#it doesn't mean i internalize them or believe them

[nevermorgue]

ms hayley ! !! do you have hc's for how eulalie would interact with the misfit's cast? I feel like she'd get along with them all save for Montresor and will but I need eulalie content 🙏🏻

omg hiii. I think you meant to say annabel’s team because you brought up monty but I GOT YOU. I got you.

With Annabel

- Annabel finds her very odd. She is a bit bothered by how unpredictable Eulalie can be with her blunt words and tendency to not properly understand all social cues. Annabel Lee is a woman used to talking to people that are playing the game she is, so this is not something she is used to. - Eulalie is very perceptive, much to Annabel Lee's dismay. She notices when Annabel is mildly irritated by the way her eyebrows shift on her face. - Eulalie asks Annabel to give her doll curls like her. She does not (and cannot). - Annabel is horrified to see Eulalie putting two different tea bags into one cup. She wants to see what the flavors taste like together. - Eulalie isn't terrible at chess. Not on Annabel's level, but she doesn't mind playing against her. - Eulalie asks her one day why she's mean. Annabel simply responds with "Think me mean if you wish, I am simply surviving." Then Eulalie says something like "What is the point in surviving if you're all alone by the end?" She bites her tongue. She cannot tell Eulalie that she will never be alone as long as she has Lenore.

With Ada

- Honestly I think this could go both ways.

- Ada calls her creepy and finds her weird, but she doesn’t really dislike her company.

- Eulalie thinks she’s pretty! She likes touching Ada’s hair bow.

- Asks to borrow said hair bow. Ada only agrees because someone wanting to look like her NEVER happens.

- Ada is jealous of her singing voice.

- Eulalie mentions something about the length of the small intestine and Ada feels sick She just remembers an ax to the stomach.

- Eulalie tells her that she’s pretty a lot and Ada gets kinda mad bc she assumes Eulalie is lying to her because of her tone/the way she speaks.

- “Why would you think you’re not pretty?”

“Empty flattery will not get you anywhere with me!”

“It’s not empty. It’s quite full, really. You are pretty.”

- And she just struggles to believe it internally because compared to Annabel she doesn’t really feel pretty. But of course she just haughtily laughs and goes like “I know! Finally, you took notice!”

With Prospero - An unlikely duo. Eulalie is interested in his medical knowledge. He is mildly concerned about how much she knows about the human body despite having no medical career. - Eulalie's humming kinda reminds him of his mother. He'd rather die than say that. - She claims that he is mean too, but not as mean as Annabel. He takes mild offense. - She tries to curl a piece of her hair around her finger and put it in front of her face to copy his hairstyle. - Reading buddies. She'll blurt out a random fun fact about bones or something and he'll nod and add one of his own. Freaks. - Eulalie insists that when he's with her, all the "survival games" are set aside. She can tell it stresses him out. His hands tense up when he holds objects, and it's obvious even with the gloves. He's a jaw clencher too. With Montresor - As good as you'd expect it to be, really. - He calls her 'little miss' because she's anything but little. She literally would not care if it were anyone else but him. - He yanks at her sleeves because they're long and easy to grab. - "Why is everyone with great hair so mean?" "Aw, that's real kind of ya to say, little miss." "You’re horrible.”

- He tries to like intimidate her with close contact but she’s almost his height. Plus, she just doesn’t respond to that sort of thing.

- I think they’d be really interesting actually. He’s been compared to the devil, is considered demonic…and she has an interest in the occult. Imagine that.

With Will

- Honestly, not as bad as you might first think.

- She sort of pities him, but not really. He knows the choices he makes are bad.

- She’s happy to share things with him if he stares for a while. He’ll never dare ask for something, just kinda stare like a puppy until it’s offered. She won’t be cruel for no reason.

- She actually likes hearing about his writing journals.

- Will starts to instinctively study her face and body to learn how to become her even though he has no reason to. She can tell by the way he mumbles her words after she speaks sometimes.

- They’ll be sitting in silence and she’ll suddenly ask him what his loneliness feels like. Like uncomfortable questions that he can’t/doesn’t want to answer. But his reaction is enough of an answer.

- Allows him to turn into her so she can braid his hair.

[netscapenavigator-official]

Sometimes I have these vivid moments where my brain likes to come up with conspiracy theories that I can't disprove and are kinda reality rattling, but I just kinda gotta be like "meh," and move on.

The latest is what if religious people are right about life on Earth being a test for the afterlife... but what if the test isn't existence, but religion, itself.

As in, what if the "God" that created humanity specifically made religion on Earth as toxic and dehumanizing as they could possible think, and only those who can stare their maker in the face and say "I disagree with your rules" and not follow religion, are the ones who make it into the "good" afterlife. Like, what if our "God" specifically wanted to make themselves sound like an extremely evil, snobbish being, where the one and only rule in "religion" is to trust them blindly. That way, after death, they can filter humans between those who were strong-willed enough to maintain morality, even when told it's against their entire life's purpose; and those who blindly followed immorality because they were told it was what the creator wanted. In essence, religion is the pre-afterlife test that aims to sort humans into those who will show compassion, even if it damns them; and those who will internalize fear and become nothing but a yes-man to "God."

.

.

.

Anyway, enough of that. I'm making mozzarella sticks for lunch.

[bumblingbabooshka]

B'Elanna, Neelix, Tuvok and Chakotay needed to star in an episode where they just talked about their different beliefs and approaches to spirituality/religion. Paired off and all together. I need to gain more insight. I need characterization and I need it to be messy.

[moe-broey]

GOD I would HATE to be stuck at a family dinner with them 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭 I would NOT fucking survive, the vibes alone would do 1000 points poison damage to me 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭

Also JUST. JUST.

THE VIBES. ARE RANCID. SHARENA DARLING YOU DESERVE SO MUCH BETTER THAN THIS (ALFPNSE TOO BUT DEAR LORD. Sharena LITERALLY was just told to Don't Speak Unless Spoken To RANCID. RANCID FUCKING FAMILY)

[danmeichael]

nothing is apolitical but the mechanisms of a story even when not punished are not necessarily indicative of the author's ideology. to not acknowledge the fallible author is ill-advised, but to assume you know the author is foolish. do you understand.

[tardis--dreams]

To summarize today's day in university:

- got diagnosed with social phobia by a class mate (bitch?!)

- heard a Very cool lecture/presentation by a guest lecturer

- our lecturer said she kinda liked our idea for our presentation

- had lunch with friends in the uni canteen which was nice but evoked some existential despair

[creatingblackcharacters]

“That One Hairstyle? RETIRE IT!” Black Hair is an Art (pt.1)

(This is part one of two lessons, with this one focusing on how our hair itself! The next lesson will encompass how to incorporate its existence into your writing. It'd be a massively long post otherwise.)

