#it doesn't feel like i'm watching a story i'm just watching scenes
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This had never occurred to me way back when when I first watched playthroughs of the game/played it myself, but;
Seeing this post made me remember Max's nightmare, when she was trapped in her own mind/a broken version of reality.
And seeing this now?
Max definitely has PTSD.
Everyone always primarily discusses/ focuses on Chloe's trauma (which is understandable. I'll always be a Chloe defender and don't want to downplay her trauma by any means.)
But, unfortunately, Max's is overlooked.
Now, a lot of people might view this skeptically, question the idea of Max having PTSD. To many, it might seem like Max doesn't really have any lasting form of major trauma after the events of the game. Maybe she really was content and at peace and happy-go-lucky. (I've always scoffed at that scene at Chloe's funeral, when Max smiles at the butterfly.) And I'll admit, within the context of the story maybe we aren't supposed to think so. But if that's the case I just have to assume that's due to the developing team's lack of knowledge, experience with mental health and how it works, the impact things like this have on someone. Not that they are coming from a malicious place, of course. But very rarely does a person 'get it' unless they've been through it themselves. The average person simply won't understand.
But if you see everything I've described here as it's laid out, it makes total sense;
Let's talk about Jefferson. He is just one of many elements in the game contributing to Max's trauma. He was her teacher, someone she looked up to, respected, and was supposed to be able to trust. She truly felt safe around him. It's implied she had a crush on him. But her image of him completely shattered. After the truth about him was revealed, she was no longer able to trust her own judgement of people, her perception of reality.
He drugged her when she was vulnerable, and she was helpless to watch as he shot and killed the love of her life right in front of her. He kidnapped her, and she was thrown from the frying pan right into the fire. When she woke up she was tied up in a basement, helpless, and he had burned all her photos. Not only precious memories, but also one of her only means of going back and fixing things. He then took photos of her, over and over, this went on for who knows how long, while she was drugged, tied up and helpless, in order to satisfy his own perversions. Throughout, he mocked and tormented her.
Then, let's go into what happened with Chloe. Having to watch her best friend, the girl she loved, die over and over and over again. Max felt responsible for fixing it, preventing it, because she was the only one who possibly could. She would blame herself, think of it as a failure on her part each time Chloe died.
After watching her die in various ways, so many times, I'm sure Max questioned if she really even could save Chloe- or if Chloe was supposed to die from the start, and the universe was determined to restore the balance, no matter what Max did or how hard she tried.
And then there's Kate. This could go one of two ways depending on your choices, one of which is infinitely worse and more traumatizing, but either way it would definitely have haunted Max and left an impact on her.
Imagine how you would feel, knowing one of your closest friends was being bullied. Knowing they have been drunk/drugged and taken advantage of at a party. Yet instead of anyone coming forward, doing the right thing and helping Kate out of that situation, everyone at the party instead weaponized it, used it against her, slut-shamed her even though she wasn't in her right mind, was barely even conscious and was in no way able to consent to anything that was happening. Not that slut-shaming her would have in any way been okay or excusable even if Kate was acting of her own volition. Knowing that, even though you don't agree/don't identify with that, that your friend is deeply religious and clings to faith as a means of comfort. Knowing that she feels like a failure, that she feels like she's betrayed her faith, everything she stands for, and her family, even though she was in fact a victim in her situation. Being able to read letters, watching her family victim-blame her, hide behind their beliefs as a means to tear down someone they should feel obligated to protect, to support. Watching your friend be alienated by everyone around her, including her own family. Watching the school bullies write obscenities about your friend on the walls, and in the bathroom, make jabs at her and taunt her at every possible opportunity. Your friend's light has begun to dim, she starts pulling away from you, begins hiding away in her room more, which now feels like a dark, oppresive void. You know your friend is depressed, and you're trying to be supportive in any way you can, but there's a distance building between you you feel you can't bridge.
Then it happens. She kills herself/tries to kill herself. In front of you, and everyone who tormented her. Even then, the people who hurt her have no shame, laughing and recording her when she's in crisis. You begin to question and blame yourself, blaming youself for not noticing something was severely wrong earlier, not recognizing the impending signs for what they were. You want to help your friend, to save her, but your powers at failing you at the worst possible time. You only get one chance to do this, like everyone else, and you have to do it the right way.
If Max managed to talk Kate down, that's still an instense emotional weight, still a serious event to work through and process.
If Kate jumps…well…
Max feels like a failure. Like she contributed to Kate's death just as much as everyone else. Like she may as well have pushed Kate off that ledge herself. Not only watching your friend die in front of you, but knowing that it was self-inflicted in a moment of desperation, that they chose to do so and your words had no effect…
Now, the end of the game. Depending on what you choose, Max either has to to feel an immeasurable weight on her conscience, the responsibility for the destruction of the town where she was born. Where she grew up. Where she has countless memories, despite its' faults. The deaths of almost everyone there she's ever known.
Including (especially) Joyce.
The guilt of feeling like she took Chloe's mom away from her too, after Chloe had already lost her dad.
Oh. And that reminds me.
It was an incredible miracle, Max discovering her ability to go back through time via photos. Being able to go back 5 years, to when she and Chloe were only 13, before all the horror had happened, and save William. The sense of sheer relief, happiness and accomplishment she felt. She felt like a hero.
Only for it to all blow up in her face in the worst possible way.
Seeing Chloe, now a total shell of her former self. Completely disabled, and paralyzed. Helpless. Unable to live on her own. Seeing firsthand the emotional and financial stress William and Joyce are going through as a result of the accident. Chloe having so little quality of life that she pleads with Max to kill her, because she can't even do it herself.
(This is not my narrative or opinion on Chloe's situation, by the way. This is how it's portrayed. Quality of life, determining whether your life is worth living to due a life-changing accident or consequent disability is the choice of the invidual whom it effects. I'm not saying that anyone in Chloe's situation, who is paralyzed would inherently have no quality of life or no reason to live. That really depends on the invidiual, what that person needs in order to truly live and thrive, whether that person has family and friends and an emotional/practical support system in their life, etc. For Chloe, for me, and for many other people, though not all, living that kind of life would not be worth it.)
Max, depending on your choices, having to kill Chloe, to choose the merciful path, allow Chloe to exercise her autonomy in a world in which she can no longer do so and put her out of her misery. Knowing that she's doing for Chloe what she'd want someone to do for her if she were in that situation, yet still full of pain and regrets.
Max then having to go back and undo it all. Allow William to die again. Watch Chloe experience that horror and trauma again, knowing now she could've prevented it. But at what cost?
Lastly, if you chose to let Chloe go. To let her die.
That makes it immeasurably worse in my opinion.
The week she and Chloe spent together, reconnecting and rebulding their friendship, everything they went through together, would essentially never have happened.
Chloe, in this timeline, died alone in a bathroom. She never recieved any sort of closure, never got to know what happened to Rachel, questioning if Rachel perhaps just abandoned her, similarly to how Max did.
She never got to resolve things with Max, never heard from her again. She never got to know that Max still loved her, still cared about her and thought of her, but was too scared and guilty to reach out.
She never got to patch up things with her mom, or with David.
Everything Max went through. Everything she experienced.
To recap:
Having to watch her best friend, the woman she loves, die over and over again, feeling helpless, trapped in this endless, hellish cycle of death.
Being lulled into a false sense of security, betrayed and abducted by someone she thought she could trust, someone she looked up to.
Witnessing firsthand Kate's suicide/attempt, feeling like she failed her.
Being forced to let William die again, and force Joyce and Chloe to suffer that loss again.
Having to watch Joyce mourn her only daughter, after already losing her husband. Knowing she could've prevented it.
Everything that happened would still exist, but only in Max's mind.
She has no one she could ever confide in, talk to, or open up about it.
Chloe, for her, was that person.
No one would believe her, albeit understandably.
It's implied her powers vanish after she goes back that final time to let Chloe die.
She'd have no way to prove her story was true.
Carrying the weight of that burden, that knowledge and trauma, alone, would drive anyone insane.
Feeling like everything she went through, all the efforts she made to keep Chloe alive, were pointless.
I don't believe there is any way Max could be okay after that.
She'd be a hollow shell, just going through the motions. Totally disconnected from the world and the people around her. (Understandably. Who the hell could she connect to? Who would understand her?) Everyone at Blackwell, and their student lives and petty drama would feel so insignificant. So incredibly stupid and shallow to Max after what she's been through.
In fact, I've always felt - years after the events of the game, were you to choose to let Chloe die - that Max likely killed herself.
Over time, she probably began to question herself, to feel crazy, and begin wondering whether any of what happened, actually did, or if it was just something her mind created.
Max's trauma, her thoughts and emotions in regards to all of this are reflected in this part of the game, her mental breakdown. You can see her self-loathing, the way she blames and criticizes herself, in her interactions with herself and in her distorted journal entries.
Anyway. I never really liked Max all that much as a protagonist.
I thought she was a pushover, a little shallow, cared too much about what people like Victoria thought of her. I thought it was pretty unforgivable the way she ghosted Chloe, at the most traumatic, formative time of Chloe's life, when she had just lost the most important person in her life, besides Max. I understand anxiety, feeling awkward, helpless and flailing in that situation and not knowing what to say or do to make it better, but it just doesn't matter to me. Nothing excuses that.
However…
Max, did ultimately (well, depending on your choice at the ending,) make it right.
This has given me some perspective, and I have a lot more empathy for her now.
you thought you could control everybody and everything, huh? — twist time around your fingers?
#life is strange#lis#max caulfield#life is strange max#lis max#max caulfield life is strange#max caulfield lis#max life is strange#max lis#max's mental health#PTSD#analysis#media analysis#media literacy#literary analysis#characterization#meta#life is strange meta#thesis#character thesis#character analysis#chloe price#life is strange chloe#pricefield#chloe price x max caulfield#max caulfield x chloe price#chloe x max#max x chloe#chloe price life is strange#fave posts
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On occasion, I swear I get undertones from the side of the fandom that liked the season 5 finale that “if you didn’t enjoy it, you must not be smart enough to understand it”…
But… that’s kind of a really stupid argument?
