#is my preferred way to go

[maximusboltaqon]

so my Great Idea is that since in mcu secret invasion the president made that speech about all alien life, the inhumans can make a GREAT return. so like obviously humans are already, in general, pretty shitty towards anyone with powers (who isnt an avenger) the inhumans are already iffy with them. THEN this happens and theyre dealing with a bunch of incredibly paranoid humans, and probably a lot of them are getting killed. so they're like "fuck this we're leaving" and NOW you have the opportunity to soft reboot like we're doing with murdock and fisk!

they can either move to the himalayas or back to the moon. my personal vote being the moon bc maximus is still up there and his isolation (+ whatever random dna he injected himself with) could definitely be pulled in a way to make him more comic accurate. i dont care how they give him his powers but there are OPTIONS.

it's a foolproof strategy!!!!

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[timothyslucy]

TOMORROW!!!!!!!!!!

[courfee]

it's been exactly a year since the last chapter of Operation Walburga's Arbitrary No Kissing Ever Rule and I still miss it. This scene is probably one of my favourite things I've ever written and I've wanted to draw it for forever, so now seemed like an appropriate time

[justaz]

im not a fan of modern merthur but the idea of them meeting in modern times and introducing themselves to each other and them laughing and bonding over their names being connected to the myth of king arthur and camelot is just so cute

[ofswordsandpens]

while I do like the added dialogue between Sally and Percy in the minotaur scene, namely Sally's speech to Percy telling him to hold fast, I really wish the scene had more of the urgency that it did in the book. Like Grover's heavily injured to the point of incoherency, Sally and Percy literally have to drag him up the hill, and that's when they're overtaken by the minotaur. In the show, having them all come to a grinding standstill and Grover being fully alert like "sorry I know we're being chased by certain death but your mom's human so she can't come :/" was kind of adflksadfjasdf

oh and in the book Percy doesn't immediately pass out. Instead, Percy doesn't let himself until he's hauled Grover over the boundary line and all the way to the big house because he needs help and it's only then does Percy finally collapse. and idk just the imagery of it all -- Percy crying for help, for his mother -- it always stuck with me and I wish they hadn't taken it out.

[firestorm09890]

Penny stardewvalley makes me so sad because she's SO sensitive to, like, basically everything you tell her (telling her that you can't stand children while two children are nearby is a pretty lousy move but -1500 friendship?? being a jerk to other characters' faces typically loses you about 50 points, and if you choose the option labeled "creepy" and ask Leah for a kiss in her 2 heart event she physically hits you and kicks you out of her house but that's only -100 friendship…) and so if you want to befriend her it's a whole lot of lying and tiptoeing around her feelings (2 hearts: George was right but saying that makes her feel bad. 6 hearts: her food sucks but even if you try to be polite about it she feels like a failure; only a bald-faced lie pleases her. 8 hearts: saying you don't want to be tied down with a family loses you a little bit of friendship and she's only happy if you say you want kids) and I can't help but think she's a product of her environment. She lives in a trailer with only her mother, who gets drunk every night and has something of a temper. Penny's like a skittish rescue animal who won’t even come out from hiding under something unless you leave her lots of treats

[valtsv]

anyone else ever feel like they can never say what they mean when they talk to other people. like i'm just making noises with my mouth that vaguely resemble what i'm actually trying to communicate.

[buildbuymode]

procrastinating playing by retooling the goth manor for the seventieth time

[puppppppppy]

[starry-bi-sky]

more about og tue timeline twins danny and dan/jamie

very touchy with each other. you might even say. ccclingy. its to be expected, they're two halves of a whole after all and all they've got of each other. worryingly co-dependent. do not separate. ever.

Danny was really weak and sick after the initial separation, and was for a while after. Jamie knew internally that if Danny died, he'd take the whole world with it. He was the one sole caretaker for him while he got better -- not for lack of trying on Vlad's part, but without his ghost powers he was nothing more than a feeble (albeit handsomely rich) man, and James looked ready to bite his head off if he got within ten feet of either of them.

Vlad is intimately aware that James (or Danny, if he tried) could snap his spine in half like a twig, and is uncomfortably aware of his own lack of ghost half now. It makes him feel self-conscious and exposed, so he never fully returns back to "cocky and self-assured billionaire Vlad Masters". Making deals with other brands feels a lot harder now that he can no longer possess them anymore.

Speaking of, he very quickly has to come up with a cover story as to why there's now a James Daniel Fenton to the public, when no records whatsoever of him existing existed prior. Lots of forging false government documents on his end. James and Danny do not help because it's his fault this happened in the first place.

(Regardless of whether or not Danny actually willingly chose to rip out his ghost half/humanity in canon is true, or if that was Vlad Masters speaking out of his ass, a large part of the blame still falls on Masters.)

(As his primary caretaker and guardian, it's his responsibility to ensure the health and safety of his charge, and since Danny was in clear emotional duress at the time, it can be argued that he was not in the mental state to make such a decision. And, allegedly, couldn't do it on his own which is why he asked Vlad for help.)

I chose "James" as Dan's name since it's a popular fanon middle name for Danny, and since he's half of Danny, it felt like it just made sense lol. Also because of the ensuing comedy of the two of them introducing themselves as "James Daniel Fenton" and "Daniel James Fenton". It's got the same energy as "danny with a y" and "danny with an i" and it's the exact kind of name bullshit you expect parents to give their twins.

I don't have their exact personalities down, but something I am actively writing into this au's bible is that I think Danny should be the quiet and (ig technically) meaner one. There's a lot to go into about interpretations for ghosts, halfas, and the incident itself, but TL:DW; Danny is technically soulless, or at the very least missing half of his soul (altho Jamie is too just in a different direction).

