#is an awesome parent

[starbuckaroo]

Sorry I know this is going around a lot rn but anyone who wants to say ANYTHING about bad parenting on this show and wants to talk about Eddie mf Diaz can eat a fucking dick UNLESS they can show me they’re not being hypocritical and can show me their posts that rip Athena apart. Fucking hell.

I will preface this by acknowledging that ofc there’s absolutely no way I can know what it’s like to be a black woman raising a black child. I never can. I do have some personal experience with raising a black boy in the US, though, so the episodes with Harry have always hit me really really hard, and usually because I always want to mcfucking scream at Athena for the way she allows her career indoctrination to harm her children.

Yeah my main gripe with this show always always boils down to “Athena quit your job” bc I can’t stand her anymore tbh. She would have stayed an interesting character IF at some point in s4-5 thereabouts she started to have doubts about the system and they did something interesting with that

OR

If they would allow the literal actual conflicts of interest to crop up and let her be a fucking antagonist. Let Bobby struggle with his ethical evaluation of a scene and his marital obligations. Let May struggle with learning and growing away from her childhood home and wrestle with what her mom continues to do. And let that storyline with Harry this season actually carry the fucking heavy and heinous weight that it truly has. It turns my stomach honestly like I had to stand up and walk away, and let me sister tell me when it was over so I could go sit back down.

But the apologism is what is so unforgivable. Like don’t get me wrong, I love the hell out of this show and it’s my full on hyperfixation and has been for years, but its top billed character has been nigh unwatchable for most of the last few seasons. The narrative trying to sell me that she’s one of the protagonists, that she doesn’t have to struggle meaningfully at all about what she does for a living or to her family, and I’m supposed to swallow that without protest? Nah. Can’t happen.

I liked her character a lot in the first three seasons tbh against my better judgment! I was expecting to hate her from day one but I was sold, actually. Michael leaving the show kind of tanked her character, I think, maybe. I think it was their dynamic that made her interesting at first, and then sympathetic later on when she really was trying to make their blended unconventional family work despite her upbringing. But honestly once Harry aged into teenagerdom and Michael left and May graduated it meant there was like…nothing left about Athena that was interesting except her job except that’s actually the worst part about her lmao woopsies.

Anyways. Let Athena be a villain or at least an antagonist. That would fix everything tbh. It would make her interesting again, it would be in character given how many ethical messes she’s caused or been party to, and would allow the show to keep doing their dumb copaganda shit that they’re almost certainly contractually obligated to shove in at least once per season. But it would finally be interesting because it wouldn’t feel like I was being asked to swallow bullshit covered in glitter spray. Maybe they could explore her toxic relationship with her mother and how engaging so heavily and perpetually with respectability politics has done damage to herself (and her parents and her ex husband and her children) over the years. Maybe her magical fairytale white lady boss at the precinct can actually act in character for once and pls god I would just like. I would sell a kidney for a real and honest Athena Quit Your Job plotline. Fuck. They could even take the coward’s way out like they did with Eddie’s military service and just have her quit for some random reason so ethics never actually has to be part of the conversation but neither would we have to deal with the copaganda all the time. You know Angela Bassett would act the fuck out of that kind of complicated character. It would be a real conflict instead of whatever contrived nonsense they’ve been putting on her this season.

Anyways this really fucking got away from me but I’m just not willing to hear a fucking WORD against single dad Eddie fucking Diaz unless the speaker has already done their bit about Athena and they’re just making their way through the line.

Except

I don’t actually want that bc We Know Why they’re saying that shit about Eddie and if they ever opened their mouth about Athena I don’t even really have to wonder about what sort of racist bullshit might fall out. Those aren’t the people I want attempting to critique Athena Grant. So actually yeah can everyone just shut the fuck up.

Myself included.

[kathaynesart]

BABY HEIST!

BEGINNING || PREVIOUS || NEXT MASTER POST

I'm sick as a dog, but at least it gave me the time to stay home and finish this update! This special though is definitely going to be lasting through into the new year, but I figure I would rather take the time to see it to completion rather than try to stuff it into some arbitrary date. It was so fun finally getting to do Casey Sr and Raph though. I wanted to give these two some time to shine since we see so little of them in Replica.

