#is there even a kill bill fandom?

[anticanonhearts]

Kill Bill Playlist!

The Whole Bloody Affair

[jellyfish-grave]

I thought Tumblr might like this one

[seven-stars-in-his-palm]

the thing i love about bill cipher is that even after i've learned all of this stuff about him, seen him at the most vulnerable he'll ever get, seen him at his most innocent, i still can't give a flying fuck about trying to justify his actions. yes he's traumatized, yes he was twisted into what we know today, and while it gives a semblance of context to why he did what he did, it doesn't matter. he still ruined ford's life. he still drove and baited multiple humans to suicide. he still tormented every human he saw as his ticket out of the consequences of his own actions. he still took delight in his actions. he was willing to commit genocide for fuck's sake!!! (freezing all of the humans into statues). trying to explain away what he did does not get rid of what he did, but it certainly puts it in perspective. you won't be catching me being a bill apologist any time soon <3

[why-is-it-always-autumn]

The problem with big fandoms (using "problem" in a very loose sense here) is that it's really hard to stumble across the weird niche undertagged stuff when its being buried in five million coffee shop/royalty/high school/soulmate aus. If there are 150 works in the tag total you can look through very quickly and find anything that appeals to you. When there are over a million it is much harder to do that.

[veryspecialfungus]

what kinds of events? (if this question is too personal, ignore it)

Not personal, just profound disappointment in the OTW for...

Uh, this might be wildly triggering for some people so I'm going to throw this under a cut.

throwing their volunteers under the bus because they themselves don't seem to understand what the laws about CSAM are. Or what CSAM even is. Or why it's bad.

And before anyone starts, I'm not even remotely referring to fanfic or fanart or shipping in any capacity. I'm referring to the actual, flesh and blood human beings exploitation kind. Not having that argument, don't start it.

Anyway, I don't know if I can summarize it, so it's a really good thing someone already did:

I knew, and I knew for a long time, that the OTW was dysfunctional and at least a little bit incompetent, but that's baked into the foundation of most fandom things. This though...this feels unsupportable.

[thebestusernamepossible]

This is so silly (derogatory) EVEN IF Stanford had been the most gullible idiot ever, falling for Bill while he was the most cartoonishly evil villain ever and just went ‘ignore that sixer I’m a cool dude’ to negate it. EVEN IF he was a terrible manipulator (he wasn’t! It’s literally working on you rn!) it would not be Ford’s fault for trusting him! You cannot place the blame on your victim for being ‘easy to manipulate’ that’s worse actually! Just means you did something bad fo someone who trusted you implicitly!

nice argument however you’re wrong

this fucking reeks of victim blaming. calling someone stupid and selfish for getting abused an manipulated i see.

[ckret2]

So a while ago some friends were talking about fans who claim the Same Coin theory is canon. And I made the mistake of saying:

Do you know who also has tons in common with Bill? Mabel. Yet nobody claims Bill reincarnated as Mabel. …wait now I want a "same coin but it's Mabel" AU. Funniest Bill reincarnation option. The all-seeing arsonist is making macaroni glitter art. The omnipotent tyrant is crying because a unicorn called her a bad person.

And then I overthought it for two months.

So—AU where after death, Bill's soul shoots 13 years into the past and reincarnates as Mabel. I'll call it ✨ Sparkly Coin AU ✨

Don't leave yet. Lemme show you why it works. Behold the eerie amount of parallels in their personalities, dialogue, behavior, mannerisms, tastes...

I could have kept going but my attention span ran out. All right, we all on board now? Convinced we could segue from one personality into the other? Great. Now here's why you should be interested: the juicy post-Weirdmageddon angst potential.

As long as a small fringe of the fandom still thinks Weirdmageddon is Mabel's fault, why not amp that up x100 and have some fun with it?

Is everyone sold now? Great. Let's get into the details. I've got 8 more pieces of art under the read more.

So the AU starts the instant Bill dies. Thanks to invoking his deal with the Axolotl—one way to absolve his crime, a different form, a different time—the Axolotl gives him a new shape and shoots him thirteen years into the past. Apparently, the Axolotl thought it would be very funny to stick Bill in the family that defeated him.

Which probably made for a jarring transition.

(It's fine, she's like 10 minutes old, she probably can't even tell who she's looking at. Not being able to tell who she was looking at is what got her into this situation ayyyy)

When Dipper & Mabel come back from Gravity Falls complaining about this triangular jerk Bill, their parents mention that Dipper's name was nearly Bill. See, after they knew they were going to have a boy, one night their mom dreamed about a visitor—some kind of magic pink salamander??—calling her child "BILL." Then at the next sonogram they found out they were having twins, the girl must've been hidden at a weird angle the first time, and they wanted matching names, so they thought, Bill and Bell. But they didn't really like Bell; but eventually they stumbled on Mabel, so to keep the names matching they switched from Bill to Mason. Isn't that the darnedest thing?

(Of course, Mabel and Dipper assume Bill harassed their parents to try to trick them into naming a kid after him. To be a jerk.)

When Bill meets Mabel, he's unaware that she's his future self—Bill's notably bad at doing things like, say, double-checking to see whether he's going to die anytime soon—but like... he can tell something's up.

Naturally, before visiting Gravity Falls, there were echoes of who Mabel used to be—but nothing anyone would be able to identify without context. All her Bill-ish quirks either smoothed out with time (see: how between second grade and fourth grade Mabel went from being the "freak" to the popular girl in class), or else they were accepted by her family as Mabel-ish quirks.

After they meet (and kill) Bill, they have the context to understand some of Mabel's behaviors... and unfortunately, some of Mabel's latent Bill-ness starts surfacing after she's been directly exposed to her prior incarnation.

