#is it wrong to love a bisexual too much? i think the answer is no
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samandcolbyownme · 5 months ago
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We need more demon!Colby or vampire!Sam 👀
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Warnings: SMUT18+, strong language, swearing, demon!colby, talk of death/dying, kind of a dark aesthetic, talk of demons, angels, etc. demonic attachment?, compulsion, mentions of police, kissing, hair pulling, choking, biting, scratching, unprotected sex, oral (f rec), filth - please read with care 🖤
With the way I wrote it, the reader is hinted at being bisexual - if you have an issue with that, please just move on. No hate or rude comments will be tolerated,
Word Count: 5.4k | Unedited
╔═══━━━─── • ───━━━═══╗
You walked into your apartment, saddened by yet another break up.
You never had issues with dating before. You never had any issues keeping anyone’s attention. But, for the last few months, you’ve been noticing a trend.
You meet a guy, or girl, and it’s going well for the first few days, sometime a few weeks, and then you’re back to square one because you felt like you needed to break things off, or they just said it wasn’t going to work out.
There’s never any clear reasoning either. It’s always the, it’s not you it’s me, I promise, and then you both go your separate ways.
You made your way to your bed, ripping the covers forward so you can climb in and pull them up over your body.
You sniffle, allowing the thoughts to take over completely.
Am I boring? Why does this keep happening? Am I annoying? Do I talk too much? Bad breath? Did I say the wrong thing? Am I not pretty enough? What’s wrong with me?
You let out a sigh, begging for the thoughts to just shut up, and eventually they do, you start to feel more relaxed, and eventually you fall asleep.
Colby stood over the woman’s sleeping body for hours, keeping her dreams on the happy side as he manipulates himself into it. He tilts his head, watching you as a small smile spreads across your closed lips.
“Just relax, my love. You’re going to be fine.”
Your phone buzzing in your sweatshirt pocket wakes you up. It takes a few seconds to register what’s happening as you roll over and rub your eyes, but eventually you pull your phone out, “Hello?”
“Where are you right now?” Your closest friend, Brooke, practically yells into the phone, “Are you home?”
You keep your eyes closed, still half a sleep as you mumble, “M’home. Sleeping.”
“Do you have someone there with you?”
Your eyes snap open and you sit up, “What did you just say?” You reach over, turning your bedside lamp on and you look around as she speaks, “I’m going to take that as a no, so just stay where you are. I’m on my way up, I’m going to call the police.”
She hangs up before you can say anything else and you’re left in silence, your heart racing faster at the thought of someone being in your apartment without your knowledge.
A few minutes later, your phone lights up and you instantly answer, “What did they say?”
“They’re sending a unit over, probably a few minutes. I’m unlocking your door now.”
You kick the blankets off, walking over to your door. You look out, watching as Brooke makes her way through and you hang up, “What exactly did you see?”
“Okay, so you know how you can see the parking lot from your bedroom window?”
You nod and she raises her brows, “Well I pulled in, and I seen like this shadow figure behind your curtain, and it was a lot bigger than you would be if you stood there. By the time I went to get a picture or a video, it was gone.”
“How many times did you call me?” You pull your phone up, going to the call log, “I woke up on the third call, but you’d think I’d wake up? I’m a light sleeper.”
“No I know, which is why this is so fucking weird.” She sighs, jumping when there’s a knock on the door, “Police.”
You sigh, “Okay, we’ll just let them do a sweep.” You walk over, opening the door to reveal two officers. The blonde one nods, “We’re here about a possible break in? I’m officer Golbach and this is Officer Webber.”
“Yes, I called. I’m Brooke, this is y/n.”
They walk in and Golbach turns towards you while Webber walks around the space, “What exactly happened?”
“We had plans for a dinner and movie night, so I come over and when I looked up at her apartment, because you can see it from the parking lot, I seen this tall, probably, almost six foot figure in the window.”
“What time was that?” Golbach asks, “Did, ah, it move or anything? Walk away, turn? Anything?” He adds as he writes down what Brooke is saying, “Probably about Seven, seven thirty? And No.” She shakes her head, “It was just standing there still, and when I went to take a picture. It was gone.”
“You’re the one who lives here correct?” He points to you and you nod, “Yes, I do.”
“Okay, and what were you doing while all of this took place?” Golbach asks and Webber comes out of your spare room, “It’s clear. No sign of forced entry on any of the windows by the fire escape.”
“I was asleep.” You state, “I woke up to my phone buzzing in my hoodie pocket.”
“Okay.” He nods and continues jotting stuff down, “Are you a light sleeper?”
You nod, “Yeah, you can ask Brooke. I wake up with the slightest noises. I hate it.” You look over at her, “Did you look at the right window?”
“Did I look- yeah, I know which windows are yours, y/n.” She sighs, “Also, how in the hell are you so calm right now!?”
You didn’t realize it, but you were way calmer than anyone else would probably be in a situation like this, especially with it being your apartment.
But it is weird because you would normally freak out just thinking about something like this happening.
“I don’t know.” You shrug, “I’ve had a day, okay. I-I just got broken up with for no reason, again. I came home after sitting in the parking lot of the convenience store down the street for an hour eating ice cream, and then I came home and went right to sleep.”
You were blowing off steam, and Brooke knew that.
“It doesn’t sound like it, but I have to ask. You don’t think this person should broke up with you would come here, do you?” Golbach raises his brows as you sigh, “No. They seem to not want anything to do with me, so.”
You see Brooke’s face fall, “Y/n.”
“Like I said, there’s no sign of forced entry. Did you lock your door when you got home?”
“It locks automatically each time it closes.”
Webber nods at your words, “You’re staying here tonight, right?” He looks to Brooke and she shrugs, “Do you think it’s safe to stay here, tonight?”
He nods, “I’ll go down and check the cameras in the office, but I’d say you two gal’s will be alright.” He makes his way over to the door, checking the lock, “You didn’t pass anyone on your way up or down the steps did you?”
Brooke shakes her head, “It was just me when I came up.”
“Okay.” Webber leaves and you look back to the blonde officer, “This is my card.” He hands you a white rectangle, “I’ll do a few drive-by’s tonight, I’m on the clock until six a.m., call if you need anything.”
You nod, “Thank you for coming. I appreciate it really.”
He nods, “Not a problem, now I just need a few more things from both of you, and the. We’ll be out of your hair.
You answer the questions, full name, social, date of birth, etc., same with Brooke.
By the time you’re finished, Webber comes back up, “Cameras were clear. There was no one on this floor, even after you got home.”
“Maybe you just got unlucky with a haunted apartment?” Brooke laughs slightly and you roll your eyes, “Yeah, just my fuckin’ luck.”
——
A while after the officers left, you were sitting on the couch, moving on to your third movie when you hear this light whisper.
You look over at Brooke, “Did you say something?”
She looks over at you, shaking her head, “No. I’ve been waiting the tv.” She points with her finger and you nod, “Oh, okay.”
“Why?”
You shake your head, “I thought you said something. It must be on the tv.” You check your phone, letting out a sigh, “I think I’m -“
“No. You’re not going to bed.”
“Why not?” You whine, “I’m tired.”
“No. You’re avoiding talking about what happened with Jace.” Brooke sits up, “I gave you time, now talk.”
You sit up, moving your blanket to cover your legs more, “He said, and I quote, it’s not you, I’m just not feeling like I need a relationship right now, end quote.”
Brooke nods, “And how does that make you feel?”
You laugh slightly, shaking your head. Your mood changes, “I don’t know what happened, Brooke.” You look over at her, “I never had this happen before. It’s like.. the universe is trying to keep me unhappy. Or something I don’t-“
She tilts her head, “I think you need to focus on yourself. Do you really need a boyfriend anyway?”
“It would be nice to not have to come home every night, alone. You at least have Liz, speaking of. Where is she?”
“She got stuck at work, they didn’t have enough people to cover third so she got mandated to stay.” She rolls her eyes, “But anyway. I think you need to take a little you time, focus on whatever it is that you need to focus on, and come back better than ever.”
You nod, chewing on your cheek. After a few minutes of nothing but the tv in the background, you take a deep breath, your voice quiet, “Maybe.. I’m just too fucking complicated for anyone to love.”
“No, y/n. That’s not true.” She moves closer, “not even close.” She turns towards you, “Probably unprofessional on his part, but you should go for officer Golbach.”
“No.” You shake your head, “Wait. Didn’t you just tell me to-“
“Shh, we’re starting over.” She laughs, “I seen the way he cared for you more than he would anyone else.”
“You don’t know that.” You shake your head, your stomach slowly turning at the thought of even thinking of the officer.
“I’m telling you.. fuck what I said before, give it one last try.” She leans in, “He’s an officer, y/n.”
You feel like you could puke, “Stop.”
“What? Does thinking about him ma-“ She stops talking as you rise to your feet, “I’m going to bed. You can stay, but I’m just..” you sigh, “I need to be unconscious for a few hours.”
She raises her hands, “I’ll be out here if you need me.”
You give her a nod, “Sorry I’m ju-“
“You don’t need to apologize, y/n. I overstepped.” She sighs, “You deserve happiness, and I promise we’ll get you to it.”
“Thank you.” You smile and head for your bedroom, stopping when you smell something vaguely familiar - Sandalwood vanilla.
“Do you smell that?” You look back at Brooke and she tilts her head, “Smell what?” You shake your head, “Nothing. Goodnight.”
“Night.” She calls from the couch as you close your door. You stand there for a second before turning around to get into bed.
You let out a sigh as you nestle your head onto the pillow, staring over at the wall that’s lit up by the full moon.
You roll over, staring out the window at the sky, just wishing you’d be able to fall asleep, and your wish was granted.
His hand runs through your hair, calming every vibrating nerve in your body, “I’m here, my love.” You kept your eyes closed, letting out a sigh, “I love you.”
Your eyes open, meeting bright blue ones. A deepish voice follows, “I love you. I will go to the deepest depth of hell and back for you.”
His lips press to yours and quickly move down your neck, biting and nipping your skin, which causes you to whimper out.
“Louder, my love. I want you to be louder.”
You comply, moaning out louder when you feel a hand slide down your body to stop between your parted thighs. His fingers drag up and down your folds, fingers circling your desperate opening, “P-please.”
“Please what, my love?” His fingers slowly push in and you gasp-
Awake.
You sit up, looking around as if someone was actually there with you, but maybe it was just a dream, right?
You sigh, getting out of bed to walk out to the living room where Brooke is no where to be found. You furrow your brows, looking around for your phone to see if she texted you.
Liz got off early, heading home. Call me when you wake up.
You scroll down on your notifications and see a text from an unknown number, Just figured I’d check in. Any more disturbances at your place? It’s Sam by the way Golbach, officer Golbach.
You smirk slightly at the obviously nervous, text and click it, Nothing to report, sadly.
You sit down, seeing the bubbles immediately pop up then disappear, Sadly?
You lean back, biting down on your lip as you think about what Brooke said to you, but then you suddenly feel like this is wrong.
Not wrong as in flirting with the law, but wrong in the, I don’t belong to this person, kind of way.
You let out a sigh, “Fuck!” You throw your phone over your shoulder, absolutely sick of feeling like you… well, you didn’t know how you felt, exactly, but your interest changes when you don’t hear the clatter of it hitting the floor.
“You shouldn’t throw things that are important.”
You stand up, whipping around as you immediately start backing away. Your voice is gone, banished with fear as the figure that spoke walks towards you, phone in his beautiful, ring clad hand.
His voice rings in your head without him moving his lips, “You know me. I’m not going to hurt you, my love.”
“W-who-“
“We’ll get to that. But right now, I’m going to need you to tell Sam, that you’re a little busy right now.” He speaks and hands you back your phone.
A chill goes down your spine as your fingers brush against his to take it, and you begin typing, I’m a little busy right now.
“Good girl.” The man speaks, reaching up to run his thumb over your bottom lip, “I have been waiting ever so patiently to meet you.”
“Who are you?” Your voice is low, but you don’t shy away from his touch as his fingers gently brush over your cheek to push hair behind your ear, “I’m just Colby to you.”
“Colby.” You repeat and his hand pulls you closer to him, “Yes. You know me.”
“How.” You furrow your brows and he gives you as second to think, but you shake your head, “I don’t-“
Colby reaches up, cupping your cheeks with his hands as he stares into your eyes, “Think.”
Suddenly, Colby floods your brain with all the times you’ve seen him.
You’re sitting on the beach, fishnets ripped and a cigarette between your fingers. You turn your head slightly at the sound of a voice, “You know, there’s no smoking on the beach, right?” You scoff, watching the ashes fly down to kiss the sand, “What are you, beach patrol?” You laugh slightly and stop when he moves to sit next to you, “Beach patrol would be a lot easier for you to believe, my love.”
“I’m actually meeting somebody, so I’ll just take a wine while I wait.” You smile at the bartender and she nods, “One red, coming up.” You let out a sigh as you look around, waiting for Seth to appear. After some time, you decide to text him, but to your surprise, he’s not coming.
“This seat taken?”
You look up, smiling at Colby, “Actually.. no.”
“What do you mean that it isn’t me? That is the most..” you scoff, “Just tell me. Did you find someone better? Am I.. am I.. fuck, Nathan, just-“
“I just don’t feel anything anymore. I don’t know what more you want. I would love to like you, but I just.. we aren’t compatible, y/n. I’m sorry.”
You watch as Nathan leaves your apartment, tears falling as soon as the door shuts. You walk over to your window, jumping back with a loud gasp as a crow lands on the sill, but you suddenly felt better.
“Those were only a few times, I’ve been around a while.” Colby’s hand slides back, his palm flat on your cheek, “Are you scared?”