MOTHEROOD/CASEY TED TALK TIME UNDER THE CUT

I will admit... I've never been a big fan of the dumpster baby scenario for Casey Jr. It's not a bad scenario at all! Plenty of amazing stories have used it and it certainly embraces the "found family" theme of TMNT. It just always seemed a little unrealistic given the harsh state of the world (or at least as unrealistic as you can get in a story about brain aliens and mutant turtles haha). It's certainly an easier and simpler setup (removes the dad out of the picture for sure) but I wonder sometimes if this choice of origin story gets picked a lot simply because it's difficult to envision Cassandra going through pregnancy and typical motherhood willingly. However, if that's the core reason, I feel as if that does her character a great disservice!

After re-watching a few episodes with her, it's shocking the amount of depth of character Cassandra has (even compared to some in the main cast). I love her because while she's a passionate woman who makes mistakes, she's also extremely introspective and sensitive (something we see a great deal in the Brownie episode).

While I have never been a mother myself, a good number of my closest friends have been. Some of whom I could have NEVER IN A MILLION YEARS seen becoming mothers. Yet those people end up becoming some of the most amazing moms I've ever seen. Being a mom changes you, both physically and mentally in a way that I think gets glossed over in general storytelling. While I can't necessarily show that change much in Replica, I can at least give a nod to the fact that Cassandra, for all her flaws, is an amazing woman who I think would be an awesome mom! Thank you as always for your support!

[ky-landfill]

[psychotic-nonsense]

In October of 1967, Steve Harrington is born in Hawkins, Indiana.

He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.

In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.

She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.

In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.

They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.

In November of 1986, Richard and Samantha Harrington disown Steve.

They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.

In November of 1986, the Party's adults adopt Steve.

He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.

In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.

Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.

From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.

Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.

But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.

In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.

It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.

While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."

Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.

Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.

From then on, Veronica Harrington's life changes indefinitely.

Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.

Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.

In May of 1998, Veronica Harrington discovers the truth about her brother.

She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.

After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.

She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.

With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.

And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.

In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.

In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.

She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.

At the start of June, 1998, Veronica runs away.

She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.

She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.

At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."

The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."

Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.

She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.

"Anything I can get you today?" Max asks when Veronica's seated.

Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.

It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.

She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.

"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."

Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.

"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."

Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-

"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."

"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.

"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."

[cloudysarts]

fucked up evil creature experiences remorse

images under the cut

[gothamite-rambler]

Giovanni was a (mostly) great dad

Batman: I get it you all resent your fathers-

Zatanna: I don't. I fuckin' love my dad. He taught me magic, always protected me, and one time he threw a party for me and got Sabrina Carpenter to sing at it. My dad's fuckin' awesome!

Jason (sitting next to the magician): Didn't he turn a man into a pile of sludge once?

Zatanna: Oh yeah, the guy was a creep who tried to seduce me when I was 16 and after I made it very clear I was not interested... He turned him into the sludge he was. The guy was a creep and walked after committing a whole lot of messed up crimes. Fuckin' love my dad!

Jason: I- I never had that with my dads!

Batman snuck out of the room before Jason could yell at him.

Zatanna: Come on, Jason. I'm taking you to get ice cream, you need it.

Jason (confused): You're being nice to me?

Zatanna: Dude, duh. You're like my fave person sometimes.

Jason (smiling): Oh... thanks.

[waddei]

what many reviews missed about the FNAF movie is that while yes the plot was messy yes the William afton reveal came out of nowhere if you weren't expecting and yes the gore is goofy as fuck it also made me happy and I got out the Cinema surrounded by a happy crowd of idiots all giggling to themselves about the tlt song playing at the end

[evelynpr]

The League of Villains should've just been a band. They would've made such banger emo music.

[warpedpuppeteer]

Y'all ever cry when you think about how everyone in Eddie's life assumed he'll make a terrible parent without even offering him the help he needed to prove himself except for Buck?? He hears about Eddie's struggles with parenting and doesn't think 'you're a bad dad' he just thinks 'you need a bit of help' and then proceeds to make that happen for Eddie.

