure. But you made it home in one piece and now you'll let him take care of you and he has to be okay with that.
But you don't mind reassuring him. He worries, and you know the feeling.
You shrug and fail to hide your wince. Joel wraps a hand around your ankle and squeezes lightly.
"I've had worse," you say. "I'll tell you about it if you patch me up."
He softens a little and sighs. It won't do anything to remind him that he can't go back in time and stop you from getting hurt. Joel knows he can't fix everything, can't keep everyone he loves away from harm, can't save the world. Won't, if it comes at the expense of the people in his heart.
But you can give him something to do -- a way to make it better. You could probably bandage your hands and your forehead and the rest on your own but it'll help him just as much as you if he does it.
Life in this world is a constant give and take. You have to be okay with some things, with cuts and bruises and ruined clothes if it means you survived. There's no safety, not anymore.
"Alright, c'mon," he says, standing with a groan. "Upstairs, 'fore you bleed on the furniture."
He holds out a hand for you to stand but you show him your mangled palm. Joel clicks his tongue and grips your forearm gently instead as you rise.
"Gotta clean that," he says.
"That's the plan." You leave your coat and pack behind in a heap and head for the stairs. "A hot shower sounds so fucking good right now."
Joel stops you with a hand on your elbow and you turn on the bottom step. He traces the cut on your forehead with light fingers and you try not to wince.
"Shower," he says.  "I'll patch you up after." His tone leaves no room for argument.
You ghost your fingertips along his jaw and smile at him.
"Yes sir, Mr. Miller, sir."
More tension melts from his shoulders and he rolls his eyes at you. You laugh all the way to the bathroom, even though it hurts a little.
It's been a while since one of you returned from patrol with any sort of injury. Winter means the hoards are sluggish and easy to track and tends to keep groups of people from coming to the valley and making trouble. Today was bad luck and could have been much worse.
You both know how quickly all of the good in your lives can be snatched away. Everyone does.
But you just can't dwell on it. Joel knows it, too, and letting him fuss over you in that way of his will remind him. You're home. You're okay.
You leave the bathroom door cracked as you shower under the gentle spray. Your various injuries sting but you manage to clean the scrapes on your knees and hands and wash the blood from your skin and hair, the water rusty brown as it swirls around the drain. 
Joel knocks when you're almost done and the hinges groan when he steps into the bathroom.
"Leavin' you clothes," he says, voice raised so you hear over the spray. "You okay?"
"Still alive," you call back. "Almost done."
The water starts to turn lukewarm so you switch off the stream and drag back the curtain. Joel is nowhere to be found but he's left you loose shorts so your knees are exposed and a big, faded graphic t-shirt that you brought home for him as a joke last year as well as fresh underwear and warm socks. You gently pat your skin dry with an old and scratchy towel and do your best with your hair before sliding them on. 
Joel knocks again and this time he has the bag with all of your first aid stuff in his hands. The steam from your shower rushes out into your bedroom and you shiver.
He jerks his chin at the counter. "Wanna get up there?"
You haul yourself up with a groan and he stands between your knees, arms crossed and head cocked.
"What're we dealin' with, here?"
You look down at your messy palms and rattle off what hurts.
"Cut on my forehead, bruised rib, probably, fucked up hands and knees, and..." You look up and find Joel running a hand down his face. "That's it."
"You sure?"
You glare at him. He glares back. His eyes drift to your forehead gash.
"Cut could use a stitch." 
He's still tense, you can tell, probably will be until he wakes up tomorrow and you're still next to him in bed. Until the wounds turn to scabs turn to scars. Maybe not even then.
"I think I've had enough cuts over the years to know what needs a stitch."
His eyebrows rise just a little bit, turning his expression from interrogative to exasperated, but he knows better than to tell you to do something when you’ve set your mind against it.
"They're offerin' medical degrees on the Creek Trails, now?"
"Joel."
He holds his hands up in surrender. "Fine," he says. "Let me feel your ribs."
You raise your arms a little and he slides his palms under your shirt and up your torso, pressing gently as he goes. Braless as you are, he brushes the underside of your breast, and your breath hitches. His eyes are soft with quiet amusement but he doesn't tease you.
"Your hands are warm," you murmur. He reaches the place on your side that took the brunt of the impact and you hiss.
"Sorry," he says. "Doin' real good. Deep breath for me." You obey and he withdraws, satisfied.
"Nothin' broken," he says.
"Told you."
He hums and pulls out the precious few disinfectant wipes from your first aid kid. You can get Joel to do a lot of things just by asking, but arguing with him about wasting supplies on you never works. He washes his hands in the sink and glares are you like he knows what you’re thinking.
"Forehead first, then hands, then knees," he says. "Okay?'
You nod, eyes fluttering shut. He grips your face with gentle fingertips to keep you still.
"How was your patrol?" you ask him.