So! Black hair. Black hair is a CENTRAL, ESSENTIAL part of our culture and identity. Writing and drawing it means understanding the vulnerability and trust that comes with access to it, and yes, it is racist to suggest that ‘it’s just hair’ when our hair serves such an important role in our history and art. I already wrote a mini-lesson and ask on the topic, but being aware of what our hair looks like, and what means to us, will help you to understand why we care that you put in the effort to get it right.

Hair Textures

We are not a genetic monolith! However, for the sake of this series, we are focusing on 3C-4C, because 1) it's most likely to be seen in life and 2) least likely to be seen in popular art! When you are creating your characters, consider the style and care for THESE textures. I will get more into this next lesson.

Let's get into SOME of the hairstyles!

Afros (36 Afro Hairstyles)

“So, what’s the phenomenon behind the Afro? Well, it’s our hair in its most natural form, but that’s only part of the phenomenon. It’s a way to fight the status quo without saying a word.”

-Ebony Magazine, The History of the Afro

When nonBlack society hears ‘afro’, they think completely picked out, Black power imagery, political statement. And it was, and is! But in actuality, afros are just the natural hair growing out of a Black person's head. The same way your hair grows out of your head. Our texture. Even my hair is not allowed to be ‘hair’, it has to ‘assign’ my Blackness; my distance from whiteness. Imagine, the hair growing out of your head being automatically associated with how you should be perceived. Just by existing, it is making a statement in a Eurocentric society.

Braids (31 Braid Styles)

There are SO MANY TYPES of braids and ways to wear them. If you can imagine a design, I bet there's a Black braider that can do it!

CORNROWS ARE NOT AUTOMATICALLY BRAIDS! Internalize this! They may be used in the same style, but they are NOT INTERCHANGEABLE TERMS!

Braids are considered a protective style; that is, a hairstyle designed to let our hair 'rest' and grow without having to manipulate it. If you have a Black character that's constantly on the go and/or doesn't have time to focus on their hair, and you want an accurate, more true-to-life experience for them, braids can be a crucial part of character design.

Locs

(Yes, while that link has plenty of examples, it was also self-indulgent. Locs are gorgeous, Black men with locs are gorgeous!)

"Locs vs Dreads": As someone in the loc community, there’s been a push to refer to the style as ‘locs’, rather than ‘dreadlocks’. Some people with the style will not care, but others take it very seriously, so it’s something to keep in mind. There’s a societal stigma behind having locs, that they’re ‘dirty’ or ‘unkempt’ or ‘lazy’ and that is NOT true. Locs are beautiful, and they take far more effort than people seem to want to believe lmao.

Locs, though there is currently a positive revival, are still highly discriminated against. Kids have been expelled from school and even have had their hair forcibly cut off to be allowed to participate in sports. Many places won't hire you if they think your hair is 'unprofessional' or 'dirty', especially if you're a Black woman. To consider yet another example of the hair that grows out of my head 'dirty' is extremely racist.

LOCS ARE NOT BRAIDS!!!!

Locs are also a protective style, albeit a much more permanent one, and one that comes with a long history and culture behind it. Many Black people consider the biblical story of Samson to be a man with locs, and that our locs hold power within them. That not just anyone should be allowed to touch your locs. So, if you're interested in mythology and powers, that might be an intriguing way to go, that would be possible if you had a Black character with locs!

In Professional Media

The lack of awareness and concern about our hair isn't just a fan or amateur creator experience. It is ubiquitous in the professional media world. Black actors, actresses, and models have discussed having to do their own hair when working, because no one would properly care for it on set if it wasn't familiarly white. It’s admittedly grown better- however! After decades of not having options other than ‘stereotypical afro’, ‘box cut’, and ‘white people hair’, it is LONG PAST TIME to stop settling for the bare minimum in Black character design. We can tell when "one of us" (with some sense, at least) wasn't in the room to make decisions in popular media.

If you were curious about the lesson title, here's a current example of what I'm talking about in video games. Tell me if you see a pattern:

This style? The Killmonger? We seent it!!!! It has become the “hairstyle to show I understand the exaggerated swagger of a young Black teen” option, the "I know the Black people!" go-to, and frankly, we are all tired of it. Okay it was cute on Ekko. The Black Delegation DEMANDS the professional video game industry pick something else! We have SO MANY DIFFERENT HAIRSTYLES!

I'll give you an example on the other end (not trying at all; refer to Lesson 1) from one of my favorite games, Hades:

This is my blorbo. My favoritest guy. I’ll fight for Patroclus being Black til the day I die. While I begrudgingly settled in my excitement, I can tell you no one Black with any voting power was in the room at Supergiant when they approved this design. Why? His texture! Locs were such an easy option if they wanted long hair! Locs existed BEFORE Ancient Greece! The man did not have a flat iron while fighting in a war! A good Black designer would have considered that!

To give him a more accurate design, some artists (myself included) lean into giving him locs (one of my favorites is @karshmallow 's Pat; a phenomenal example in caring about your Black characters). It’s something Black fans find themselves doing- redesigning Black characters. That's not something we should have to do at all, especially in media we pay for!

But if you REALLY want your Black character to have straight hair, that leads into the last style of this lesson:

Straight Hair

We do have straight hair. But it’s not straight because it grew out that way! It will still look and be thicker! It might be a wig or a sew-in (human or synthetic), it might be flat-ironed (while relaxed? While natural?) It takes effort to get and maintain straight hair.

'I think it looks better good this way!'

If you catch yourself thinking this, this is a racist statement. Whether you’re aware of it our not, there is a bias towards Eurocentric/white features in our society, and that includes in our media. When you think “I only drew [this Eurocentric hair texture and style] because I think it looks good on them!” I want you to PAUSE and think about the WHY. WHY do you think that this Black person’s natural features are unattractive in comparison to the white hair texture you gave them? And how hurt might a Black peer of yours would feel hearing that you find their natural features not worth drawing because they’re “not attractive”. It requires approaching your own internal biases, recognizing them, and then working to unlearn them. And that means practice! Using references to draw our hair and styles, and growing used to using OUR features on US!

Doing it in Art

Me personally, I think if you think drawing thinner hair textures is easy, thicker hair textures should be a BREEZE. I was curious, so I challenged myself and-

(it took me about thirteen minutes total to do ol boy's hair and it's still not right. I'm sick fr y'all don't even know 🤢)

@ackee has a really good art lesson on the how-tos of drawing Black hairstyles. I highly recommend checking it out, as well as following and supporting a fellow Black artist (who is far better than I!)