Pair that with the trauma of losing his family in front of him + having his ghost half ripped out + all the trauma he would've sustained as a hero, and he's not doing too hot mentally! i think if the twins met good timeline!Danny, Danny would've mistaken Danny for Dan and Jamie for the original half.

He comes off to others as pretty apathetic and indifferent to a borderline terrifyingly calm degree. He doesn't go out of his way to insult people, but he also doesn't care enough to consider the other party's feelings so he doesn't filter himself, which makes him come off as rude. The only times he looks truly comfortable is when he's near Jamie or talking to him.

His standoffish, ice prince demeanor makes Jamie look like a saint in comparison. When really he's not all that much better? He's more outwardly emotional than Danny, whether that be positive or negative, but at the end of the day he doesn't trust or care about anyone else any more than Danny does, and he's got a bit of a sadistic streak. Danny reigns him in when he starts becoming too destructive.

(Which I think makes sense. Danny asked Vlad to rip out his ghost half specifically so he could stop feeling his human emotions. Dan, despite his monotone voice, does exhibit emotions. He's smug when he asks Valerie if he likes his ghostly wail, sardonic when he reunites with Sam and Tucker, annoyed, shocked at Danny's ghostly wail, etc. He enjoys wreaking destruction and chaos.)

(If Danny had survived his encounter with Dan and if Vlad was successful, then I imagine he'd be rather apathetic to his other half as a whole. That'd be interesting.)

Overall though they're both hurt, bitter, and distrustful of the world around them, with abandonment issues a mile wide. They can get better and they can heal, but it takes time and patience and proper support.

On the DPxDC side of things, they do genuinely hold some kind of respect or regard for Bruce. They also don't become vigilantes for a while. Neither of them are jumping at the bit to enter heroism again, not when it was heroism that killed their family in the first place.

In fact when they find out Bruce = Batman they think he's foolish for it. They think its a fool's errand, and they've been so spurned by their time as Phantom that for a few weeks, Jamie even refused to call Bruce anything but Sisyphus. Danny called him Tantalus, and the two of them had a faux-argument about which one was more accurate.

Bruce does, though, worm his way into both of their hearts, and that's like, the main reason they become vigilantes to join him. So that they could keep him safe and not because of any desire to return to the heroic life. Relearning to care and finding satisfaction in helping others was an unintentional side effect.

(Bruce is so very smug)

Essentially:

The Twins: this is our squishy and fragile adoptive father. If anything happened to him, we're becoming mass extinction events.

Bruce: Nnno.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[heartscrypt]

"this isn't the proper meme format" yeah well i cant control them they're freaks sorry they defy the logic of the original meme okay

[bandtrees]

they would get divorced in one universe just to find eachother in another one

alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way

[critter-covenant]

"ooooh thank you! Thank you! Thank you!!!"

They'd be good friends I like to thinmk

[hauntingofhouses]

yall i just KEEP doing back to mizu and taigen's wrestling scene in master eiji's forge and like i know that taigen literally got a boner from it BUT THE THING IS out of all the scenes these two have together, this scene actually has the least sexual tension ?!? cuz like the boner aside, this scene is actually very soft and emotions-driven rather than pure passion or lust.

arguably, a more passionate and sexually-charged scene would be their previous brawl in the snow with the chopsticks, which is tense and angry and also the scene that mizu thinks about when madame kaji talks about being honest with one's innermost desires.

but THIS scene in the forge? warm colours. their laughter and their smiles that both equally genuine. the WAY taigen looks at mizu in that scene, staring first at her lips, her smile, then looking into her eyes. and you can see by the framing of the scene and the look on his face that he is, for the first time, seeing her eyes as something beautiful rather than off-putting or frightening.

like before this point he's already come to not only respect mizu as a person and an equal but also admires her as an incredible swordsman and as someone who is kind and honourable* for having saved his life at the expense of her revenge quest. so as of the time of them tussling in the forge, taigen has already put aside his prejudices about mizu's blue eyes and no longer finds them as any cause for disgust. but in this scene he's not just indifferent about her eyes, but attracted too it.

and i'd also like to argue that his boner is not from the physical exertion or the act of wrestling itself, but from the intimacy of a playful spar, enjoying each other's easy company after having established a deep trust with each other (taigen endured torture for mizu and helped defend her from archers in the chasm while mizu saved his life from fowler's castle)

and all this while in the safety of mizu's childhood home while both of them are still recovering from near-death, amplifying their vulnerability with each other.

like when was the last time mizu cracked a genuine smile, let alone a laugh that's more than a little wry chuckle?? and for this to happen at such a low point in her life also speaks to the comfort this little friendly spar gives her.

because like, this is after she failed her mission to kill fowler. meanwhile her sword--the embodiment of her soul--is broken, and ringo who is her closest confidant is now angry at her and barely even looks at her. it just further lends to the inherent tenderness and intimacy in this scene. and i just. AHHHH i love them your honour....

* ALSO as a side note about taigen believing mizu to be honourable: he later realises that this assumption turns out to be quite false when she reveals that she'd not only allowed akemi to be taken away against her will but also has said nothing about fowler's impending attack on edo. also i find it very interesting that out of the two revelations, taigen is less angered by mizu letting akemi being married off (he sighs angrily and marches off saying he has to go to edo to find akemi), but much more angered by mizu's refusal to save the shogun and the shogunate as a whole. this is more proof that taigen's central principles are firmly rooted in the bushido and the concept of honour that comes with that. it's why he lashes out at mizu. because he'd believed mizu to be honourable and righteous, but was proven wrong. that's not to say that taigen is in the right for calling mizu a demon, not by any means. but i just find it a very interesting part of his character and it relates to his relationship and perception of mizu

also while rewatching the episode i found this very funny they just lyin there in the cart like this 🧍🏽‍♂️🧍🏽‍♂️