Is this not a TV show intended for 5-12 year olds? If the writing is too complicated for a grown adult to understand, then they have failed at writing a good kids show. Point blank period.
You can write a good kids show that has elements that go right over the kids heads, but those elements should be subtle bonuses that mildly improve the story. They should not be a key part of the overall message. A great little example is this scene from Bluey where the titular character finds an obnoxious "lost" toy hidden under the sink in the laundry room:
youtube
Adults and older kids watch this scene and immediately get why the toy was under the sink, but little kids probably miss it. That's not a problem because the sink thing is just a bonus joke that is not vital to the message of this episode. If the sink joke was vital to understanding the message, then the writers would have failed at their job because they wrote something too subtle for the intended audience.
That's why I'm so critical of everything Miraculous is doing. Even if there's ultimately going to be an amazing story here, they've failed to tell it in a way that the intended audience can engage with and that makes the story objectively bad no matter how good it is for older viewers. The lessons should be obvious. The jokes should be obvious, too. There should be no question about what the message is.*
The season five ending is a perfect example of why Miraculous is objectively bad for its intended audience. Lets say that season six is going to address all of the issues with Gabriel and tell us that he was an abusive monster. How powerful is that lesson going to be to the five-year-old who grows out of the show in the year between season five ending and season six airing? What about the kid who obsessively rewatches seasons one to five in the hiatus between seasons and internalizes the happy ending? Or the kid who only watches the show casually and doesn't remember most of the early seasons by the time their issue are addressed?
Obviously those kids won't walk away with a great lesson, which is why shows aimed at kids usually make their morals clear by the end of every episode. Complex morals told over seasons are a bad fit here. Kids in the show's intended age group are only just starting to really learn about the complexities of the world. They generally don't have the life experience to question the show's morals.
That's not to say that shows for kids can't have cliffhangers. The cliffhangers just need to be about the story, not the morals. Season four was a good example of this. While I don't think it was a great final, it did have a clear message. It ends with Ladybug stating what she'd supposedly done wrong - even if season four didn't actually have her do what she said she did - and the question was only what would she do now. There was no moral ambiguity about what happened. Every episode of Miraculous should feel that way, but the show often fails at this. There's way to much ambiguity for a kids show. The fact that many adults can't tell if Gabriel was evil or not is a terrible sign!
*I will note that even perfectly clear messages can be twisted into baffling shapes by viewers of all ages and people will read into things in ways that leave even talented writers scratching their heads. The pigeon thing comes to mind as a good, Miraculous-based example of poor media literacy. So I wouldn't go so far as to say that a kids show is always bad if adults misinterpret things. It depends on how widespread the misinterpretation is and how logical the misreading is. The season five ending is a good example of a true issue because it's played like a happy ending. It's not weird that some people took that at face value while others are waiting for the other shoe to drop. Only time will tell which side is right, which should not be the case when we're dealing with content like the widespread manipulation of an abuse victim in a show aimed at children. That should be presented as unequivocally wrong. Instead, the lies lead to a kiss and happy smiles.
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Thank you to @alliwantforchristmasislou for setting up this amazing thing! <3
Warning: I don't know how not to ramble, or make sense.
I don't work during the winter, and I'm trying to pay down debts so I can buy a house in 2025, so I unfortunately don't have any money to spare, but I wanted to express my gratitude to the BuckTommy nation for the joy they've brought me.
I started this silly little show last winter on a total whim. Ms. Angela Basset was always there on the title card whenever I opened Hulu so, bored with my endless amounts of reading, I decided to give it a go. Immediately I was drawn in. I loved their dynamics. The stories. Peter Krause's acting, especially in the scene where he breaks down on the couch with Hen and Buck? Yeah, my overly empathetic self was like, this show is mine now.
Mind you, I didn't binge watch it all at once. I took short little breaks, never feeling the need to power through them all. And then, BuckTommy happened. All of a sudden, I had a reason to catch up and catch up I did. I can't tell you precisely why I was so drawn to them, but I have some ideas.
For once, we had a pair of equally masculine men showing affection towards each other. Neither of them could be relegated to the "woman" role. They weren't stereotypically effeminate, but they went against the alpha male stereotypes. You had two men who had been mentally neglected all their lives, into adulthood, who came out the other side being people that wanted to serve and protect for all they were worth. They had trauma, but outside of Buck's sex addiction - Buck 1.0 - they didn't let their trauma define them. They showed affection, not just to the women around them, but to their friends and chosen family. They said "I love you" with their actions. Buck was allowed to have "feminine" hobbies without being effeminate, and maybe to some that's not a big deal but to me that is. Tommy, who could be questionably called more effeminate, was allowed to have more stereotypically "masculine" hobbies despite being a Kinsey 6.
That's a huge deal on broadcast TV. The general audience has certain expectations, as much as they sometimes suck - they're not known for being the most progressive folks in the world - so the fact that the show was allowed to stick it to them was just... an amazing experience. As someone who's only other experience with masculine GAY men on TV was Ian and Mickey, whom I love dearly, it was such a nice change of pace. Also, the fact that they're both mature men? Also a huge deal. I love Alec, from Shadowhunter's, but he's still pretty young, and he's known he was gay for a very long time. Patrick and David from Schitt's Creek? They knew, and David(?) still has a very effeminate air about him, despite being confirmed pansexual.
All this is to say, that BuckTommy drew me in until they had a chokehold on me. I started using Tumblr again, started diving back into fanfiction in a way I hadn't since Kuroko no Basuke. I've produced more fics for the 911 fandom in six months than for any other fandom I've ever written for. And I've been in fandoms since circa 2007? And that's insanely impressive. BuckTommy drew me back into broadcast TV. I literally yell at my brother when the show is on to not talk to me, or bother me, for the next hour. I've got like... Four shows I wait for weekly now, TV antenna and all.
BuckTommy's have also been some of the kindest, most interesting, people I've had the pleasure of "knowing." Every single day I have things to look forward to in the tag, whether it's fics, or art, or headcannons, or honestly - my favorite - complaints about how the relationship ended and how the writers done fucked up. You guys are so amazing, and I love all of you that I've ever interacted with.
I'm PRAYING to see Lou, and Tommy, again in 2025, but even if he doesn't, I'm back for the long haul. You guys dragged me back from the brink of destruction after the break-up, I've never lost it over a fictional ship like that before in my LIFE, and I've decided that I'm here for good.
Merry fucking Christmas, and Happy Holidays to you all.
#bucktommy#tommy kinard#evan buckley#tevan#lou ferrigno jr#kinley#911 on abc#911 abc#all I want for Christmas is Lou#alliwantforchristmasislou#BuckTommy Nation#BT nation
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Someone in my ao3 comments expressed frustration over Victim's backstory being similar enough to King's to make the episode predictable.
The thing is, I agree, I don't think I was surprised about anywhere this episode went...but it doesn't bother me at all, and now I'm curious as to why.
Maybe it's because, despite predicting where the episode would go, how it got there was still a surprise to me. Maybe it's because having an underlying understanding of what kind of story I was watching play out meant I was able to catch more details, since I wasn't thinking so much about what might happen next; I could think more about the why since I already had a pretty good idea of the what. Maybe it's because the story was doing multiple things at once and wasn't being carried solely by this one predictable plotline.
I think my reaction to the party-disappearance scene is my best example of this. Plot-wise, I knew what was about to happen as soon as the split-second flashes of fire and chaos began cutting into the dance scene: we were about to watch Mitsi die in Chosen's and Dark's attack. But then Mitsi disappeared from the dance floor in a shower of green sparks, and that got my attention, because it meant worldbuilding was happening. And if there's one thing I've learned about writing from Arcane, it's that if you have to give straightforward exposition then having it pull double-duty as worldbuilding is the best way to integrate it into the story.
I already knew Mitsi was about to die, and I already knew it was about to be because of Chosen and Dark. That didn't surprise me.
What surprised me was that sticks who were physically nowhere near the location where the attack was taking place were still affected by it.
What surprised me was the reveal that sticks in this stick-world could be affected by something happening to the website on which their source-files were hosted, and that their existence wasn't entirely separate.
What surprised me was learning that the statements "Chosen and Dark never attacked stick-cities, only websites" and "residents of stick-cities were victims in the attacks, and fear Chosen and Dark" could both be true.
What surprised me was green sparks.
The main plot thread may have been predictable, but a lot of other things in this episode were either new or were finally connected for the first time, and that might've been enough to keep the story from feeling like just a rehash of King's, at least to me.
There's also Mitsi herself to consider. Unlike the previous two backstory-deaths in this series, Mitsi's character is also pulling double-duty by serving a second purpose as Vicitm's foil. She's functionally more than just someone who dies to make Victim sad and evil; she sees the world in a fundamentally different way than Victim does, and this contrast is demonstrated by how her responses to the world differ from Victim's. We see who Victim was before her, we see who he becomes with her in his life, and we see who he becomes in her absence.
I think someone somewhere suggested that Mitsi is who Victim could've been if he wasn't tormented his entire life, and I see their point, but in that light I also find it meaningful that Mitsi isn't just "Victim but without the trauma" personality-wise; she has her own charming disposition and mannerisms that seem to be an innate part of her character rather than just another sign of innocence. Sure, some of her behaviors are ones I could see Victim having in a story where things went differently (and in fact some of them I had imagined Victim having, in the years between when The Showdown aired and when Wanted was uploaded), but not all of them, and I appreciate that.
I think there's also something to be said about how differently King's and Victim's grief manifests despite all its similarities, a la "grief drives King to act while Victim is held back by it," but I'm running out of words.