Hair Brushes

Finally, an option you can use for painting is downloading Black hair brushes! Vegalia has an amazing array of brushes with different types of curls, locs, and braids at her Etsy store! You can also follow her on social media to see how she applies them, and support yet another amazing Black creative!

I know this was a long one, but you made it! Just keep going. Remember, it's the thought that counts, but the action that delivers!

[nobodysuspectsthebutterfly]

FYI artists and writers: some info regarding tumblr's new "third-party sharing" (aka selling your content to OpenAI and Midjourney)

You may have already seen the post by @staff regarding third-party sharing and how to opt out. You may have also already seen various news articles discussing the matter.

But here's a little further clarity re some questions I had, and you may too. Caveat: Not all of this is on official tumblr pages, so it's possible things may change.

(1) "I heard they already have access to my data and it doesn't really matter if I opt out"

From the 404 article:

A new FAQ section we reviewed is titled “What happens when you opt out?” states “If you opt out from the start, we will block crawlers from accessing your content by adding your site on a disallowed list. If you change your mind later, we also plan to update any partners about people who newly opt-out and ask that their content be removed from past sources and future training.”

So please, go click that opt-out button.

(2) Some future user: "I've been away from tumblr for months, and I just heard about all this. I didn't opt out before, so does it make a difference anymore?"

Another internal document shows that, on February 23, an employee asked in a staff-only thread, “Do we have assurances that if a user opts out of their data being shared with third parties that our existing data partners will be notified of such a change and remove their data?” Andrew Spittle, Automattic’s head of AI replied: “We will notify existing partners on a regular basis about anyone who's opted out since the last time we provided a list. I want this to be an ongoing process where we regularly advocate for past content to be excluded based on current preferences. We will ask that content be deleted and removed from any future training runs. I believe partners will honor this based on our conversations with them to this point. I don't think they gain much overall by retaining it.”

It should make a difference! Go click that button.

(3) "I opted out, but my art posts have been reblogged by so many people, and I don't know if they all opted out. What does that mean for my stuff?"

This answer is actually on the support page for the toggle:

This option will prevent your blog's content, even when reblogged, from being shared with our licensed network of content and research partners, including those that train AI models.

And some further clarification by the COO and a product manager:

zingring: A couple people from work have reached out to let me know that yes, it applies to reblogs of "don't scrape" content. If you opt out, your content is opted out, even in reblog form. cyle: yep, for reblogs, we're taking it so far as "if anybody in the reblog trail has opted out, all of the content in that reblog will be opted out", when a reblog could be scraped/shared.

So not only your reblogged posts, but anyone who contributed in a reblog (such as posts where someone has been inspired to draw fanart of the OP) will presumably be protected by your opt-out. (A good reason to opt out even if you yourself are not a creator.)

Furthermore, if you the OP were offline and didn't know about the opt-out, if someone contributed to a reblog and they are opted out, then your original work is also protected. (Which makes it very tempting to contribute "scrapeable content" now whenever I reblog from an abandoned/disused blog...)

(4) "What about deleted blogs? They can't opt out!"

I was told by someone (not official) that he read "deleted blogs are all opted-out by default". However, he didn't recall the source, and I can't find it, so I can't guarantee that info. If I get more details - like if/when tumblr puts up that FAQ as reported in the 404 article - I will add it here as soon as I can.

Edit, tumblr has updated their help page for the option to opt-out of third-party sharing! It now states:

The content which will not be shared with our licensed network of content and research partners, including those that train AI models, includes: • Posts and reblogs of posts from blogs who have enabled the "Prevent third-party sharing" option. • Posts and reblogs of posts from deleted blogs. • Posts and reblogs of posts from password-protected blogs. • Posts and reblogs of posts from explicit blogs. • Posts and reblogs of posts from suspended/deactivated blogs. • Private posts. • Drafts. • Messages. • Asks and submissions which have not been publicly posted. • Post+ subscriber-only posts. • Explicit posts.

So no need to worry about your old deleted blogs that still have reblogs floating around. *\o/*

But for your existing blogs, please use the opt out option. And a reminder of how to opt out, under the cut:

The opt-out toggle is in Blog Settings, and please note you need to do it for each one of your blogs / sideblogs.

On dashboard, the toggle is at https://www.tumblr.com/settings/blog/blogname [replace "blogname" as applicable] down by Visibility:

For mobile, you need the most recent update of the app. (Android version 33.4.1.100, iOs version 33.4.) Then go to your blog tab (the little person icon), and then the gear icon for Settings, then click Visibility.

Again, if you have a sideblog, go back to the blog tab, switch to it, and go to settings again. Repeat as necessary.

If you do not have access to the newest version of the app for whatever reason, you can also log into tumblr in your mobile browser. Same URL as per desktop above, same location.

Note you do not need to change settings in both desktop and the app, just one is fine.

I hope this helps!

[thewriteadviceforwriters]

The Mini Guide to Crafting Compelling Royal Characters for Fiction Writers

Creating royal characters can be both exciting and challenging. These regal figures often play pivotal roles in stories, capturing readers' imaginations with their power, privilege, and the weight of responsibility they carry. Whether you're writing historical fiction, fantasy, or contemporary novels featuring monarchs, this comprehensive (mini) guide will help you develop authentic, multi-dimensional royal characters that will resonate with your readers.

Understanding the Basics of Royalty

Before diving into character creation, it's essential to have a solid grasp of what royalty entails. Royalty typically refers to members of a ruling family, including kings, queens, princes, princesses, and other nobles within a monarchical system. These individuals are often born into their roles, though some may ascend to power through marriage or other means.

Key aspects to consider:

Hierarchy and succession

Royal duties and responsibilities

Protocol and etiquette

The concept of divine right (in some cultures)

The relationship between royalty and their subjects

Remember, while these elements are common in many royal systems, you have the creative freedom to adapt or reimagine them for your fictional world.

Developing Your Royal Character's Background

Every character, royal or not, needs a rich backstory. For royal characters, this background is particularly crucial as it shapes their worldview, values, and decision-making processes.

Consider the following:

a) Lineage: What is your character's family history? Are they from a long-standing dynasty or a newly established royal house?

b) Upbringing: How were they raised? Were they groomed for leadership from birth, or did they have a more sheltered upbringing?

c) Education: What kind of education did they receive? Was it formal, focusing on statecraft and diplomacy, or more well-rounded?

d) Relationships: How do they relate to their family members, courtiers, and subjects?

e) Personal experiences: What significant events have shaped their character and outlook on life?

Crafting a Unique Personality

Avoid the trap of creating one-dimensional royal stereotypes. Your character should be as complex and nuanced as any other well-developed protagonist or antagonist.