He makes a noise low in his throat that's halfway to being a laugh.
"C'mon," he says. "You don't want to hear about mine. I know you're dyin' to tell me what happened."
The alcohol wipe stings as he swabs at your forehead and you tense. Joel's thumb rubs slow circles at the corner of your mouth and you press your knees into his hips.
Funny how you've had broken bones, been stabbed, shot, pretty much everything over the last twenty years but it's the small stuff that hurts the most. Stubbed toes, sliced fingers, alcohol wipes on shallow wounds. Some things just don't change.
"Okay," you say. "Well, you'll never believe it, but a damn elk decided to die in the station where the logbook is."
You tell him how you and Jesse rode up and saw the blood trail immediately and heard the moans and groans. You kept the horses on the other side of the fence and checked the first floor and the overlook, but the elk had weaseled its way under the collapsed staircase.
It smelled like death, rust and decay heavy in the air. The animal must have died just after the last patrol.
But it wasn't the problem. It was the group of Infected it attracted -- two runners and four stalkers. You have no idea where they came from but, since you were on patrol, the priority was eliminating them. The runners were easier, although one of them was responsible for the gash on your forehead when it managed to push you into the wall. You and Jesse cleared them quickly, one bullet each.
You thought you got all of the stalkers. One of them was munching on the carcass and went down fairly easily with your good aim. Jesse helped you clean your forehead so you both could clear the passage to get to the upper level and sign the logbook. The corpses went over the side of the station into the forest below. The Infected had eaten so much of the elk that it wasn't too heavy, though you both were sweating and dirty by the time you finished.
"Lemme guess," Joel says. You open your eyes as he carefully pulls the wound closed with two butterfly bandages before he gestures for your hand. He holds your wrist gently and tilts your palm side to side, looking for dirt. "There were infected inside the station, too."
"Look at you," you tease. His eyes flick to yours for just a second, intense as always. "It's like you were there."
"Smartass," he grumbles. The disinfectant stings on your palm, too, but you keep talking and keep your gaze on his face.
"Jesse climbed the rope up to the control room first but had to fend off a stalker at the top so he didn't see when another one grabbed my ankle and pulled me down mid-climb, which fucked my hands. The fall is how my rib got bruised and I tore up my knees fending it off."
Joel's cheek twitches. He wraps one of your palms in gauze and turns his attention to the other.
"Fuckin' hate those things."
"Me, too. When I got to the top, finally, Jesse was tugging a pipe from the head of a corpse. There was one more -- it jumped out of that supply room on the side, the one where Ellie found a bong, once, I think. I dodged it but my gun jammed and my hands were bleeding."
"Should've been wearing gloves."
You tap his leg with your foot and ignore him. Not taking your bait about the bong means he’s still pissed. "And then Jesse killed it with a brick."
"I taught him that," Joel grumbles.
He ties off your other palm and as soon as he's done you frame his face. Joel allows it, allows you to stare at him for a few seconds like you're memorizing him. You're telling the story like it was a fun adventure -- and it was. You're plenty capable and he knows it, too.
But you were scared. You don't tell him that right now, instead grounding yourself in the man in front of you. His hands are rough and dangerous to most, but tender and careful to you. The broad, firm line of his shoulders, always braced for the next hit.
The gash on the bridge of his nose, the lines at the corners of his eyes. His beard, greyer every year. You swipe your thumbs along his cheekbones and he sighs.
"Lucky me," you say softly.
You lean in to kiss him, just a light press of your lips to his. His wide palms rest on your bare thighs and he kisses back with a kind of desperate firmness, as if he's proving to himself that you're real. That you're here in front of him, under his hands, in his care.
Joel drags his lips along your cheek.
"Knees," he says.
He steps back and releases your thighs with a squeeze. He treats more of your torn skin, a frown back on his face.
"I do want to hear about your patrol, by the way."
He shrugs. "Not much to tell," he says. "Didn't even get to shoot anythin’.”
You swing your foot back and forth, tapping the side of his thigh with every pass.
"But you had the nice route," you whine. "Tell me what the lake looked like."
"Quit distracting me," he grumbles.
"Like you don't have the steadiest hands in all of Jackson," you say softly.
He snorts. "Are you flirtin' with me?"
"I'm always flirting with you, Joel Miller."
You lied to Jesse earlier -- Joel has hundreds of expressions. He just keeps most of them for you. For Ellie, and Tommy, too. You know every one of them by now.
The look on his face now says he's thinking about kissing you again, maybe just to shut you up.
You grin at him. "Tell me about your patrol, now, seriously. Unless talking and using your hands at the same time is too much for you."
He smirks back. "Think we both know that ain't true."
"Now who's flirting?"
Lazy heat curls in your belly but fatigue stops it from turning into anything. Joel must see that in your eyes because he simply taps your chin with a knuckle and starts talking.