My point is, yes it's a plotline we've already seen in this series, yes it's being reused, yes it makes the story predictable in some ways...but I think the way it's being applied and explored and executed is different enough from the last time that it doesn't feel like "the same story" is being told again.
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I like what Eve Ewing and Gail Simone have going on between their books. Having the two more earnest, more extroverted, friends try to fix things for their more transactional, introverted, friend, and accidentally blow up her entire life along the way, makes for a much more interesting, more authentic, inter-cast conflict than just having yet another misunderstanding superhero fight. It works because it's completely understandable and within Rogue's existing character that she would take this approach, that it would not occur to her that sending Bobby to Chicago would read, to Kate, as an invasive attack against her privacy and peace of mind.
When Rogue was in a similar place, years ago, having Ororo and Bishop just crash back into her life, bulldoze over all of her half-hearted protests, and drag her back onto the team anyway, was actually exactly what she wanted, but was unable to admit. The heavy handed approach worked for her. It's working for her again right now as well--dragged back into the X-Men by Scott, and bringing Kurt, Remy, Logan, and Jubilee along for the ride, and everyone already feels much better than they did before. It makes sense that in her mind, what helped her, and helped her other friends, will help yet again, and that Kate will feel better once she lets them in.
Rogue's really just being a good friend, in the best way she can. Her only error is in not realizing that not everyone processes grief in the exact same way that she does, or in ways she finds personally palatable (which is a lapse you don't see from an Ororo Munroe or a Dani Moonstar, who have more experience with personalities that really do want to be alone to sort their own misery).
You have to feel for Bobby, who plainly thought he was appearing in a completely different story than where he actually was. From his perspective, he's just returned from the dead amidst a harrowing time for mutants, discovered their home destroyed, and most of their people exiled, and that one of his closest friends has abruptly abandoned him, cut off all contact with everyone, and is being distant and abrasive when he only tries to make sure she's okay.
(It goes unsaid that Bobby has stood a suicide watch for her in the past, but that's a history I'm sure Ewing is familiar with. I don't think his sense of urgency and worry should be read as anything but honest).
Judging by how his reactions are drawn, in both the dinner scene and the closing pages, I don't think Bobby had any idea what the actual underlying issue was. I expect he thought he would just show up, shame Kitty a bit over her lack of friendliness, share some embaressing stories with her girlfriend, and they'd both laugh it off and bond over their shared trauma. He doesn't realize yet that the source of her grief is completely at odds with his own, or with Rogue's. Bobby is mourning the loss of home, and of safety, while Kate's grief is the fear that all of her most toxic beliefs about herself were right.
I don't think anyone has told him, for example, that Synch and Talon had her off murdering people in the hundreds, while Rogue's team was doing the resistance stuff. I don't think he has any way to put it all together until the end, when he realizes he's triggered a flashback.
Issue #4 would read very differently from Bobby's perspective, framed as being duplicitous and manipulative while he is, in actuality, doing nothing wrong. He's arguably being a little too pushy, but Kate hadn't actually articulated a sense of boundaries to him until days after his arrival, and he does seem to dial it back and give her space once that happens
The real issue is that Kitty doesn't believe that anyone would ever visit her out of a place of genuine care, without wanting something from her in return. It's why she's more tolerant of Emma's intrusion, despite the tension between them. That relationship is one founded on mutual use with clearly defined terms and no possibility for surprise or disappointment. Bobby is a friend that she fears being disappointed by. And so she assumes nefarious intent when he isn't overtly after anything: either that Bobby is trying to acquire her for some undetermined x-plot, or that he's actually a dangerous villain in disguise and a threat to the kids.
I think it works overall, successfully misleading the reader into thinking there really is something going on, while not having Bobby do anything to actually earn the distrust he's being shown. It's natural that Trista would pick up on Kitty's hostility and not know any better, and that Emma--who has the same people issues as Kitty--would echo the paranoia.
#wednesday spoilers#x-men#anna marie lebeau#bobby drake#kitty pryde#comics#comic books#marvel#exceptional x-men
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ptl comes across as uneven because it's too simple when it ought to be complicated. like, any time arm is having a good time with arc or feels appreciative of something arc does, there's no baggage about it despite him treating him like shit in the last scene lol
i feel like the closest we get is arc deflecting about beating up that guy in retaliation but saying he'd hit arm instead and arm saying "you're the worst." then he's over it like it never happened
why does arc act like that? oh he just does
why does he like arm? oh he just does
like can i get a view into their inner worlds pls
#it's not like there isn't tension it's just like ?? where is it coming from???#it doesn't feel like i'm watching a story i'm just watching scenes#and if you wanted easy tension well. you could have acknowledged that being queer is Weird#is arc lashing out because he's never been with a man and he doesn't know what to do? nah#is arm confused about his feelings for arc because he's a guy? nah#it doesn't even seem like he's confused because arc is mean like there doesn't seem to be any thought process at all#ptl liveblog#inthira i trusted you what's going on
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proper reupload in the high quality this fantastic segment so deserves; eagle pig and duck bias notwithstanding, this will forever be my favorite variant of the fabled switcheroo (and a reminder that Daffy was first at his own game!) the committal on behalf of both characters--especially the sincerity of Daffy's feigned sincerity--really sets it apart
#that delivery of “don't you believe i'm a fish?” sounds so hurt and it's perfect#likewise i think there are few one-liners/toppers that make me laugh as much as 'i told ya i was a pig'#and that all knowing glance at the audience from Daffy doesn't feel obnoxiously smarmy or self aware#there's a friendly nonchalance to it. a very clear amusement and not in a way that undermines anything this segment is setting out to achie#again. my favorite buzzword: that sincerity! a sincere investment and amusement in watching Porky obliviously and endearingly make an ass#out of himself#and of course the cross dissolve and setup of the composition implying a story/sequence of events taking place within that time...#this short isn't my favorite P+D short--i still LOVE IT A TON but there are so many i revere--but i think it's one of the most definitive#if someone was looking to get a good understanding on their character dynamic this would be one of my immediate recommendations#i haven't had the bandwidth to spread my pig and duck gospel but please#watch Porky and Daffy cartoons#tangential but i've always loved the sound effect Treg Brown uses for Porky dropping the gun#good exaggeration/whimsy while also connoting Porky's stubbornness and that this stupid petty argument is enough for him to lose sight of#his motives and discard his murder weapon. all because of this joyously stupid argument. so i like the self awareness there with how obtuse#the sound effects are#because anyone who is not Porky Pig would have just shot him point blank#and that is everything i love about their dynamic and how Daffy's intoxicating charisma and ability to get people invested even affects the#very characters on screen#gee d'you think i ought to have said more about this scene#lt#duck soup to nuts#freleng#vid
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Mahi thinking about how forming a family outside the palace would be :c and Gulsah not being capable of letting go💔. They hsve been together for 10 years after all, she doesn't know better than serving her, Mahidevran IS her family as much as Suleyman and the rest is it for Mahi, and so that's why both master and servant were ready to do anything to keep their beloved ones, which only turned to divide them even more after their actions threatened not only a rival, but also the familiar in question (Mahi putting poison on Suleyman's table, Gulsah risking Mahidevran's position by attacking Gulnihal). The two of them also overstep their respective positions by doing so. Mahidevran, a concubine, requires from Suleyman the loyalty he should have for a wife, Gulsah wants to be valuable for Mahi but also to make decisions for both or them, equaling her humilliation to her sultana's when she's just her servant (maybe she also sees herself as Mahidevran's wife 👀, this dialogue is kind of confirming that atp she can't see herself as someone else's soo). And Mustafa works as some type of union between both Suly-Mahi & Mahi-Gulsah, ofc he's an stronger one for the first pair, he's their son, but I think his care for Gulsah recovering may also have influenced Mahidevran giving her other chance, she's been shown to be a second (or third, shall we make ibro and gulsah compete for the role?) mother for him after all, in certain way that makes all of them family too.
There's also the fact that Gulsah is someone her sultana can rely on, the only one that she could truly trust for so many time, she knows every little facet of hers and I think in a palace where you have to always put a facade on, it must be a relief. That's why this just comes as a sincere wish from Mahidevran (in contrast to later, when she just wants to get rid of her servant by marrying her off), for Gulsah to escape what she can't, and it parallels her letting go off Nergissah, only that this time she accepts Gulsah's useful loyalty and keeps her at her service, while in s4 she reachs that selfless stage for which she can actually send her closest ones away. Same that she wanted to do to the only one that serves her at that point, Fidan, even if the later refuses (and Fidan is another old woman so there's not many chances for her, similar to Sumbul/Hurrem but even w less posibilities since she's as poor as Mahi). But what both scenes share is Mahidevran's idea of family as a salvation from sorrow, a new start that she can't give to neither Gulsah or Nergissah and Fidan.
During e25 Mahi herself is trapped in a situation she can't do much against, only staying patient untill she explodes later in the season, while, after Mustafa's death, she's already experienced the happiness of the new start of a family, her granddaughter being all it's left from it... An orphan, in the "spring of her youth", sent to an unknown powerful future husband, whose child she could name Mustafa. It is a little similar to Mahidevran's own story, to the untold part of it and what we know of her before Suleyman's accession to the throne, that she took refuge in his love, they became a family, possibly the reason for her to begin again and never mention her past out loud (and seemingly not even remembering it). And with a new family it comes a new identity, makes a lot of sense Nur refers to Suleyman as a paternal figure for Mahidevran, he's the patriarch of the new household she goes to after all, he gives her life a new meaning, she's his "spring rose"/gulbahar and everything she does has to please him (he even says he's "proud" of her when she gives birth to Mustafa). It caught my attention that, as much as she takes on a maternal role during all of Nergissah's life, she also shows a little bit of that side to Gulsah here, who also shapes her identity in relation to Mahi, dedicating her life to make her happy and proud (and, like Plami pointed out here, Gulsah's name meaning forecasts her ambition for more while ties her all the most to her master). For both women, the struggle is they can't make more mistakes since the families they belong to could discard them (Mahi can send Gulsah outside, she sent her to Edirne once, same place Suleyman warns he could exile his haseki to in e23) but can't truly adapt to the new situation either, what they consider their home it's very unstable and it's doomed to break. As a result, Gulsah will eventually change sides and Mahidevran will redirect her efforts to Mustafa, they're going to become traitors, with the difference Mahi will have the opportunity to begin again far from Topkapi, to form another family with her son, even if once again it will prove to be unstable (tho this time not for internal factors between them, but for external ones).