You stare up at him, “I.. don’t even know what’s real anymore.” You shake your head, “You’re not..”
“Go on, my love. Say it.”
“Why don’t I remember ever seeing you?” You ask but Colby makes you look at him, “One thing at a time, sweetheart. Please.”
It takes you a few seconds to even muster up the means to allow the words to roll off your tongue, “You’re not human.. but-“ you slide your hand up his arm, “You feel human.”
Click.
“Wait. You.. you were there after every breakup I had.” You step back, “Nathan, Seth, Taylor, Francesca, I-“ you bring your hand up to lay on your forehead, breathing heavy as you feel like you are about to pass out, “The crow.. I-“
“Shh, hey.” Colby moves to you, wrapping his arms around your body as your head rests on his chest.
You feel calm.
Like this is where you belong.
“Do you remember what I told you in your dream yesterday afternoon?” Colby asks, “I told you that you’re going to be just fine.”
He tilts your chin up, “I mean that.”
A knock on your door causes you to jump, and Colby’s grip tightens, “You’ve got to be kidding me.”
“Y/n, it’s officer Golbach. Just doing a check in.”
“I can g-“
“No, I’ll handle this.” Colby walks you over to the couch, “Sit.” You plop down, watching as he walks over to the door and opens it.
Sam doesn’t say anything, he just stares at Colby, nodding his head, but you don’t hear anything. Sam turns and walks away, leaving without any kind of fuss.
“What did-“
“I just told him that he needed to come back at another time.” Colby walks over and sits next to you, “I need your full attention, my love.”
“You can make me do anything, can’t you?” You keep your stare on him, “Is that what yo-“
“No. Y/n, okay. The only thing that I have made you do, is text officer dingdong, and break up with that asshole loser, who we both know would have only ruined your life.”
You raise your brows, knowing he was talking about Mitchel, who now has a bad rap with things you didn’t need, “Yeah. Thanks for that one I guess.”
“Oh, and your dreams. But other than those three things, my focus is on keeping you for myself.”
“Why me?”
“What do you mean by, why me? Look at yourself, y/n. You are beautiful.” He moves closer and shift towards you, “I would never make you do anything you wouldn’t ever want to do.”
“My dreams.. you.. last night..” you swallow as you think about the sex dream with him, and he nods, “There’s others.. but I figured I’d just give you the less detailed one to test the waters, you know?”
“But why?” You stand up and Colby reaches for you but you turn, walking away, only for him to appear right in front of you, “Don’t shy away from me.”
You step back, looking up at him, “None of this, is making any sense to me, Colby.”
“Because I love you.”
“You don’t e-“
“Yes I do, y/n. I know you more than you know yourself. Considering I’m a demon and all, I know that there are devilish thoughts in the minds of the most angelic, and y/n..” he steps towards you, his hands moving to your cheeks, “I know that you have some wicked desires..”
His eyes move from your lips to your eyes, “So, let me ruin you.”
“Colby I-“ You shake your head, “Can you just.. I don’t know what you do, but just.. I need a second.”
He nods and by the time you blink, he’s gone with a slight feeling of regret settling in your stomach, but you push it away as you sit back down, face in your hands as you try and figure out what exactly it is you need to figure out.
——
Colby was gone for a two or so. You were on edge, trying to figure out if he was in your apartment or not, in the walls. In your head.
You were jumpy, nervous, but above all, turned on.
Evil, above all, is truly seductive, and you found yourself missing a part of Colby, but then again, you were also second guessing everything you thought, felt, or heard.
“Am I able to see you?”
You look around, letting out a sigh, “Yes.”
Colby sits down next to you, “How do you feel?”
“Don’t you already know?” You avoid looking at him, but you feel like you need to, so you do. His eye lock with yours and he takes a small inhale, “I need..”
He stops and you turn towards him, “Colby?”
“You’re going to freak out. I can already see it.” He laughs weakly, “I’m in line to rule the underworld, but I can’t do that if I-“
“No.” You instantly stand up, backing away from him, “I don’t-“ you feel tears in your eyes, “I don’t want to die.”
He’s instantly behind you, arms around your body and that calm feeling settles in, but it’s only for a moment and you push him away, “No. no. No.”
Colby stands there, eyes on you as you pace, “Why? Why me? Out of all the people in the world, you just had to come and fuck up my life?”
He remains silent as you continue your ranting, “I have so much to live for. I can’t just- what would I tell my parents my best friend, I-“ you stop, taking a deep breath, “Can’t it be anyone else?”
You look up at him and he shakes his head, “I’ve already left my mark on you.”
“Mark? On me?” Your hands start to feel your own body but Colby walks over, “Not a physical mark, sweetheart. The others just know to leave you alone.”
“There’s others?” You scoff, “Of course there is.”
“Y/n, my love.”
“Why do you call me that? Seriously, I just..” you shake your head, covering your hands as you groan into them.
There was this strange entity standing in your living room, a stranger. But in reality, you knew him just as well as he knew you, you just needed a slight nudge to know that.
“I chose you because you’re just so..” he presses his lips together, gently reaching up to brush your hair from your face, “You.”
“Yeah because that explains it.” You roll your eyes and Colby clenches his jaw, “You know me. I know you. Say the word and I’ll prove it.”
“Prove it.” You shrug and he nods, taking your cheeks between his hands as rests his forehead against yours, “Close your eyes.”
You close your eyes and the memory of you and Colby at dinner one night replays in your mind.
He shows you sitting across from Colby at The Whiskey Well, having dinner and talking about anything and everything. That eventually led into Colby telling you about his, what you didn’t know at the time, human life.
You swore you fell in love that night.
“Did you?” Colby asks as he moves his head back slightly.
“Did I what?” You ask, knowing damn well why he asked. He tilts his head and you nod, “Yeah, but then you made me forget, so what’s it matter?”
“It matters because I need you.”
“Well I don’t need you, so..” you step back, “How do I break this.. I don’t even know, curse?”
“I’m not here to make your life hell, y/n.”
“That seems to be exactly what you’re doing, Colby.” You chew on your cheek, “Did you mess with my dreams again while you were-“ you air quote, “Gone?”
He shrugs, “Only the second night. The rest was you.”
You couldn’t lie, going from knowing that he’s always been there, to knowing he wasn’t there at all, hurt. It felt like a piece of you was missing, like you lost your security blanket or something.
“I’m not here to hurt you, unless you want me to.” A smirk twitches on his lips and you shake your head. Colby scoffs, “You may look like an angel, but I know that there’s a fire deep inside that pretty little body of yours.”
His words caused a chill of excitement to shimmy down your spine, “You know.. I thought for so long that the universe was so ugly for being against me..”
Colby tilts his head and you lock eyes, “But in reality it’s a gorgeous looking demon with a bit of an obsession problem.”
He cocks his jaw, nodding his head as he chuckles, “I mean what can I say? You’re the most beautiful girl I have ever laid eyes on.”
You smile, looking down as your mind begins to race again. Colby walks over, lifting your chin, “Don’t do that to yourself. If you want answers, ask.”
You take a deep breath in through your nose, “I hate this. I hate the thought of having to lea-“ you stop, taking in a shaky breath.
“There’s ways around it, y/n.”
“I hate this. I hate even thinking about it.” You avoid looking at him, mainly because there’s more to it, and you know he’d get you to say it regardless.
“I just hate..” you look up, “That I fell in love with the way you touched me, without even using your hands.”
He licks his lips, smirking as he tilts his head, “So what? Are you saying yes?”
You chew on your lip, swallowing before you take a breath, “I need to know what it feels like when you do actually touch me.”
You walk over to him, hands sliding up his chest, “Are you controlling me?”
He shakes his head as his hands slide to your hips, “This is all you, my love.” He pulls you in, lips on yours and you instantly need more. You fist his shirt, pulling him closer as you whimper, “Please.”
“You have the control now, baby.” Colby whispers, lips trailing down your neck, “As I said, I will go to the deepest depths of hell to make you happy. I will be your sickening desire. I am yours, and you are mine.”
His words are low as he bites down on your skin, “Mine.”
He lifts you up, arm around your waist as his lips find yours, “Mine.”
He takes you to your bedroom, laying you down on the bed, “Whatever you want. Whatever you need.” He whispers, pushing up your shirt so he can kiss your stomach, “I’ll get it for you.”
“I-I-“ you gasp as he pulls down your sweats, “no more making me do anything.”
He nods as he looks up at you, “Anything you want, baby.” He kisses back up your body, “I promise. You’re the only body I need. Your souls was meant to be mine.”
He moves his way in between your legs, “You have no idea how long I’ve waited to get my hands on you.”
“How are you real?” Your hands slide up his shoulders and rest against his neck, “Like I-“
“This is the body I died with, but trust and believe I can be anything I want to be.” Colby leans back, his eyes staring into yours, “But I just want to be everything you want and need.” His lips are on yours again, “Every inch of my darkened being aches for you.”
You whimper, hooking your legs around his waist, “I want to feel you. I need to feel you.”
He nods as he stands up, “Undress for me.”
Your eyes are on each other as you finish taking off the rest of your clothes, “You’ve seen me before, haven’t you?”
He nods, “But it still doesn’t compare to this moment right here.” He moves onto you, hips resting between your thighs as he slowly guides his cock into you without warning.
You gasp, throwing your head back as your nails dig into his shoulders and chest, “Fuck, fuck.” You moan loudly, chest rising and falling quickly as you feel yourself stretching to accommodate his cock, “Fuck you feel so good.”
“Words can’t even explain how you’re making me feel right now, baby.” Colby groans lowly, his hand sliding up to cup your throat.
You play your hand on his, urging him to squeeze, “You know me well enough. Just do it.”
His eyes darken and his thrusts are instantly punishing, ripping loud moans and pleasured screams before his hand cuts off all sound from your throat, “You sound even prettier than you look, my love.”
He groans, sliding a hand down to grip the outside of your thigh, “Do you like that?”
He looses a his grip just enough for a slight, “yes” to squeak out and he smirks, “Of course you do.” His lips crash onto yours and he groans into your mouth, “I fucking love you.”
Your back arches as he keeps your neck pinned to the bed, your cheeks start to heat up and you feel the tingling settling in as your vision starts to fade out, but all you focused on was Colby.
He lets go and you gasp out, “I love you.”
He stops, staring down at you, “You mean that.”
You nod and he shakes his head, “No, I mean. I can feel how much you mean that.” His thrusts resume, but they’re slower, “Fuck, you’re going to make the best Queen.”
Your heart skips a beat, but you’re not scared.
“I trust you.” You swallow, pulling him in to kiss, “This feels right.”
“I promise. I will take care of you.” Colby shakes his head, “Fuck, you’re the most important thing to me. The best thing I’ve ever got to touch, smell, taste.”
He pulls out, quickly moving down your body to throw your legs over his shoulders. His tongue immediately pushes between your folds and your hand flies to the back of his head, “Colby!”
He groans against you, gripping your hips roughly as he pins you down.
Your vision goes blurry as you arch your back, coming undone quickly with just the tip of his tongue, “f-fuck, fuckfuckfuck!”
“That’s it baby. Let it all go.”
Colby’s tongue guides you through your high, collecting every drop of your precious arousal before he kisses back up your body, “So fucking delicious.”
He pulls you on top of him, rolling onto his back as you straddling his waist to sink back down onto his cock with a loud moan.
You knew you were going to be littered with fingertip shape bruised, but that made everything hotter.
“That’s it.” Colby breathes out, “Fuck, just like that, my love. Look at you.” His eyes scan up your body to meet yours.
His hands slide up and down your thighs as you bounce, moaning louder and louder as you feel yourself coming closer to another orgasm.
Colby interlocks his hands with yours, bucking his hips upward and you squeeze his hands to hold yourself steady, “S-so close. Don’t stop, don’t stop!”
You throw your head back, screaming out as you feel yourself cum once more. Colby let’s go of your hands, sitting up to lay you back. His thrusts resume, guiding you through your high.
His thrusts come to a slow stop and he pulls out before laying next to you, “Brooke is going to be here any second.”
“She didn’t tell me she was-“
“Y/n? You home?”
You look over at Colby and let out a sigh before answering her, “Be out in a second.”
“Hurry up! I have to tell you something!” She yells back and you look at Colby, “You’ll come back right?”
“My love, I never leave.”
——
Thank you so much for being patient. I hope this is up to par and as always, I love you, and I will see you in the next one! 🖤🖤🖤
Likes and reblogs are majorly appreciated!
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pastel-peach-writes · 4 months ago
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Attracted | KorrAsami x Reader
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╰┈➤ PLOT: After a close call of losing the two girls who mean the most to you, you decide it's time to cut the crap and face the music, your feelings.
╰┈➤ WARNINGS: Not Proofread, No Use of Y/N, 3500+ Words
Part One | Part Three
⍣ ೋ Enjoy!⍣ ೋ
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Their stares dug into your soul and pulled out every sense of hiding and masking you've held in for the last few years. Their slight frowns, and disappointment in their colored eyes; it was too much for you to bear.
Were you so prideful in keeping your feelings secret that you'd risk losing Korra and Asami? Was it really that serious to let them think you didn't support their relationship?
You didn't know. You had no way to know.
Now the three of you were staring at each other in the courtyard of Air Temple Island. All parties eager for an answer from you.
However, just because they were eager to get an answer from you doesn't mean you had an answer ready for them.
Just now, in this very moment, you realized you had a crush on the two bisexuals. You just realized that going to bed thinking about kissing the both of them, holding their hands, and making them laugh wasn't as platonic as you thought.