You start to slump as his Texas drawl wraps around you. He tells you how the lake was still, how he and Astrid saw bear tracks but no bear. How he found a tape for Ellie that he's going to give her tomorrow, how he wore his gloves today like you've been telling him to.
Some people might say that Joel is a man of few words. You thought he was the quiet type when you first met him, another stoic survivor in a world that demands hardness of everyone. But not shy, never shy. Just...waiting. Watching.
He and Ellie can shoot the shit for hours -- a dynamic they've fallen back into easily enough since they started spending time together again. He's funny, he's clever, he's annoying as shit when he wants to be.
And Joel is quite the storyteller. If you had to guess you'd say it comes from having to entertain Tommy when they were kids, from getting Sarah into bed on his own over and over. Keeping Ellie occupied, keeping her talking when things were scary and hard and fucking awful.
It's just another way he takes care of people.
"Still with me?" he says. You realize your eyes have closed. When you open them you find Joel looking at you with tenderness and a spark of amusement. The tense line of his shoulders is nowhere to be seen. "All done. Tired?"
"And hungry."
He washes his hands and throws away the various wrappers and blood-stained wipes.
"Sure you're awake enough to eat?" he teases.
You roll your eyes at him. He laughs.
"Joel," you say, catching his elbow. "Thank you."
"C'mon, now."
He looks like he wants to argue with you for saying it but reaches for you instead. He traces the cut on your forehead just like he did at the bottom of the stairs, brow drawn again. You can't tell what he's thinking as he drags his thumb down and around your eye, cupping your cheek fully for just a breath before releasing you and stepping towards the door.
"I'll heat some soup."
Dinner is quick and quiet, your energy sapped from you to the point of exhaustion. Everything aches, despite Joel's thorough care. When he suggests turning in early you don't protest.
He takes longer than you to get ready for bed. You slide under the worn duvet and wait, trying very hard to keep your eyes open. Your bruised ribs throb in time with your heartbeat and when Joel finally turns off the light and gets in bed next to you in his threadbare sleep pants he practically hauls you into his embrace.
You go willingly, tangling your legs and laying your head on the juncture of his neck and shoulder. You press your palm to his chest, fingers threading in the coarse hair. His heart thuds and it grounds you.
"I didn't get any good gossip off Jesse," you whisper. "On account of the whole surprise-infected thing."
He yawns. "S'pose it's a good excuse."
"Can I tell you something else?" you whisper. "A secret?"
Joel hums, lips brushing your temple as his hand snakes up your sleep shirt to press against your lower back.
Even though you know each other down to the bones, some things remain inexplicable. Parts of your pasts that linger in the darkest parts of you, the parts that stay shrouded until the moments like this. You don't have to be brave in the quiet hours of the night, entwined with him as you are. It's the safest place you'll ever be. Safe enough that you can crack open and let Joel in, let those steady and worn hands keep you together.
"I was scared today," you say into his neck. "When the stalker dragged me off the rope. I panicked, I --"
You don't tell him how your initial thought when you hit the ground was of him, how you closed your eyes tight and thought of your name from his mouth, of his smile when you come through the door. The stalker had its bony fingers digging into your ankle and you wondered if you'd ever feel Joel's hands on you again.
Death will come for you sooner or later and when it does it'll be Joel's face that you hold in your mind before it all ends.
But today, you kicked death until its stupid fucking mushroom skull caved in.
Joel presses his lips to your temple. You can feel his heart beating faster, as fast as yours. It's the only thing that betrays his own fear.
Wounds in this life often go deeper than the skin. When Joel comes home with bloody knuckles and shuttered eyes it's one thing to stop the bleeding, to bandage him and get him to eat something. It's another to hold him, to coax out the story, the fear. To follow him downstairs when he has a nightmare, to look for him in every room. It's all part of what you do as partners, as lovers, as people in this world. You take care of each other.
Neither of you can fix a lot of things. But you can ensure the scars heal into something light, something you can barely see.
You can hold each other in the dark.
"Scared me, too," he rasps. A secret for a secret. "Lotta damn blood."
You kiss the underside of his jaw. "Can't get rid of me that easy."
Joel pulls you closer, somehow, mindful of your side.
"Rest, now," he says. "You ain’t goin' anywhere."
It's a command, a promise. You hum your agreement and let sleep drag you under.
thank you for reading <3 reblog, send feedback, general masterlist here!
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yanderetheumbrellaacademy · 5 months ago
Note
Prompt 301, 195 and 118 with Yandere Five?
Prompt 118: “I’ll make you want me, just you see.” Prompt 195: “Controlling myself around you is so fucking hard.” Prompt 301: “I’m going to have you in the end, you know?” Tw: Different backgrounds/Poor vs Rich
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You and Five did not get along when you first meet. He had snuck out of his house one night when he was irritated with his father and that's when he met you. You were hanging outside of an apartment complex and he had run into you, literally.