The part of the Pines family familiar with Bill thinks the worst case scenario is that maybe Bill's survived and is slowly possessing Mabel; but far more likely, they think this is just some weird way of trying to subconsciously process last summer. Mabel doesn't think she's being weird, you guys are being weird, stop giving her weird looks. They get attacked by one triangle and now she can't wear yellow or pick up macrame as a hobby??

(It's not all red flags and uncomfortable triangle imagery, though. When Stan asks her what she'd like as a gift for some important event, she shyly admits that she thinks she's starting to outgrow her plastic gem jewelry and maybe she's old enough to get her first piece of real gold jewelry, if that's not too expensive? And Stan's never been so proud of her. Thirteen years old and already thinking about buying gold!)

But of course, the real fun starts when Mabel finds out.

That's the face of a girl who's just discovered that she tortured her great uncle. Now imagine running into the brother she possessed.

But I've already spent a million words and thirteen images on this post. If enough folks are interested in the AU maybe I'll expand on it later. Let me know what y'all think.

[letstrythisout4]

I love the idea that Ginny is Percy’s favorite sibling. Like he loves all of his brothers but Bill and Charlie are untouchable older brothers, Fred and George had each other, Ron always thought Percy was too much of a stick in the mud but Ginny?? 

That’s his baby. That his baby sister, loves her to bits. Half of his childhood photos are him carrying baby Ginny, holding her hand, comforting her when she’s crying. Like Ginny is the sibling he was able to BE a big brother to. And you can even see that in Chamber of Secrets like he’s the one keeping an eye on her in her first year, he notices that something is wrong, which isn’t to say that the other brothers didn’t but they thought he was doing too much. But no, he was right, his brother instincts were going off and sure enough Ginny almost died. 

I can only imagine how guilty all the brothers felt hearing that their fucking sister was possessed and they didn’t notice; but imagine noticing and backing down.

THAT IS HEART FUCKING WRENCHING

Especially because Molly feels like the kind of mom to hear that her daughter was possessed and A) be pissed because what kind of fucking school is this, but B) how did you not notice your sister was possessed.

Like that just feels like something Molly would do. (Molly is either completely demonized in this fandom or treated like a saint but I��d like to raise a third option: she is………..human. I feel like she’d look at the boys, with tears in her eyes after yelling at Dumbledore and be like “None of you noticed?” and she’d feel guilty and apologize later (which doesn’t fix it but ykwim) but she still says it)

And it fucking kills Percy because YES, I DID NOTICE, but he didn’t do anything, so he just hangs his head and doesn’t even bring it up and he just feels fucking terrible .

ANYWAY- 

Ginny is beloved by all of her brothers but Percy IS her big brother, thank you for coming to my tedtalk.

[dansemacabre]

i’ve been thinking about “sixer, it would eat you alive” since i read it and. man. every layer you peel back makes it worse. im not a bill apologist but. shit

if you (1) take it at face value, it paints bill as an apologetic murderer in his single (and maybe sole) open moment of regret. he doesn’t let his walls down often- only with ford do we even get to see the remnant of his galaxy, see the “actual remorse” ford describes, get just a hint of his origins. but he does it, because he thinks ford should know.

if you (2) take it from ford’s point of view, as something he committed to journal three, like. wow. imagine being so committed to a being that you’d hunt down and kill the monster that destroyed his home, only to (assumably) figure out later that that being was the monster. the small moments of trust, the “good times”, are so key to manipulation. how long did ford hold onto that one shred of vulnerability? no wonder ford stayed for as long as he did. in his eyes, bill was a survivor. ford wanted to survive too.

(slight tw below for unreality- any time i mention our reality, i mean “our reality” as a narrative device used in the book of bill as a proxy for the idea of bill being in our reality, since he can’t actually be in our reality. all of this is a fictional theory about a show/book with fictional contents!)

but if you (3) remember that “even his lies are lies” and absolutely Nothing bill says should be trusted. Whoo boy. if i read tbob right the book itself is being created in the theraprism (even tho it shows up with the ciphertologists at some point? idk that’s a whole other post). it’s meant to show what the reader wants to see; it manifests in our reality as what the collective fandom wants to see. so if we want to see truth, if we want to see where bill ended up and who he actually is, there’s a non-zero chance that the whole interaction was a complete fabrication.

imagine bill, stuck in the actively harmful, probably earth-illegal theraprism, once again being forced to be “fixed” and molded into something more palatable, being forced to conform no matter how much it hurts. (i know natural uncontrollable mutation ≠ just so much murder and destruction and chaos, but. you can’t ignore the similarities. bill has obviously been thinking about those silly straws.)

he looks back on everything that went wrong, back on his relationship with ford, back through every dimension where he wins. would that one moment, that one truth amid centuries of lies, have saved him from purgatory? if he had just been open? shown his damage? maybe he did think of his parents, or his henchmaniacs (especially the oracle). people who he might have once opened up to. maybe he just wanted to open up to someone again.

so in his own weird way, stuck in a cell, he reshaped reality again. in this reality, for this fleeting moment, he had been someone worth believing. and ford had listened, hell, ford had wanted to help. looking back, knowing how he treated ford, knowing how ford ended up because of it, maybe bill would have said the most honest thing he’d ever told ford: i am the monster, i am not worth your time or belief, and i will eat you alive.

[fagsystem]

As an ambulatory wheelchair user I have so many thoughts about how people draw/write disabled!Scar. This is sort of a guide/insight from a disabled person about writing/drawing disabled people.

Specifically in regards to wheelchair users.

Do not get me wrong, this fandom is genuinely probably the best group of people I have ever seen when it comes to drawing wheelchairs. I do not believe I have ever seen Scar fanart where he is in a completely unusable, horrible, hospital chair. It is so clear people have taken the time and energy to research into wheelchairs and I love it. I am in no way saying stop that.

I just think people could maybe put a little bit more consideration into him being disabled beyond visual appearance.