Consider these aspects:

a) Strengths and weaknesses: What are your character's admirable qualities? What flaws do they struggle with?

b) Motivations: What drives them? Is it a sense of duty, personal ambition, or something else entirely?

c) Internal conflicts: What personal struggles do they face? How do these conflicts affect their rule and relationships?

d) Hobbies and interests: What passions do they pursue outside of their royal duties?

e) Sense of humor: How do they express humor, if at all? Is it dry wit, sarcasm, or something else?

Balancing Power and Vulnerability

One of the most intriguing aspects of royal characters is the juxtaposition between their immense power and their human vulnerabilities. This balance can create compelling internal and external conflicts for your character.

Consider:

The weight of responsibility and its impact on their personal life

The isolation that often comes with a royal position

The constant scrutiny they face from the public and court

The struggle between personal desires and duty to the crown

Creating a Believable Royal World

Your royal character doesn't exist in a vacuum (I hope not). They're part of a larger royal ecosystem that includes family members, advisors, courtiers, and subjects. Developing this world adds depth and authenticity to your story.

Key elements to consider:

Court dynamics and politics

Relationships with other noble houses or kingdoms

The role of advisors and how they influence decisions

Traditions and customs specific to your royal setting

The economic and social structure of the kingdom

Addressing the Challenges of Royal Life

Royal characters face unique challenges that can drive your plot and character development. Some common themes include:

a) Succession disputes b) Balancing personal happiness with duty c) Navigating political alliances and conflicts d) Managing public opinion and maintaining legitimacy e) Dealing with threats to their rule or life

Use these challenges to create tension and drive your story forward while revealing more about your character's personality and values.

The Impact of Historical Context

If you're writing historical fiction or a fantasy inspired by real-world monarchies, it's crucial to consider the historical context. Research the time period and culture you're drawing from to ensure authenticity in your character's behavior, beliefs, and challenges.

Key areas to research:

Social norms and expectations of the time

Political systems and power structures

Technology and its impact on governance

Religious beliefs and their influence on royalty

Gender roles and how they affect royal duties and succession

Avoiding Common Pitfalls

When creating royal characters, be mindful of these common mistakes:

a) Making them too perfect or too villainous b) Ignoring the realities of royal life (e.g., lack of privacy, constant duties) c) Overlooking the impact of their decisions on their subjects d) Failing to show growth or change over the course of the story e) Relying too heavily on stereotypes or clichés

Incorporating Royal Etiquette and Protocol

Royal characters often adhere to strict codes of conduct and protocol. While you don't need to become an expert in royal etiquette, incorporating some of these elements can add authenticity to your story:

Forms of address (Your Majesty, Your Highness, etc.)

Court ceremonies and rituals

Dress codes and regalia

Rules of precedence in social situations

Diplomatic protocols when interacting with other royals or dignitaries

Exploring Different Types of Royal Characters

Remember that not all royal characters need to be ruling monarchs. Consider exploring other royal roles, such as:

The rebel prince or princess who rejects their royal duties

The reluctant heir thrust into power unexpectedly

The exiled royal fighting to reclaim their throne

The royal spouse adapting to life in the palace

The illegitimate child discovering their royal heritage

Each of these archetypes offers unique storytelling opportunities and challenges for character development.

Balancing Historical Accuracy and Creative License

If you're writing historical fiction featuring real royalty, you'll need to strike a balance between historical accuracy and creative interpretation. While it's important to respect known facts and timelines, you also have the freedom to explore the inner lives and motivations of these historical figures.

Tips for balancing accuracy and creativity:

Thoroughly research the historical figure and their time period

Clearly differentiate between historical fact and fictional interpretation

Use author's notes to explain any significant departures from known history

Focus on filling in the gaps in the historical record rather than contradicting established facts

Developing Royal Character Arcs

Like any well-rounded character, your royal protagonist should undergo growth and change throughout your story. Consider how their experiences might challenge their beliefs, alter their perspective, or force them to confront their flaws.

Possible character arcs for royal characters:

From naive idealist to pragmatic ruler

From reluctant heir to confident leader

From isolated monarch to connected leader who understands their subjects

From power-hungry tyrant to benevolent ruler (or vice versa)

Remember, character growth doesn't always have to be positive. Sometimes, the most compelling stories involve characters who face moral decline or tragic falls from grace.

Remember, while the trappings of royalty may be grand, at their core, your royal characters are still human. They love, fear, hope, and struggle like anyone else. It's this humanity, set against the backdrop of power and responsibility, that makes royal characters so fascinating to read and write about.

Happy writing, - Rin T

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[julesinsummer]

Unbelieveable! (Theodore Nott x Reader)

theo nott x fem!reader | drabble | fluff

... in which theo is distraught by the news you've given him

"you are unbelievable!"

"theo, my love, it's really not-"

"you are an evil, wretched witch!"

y/n sighed heavily and dropped the book she'd been trying to read so desperately. "honey. it's not that big of a deal."

theo shook his head and grimaced at her, crossing his arms over his chest as he gazed down upon her. "it is. it's a big deal to me and that means it's a big deal."

"just because i said i couldn't go to italy with you all summer doesn't mean i'm evil or wretched," y/n drawled, crossing one leg over the other. theo had been pouting for the last ten minutes, all due to the fact she'd informed him that his grand plan to spend all of summer break in italy with her had been immediately shot down by her parents.

theo dropped his body weight on the couch beside her, groaning as he laid his head on her shoulder dramatically. "yes it does," he mumbled, "you hate me."

y/n laughed, running a hand through his hair. "they were never going to say yes to that, babe," she informed him, watching as he seemed to curl up to her side. oh, how clingy he could be. "they said i could stay a week at a time, no more and no less."

"that's like not seeing you at all!" theo shouted out, latching his arms around y/n's waist.

"it's definitely not," she corrected, shifting around until she found a comfortable position for the both of them. "my grandparents are staying the summer with us and would absolutely disown me if they knew i was spending the entire summer with my boyfriend and not my family."

theo grunted in what seemed to be annoyance or disapproval. "they suck, then."

"they do," y/n agreed, twirling his hair between her fingers. "but they're rich and spoil me, so i must submit to their whims."

"i'm rich and i spoil you," he added miserably, "and i'm way hotter than your grandparents."

y/n recoiled a bit, snickering at theo's antics. "don't use my grandparents and hot in the same sentence," she retched internally, "and i'll do my best to come as often as i can. besides, after next year we can just move in together."

theo perked up at that, the prospect of never having a second away from y/n delighting him. "you're never allowed to leave the house. you have to stay with me all the time."

"not happening," y/n deadpanned.