"Hey, jackass watch it!"
He turns back to you annoyed, but he doesn't respond outside of that.
Over the years you had multiple interactions with him and they always went wrong. You always ended up pissing the other off. There were times when one of you tried to make bygones, but it never worked. You two were just so similar that you happened to butt heads.
It didn't help that you came from different backgrounds. He lived in a mansion and your family lived on the poverty line. You hated the pompous life that he got to live, but otherwise, you couldn't have cared less about those kids. You only hated him because you've interacted with him.
---
You weren't listening to your friends. Instead your eyes were focused on the house of those kids. You knew they'd be out soon- There was always something happening.
Your thoughts were proven when the group quickly hasted out of the house in their stupid getups. Your eyes were lead to the boy you were thinking of- that Five kid. And his eyes met yours too, not that you could really tell with their masks, but you knew.
---
You heard something being thrown at your window, which woke you up. You crankly walked towards your window and looked out, only to be surprised when seeing Five.
You opened the window to ask him what he's doing, but he decided to take that opportunity to transport into your room. You quickly turned around, angry that he would invade your privacy like that.
"Cute stuff animals."
"What do you want?"
"From you? Nothing."
"God, you are so pretentious."
"Perhaps," He grabs a snow globe that was sitting on one of your shelves, fiddling with it.
"Well, if you don't need anything, you can leave."
He turns to you, an unreadable expression. "Leave? I should. I will. That's a great idea."
"I mean my house."
He looks around your room, before making a face of disgust, "House? That might be an overstatement."
"Excuse you?"
"Nevermind. I just wanted to see you before I do leave."
"You're leaving? Where are you going?" Not like you cared, but you were kind of intriqued.
"Through time."
"I don't know what that means, but okay."
---
Five fiddled with the things on your desk. You really should keep your windows locked, but he was kind of glad you didn't. It made it easier to break into your apartment. It was nice, to a fault, still... Your roots really showed.
It was very humble. He kind of liked it. He wished he could of had a life like this. He was jealous.
He perked up when hearing the door being unlocked and some groaning. He put down the coffee he had been drinking and stared at the door waiting for you to open it.
Something was off about your house. You had a feeling someone was in your house. Your suspicions were confirmed when seeing your kitchen light on. You grab a lamp and slowly go towards the door.
When you push the door open, your surprised to see Five? But young?
"Oh, nice weapon."
"Fuck off, what are you doing in my apartment?"
"I wanted to see you."
"See me? We never got along. We hated each other."
"Hate?" He looks at you confused. "I never hated you."
You look be fumbled by his words, "What?"
"Why would I go to see you if I hated you?"
You roll your eyes and go to your fridge, getting yourself a drink.
"You don't seem surprised to see me. As this... Boy."
"I heard through the grapevine you were back."
He watched you grab your milk jug and gulp it down straight from the bottle. He watches, his eyes going down.
"So, Five, you still go by Five?"
"Yeah."
"What do you want?"
"I don't know. You?"
"Me?"
"Yeah. I always liked you, Y/n."
You laugh, before realizing he was dead serious. "You're a little kid."
"I'm not a kid. I'm older than you by decades. It was hard to control myself around you, so fucking hard, when we were younger, and it's not any better now."
"Are you drunk?"
His brows frown, realizing you weren't taking him seriously. "I love you."
"Five. You've been gone for like twenty-"
"Forty-Five."
"What?"
"It was forty-five years. For me, at least."
"Okay. Still, it's been a long time. How do you even know if I'm not with someone?"
"I've been watching you."
"Excuse me?"
"You made it so easy. Everything about you at the swipe of a finger." He smirks, leaning on the table, knowing you were trapped in his palm.
You take a step back, your back hitting the wall. "What do you want? Seriously."
"You. I want you. And I'll make you want me, just you see."
"You're delusional."
"I wouldn't count on delusionals for any sense of reality, Y/n. Just know, that I'm going to have you in the end. Whether you like it or not."
His words slowly become fuzzy as your vison goes black.
"Oh, and I forgot to tell you that your jug has some sleeping powder in it. Oops."
You let out a huff, as it was all you could do, before your body went limp and you fell asleep.
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marzipanandminutiae · 7 days ago
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my family literally turned off It's A Wonderful Life on NBC this Christmas Eve without finishing it, for the first time ever
because it was approximately 10-15 minutes of movie followed by an ad break that felt almost as long. over and over and over. it would have been midnight before the damn thing ended. we watched from 7 to 9 and didn't even get to the end of WWII
it's the same with Roku. I live in a house that has one now, where we all add our streaming services for everyone to use, and it's mostly great for putting things on while I sit on the couch and sew. but transitioning to that from, mostly, pirating things on my computer or using Netflix back when it was ad-free is insane
(also the ads are really stupid. I saw a car commercial implying that Santa should get an SUV so he doesn't have to "drive a sleigh in the snow." that's...that's what sleighs are for, my good bitch. do the ad execs need to go back to their small hometowns and have a tryst with a tree lot owner who might be Santa's son, to re-learn these things?)