In certain way, Mahidevran is a nomad through all the series, from an unknown place in the past before she was an slave, to wherever she may have gone to be educated, to Manisa's palace, to Topkapi, to Edirne, Topkapi again, Manisa again, to Amasya and later Bursa. And what's important about that for this post is that everytime she tasted the peace and happiness of family she had to lose it, being it via Suleyman falling out of love with her, the sudden deaths of baby Suleyman, Fatma hatun & Ibrahim pasha or by how the Amasya fam was murdered. She could never rely on the security and the simpleness of the family lives she describes to Gulsah and Nergissah. By the end of the show Mahidevran is symbolically an orphan not only of the parents we don't know, also of the men that gave different meanings to her life inside the system, Suleyman and Mustafa. Still, a little bit of her hope survives with Nergissah escaping this life full of suffering and I find it poetic and very telling that, while we see the damage the succession wars are bringing and Suleyman's obsession for loyalty, Mahi is ready to give up all she has (even if little, but she transfers the servants that remain with her to her granddaughter) for Nergissah to find peace in a new home.
#I'm sorry this was going to be a post about the first scene but it reminded me of nergissah's departure midways and I kinda lost the point#also my references to the rest of gulsah's story are very vague because I have never rewatched her scenes. I didn't value her enough💔#so yes I can always come back to rectify/add something as I watch#also I think memory is also an interesting theme here. how mahidevran wants for negissah to remember her father through a future son#and how mahi doesn't seem to remember where she truly came from. sorry for overusing the word but it's also a subversive decision#overthinking it but it feels like she's indicating the possibility of those that 'won't be in the pages of history' to be remembered#again crossing the lines of sultanate. not even caring for it. only for her granddaughter to live#I like the cycling aspect of everything. how nergissah is another spring girlie [and nergis means daffodil. so here's another flower name]#that may break the cycle this time#while the ottoman dynasty it's just repeating it x53367 jqlql#mahidevran sultan#gulsah hatun#nergissah sultan#magnificent century#muhtesem yuzyil#rewatching mc
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Noticing that TV and film will often have a character either have had an abortion in the past that isn't showcased on screen (and just used as part of the character's ~fucked up and twisted backstory~) OR contemplate getting an abortion in the present day but not to through with it. Just once I want to see someone delete that fetus within the events of the plot and not be like. Extremely majorly punished for it and/or be in the wrong
#ramblings of a lunatic#was watching a tv show w the fam recently and it's the 2nd series of a show that was clearly written with only 1 in mind#so in the 2nd season a character gets pregnant (bc ofc) and contemplates getting an abortion#only to do the whole 'omg she thinks she's lost the baby and realizes she wanted to keep it all along!'#which like. fine and valid and happens to ppl irl I'm sure#but like. this season doesn't establish if she wanted kids prior or if she has a stable job (she was struggling career wise-#-last season and the timeskip this season doesn't go into it)#AND has this fucking bizarre scene w/ her boyfriend (whos mostly been irrelevant and occasionally annoying up til now)#where he says it's 'our pregnancy' that she was going to terminate and when she (rightfully) bites back-#-saying 'you mean MY pregnancy?!' he just. storms off and deflects#which would be one thing but we have to wrap up the main plot so she just apologizes to him (for other plot stuff)#and we're never given any indication that his opinion has changed and they're just happily parenting at the end of the season#which just. left a bad taste in my mouth#like I KNOW i know not every bad thing said on screen needs a big blinking arrow that points out that it's Bad and Wrong#but idk how I'm supposed to feel in a series that has painted itself as explicitly feminist up til this point#presents the outcome of a woman dating and bearing a child for a man w seemingly zero respect for her bodily autonomy as happily ever after#w no follow up#like the whole series is centered on a group of sisters and this pregnancy story happened to the youngest one#who's always seen as needing to 'grow up' in season 1. so assuming this is meant to be building off that arc it's so WEIRD still#bc yes being a parent is an opportunity for many ppl to mature emotionally but that's not really something the character-#-reflects on all season. it's more abt her burying her past relationship w a season 1 guy (who was infinitely more interesting than new guy)#-than anything to do with that#AND EVEN IF IT WAS the notion of pregnancy as a punishment/reckoning meant to make her grow up or take responsibility-#-which is secretly a blessing in disguise i. god the show fell apart so hard here for me#and my mom and sister were just cooing over the baby at the end and i didn't speak up bc i didn't want to be a bitch#and in all fairness I'm probably being a tad uncharitable in this post but like. don't piss me OFF man#anyway. normalise abortion storylines that aren't backstory fodder and aren't fakeouts for baby plots. please
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Actually i think this is a good time to let you guys know i never watched Sdra2 chapter 4 in full
#by the time it was getting translated i already hated Nikei so much that i couldn't stand watching the chapter#the trial much less. i haven't seen a second of the chapter 4 trial#which is a shame because i feel like my hate didn't affect by ability to enjoy the story this badly chapter 4 had the potential to be my#favorite case from Sdra2 because i think the concept/structure is really interesting and unique#i just can't say if it was executed well or not since i never watched it#the furthest I've ever gotten in chapter 4 was the scene Nikei makes ths reunion at Shinji's (?) room to talk to the rest of the cast#and then I THINK that's when Mikado shows up and that Cg of the two plays#i think that's how it went. it's been years#so yes. i never even saw the cast get to the babel tower#i mean. technically i did. but i didn't watch any of the scenes from it i was just skimming over everything to see if Ayame's statue#had special dialogue#that doesn't really count#i did watch the rest of the game tho. i watched ch5 once and ch6 a while after#but ch4? yeah. i genuinely doubt I'll ever watch it in full#maybe if some friend/mutual goes through it and drags me along to watch it I'd do it? still a huge maybe tho#on my own I'm definitely not taking time of my day to watch that. I'd genuinely have less of a problem watching the Ch3 trial again#so yeah. shout out to Nikei because i never had a character i hated so much that it affected how much i get out of a story#strangely enough I don't actually mind him when it comes to fandom content#but in canon or thinking of him in the context of Sdra2? my blood boils. this is no exaggeration#hyena ramblings#sdra2#super danganronpa another 2
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Ughhhhhhh I hate writing and I hate not writing and I hate myself
#nearly bought a digital typewriter today. actually i DID buy a digital typewriter today. officially yes i have bought a digital typewriter.#the money for the digital typewriter has left my account but i have emailed them to cancel the order because i can't in good faith buy#a digital typewriter when i don't fucking WRITE#i thought it might help me get back into it. distraction free and while allowing me to not judge my own writing#and be continuously editing while i write and going 'i'm crap i'm crap i'm crap no one will ever read this and if they do they will think#that i'm garbage and that i should feel bad etc etc etc'#but it's too expensive and i have the feeling i wouldn't even like or use the thing once i got it#because the IDEAS! the ideas aren't coming to me. or rather they are but none of them seem to stick#i feel underconfident in writing any of them#and then i have old projects that i've always wanted to get back to like the tennis romance thing but SO much has changed since i first#started drafting it. like i don't even know if i like the main couple anymore. i kind of want to put both of them with different OCs of min#but it'd switch up the WHOLE story if i had a different cast#in fact most of the problem lies in the fact that i have this long-running bedtime story i tell myself every night with lore#and a massive cast of characters that i switch out depending on who i'm most interested in right now and every so often i incorporate new#themes and ideas and motifs and plot points sometimes based on media i've been watching because it's MY bedtime story and it doesn't matter#if i plagiarise in my own brain. but then obviously i can't plagiarise in real life#and none of my bedtime stories are GOING anywhere. sometimes i only get through a scene or two before i fall asleep#all of which means my bedtime story is not so much a sweeping epic novel but a sitcom with way too many characters#most of which are werewolves to be honest and sometimes for my own wish fulfilment one of them will walk out of my head#and take care of my problems for me by lending me £1million or murdering my best friend's ex. in my mind obviously#so it's like. it's a case of getting in there and annexing off the stuff i think i can use#it's like yeah i've definitely written several romance novels in my head in the process of this but does it matter if they're IN my HEAD#to be honest i feel like my main strength is in creating characters. like i have this one family of werewolves i've been slowly but surely#adding members to since i was like 16. maybe younger? no yeah i think i made the first one when i was 12#they're compelling to ME anyway. i care about them. it's just PLOTS. i can't plot#if a book could just be a lot of dialogue and sex scenes and silly moments and character studies i'd be alright#i also can't describe settings. don't ask me to because i can't#and now i'm just annoyed with myself because i sat down at my laptop to try to write and instead i'm here complaining about how i don't wri#and if i had the digital typewriter... i mean i'd probably still be doing this i'd just no longer have £300#i don't have the £300 anyway. i hope to christ they refund my card i'm a fucking idiot
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Robert Redford as Jay Gatsby was really good at expressing different sides of the character. Sometimes Gatsby seems really mature and distant; other times he seems really adoring and earnest, yet still mature; other times he seems completely starry-eyed and naive. A lot of this comes from the script and visuals but still, I think Redford is a big part of it. By the end of the movie, Gatsby really seemed like a dreaming teenage boy in a man's body
Special nod to the way Redford delivers "Loved me...too?" during the argument at the hotel. It was palpable just how pitifully incapable Gatsby was of imagining Daisy in a way that wasn't absolutely perfect
#undertone of this post is that Robert Redford is gorgeous in this movie#but also I just watched it for the first time#and this is my first time engaging with The Great Gatsby!!#I'm a Movie Watcher i'm a Book Reader but i havent seen or read any The Great Gatsby before now#so obviously a lot of the feelings i'm having about Gatsby here are on account of the story itself#but I really do feel like Redford's performance was immersive#He's got the face for it. the . the prettiest face#ggggGHHGGG GATSBY WAS SO CLOSE TO BEING SANE about the situation but then he WASNT#When he meets Daisy's daughter. it felt like he was having Real-Boy Guilt#but maybe it was the same disconnect he has at the hotel#where he encounters something that doesn't align with his fantasy and he freezes because he doesn't know how to process it#The scenes of him 1) standing outside Buchanan's house at night 2) visiting Nick on his porch the next morning#WHEW. he was Not Sane#those two scenes HIT he just felt really . so Not With It#less so than in the later conversation with Nick in the house...#but maybe that's just because he doesnt directly mention standing outside Daisy's window all night HFSKG#anyway. Movie!#the great gatsby 1974#the great gatsby (1974)#jay gatsby#oh no a hot guy with mental health issues. how much of my mind is he going to occupy#my words#the great gatsby
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Do you ever just wish you could experience a ship for the first time over and over again?
