#is more people still in the fandom?

[seirei-bh]

A theory about Maia and Onin

Reading through J&D TPL's design bible, I realized that Onin and Maia have one thing in common: they can both predict the future and can hear and interpret prophecies.

The description about Maia in TPL design bible says Maia was able to predict the future and shout prophecies with a voice that was not her own. In addition, Maia is said to have used a "dark socery" and it is even hinted that she was so powerful that she created an army of enemies (it may refer to her creating the Lurkers or at least experimenting with them to mutate them in different ways). Onin is also renowned in Haven City as a true sort of fortune teller and sorceress. The two are the only human characters who have these powers so strange and uniques.

But why do they have these powers? Why does Onin know so much about the Precursors? And why was Maia going into a trance and speaking in a voice that was not her own? Why did Maia and Gol wanted to experiment with dark eco?

Here we go, theory time!

I believe that Maia and Onin are people "chosen" from birth, just like Jak, to fulfill a role that guides Jak to be the hero he is today. But Onin and Maia had an opposite role. One was chosen by the Precursors, and the other by the Dark Makers.

Onin was born blind and mute, therefore, the Precursors spoke to her and gave her a gift of light eco, so that she used her gift for good, and was, like Samos and Damas, a key person to guide Jak on the good path of his hero journey. Meanwhile, the voice Maia heard was not the voice of dark creatures who used to be Precursors: the Dark Makers, who tempted her and Gol to the dark side. On the one hand, this would cause the future, Jak and Daxter to have to embark on their path as heroes and become stronger, but it would also be what would trigger Jak and Daxter to find the Rift Gate and with it the metalheads could reach their world, destroy, conquer, and later the Darkmakers might also come to that world and destroy it.

However, it's true Onin came to do things that can be considered not very good, since it was she who told Erol that Jak was "special" and that is why the KG took him to prison, but we need to remember that the Precursors are gods who play with people as game board pieces, So Onin knew that Jak needed to go to prison to gain the power of the dark eco to defeat Kor, in the same way Samos also knew it was necesary Jak needed to go to the past and later go to the future.

And in certain way, Samos also is a opposite parallel to Gol, both being sages with an important role in Jak's journey. In both cases, we have a sage and a sorceress.

It was necesary that also Jak had people in both sides of that coin that helped him to become in the hero Mar. Since he achieved both eco powers: light and dark. That's whay the Symbol of Mar represents: the balance.

//extra side note: I also have some headcanons (for fanfics that I never couldn't finished and I hope I can back to write them some day) about Onin being a long lost member of the House of Mar (a Damas's great-aunt or something like that), and that was why she knew so many things about the tomb of Mar, and Jak's mother being a distant relative descendant of the Acheron clan -not directly of the evil twins, of course, I mean descendant about other non-mentioned members of Acheron family. Being those things even here more representative and symbolic to Jak's light/dark sides, but I'll talk more about this in other post~)

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[sentientsky]

just a friendly reminder that, just because slavery was formally "abolished" in the so-called united states* in 1865, enslavement itself is still ongoing in the form of incarceration, which disproportionately affects Black and Indigenous people

(*i say "so-called" because the US is a settler-colonial construction founded on greed, extraction, and white supremacy) recommended readings/resources:

The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander

"How the 13th Amendment Kept Slavery Alive: Perspectives From the Prison Where Slavery Never Ended" by Daniele Selby

"So You're Thinking About Becoming an Abolitionist" by Mariame Kaba

"The Case for Prison Abolition: Ruth Wilson Gilmore on COVID-19, Racial Capitalism & Decarceration" from Democracy Now! [VIDEO]

[cy-cyborg]

Just a reminder that unless your amputee character lost their limb less than a month ago, their stumps don't need to be bandaged.

[spitedemon]

i really don’t think it’s “typical dragon age fandom nonsense” for people to be genuinely upset about the world state choices. combat, level design, art direction, gameplay gimmicks, those have all varied across each dragon age game. the one thing that’s remained constant are nods to our previous choices.

i wasn’t expecting my HoF to come riding in on a griffon, but i can’t find a monument dedicated to warden tabris somewhere around the anderfels? lucanis couldn’t have some lines about the time that one arainai boy was stirring up trouble in antiva city? you’re gonna tell me that making a mage the new divine wouldn’t have some impact on nevarra and antiva? on the anderfels, the supposed most devout militant andrastian nation in thedas? you’re saying nobody in the north is paying attention to who rules orlais or ferelden? come on.

[arcanegifs]

Here's more comparisons of Arcane Gifs before and after I color and sharpen em!

[laddertek]

etho said actually you _don't_ understand the intricacies of how tango is my boyfriend and bdubs is my ex

(and how tango and bdubs kiss too)

Scar: We went on that little adventure, you know! Etho: Yeah, yeah, we had our adventure, that's true, that's true. Scar: You disparaged your teammates. That's it, all right, no more spoilers. Etho: (laughs) Our team has -- our team has some weird dynamics this -- this season. Cleo: (overlapping) Really, Etho? Is there trouble in paradise? (pause) Who's third-wheeling with you, again? I can't remember. Etho: (laughs) Uhh. The -- Cleo: Genuinely can't remember. I know it's you and Bdubs. And...Tango? Tango. Tango. Etho: (loudly) Why -- Why is Tango the third wheel? Why -- why isn't Bdubs the third wheel? Cleo: Because it's you and Bdubs. I'm sorry. I understand how that relationship goes. Etho: (dissatisfied) Hmm.