I saw a really amazing artwork of SL!Scar and he is in a sports chair. Which is really cool, in many ways, as it shows some thought being put into the setting. If I were in combat, I would in fact like to not be knocked from my chair or have my chair tipped over.

Yet, you have very limited mobility in a sports chair. It is, by design, made to prevent you from tipping over. Which means that you are incapable of going over bumps, really, let alone natural terrain.

Just in general, there really is not any wheelchair that exists in our world that would allow wheelchair users to exist in a setting like the life series.

So, I have some ideas:

- Horses. Hands down my biggest suggestion. Especially with Secret Life they fit in very well with the setting, everyone uses them, and it fits the bill perfectly for what he would need. Especially considering Scar is an archer, it makes a lot of sense for him to be on horseback. It suits him and his style of fighting so well.

- Some sort of redstone power chair. There are all sorts of ways you could design something like this. Perhaps with pistons that push down against the ground, allowing for jumps. Perhaps just a series of pistions functioning as like a bunch of little spider legs. There are a lot of things you can do with that, you can get very creative.

- For my Vex!Scar lovers, you could have magic be used as a mobility aid. Perhaps a magic wheelchair, or perhaps a magic exoskeleton.

And with all of the ideas, considering how they fit into the setting really changes everything. What are the strengths? What are the draw backs?

With horses, they are strong and fast and agile. But they are big, it is hard to fit into small spaces, and they can be killed.

With some sort of redstone chair, I feel as though it would make sense for it to be robust and strong. Depending on how it is constructed, something fast and agile or perhaps something a bit slower and more clunky. Is it loud? How would stealth work in something like that?

When it comes to any sort of magic you do not want it to fix the disability. It is a mobility aid like any other. Not perfect, not the same as not being disabled, just another tool with its own unique draw backs. Perhaps magic is draining or it takes concentration. Would he tire quicker than others? Would he require food quicker than others? Is it possible for him to lose focus on it in a stressful situation, leaving him stuck until he can calm himself down?

Other things to consider are really specifically the setting as well as what disability you are giving him.

I feel as though on Hermitcraft an option like a redstone chair just makes a lot of sense. Multiple redstone chairs, even, all constructed differently for different uses. Such as ones for building. How does long distance travel work with the chair and how you lore your setting? Is it something he can put in his inventory? Is it something he remains in when using an elytra? Does that have any draw backs, such as being slower or needing more rockets or being less coordinated in the air?

I feel as though in the life series a mix of vex magic and horses makes a lot of sense. The magic is good for small spaces and short trips and emergencies, but it is too tiring to travel across the map with and too much effort to maintain when he needs to concentrate on battles. That would be where the horse comes into play.

As for what disability, well, it truly depends. Most of my rambles here have been based upon paraplegia, because I often times see people making him an ambulatory wheelchair user just because they do not know what to do otherwise.

Not that making him an ambulatory wheelchair user is a bad thing by any means. I am one and I adore reading stories like that. It is just a bit clear that a lot of you are quite lost as to how to navigate hurdles disabled people face, so you make it so he can walk over those hurdles. Which, once again, I am not shaming you for! This post is just to show there are other options

But in the case of him being an ambulatory wheelchair user: why is he one?

Mobilities aids are disabling unless you need them. You cannot access spaces or you do not have hands free or any number of things. What to the Scar you are writing makes using mobility aids helpful instead of a hindrance? What times are they more trouble than help, and what cost is there for not using it?

A good example is if Scar can walk around short distances with minimal difficulty/drawback, but long distances are painful or physically not possible.

Look into different disabilities and consider it. A lot of people tend to default to chronic pain because that tends to be quite a common one across a lot of disabled people, but there are a lot more different reasons why.

It could also be that he is very slow because of his disabilities. I have muscle weakness sometimes because of my FND, and it is like moving through sludge whenever I try and move.

It could also be that the mobility aids are a preventative measure. He does not need to use his wheelchair, unless he has done too much walking and then his body refuses to support his weight. He does not need to use his wheelchair, but when he does not he is a lot more likely to dislocate something and then yeah he can't walk. He does not need to use his wheelchair, but he is a fall risk especially after a lot of walking or running. Him being in his wheelchair prevents him from falling! (And if he's a fall risk, maybe he's strapped in too!)

I just have so many thoughts and I wanted to share them.

I see so many of you putting in effort already and it warms my heart. It is why I feel comfortable enough to make this post, because clearly you all care a lot about representing disabled people well.

:]

If you have read this far thank you so much. Let me know what you think or if you have any questions.

Edit: I made a rough redstone wheelchair design. It is one of the few reblogs that has comments, if you filter for that you should be able to find it. If not, reply to the post and I can send you the link to it. :]

[nthspecialll]

I think we sometimes as a fandom tend to hyper-focus on certian characters' backgrounds simply because we like the character when in reality other characters who might not be as interesting has way better backstories, because no, Javier, Arthur and John are not the only ones with sad backstories

Like why does no one talk about what happened to Leopold's sister? Why does no one talk about young Lenny tracking down and killing folk? Why does no one talk about Javier actually in a way working for the government for a while and the reason why he killed that powerful military man? Why does no one talk about why Dutch is called Dutch and not by his actual first name? Why does no one talk about Bill's worst childhood fear coming true? Why does no one talk about both Swanson and Micah saving Dutch's life or that Tilly is also a murderer?

Anyways here is a full explanation of all the Van Der Linde gang members backstories.

Sean MacQuire

Sean Macquire and his father lived in Ireland possibly with more family but had to flee because the English (who were at the time in charge of ireland) were chasing them. They fled for their lives and they were in Boston for a month before his dad was shot in his sleep, showing the remaining Sean that there was truly no honor or shame in the world.