#this is how I'm feeling about Soljiwan right now#like#I don't know why#but I just really really like them#I reread my favorite fic of them again and rewatched all their scenes#it's still magical but it doesn't quite encapsulate the experience of watching their story unfold over the course of several weeks#i feel inspired#i'm going to make a gifset#fandom
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I mean sure, I can understand this perspective, but I'm not sure whether most people feel less shaken to be thrust into conversations about "self-unaliving" than conversations about "suicide"
and I for one as a survivor would much rather unexpectedly encounter somebody talking about "rape" than somebody talking about how funny it is to have sex with somebody when they don't want to, a normal thing that doesn't need to be named because it's So Normal.
which is to say. this is a post about words. the words are not the distressing thing about the discussion. the distressing thing is the distressing thing about the discussion. sugarcoating, dodging or renaming the distressing thing doesn't make it less distressing but it DOES often make it harder to have a frank discussion about it or address it in serious terms.
[pinch of salt: solid probability from their blog that this person is a Literal 14 Year Old and the perspective from 30 and 14 are very different. I do stand by all the points I'm making but I think this conversation lands a lot different for people at different life stages - there is something to be said for the general issue that the internet has flattened social groups to the degree that I as a 30 year old can make a post to my audience of largely adult millennials that immediately enters the same conversational space as people half my age and still in school. that seems. ungreat. as the primary way we engage in conversation. but I don't have solutions to offer.]
you gotta be able to say "die"
you gotta be able to say "suicide"
you gotta be able to talk about "sex"
they're uncomfortable topics, YEAH for SURE
because LIFE is uncomfortable. Death and suicide and sex and pain are straight up going to happen. not having words for the way it discomforts you doesn't make it more comfortable, it just makes you less able to reach out about it.
even more vital, you gotta be able to say words like "rape", "abuse", "queer" or "racist". cause we fought fucking hard to name those experiences. to identify "rape" as distinct from "sex" and "racism" as distinct from "acceptable behaviour" and "queer" as distinct from "invert"
like the function of communication is not to minimise immediate discomfort. we gotta be able to talk about stuff that's hard or sucks or causes difficult conversations.
#red said#i also wholeheartedly disagree with the rest of your post#all entertainment is political. all of it. because politics is the models we use to describe how we interact as a community#and art is inherently communal. so it's inherently political.#that doesn't mean all entertainment has to be a Pure Political Statement. some stuff is just dumb because dumb shit is fun.#but like it's not. detached from the world. and a lack of political intent doesn't mean it's utterly unchallenging.#ok for example. have you ever. enjoyed watching a cheesy 80s zombie movie and it is gory and stupid and great#but then there's a scene where maybe there's a really fucked-up implication about what we as an audience are meant to think#or a rape scene played for light laughs. or whatever your line is.#and they meant it to be fun. you watched it for fun. but you're not having fucking fun any more. there's a bad taste in your mouth.#contrast. sometimes i am reading a nonfiction article for work or something. it is miserable and grim it is about homelessness and dv#but the writer has put it together so well and made their point so clearly you're like YES! YES! THAT'S IT!!!!#and even beyond that like. i am a disabled multiple rape and abuse survivor. i have been through a non zero amount of The Shit.#and a lot of the stuff i find most entertaining and relaxing is stuff that acknowledges that as a Thing Which Happens#like I'm a nerd man. i like video essays about misogyny and fascism and reactionary homophobia.#i like films that make me cry bc they touch an emotional raw spot. i like tiktoks where people joke about their experiences of abuse#i like SFF stories about trauma and survival and sad robots#and yeah you know sometimes i want to watch a comedy panel show or a tiktok of bottles rolling down stairs#but effective entertainment is a conversation! comedy and chill vibes rest on like. deciding what to riff on#and who your anticipated audience is. and nah actually that's not apolitical and also#identifying common human experiences like death or trauma or marginalisation as inherently Political and therefore Unfun#misses the point that like. the question isn't what you acknowledge but how you acknowledge it.#as a rape survivor. for example. i don't necessarily want to open tiktok to a lecture on rape culture.#but i might well stick about for a standup routine about being a survivor of rape#and i will absolutely bounce from a vid where nobody mentions rape bc they think what they're talking about is fine when it's. rapey af.#anyway. this is a sidebar cause even if i agreed about entertainment v politics my main point would still stand#but i very much don't agree and i think you need to maybe look at how you approach entertainment media as neutral#but also i feel very strongly about this and not to harp on the like aS A sUrViVoR thing but#AS A SURVIVOR my fucking LIFE includes ''dark topics'' like suicide and rape. and i don't appreciate how often that's treated as#an unfair imposition to speak about or acknowledge. 'dark shit' is inescapably a major part of my life/self AND I'm funny + entertaining
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started watching trap and tbh i mildly wanted to see it after i saw the trailer cuz i was like hm sort of interesting premise, i wonder if there's more to it. there is not 👍🏼
#also the way i could smell how the lead singer lady was gonna be shyamalan's daughter#i was like hm. why a concert. why feature a pop star type character who has at least a lot of scenes if not a major role#in the plot?#nepotism babyyyy#she doesn't seem like a terrible actress but the overall thing is that everyone except like. the daughter and the cops are not convincing#probably bc it feels like the entire story is dogshit#sorry that's rude but i just left like it's not good but it's also not even bad enough to keep watching#i don't care how it ends this movie has done nothing to make me care for anyone other than the little girl#and like it's obvious that bc of the nature of this type of movie the daughter will likely be in some sort of Peril#by the end#but that's not even foreshadowed or made interesting she's just the daughter#which like tbh you're doing great sweetie to this little actress but somehow other than the premise of why they're at the concert like#she contributes nothing to the plot but so far underdeveloped suspicion why her dad is acting weird#and i lowkey am sooo unimpressed w the dad both as a character and as an actor#like. go girl give us nothing? at all?#whenever i'm this critical/negative of a movie im like okay. is it the movie or is it me.#this is definitely not a good movie by any means but now i actually do wanna watch it again to like examine it#i am just tired and bored w it right now so ill do that another day if i ever care enough to lol#its just a movie#bluebird.txt
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Hi!!!! Okay, first of all, I'm in love with your writing!!!!!! 💕💕💕💕And I was wondering (I've never done a story request so if it is horrible, please just ignore it 😅) but I was wondering if you could write a story of maybe yandereboyfriend/friend jungkook kinda forces older (not heaps but like 2-5 years older but shes just shy and confused when it comws to sex and intimacy) reader to loose her virginity to him and she likes it at the end?? If this is super uncomfortable, please don't even think about it 😅😶🌫️👉👈 or if you wanna do something completely different, I'd love your writing anyways!!!! 💕💕💕💕💕
hello! yes I can :) thank you for sending a request and being so patient! i feel like this yandere is more light than the usual lol
best friends!
jungkook doesn't like the idea of you wanting to loose your virginity to anyone that wasn't him. @momnomnom @sweetempathprunetree @darkuni63 @minshookie29 idol version
word count: 6.100
warning: naive/shy reader, mentions of watching porn, childhood friends jungkook + reader, smut scenes, coercion, masturbation, manipulation, light yandere tedancies, jealous jungkook, dub-con moments, dry humping, kissing, nipple sucking, oral sex, loss of virginity, rough sex, dacryphilia, fingering, unprotected sex, spitting,
“You’ll never be able to seduce a man, Noona.” Jungkook laughs boisterously, causing your face to heat up. “You’re just too shy.”
Jungkook’s eyes watch as your arms cross over your chest, any self-confidence you had slowly falling. He hums, turning over on his bed to face you. He then places a hand on your thigh. “Noona…”
“Stop calling me that, Jungkook.” you murmur. He knows that you prefer to be called by your name, but he’d often ignore you because of how much he enjoys teasing you, even after years of friendship.
“You’re upset with me.” says Jungkook.
“I’ve stopped calling you Kookie like you asked.”
Jungkook snorts. “That’s because the nickname doesn’t fit me anymore. I’m a man.” his hand squeezes your thigh. “Besides, I said stop calling me that in public. You and I are alone now.”
You and Jungkook have been friends since childhood, your father and his being great friends. The age difference never bothered you as much, and you’d often recall calling Jungkook your baby brother during his primary and middle school days - you having been homeschooled. It was when Jungkook grew in size and age and reached High School did he demand you stop calling him that but never gave a reason as to why.