[nouverx]

As a french person, it's kinda funny to me when fanfic writers make Alastor speak french, and it's always things like "Bonjour mon cher, je t'aime" you know, typical french words from the main France french most people learn here and there.

The thing is, Alastor knows french creole from Louisiana, which isn't the usual France french most people know. Alastor would speak like "Bonjou konmen to yê?" Or "Mo laimm twa" instead ahah.

Also, there's different versions of french creole, the one from Louisiana is not exactly the same from Antillean Creole or French Guianese Creole. If you want here's an example to what Louisiana Creole sounds like!

So yeah if you want to spice up your fics and be more accurate with your Alastor speaking french creole, dont be afraid to look out for Louisiana Creole expressions instead of the typical french you'd normally use! Makes it more fun and more accurate 💃

[stealingyourbones]

Never will I stop with the steadfast notion that folks in the DPXDC fandom should interact with at least some form of canon DC media.

There are comics, tv shows, radio dramas both old and new, podcasts, movies, magazines, so much shit that intentionally avoiding the media is simply preventing yourself from spawning new ideas and gaining a new appreciation for a fandom that you’re already in.

The Superman Radio Show has episodes 11 minutes long. A lot of the TV shows don’t have episodes that surpass 30 minutes and most are nearly fully clipped on the official DC YouTube channel. The amount of fan made motion comics is astounding. The amount of fanmade animations is equally as incredible.

[jolalibrary]

I miss when we were gardeners. when we tended to our fandom garden as a collective, instead of worrying that someone was making their part of the garden fancier than yours. I remember when people didn’t expect that it would be here tomorrow, when we lived in fear that we’d wake up and a site that housed our words would be gone, vanished. now, we don’t even care when our faves vanish and their blog becomes abandoned. we used to nurture fandom because it was an escape from the acting some of us had to do day to day, that we could be ourselves here. it feels—at times now—that people walk in, pluck a flower and leave. that if you’re not posting something new, your use is so little. but then, I remember when gif makers were respected and appreciated, and never had their work stolen and immediately put on twitter, and when moodboard makers and artists were adorned with so many reblogs and comments with ideas and headcanons that aided in new stories being generated. now no one shares any ideas out of fear some blog will write it first and you’ll be accused of stealing what you’ve spent months on. I remember when writers were seen as people who were just as talented as the people I’ve mentioned before, when people acknowledged how long it took to write a chapter or a one-shot. now, we’re easily replaceable, whether it’s AI or we’re simply not quick enough that people don’t want to invest. I remember waiting six months for an update on my fave fic, and I never felt slighted by it. because we liked being in fandom? we liked being supportive of everyone in it. we didn’t like everyone in it, because that’s impossible, but we didn’t make it our mission to burn them until they left, because we understood that even a gardener we didn’t like, was still someone cultivating a flower for someone we couldn’t make on our own. the saying it takes a village applies to fandom, and the question we need to be asking ourselves is: are we all doing our part or just taking and hoping it’ll be there to take from tomorrow?

[sporenss]

I redrew the poster for the thing :)

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.

[rainingcatsandjune]

haha heyy its been a while 😭😭 sorry for the lack of activity here,,, school has been kicking my butt + i've gotten SUPER hyperfixated on disco elysium,,,, BUT THE MOMENT I SAW THE ORIGINAL I KNEW I HAD TO DRAW SAM AS THIS RAHSBBFBDN i seriously need to catch up on the recent audios 😭😭😭 ANYWAY enjoy :)

vvvvv ORIGINAL BELOW vvvvv

shhhhghhshhshhsh youre telling me this ISNT sam??? like????

[nocek]

A little continuation in my Gabriella lives au that already happened here and here.

So my another little headcanon, besides that Miguel is awkwardly attempting here to sorta adopt Gwen and is trying to figure out how to convince her to go back to school, is the night routine.

So Miguel (who read too many parenting guides* to catch up quickly and not fuck up this precious child) strongly believes in leading by example. So since he wants Gabriella to have good sleeping habits after her nightly routine he also goes to sleep at sensible hour. But he can't sleep through whole night so when he wakes up at ungodly hour he does some light work not to wake up her.

Then he prepares breakfast and bento (he totally had to learn to cook, you can't convince me otherwise) and with time he started having a little fun with it and then it became kinda hobby. It helps him wind down so that after he sends Gabriella to school he is actually able to take an extra 1-2 hour nap.

(* as in parenting guides for child of Gabriella age, totally clueless what to do with a traumatized teenager but after the denial he probably will do the homework)

[mossmx]

While Merlin is trending I want to thank the whole Merlin fandom

people who have been with us since 2008 and people who have just started watching, people who have left us too soon but will be forever in our hearts and people who switched fandoms but are still amazing

whereter you create, lurk, cheer or just cry in the corner (most of us have been there lol) every part of the Merlin fandom is always part of our family

even if we have no reason to trend we will always have a reason to celebrate :D

[turtleblogatlast]

No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.

The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.

And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.

He’s their father, for all his faults he did his damndest to make sure they survived.