He was then sent to a reform school, which we all know was abusive and a living hell, so he ran, living as a low-life thief, he was a teenager, when he in a bar somewhere in North Elizabeth saw Dutch and Hosea and liked Dutch's watch. He followed the two into an alleyway and threatened them at gunpoint, however they laughed at him and told him to shoot, so he did, except the two others had noticed him first and taken the bullets from his gun. Sean started crying, thinking they were going to kill him but instead of doing that they gave him a home, a place to belong.

Lenny Summers

Lenny's grandparents as well as parents were slaves and his mother was born on a cotton field and taken away from his grandmother, who hadn't even known she was pregnant, immediately. His grandmother was then told to simply get back to work.

After the civil war, the old overseer kept making advandages towards Lenny's grandmother, to a point that in the end she needed to kill him and just barely escaped being lynched. Lenny's mother never saw the grandmother again.

Lenny's mother later met Mr Summers who was an educated man and taught Lenny to both read and write, however when Lenny was 15, his dad was beaten to death by several drunk men. Lenny stole a gun, tracked and hunted down the men, shooting them and showing no remorse even years later.

Kieran Duffy

Kieran Duffy's father was an Irishman who came to America with a dream of farming. It was there that he met Kieran's mother and not long after having Kieran, they both passed due to Cholera and not shortly after that the stables that he worked at to support himself threw him out. He decided to join the army to support himself but it didn't last long before he quit due to it "not working out well."

After returning from the army, he fell into work with a bunch of unnamed outlaws, though they all passed away, leaving him alone once again.

At some point he ran into the O'Driscolls who gave him a choice, to ride with them or to get killed, esencially forcing him to join them and work as a stable hand for them, though he was at the bottom of the latter simply working with the horses before being kidnapped by Arthur Morgan and joining the Van Der Linde gang.

Leopold Strauss

Leopold Strauss was born into severe poverty in Austria and his family struggled heavily with food. By the time that Strauss was only twelve, his older brother was beating up nightwatch men for whatever cash and food scraps they had on them. By that time Strauss's father had already sold his younger sister Anna, by the age of nine, into bonded labour to be able to provide for the rest of the family.

When Stauss was seventeen he was sent with his uncle to the US due to health problems, however the hellish sight of Brooklyn gave Strauss's uncle a heart attack on the spot, leaving Strauss alone in a forgein country. To survive he began doing illegal money scams and after doing so for years Dutch picked him up.

Tilly Jackson

Tilly Jackson was the daughter of a slave and became an outlaw by the mere age of twelve, running with a gang called the Foreman brothers who kidnapped her but after murdering the leaders cousin after he made advandages on her, she had to flee. She returned to her mothers workplace but found that she had already passed.

Later Tilly ran into Dutch Van Der Linde and as he was already taking care of John Marston and Arthur Morgan, he took her in, becoming just as much as a father figure to her as to the boys.

Micah Bell

Micah Bell was born directly into a life of crime as his father Micah Bell jr was a petty but ruthless and violent outlaw. Already when Micah was 17 him and his father were on run from the law as they had slid Jean and Roscoe Briggs throats and later hung them as well. His father was also his primary partner in crime, however he also seemed to have teamed up with his brother Amos a few times as well, however Amos regretted his past life and started a proper one with wife and children and threatened to kill Micah if he came close.

Micah had several partners in crime later in life, including Joe and Cleet who appears later in the game, as well as a fellow named Norman.

Micah runs into Dutch Van Der Linde in 1898 in a bar as Dutch is trying to sell some stolen goods, however the deal doesn’t work out and Micah steps in to help Dutch and save his life, earning a place in the gang.

Bill Williamson

Bill Williamson, also known as Marion Williamson, was born into an abusive family with a father who lost his mind to alchohol, even going to the point of mixing moonshine with whiskey. Watching this Bill always feared falling in love with liquor and suffering the same fate.

Bill always showed signs of being more of a troubled kid and being sent to a reform school did not stop him from building s solid criminal record as a kid.

Bill would later apply to the military and serve in the 15th infantry, fighting against the native americans before being dishonorably discharged for deviancy and attempted murder in 1892. For a year after he lived rough, truly falling in love with liqour and stealing from people om the side of the roads, one time being robbed himself by a "woman" (likely a cross dresser or genderqueer person).

In 1893 Bill tried to rob Dutch and got angry as the man simply laughed at him, however he calmed down as he was allowed a spot in the Van Der Linde gang.

Daniel(?) "Dutch" Van Der Linde

Dutch's mother was an english woman named Greta and his father a dutch man who lived somewhere near Philadelphia who fought in the civil war and died, which is why Dutch hated southeners.

Dutch's nickname rumors to come from his father's desperate attempt at keeping touch with his ancerstory.

When he was 15, he left home due to troubles with his mother whom he never got along with and simply saw him as a disobedient and troubled kid. He wished for freedom above all so to gain this he started a life of crime and in mid 1870 met Hosea Matthews.

(Second edit: I am not 100% sure Daniel is his true name, thus the ?, however I found it on his wiki page and added it)

Hosea Matthews

Hosea was born in around 1844 and lived the majority of his earlier life in the mountians, growing to love fishing and hunting. His father was mostly absent, living a life of "sin and debauchery that would make an emperor blush." Hosea saw his dad only about three times in his life but loved him none the less.

He tried to make his way with comedy as a stage actor, however he turned to petty thieft, stealing from his audience and later others in town. He was caught by the sheif stealing a chicken and sentenced to be hanged. Luckiy for Hosea the town folk saw it as a punishment too cruel and a riot broke out which ended with someone shooting the noose around Hosea's neck, allowing him to flee.

Mid 1870 Hosea found Dutch sitting by a campfire and decided to rob him, however found that Dutch had already robbed him. Hosea feared for a moment for his life but it ended with the two of them laughing it off and teaming up.