(they also put an ad for a Christian dating site on The Handmaid's Tale. which is rising to new heights of tone-deafness)
I've managed to live a fairly ad-minimal life, for this day and age, and being suddenly thrust into the middle of Peak 2024 Ad Saturation is wild
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slaaverin · 8 days ago
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2024 Drarry Recs Wrap Up
Since the year is ending, I thought I would make a little list of all the fics I bookmarked this year. I absolutely adored all of them. Please read them if you haven't and thank you to our wonderful authors!
Never Mind the Bollocks by @the-sinking-ship [E 188k]
If someone told Harry six months ago that by autumn he would be single, living on whisky and toast, and dancing the night away with Draco Malfoy, he would have told them to get their head checked. And yet, here he was.
Foreplay by @lqtraintracks [E 6k]
Getting a raging hard-on on the duelling room floor, pinned under Harry Potter’s sweaty body, is not how Draco saw his day going, but… Well, here he is.
Brief Encounter by @maraudersaffair [E 45k]
Harry was happy, goddammit; he’d gotten everything he wanted in life. Why then could he not stop thinking about Draco Malfoy?
The Usual by @aibidil [T 9k]
Harry finally tries the new magical coffee shop on Diagon Alley. A story in which Draco is Up To Something™ and Harry is going to get to the bottom of it, and to the bottom of that sixteen ounce to-go cup.
This fic is simply hilarious. Best laugh I had in years.
Of easy wind and downy flake by @starquestingfordrarry [E 14k]
It’s snowing in July, and it’s Malfoy’s fault. Or, the one where the house wants the boys to kiss.
Probationary Action by @toomuchplor [E 63k]
As part of the terms of the probationary contract, DRACO LUCIUS MALFOY shall submit for inspection his WAND on the last day of every month, such inspection to be carried out by a duly registered and fully qualified AUROR in the employ of the MINISTRY OF MAGIC, and such inspection to include a PRIORI INCANTATEM spell to ensure that no PROHIBITED MAGICS as heretofore described have been practised by the aforementioned probationer.
Rookie Moves by peu_a_peu [E 75k]
Aurors Potter and Malfoy crack the case.
The Way You Say My Name by InnerLilith [E 5k]
In which Malfoy calls Harry pet names to get him flustered and riled up, and Harry gets flustered and riled up because he secretly likes it. The problem is that Malfoy is only teasing…or is he?
The Boy from the Piano Shop by @soliblomst [M 89k]
After going blind in a reckless attempt to avenge Ginny's death, Harry battles with severe depression. One day, he stumbles upon a quaint piano restoration shop in the heart of London and meets the owner, a kindly old man, and his introverted young apprentice, whose voice sounds strangely familiar. As Harry and Draco slowly reconnect through private piano lessons, the small workshop becomes Harry's refuge, offering him a glimmer of hope in a world without eyes. /Set five years after the Battle of Hogwarts/
HIGHLY recommend
Aletheia by @lazywonderlvnd [E 8k]
Draco finds out Daphne's been shagging Potter and it turns out it's really not that difficult to get a piece of her hair.
Too Good At Raising Hell by @the-sinking-ship [E 87k]
When Harry Potter walks into Draco’s nightclub looking like trouble, Draco can’t stop staring. He really ought to train his dick not to react so enthusiastically to red flags, but where would be the fun in that?
Say When by @lqtraintracks [E 24k]
When Auror Harry Potter is sent in undercover to determine if Draco Malfoy is laundering money through his BDSM club, will he be able to keep up the ruse and close the case? Or, more to the point, will he keep from falling in love?
Now I Know In Part by @dodgerkedavra [E 39k]
Harry Potter is the savior of the wizarding world. Draco Malfoy is a reformed Death Eater turned Ministry Curse-Breaker. Five years after the war, they're brought together by another mysterious curse.
Got Me Started by @itsphantasmagoria @kamaela [E 8k]
Malfoy said in a rush, “I don’t care about you.” “Uh, same?” was the only response Harry could come up with. Or: An unexpected partnership leads Harry and Draco to a sex club in Berlin. Harry doesn't quite know what to do with himself.