"worth a shot," theo chuckled, tightening his hold on y/n's body. "can we go to bed so i can actually hold you and not get a fucking neck cramp?"

y/n laughed and nodded, moving to get up from her position on the couch, waving her wand at her book to transport it to her own bookshelf. theo followed her as she took steps away from the common room.

"i can't believe you'd still want to sleep in the same room as an evil and wretched witch like me," she joked as she opened the door to her dorm room.

theo pressed a soft kiss to her forehead. "as evil and wretched as you are, you're mine and i'll always want to be with you."

y/n smiled up at him, meeting his eyes. "unbelievable."

"mine."

[mariasont]

Talking to a Brick Wall - A.H

a/n: rip erin strauss you would've hated this fic

masterlist

‧₊˚ ✩°｡⋆♡ ⋆˙⟡♡ ⋆˙⟡♡⋆｡°✩˚₊‧

pairings: aaron hotchner x bimbo!reader

summary: in which you overhear your boyfriend aaron's phone call

warnings: hurt/comfort, angst, miscommunication, self-doubt, happy ending but also a terrible ending bc i SUCK at endings xoxo

wc: 2.3k

You had called out your boyfriend's name multiple times as you wandered into his house. He had asked you a while ago if you wanted to come over for a movie night tonight and hell would have to freeze over before you ever declined that offer. However, upon arrival, you were greeted by silence; no response to the doorbell, his phone, or your voice. Thankfully, the key he'd given you last year jingled in your pocket as you let yourself in.

You had a pretty strong suspicion he'd be in his office--after all, this was Aaron Hotchner, a man who definitely did not believe in leaving work at the office. 

And sure enough, his voice filtered through the slightly ajar door, the rich hue of his mahogany desk framing the gap. You were about to move towards the living room, assuming he was on a work call of some sorts, but his words stopped you dead in your tracks. 

"It's just... sometimes I feel like I'm speaking, but the understanding isn't there. You know what I mean? It's like the concepts just float in one ear and out the other."

You caught your bottom lip between your teeth, brows drawn together, as your hand found the wall, leaning towards the door. He couldn't have been talking about you, right?

"I try to share details, to get her involved, but it's met with this vacant nod. As if the depth of it all just doesn't register."

Oh. Her. You tried to fan away the wetness that threatened to fall down your cheeks, each rapid motion a desperate attempt to convince yourself you were imagining things. 

"And I'm patient, I really am. But when you're met with that blank look, it's... disheartening. You start to wonder if it's worth explaining at all. It's like talking to a wall."

Okay, that stung. It was like an immediate punch to the gut, your heart seeming to drop into the pit of your stomach. Your shoulders slumped slightly as you tried to rationalize his words, but nothing was really making sense right now.

The internal battle was a cruel one: stay and endure the sharp sting of his words or leave and miss more of what he had to say. The latter won, pulling you away from the door. 

You knew you were never going to be the smartest person in the room, and in the past, it was a source of deep-seated insecurity, always a silent specter in the corners of your mind. But then you met Aaron. And he made everything just better. His own intelligence and impressive job never became a yardstick for your worth; he ensured you knew you were more than enough, just as you were.

He had always been the voice reminding you that you were smart in your own right, telling you that your worth transcended any numerical measure of intelligence like a stupid IQ score. But now you were questioning everything. 

Anger seemed like the appropriate response, right? But it was hard to be when his words carried a weight of truth to them. 

You did have a hard time keeping up when he talked about the complexities of his cases, sometimes feeling like an outsider looking in. But, even if you didn't understand, his passion for what he did was infectious, and you hung on to every word when he explained all the ways his smart brain was able to deduce things about people. 

Still, a part of you imagined it was hard for him, that it probably got old fast when you weren't able to hold an intelligent conversation. 

Your knuckles were white against the steering wheel, and it somehow took you only ten minutes to get home when it should've taken you twenty.

It was only when you had taken a shower, put on your favorite pair of pink sweats, brought out some Ben and Jerry's, and turned on Legally Blonde, did you check your phone.

Hi honey. What time are you coming over?

You tried to ignore the sensation of an invisible band drawing tighter across your chest. 

so sorry, not feeling good. rain check? xoxo

You hated lying to him. Hated lying in general, save for the occasional white lie to protect someone's feelings. The fact that you weren't lying to his face was a small mercy, because obviously he'd be able to see right through you.

Do you want me to come there? I can bring food.

You wanted to be with him, you really did, you had been counting down the days to this movie night all week. But the thought of sitting beside him, wanting to ask about his day, about his work, now seemed like an intrusion. Knowing that your well-intentioned questions might be a chore for him or a source of frustration. The realization pressed down on you, a heavy weight that threatened to snuff your light.

no that's okie! thank you though <3 i don't want to get you sick!

Your phone was ringing, his name lighting up the screen for a FaceTime call, it felt like a betrayal of your own making. It was a skill you had recently taught him (which took forever), and of course now he was using it. Your finger jabbed at the red button, your cheeks turning the same color. 

i look & sound disgustinggg rn

I know for a fact that's incorrect. You have a magical talent of looking incredible no matter what.

I want to see your pretty face.

you can be so flattering when u want to mister!

im going to take some medicine & then ill call u l8, k?

Hmm, okay.

love u! xoxo

I love you too, pretty girl.

You hated this. Your eyes were puffy, swollen and wet as you discarded the phone onto the nightstand. He deserved someone who wasn't so pathetic. 

You wallowed in self-pity all night, and then all day, and then all week. You went through the motions--getting up, going to work, and then making up some lame excuse when Aaron asked to see you. Name it, and you had probably said it. In reality, you had been holed up in your room, trading glossy magazine pages for confusing behavioral books.

The subject matter was as dull as dishwater, making paint-watching seem thrilling. But you were committed to bringing some depth to your next conversation with him.

Today's excuse had been some half-truths about being buried in work--which in hindsight seemed comical, given you worked at a bakery and there wasn't much that could take up your time outside of contract hours.

You were splayed across the couch in an upside-down sprawl as you attempted to focus on the scholarly gibberish that filled the pages. 'Homology,' 'dichotomy,' and 'typology' melded into a migraine-inducing blur, tempting you to slam the book shut. You were fighting every urge to throw it out the window and paint your nails with that new glittery polish you've been dying to try.

At the insistent knock, you clapped the book shut (thank god) and stood, brows knitting, as you navigated to the door with a soft scuffle of slippers on polished wood. 

Flinging it open, you halted, breath caught. "Aaron? Oh, hi, what are you doing here?"

The words sprang forth before you could catch them, your hands scrambling up to smooth the evidence of your couch-induced disarray. 