You hated to admit it but Bolin was right. You hated when he was right, especially since you're often so stubborn. He was never going to let you live this down now.
But that's something to worry about in the future. Right now you needed to worry about the present. Korra and Asami are staring at you with hurt and almost distant eyes. The longer you let the silencer linger, the deeper you hurt them.
What could you even say or do in this moment? Make up some silly lie? Confess to them right on the spot? Make them think you're not accepting of their love? All three options were terrible. It was a lose-lose-lose situation.
"Uh," you nervously chuckled, scratching the back of your neck. The bright sun on Air Temple island shone into your eyes, nearly blinding you from the sight of the red-and-blue-coded girlfriends. You wondered what color you would be if you were added to the pair. "You know, I think I need to attend one of Tenzin's meditation classes. Learn how to ease up and become one with my chi."
"One with your chi?" Asami echoed.
"Yeah. If I'm so tense all the time and not noticing, obviously something is off. Maybe even wrong with me." You gave them another shrug. "I can't be one of the best members on the Krew and not be one with my chi."
Korra let out a chuckle. "'One of the best members'?" You nodded at her statement, a cocky smile growing on your lips. Korra shook her head, her smile from her chuckle staying on her face as she crossed her arms. "Who said you were one of the best?"
"Oh, isn't it obvious, Avatar?" You mimicked her stance and Asami did the same, matching the teasing smiles on your faces.
"Must not have been," Korra rebutted. "Sounds like you still got some work to do."
You could only laugh at her playful words. Although her statement was true, it was for the wrong situation. You did have some work to do. You had to work through and process your growing crushes on Asami and Korra in hopes you can get over them and have them never find out about your crush.
That should be easy. What's a little crush going to do to you?
-
"You're right," Tenzin said as he waved his palms over your torso. You were serious about taking meditation classes from him. You were too tense, hyper-focused on the sapphic pair. You needed mental clarity and hopefully with mental clarity comes a way to get over them.
The Airbender was using reiki, some form of spiritual healing that used energy and intention to ease the human mind and body. He decided to use the technique on you when you came to him about your stress problem. He said he rarely used this technique but given that you're a new student of his, he decided why not?
The man had his eyes closed and waved his arms and body around as if he were airbending. The only difference is that he wasn't airbending at all and in fact was getting a feel of your stress and anxiety levels. "You are very tense," he continued. "The tension lies within your shoulders and sits in your gut. Your chest, too, is tight. If you were an Airbender, you'd be blocked from your ability entirely. It would take months, maybe even years to remove this type of stress."
You heaved a sigh as the monk opened his eyes and returned to his natural standing stance. "Months"? "Maybe even years"? By the time you mastered your chi or removed most of the stress in your body, Korra and Asami could very well be married. Or even worse, forgotten about you.
It was extreme to think of those two scenarios but it's what your mind went to. You're doing this to be better for them, not to risk losing your friendship. If it's going to take years to return to the person you were before you started having feelings for them, they were gone for good.
"Well," you said as another sigh escaped your body. "We better get started."
-
Because of your circumstance, Tenzin decided to add airbender training to your "Stress Relief Regimen". Like he mentioned, you would be blocked if you were an Airbender but in addition to the spiritual and worldly connection, Airbenders also have a physical outlet. They use their body to navigate through the winds and courses of life. It acts as another way to release whatever your body is holding in.
It's been a few weeks since you started training with Tenzin and you can admit things are a lot better now. Well, physically. You're still blocked mentally and spiritually, but the airbending training traditions were getting easier for you. You ran into the equipment less and stayed on the balls of your feet more often. Even Jinora was impressed.
You practiced day and night while leaving space to meditate and to connect with nature in between. But the cause of your vigorous schedule to train and relax, you've pulled yourself away from the Krew. You rarely hung out with them outside of work and only said hello to them during meals. Day in and day out, you were training.
It was ironic though. You were training and practicing these techniques to become one with your emotions and get clarity on the KorrAsasmi situation but all the training seemed to be doing was making you avoid them.
You were actively running away and towards your emotions at the same time. How you mastered that skill, not even Tenzin knew.
He watched you prance and elegantly move around the spinning panels on the Airbending arena with your eyes closed and your arms in the offensive position he taught you. While you were physically correct, he could still feel a weight of heaviness and emotion rest on your shoulders and sink into your body.
Korra saw it too. That's why she was here standing next to Tenzin and monitoring your training. She knew Tenzin to be a good teacher so she didn't understand why his training kept you away from the Krew so long.
She already went through that teenage rebellion phase with him so she figured he eased up on allowing you to go out and such. Especially since you're not under his care and a grown adult. And as she watched your practice, she knew Tenzin's methods had changed for the better and the pressure lessened. So, if it wasn't Tenzin keeping you away from her. What was?
When practice was over, there was a meditation session immediately after. It wasn't a one-on-one session like you usually had with Tenzin, but actually an open session for the new Airbenders and anyone who wants to learn more about the art. In fact, it was taught by Jinora. Tenzin wasn't a part of it at all.
Korra assumed you kept your schedule busy with not only Tenzin's agenda but the other Airbenders too. To her it made sense. You're pretty much training to be an Airbender just without the bending. So to her surprise when she walked into the class and saw you weren't there, something was up.
-
"And you're sure they weren't there?" Asami asked as she unmade the bed for the night. She and Korra were in their room, the midnight moon shone through the window and provided natural light for the girls. Korra, just slipping on her white tank, nodded.
"Yup. Now we know Tenzin isn't keeping them away from us. I think it's them who wants to stay away from us." Korra's feet shuffled across the wooden floor, her tush melting into the mattress after she plopped.
"Come on." Asami frowned. "They're not like that. I'm sure it's something else." The paler woman sat beside Korra and placed a well-manicured hand on her shoulder. Korra only sighed again with her head hung low. "They haven't even spoke to Mako and Bolin and they're like brothers to them."
Korra shrugged. What Asami was saying made sense but there was something deeper going on. There was something you weren't telling them and Korra was killing herself trying to find out. "Does it not bother you either?" Korra's sad blue eyes struck Asami's green. "Don't you miss them? Their laugh and how they used to look at us with those eyes? Like we were the world to them. Now we barely get a glance when we pass each other in the halls or in the street."
Asami sighed. Of course, she did. She missed all of it and how you used to compliment them or poke fun. She missed watching you interact with Mako and Bolin and playing with them like they were your blood kin. She missed so much and more. She only placed a kiss on Korra's cheek and moved some hair behind the Avatar's ear. "Come on. Let's get to bed." -
"Good, now breathe while you lift your leg. Your opposite arm follows." You followed Tenzin's notes, lifting your leg and doing a fan kick while your opposite arm follows. When your arm follows, the momentum carried you throughout the move and when your leg landed on the ground, you spun around and nearly womble to the floor.
"Good," Tenzin said walking through the plush grass. "When you use that move, your weight shifts between your standing leg and then the led that lands on the ground. Because of your arm and force of the air, you spin around and when mastered, it's a great move to switch the play on your opponent." Tenzin then cleared his throat, the tops of his ears going red. "You know. If you airbent."
You gave him a slight chuckle. Almost four months into training and Tenzin still forgets you're not an Airbender sometimes.
"Sorry, force of habit." You waved him off and repeated the move, still stumbling when your lifted leg hits the ground. Tenzin instructed ways to land and poses to land into but no matter the note or correction, you continued to wobble.
"Ugh, I don't get it. I'm doing everything right. I'm making sure I'm light on my toes and transferring my weight between my legs," you complained to Tenzin as you took a swig of water.
The Airbending master interlaced his fingers and held them near his diaphragm. "Well, are you emotionally light? Spirtually, mentally?" You nodded as you wipe excess water from the corner of your mouth.
"Yeah. I mean, I think so? I mediate in the morning, evenings, and join some classes at the other Air Temple. I don't know what I'm doing wrong." You walked over to the cemented benches which were really short walls of concrete painted beige. You took a seat, crossing your legs and placing your heels at the edge of the wall.
"Hm," pondered Tenzin as he followed you to the wall. While he can admit your dedication is impressive, he can't help but feel there's something else blocking you, stopping you from achieving your greatest.
It was similar to what he experienced when training with Korra or his failed attempts at connecting to the spirit world but heavier. Almost as if you were avoiding the emotions that kept you planted deep into the ground. If you were an Earthbender, he predicted you would be one of the best.
"Tell me, young one. Is it possible there's something else bothering you? Perhaps problems with family, friends, work even?" He took a seat by you as you contemplated your answer to him.
You've felt good. The feeling of jealousy or even anxiety changed to what some would call a rock. It was as if a flat rock sheet lay on your chest and stomach. Some had a heart of gold and steel, yours wore stone armor.
You gave him a shrug and sipped your water out of avoidance. Your lack of eye contact, expression, and words told Tenzin everything he needed to know.
You were stuck emotionally and he had a hunch it was about the Avatar and her girlfriend. And perhaps the fact that they weren't your girlfriends. Tenzin wouldn't have come to that conclusion if it wasn't for his older sister, Kya.
One day, Kya came to visit and Tenzin told her all about your training and dedication to the craft despite not being an Airbender. When Kya observed your practicing, she could tell immediately you were struck with something emotionally tolling. Something you took Airbending techniques to work through but ended up avoiding.
She did the same thing with Waterbending when it came to a crush of hers.
Also, Kya overheard the Krew express concern and longing for you. More specifically, she saw the faces of Asami and Korra and how their eyebrows knitted together in hurt and confusion. It was the same face she wore when she found out Lin liked Tenzin.
"You need to talk to them," Tenzin spoke. "Avoidance or whatever you call this dance of yours isn't going to better your ability to meditate or to perform such exercises. In fact, it'll stifle your chances and ruin whatever you have left of your friendships." With a deep sigh, Tenzin put a hand on your shoulder. "Take this from someone who focused so hard on training that he almost lost his family. Isolation is not the key to working through hard emotions. You have to work and realize it's not going to be easy."
When your eyes met Tenzin's, you could see his brows downturned as if he was frowning with them. His eyes glossy yet held this certain look in his eye, as if he saw you as his own. His family.
The look stirred a certain guilt in your stomach. It was the same guilt you felt when you watched the Krew interact while you purposely lingered in the shadows. In hopes of bettering yourself, you ended up self-sabotaging.
"Hey!" Bolin chirped as he strode over to you and Tenzin. You quickly blinked away tears and looked at him with a smile, responding with a greeting. "We're going out to dinner tonight. You coming?"
-
Dinner was nearly normal. The five of you, the Krew and yourself, went to this fancy-ish restaurant where they served everything from Water Tribe food to Fire Nation goods. They also included the more modern dishes that Republic City had to offer.
It was like nothing had changed when you first ate. Everyone was chipper, happily munching on their meals, and cracking jokes like no time had passed between your group.
But then, just as you were almost done with your meal, the mood switched. A metaphorical cloud full of darkness and heavy rain washed over your booth and wind dared to blow you away from your seat.
Korra sighed, putting down her eating utensil and putting her hands on the table in an interlaced fist. "Okay, we have something we need to talk to you about." You barely looked at her to continue. "You've been kinda distant lately and we know it's not because of your training. Tenzin was adamant in easing the intensity of his training schedule, especially now with the new addition to the family and the new Airbenders."
You shrugged for what felt like the fiftieth time today. "I'm taking my craft really seriously. Is that a crime?"
"No," Asami said in a calmer tone that Korra could've given the sass you had in your sentence. "But it worries us. Especially now that you're not even attending Avatar duties anymore. We're a group and we need you. We're empty without you."
You threatened to scoff but instead shoved down the urge with another bite of your food. "I don't know what you want from me."
"Your training was supposed to help you ease up and not be as stressed but it looks like it's doing the opposite," Mako spoke. "You're distant, eat meals alone, and I've never seen someone train so hard for Airbending when you're not even an Airbender."
"Okay, so what? Look, it's my training, my schedule. You guys don't have a clue of what's going on with me so just drop it. Okay?"
Bolin glanced around his table of friends. Nervously picking at his pants, his eyes landed on you and gazed into your eyes. With a tone soft and gentle, he spoke. "So, something is going on."
You sat up a little straighter, eyes on the brown wooden table in front of you. You didn't realize you said that out loud. All that work of being alone and trying not to talk about your feelings nearly came undone with one measly slip-up. "No. Drop it."
"No, we don't want to drop it. What's going on? We can help you." Asami reached a hand out to you but you just snatched your hand away.
The Earthbender at the table sunk down in his seat. He knew what was going on now. He doesn't know why he forgot the last genuine conversation you had just a few months ago.
Your crush on Korra and Asami were eating you alive. What was supposed to be an outlet became a distraction. A distraction from the possibility of hurt, rejection, and loss. If he remembered this earlier, he wouldn't have suggested this confrontation dinner.
The only person who could help you in this situation is yourself and Bolin could see you didn't want that. Not anymore at least. You were perfectly fine losing your friends if it meant the protection of your relationship and feelings.
Although, it's a bit counteractive letting your friends slip away just to avoid a blowup over emotions you couldn't control. Bolin wasn't going to let that slide.
The Krew's been in messy romance drama before. What's a little more? They've prevailed over three times and they could do it again.
"I'm sorry," you took money from your pants and placed enough to cover your meal on the table, "but you can't help me with this. I'm sorry."
Following your departure, Bolin followed you out of the restaurant. Your friends exclaimed and called out for the both of you, but you were too far to hear and well Bolin, he was on a mission.
You stumbled behind yourself as Bolin took hold of your wrist and snatched you back. Your eyes met his, the orange-yellow lighting of the restaurant shining through the windows and making the sidewalk glow.