Molly O'Shea

Molly O'Shea was born into a wealthy Irish family, set up to live a proper and educated life, however she quickly got bored and showed little interest in the life set up for her, so she ran off to America in search of adventure and excitment. At some point she ran into Dutch Van Der Linde and found an interest in him and his life style, only to later genuiently fall in love with him.

Arthur Morgan

Arthur Morgan was born to Beatrice and Lyle Morgan in northen US. His mother died in his early life and he never really got along with his father whom there are rumors was abusive. Lyle lived a life of petty crime and was arrested and executed. Arthur saw his father die and although not having the best relationship, Arthur kept his father's hat and picture.

In 1877 Arthur was 14 and a wild delinquent. He ran into Dutch and Hosea, being picked up and taken under their wing, taught not only the ways of crime but also skills like reading, writing, hunting and so on.

Uncle

Uncle was born in Ohio (insert Penelope Braithwaithe shutter) with the only family present being his parents who died when he was nine and an "uncle" named Jeb whom Uncle hints at being a pedofile.

After his parents death he was on his own and was forced to a new city where he had to care for himself, and from that time to the game start in 1899, we know he has been married at least twice.

Uncle tells many stories of his past such as going to Africa and being worthshipped like a god by the locals, however the truth of these stories are highly doubted due to his tendency to lie. He does tell stories of being a "one shot kid" in his younger days, the truth of these also being doubted, however it may have been his tricket into the Van Der Linde gang.

Susan Grimsaw

Along with Hosea, Dutch and Arthur Susan was one of the founding memebers of the Van Der Linde gang, having run into Dutch during a poker game where both he and she found interest in one another, causing the curious couple and their unruly son to stay in the area a bit longer, paying poker long into the night while Susan sat on Dutch's lap.

Having gotten into a romantic relationship with Dutch, Susan was allowed to join the small group and even stayed when Dutch moved on to Annabelle, now serving as a form of housemother, making sure that people did their work, took properly care of themselves and made camp feel like home.

You can also hear Susan talking to Mary-Beth one time in camp, admitting that she had a fiance once however he went to heaven.

John Marston

John Marston was born in 1873 to an illiterate scottish father born on the boat to New York and a prositute mother who died during his birth. At first John lived with his father who constantly spoke of Scotland and his love for the country, however he was blinded in a bar fight south of Chicargo and later died when John was eight. The true cause of his father's death is unknown however John was told it was a barfight.

John spent a few years in an orphanage before running off and living on his own, at the mere age of eleven commiting his first murder by shooting a man, though he claims it was not his fault.

At the age of twelve John had been caught stealing from homesteaders who planned to have him hanged, however Dutch stepped in and took him under his wing.

Orville Swanson

Swanson used to wrok as a Clergyman but after indulging in the "earthly pleasures", being seduced by alchohol and sex, he lost his family, job and in the end faith, though he desperately tried to regain it.

At some point or another he fell in love with a woman named Margaret, though she was already married, so he simply added bigamy to the list of sins he had already commited. When the two of them were in San Fransisco, the law finally caught up wth them and while she fled onto a ship headed for Shanghai he was stuck and never saw her again.

Under unknown circomstances Swanson came to save Dutch's life and due to Dutch's debt to Swanson he was allowed to join the gang.

Mary-Beth Gaskill

Being a woman of good nature, Mary-Beth did not struggle getting close to her victims after having found herself needing to find a living in the streets. Due to her looks and personality she could with ease fool the richer men into thinking they were saving a poor maiden in need while her fingers slipped into their pockets.

It was through this that Mary-Beth got in trouble with not just the law but her victims as well. One night she had gotten a few foul men on her tail that she ran into the Van Der Linde gang who saved her and asked her to join them.

Charles Smith

Charles Smith was born to a Native Mother and a free African American father, all three of them living fairly happily with his mothets tripe together with a few other free men before the US army chased them away.

They continued to live together but a few years later Charles' mother was captured by the army, leading Charles' father to fall into alcoholism and a deep depression.

At the mere age of 13 Charles left his father and began to live on his own, becoming a supreme survivalist from an early age.

Some point during the late 1898 ran into the Van Der Linde gang in the Grizzlies and joined them.

Simon Pearson

Simon Pearson's family were whale hunters and although Pearson wished to follow in their footsteps it did not go that way due to the whale industry having lessened by the time that he got out of school. Having been forced to look for new employment options, Pearson joins the Navy where he even managed to get stranded for fifty days on a ship filled with plauge, watching his friends and coworkers slowly drop one by one.

After having returned from the Navy Pearson begins to struggle financially and takes a loan, however unable to pay it off loansharks comes after him and it is during one of these attempts at getting to Pearson that the Van Der Linde gang saves him and brings him to camp as a cook.

Abigail Marston

Abigail Marston, originally born Abigail Roberts, was orphaned at a young age and started roaming around bars, scraping whatever few coins she could take from folk before starting a work of prostitution, making an earning by selling her body and at some point running into Uncle at a bar who introduced her to the gang.

Now living with the gang, Abigail still worked as a prositute up until falling pregnant with Jack Marston by John Marston.

Josiah Trelawny

Josiah Trelawny was born in England though he has no memories of his life there, he later imigated to America where he starts working as a conman and trickster. It was during this line of work that he met yhe Van Der Linde gang and joined them bur with a special advandage as he, unlike the others, was allowed to appear and disappear as he pleased, always knowing when Dutch planned to cut him off and return with a big hit.

Josiah has a family living in Saint Denis concisting of a wife and two sons named Tarquin and Cornelius. Just as with the gang, he would disappear on them for months.

Karen Jones

Karen Jones lived as a scam artist in her early years and absolutely loved the outlaw lifestyle and hoped for a bit more which partly drove her to accept the Van Der Linde gang's invitation, hoping to achieve more.