Calling Bobby to get permission to have Chris with them because Eddie doesn't get the time to, introducing Carla to go through the shitty red tapes he's been struggling to figure out, driving him to pick-up Chris after the earthquake, throwing a surprise Christmas party so that Eddie can be with Chris, and being the person Chris can turn to when he doesn't feel like talking to Eddie.

I don't think Buck realizes how much Eddie probably values all the things Buck has done for him to allow him to be the parent that he's always been capable of being. Buck downplays the things he does and probably thinks it's not much but for Eddie it's everything. It's everything Eddie didn't get from his partner or his parents. Buck just... does it for him, as easy as breathing.

This is why it was so, so easy for Eddie to choose Buck as the legal guardian for his Will but it was a shock for Buck. Buck doesn't know how integral he's been to Eddie being a good dad. For Eddie, it's easy because be knows Buck is already capable of stepping up. For Buck, it's surprising because doesn't think all the things he does matters.

[ebbpup]

hello hi!!!!! I think youve got a very cool au I like it :D!!!!!! So I thought I'd draw a scene of peri using his magic I hope that's ok !!!!

THIS IS SO COOL WHAT THE HELL THANK YOU SO MUCH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[figs-oliomedley]

it's time I come out: I am a Samukai fan. He's in my top 5, if not number one, Ninjago villains.

anyways 24 HOUR ANIMATION CHALLENGE BABY SOLVES ALL YOUR PROBLEMS WOOOOOOOOOOOOOOO (except hand pain) I CAME I SAW I DIDN'T EAT COZ THAT'S A TIME LOSS BUT I COOKED

I wanted to add all the other ninja and I had their bits planned out, but hey, that's life. Hope to return to this in the future!

[trailerparkdad]

[rebouks]

Previous // Next

Robin: Dad? Oscar: Me. Robin: Are you busy? Oscar: Not too busy to talk about getting a call from school earlier-.. three hours into the first day of term, no less. [Robin huffed, his shoulders slumping; that wasn’t what he wanted to talk about] Oscar: Two-way street, pal.. you talk, I talk. Robin: Fine-.. what does it mean when someone who’s usually an asshole suddenly starts being nice? Oscar: I guess it depends on the asshole, do they want something? Robin: I don’t know, it’s hard to tell via messenger-.. or any other time. Oscar: [hums] I dunno, I wouldn’t dismiss it straight away but I wouldn’t let my guard down either-.. play it by ear y’know? Your mom’s always saying life’s too short for grudges, but she can be too nice sometimes. Robin: So, somewhere in the middle is good? Oscar: Maybe? Life’s messy, bud.. I don’t think I can give you any definitive answers on this kinda shit. [Robin heaved a weary sigh, wishing he’d just gone to bed] Oscar: Are you gonna tell me what happened today? Robin: I don’t wanna talk about it. Oscar: You can’t just up n’ leave at lunch, what’re you playing at? Robin: Sorry. Oscar: Sorry ain’t gonna cut it every time, Robin. I don’t wanna have to start getting on your case about school, but if you don’t sort your shit out, we’re gonna have to-.. and let’s be honest, no one can be arsed with that. [Oscar jostled Robin’s knee affectionately, he wasn’t really mad, but he wasn’t messing around either] Robin: I’ll try harder. Oscar: No one’s asking you for straight A’s but you’re taking the piss now. Apply yourself or whatever the teachers say-.. and keep your ass inside the gates ‘til three as well, okay? Robin: Okay, okay! Oscar: You better! I’ll pick up a military school pamphlet if you don’t. Robin: [snorts] Yeah, right.

[cool-thymus]

Today i finished watching Naruto! And i found this gem in the ending credits: one pure team Minato hug! 💜🧡🩶

[dragon-toad]

Am I the only one to think it's super awkward for Levy to have kids at only 20 ??? Like, it makes me uncomfortable... SHE'S JUST 20 !!!!!

Update : I'm not against people having kids at a young age, it's my french ass who can't understand why you would want children at 20 !!! Like, you're just out of high school, do something of your life ! (It's maybe because university is too cheap) So to avoid misunderstanding, I'm just saying that from my french point of view, Levy and Gajeel should enjoy before having kids.

Of course we will not talk about the fact her personality has been erased since she's pregnant (and maybe before)

[kari-hehe]

hell yeah I am amazing😎