"You don't have to do this," Bolin spoke in a whisper. "You don't have to hide and pretend you're something you're not just to avoid rejection."
You pull your wrist out of his grip, your brows knitted defensively. "I don't know what you're talking about. I'm not avoiding anything."
"Please, I've seen it multiple times before. I lived it. The crushes you have on Korra and Asami won't change anything. They won't be weirded out or throw you out of the friendship if that's what you're worried about." The green in Bolin's eyes sought out to comfort you. As before, he kept his voice gentle and nurturing. "Crushes are scary and can leave you vulnerable but you shouldn't avoid your feelings because of it. You'll end up holding things in, the hurt turning into resentment, and the resentment turning into hate."
The Earthbender's palm found its place on top of your shoulder. Like his eyes, voice, and now touch, Bolin comforted you. His words, though similar to Tenzin's, had more meaning. You've seen Bolin get rejected before and heard horrific stories but he never let the embarrassment get to him. He learned, grew, and eventually got the partner of his dreams.
You patted his hand. "That means a lot. I'll try, okay? I can't promise it's going to be a good try, but I'll try and face my feelings instead of avoiding them and letting them turn into something ugly."
Bolin smiled, the joyous expression reaching his eyes. "Good. You won't regret it and you'll always have me to lean on. Don't forget that." Before you could say anything else, he pulled you in for a bear hug and lifted you off the ground.
Maybe Bolin was right. Facing your feelings head-on would make them less scary and who knows, maybe Korra and Asami would get a confession out of it.
To Be Continued. (Last part coming soon!) | Part One
WC: 3,569
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handsomewickerman · 1 month ago
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Some thoughts on Eddie Diaz vs. Fanon Gay Eddie
I wanna preface this by saying that i'm latino, gay, raised catholic, heard the phrase "you gotta be the man of the house" my whole life. So on paper the idea of "repressed gay Eddie Diaz" should be appealing to me, right? well not exactly and here's why:
when I started watching the show I was aware of buddie, but I never engaged with the fandom. It wasn't until Buck came out that I started interacting with it.
when you join any space online the algorithm feeds you the most popular stuff, in this case, all my 911 recommendations were buddie, at the time I saw the vision, after all I love queer rep! but after the date episode and all throughout the hiatus I realized something very quickly:
most buddies don't actually care about queer rep, they just wanted their ship to go canon.
this realization came after weeks of seeing them spew bi/homophobic rhetoric and claiming it didn't matter as long as they got buddie, some examples:
- saying they wanted Buck to play into the bisexual cheating stereotype.
- calling Tommy a groomer, creep and predator.
- being unable to fathom the idea that Tommy was just hanging out with Eddie as friends
- claiming Eddie being a pos shit to women was ok "as long as he's gay".
- the insistence that Eddie should only be read as gay (not even bi).
- the idea that Buck and Eddie should only be "gay for each other" and no one else.
(these talking points still get repeated and if anything they have gotten more hateful the more time has passed).
Buddies insisted that they could've made buddie canon every ep, but that's simply not true, even leaving the GA and network aside, if you watch the show without shipping goggles you'll realize how much work they'll need to write that arc for Eddie as well, and if you care about queer rep you would want him to have his arc too, right?
they also claimed that his religious guilt is "clearly tied to queerness" when in reality Eddie is one of the most stagnant characters in the show as his religious guilt is tied to his inability to secure a "traditional family unit" and be the "man of the house" he was told to be. He drove Shannon away (something he admitted), then lost her forever and hasn't been able to move on for 6 seasons. It all circles back to that guilt about Shannon, the expectations put on him and his feelings of failing her, his parents, his kid and himself. Could there be an space for queerness too? Sure, but that's not what the show has portrayed at all so far.
the heavy mischaracterization of Eddie, the choice to strip him away from all his flaws or excuse them, the character assassination and malicious reading of Tommy while engaging in homophobia, their inability to allow Buck to be his own character with his queerness having nothing to do with Eddie and the desire to have him play into negative stereotypes told me everything I needed to know about where these people who want to gaslight you into thinking that "gay Eddie and buddie is the only correct answer" actually stand when it comes to queer rep.
it is not inherently wrong to find relatability in Eddie as a queer person and read him as such, but it is incredibly dishonest to claim that's the only valid way to read him.
in the end, I should find Eddie more relatable as a character and truth be told? I do, but I find Ryan's desire to tell a story about men being vulnerable, emotionally open and close without having to question their sexuality or masculinity far more realistic and honest for the character and Ryan himself.
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steddieunderdogfics · 7 months ago
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This week’s writer spotlight feature is:  @wynnyfryd! Wynnyfryd has 34 fics in the Stranger Things fandom and all of them are in the Steddie tag!
i don’t know, you figure it out
Plot Holes
biting you biting you biting you- oh! kissing you!
Satanic Ritual: DO NOT WATCH!!
She's got some of the FUNNIEST writing in this fandom, and it's very snappy too like. She's an editing demon for sure, she can take a concept that I'd think would take paragraphs to explain and find the right words to make it hit just as hard with like, two sentences. I also really really love how descriptive her metaphors are, really visceral sometimes, and she's really good at writing realistic life events but still making them fun to read about even when it's about like, devastating shit. The sex she writes is also intense as hell! -- @griefabyss69
Below the cut, @wynnyfryd answered some questions about their writing process and some of their recommended work!
Why do you write Steddie?
I am but a humble bisexual — I see two beautiful brown-eyed men makin’ beautiful brown eyes at each other, I go a little insane for two years. It is what it is.
What’s your favorite trope to READ?
late-night moments of quiet hopeful hesitant intimacy over a shared joint or cigarette. Thin wisp of smoke between them, stars dancing in their eyes. Yeah. YEAHHHHHHH 
What’s your favorite trope to WRITE?
This isn’t really a trope so much as a dynamic, but I love a good dipshit 4 dingus dialogue-heavy scene. Don’t get me wrong, I think Eddie and Steve can both be very smart and knowledgeable in their areas of interest/expertise, but these are two young dudes with no access to the internet. I love letting them be confidently incorrect dumbasses. Just ‘yes and’-ing each other’s stupidity while an exasperated third character begs for mercy.
What’s your favorite Steddie fic?
Well, this question is impossible and furthermore rude. This question came into my home and didn’t take its muddy boots off. This question never mailed me a thank you letter for my lovely wedding gift. That blender was expensive; the absolute nerve. No but seriously, I think The Lathe by palmviolet is going to stay with me forever.
Is there a trope you’re excited to explore in a future work but haven’t yet?
I’m a big fan of doing canon divergence from different jumping off points ��� the beauty of having characters live in the same small town their whole lives is that you get so many great opportunities for these “what if our paths crossed sooner” moments.  I have some very loose notes for a S3 fic where Eddie is the movie theater employee who finds Steve and Robin in the bathroom after they escape the Russians, and I also have an old WIP set between S1 and S2 where lifeguard Steve rescues Eddie and then spends the summer teaching him how to swim. Would love to revisit those after I finish the trailer park AU (which I will be referring to as TPAU because my fingers are tired and because ‘toilet paper au’ makes me laugh.)
What is your writing process like?
Uhhhhh. 😂 I mean, for TPAU, basically just insert the scene from Dune 2 of Paul’s first sandworm ride: I’m shaking I’m sweating there is sand in my nostrils and I am surely about to die— oh wait, maybe I’ve actually got this? Am I actually doing it? Oh shit, look at me go!   For one-shots I like to use a more structured outline and bracket method. I start by dividing my doc into numbered scenes, with each scene getting a notes section and a prose section, like this:
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This format gives me a lot of freedom to switch up the order of scenes and to move between scenes so I avoid writer’s block. I can also jump ahead to scenes I really want to write without making a mess of my outline. Once I have something written in the prose section of each scene, I go back and work on replacing each bracket with prose until there are no brackets left. Lastly, I create a new blank doc and copy the prose over in order so I can read the full fic and work on edits from there.  
Do you have any writing quirks?
I have been known to abuse a semicolon. And an em dash. And a conjunction at the start of a sentence. Yes, I do have ADHD.   I’m also a lyricist, so I feel like my prose tends to stray into poetry territory pretty often.
Do you prefer posting when you’ve finished writing or on a schedule?
When I’m finished! Which is probably why I tend to stick to one-shots; I get impatient and want to post stuff the second it’s ready.
Which fic are you most proud of?
‘i don’t know, you figure it out’ for SURE. I’ve never written a fic this long or stuck to a writing project this consistently in my life. Like ever. The last time I even came close was my first NaNoWriMo when I was 16, which was, uh… years ago, plural, and I’ll leave it at that. 😂
How did you get the idea for i don’t know, you figure it out?
“There’s a dead rat on his doorstep.” That’s it. That first sentence/scene popped into my head while I was bored at work, and then I started thinking, “hey, you know what? I don’t know that anyone’s ever done a fic where Max and Steve trade places for S4; that might be fun.”  And then NaNoWriMo was coming up, so I thought it would be cool to try live posting a fully improvised fic every day for a month to see how many words I could write. And then this tragic wet cat version of Steve Harrington grabbed me by the throat and took over my whole life.
When writing Satanic Ritual: DO NOT WATCH!!, what was something you didn’t expect?
How SAPPY these two got!! My god, boys, I’m trying to write smut over here, stop having a beautiful existential crisis! (I blame Briston Maroney for that though lol, I think I listened to ‘Body’ like 1400 times that month.)
What inspired Satanic Ritual: DO NOT WATCH!!?
@inklessletter posted this totally gorgeous art of Steve and Eddie recording themselves kissing, and I promptly lost my mind.  
What was your favorite part to write from biting you biting you biting you- oh! kissing you!?
This exchange: Steve: “What? I’m just asking!” Robin: “You’re being embarrassing!” Steve: “No, you’re just embarrassed. There’s a difference.” Like it’s just so them lmao
How do/did you feel writing i don’t know, you figure it out?
You know when you set out on a long hike in the summer and three hours later your calves are screaming and you’re covered in sweat and your sunburn’s starting to itch and this one horse fly won’t fuck off and your cell phone doesn’t even get service out here so literally WHY DID YOU DO THIS TO YOURSELF, and then you climb that last hill and look out on the most beautiful landscape you’ve ever seen in your silly little life? Basically that.
What was the most difficult part of writing Plot Holes?
Ooh, that one was fun! The only real difficulty was trying to keep it to a microfic because the concept could definitely be fleshed out to a full story — @griefabyss69 and I were joking around about “what if someone did ‘plot hole’ for the @steddiemicrofic prompt fill?” and then that fic just fell out of my head in about 15 minutes. 
Do you have a favorite scene and/or line from any of your fics?
For sure! I’m currently super proud of the graveyard scene in the most recent update of TPAU — I don’t write true horror often, but I love horror so it was really fun to give it a try! Favorite line from any fic is probably this reference to ‘You’re Divine’ in my fic Monsoon Season because I love uncomfortably-aroused prude Eddie, and his internal monologue cracks me up every time I think about it: Freddie Monsoon’s debut novel is called The Fourth Chime, and it is, as far as Eddie can tell, the first installment in a series of unapologetically filthy fuck fests about a man whose lover gets flung into an alternate dimension during an apocalyptic event and miraculously returns as some sort of… sexy bat-boy with a fucking horse dong and a bite kink. Critics are calling it “the most romantic novel of the last decade.” It’s me; I’m Critics.
Do you have any upcoming projects or fics you’d like to share/promote?
My main project right now is finishing TPAU if it kills me, but beyond that, I have a few one-shots for @subeddieweek in the works, including a collab with @griefabyss69 that I’m so so SO excited to share. It’s hot, it’s funny, I can’t wait for y’all to read it. 
Outside of these questions, Is there anything YOU would like to add?
First of all, as @wormdebut would say: I think you’re pretty. Thank you so much for all your hard work! I love this blog, and I love answering questions <3 Secondly: - Preheat your oven to 400 degrees. - Toss cubed sweet potatoes and parsnips, sliced sweet onion, and fresh garlic in a mix of olive oil, salt, pepper, and rosemary, and then spread in a single layer on a foil-lined baking sheet.  - Bake for ~40-45 minutes. (Potatoes and parsnips should be soft without being mushy when you poke them with a fork.) - Prep your sauce: I made a dijon drizzle situation by mixing olive oil mayo, a dash of dijon mustard, lemon juice, salt, pepper, garlic powder, and a splash of water, but you could also add a little dab of hot sauce, bbq sauce, or different mustards. Basically just grab like four condiments out of your fridge and play around with the flavors you like until you make a mix that’s thin enough to pour. - Drizzle roasted veggies with sauce. - Enjoy a very tasty side dish (or do what I did and eat the whole sheet as a meal like some sort of parsnip goblin because you were too lazy to make the main dish after chopping all those veggies) okay thank you love you byeeeee
Thank you to our author, @wynnyfryd, and our nominator, @griefabyss69! See more of Wynnyfryd's works featured on our page throughout the day!
Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!
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sarahreesbrennan · 10 months ago
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sorry if you have already answered this, but are we getting any queer rep in Long Live Evil? 💕 i am super excited to see what you've cooked up for us either way!
I came back after I'd gone off on one, seeing the post had struck a chord and being thankful but fearful of my inbox. Let me say with delighted surprise that all the asks are very kind.
Thank you for this one, sweet anon. I am so excited and so nervous about my best beloved, Long Live Evil, and about coming back with a new book of my own after so long, when I believed for a long time it was hopeless.
I'm really grateful to find readers waiting for me. But I know readers are naturally more invested in characters they know: I extremely appreciate you taking an interest in the future.