Even now, as Jungkook and you are adults, the friendship remains. You went to him for whatever you thought you needed and he was there. Moving away from your father had been a big step and finding a job to support yourself was even bigger, but you were never truly alone because you had Jungkook - you and he living together.
Jungkook was the opposite of you. While your job consisted of you being home, he wasn’t. He made friends easily while you remained with a close knit circle. He was more social when needed and you often closed up around people you didn’t know. Most of your friends were Jungkook’s friends that he considered brothers - you recall asking him why he considered them family and not you. Jungkook didn’t give you any reason, stating that you’d never be a sister in his eyes, no matter if he knew you longer or not.
Now you and Jungkook lay in his bed, an action that he insisted on every so often, and watched tv. He’d often hold you, his breath tickling your ear with how close he was. A certain thought now laid on your mind and when you brought it up to Jungkook, his initial thought was to laugh at you.
“I didn’t mean to hurt you, Y/N.” Jungkook sighs. He pushes himself closer to you, the hand on your thigh firmly keeping you in place. “It’s just…you don’t go out much. You’ve been homeschooled your entire life and you don’t really have friends besides the ones I have.”
Jungkook continues. “You literally cried the first time I showed you porn.” he tries his hardest not to laugh at the memory of you and he, both in High School. You had come over to his home while his parents were working. Jungkook had asked you about it randomly, and when you insisted that you never watched something as normal as porn, he insisted that you and he watch together.
You’re flushed with heat at the embarrassing memory. “You…” you take a deep breath so your voice wouldn’t crack. “You told me it was just sex.”
“Is it not?” Jungkook knits his brows.
“They were crying!”
“In pleasure.” says Jungkook. “I should have started you off easy and not gone into bondage.” low, he begins to laugh. It’s a memory that he’s fond of. “But I don’t regret showing you either. It was the first time you came!”
A memory you wished Jungkook would forget - and stop bringing up. That same night he insisted on teaching you about masturbation, telling you that it was normal. You’ve never done so before, feeling weird about it all together, but Jungkook wouldn’t allow you to leave until you at least gave it a try.
“You even cried in pleasure.”
Jungkook closes his eyes, the scene flashing in his mind. How innocent you appeared, completely confused on what in the world you were doing. It was then did Jungkook tell you that he’d talk you through it. It took a half an hour of convincing, of course. Getting you out of your pants, then your underwear.
“Open your legs, Y/N.” Jungkook had said, grabbing your wrist. “Put your fingers right…there.” he places them onto your clit and you flinch at the feeling. “Then rub…” he murmured, his hand coaching you to rub until you got the hang of it.
Jungkook will never forget the sight and how hard he was at just watching you. Your breathing hitching, the low moans and the calls of his name. It’s a memory he cherishes with you - his best friend - and one of the main reasons as to why he’d never call you his sister; he had to dead that immediately afterwards.
“Who are you trying to seduce anyways?” Jungkook changes the subject and goes back to the original topic. “You found yourself a boyfriend?”
“No.” you quip. “I-I just want to have sex.”
Jungkook raises a brow. “Why?”
“You have sex all the time.” you retort. You didn’t like Jungkook’s question, nor the look in his eyes.
“I’m also not a virgin.” Jungkook fires back. “You can’t just have sex with anyone, Y/N. Don’t you think it has to be special?”
“Your first time wasn’t with anyone special.” you murmur. “Do you even talk to her anymore?”
Jungkook snickers. “Don’t remember her name.” he shrugs. “But you and I are different. Sex is different for women.” Jungkook says matter-of-factly. “You women create bonds with guys you give your body to. You can’t have that bond with just anyone.”
It was a conversation Jungkook and you had time and time again. As you got older, you were tired of being a virgin - and dating was never an option. Not because you couldn’t find a boyfriend - you could. You had men come up to you asking for your number and if you’d be interested in going on dates.
The problem was Jungkook. He lingered around you often, and you never minded. He was your best friend and each man that tried were always shot down by him, not you. “He’s ugly.” Jungkook said about one man. “He looks like he doesn’t even shower, Y/N. Why he thinks he can speak to you is beyond me.” was said about another. “Men only want one thing. They can tell that you’ve never been touched.”
“What about Hoseok?”
Jungkook is quiet for a moment, your question lingering in his mind.
Hoseok?
Hoseok.
Jung Hoseok as his friend - the man he calls his brother?
There’s a dark look in Jungkook’s eyes as he thinks about your question.
“Do you like him?”
“I love Hoseok.” you say calmly. “Like I love you.”
Jungkook doesn’t realize that his nails are digging into your skin until he hears you yelp. There was no way in Hell you love Hoseok the same as you loved him; the thought makes him want to gag.
“Why Hoseok?”
You aren’t sure how to respond. “I’ve known him for years.” was all you can think of. You and he were around the same age and he was nice, always smiling widely at you whenever he came around. “Maybe Namjoon?”
Jungkook swallows.
“You look at my friends often?”
There’s a change in Jungkook’s tone that has you cowering.
“I-I’m not sure what you mean.”
“Do you want to fuck my friends?”
You’re taken aback by the harshness in Jungkook’s tone.
“I…I don’t know anyone else but your friends.”
Jungkook snickers. He wasn’t going to allow you and Hoseok - or Namjoon, hell, anyone - to do anything. Hoseok is a man such as he is and the thought of his taking something precious from you was driving him wild. Wild because he knows that if you asked Hoseok, he would.
“No.” Jungkook shakes his head. “Hoseok has a girlfriend.”
A lie, but you’d never know that.
“Oh.” you appeared bummed. “Nam-”
“No.”
You swallow. “Jimin…?”
“Do you fantasize about them?”
You’ve know his friends as long as he has, and now he’s wondering when you had the thought of fucking them in your mind.
“I just want to have sex.” you sigh in defeat, not wanting to cause a fight with Jungkook.
“Why wouldn’t you ask me?”
Jungkook doesn’t care how unreasonably spoiled he may sound. You were his best friend, after all. He kept creeps away from you who wanted nothing but to wet their cocks. You were safe with him in the home you and he shared - he’d be damned if he’d allow a man to come in here and fuck you.
You’re silent, and Jungkook continues.
“You don’t love me.”
Your eyes widen when you feel Jungkook remove himself from you.
“I do.” you quip. “I-I just…I don’t have anyone else. I’m tired of not knowing what it feels like.” watching television with sexual scenes had you wondering if sex was truly as good as they made it seem. You recall hearing from Taehyung, another friend of Jungkook, that porn is often fake and not everything you see was real - but how could it not be when their eyes are rolling and they’re screaming with such passion?
“If you loved me, Y/N, you’d ask me.”
Your heart sinks when Jungkook lifts from his lying position. You hated arguing with him. He was someone you loved and trusted with your life - him being upset with you had your anxiety spiking.
“I thought you had someone you were seeing.” you admit. You recall seeing her a few times in the home. She never spoke, but then again neither did you. She would stroll past you to enter Jungkook’s bedroom and only ever gave you a small grin.
“Oh her.” Jungkook brushes past the statement. “I am. Somewhat.” he shrugs his shoulders. Her contemplated asking her out - she was decent looking and a good fuck. But he didn’t love her nor respect her enough to make her his girlfriend. He was just bored at the moment. “Why does that matter?”
The same way it matters that Hoseok had a girlfriend, you think. You want to say it, but you didn’t want to upset Jungkook anymore than he already was. “I don’t want to come between that.”
Jungkook wants to laugh. “I don’t love her. I love you.” Jungkook says, a tone in his voice that indicates that it should be obvious. “You are my best friend. You should be able to come to me when you need me. Not anyone else.”
You lift yourself up from the bed, as well, and you slowly nod your head. “Sorry.” you murmur.
Jungkook turns to face you, a full smile on his lips. “It’s okay. I’ll forgive you, Y/N.” Jungkook holds his hand out for you to grab.
You do, and Jungkook lightly tugs you closer. You and he are face to face now.
“Sex is more than just losing your virginity.” Jungkook’s thumb rubs your knuckles. “Sex should be pleasurable for both of us. Masturbation is a form of sex. You’ve done that already.”
You nod slowly, feeling hot.
“Tell me, Y/N.” Jungkook says. “When you masturbate, what makes you cum?”
You lick your lips, again embarrassed. You swallow while trying to find the words to answer Jungkook.
“When you watch porn, what do you like?” Jungkook changes the question up, and understands how shy you were - even with him.
Jungkook waits patiently for you to respond. “I-I…” you glance away from him. His eyes were always so piercing, like small black holes that can swallow anyone whole.
“Don’t be shy. We’re best friends, right?” Jungkook pulls you closer to him. “If you loved me, Y/N, you’ll tell me. I can’t help you if you don’t let me in.”
You nod. “Oral sex?” your words come out questioningly.
Jungkook nods. “Okay. That’s a start. Oral sex is a big part of sex. It’s a form of foreplay. Get things started.”
“I don’t think you should do that.” you’re horrified with Jungkook’s face being so close to your sex. Yes, he’s seen it before - years ago - but that was then. He was a man now and he’s had sex with countless women.
“Why not?” Jungkook tilts his head.
You’re silent, and Jungkook sighs. “You don’t trust me.”
“I do!”
“Then why don’t you trust me to pleasure you? You’d rather go to my friends than trust me, Y/N. How do you think that makes me feel?”
“I’m sorry.” you quip. “I just don’t think it…looks good?”
Jungkook blinks.
You swallow.
“Of course it looks good.” Jungkook then laughs. “I’ve already seen it.”
“That was years ago.” you murmur, casting your eyes away.
“True. But still. You trust and love me just like I trust and love you.” Jungkook places a hand on your cheek for you to look at him. “If we’re going to do this, you can’t hide your body from me. I’ll have to show you mine, too.”