Javier Escuella

Javier Escuella was born in Mexico to a drunkard father who worked for Allende' (a main antagonist in rdr1, a military man) uncle. When he was young he saw his own uncle as well as four other separate men get casterated and fed to pigs for simply suggesting fair wages for their work.

Javier moved on to become a violent and known bounty hunter and revolutionary, fighting against what he saw as a corupt system.

Javier ended up killing a powerful former military man for a woman that he loved, fearing for his loved ones life he fled to America where he knew no english and had no work or food, leaving him starving.

It was in America that he ran into Dutch as they both were trying to steal the same chickens. Dutch took Javier in, fed him, gave him a family and a life, leading Javuer to idiolize Dutch also for his revolutionary ideals.

At some unknown point someone attempted to kill Javier, leading to him having a prominent scar on his throat.

Sadie Alder

Sadie Alder grew up in a harsh envioment and from a very early age learned how to hunt and ride to care for herself, things that Jack Adler fell in love with. The two of them married september 1896, moving to a ranch in Ambarino where they had three happy years of marriage before the O'Driscolls arrived at their cabin.

[jawbone-xylophone]

Okay time to be really opinionated: I think almost the entire TMA fandom writes Michael Distortion wrong.

Every time I read a fic about him people are emphasizing how swirly and elongated he/it is.

What's scary about Michael is that it is essentially the living personification of gaslighting. He makes everything else metaphorically swirly.

Sure there's "nobody would believe you", but most people who meet Michael think he looks angelic. He only looks scary out of the corner of your eye, or if he's feeding you just enough truth to get your guard down. He's fun to draw and describe as a psychedelic nightmare, but he is basically the gaslighting demon. It's a polite young man with curly hair and a beautiful smile who you could absolutely take home to meet your mother.

You only know he's a monster because your lizard brain starts screaming.

On a related note, its portfolio also includes dissociation and hallucinations, and nobody takes enough advantage of that– like, kissing Michael. Lots of people describe kissing Michael as a very physical event with notes of static and that tingling sensation of limbs falling asleep. A good start, but my argument: you feel him smooching your cheek and giving your hand a cute little squeeze, despite the fact that he's across the room ordering a coffee. It feels so real. You can feel his callouses catching at your fingers, but no matter how you flex your hand there's nothing there but air. You don't know if you just want it that badly and your eyes are lying, or what. He brings you a coffee and the sensation vanishes.

I know exactly what that episode about "the man who wasn't there" was because I've experienced it, and nobody utilizes that enough. Have you ever closed your eyes and tried to walk through a room, and been Firmly Convinced there was an object in front of you you were about to run into, despite no evidence of such an object when you open your eyes? It's a little like that. Any sort of relationship with Michael Distortion (not recommended and likely a way it has killed many people) would involve you getting comfortable with the fact that your senses are lying to you at an exponentially increasing rate, like a frog slowly being boiled alive.

Is he there? Is he not? Does it matter? You feel loved. You remember being told good morning and eating a homemade breakfast. Did you actually? Maybe it's a memory from a year ago you only think is from this morning. He's adorable even if his laugh gives you tinnitus. Maybe you've always had migraines. He takes care of you through them. Can you remember what he does to take care of you? ....normal people stuff, probably. Ice packs. You think he brought you ice packs once. You're sitting at a bus stop, going... somewhere, for a reason you're sure, and your body is telling you you're sitting on his lap but you keep checking, tapping with your nails, and the seat is hard metal. Does it matter? Maybe it really is him. You'd prefer if it was him. These cute little hallucinations are his way of showing affection. It's comfortable, even when the city shuts off your water because you only thought you paid your bills. He gives you his coat in the rain, and you laugh together and run through the weather, but when you get home you're holding a stranger's purse full of cash instead of a coat and you have no idea why. It's his idea of affection, though. He says he loves you when you ask about it, anyway, and don't you need the money now?

He's a lovely young man and the only normal thing in a world gone mad. The gloves only come off when it's done playing with its food.

[aiakosm]

Drifting Stars AU: Mabel gets sucked into the portal before Stanford could come out and the portal shuts down, leaving her in that dimension with Ford while Stan and Dipper have to find a way to turn that portal back on.

(New one that I just saw) Reverse Drifting Stars AU: Ford comes back but the portal doesn’t turn off and it’s Stan and Dipper that get sucked in instead (although from the comment I read, it was just Dipper that gets sucked in which is also heartbreaking).

Other Gravity Falls AU’s if you’re confused>

Reverse Falls AU: their personalities are reversed and instead of the happy silly Pines family that you know and love, they’re the manipulative arrogant Gleeful family that everyone hates. The Pines (read: The Gleefuls) are cold-hearted and (in most cases) has the Reversed-version of Bill wrapped around their finger. Reversed-Bill Cipher (named Will Cipher) is a whiny, sensitive, baby-like version of the dream demon.

Fight Falls AU: Everything is almost the same, except for the fact that Mabel and Dipper can fight well. They got into a lot of trouble at their school and was sent to Gravity Falls so that more trouble wouldn’t happen. Dipper and Mabel are great fighters and have a much more sensitive temper but Dipper is still a nerd and Mabel still has a fun imagination (Just more secretly) Bill Cipher (Named Kill Cipher) loves violence—which isn’t out of character—and is mostly there to not only torment the town but also encourage the twin’s violent nature.

Monster Falls AU: Everyone’s a creature! You can switch up what creatures these characters are but most of the fandom has agreed that Dipper is a deer centaur , Mabel is either a mermaid or a unicorn, Stanley is a gargoyle, Ford is a Greek-style Sphinx, Wendy is a werefox or a moth-person, Soos is a clay golem, Gideon is usually a vampire, Pacifica is either a gorgon or a unicorn, Robbie is a zombie, etc. Bill Cipher is a humanoid hunter with a triangle-shaped head.