So, short answer: YEAH you are!
Long answer: Long Live Evil wouldn't exist without its queer narratives.
C.S. Pacat and I were talking in our virtual Brookline Booksmith event recently about our favourite Disney villains. C.S. Pacat picked Maleficent, a fine choice. I picked Snow White's Evil Queen. We agreed we loved most of them.
Here's the relevant excerpt I was quoting in my last post from Carmen Maria Machado's In The Dream House, saying 'I think a lot about queer villains, the problem and pleasure and audacity of them.' Well... me too.
I think many of us have experienced feeling made wrong in some way - for not wanting what society said we should or being what we were expected to be - and that one step along that journey of discovery is going 'Okay, if it's wicked, I'll just BE wicked.' And that's part of why those characters appeal - because they seem free, and free of pain.
But modern storytelling isn't confined to coding, and audiences can now feel free to expect, not the certainty, but the possibility characters who aren't introduced as such still might actually turn out to be LGBT+. The essays I've read about Supernatural, Teen Wolf, Sherlock, Ted Lasso, Fox 9-1-1... I think the latest argued Jaime Lannister was bisexual. (Pretty persuasive.)
I remember reading the Raven Cycle going 'oh? OH.' I remember being at a writing retreat in 2013 and running through the halls screaming about Nico diAngelo. Ten years later we got a Nico diAngelo book co-written by Rick Riordan and the amazing Mark Oshiro. I watched Red, White and Royal Blue with a friend and she said 'honestly I hope the guys get together, but...' and I (having read the book) silenced myself with a herculean effort and watched her hopes come true. I didn't know about The Seven Husbands of Evelyn Hugo and almost dropped the book in a swimming pool. But I've also read and watched many things thinking, just maybe... oh, no. Still that hope existing is meaningful, the thought that if the story had gone differently, if this revelation had happened, if this realisation had happened, if, if, if...
Long Live Evil is a story about the story going differently and asking yourself questions about your own nature, and the escape to fiction of those who really need escape. The book is based on that 'if,' and the 'if' itself is joyous, and brings me back to the idea of gleefully transgressing the narrative that much villain love is based on.
It's also an ensemble story with a rogue's gallery of characters and multiple PoVs. (I was much inspired by the Six of Crows ensemble.) So it isn't about any one character's romance, and by the book's nature there exist many possibilities. A critique partner read and said 'I didn't know you were going THERE' and I responded 'Should I?'
I've never been one to confirm where stories are going, and I won't do so now. I'm not talking about any one character or telling you a direction.
I'm just saying yes to rep. It's baked in.
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a brief retrospective on Louis and Violet as love interests, Clementine's bisexuality, and the fandom's continued insistence on fighting over this
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In December of 2019, I made a series of posts called "An Explanation of Why Louis and Violet are Both Excellent Love Interests" that explored my feelings on the topic after seeing a lot of fighting in the fandom over who's better; who is the "right" choice for Clementine?
The answer is simple: there isn't an objectively correct choice.
I compared Louis and Violet to the romantic options in other games, including Life is Strange, Persona 4, King's Quest 2015, and Catherine, as well as TWDG: A New Frontier. I wanted to show how much better TFS handled the romance versus those games, why we should be grateful for what we got since it could've been a lot worse, and how the fighting over who's "right" was a waste of time.
I suppose it's only fitting that I'd be driven to revisit this topic after seeing fans continue to argue amongst themselves over this years later in the trenches of a weakening fandom.
Just when I think I'm done writing pieces for TWDG, some random redditor writes an essay about how violentine only exists for "woke points" that grabs me by the throat and throws me down. Then another will insist that clouis is abusive since Louis voted against them in ep2 in their own essay and I'm dragged back here, kicking and screaming.
While I think my previous Excellent Love Interests posts about this are on the juvenile side, I do still agree with my main point: Louis and Violet are excellent characters who make for compelling love interests. The fact that we got them both, that we were given the choice, and that they're as well done as they are, is something I don't think we appreciate enough. Hell, I don't think we even appreciate that Clementine's a canonically bisexual protagonist as much as we should.
We're too busy trying to one up each other with, "Well, actually, clouis is superior because of this and this," and "no, you're wrong, violentine is actually better because of this and this," and sometimes a wild non-shipper will appear out of nowhere to slap down an, "actually, you both suck, singletine is better."
It's sad that this is what fandom inevitably defaults to, always. It stops being about the game we love, the thing that brought us here, and it becomes a pissing match.
Doesn't matter what fandom it is; we end up projecting too much of ourselves onto fictional characters, investing too much of our time into ship culture, hyper-fixating until it becomes part of us... and let's be real, sometimes it's in unhealthy ways.
So, when someone else attacks the things we're attached to, it becomes a personal attack... and when we feel threatened, we become defensive and retaliate... and sometimes, we take it too far and target others out of insecurity, to feel validated, even if it means going after someone who is just minding their own business.
Also, I think some people are just assholes who want to piss on everyone.
Because of this, I would like to discuss Louis and Violet as romanceable characters, why they're both important to TFS no matter who you choose, why Clementine being a bisexual protagonist matters, and the fandom's continued insistence on fighting over this.
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For many personal reasons, I've always been trepid about being open with my sexuality as a bi woman. I've done a lot of reflection this year on why that is; internalized misogyny, the biphobia that lingers in the queer community, insecurities, regrets, how I tend to be harsher on female characters over male characters, why it took me so long to not feel afraid of engaging with queer media, admitting I was wrong about so many things I've said in the past, how it's all affected my writing, etc.
When TFS released and I made this blog, I had already accepted my bisexuality but was in no way public about it, not online or in my personal life. But playing the first two episode of TFS, being presented with both Louis and Violet as potential romantic partners struck something inside of me.
Yes, I picked Louis; we all know I'm a major clouis shipper at this point, and if you're new here, then now you know, too.
But it's the fact that Violet's also an option, that with just a few different button presses, Clementine could've fallen for her just as she did with Louis; that there's evidence in game that she shows interested in both of them no matter your choices; that no one in-game judges Clementine for who she chooses to be with... that meant something to me in a way that it hadn't before.
TFS wasn't the first game I played with a bi protagonist; in Excellent Love Interests, I compared Louis and Violet to Life is Strange's Chloe and Warren. I have a lot of mixed feelings about the first LiS game overall, but I've been quite open about my dislike of Chloe and indifference to Warren.
Chloe, to me, is everything I dislike in a love interest, predominately in wlw. 2023 was the year of "CJ dives into sapphic literature and it's a 50/50 chance of striking gold or gettin' hella eaten by disappointment, shaka brah." Meaning I've read a lot of wlw novels, and all the ones I hated featured a Chloe clone, sometimes done even worse.
And Warren? I'll be real honest with you- I couldn't even remember what his name was when I started writing this. I had to go back and check. That tells you what I think of him, no?
So, LiS didn't strike me the same way. Sure, I knew Max was a bi protagonist and that's great, but the choices weren't appealing to me. This was when I was a teenager still somewhat in denial of my sexuality, which most definitely contributed to me being uncomfortable when faced with a wlw relationship portrayed in-game, especially when I found myself wishing Kate was an option for Max... but y'know, "shhhhhhh if I don't acknowledge it, it doesn't exist."
When the first episode of TFS released, I was older, I was no longer in a not-so-great relationship, and had better accepted who I am. The first episode does a great job of introducing you to Louis and Violet, and giving you the opportunity to spend more time with the one you're interested in.
I actually really liked them both when ep1 dropped, but I've always had a preference for a character who is kind, deflects with humor, and tends to be picked on by the rest of the cast... so it was inevitable that I'd stick with Louis. Though I won't discredit Violet in ep1, or the rest of the game, just because I didn't choose her in the end.
That's one of the best things about Louis and Violet as options; they're opposites, yet alike in many ways. They have their appeals and charms. They're flawed. It never feels like a "love triangle" situation where they're fighting over Clementine. Louis and Violet are friends who have known each other from before the walkers came. It's refreshing to have two characters who are interested in the same person but don't go for each other's throats over it. When they do argue over her, it's more to do with AJ shooting Marlon and whether it's safe for the group to let them stay.
I can't fault anyone who struggled to pick between them. When someone talks about who they picked and why, it's all about the player's preferences.
It's your choice to make, and no matter what, you're not wrong for it.
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This season concludes Clementine's story, regardless of what some comics will say. It's the last fight. It's her happy ending. She and AJ finally found a home, a family.
I've played these games since S1 came out in 2012, over ten years ago. Clementine holds a special place in my heart. Not only did this important character have a great final season [despite Telltale shutting down and TFS nearly being left incomplete, remember] but she's also revealed to be canonically bisexual.
They didn't release the whole season and then as an afterthought be like, "oh yeah btw she's bi, she has oneline of flirty dialogue with this character so see? we did good rep."
Yeah, I'm side eyeing you, ANF.
They didn't try to hide it. They presented it to the player unapologetically and made a conscious decision to exclude anything biphobic from other characters... which meant a lot to me.
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Biphobia is real and it's not that I don't want it explored well in media, but there's something appealing and safe about a game with a bisexual main character who isn't questioned about it negatively; "You're bi? Doesn't that mean you cheat on all your partners?"
To give a compliment to Life is Strange: True Colors, I had a similar feeling in that game, too. Alex is openly bi, she can date either Steph or Ryan and no one questions the "legitimacy" of her bisexuality.
Because that's always a thing on top of everything else, y'know? "You're a bad bi unless you're with the 'gayer option.'" "Bisexuality isn't real, you're just confused." "I don't date girls who've been tainted by a man." "Oh, you're into girls? How about a threesome?"
Violet never turns her nose up at Clementine for admitting she had a crush on Gabe. Louis isn't ever gross about Clementine and Violet getting close. It speaks volumes for their characters and how accepting they, and everyone else at Ericson, are of Clementine no matter who she chooses, if anyone.
That acceptance, even if it's just in a game, means more than words can express to queer players who don't feel that acceptance in their daily lives.
Which means it hurts all the more when it comes to the fandom's own display of biphobia; "You're bi but ship clouis? Why ship something hetero when violentine is right there?" "Well, MY Clementine's straight because she picked Louis! Stop forcing the gay onto MY Clementine!"
Clementine's important to all of us. Why do you think so many people are pissed about the comics to the point of spewing disgusting bile toward Tillie Walden? I've said my piece on that plenty times before, so allow me to say it on this; the representation of bisexuality in Clementine is beautifully woven through TFS in ways that are subtle yet impactful, and I thank TFS for giving that to us.
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One argument I've come across recently against Clementine's bisexuality, and violentine in general: "blegh they only included violentine/made Clem bi for lgbt points." y'know... as if that's a bad thing.
It bothers me because A. saying "I'm not homophobic *but*-" and then making a homophobic argument against violentine while insisting that Clementine's bisexuality came out of nowhere and was forced is icky, and B. I know I've said similar things about violentine in the past. I know I used to argue that violentine's underdeveloped, yet the devs pushed it to the forefront over clouis to pat themselves on the back for doing representation, etc.
I don't believe that anymore; remember when I brought up people making arguments out of insecurity? Yeah, that and being lowkey bitter that violentine got more dev attention than clouis sometimes even though like... that doesn't matter? It literally doesn't matter. That's what I meant when I said you get so invested that certain things feel like a personal attack when they're not.
Some of the developers of TFS are queer people. They probably wanted a bi protagonist with a wlw option because that representation is important to them and they had the opportunity to express it, not because they were trying to get "points" with anyone. Go listen to the commentaries for TFS; they talk about violentine with nothing but positivity, and they didn't do that to shade Louis or clouis shippers. And if you do think they did it shade fans, then maybe stop and consider why; do you actually believe that or are you annoyed that your fave wasn't the center of attention?
On the flip side, I also want to say that gloating and insisting that violentine is the better/right choice because of these things is also unpleasant and untrue. It sucks when it feels like things are biased against you and it sucks even more when that bias is weaponized by other fans to beat you down.
But honestly? If you need this much validation on your opinions about fictional characters, maybe you should stop to think about why that is and what it says about you, yeah?
Truly, this whole clouis versus violentine thing is irritating at best, vile at worse. Thankfully it doesn't happen as much on tumblr given the state of the fandom, and everyone's at least agreed that no matter their feelings toward each other, clemricca is worse. So, that's something, I guess.
I think the best way I can put this is you don't get to dictate what other people think and feel. Being passionate is great until it becomes an excuse to be an asshole. Not everyone is going to agree with you and you need to put your big kid pants on and accept that.
I'm under no impression that the fighting will ever stop, even when this fandom is dried up with only bones and memories haunting its desert... but at the very least, I can point some of it out and ask that we do better than this.
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The focus gets lost in the fighting, and that focus is Louis and Violet themselves. Y'know, the two this retrospective's about.
Remember when I talked about Persona 4 in Excellent Love Interests and how much it sucks when the person you want to romance isn't actually an option--?
Hmm? What's that? Ah, yes, right- @pi-creates insists I add that TFS and Persona 4 actually are the same because Aasim wasn't an option and they're still bitter about that... but this isn't about Aasim, that's a topic for another day. Sorry Pi, but thanks for the screenshots used in this retrospective👍
Anyway, TFS gave us two excellent choices, and it would've been worse off had it only given us one of them, or none at all.
Louis wears charisma as a mask and uses humor as a shield to deflect. Violet, for as quiet and standoffish as she first appears, has a heart she's both eager and reluctant to share.
Louis is warm curtains of sunlight seeping through the murmuring woods of green leaves and little song birds. A heart carved into the rustic wood of an out-of-tune piano. Music echoing in the early morning hallways.