He fixes you a pointed stare as he steps into your apartment, invitation be damned you guess. "I find myself repeating this, yet it seems necessary--peephole first, then the door, sweetheart."

You clamp your teeth onto your lip with such force, you're convinced you've tasted blood. "Oh, right, sorry... I should've remembered."

A flicker of foolishness and a heavy dose of self-consciousness threaten to surface. However, you quickly subdue them, tucking them away as you wrapped your arms around your body, offering him a small smile. Despite everything, your heart leaps at the sight of him. You missed him.

His face softens, his touch soft as he tilts your chin upward. "Look at me. It's fine. I just want to make sure my best girl is safe, that's all."

The temptation to simply crumble there and then, to forget everything and cocoon yourself in his arms, was overwhelming. 

You leaned into his hand without thinking, which now claimed the entire area of your cheek. He was always so warm. 

You watch as Aaron glances around the room, no doubt noting the absence of work-related clutter. "Still working?"

"Oh, I was, I told my boss I'd help with inventory reports." That part wasn't totally a lie, but it still made your conscience squirm with guilt.

"Do you want help?"

The proposal touches a raw nerve, sparking a defensive reflex. Did he think you were incapable?

 "Thanks, but I'm actually all done with them," you lie, your a smile a little too rigid as you head into the living room.

You're keenly aware of his approaching footsteps as you hastily stash that stupid book under a magazine, silently praying he didn't notice. You settle onto the couch, and he joins you, casually drawing your legs over his lap as you recline against the cushions.

"How was your day?"

You wince internally at the automatic question. 

"Not too bad," He replies with an easy shrug, his fingers sneaking under your sweats at the ankles, tracing lazy circles on your calves. "We wrapped up some paperwork, had a couple of briefings, and oh, we were introduced to our new consultant today. She specializes in crypto linguistics--really fascinating stuff."

Your eyes flutter briefly, a constriction forming in your throat, a twist in your gut. The mere mention of the consultant being a she amplifies your feelings of insufficiency. It leaves you wondering, why would Aaron ever be interested in someone like you?

"Crypto linguistics?" you repeat, trying to sound curious rather than lost. 

He leans in closer to you. "It's a specialized area of linguistics focused on decoding encrypted languages."

You offer a nod, managing a convincing "Yeah, of course," even as your eyes unwittingly drift away from his unwavering stare, betraying a hint of your confusion.

Aaron's hand cradles your head, his fingers sifting through your hair. "Hey," he murmurs, drawing your attention back, "what's going on in that pretty head of yours?"

Your chin touches your chest as you mumble, barely audible, "hardly anything."

Aaron's expression turns to a frown, his broad hands guiding your ass and thighs as he positions you atop his lap, face-to-face, leaving you exposed with no place to hide. Your name escapes him with a sigh. "I don't believe that for a second."

You match his frown with your own pout, nestling your face into his neck, concealing the rosy hue that has claimed your cheeks. "Just a rough week is all."

"Is that so?" His voice was a gentle murmur, his hands soothingly moving in gentle sweeps across your back as you breathed out unsteadily. "Funny, that's been my week too. My gorgeous girlfriend seems to have been avoiding me all week."

"Have not," you mumble, your breath warm against his skin, fingers weaving through the hair at the nape of his neck.

He hummed. "Why don't you tell me what's wrong."

"It's silly."

He guided your face back to his, eyes searching yours. "Listen to me. No, it's not. I don't like when you try to diminish your feelings. Talk to me, honey."

That was your tipping point. A wobble in your lip betrays the onset of tears as your voice breaks.

"I just--I know I'm not as smart as the people you work with or even your past girlfriends. I know I don't get things right away especially when you talk about work, and I see how everyone else is so quick, and I'm here, always a few steps behind. I know that it must be frustrating for you, and I'm scared that one day, you'll get tired of explaining, and your patience will run out, and well, you'll see... you'll see that--"

"Baby, whoa, slow down," Aaron urges, his palms tenderly framing your face, a frown plastered over his face. Your heart hammers against your chest, its rapid beats almost audible, as if it might jump from your body. "Take a deep breath, okay? Can you do that for me?"

You draw in a breath.

His thumb delicately erases the tears that have made their way down your cheek.

"When there is something about my work you don't understand, I will gladly go over it as many times as you need. I don't expect you to know everything about that stuff, why would you? That's not why I'm with you. I'm with you because of your incredibly kind heart and the way you see the best in people. I love you because you are you. What is making you think this way, honey? It's breaking my heart."

"I overheard you Aaron," you said, "saying that sometimes it feels like you're talking to a wall when you talk to me."

"What?" he questioned, but his confusion was quickly morphed into concern. "Oh, sweetheart, no. I was talking about Strauss and her lack of understanding of our fieldwork."

"Oh."

"I would never speak about you like that, you know that, right? And if, in some alternate universe, I did, you need to break up with me, or better yet, set me straight." His hands stayed firmly on your face. "You should never tolerate that from me or anyone else, understood?"

You bit down on your lip, hands resting on his shoulders as you nodded. "Yes, sir."

He leans in, pressing a gentle kiss to your lips, sending fireworks to every inch of you as he mumbled against your mouth, "that's my girl."

taglist: @hotchhner

[pomefioredove]

boop

summary: booping them + their reactions type of post: headcanons characters: third years additional info: is short, platonic or romantic, reader is gender neutral author's note: this would've been good to post for the tumblr april fool's event but I missed out so you're getting it now instead!

𝐓𝐫𝐞𝐲 𝐂𝐥𝐨𝐯𝐞𝐫 ˗ˏˋ ♡ ˎˊ˗

hmm... okay!

trey often navigates his interactions with other students based on his interactions with his siblings

there's an order to human behavior, after all

especially with the underclassmen shenanigans (he's really seen it all at this point; don't ask)

none of his siblings, however, have walked up to him unannounced and booped his nose

not yet, at least?

it seems to make you happy though, so he just smiles

half of his job as vice housewarden is "going along with it"

he's pretty used to nonsense

𝐂𝐚𝐭𝐞𝐫 𝐃𝐢𝐚𝐦𝐨𝐧𝐝 ˗ˏˋ ♡ ˎˊ˗

he's editing something on his phone the first time you try and doesn't even notice it

...and the second time, and the third

it becomes a sort of routine for you

tentatively trying to see how many times you can get away with it before he finally notices and says something

and it only spirals from there, of course

you'll up to him while he's talking to someone else, boop him, and walk away

(much to the other person's confusion)

does he notice? yeah, of course

do you need to know that he notices? ...maybe not

he likes the attention, just let him have this one

𝐋𝐞𝐨𝐧𝐚 𝐊𝐢𝐧𝐠𝐬𝐜𝐡𝐨𝐥𝐚𝐫 ⋆˚⸙˖°༄✩⊹

he gnaws your hand off

okay, not really. too messy for him

(and the consequences would be such a headache to deal with...)

