#it can be platonic too if you want

[glass-retina]

Just take it.

They’re so. Creatures.

Obligatory; click for better quality.

[eternalblizzards]

bugs when you lift up a rock

[isjasz]

[Day 238]

💤💤💤

---

ME WHEN I GET A FULL BLOWN FIC INSPIRED BY MY ART AND MAKE A FULL PAGE COMIC OUT OF IT HOW WE FEELING💥💥💥💥💥

Explodes this still feels like a fever dream hi so @definitelynotshouting this absolutely batshit insane guy wrote "honey it's starting to storm" INSPIRED BY THIS ART FROM CHRISTMAS. I need to yell about it more istg this is the W of the century. Guys please it's so good go read it go read go rea

Emphasis GO READ IT👉

[triglycercule]

alright,,,,,is this newyears gift,,,,,, i dont no. but maybe it's late enough that i'll be able to forget that i drew this 😁😁😁😁 mttpoly doodles. whoever sees this sees this

[itzrockz]

HAPPY PRIDE MOMTH WITH TEAM RWBY

[average-mako-enjoyer]

crying screaming throwing up 1/3

Yeah, yeah, yeah, I know I just bitched about the lazy writing and world-building in Mass Effect, but I wouldn't love these games if they didn't have moments where everything was on point (or close to it): the writing, the animation, the voice acting, everything.

Here's one of my favorite scenes, it's very short and I bet you've never thought about it before, but it's so, so good, I'm obsessed with it and I have to scream.

Correct me if I'm wrong, but I'm pretty sure that the only time that Shepard really freaks out is after the Mars mission. It happens right on screen, we don't hear it from someone else, we don't have to headcanon it, we get to see Shepard not as a protagonist, not as a savior of the galaxy, not as a soldier, but as an actual human being, simply scared shitless.

I also love that it starts with Liara immediately realizing what's going on. You can see that she freaks out too, because Shepard is freaking out, and the camera lingers on her reaction as it shifts from fear to sadness to understanding. And then we finally get to see the condition of our favorite Virmire survivor, and it's just oof.

When we go back to Liara, she already knows what to do.

And then we finally get to see Shepard. All these erratic movements are completely out of character. Throughout the three games, we only see Shepard move with some sort of intention (yes, because it's a game, and it's supposed to be that way, but think beyond that; it's also Shepard's characteristic as a person), and there's no intention in this. Shepard is holding on to the examination table, trying to lean down or move forward, and that's because now, in this situation, he can do nothing. No amount of self-sacrifice, quick thinking, tactical advantage, or stupid badassery will help. There's someone on that table he clearly cares about, and he has no say in the matter.

And Liara knows it. She leans forward to look Shepard in the eye and draw his attention to herself. She starts soft and pleading:

And dude, Shepard's expression is everything. It's sad and scared and open... again, completely out of character.

And then we can watch Liara's expression change when she sees that Shepard heard her. Her tone is no longer soft, it becomes quite aggressive.

It is all very deliberate. And it works! Shepard is still terrified, but he furrows his eyebrows and his expression closes. Now he looks more like the Shepard we all know and love.

Another change of tactics, and oh my god. Say what you will about my girl Liara, she is a real MVP here. Notice how she goes soft again and just gives Shepard a suggestion. She knows the best way to snap him out of his panic and sense of sheer helplessness is to push him to start giving orders again.

And again, it works! This sounds and looks like our usual Shepard.

Oh, I love these animations. The change from something hard-assed and in control to something vulnerable... Whoever animated this, let me kiss you on the mouth, let's ride into the sunset. You're beautiful and I love you.

✨Gentle touches✨ Not like our usual Shep at all.

Now to part 2 because I have even more gifs

[poorly-drawn-mdzs]

He definitely meant the sword, right?

[First] Prev <–-> Next

[triangular-static]

look i understand if people just don't like the idea of billford, i think we have a different internal concept of what shipping means (they're not good for each other at all but i need to dissect their dynamic like a bug. you understand. it's fun) but it's fine to avoid things you don't like, good for you genuinely

however people saying they like. don't see it. like. i'm not saying there's no platonic way to read it, i'm aroace spec myself i'm all for reading things in different ways. but i do think saying they weren't partners in any queer sense at all is trying too hard to go against what the narrative is trying to say, or missing it. somehow

anyway media literacy time if a character makes a joke like this

and the previous context of that joke within the show is that it's about an ex wife. what connection do you think the text is trying to get you to make.

and that's just from a writing point of view. not even noting that from an in universe perspective ford likely knows the joke from the same source as stan. and is therefore. placing himself in that role of the joke are you seeing where i'm coming from

(not to mention bill's side of this text which is. extremely manipulative but also does not read very platonic. again, it can technically be read as platonic! bill literally can manipulate ford's feelings. but the specific wording used is very much meant to look like possessive ex partner wording whether the character means it that way or not. it's coding. look again i'm not saying it was good for them i'm just saying there was something there.)

and then there's also the divorce/break up/rock bottom input on the website. like. how else is that supposed to be read. and the corresponding page in the book itself.

the language being used here. like yes he's saying it in a joking way but then there's the other side that isn't joking which is him crying at the bar. it's the both sides (the very coded language on top of the very genuine emotions and dynamic beneath)

i know most of us are on the same page with this i've just seen a couple people saying they don't see it when this is some of the most clear cut coding i've ever seen. and these are just the things that explicitly reference a relationship off the top of my head i'm not even including the general vibes of Everything

tl;dr it's barely even subtext anymore it's all but straight up text. what's not clicking have we forgotten what coding is (lighthearted i just enjoy the phrase what's not clicking. what's not clicking)

[demonir]

I like them a whole lot 💜

[lunarharp]

more phoenix wright situations

[plutonious]

couple doodles from a bunch of magmas. mostly emmets. I don't think it's obvious but I quite like emmet

[forourtomorrows]

car ride

[mblue-art]

out w these tall clowns 🌲🌸

[movie-plush-baby]

(Tumblr you FUCK LET ME POST THIS)

Imagine holding your Cookie Run comfort character in your palms as a human. You’re a big, scary human who can eat them. And they’re a tiny little cookie. You could eat them right there, take a huge bite out on them… but you don’t. You wouldn’t do that to them.

How do they react? Are they horrified and trying to inch away? Are they ready to fight you? Or are they just mildly amused at the situation?

And what do you do to them? Do you continue inspecting them in your palms and let them inspect you? Do you try and convince them that you’re completely safe? Or do you give ‘em a big smooch on the forehead?

[almondy-milk]

a bit of an older doodle but still one of my favorites

[akkpipitphattana]

to preface this with the fact that i DO agree fk have something going on because i do have eyes and ears that work, but some of the things people latch onto to point it out does kind of astonish me. like do you guys not have your friends locations? that’s romantic now?