Violet is the glow of a full moon that illuminates still waters so the stars can dance in its reflection. Paint smeared over finger tips to offer a piece of herself meant to be worn. Constellations of stars named in secret.
They're both lonely people, often misunderstood by the others at Ericson, and sometimes by each other. They want to be known. They want to be seen.
But fear is a powerful wall to overcome.
And that's the beauty of choice. You get the impression of knowing them in the beginning, but it rarely breaks surface tension; Louis is nice and funny but undependable, Violet's rude and reserved and a little awkward. Neither are outspoken about any issues around Ericson, content to keep their heads down.
Clementine has to make the effort to know them, and the game establishes this by asking you an unassuming question: do you want to go hunting with Louis or fishing with Violet?
Clementine either makes an effort to understand Violet's feelings toward Brody and why she's so mean to her, and try to help her through it... or she doesn't listen to what Violet's saying, is dismissive, and ends up making things worse.
When Clementine goes hunting with Louis, she has to make the decision to spend time with him or ignore him in favor of hunting, and should she choose him, he opens up to her just a bit.
Then comes the confrontation with Marlon at the end of the episode where Clementine has to make the choice of who to appeal to. The gravity of this choice is often glossed over, I think.
Marlon has a gun pointed at her head, and she pleas for Louis or Violet to step in and save her. Both are hesitant because of course they are! They've known Marlon longer, he has a gun, and he's using manipulation to scare them into submission; he uses his friendship against Louis, and Minerva against Violet.
But when Clementine gets through to them? They stand between her and Marlon in rather in-character ways; Louis eases in with his hands up, attempting to deescalate the situation while Violet pulls out a weapon and demands he back off.
They risked getting shot. They risked death. They knew what was happening was wrong. They didn't want Clementine to die, they didn't fully believe Marlon's bullshit but were too scared to step forward until Clementine asked them, too. In that moment she basically told them, "I trust you. Instinct tells me you are the one who can stop this. My life is in your hands."
This choice changes them, and this moment ripples through the rest of the season. It makes perfect sense that Louis would be upset over Marlon's death and feel unsafe with Clementine and AJ there whereas Violet sees the death as justified and Clementine and AJ shouldn't be kicked out over it. It's an overwhelming situation for everyone.
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I've talked about ep2 and the vote until my lungs nearly collapsed and I saw the gates of Hell over the horizon... but that's fine, I can talk a little more about it and maybe this time the flames with cleanse me of my sins or something.
This is where the fighting really began, and I shouldn't have to say it again, but I will anyway: There isn't an objectively correct answer here, there's only personal preference.
Louis and Violet take very clear, opposite stances on this situation. I think they're both a little wrong and a little right; they shouldn't ignore that AJ killed Marlon, but kicking them out isn't the best solution either.
As a clouis shipper, I happen to like the way these events play out with Louis' vote. But not everyone feels that way. For some, Louis' vote is a deal breaker, making Violet the more appealing option given she voted for Clementine and AJ to stay.
Do you want a girl that's been by Clementine's side from the beginning and was vocal about keeping her and AJ here?
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Great, Violet's the choice for you. Enjoy the lovely moonlight and constellation mini-game.
Do you want the extra angst of a boy who made a vote he comes to regret and then does everything he can to apologize and make it up to Clementine?
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Wonderful, here's Louis. He'll play you a song he wrote and then name it after Clementine, it's very cute.
While on the topic of ep2, I also want to discuss the episode's final choice of saving either Louis or Violet and the consequences.
You know how in other games, say like massive RPG's with "good" and "evil" choices you can make that end up defining your character? You know how sometimes people question why developers even bothered putting those evil routes in since a majority of people will choose to be good? This isn't a new topic of discussion, but it's relevant to my point- they do it because the option to be evil makes the choice to be good more impactful. If you do choose to be evil, you did it knowing you could've been good and yet you decided chaos was the way to go, and now everyone and everything around your character suffers.
I don't think it only applies to binary "good" versus "evil" choices, either.
TWDG is great with its "You can only save one of them" choices, even if they usually fumble with the consequences in later episodes.
When I'm faced with this choice to save either Louis or Violet, I don't save Louis just because I like him more. Sure, initially that's why I saved him on my first run... but then the rest of the season came out and I learned the consequences of the choices I did and didn't make.
Knowing that he'll get his tongue cut out if I don't save him makes me all the more anxious to choose him. And I know violentine shippers are gutted knowing that if they don't save her, she'll feel so betrayed that she turns on Clementine and in the end is blinded in the boat explosion, so they're just as eager to save her.
But all of us have to live with the consequences of what happens to the one we didn't save, too. We made the decision to save the one we love at the cost of hurting the other we didn't love enough. You can't save them both. You're forced to hurt one of them in order to protect the other.
And it doesn't even stop there. TFS isn't done twisting the knife.
Mere moments before you have to make the choice to save one of them, Lilly's standing over Clementine with her finger on the trigger... only to then be tackled by the person you didn't choose to spend time with.
They just saved Clementine's life only to be dragged away by their neck, and the game asks you what that's worth: They got captured saving you, so do you save them in return or do you remain loyal to the one you chose before?
And when you know the consequences of both routes, when you know Louis will have his tongue cut out and Violet will have her eyes burned?
Louis and Violet are good people at their cores who only wanted to be understood and loved, and no matter what, you have to abandon one of them for the other... and they are left physically and mentally traumatized because of it.
But wait, there's more. The one you didn't save will always survive to the end and act as a constant reminder of what you chose... but the one you saved? If you don't trust AJ, then you'll be forced to watch them get torn apart and eaten alive by a herd of walkers. The only way to save them is to trust AJ so that he shoots Tenn.
A child has to die in order for you to save the one you love again, a choice you indirectly made.
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The ending shows you the one you didn't save, and it shows you Tenn's grave... and it presents a quiet question: was it worth it?
Would you make those choices again?
That's the power Louis and Violet bring to TFS.
That's why the choice matters.
We justify trusting AJ because we'd rather see Louis and Violet live over Tenn, knowing we're taking away the best friend AJ's ever had and allowing Minerva to get her way. We save Louis knowing that it breaks something inside of Violet and results in her permanently losing most of her eyesight. We save Violet knowing that we'll find Louis bloody and sobbing in the cell after having his tongue cut out of his mouth.
And we argue about it amongst ourselves even though it's all fucked. There isn't a true happy ending here, not for everyone.
Louis and Violet stand on their own as great characters, but you only get the true depth depending on how you play. They're excellent love interests because they care for Clementine. Through their relationship with her, they grow as people and find the acceptance and love they're starved for.
It's not perfect, but it honestly doesn't need to be. There was care woven into these characters. Both routes have a wide appeal. That means something to so many people.
I know we as fans often will say we wanted more, we wanted this and that, we wish this was different. It's not a dating sim where the main objective is to woo them. It's not a massive RPG with hundreds of hours to explore every nook and cranny of their characters. This is a Telltale game. It's a narrative with Clementine and AJ at the forefront, and it's up to you whether you want Louis or Violet to share that spotlight.
It's a story about Clementine finding a home, about molding what kind of survivor AJ comes. It's about Clementine meeting two broken people with glass shards at their feet, about her glass mixing with theirs. It's a game about choice; which glass pieces do you pick up, and which do you step on?
We should take more time to appreciate Louis and Violet. We should share our appreciation for the development team for giving us a bisexual lead with two great love interests, especially since we almost didn't get TFS in its entirety; we can hate Skybound as much as we want for the Clementine comics, but without them, this team wouldn't have been able to finish the game they were clearly passionate about.
We should have more self-awareness and try to understand why we like and dislike things without targeting others.
In conclusion?
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I think they're both neat 👍
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skinwalker-bratz · 1 year ago
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Eyeless jack cheating headcannons
Just because I'm traumatized and rarely have happy scenarios with my S/O characters unless they're women.
Warnings: angst, depression, cheating and mild nsfw.
-I'm very traumatized by relationships, but I still can't see Jack cheating on you, not out of pure willpower.
- but there are two scenarios in which he could do this: scenario 1 would be if he only had the opportunity to eat the victim if he had sex with them (for me he doesn't eat just kidneys but he can eat the whole person), or in scenario 2 if he met another demon.
- starting with scenario number 1, which doesn't make sense because Jack has much more strength than any human, so he doesn't need to have sex with the victim to devour them, he can easily overpower a person especially when he's hungry.
- but if it happens, he'll feel like shit and humiliated because he literally had to have sex with a human who is much weaker than him just to have dinner one night and betray his lover.
- so that leaves scenario 2, which is more likely to happen, and get ready because it's going to hurt a lot.
- in scenario 2 he will meet another demon (gender unspecified because my EJ is bisexual) and if this other demon is in heat, Jack will automatically go into heat too.
- he'll be very attracted to the other demon, to the point of forgetting that you exist, and if the other demon is up to the standards that EJ is most attracted to, that's it for him.
- like if the other demon have a small body and easy to dominate, Jack will fall to his knees for them. Bonus if they look good.
- When Jack comes to his senses, he'll try to stay as far away from the other demon as possible because he respects you and doesn't want to lose your trust, which has obviously been built up over time and it would be stupid to lose it so quickly.
- But if he doesn't hold back, he might not speak to you for a few days. Obviously you'll be worried, you'll text him but he doesn't answer, you'll call him but he doesn't answer, you'll ask the other creeps but they can't answer where he is.
- you might think something has happened to him, you'll get really worried and paranoid, imagining a thousand scenarios of how he might have been captured, if he's seriously injured somewhere and slowly dying or if he's already dead. And it will get to the point where you can't eat properly thinking about having lost your Jack.
- the other creeps will also be worried but maybe they'll just think he's just hunting or doesn't want contact now, maybe because he's depressed or something.
- when he comes back he won't want to look you in the face. He feels extremely guilty and dirty about what he's done, but he won't say anything so as not to lose your trust, he'll just make up an excuse for everything that's happened.
- Until the other demon started coming for EJ, he fell in love with them, and now he's all over them. Jack can't resist either and even though it feels wrong, he goes out every night while you sleep.
- EJ is becoming more and more attracted to the other demon than to you, his touch, smell and voice are very intoxicating, Jack is losing more and more of the attraction he had for you.
- the other demon is much more attractive than you in Jack's view, he starts spending more time with them, and all the relationship plans EJ had with you are forgotten.
- Over time you realize that Jack is becoming more and more distant from you, the moments of affection are becoming rare and the nights when you have sex are even rarer.
- you start to feel alone, you see other couples being happy together and having mutual affection but not you and Jack, you start to feel single within a relationship.
- you start to worry, maybe his mental health is fucked in some way, so you tell him if he needs to talk you'll be there to listen.
- you've had depression once, and you know how much it destroys you, so you don't want to see Jack destroyed too, you don't want to lose him.
- Until one night you wake up and look over, you see that Jack isn't around, and as you're thirsty and your bottle is empty, you decide to go to the kitchen to fill it up.
- as the mansion is huge, the trip to the kitchen has put you out of sleep and you notice that EJ is nowhere to be found, you look for him in the mansion and ask the nocturnal creeps but they haven't seen him.
- You return to your room but now come to new conclusions about your boyfriend's disappearance: what if he's hiding something or doing something he doesn't want you to know about? What if he's cheating on you? Now you're starting to get angry with him.
- You see him coming back through the window and you stand in the doorway staring at him, your eyes are piercing, you're clearly someone to be taken seriously, after all, you live in the Slendermansion for a reason.
- he also stares at you, but not as seriously as you, he's even a little intimidated by your gaze because he knows he's done something wrong.
- you ask for an explanation, he tries to think of another excuse but he feels it's not a good idea to do that, so he says everything. Looking down and half-shrinking like a dog with its tail between its legs.
- Now how you react is all up to you.
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lemotmo · 2 months ago
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Hello, I hope im not bothering you and that you are having a wonderful day.
I had a question and I'm sorry if you've already answered something similar in the past, I tried to look but might be further down then what I've already scrolled ^^
I know you've said you believe it is likely buddie is happening this season, but have you ever felt that way before? And if so was it as much as this season? (I've seen a lot of blogs saying they too feel like something shifted and that they are also kinda thinking it's happening but I joined last year so I have no clue if that's normal clown shoes behavior or if something really strong have shifted)
Have a wonderful day and sorry if this bothered you, I really enjoy your anon responses you're always answering with kindness and patience it's very soothing and welcoming
Lots of love, anon who would've loved to be in your GC :)
No no, not a bother Nonny. Don't worry! 😋 Thank you for the kind words and compliments. ❤️
Now, as for your question:
😂😂😂 No Nonny, absolutely not. I've always shipped Buddie with the idea that it would NEVER be canon. I mean, I saw season 4 and 5 and there were some very interesting scenes and set-ups in some of those episodes, but I never truly believed it would happen.
And then ABC took over after season 6 and the first Oliver & Ryan interviews happened. I immediately sat up. They freely talked Buddie in those interviews and I was gobsmacked. I couldn't believe it. Oliver had always said that he wouldn't talk about Buddie anymore, because he didn't want to lead us on and suddenly it was all buddie, buddie, buddie.
Then 7x04 happened and Buck was bisexual. It blew my mind. I never ever in a million years saw that coming before season 7. I mean, the signs were there, but I never had hope it would happen. Then Eddie got thrust in between BT in almost every single scene they had. I mean, talk about foreshadowing. 😋😋😋
Those Oliver interviews after the bi Buck reveal where he -once again- talked about being 'all for Buddie happening if the story was right'.
The continuous Ryan promotion during the hiatus between 7 and 8. The Ryan interviews and how Eddie is going on a road to discover himself.