Raising Hell! by @wolfpants [E 21k]
Harry and Draco are sent undercover as a married couple to investigate a dodgy Muggle love cult. Something evil is lurking in Glastonbury… but to get to it, the reluctant partners must be initiated first. And this is, after all, a love cult…
The Superfluous Man by peu_a_peu [E 24k]
A child for Harry Potter is a miracle of magic. And it's the second act of Draco Malfoy's sorry little life.
your braids like a pattern by @hoko-onchi-writes [E 31k]
Harry soldiers on with the get-to-know you activity, noting each counsellor's interests and repeating their names. Harry’s eyes land on Malfoy. He’s the last counsellor in the circle. One blond eyebrow is arched, his smirky mouth turned up at the corners. That can’t be good. Harry clutches his clipboard; lets the edge of it dig into his skin. When did Malfoy’s hair get so long? It had only reached his chin the last time Harry saw him. “Counsellor Malfoy.” “Potter. Fancy seeing you here.” Malfoy has the same drawl, but it’s deeper. Richer. Like he has in fact grown in the intervening years. Harry taps his pencil against his clipboard. “Care to share your name and an interesting tidbit?” “So many of my tidbits are interesting.” Malfoy’s hair falls in loose, golden waves over his shoulders. Harry regrets the use of the word ‘tidbit’ with every fibre of his being, but he nods gamely at Malfoy. Whatever he says can’t be that bad. “I’m Draco Malfoy, and I was a teenage Death Eater.” ~~ Or: Harry runs a camp. Malfoy is the new counsellor, and he's driving Harry to the brink of insanity.
I live and breathe for this fic.
Nobody Pinch Me by @dracoladon @lazywonderlvnd [E 17k]
A mysteriously locked door keeps Harry and Draco trapped in the room where they're serving detention.
i knew you when i knew nothing by fiella [G 74k WIP]
The plan was simple. Absurd, but simple. He’d wait until Draco left for his usual late-night library run. When the coast was clear, Harry would sneak over to Draco’s side of the dorm. He wasn’t going to do anything. He wasn’t a complete lunatic. But Draco’s pillow? His blanket? That was fair game, wasn’t it? Just for a moment, just long enough to feel… Harry groaned, dragging his hands down his face. This is insane, he thought. I’m insane. But even as he berated himself, the plan solidified in his mind. Steal Draco Malfoy’s pillow. Or: In which Harry Potter loses a portion of his memories during the Battle of Hogwarts. When he returns for Eighth Year, he finds himself roomed with Draco Malfoy—a boy he doesn’t remember is supposed to be his enemy. And Draco Malfoy doesn’t know how to handle a Harry Potter who has forgotten to hate him.
Little Prince, Kneel by @coffeedrgn87 [E 478k]
Almost immediately after the war, Harry Potter took his godson and Andromeda and left England behind. He returned some five years later, changed, healed, and a completely different man altogether --- in every sense of the word, and then some. Now an extremely handsome bachelor in his late(ish) twenties, and with a promising career at the Ministry, he suddenly finds his life turned upside down after unexpectedly bumping into his former school nemesis, Draco Malfoy, Prosecutor Extraordinaire. Is Harry going to be able to stay away from Draco? Does he even want to? And exactly how will Draco react once he discovers how the Saviour prefers to spend his free time?
One word for this fic : YES!!!!
Thank you so much to everyone for an amazing year of drarry!
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shaisuki · 7 months ago
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Hiiii, do we ever get an origination or backstory for each darling in your JJK yandere stories? Like how did the yandere got y/n to marry them, did they use blackmail or kidnapping 🩵🩵 I really like your stories.
TALES OF UNREQUITED ROMANCE
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♱ featuring gojo satoru, nanami kento, fushiguro toji, geto suguru
᭝ ᨳଓ ՟ notes i might write a one shot for each origin. starting from gojo to geto.
᭝ ᨳଓ ՟ content warnings noncon, babytrapping, villain! nanami, murder, gore, manipulation, forced marriage, stockholm syndrome, blackmail, kidnapping, degradation, dark themes. dead dove do not eat.
obsession starts in mysterious ways. unrequited love. forced affections.
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GOJO SATORU
a childhood friend to the likes of gojo satoru doesn't bode well in adulthood. now a wife to him. you didn't dream of being a wife. you wanted freedom. away from the hostile environment of the jujutsu society but one can never be gone from the family you grew up with.
your father the clan head of a minor jujutsu family, have ties with the gojo clan and often brought you in clan meetings to learn the way of how the jujutsu society works and then you meet the wielder of the six eyes and infinity. the bearer of the innate technique that is unique to the gojo clan. gojo satoru became your friend in the days of your father's visit. forming an unlikely bond with a sheltered kid like him.
gojo satoru was lonely. you've seen it. the days where you visit is where you only see him smile and you told him there's a vast world outside of the compound in where he lives. the outside world where no one would dictate how he would live his life. servants and maids alike fuss over him. spoiled a kid like him but never allowed to venture the outside world that only he would see is the lark and the walls surrounding him.
satoru once accepted that this is the life he would have for the rest of his days but he was wrong. when he meet you one winter day where the snow came down to earth and there you were covered with snow flurries. staring awkwardly each other before you gathered the courage to speak to him. he likes it. no courtesies or whatever formal shit. you spoke to him normally.