You nod your head.
“We can start now.”
You inhale deeply. You don’t move, and when Jungkook notices he frowns.
“Y/N. What did I say?”
“Don’t hide from you.” you murmur.
“Exactly. Here. I’ll help you take your clothes off and you can do the same for me.”
Jungkook is slow when he puts his hands at the end of your shirt. He lifts it up and you stiffen, unsure of what to do next. The shirt comes over your head and Jungkook throws it aside.
“Okay?” asks Jungkook, his eyes glancing down to the bra you’re wearing. It’s red and basic, but it hugs your breast perfectly.
You only nod.
“Okay.” Jungkook then goes towards your leggings. They’re tight, but he manages to get his hands inside. He begins to tug and awkwardly, you lift yourself up so he can remove them. Your panties are black and cotton.
“Now you do the same to me.” Jungkook says. He understands you by now, knowing that you’d never take the first move. He grabs your wrists and walks you through it. “Go ahead.”
You’re trembling, you note, as you remove Jungkook’s shirt - an oversize black shirt. You often are reminded how much Jungkook has grown over the years, going from a boy to a man. He worked out often and was athletic. He had many tattoos that litter his skin - you had gone with him for a few of them and pondered how he could sit so calmly.
“I’ll get up to make it easier.” Jungkook lifts from his bed and waits for you to continue. You’re as slow as before, hands trembling more than before. You tug at the sweats he wore, watching as they fall to the ground. You try to hide the fact that you gawk at the bulge in his briefs, swallowing at the sight.
“Y/N.”
You blink up to look at Jungkook.
“You trust me, right?”
You nod your head.
“Okay.” Jungkook gives you a grin. “Come here.”
Jungkook leans down, his hand grasping your chin. He no longer hesitates or holds back, placing his lips upon yours.
You’re shocked, completely stiff, but Jungkook doesn’t mind. You’ll give into him eventually - it may take a few rounds, but you will.
You’re pushed backwards, back hitting the mattress. Jungkook hovers above you, his hands placing themselves onto your shoulders to keep you in place.
You gasp for air when Jungkook removes his lips from yours, but then they’re trailing down your jawline to your neck. You’re breathing heavily, unsure what to do.
“You can touch me.” says Jungkook, as if reading your mind. “Don’t just lay there.”
Jungkook continues to kiss at your neck, his left hand leaving your shoulder and grabs your hand. He places it upon his chest for you to take the lead. His hand then goes to your waist to pull you closer to him.
Your heart thumps that this is happening now - you and Jungkook. Goosebumps litter your skin, the hair standing straight up. But you do as you’re told, hand grabbing Jungkook’s bicep and squeezing it.
Jungkook forces your legs apart, wrapping them around his waist. You yelp when you feel him, his bulge grinding directly against you. There’s a deep groan from Jungkook that you hear coming from your neck.
“You have to engage.” Jungkook lifts slightly to look at your face. “Kiss me like I’m kissing you.”
You’re left stunned when Jungkook flips the both of you, his own back hitting the mattress and now you’re on top of him. He places his hands on your hips, a smirk on his lips. “It’ll be easier for you this way. I’ll let you take the lead.”
There’s a tension - one sided - when you lean down to his own neck.
“You’re still shy. It’s just me.” Jungkook sighs.
It was easier for him to say. He wasn’t the virgin - or the closed off one that has been homeschooled. The only friend she kept was Jungkook, and his friends, but mainly Jungkook. There was no one she could go to that was the same sex that she could vent to about her frustrations.
“Just let loose, Y/N. We’re friends. There’s nothing you can do that’ll make me view you differently.”
You try your best, even closing your eyes in hopes that’d be better. Your lips place themselves at the nape of Jungkook’s neck, and ever so gently did you kiss him. You allowed your hands to rub softly on his bare shoulders, kissing down his neck until you got to his collarbone.
Jungkook hums to himself, his cock twitching to be let loose from his underwear.
You were adjusting - only a bit - but you’d soon be fully accepting. Jungkook allows his hands to dip from your waist and he grabs your ass fully in his grasp.
You swallow, hiding back the surprised gasp. You don’t want Jungkook to think you don’t trust him - because you do. You don’t want to appear utterly shy and closed off. You were older than Jungkook and he had to be the one to show you what life was like, as sad as it was.
“Okay. Now kiss me.”
You nod your head. You want to avoid Jungkook’s gaze, but he doesn’t falter. “You’ll have to look at me eventually, Y/N.” Jungkook murmurs.
“I know.” you murmur back, and now meet his eyes. Jungkook smiles when you do, and his head lifts slightly.
Your head dips down to capture his lips in yours once more. There’s a fire running through you this time at the feeling - no longer hesitant or awkward to kiss him. It felt…normal; as if this is something the two of you always did.
Jungkook’s teeth catch your bottom lip and he lightly tugs. “Let loose.” he whispers, and then dives into your mouth again. This time, his tongue pushes past your teeth and meets your own, it’s warm and slimy, but it causes you to moan.
Jungkook’s hands grip your ass, keeping you firmly against his erection. He rubs up your sides for a moment, then on your back. His hands are now on your bra and he appears to be swift in unhooking it.
“Kookie…” you murmur against his lips.
“It’s okay.” Jungkook responds. “You trust me, remember?”
You nod, but trust doesn’t help with your self–consciousness.
Jungkook tugs at your bra until it’s fully off of you. He disgards it, bare hands now taking your breast entirely. He doesn't care how heavy he’s breathing, or how rough his hands squeeze your breast.
“My pretty girl.” Jungkook praises.
It’s weird hearing it - for you at least.
Jungkook rarely compliments you - not because he doesn’t think you are, but because he never really has a reason to. He sees you the same everyday - his best friend who he has breakfast, occasionally lunch and dinner with. You’re the same Y/N that he shares movie nights with where the two of you cuddle and laugh at whatever was on the screen.
Now, however, Jungkook has to compliment you. He has to let you know how beautiful you are now - a woman. You grew into your womanly curves over the years, hiding it behind loose clothing, but never truly hiding it. You never hid from him; occasionally wearing shorts that showed your legs and the roundness of your ass, or tank-tops that made your breast appear more plump.
You yelp when Jungkook pinches your nipple. He chuckles at your reaction. “So responsive.” he says, more to himself than to you.
“W-What-”
Jungkook’s tongue licks on your nipple, shuddering at feeling. He couldn’t help but to bring it entirely into his mouth, tongue twirling and suckling on it while his free hand pinches the other. There’s a euphoric feeling engulfing him right now. Yes, he did think about you sexually at times - he was a man and he couldn’t help it. But this was far better than any feeling, any thought or dream he’s ever had.
“Does it feel good?” Jungkook manages to say, popping your nipple from his mouth to just engulf the other one.
“Yes.”
You don’t intend to sound so soft and meek, moaning against Jungkook. But you couldn’t hide it any longer. You can feel the wetness between your legs, arousal pooling out - and Jungkook’s grinding didn’t make it any better.
“You can talk to me, Y/N. You can tell me how much you like it. How I make you feel.”
Jungkook kisses both of your nipples softly.
“I-I don’t know what to say.”
“Tell me how you feel.” Jungkook repeats. “Here,” his right hand drops your breast and without warning, he slaps your ass. The sound echoes, as does you shriek. “I love the way your ass feels.” he then squeezes it in the palm of his hands. “I love the sweet moans coming from those pretty lips of yours.” he continues.
You’re hot, Jungkook’s words cause a new sensation to run through you - nerves running through your body and meeting exactly between your legs.
“It feels good when you touch me.” you say, admitting even if you want nothing more than to hide.
“Yeah?” Jungkook lightly laughs. He squeezes your ass again. “What else?”
You huff, this time now hiding your face. Your head is between his shoulder and neck.
“It’s okay, pretty girl. Just tell me.” Jungkook encourages. “You trust me like I trust you.”
You sigh. Jungkook was going to be the death of you - you were going to die with embarrassment.
“I like the way you look.”
Jungkook, again, is swift with his movement. He’s once more on top of you. He’s now forcing you to look at him - as if you weren’t embarrassed enough.
You go to cover yourself, but that wasn’t something Jungkook was going to allow.
“Go on, Y/N.” Jungkook places a quick peck on your lips before he kisses down your neck to your collarbone.
Your breath is shaky - but it was all Jungkook. His hands rub along your sides as his lips send kisses between your breasts, going lower and lower. “You make me feel…different.”
Jungkook’s lips are now on your stomach. “What’s different?”
“Wet…?”
Jungkook groans. His fingers are hooked between your panties and he wants nothing more than to remove them and dive in, but he’d remain calm for now.
“Look at me, Y/N.”
You hesitated. Not because you didn’t want to, but because you’re unsure what Jungkook had in store for you.
You do, however, and Jungkook is now directly between your legs. Your thighs quiver at the sight.
“What do you want me to do?” Jungkook asks, and before you can answer, he places a single kiss upon your clothed clit.
Your throat tightens.
Jungkook wasn’t going to stop. He wanted to hear you speak - hear your thoughts, whatever moans you had in you. He didn’t want you to be shy - not with him. He wasn’t a stranger and who else should be the one to take your virginity than him?
Not Hoseok.
Not Namjoon.
Not Jimin - none of his friends.
Just Jungkook.
Dare he say he was entitled to it - you were his best friend. He was there for whatever you needed him to be; and this was one thing you didn’t come to him for (not at first). You wanted his assistance in finding you someone. The thought still upsets him.
“Kookie.” you sigh, hands crashing to your face.
“So shy.” Jungkook tsks. His hands grip your waist and he drags you to the edge of the bed, him falling to his knees before you. “I’ll take the lead.”
You feel your panties being tugged off. You’re unsure of what to do or say - you knew you had to keep breathing or you’d pass out. The coolness of the air hits you and now you fully accept that you’re naked for Jungkook, completely bare before his eyes to see.