Nonny, I could go on and on and on. We have never ever been THIS close to Buddie before. So yeah, I choose to believe it's happening. More than that: I'm almost certain it's happening. 🤷‍♀️
I honestly think there is no way back from this without a giant backlash happening. The show is very well aware of this. They have to realise that this storyline could break the internet... in a good way. 😂
Could I be wrong? Possibly yeah. But then there are a ton of people 'wrong' with me, because so many people in this fandom have seen and felt the shift, even the journalists.
We'll just have to wait and see who will turn out to be right and who will turn out to be wrong I guess. 🤷‍♀️🤷‍♀️🤷‍♀️
Have a great day!
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am-i-the-asshole-official · 11 months ago
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WIBTA for asking my girlfriend to make time for me when she is busy and dealing with medical issues? (🤠 to find later)
I know this sounds bad. This is a messy situation and I’ve received very different answers but I’ve yet to provide anybody with the full story.
Me (FTM, this is important later) and my girlfriend (both teens) have been dating for almost 7 months. Everything seemed perfect the first couple of months. It’s important to mention that we started dating as a lesbian couple. I came out as trans about two months in and I’m afraid that’s where things started going downhill.
She identified as lesbian when we first started dating but now identifies as bisexual. Then she came out to me as being on the aromantic and asexual spectrum. I have zero issues with this. It took a bit to get used to but it didn’t change much about our relationship. I never treated her any differently because of this besides respecting her new boundaries.
She’s grown distant though. I barely talk to her anymore. Enter Z. Her older brother by two years. When she talks to me, it is always about Z. A lot of the time she misses my messages and can’t hang out, it’s because she already told Z that she would hang out with him. I don’t feel jealous of this relationship or of Z. I’m friendly with him and he’s a good guy.
I knew something was wrong when I sat on the bus with my girlfriend for a field trip and instead of talking to me at all, she called Z the whole time. When I was right there. She repeatedly calls Z her best friend in front of me, when it was previously established that we were best friends, even before our relationship.
I went to her house and gave her Christmas presents and the mother invited me to stay over for a half hour or so. I don’t think she talked to me once, even after I gave her presents (this was a surprise, I didn’t need to do it).
All of my friends have noticed that I put in much more effort into the relationship than she does. I don’t think that’s her fault though. She’s also been acting different. She’s a lot more tired and doesn’t put effort into any conversations and into any of her relationships besides the one she has with Z. She is autistic and claims that this is because she is unmasking. By asking her to spend more time with me or talk to me for a little bit a day, I would be knowingly forcing her to mask.
Additionally, she tends to jump from person to person. Constant calls and texts. Every hour of the day that she can is spent with them. First it was our good mutual friend J. Then it was me. Now it is Z. This lasts for several months. J has noticed this too.
Here’s where I think I might be the asshole. My girlfriend has been having severe migraines and being on the phone for too long hurts her eyes. By asking her to spend more time with me, I would be interfering with her health.
I really love her and don’t want to end the relationship. I have talked to her many times about this but nothing’s changed. So, WIBTA for explicitly saying that she gets one chance to put effort into the relationship?
I don’t have the energy anymore to put effort into a relationship like this.
What are these acronyms?
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bitter-sweet-coffee · 3 months ago
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hey if you feel comfortable
can you maybe explain the espave ship? like whats the chemistry? what makes you like them and see them working as a couple? (or not lmao)
HI ANON! first of all, it’s totally fine to be on anon for this but jsyk (and everyone else) i absolutely THRIVE on questions about my purple bisexuals. i’ve probably answered this a billion times but that won’t stop me from saying it again because i love excuses to ramble fkdkfkdisidsi
SO, in terms of canon stuff, i have always adored the chaotix and rogues as a group dynamic. WAY before idw did it too (and i personally think they did it very wrong. ian flynn on record states that he hates the rogues and doesn’t want to write them well but i’ll save that can of worms for another day)
anyways, espio and wave have very similar predicaments for their team dynamic. they’re both typecast as the “intelligent, voice of reason” who is often ignored by their (green) leaders which leads to a lot of passive aggressiveness. they’re both extremely arrogant, which is really hard to combat considering they’re both too intelligent to dismiss. wave is a mechamechanical genius who in certain fields, canonically surpasses tails and eggman, one of the world’s best extreme gear riders, brilliant at melee combat, translates ancient runes and artifacts, is an accomplished thief, and will verbally spar you to death. espio is a detective ninja chameleon who can turn invisible, run as fast as sonic and shadow, jump into computers, control the wind a bit, is fluent in 17 languages (which implies he learns a new one every year) and so on.
so like… they’re both OP as fuck while simultaneously ignored by their teams AND the fandom which is really funny (read as: annoying) for me to deal with
anyways, on a deeper level, wave’s neglect is… really sad. i talk about it a lot, both in-lore and in terms of how the fandom treats her, and the worst part is that it’s played for jokes. a lot of people interpret her as wanting to lead the rogues which directly contradicts the canon: she wants JET to be a good leader and puts all her energy and effort into mentoring him so he can lead on his own. hijacking the rogues wouldn’t do any good and she genuinely thinks he can grow into his position despite being so young. and yet… she’s ignored. she does so much for the team and really tries to be patient, but can you blame her for being so jaded and dismissive when all her life’s work goes shoved aside and played for jokes? that cutscene in riders really always upset me because she’s clearly giving a long speech with good intentions, and jet just… walks away. and her reaction implies people do this to her all the time.
cutting away to espio for a second, i’d like to point out that as the knuckles chaotix manual states, espio was the ONLY chaotix member to be a detective before they formed. long before we had the chaotix as a team, espio was already a PI who was on angel island to explore its history, culture, and suspicious activity. this was always who he is, because he is inquisitive and perceptive by his very nature. his name in spanish MEANS “i spy” and its also short for espionage. THIS IS HIS WHOLE LIFE! so yeah, espio loves to ask questions. it’s also noted he has a rivalry with knuckles because he’s jealous the echidnas have such a rich and extensive cultural history, considering he doesn’t. note that he eventually became a ninja as if to appear like he does LMAO
okay, so. we have a character with rich cultural history who is extremely intelligent and neglected, and then another character who is obsessed with rich cultural history who is extremely intelligent and loves to listen to people.
… see what i’m proposing here? LMAO
espio and wave, despite being on opposite ends of an affluent spectrum, are cut from the same cloth in terms of their team dynamics, and the cores of their individuality answer one another. you can even look at their chase for money as a compelling foil, while also taking into consideration the detective/thief dynamic.
espio, unlike most characters, would not only be very interested in everything wave has to say, he’d actually be intelligent enough (and a very fast learner) to actually ENRICH the dialogue. wave finally has someone to talk to, and he’s not exactly innocent, so she has an arrogant verbal sparring partner that’ll humble them both through their discussions.
it’s here i’d also like to point out that espio is taken for granted too. maybe not as much as wave is, as it’s very hard to find a character treated as poorly by her team while also getting no pathos, but espio is ignored in his own ways. looking past how he’s dismissed at times, espio is character-typed by everyone around him. yes, he’s a ninja, but that’s not all he is. yes, he’s the voice of reason at times, but he’s also extremely vain and reckless with canonical anger issues. people want to talk about how he could be some great shinobi warrior, forgetting that the only reason sega made him a ninja was because naruto was popular at a time 😭 i’m not saying he’s a poser and a weeb, but he clearly puts up this front of being a super serious guy… which works. too well. it fools most of the fandom LMAO. but espio is actually really funny, witty, cocky, and playful. dare i say whimsical? he likes CAMPING, GUYS! THAT’S ONE OF HIS INTERESTS, YET I SEE NO CONTENT OF HIM BUSTING OUT A PORTABLE GEORGE FORMAN GRILL IN THE MIDDLE OF MYSTIC JUNGLE, DO I? anyways, espio’s persona is a lie, and yet if anyone were to question it, he’d be more like himself. but no one ever does. they take his front as fact and never consider delving into who he is as a person, beyond the act he has on. and it’s not like he’s good at hiding it either, sonic x showcases how stupid he really is at times LMAO
okay, i’ve zig-zagged around a lot, but it’s safe to say i really love both these characters and think they could fix each other
… for the canon series. i personally like to have them make each other worse before getting mildly better, because it’s way more fun to write hehehehe. i’ll save that for another ask because this is already a wall of text, but do ask me more stuff if this hasn’t scared you off, because i love getting to do this!
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lesbicosmos · 4 months ago
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Hi! It's ghost-husbands, just can't ask from that blog. For the ask-game, #8 for Charles, #11, and #21 C:
hii ty for the ask!!
8. headcanons for charles
he's a huge queen fan. you're telling me this guy was half-indian, bisexual (even if he probably wasn't aware of it) and grew up in 80s england and WASN'T obsessed with freddie mercury? wrong. eventually they get a radio in the office and whenever bohemian rhapsody comes on he tries to sing all the parts, much to edwin's confusion and amusement
he really missed going to concerts after he died but barely ever went to any because it wasn't the same going alone and he knew edwin wouldn't enjoy it, but once crystal joins the agency they go ALL the time it's their favourite thing to do. charles loves not having to pay for tickets anymore lmao
he tells dumb dad jokes all the time. he's only managed to make edwin really laugh twice but he'll be damned if he doesn't keep trying
as well as his parents, he often checks in on the kid he died to save too. he never regretted his decision for a second, but seeing him happily married with kids makes it all worth it
him and jenny quickly become friends. idk i just think they'd get along. she'd think he was an annoying little shit sometimes but like... affectionately <3
11. ooh personified animal
i think a pigeon would be hilarious, especially in london. just The dumbest and bitchiest bird you'll ever meet. has beef with the cat king. is Literally Everywhere All The Time. just funky little pigeon man.
21. something in the show that made you happy
like...all of it. boring answer but it's true
i mean there are specific things, mostly the characters. they're all so distinct and individual and cool?? especially the female characters, i love that they're allowed to be a bit fucked up but still loveable and not villains (except esther and maxine obvs)
also so many people have said it but the way it handles queerness not like it's something other. like edwin still manages to have his realisation and coming out arc without it feeling like that's the only aspect of his character? i love queer shows that are like screaming gay in ur face (like heartstopper) but idk just the way it's so casual, and the way there's no labels or anything? like it's not a big deal or a shock that jenny's secret admirer's a woman, and charles's reaction to both edwin's coming out and his confession is so calm, like obviously it's a big deal but he's so chill, there's no jokes made or anything it's just pure love and support and i love that so much
and that's not even getting into how much i love the visual style of the whole thing
but yeah, the entire show made me happy. it also made me sob several times but that's all part of it. i love shows that make me cry.
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curekirin · 22 days ago
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Something i want a genuine answer to if anyone can give one. A pretty long rant is ahead so read more at your own discretion.
Why are people so outwardly, vehemently against good faith and mspec labels?
I see it everywhere. I see people casually spewing hateful things towards multigender, mspec, and intersex people without even thinking about it. I see so much intersexism hidden under the guise of “anti mspec” or “anti good faith”. I see so much infighting over terms that i’m willing to bet 90% of the people who are against them don’t actually know what they mean.
Lesboys are not just male lesbians. Turigirls are not just female gays. Gaybians are not just bisexual. There is so much more grey area to these terms, as there is with MOST queer labels.
If you’re against transmasc/transmale, masc, butch, multigender, or even intersex lesbians, then please ask yourself why. Is it because you believe they’re lying about their queerness? do you think they’re just “confused” and should be using another label? do you think lesbians are only women who love women? Because all of those beliefs are inherently wrong and harmful.
Most of these ideas come from bigots themselves, usually radfems and transmeds and terfs of all kinds. These ideas were purposefully created to seem logical, when actually they’re just ways of excluding certain people from the queer community.
I do not care if you think men can’t be lesbians. Because actually anyone can identify as whatever feels good to them. Policing and attacking people purely for their identities is bigot shit. That’s what terfs, transmeds, transphobes, homophobes, and every other group that aims to silence queer voices wants to do too! and they don’t just want to police lesboys and turigirls and all those “confusing” labels, they want to police yours too! they want to force you to become as palatable to them as possible, preferably convincing you to just become cishet and forget you were ever queer to begin with.
Why are you, as a queer person, attacking and belittling identities you don’t understand simply because you dont feel like stepping outside your comfortable bubble? Are you, perhaps, agreeing with the bigots? Do you side with them in any other instances? Ask yourself that. And seriously think about it.
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silly-tma-headcanons · 7 months ago
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okay so i love oliver so so much. so here are some hcs about him.:
he had a great relationship with his parents. obviously, his dad in the dreamer episode and stuff and his death, but before his dad died, he was on great terms with him. his mom died when he was 25/26, him and his dad went through it together.
speaking of parents, he actually had a very normal life prior to all the Horrors. his childhood was very unremarkable. i imagine that he liked to read a lot of those feel-good children books like roald dahl and maybe those henry huggins books. he really liked math growing up and that was really the reason he became a banker.
he is bisexual with a lean towards men. he realized this when he was 16.
a few romantic partners here and there in the later years of secondary school. graham was his first serious relationship.
i once saw this post that played around with the idea that oliver and graham broke up because they were too dependent on each other and they leaned on to each other so much that they couldn't be individual people, and i stand by that.
