#introverted intuition

[windudemon]

JUNGIAN COGNITIVE FUNCTIONS ARE REALLY NEUROTRANSMITTERS

Dopamine (Ne) is all about exploration, novelty, and active engagement with the world. It’s testing, experimenting, seeing what works, and staying open to multiple perspectives in real time. It’s "what if" thinking, bouncing between ideas, trying them out, and learning through trial and error. This is why the dopamine pathway is short and reactive, driving people to act quickly and be highly responsive to stimuli.

Acetylcholine (Ni) is much more about conception, depth, and refinement. It’s about filtering through possibilities, refining, and finding the most efficient path. This is more about a long-term vision, where you discount distractions and focus on what’s likely to work based on deep internal understanding. Like Ni, acetylcholine works with refined material, builds on past knowledge, and strives for clarity over time. Quality control over quantity. The pathway is longer, as it requires more time for reflection and synthesis.

Norepinephrine (Se) = Sensory Engagement / External Stimulation: Norepinephrine is often about stimulation, arousal, and action in the present moment, which matches Se's focus on immediate sensory input and the world outside. Se engages directly with external stimuli, maximizing the sensory experience—seeing, hearing, touching, and reacting to what's right in front of them, seeking novel or impactful experiences. Norepinephrine similarly drives people to engage with their surroundings, often seeking intensity and excitement. Both want to be in the moment and responsive to the environment.

GABA = Si (Introverted Sensing): GABA is an inhibitory neurotransmitter, meaning it calms down neural activity and contributes to a sense of stability, relaxation, and grounding. This is highly similar to Si, which is about internal sensory recall, stability, and creating a grounded mental state based on past experiences. Just like Si helps us process and stabilize memories and experiences, GABA contributes to calmness and internal balance.

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Ooops. Clickbait. Only the perceiving functions can be directly associated with neurotransmitters but here is why:

Perceiving functions (Ne, Ni, Se, Si) are more fundamental in terms of information gathering and conceptualizing because they deal with raw data, sensory input, and ongoing experience. These are processes that happen almost automatically and are more closely tied to the REACTIONS of the brain to immediate stimuli, which is where neurotransmitters like dopamine, norepinephrine, GABA, and serotonin come into play.

Judging functions, on the other hand, are higher-order, more abstract, and deal with organizing, categorizing, and deciding how to act on the information the perceiving functions gather. These processes tend to be more cognitive, involving more logical, computational thinking (yes, fi too!), which requires less direct chemical input and is mediated by higher-level brain areas like the prefrontal cortex. They are more internalized, less reactive to real-time input, and more about evaluating and controlling the data.

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But hey! If you really twist my arm, I could associate Fi with serotonin and Fe with oxytocin.

When it comes to Te and Ti, all I can think of is the lack of serotonin and oxytocin. You lack love, you are less moody, you think more robotic, sticking to the facts as opposed to idealistic or personal or communal values.

[chynglvies]

what Ni is NOT

a lot of people in the community get Ni wrong. and i totally get that because Ni is often talked about in a super vague, weirdly prophetic light. which it is NOT.

Ni does NOT mean you can’t make connections between ideas

Ni does NOT mean you only see one truth

Ni is NOT a predictive function

all Ni is, is intuition as it makes sense to you personally. Ne, looks at the outside data and expands on that, Ni looks at the outside data and puts it in their internal framework. that’s the only difference. that Ni is personal and Ne is less personal when dealing with the abstract.

the combination of Se and Ni can come across as Ne because the user takes the tangible details and then subconsciously adds them to their mental framework. the way i personally decide between Ne and Ni is often based on this, idea. that Ni tends to be a more subconscious process, often with the user struggling to explain where the conclusion came from. Ne tends to be an obvious process. i have never once had to question where an Ne user got their idea from, because they often talk through their process unknowingly.

but just because you can’t fully understand it does NOT make Ni a sort of prophetic function. never was and never will be. it’s just the process of boiling physical things into concepts and adding said concepts to a mental framework that only makes sense to that specific person.

[magicgail]

[clairdelunascent]

Introverted Intuition or Ni, is characterized by their inclination towards “a-ha” moments and their symbol oriented perception of the world. With an innate talent for seeing meaning everywhere and striving towards their desired future, INxJs are unparalleled when it comes to big picture thinking.

Astrological placements that I associate with the Ni dominants, INTJ & INFJ:

Lilith in 10th, Venus in 10th, Lilith in 6th, Venus in 6th, Pluto in 6th, Saturn in 10th, Saturn in 11th.

<one track mind for success, a fine eye for detail, goal oriented, ambitious, a heavily analytical mind, and a stern and domineering presence amongst their peers.>

Pluto in 5th, Scorpio 4th, Scorpio 5th, Scorpio Juno, Aquarius/Uranus in 8th.

<hatred for small talk, all or nothing attitude towards relationships, a need for depth in their relationships, and finally for aquarius/uranus in 8th, a deep inquisitive mind that they use to break down their interests and hobbies.>

an updated repost. if you don’t have any of these and are an ni dom, i’m in no way discrediting you. these are just placements that give off the energy of ni inherently.

dt: my fellow ni dom, @8emstar8.

[typologyastro]

MBTI & Astrology Observations

🥀 1. Moon/Pluto aspects give off Ni, introverted intuition vibe. Dominant/auxiliary/tertiary Ni users may have Moon/Pluto aspects. They may indicate problems or a strong bond with their mother. Their emotions are intense. I've seen easy Moon/Pluto aspects (Trine, Sextile, Conjunction) are often INFJ, INTJ, ENFJ and ISFP.