“satoru.” a hushed voice calls out to him and he looks around for where the source of the sound may be coming from. he finds you perched in your brother's shoulders. calling him outside of the wall, enough for you to take a peek. you point at the direction of the deserted part of the compound. “come, no questions asked. we're going outside.” he didn't need to be told twice.
he weren't allowed outside where average humans and curse users alike blend in the crowd wanting his head. his clan forbidden him so but here he are. holding your hand with your brother trailing behind guarding his sister and her friend. gojo looks at the intertwined hands belonging to him and you. your hand is so soft and warm too. it perfectly holds against his own and satoru looks at you and for the first time he might be in love with you.
might is not exact word. he is in love with you deeply but you're not. when you both have grown and his technique was fully awakened, you both drifted apart with the hatred you have for him. he grew but not with emotional maturity that comes with it and you were the subject of his mockery. you were his chubby childhood friend and you didn't shed the weight as you grew older and it attracted satoru's teasing to you until it escalated into something more and you can't take no more of it. you left.
he realized it later years and the clan have come pressuring him into taking a wife to continue the bloodline and the legacy of the clan and he only thought of someone who is perfect for him, you. accepting his proposal and with you being his wife, he would make up for the years for the pain he had caused you.
however life have different plans for him. the proposal was rejected. he met your father asking for your hand but your father refused, saying it's not his place to answer him and it will come from you and that's what he did but you also refused. you won't be tied to a marriage you didn't want and to the person you didn't love. it left a bitter taste to his mouth but he won't give up.
easy it was for him to make you accept his proposal. you loved your family that was your weakness and it took him to accuse your brother of the crimes he didn't commit and exile to your family if proven guilty. you came running back to your family and you asked him what your family did to him to plot such acts against them. you were met with an answer that it was your fault and if you won't accept being betrothed to him, they will suffer.
a wedding took place and after the exchanging of cups, you sealed your fate him much to his pleasure that you will always be bound to him.
“you're beautiful.” he whispers to you. his lips grazing to the shell of your ear. fingers untying the knot in your obi. “i only accepted what you want but that doesn't mean i will love you.” your eyes swelling with tears. “ it's fine you will learn to love me.” pressing a chaste kiss to your neck and your kimono drops to the floor. leaving you bare for his eyes to see. “can we have this for a another night, satoru? I'm not ready.” taking a gulp of air and you shivered from the cold air.
“i've waited long for this, i'm sorry and i won't hold back.” his lips kissing your soft back and you don't think there's a way for you to escape this.
NANAMI KENTO
a sheep in a pack of wolves.
that's how he sees you working in this company and he would say you were too lucky to survive for this long and how did you get here working for this place. this isn't a place for people like you. people here are going to devour you and he's not an exception.
the blood are splattered all over the glass walls. the floor is wet with blood and the pile of corpses increases as a body drops. slicing them with his blade like the body were made of butter. he brings a cloth to wipe his blade clean before putting it to his holster and he was ready to take off then he hears a squeak. nanami removes his glasses upon hearing the noise. he knows it is you before commiting such acts to his coworkers but they're nothing but a soulless flesh to him.
he hears you breathing. staggering as tried to keep it silent and you know what he's really capable of and you have the sense to hide before he wrecked havoc in this company. it was his first massacre and what's better than to slaughter these greedy scums and you're the exception of his punishment.
crawling is all you can do after deciding it was clear for you to get out of the table you were hiding in. cursing yourself earlier after making a sound and you hoped that he didn't hear when he began killing your coworkers and his. you go the warning earlier when a colleague hits the wall after being kicked by him and that was your cue to hide. you didn't nanami that much. reserved and only talks when a conversation is being initiated and you never had much interacted with him before.
turning around to study your surroundings, there was no trace of him except for the dead bodies of your colleagues. bleeding and cold unto the floor with their eyes open and you began to cry softly. thinking how he could do this to everyone and to you. you won't be an exception.
looking at your reflection in one of the glass walls separating you with the others, a scream almost came out from you if it wasn't for the hands clamping to your mouth. it's nanami. staring at you in the reflection of glass and he stops you from screaming but there's no sound you can produce even with his hand covering your mouth and your eyes are the only part of you that screams for help. peering at him with your blurry vision from the tears streaming down your face. “quiet.” he tells you and you nod. not wanting to be killed in a painful death. he let go of your mouth and you cried heavily. you were so tired and the moment your body relaxes, you lost consciousness and the last thing you see is him.
nanami picked your unconscious body before leaving the building and the next day, the killings were on the news with two person missing. you and nanami.
when you woke up the place you were on is soft and realizing you were in a bed. you grabbed your clothing and you were changed in a new set of clothes and then upon looking your surroundings, you see him. sitting in a leather chair dress in his white dress shirt and pair of slacks. reason a book with a glass of wine in his coffee table.