You’re so wet, Jungkook notes, arousal coating your lips and thighs. The thought of how excited you’ve been and nothing has happened yet makes him groan, anticipating what's to come.
Your throat releases a gasp and instantly, your legs clench shut, caging Jungkook in.
“S-Sorry, i-”
“It’s okay, Y/N. Relax.” Jungkook laughs, a gleeful tone in his voice. He had done nothing but flick your clit with his tongue. “Watch me, okay?”
You nod your head.
Jungkook hooks his hands right on your thighs, holding them in a firm grip so you wouldn’t be easily reactive - not without him stopping you. He dips his head back between your legs, tongue dipping between your folds.
Your eyes flutter, unable to truly focus on Jungkook like he wants you to.
The sight alone is filthy - his head bobbing back and forth while his tongue assaults your clit. Occasionally, his eyes would dart up to capture your reaction, satisfied that you no longer hid your moans from him.
But the noises Jungkook made were another thing. He suckles on your clit, completely ravishing you as if it was the finest meal. He’s animalistic, not caring. He would draw his head back and spit, then continue his assault upon your clit.
“Kookie, I-I, you need to stop.” you try to get away from Jungkook, but he doesn’t allow it. If anything, Jungkook holds you even tighter. You were going to cum, of course, never truly experiencing a man going down on you. Your stomach churns and you feel like you are going to explode. “Kookie, please stop…”
Jungkook’s eyes flicker up at you. Your eyes are snapped shut and there’s a few droplets trailing down your cheeks. Jungkook grunts into your pussy. His fingernails dig into your naked flesh, his tongue laying flat against your clit. He continues to ravish you, not caring about your pleas - it was obvious you wanted more and was far too inexperienced to understand it.
Jungkook dives deeper and deeper, your cries only fueling him for more. Your arousal coats the bottom half of his face entirely.
There was another attempt to remove yourself, buckling your hips, but Jungkook only shoves you back down upon the bed. Your toes are curling and you’re unable to see straight. There’s a tightness in your stomach that’s utterly unfamiliar to you.
“I’m not going to stop.”
Jungkook’s voice is deeper - deepest you’ve ever heard it.
“Not until you cum.”
Jungkook’s right hand removes itself from holding your thigh, but that only means he’s holding the other tighter.
Your back arches when you feel his fingers at your entrance.
“I can’t-”
“You will.”
Jungkook doesn’t give a warning before entering his finger’s inside of you. You jump at the foreign feeling. You swallow back and shriek.
“So tight.” Jungkook murmurs to himself.
Two fingers is all you can handle for now. That doesn’t mean Jungkook goes easy on you. He pumps inside of you vigorously, your walls clenching around his digits. Each time he hits a deeper spot that has you jerking.
“I know it feels good, Y/N. My pretty girl.”
You can’t speak, but Jungkook doesn’t care. He pumps and pumps until you’re cumming all over him, arousal splashing onto the hardwood floors of his bedroom.
You’re a crying twitching mess, whimpering to yourself. Jungkook removes his fingers, satisfied with your appearance.
“I could fuck you right now. You’re so wet, Y/N.”
You exhale, eyes snapping open. “Kookie, I-”
“Don’t tell me you can’t take me.”
Jungkook pushes down his underwear and you freeze.
You’ve never seen Jungkook naked before, never going past witnessing him shirtless.
Now Jungkook is as nude as you, cock erect and hard. His tip is red and leaking with pre-cum, the shaft twitching in anticipation.
“I can’t.” you cry, now dwelling on the idea of having sex with the man.
Jungkook snickers. He grips his cock and slaps the tip against your wet clit. So wet, he thinks. Wet and warm, completely aroused because of him.
“You were willing to fuck my friends.”
Jungkook rubs the tip against your clit in slow circular motions. It makes a wet and sloppy sound as he does.
“They don’t love you, Y/N. Not like I do.”
You twitch at the feeling, overstimulated enough, even if it did feel good.
“Don’t you love me, Y/N?” Jungkook’s eyes don't leave your clit. He continues to tap and circle the tip of his cock against it, the sight beautiful.
“I do…”
“Then why do you keep denying me pleasure?”
Jungkook removes his hand from his cock to place it upon your hips, keeping you in place. He begins to thrust forward, sliding his entire cock against your clit.
“I allowed you to cum, haven’t i?” Jungkook grunts. “Milked my fingers like a little whore. But you won’t let me fuck you.”
Jungkook’s words cause you to gasp - that and the way his cock feels against your already stimulated clit.
Jungkook’s open’s his mouth, a trail of saliva dripping right onto your clit, not because you needed it - you were literally dripping - but just because he wanted to. In his eyes, spitting upon you was an act of marking his territory and after he fucked you - and he was going to regardless - he would assure that only he would be the one fucking you afterwards; always and forever.
Jungkook continues to rub, his pace quickening.
“Do you think another man would have given you the satisfaction?” Jungkook hisses. “They would’ve fucked you and left, Y/N. This is why I’m here. I love you, my pretty girl…” his tone softens. “...so wet and ready for me. You’ll let me have you, right, Y/N? You’ll let me be the one who takes your virginity?”
Slowly, you nod your head. Jungkook was someone you loved greatly. He was a man and understood how men think - you couldn’t be upset with him now. “Okay…”
Jungkook smiles wide, full set of teeth shining at you. “My pretty girl. You’re always so good for me. Give me your hand.”
You do as Jungkook tells you to do, and he guides your hand to touch his cock. It twitches in your grip.
“Tighten your grip.” Jungkook demands and groans when you do. “Okay, baby…now center it at your pussy.”
You’re being so obedient for him, Jungkook thinks. He watches as you do what he tells you, the tip of his cock at the entrance of your hole. “Good girl.” Jungkook mumbles.
“Don’t you need to wear a condom?”
Jungkook wants to laugh at your words. “Condoms are for people who have one night stands. Why would I wear a condom with you?” he asks, a tilt of his head. He had no intention of allowing you to fuck another man, so him not wearing a condom was alright.
You widen your eyes. “Pregnancy…?”
Again, Jungkook laughs. He doesn’t say anything for a moment, only stares into your wide eyes. He had no intention of impregnating you now, but if it happened, then it did. That only meant that it’s what the universe wanted.
“You know I love you, Y/N.” Jungkook says.
“I love you, too.” you respond.
Simpering, Jungkook nods. “I know.” he says, and then without warning, he enters you whole. There’s no warming upm Jungkook thinks, the faster he gets it over with, the faster pleasure will come for you.
When your mouth opens to shriek, Jungkook silences you with his lips. His hips snap inside of you, unable to stop. So tight, he thinks, fully milking his cock with your essence. It’s as though his cock fit perfectly inside of you; like a puzzle piece coming together to complete a set.
The pain is excruciating and you’re unable to pull away from Jungkook. His grip on you was intense, fingers bruising into your skin.
The sound of skin slapping is loud in the room, echoing off the walls.
“My pretty girl.” grumbles Jungkook when he releases your lips. “Thank you for trusting me, Y/N.”
The pain shoots throughout your body, but hearing those words from Jungkook was worth it to you. You blink away the tears so you can focus on his face.
“Soon the pain will go away, and you’ll love the way I fuck you.”
You nod. You trusted Jungkook.
It takes a while for the pleasure to come, but that doesn’t mean it didn’t. Jungkook hits your sweet spot, slamming you against his bed with each thrust. Your moans are loud for him, so sweet and melodic - he knew you had it in you to let loose.
“Feels good, pretty girl?” Jungkook questions, the question rhetorical. He knows by the way you clench around him that it does - that and your high pitched moans.
“Feels…so…good…” you grunt, panting along with each powerful thrust.
“Good.”
Jungkook removes himself just so he can turn you around, chest firmly against his mattress. He enters you once more, hitting even deeper than before.
Your eyes snap shut and your arms shoot out, gripping the bed sheets for support. Whatever you once imagined sex would be like didn’t give it any justice. Sex with Jungkook was a pleasurable feeling you’d never forget - you’re unsure how you’d ever be able to go back to masturbating once this was over.
Both of Jungkook’s hands place themselves on yours, entangling your hangers with his. His lips kiss your back, pounding inside of you with such passion.
There it was again, the churning feeling in your stomach.
“I feel you, baby.” Jungkook pants. It’s as if you never want him to stop, creaming his cock like your life depended on it. “Go ahead and cum for me, pretty girl.”
You groan, shaking your head at how good you felt.
“I love you, Kookie.” you murmur so low that it’s barely audible, but Jungkook hears it loud and clear.
It causes Jungkook to grind into you deeper and deeper, feeling himself come undone at just words. You told him those three words many times before, but now it felt different. Intimate. This was something he’s never heard during sex - and if there was a chance he did, he wouldn’t care.
You were who Jungkook loved; his best friend since childhood.
You were the one who Jungkook wanted to hear the words from.
Jungkook’s cumming, his heaving breaths ticking the skin of your back. He doesn't bother to pull out of you, instead he milks your walls completely with his seed, shuddering with complete bliss.
Jungkook won’t regret it - cumming inside of you felt right. It wasn’t as if anyone else would be.
“My pretty girl.” Jungkook coos, pulling out of you to tuck you further into his bed. He lays beside you, embracing you from behind. “You did so good for me.”
Your heart swells at the compliment, your eyes heavy with slumber.
Jungkook holds you tight as you drift to sleep, satisfied that you were here with him.
Not Hoseok or Namjoon or anyone else - but him.
After all, he was the only one who truly loved you for who you are and didn’t see you as just a hole to fill - he wasn’t like those other men out in the world. No, Jungkook was better than any man you could ever think about being with. He proceeds to place a kiss upon your temple, satisfied that you were his and his alone.
idol version
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