but he is all grumpy because you woke him up for that

"What was that supposed to be? -_- Don't do that again,"

rolls over and goes back to sleep

you're lucky he reacted as nonchalantly as he did tbh, lions don't like being pet, and he could've kicked you out of his room in a heartbeat for that

(maybe you get a special pass to be annoying)

note to you: don't do that again

𝐑𝐨𝐨𝐤 𝐇𝐮𝐧𝐭 ˚⊹˚₊🕊 ˚✧ ₊

boops you back right away

does he necessarily know what that means? no, but he'll find out soon enough anyway

and based off your body language and expression it seems like a gesture of affection

...which he's all too happy to return

(he's so excited to be touching you affectionately he could explode)

now every time you see each other you end up going back and forth for hours

"boop!" "boop!" "boop!"

that's one sure way to give Vil a headache

(you may or may not end up temporarily banned from Pomefiore for disturbing the peace)

𝐕𝐢𝐥 𝐒𝐜𝐡𝐨𝐞𝐧𝐡𝐞𝐢𝐭 ˚⊹˚₊🕊 ˚✧ ₊

you'd assume he gets annoyed, right?

well, he's a little surprised at first (people just don't go around touching him, after all)

then he just smiles

"Remember what we said about asking before touching, hm?"

you're lucky he thinks you're cute

(if not a little strange)

like, so lucky

congratulations on being the only human on earth who gets away with casually touching his face like that

𝐈𝐝𝐢𝐚 𝐒𝐡𝐫𝐨𝐮𝐝 ₊✩‧₊˚⊹༄˚₊모‧₊

well. what do you expect

his eyes widen and his face (and hair) go pink and he internally freaks out (but externally just stands there)

"Um... What was that for?"

Idia might be a little more familiar with the conventions of a boop than anyone else

it's what you do to adorable little animals, right? like kitties and puppies?

so... why are you doing it to him?

if you say you "just felt like it" he might believe you

if you say it's because you think he's cute he will be avoiding you for the rest of the month

good luck!

𝐌𝐚𝐥𝐥𝐞𝐮𝐬 𝐃𝐫𝐚𝐜𝐨𝐧𝐢𝐚 ✩⁺₊°⊹ ᶻ 𝗓 𐰁 ☽｡°⊹

blinks.

has zero clue what you meant by that

but you seem happy with yourself so it couldn't have been a bad thing, right?

"I'm unfamiliar with that gesture. Is that a greeting from your home?"

you explain that it's a sort of affection you show towards cute things

"Oh, well... you're quite brave. I'm honored,"

he's definitely all sunshine and rainbows for the rest of the week

he's all but giggling and kicking his feet back and forth

no one really questions him

and he doesn't really explain

(if Sebek finds out you booped the heir to the throne of Briar Valley as if he were a kitty cat he will gnaw your hand off)

𝐋𝐢𝐥𝐢𝐚 𝐕𝐚𝐧𝐫𝐨𝐮𝐠𝐞 ✩⁺₊°⊹ ᶻ 𝗓 𐰁 ☽｡°⊹

pleasantly surprised, doesn't even question it

he is adorable, after all, he can't blame you for wanting to be affectionate with him

boops you back, of course

after all, aren't you just the cutest thing too?

if you try to walk away after booping him he will find you to return the favor

will somehow make it a competitive sport

waiting for you around corners, hiding in every nook and cranny so that he might catch you by surprise and boop you

(he is totally keeping count of who's ahead)

it makes the school a warzone for like a solid week before Silver's pleas to "please be normal about the prefect" finally work

(AKA Lilia gets bored of it and finds another way to be close to you)

[tanadrin]

could you elaborate, why do you believe that people online continue to talk about the flint water crisis as if it were still active? Is it just ignorance of the solution or are there ongoing health issues?

i mean i think people do that bc "everything is fucked and nothing ever gets better" is a genre of post that tickles the limbic system, and in the attention economy of the internet, anything that tickles the limbic system tends to do well, bc it produces engagement. outrage, and outrage-adjacent things, and cliches like "why is no one talking about [major news article everyone is talking about]" and "don't get excited about apparently-good-thing X, here's why it's actually just as bad as [completely different thing it is in no way just as bad as]" and all that other stuff.

and because negativity and outrage--even negativity with no underlying substance--makes a bigger splash than positive stuff with real underlying substance, continuing to repeat "flint doesn't have clean water" (a crisis that did genuinely drag on for a very long time!) has more salience than the news that flint's water problem was fixed (something that took a long time when it finally was properly tackled and didn't generate a single large headline).

there's kind of a similar dynamic in climate news actually, where genuine improvements in areas like energy storage and clean energy rollout and new nuclear permitting don't make a dent in people's narrative that everything is fucked and we're making no progress because IPCC forecasts about what would happen if we hit 4 degrees of warming are genuinely very bad and scary (and, thankfully, no longer on the table!), whereas the boring policy details of stuff in the Inflation Reduction Act, or China's continuing expansion of EV manufacturing are, well... boring. although climate news is different in other ways--like, the planet will continue to warm until carbon emissions are net negative, so even as we make progress on that issue the crisis continues. it's not all good news. but there is good news there, which just gets much less traction online bc of the dynamics of how news works on the internet.

needless to say, though, i think if you want to have an accurate understanding of the world you need to internally mentally check your own tendency to succumb to engagement bait like this. worst case scenario you fall into a doom loop, which i think is pretty unhealthy just in general. but if you notice somebody post something compelling, and you click on their username, and it turns out that all they post is about how the world is fucked, and nothing good ever happens, and we're all gonna die, i think you should be suspicious of them and their motives. not because doomposting is inherently manipulative or deceptive--a lot of people genuinely are doomers! but that doesn't mean they're not responding to the limbic incentives of social media, either. after all, if you too express nothing but pessimism and outrage, then the people addicted to pessimism and outrage will applaud you for being Very Serious and give you lots of engagement and attention, and you will react accordingly.

and also, you know. some people do just lie on the internet for attention. that is absolutely a thing that happens. i am not inclined to bend over backwards to try to reconstruct a generous framing of those lies where maybe people somehow are under the mistaken impression that there is some ongoing sub-problem affecting flint that they have mistaken for being isomorphic to the original crisis. some of them are just liars!