“where am i?” you ask him, confused on why are you still alive and now in a bed with the killer who slaughtered your colleagues with no mercy. “my place.” he answered you. closing the book and standing up to tend you. tentatively touching your cheek and you met his gaze. “why?” you dare ask him and he knows what you meant. “they are scum.” he takes the furrowing of your eyebrows as needing for more answers and why he did spare you. “.... and you're not.”
“can i go home?” his thumb caress the roundness of your cheek. his brown eyes turned cold and then you were doomed when he answered you.
“no. you're going to stay here by my side.”
FUSHIGURO TOJI
you don't pick strays from the street. they will come back and sometimes would abuse you.
your situation with toji was like that. you find him on the verge of death. blood pouring out from his abdomen and bruises littering all over his body when you found him and out of the goodness of your heart, you took him. tended to his wounds until he was healed up and was ready to go wherever he wants and that was your mistake.
you should have left him for dead.
that was close. toji thought when he woke up in a stranger's bed. all patched up and a meal beside him. then a woman appeared, his savior. you weren't his type and he didn't gave you a second look upon greedily shoving the meal you prepared for him and that was it. no thank you and only a grunt. he left the following day and you think that was it? you were wrong.
he came back. and the next and the next.
“you have no business here, toji. there's nothing for you to come back here.” you say it to him. no pause and all sincerity that you're done and he was also done. there was no strings attached and you are strangers. a kindness is all you've given him and he don't need you anymore. end of story but why does he always come back to you.
there was no appeal from you and surely now he would be in another's woman bed. a body of a model with huge assets with their thin legs and a fat wallet for him to take. squeezing them out for his pleasure. one can't resist him. a gigolo he would be now. he always has been. can't stay permanently to one place and moving to another. jumping from woman to woman and surely he could have forgotten you but why would you crossed his mind like you were a bad memory but you weren't. you were good to him. you say you just have took care of him out from kindness and when he comes knocking at your door, you shooed him off. kindness is a treasure one must not give for free and you did it but why won't you let him return the favor. you could have accepted him but you didn't.
fucking bitch. he cursed you every goddamn day that passed. cursing that you should die and leave his thoughts alone for good but what did you do for him to act this way. you're fat and people like you should be kind cause it's the only way you can redeem yourself from being one. yet, he craved you like he yearned for the blood of those who are above him. if you won't accept him, he would make you.
with the blood money he recently received from a anonymous organization, he purchased a penthouse. it cost a leg but it was worth the purchase considering it would be put to a good use. he would use it for you and you will play like a good housewife to him. it was decided from the start that you would be his wife. a place to live in. check. the only one thing that is left is you.
he took you like you rescued him that night. unconscious and waking up in a unfamiliar place. the scar on the corner of his mouth twitches when he smirked at you. panicked and out of breath resisting him but he was quick to place. he knows you won't accept him but he would make. quick to mount you like a stallion to a mare.
gripping the plushness of your body while he fucked his seed inside you. watch as your body jiggles from the impact of his thrust. deaf to your cries and to your pleas. after he dumps his seed deep inside you. you were presented with marriage documents. his signature is already signed and yours is the only left. he says that he's done breeding you and soon a brat will come soon. you needed to be married to him. he won't father a illegitimate child. toji does illegal things but it would be illegal to not marry you.
“come on now, sweetheart. you don't want our child to be a illegitimate one, eh?”
GETO SUGURU
you were just like him. sort of.
ostracized by the monkeys and forced yourself to live in the shadows and that earned you a part of his life. geto suguru runs a cult where he exploits of what he deems as the monkeys of the society. filthy they are as they were dumb.
spewing insults to you for the things they can't see and understand. living in the dark isn't pleasant and geto took you to see the light.
he saved you and you owe him for that and debts must be repaid for what he have done. you get what you have wished for. a place you can call home and a family. the special grade curse user treated you like one and you followed him.
you were perfect. he's a good judge of character. you would be useful to him. a technique and a mind like yours is what he needed for the world he was about to make and you were a maternal figure to his adopted twins. mimiko and nanako always spoke highly of you from how good you were treating them and suguru likes you for that.
you never shared the same ideals as him but he's fine with it. he can't force you on things but with his words that flows like honey coming from his mouth. saccharine sweet that it makes your teeth rotten. completely delusional to his beliefs and how you've survived for long, you adapted to things that would ensure your survival and he made you fall for his words.
that's why it feels natural to you while he disrobe you. how his kisses were far from platonic and not so familiar. stripping you bare while his fingers dip in the plushness of your cunt. hanging to his every words while he molds you to his likeness. a marionette he plays you. pulling you to the strings of what he wants you to do and you get into it. loving every minute of it and you devote yourself to him now.
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