Reunion Falls AU: this is Mabel and Dipper but they’re separated at birth. Dipper usually lives in the mystery shack and it’s Mabel that visits years later for the summer.

Relativity Falls AU: Everyone’s age and role is switched. Stanford and Stanley are now the young pine twins going to visit their great uncle Dipper and great aunt Mabel (or just Great Aunt Mabel if you decide to have Dipper lost in the portal) for the summer. (Personal favorite simply because I like the older Mabel and younger Stanley dynamic).

Nightmare Falls AU: In this one, Dipper and Mabel are raised by Bill Cipher in a dimension called the nightmare dimension, and are demons. Dipper is depicted as popular but mean, only cares about helping his twin and causing chaos. Mabel is depicted as shy, creative, and secretly more powerful than she lets on (although they are both supposed to be equally powerful but whatever). Bill Cipher, their adoptive parent, encourages their violent and chaotic tendencies. Not many people touch up on this AU. But many should.

Transcendence AU: This one is really popular. If you’ve been in the fandom for longer than a year, you might’ve heard of it. The story often changes but apparently in the original version, Bill dies due to the Transcendence. Before he passes, he leaves a small part of himself in Dipper who turns into a demon. Or half-demon. I think this is where the whole ‘Alcor the dreambender’ thing began (Even though Dipper’s Demon name would just be Ursa Major and he’d be a star demon).

Demonic Twins AU: This time, the twins switch with Bill Cipher. So now Bill Cipher is Bill Pines (maybe Will is there too) and Gideon summons two demons, Mabel and Dipper, who are evil but aren’t as chaotic as the original Bill.

Crystal Falls AU: literally just the Steven Universe mixed with Gravity Falls. They all have different gems and such. I can’t exactly explain it, considering the fact that I’ve never read this AU nor have I watched Steven Universe, but it’s as it sounds.

ANYWAYS THATS ALL FOR NOW, YOU CAN USE THIS POST IF YOU WANT TO TRY AND REMEMBER. LET ME KNOW IF I MISSED ANY AND ILL MAKE EDITS!

[twoa-plus]

controversial opinion but i actually think ford being mad at stan for opening the portal back up is a lot more justified than this fandom makes it out to be

and like. to be clear. love stan. dude was just trying to save his brother and i can’t fault him for that

however. people act like the only reason ford was so mad at him was because he was just about to kill bill when the portal opened. and sure, that was probably a pretty major contributor to why he was so pissed, but y’know all those warnings ford mentions? warnings that ford, who is not omniscient and cannot see the future and would not have known he would be just about to kill bill, wrote against opening the portal?

the portal doesn’t open to wherever ford happens to be. the portal opens to the nightmare realm.

it might seem like bad luck that ford was in the middle of his closest attempt at defeating bill when the portal opened, but it was actually extraordinarily lucky that he was even there at all. how many timelines are there where the portal opened just a few hours sooner or later than it did, or where ford made a different choice at some point in time and just wasn’t there, are there? how many timelines are there where it wasn’t ford that walked out of that portal?

and like, sure, you could make the argument that it all turned out fine, but like. if you’re in a car with someone driving up a winding mountain road with no guardrails and they’re going 90 miles an hour, i think you’d have a few choice words for them regardless of whether or not they manage to get the both of you thrown off a cliff

like i said we love stan he’s great BUT i do think opening the portal was significantly more risky than people think it was

[saintsenara]

Do you think the wizarding world even has a concept of rape? I don't think this was JKR's intent but love potions are considered perfectly legal, Romilda Vane doesn't get in trouble, Dumbledore doesn't seem to think Merope did anything wrong to Tom Riddle Sr., and despite a member of Magical Law Enforcement witnessing lots of sketchy stuff at the Gaunts' no one steps in to help Merope. Plus we know their society is archaic and lacks modern values - ie. quills, slavery, lack of democracy

it's a great question pal.

the answer for which is under the cut, for the obvious reason that it comes with a trigger warning for rape.

when the statute of secrecy was signed in 1689, rape - defined as "the carnal knowledge of a woman forcibly and against her will" - had been illegal under english law since the middle ages.

however, the "against her will" bit is important here. in the seventeenth century, it was a legal requirement for a victim of rape to prove that she had maintained a continuous state of physical resistance during her assault. in cases where a victim could not prove this, her consent was presumed - even if she had been incapacitated in some way. unsurprisingly, consent was always assumed between husbands and wives.

men could not be raped under the letter of seventeenth-century english law - but the rape and sexual assault of men was illegal under buggery [sodomy] laws, and was often taken much more seriously by the state...

and i think we can plausibly say - should we want to - that, on the basis of what we find in canon, the wizarding world might retain this legal requirement for rape to be indisputably resisted, and that this explains why love potions seem to have no repercussions attached to them.

because, of course, love potions essentially function like date rape drugs, even if they leave their victims appearing to be of sound mind [the officiant who married tom and merope wasn't suspicious of anything, for example - and the only reason ron is so badly affected by the love potion he takes is because it was out of date]. they incapacitate a person to the extent that they cannot offer legitimate consent to sexual acts, and they also incapacitate them to the extent that they cannot physically resist their attacker - in their case, by compelling the person dosed with the potion to regard their attacker as someone they want to have near them.

therefore, if wizarding law only considers rape to be something which is accompanied by evidence of resistance... then using a love potion on somebody would not be rape.

the cultural implications of this are fascinating - especially since [no matter what jkr thinks] the wizarding world appears to be restrictive [by the standards of muggle britain in the 1990s and 2000s - although, unfortunately for those of us on our high horses about coming from a superior nation, not by the standards of muggle ireland...] in terms of conventions surrounding sexual behaviour and gendered expectations placed upon women.