[inkskinned]

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

[shinynewmemories]

The exchange between Peeta and Gale in Tigris's basement used to be my least favorite scene in the entire book. I hated how it made Katniss out to be a heartless drone whose only motivation is survival. But I've been thinking about it a lot lately, and I'm now convinced I grossly misinterpreted the purpose of the passage the first times I read it. I don't think it's about Gale revealing some sage wisdom about Katniss; I think it's a revelation about how far gone Katniss and Gale's relationship truly is, and how little he understands the way she loves. AND it's about how much better Peeta understands Katniss, even in his half-hijacked state. Let me break it apart a tad to explain what I mean:

“She loves you, you know,” says Peeta. “She as good as told me after they whipped you.”

Peeta is correct on both counts. Katniss DOES love Gale, and in CF, she internally refers back to the whipping as the moment she "chose" Gale over Peeta. Peeta knew it then, and he knows it now.

“Don’t believe it,” Gale answers. “The way she kissed you in the Quarter Quell... well, she never kissed me like that.”

Correct, but it's interesting that Gale refers to THAT moment on the beach as proof that Katniss loves Peeta. Because on one hand, that WAS the first time she felt and displayed sexual desire for anyone. But on the other hand, I would argue that there was lots more evidence for Katniss's love for Peeta; "anyone paying attention" could see it. So why does Gale point to the one time things got hot and heavy between them?

“It was just part of the show,” Peeta tells him, although there’s an edge of doubt in his voice.

Incorrect, but I'll give him half credit for the "edge of doubt" in his voice.

“No, you won her over. Gave up everything for her. Maybe that’s the only way to convince her you love her.” 

Here's where Gale starts talking kinda crazy. Since when has the issue been convincing KATNISS that HE (or Peeta) loved HER? Since the end of book 1, there has never been the slightest doubt in Katniss's mind that Peeta loved her. And she's never doubted Gale's love, although she admits it caught her off guard. Does Gale actually think that if Katniss could just SEE how much he loves her, she'd have no choice but to marry him? Or does he think Katniss is holding back because he hasn't "given up everything" for her? Either way, he paints Katniss as a fundamentally untrusting and self-centered person.

Also, he implies that Katniss needs to be "won over", that she needs to be PERSUADED to love either of them... Yikes. It's like he actually believes Katniss doesn't have the emotional capabilities of falling in love all on her own.

There’s a long pause. “I should have volunteered to take your place in the first Games. Protected her then.”

Incorrect! Over to Peeta for an explanation of why that would have been a Colossally Stupid idea:

“You couldn’t,” says Peeta. “She’d never have forgiven you. You had to take care of her family. They matter more to her than her life.”

DING DING DING DING! I just picture Peeta making a ????????no??? face as Gale says he should have volunteered for him. Like?? Can you IMAGINE? Book 1 Katniss would have been screaming at Gale like "you absolute IDIOT. WHY would you throw your life and the lives of your and/or my family away. And for WHAT? MORON."

But I get it. Gale is saying this out of desperation. Because he can't say "I wish you had died in those games" (although perhaps that is how he's felt once or twice). And to be fair, if Peeta had never been in those games with Katniss, things between them now would be very... different. (shhhhh Gale doesn't have to know about the whole "this would've happened anyway" thing)

“Well, it won’t be an issue much longer. I think it’s unlikely all three of us will be alive at the end of the war. And if we are, I guess it’s Katniss’s problem. Who to choose.” Gale yawns. “We should get some sleep.”

Correct, nothing to object to here.

“Yeah.” I hear Peeta’s handcuffs slide down the support as he settles in. “I wonder how she’ll make up her mind.”

Even though Peeta is more in sync with Katniss, he doesn't presume to know how her romantic side works. Gotta respect that.

“Oh, that I do know.” I can just catch Gale’s last words through the layer of fur. “Katniss will pick whoever she thinks she can’t survive without.”

So I ask: if Gale is shown throughout this exchange to be mostly wrong about Katniss's motivations, desires, and possibly her whole personality, why would we believe he's correct about this?? I think the only conclusion is that he's NOT.

I'll end by adding Katniss's opinion about Gale's assertion:

It’s a horrible thing for Gale to say, for Peeta not to refute. Especially when every emotion I have has been taken and exploited by the Capitol or the rebels.

Katniss is DEEPLY hurt by what Gale said. And I no longer believe it's because it's the truth about HER. I think it's because it's the truth about how Gale sees her, and he sees her in a very hurtful (albeit incorrect) way.

[floweycidal]

i dont know abt yall but i personally never trust flowey when he says he has No Feelings...

there's a kind of religious romanticism in monster culture that wants to believe souls contain your compassion, but humans explicitly disprove that, making monsters question whether a soul even requires those qualities to exist in the first place.

flowey adheres to the traditional monster belief, and given how monsters emphasize this idea of love, hope, and compassion being integral to the wholeness of a monster's soul, he probably internalized that and thought his absence of such qualities meant he was different. broken.

flowey may emphatically insist he has no emotions or compassion whatsoever, but that simply doesn't align with the reality we observe. i mean, hello??? the guy is EXCESSIVELY EMOTIONAL. HIGH OCTANE EMOTIONAL. HE EXPRESSES A LOT OF EMOTIONS THROUGHOUT THE WHOLE GAME!!!

flowey is also an incredibly unreliable narrator, especially when it comes to himself and that's really just a direct result of the immense trauma he's been through.

it's no surprise flowey would latch onto this idea of being "soulless" as a way to explain his new, jaded worldview. if he has no soul, no real emotions, then it rationalizes why he feels so disconnected, so incapable of caring about anything or anyone anymore.

but the reality is, flowey isn't truly so devoid of all love and feeling. what he's experiencing (to me) is more like a self-imposed emotional numbness, a defense mechanism to shield himself from further pain. 

his "soullessness" is less an objective state of being and more a way of framing his loss of hope, his inability to feel the same compassion he once did. he clings to his lack of soul as an attempt to explain and validate his despairing worldview in a reality that no longer includes chara, the one person he truly cared about. 

and honestly.... if flowey truly was so bereft of all the compassion he had "as asriel", like he so adamantly claims, how would we reconcile that with moments like this?

seems pretty compassionate to me.

and while we're on the subject, i must say that asriel's request for us to view him and flowey as separate people is unhealthy and should NOT be taken at face value, just as we ought not believe many of the claims flowey has made abt himself. this scene to me just seemed like asriel was trying to absolve himself of the guilt tied to his actions as flowey, which isn't necessarily a narrative we should support. to read them separately would be a disservice to flowey's arc and development.

in a sense, asriel is right, in all his innocence he could never behave the way flowey does. yet another aspect of flowey is that Anyone under comparable circumstances could become Him, even one as kind and gentle as asriel

and though flowey doesn't fully believe or accept it (just yet), the game does a brilliant job of reminding us that despite EVERYTHING, it is still him.