AAA I HAVE THOUGHT OF OLIVER FINDING GRAHAM AND TENDRILS IN HIS DREAM SO MANY TIMES !!! so my idea is that he falls asleep, dreams, you know. he finds himself on the canary wharf like so many times. like that dream with gertrude, he again feels that urge to follow that light or whatever that happened (been a while since i listened to that episode !). he goes to clapham and he is standing on the street between graham's apartment and amy's apartment. the tendrils are weirdly shaped like hands and they enter that open window. they're wrapped around this person, shrouding them completely, though oliver can't quite see who it is covering, he knows it's graham. he suddenly gets this feeling that he is being watched.
he wakes up from that dream and oh fuck, he needs to do something. he needs to warn him. oliver tries to call him but graham does not answer as there's still that bitterness. oliver even goes to his house to tell him and graham does open the door but only tells him to piss off. oliver urges him to listen to him but graham only screams at him to leave. there is no point. everyone oliver has seen in his dream, they die. no matter what.
now, i think that after like ten days, oliver does go check up on graham but i don't know how that might go down. would he think something was really wrong and tell that, whoever this is, that's not graham. would he not think something was amiss and just be so glad that graham is alive? hmm thoughts?
one last hc, as a child, oliver had trouble falling asleep. it was not anything major, just a small problem. his mother would sing him a little lullabye. he still remembers the song and post-change, he would hum it to himself as he closed his eyes.
oliver enjoyers <33 we love to see it!!
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nicosraf · 7 months ago
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Hi Rafa!
Back again in your inbox and I have what’s probably a silly question but I am nothing but silly and goofy so I’ll ask anyway
I was thinking about yk the verious depictions of lucifer (as every sane and normal person does) and it got me wondering onwhat made you decide to characterise Lucifer the way you did, mainly because usually in modern media he’s very much seen as a anti-hero and mostly he’s seen as a good (-ish) guy that didn’t do too much wrong, the rebellion is usually very much written off as something akin to teenage rebellion and God is just seen as a disappointed parent that had no other choice but teach a lesson to his kids (and well that is of course because gods forbid someone sees God as anything less than the perfect father but I digress), for example the Lucifer series does this and in part too hazbin hotel.
And idk it was refreshing to see your read of Lucifer, he starts good and very much kidlike and then his wonder and love become corrupt I’d say, I struggle to call him evil because well for one I have what could be considered too much sympathy for him and I understand him, he was set up to fail in a lot of ways. So I guess I just wonder what made you say “no I’m going to keep the “bad” and “evil” that is in him”
(I am aware that the answer is probably just well he’s like that in most classical depictions but idk I want to hear you ramble about Luci and his development because that’s always interesting and I love it ajdhsh)
Sorry for the confused ramble anyway lots of love from Italy <3
-J :)
Hello! This is a dangerous question!! I have many many essays I'd love to write about the depiction of Lucifer in media and about what eventually led me to making Lucifer like that. It's also fresh in my mind right now because I saw that Lucifer Hazbin Hotel episode recently. (I actually don't have a ton of thoughts on Hazbin Lucifer. He is very cute, but Hazbin isn't trying to be theological I think; it's just having fun with the mythology.)
I would say that societal depictions of Lucifer always mirror a lot of the way that society has come to understand not the devil, but God, parent-child relationships, authority, tradition, and so on. Some people think Paradise Lost was the first to make Lucifer a hero, but it's actually very clear that Milton wanted his flaws to outweigh the good things, to make Satan ultimately a bad person, and to justify God's actions to us.
Like 200 years later, William Blake started saying that Paradise Lost was pro-Lucifer, though by accident: "Milton was of the Devil's party without knowing it." But Blake lives in a very different time, during the French and American revolutions and the industrial revolution. Old traditions and empire are getting shaken up, the story of Lucifer looks a lot more heroic.
I won't get too much into how Satanic panic affected things (or even the rise of anti-theist communist regimes!), though I think the Satanic panic of the 90s really exacerbated Lucifer's connection to teenage rebellion. (Also, I'm focusing on the US because of how much their media is exported and influences other countries).
But so then we got the modern Lucifer I used to see quite a bit — suave, night club owning, slutty, probably referenced bisexual, manipulator of women. I always thought this development was kind of strange. It's almost like what Blake did to Milton's Lucifer; we didn't change how the people before us thought of him, we just decided that the Lucifer we're supposed to hate is actually super cool.
But I was not super compelled by this Lucifer. And I reference these lines a lot, but the idea of Satan in Western Christianity came from several passages from the Bible, one of which is Ezekiel 28, and I was really struck with line 14: “You were blameless in your ways from the day you were created till wickedness was found in you," as well as the multiple times the chapter stresses that the cherub of Eden fell because of his corrupting beauty above all.
I realized I never really saw "blameless" Lucifer, innocent Lucifer. In a lot of interpretations, he's just sort of born wrong or always a little Evil. But the lines say that he was innocent once, and I got really caught up in that. I thought of God watching Lucifer be beautiful and innocent in all that time (like a voyeur).
It felt like the next step in Lucifer's development to take the child-parent relationship between him and God and make it ugly. (Though sticking with the dichotomy of good vs evil didn't really work for me. Lucifer isn't good but he's not evil either, and the weird love and hate mixture is what brings him closer to how God is, too (to me)).
We live in a day and age where all authority is being critiqued, where we don't laugh at teenage rebellion as much. I mean, if you watch any recent Disney movie, you'll see parents learning from their children to stop the cycle of generational abuse. And, of course, with Lucifer becoming so associated with queerness (Lil Nas' MONTERO for example), the framing that he's just a metaphor for a teen rebel who will one day realize his dad was right... falls apart. Lots of teens kicked out of their house for being gay are grown up now and making shows/movies/etc.,. And I think it's always better not to shy away from trauma victims being imperfect and, occasionally, cruel.
So. yeah! I've always been surprised that Lucifer as an imperfect victim of parental abuse, running away, taking some of his sibling with him, isn't more common in general.
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oh-surprise-its-me · 1 year ago
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Roy/Jamie fic idea: Instead of hate, what if when Jamie first comes to Richmond it is love at first sight between him and Roy. Like Jamie's always loved Roy since he was a kid and is starstruck at finally meeting his fav while Roy has to battle to keep up his gruff and grouchiness when all he wants to do is gawk at the gorgeous new striker who walked through the door and immediately looked at him like he's hung the fucking moon. How differently would things have played out if Roy took Jamie under his wing, Jamie stopped being so much of a prick because he wanted to be a good teammate and please Roy too, and then when Ted Lasso himself arrives, Jaime and the boys soak up his positive ethos quicker and start winning?
AWWW I LOVE THIS
(Also are you a mind reader I was literally thinking about this last night)
Roy knows he needs to stop looking at Jamie.
He hasn’t had a problem with keeping his eyes to himself for years. Why is this kid any different. But the way Jamie is practically bouncing in place with energy, his eyes, his ass. Roy normally hates when new players say they loved watching him growing up but Jamie? Jamie saying it made Roy feel special.
They are the only two in the locker room at the end of the day, Roy has been debating this for the last 15 minutes but fuck it. He taps Jamie’s shoulder, “wanna come over and eat? I’ll cook. Give you some advice.”
Jamie blinks at him for a second like he can’t believe Roy is real. “Uh yeah sure mate that would be incredible.”
Roy nods. He takes Jamie’s phone from his hand, he typed in his house number into Jamie’s map app. “Come over whenever, I’m going straight there.”
Jamie nods. “Yeah fab I’ll be there.”
—————
It’s been about six weeks of the them getting to know Lasso, Roy’s gotta say he’s impressed. Jamie works like magic under him, even dropped a bit of the prick attitude.
They still have dinner together almost every night. Roy every once and a while asks if Jamie has been on any dates. He selfishly hopes he hasn’t because that means he’ll be Roy’s more nights.
Jamie doesn’t really seem to date. Roy figures he’ll drop the fact he’s bisexual tonight just to see how Jamie reacts.
Jamie is sitting on Roy Kent’s kitchen counter. Fuck if 17 year old Jamie could see him now he’d be crying.
Okay lie.
He’d be asking to blow Roy under the dining room table they eat at some nights. But that doesn’t matter because Roy is straight and Jamie just needs to adjust his love for Roy to a more platonic intentions.
He’s swinging his legs when Roy drops the biggest bomb of all times. He’d asked Jamie if he’d dated recently. No. The answer is always no. Why date when he could be here with Roy. He returns the question to be kind, but prays to a god he doesn’t believe in that the answer is no.
“No no dates since a failed date with a guy two months ago.”
Jamie slams his foot into the cabinet. Shit.
“You’re gay??” Roy freezes. He spins and looks at Jamie, “no bisexual. Problem?”
Jamie can’t shake his head fast enough, “no god no I mean same, me too, I’m. Uh. Bi. First time I’ve actually said that out loud. To someone it actually could effect.”
Oh goddamn it Jamie you really fucked it. Your goddamn big mouth wouldn’t shut up.
Roy clicks off the stove, he sets down the whisk with such care that the whirl of emotions Jamie sees when he turns is shocking.
Roy steps over in between Jamie’s legs, shit.
He slowly places his hands on Jamie’s thighs, “tell me if I’m wrong but I think we both want to kiss each other.”
Jamie frantically nods, he reaches and holds Roy’s face.
They kiss.
Once Jamie needs to breathe again he pulls away, shit. He loves Roy. “Shit I might love you.”
Jamie goes bright red. Cool great fabulous this was nice. Time for him to go die of embarrassment.
“Think I might love you too Jamie.”
Scratch the dying he’s about to become a fucking God. “Seriously?” Roy kisses Jamie’s collarbone, “yeah. Guess love at first sight does happen.”
“Shit Roy you are literally never getting rid of me now.” Roy laughs, he leans in and kisses Jamie again. “Wouldn’t want to get rid of you anyways.”
(They move in together in two months) ((and are extremely but healthfully co dependent))
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writergracethepanda · 6 months ago
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🔥 choose violence ask game 🔥 Secret Shanghai Edition
the character everyone gets wrong
Marshall. He is canonically an excellent cook, s why are we convinced he'd set something on fire if left alone in the kitchen?
a compelling argument for why your fave would never top or bottom
no comment
screenshot or description of the worst take you've seen on tumblr
EVERY SINGLE DAMN TIME I have seen Alisa and Phoebe shipped (let aroace people live and bisexuals are still bisexual even in a seemingly hetero relationship) or those takes I've seen on TikTok of people shipping Rosalind and Benedikt and Celia and Marshall if I weren't on my computer I would put sooooo many barf emojis here
what was the last straw that made you finally block that annoying person?
luckily nothing yet I believe
worst discord server and why
mine with my friends its sooo annoying how we have incredibly amazing and intelligent and sometimes incoherent conversations like guys we're the worst (sarcasm)
which ship fans are the most annoying?
like I said, anyone who ships the above things needs to stay 10 feet away from me at all times and undergo intense media literacy training
what character did you begin to hate not because of canon but because how how the fandom acts about them?
I think everyone's answer for this is Oliver. I'm so sorry we (especially me tbh) did you so dirty pre fhh I promise we've learnt our lesson!
common fandom opinion that everyone is wrong about
Oliver loves cats. incorrect. Cats are his entire life. there is a difference, and we need to recognize it.
worst part of canon
roma and Alisa's dad just disappeared before I could beat him up
worst part of fanon
we're too funny my stomach literally hurts from laughing too hard sometimes. Seriously though, the above ship takes that make my blood boil, as well as some complaints about how a lot of us talk about how we think certain characters are neurodivergent/disabled. While I think some of those are actually considered canon, I don't understand why people are so made that we (a relatively neurospicy bunch) are identifying the parts of characters we relate to and labeling them. We're doing you no harm and not interfering with your ability to enjoy the characters. Shouldn't it be a good thing that we're able to identify with the characters? Just mind your business. (also anyone who erases Rosalind's and Alisa's aroaceness that is indeed canon and I hope both sides of your pillow are too warm)
number of fandom-related words you've filtered
I don't think any
the unpopular character that you actually like and why more people should like them
I don't think anyone hates these guys, but why don't we ever talk about the couple from LVC? They were so sweet, and I'm kind of sad we didn't get any mention of them in FHH.
worst blorboficiation
I feel like a bad Tumblr user, but I don't know what this means. is this like uwu-ification?
that one thing you see in fics all the time
@typingwithmyhandstied 's GENIUS
that one thing you see in fanart all the time
Juliette always has the appropriate amount of knives thank you very much for that guys :)
you can't understand why so many people like this thing (characterization, trope, headcanon, etc)
I personally don't get into the Rosalind is a vampire thing, but I'm cheering you guys on from afar (im just not into vampires lol)
there should be more of this type of fic/art
idk I should probably work on my university au
it's absolutely criminal that the fandom has been sleeping on...
the fact that not only did she feel comfortable falling asleep around Orion (see one of @no-1-rosalind-lang-apologist 's recent posts) but Rosalind was also muttering in French in that scene. Her dominant language. She was both out of it enough/comfortable enough with him that she dropped the I was raised in American fake accent and just started speaking normally in this essay I will- basically we need to talk more about the use of multilingualism in the ss books
you're mad/ashamed/horrified you actually kind of like...
past me would be horrified to know that I like Oliver now
part of canon you found tedious or boring
I think TVD can be a bit boring sometimes, but that makes sense, since it was Chloe's debut, and she's grown immensely since then
part of canon you think is overhyped
the seagreen trio is overrated (they are literally my favorite characters)
your favorite part of canon that everyone else ignores
THE MULTILIGUALISM
ship you've unwillingly come around to
Olivercelia. Like I said, I was his strongest hater pre fhh. Now I see what she clearly sees in him.
topic that brings up the most rancid discourse
discourse on ss Tumblr is mostly joking. my personal favorite is when @marsneedstherapy and I pretend to yell at each other in different languages
common fandom complaint that you're sick of hearing
"no one appreciates x enough" I do. I love them.
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