the marriage age for women is extremely low [any woman whose wedding date we can pin-point in canon - molly weasley, andromeda tonks, lily potter, fleur delacour - gets married as a teenager]; the age for having children is also much lower than it was in the muggle world - and even than it was in the muggle world of the 1940s-1980s [all four of the women above fall pregnant before they're twenty-one, for example]; unmarried couples don't seem to live together, and there's clearly a social taboo against premarital sex [molly weasley gets a lot of flack from the fandom for making bill and fleur sleep in separate bedrooms, but nobody in the story regards this as prudish or old-fashioned]; divorce doesn't seem to be common [and blaise zabini's mother killing her husbands certainly takes on a new flavour if we assume that divorce is extremely difficult... or even illegal]; and married women - at least in the middle- and upper-classes - don't seem to work.

i also think that it's canonically plausible that arranged marriage, including between cousins, is a common cultural practice [sirius' comment in order of the phoenix about parents "letting" their children marry basically confirms this, i think] - which means we can also imagine, if we'd like, that there's perhaps little legal distinction between arranged and forced marriage.

obviously - obviously - i don't think that any of these are things the doylist text intended. the reason the story says very little about sex - both consensual and otherwise - or law or gender norms is because the harry potter series is a story about a boy-wizard who goes to a cool magic school and fights a good-versus-evil battle to the death which was written for children. i don't begrudge the publishers for not fancying a hundred pages on harry learning how to put on a condom...

[and the low marriage/childbearing ages genuinely seem to be because jkr is functionally innumerate and didn't realise how young she was suggesting everyone was...]

but from a watsonian perspective, they're really interesting - especially for the extremely disturbing paths they can lead us down as authors when we're trying to flesh out the worldbuilding of magical britain.

what - for example - is the wizarding age of consent? and how would this impact how wizards understand sexual maturity, adult-child power relations, and child abuse?

[after all, if the age of consent is unchanged from 1689... it could be as low as ten. which goes some way towards explaining why nobody thinks of tom riddle as grooming ginny...]

does the law consider it possible for a wizard to rape his wife? and if it doesn't, what does it think about him beating her?

what legal rights do sex workers have in the wizarding world?

is abortion legal? is contraception? is homosexuality? does gay sex have a higher age of consent?

is divorce legal? can women initiate a divorce? how are single mothers treated [and, therefore, what was lupin willing to do to tonks by walking out on her]? how are the children of unmarried parents treated? what property and inheritance rights do women have? are marriages performed by muggles - or dissolved by them - recognised by the wizarding state? what position does this put a witch [like eileen snape] who marries a muggle man in? would a wizard who marries a muggle woman and then abandons her be committing bigamy if he married a witch?

would wizards ever be punished for sexual offences against muggle women? does merope get away with attacking tom sr. in the eyes of the wizarding state because of her gender or because he's a muggle or both? could a muggle raped by a wizard even report the crime?

what modesty standards are there in terms of dress and behaviour? what would wizarding feminism look like? what is it like to be muggleborn [especially from the 1960s onwards] and enter this world?

i think i'm inclined to take the grimmest possible view of all of these questions, to be quite honest...

the wizarding world is fucked up.

[spop-romanticizes-abuse]

honestly, i think the double standards with catra and glimmer stems from something other than pretty privilege, and it's something i've seen in a lot of media.

take, for instance, the atla fandom demonizing aang and katara but coddling azula. or the su fandom villanizing steven but making excuses for spinel and lapis.

and the reason for this is that villains or antagonists are always given more freedom to make mistakes, to do heinous shit, to be cold or rude or insensitive to others. the logic being that "they're the villain, of course they're gonna be horrible".

with heroes, on the other hand, there's this subconscious judgment whenever they make a mistake. heroes are meant to be perfect and as much as people say that they want more antiheroes, they always judge a hero based on how morally good they are.

which explains why katara is hated on for saying something insensitive out of repressed grief and trauma, but azula is coddled for committing multiple war crimes.

why glimmer is bashed for being kinda mean and making some bad choices due to grief and pressure, but catra's conscious choice to attempt genocide and willing participation in war is justified.

why steven is villanized for having a mental breakdown after years of suppressed trauma, but spinel's attempts to kill dozens of people on earth are excused.

why mabel is demonized for being kinda selfish sometimes and for being manipulated into giving away something she didn't know the importance of, but bill is loved by everyone.

why korra is blamed for trusting her uncle and losing her connection to the previous avatars, instead of unalaq being held accountable for manipulating her (unalaq isn't really coddled by the fandom but there's a huge victim blaming problem).

simply put, people want heroes to be pure. they want surface-level flaws like clumsiness and awkwardness, not REAL flaws. as much as these people say that they want more morally grey or complex heroes, the truth is that they can't even handle their hero being kinda rude to someone.

especially with characters like glimmer, mabel and katara, who have a more traditionally feminine aesthetic and is generally a good person, people expect them to be well-behaved and perfect all the time. even though both these characters were shown to be passionate and stubborn and fierce from the very beginning, people are still blindsided when they actually take a bold stance or act on their emotions.

and with steven, he was a nice, happy, easygoing kid in the beginning and he tried to remain optimistic throughout all the trauma he went through, so people just expect him to do that forever. to always repress his feelings and never give himself the space to express them, to always focus on being a therapist for literally every other character and to never prioritize himself.

and like sure, villains are meant to be evil. i'm not telling anyone to water down their villains. but there's a difference between liking a villain and excusing their actions. i like azula. i like all of the villains in tlok. i like bill cipher. i even like catra and white diamond minus their shitty redemption arcs.

but i'm not going to set double standards by justifying everything that a villain does and demonizing a hero for acting out of line once. especially if the hero actually takes responsibility for their actions and tries to be better, and the villains just get forgiven for doing the bare minimum.