Hard Moon/Pluto aspects have to learn to make peace with their intense feelings. One ENTJ I know personally has Moon Opposition Pluto. She has a complicated relationship with her mother and jealous tendency. ENTJs have inferior Fi so it's likely difficult for them to manage their intense feelings. They likely ignore their feelings or explode.

Another INFJ I know in real life has Moon Trine Pluto. His mother is feisty and strong. He loves and admires his mother. Women have big influence on him. He has a healing gift he may not realize in himself.

For example: Fujii Kaze (INFJ, Moon Sextile Pluto), Twice's Mina (INFJ, Moon Sextile Pluto), Madison Beer (ENFJ, Moon Sextile Pluto), Jodie Foster (INTJ, Moon Conjunction Pluto), BTS's Yoongi (INTJ, Moon Sextile Pluto), Avril Lavigne (ISFP, Moon Conjunction Pluto) The Weeknd (ISFP, Moon Conjunction Pluto), Blackpink's Jennie (ISFP, Moon Conjunction Pluto), Billie Eilish (ISFP, Moon Sextile Pluto) , Brad Pitt (ISFP, Moon Trine Pluto), Leonardo DiCaprio (ESFP, Moon Conjunction Pluto), Vanessa Hudgens (ESFP, Moon Trine Pluto)

🥀 2. The next similar indicator is Scorpio Moon for Ni/Se users. I've often seen Ni + Te/Fi users (INTJ, ENTJ, ISFP and ESFP) have this placement. Another ENTJ I know personally has Scorpio Moon. He gives off a dangerous, mysterious and suspicious aura.

My explanation for Moon/Pluto aspects and Scorpio Moon give off strong Ni - introverted intuition is because I associate Ni with Pluto, Fe & Fi with Moon & Neptune.

For example: Epik High's Tablo (INTJ, Scorpio Moon), Lady Gaga (ISFP, Scorpio Moon), Hayden Christensen (ISFP, Scorpio Moon), Avril Lavigne (ISFP, Scorpio Moon), Taylor Monsen (ISFP, Scorpio Moon), Dove Cameron (ISFP, Scorpio Moon), The Weeknd (ISFP, Scorpio Moon), Katy Perry (ISFP, Scorpio Moon), Blackpink's Jennie (ISFP, Scorpio Moon), Blackpink's Lisa (ESFP, Scorpio Moon), Lily-Rose Depp (ISFP, Scorpio Moon), Miley Cyrus (ESFP, Scorpio Moon), Kylie Jenner (ESFP, Scorpio Moon)

🥀 3. Blackpink's Lisa has Venus Trine Pluto. Kendall Jenner has Venus Conjunction Pluto. Blackpink's Jennie has Venus Square Pluto. They are known for their captivating and sexy beauty caused by Venus/Pluto aspects but how the audience feels about each of them can be totally different.

Lisa's passionate dance performances and doll-like appearance stand out in the crowd.

Kendal is the eptimote of how I envision a Venus/Pluto beauty looks like: sharp, tall, dark and mysterious.

Jennie has the most RBF, intimidating and edgy look out of the three. Her reputation is also the most polarizing.

Jennie seems to get hated the most. People mesmerize by Lisa and Kendal's beauty more while Jennie's face both attracts admirers and invokes hatred and jealousy the most. Venus/Pluto beauty generally creates strong impact on people. It's hard to forget their beauty.

It's fascinating to observe how easy and difficult aspects play out in real life. Easy Venus/Pluto aspects are more Venusian and hard Venus/Pluto aspects are more Plutonian.

Kendal is an ISTJ, Jennie is an ISFP and Lisa is an ESFP. They all have a Te/Fi axis.

🥀 4. Dove Cameron was born one day before Blackpink's Jennie and they are both ISFPs and Scorpio Moon. Their chart are almost identical (without knowing their birth time).

[innumerablebackstages]

Os Iusti

A Playlist About Ni as a Dominant Function.

This is an unapologetical ramble that will be soon followed by a lot of even verbos-er rambles. Give the Playlist a listen if you found this somehow interesting.

A disembodied hand carrying a key is the perfect metaphor for Introverted iNtuition (Ni): the key itself represents the unfathomable knowing, but the unseen door leaves us questioning what is it that can be opened, known. What lies beyond is veiled, both to others and to the Ni-Fe themselves, until the moment of revelation. This playlist mirrors the labyrinthine and multi-dimensional nature of the Ni dominated psyche, mapping a journey that is simultaneously personal and universal.

Os Iusti, meaning “The Mouth of the Just,” speaks to Ni’s relationship with revelation. Though silent and elusive, when Ni does speak, it unveils profound truths that resonate on a mythic and symbolic level. It won't necessarily be well translated to others, though, and here arises a Cassandrian problem for the Ni-dom. This function often “sees it all coming” long before others catch up, only to be dismissed until hindsight vindicates it. How well developed the J-functions of the user are will determine how much they get out of the alluring mind palace of Ni.

We can see in Jung's Psychological Types (1921):

Inner objects appear to the intuitive perception as subjective images of things, which, though not met with in external experience, really determine the contents of the unconscious, i.e. the collective unconscious, in the last resort. Naturally, in their per se character, these contents are, not accessible to experience, a quality which they have in common with the outer object. For just as outer objects correspond only relatively with our perceptions of them, so the phenomenal forms of the inner object are also relative; products of their (to us) inaccessible essence and of the peculiar nature of the intuitive function.

that Ni is untranslatable; the things a Ni-Dom user experiences as their normal cognitive process is composed mainly by images, impressions, vague certainties. These types are very specific kind of people: I see online a tendency to broaden what it means to be Ni-Dom, but Jung is clear with it: introverted perception is aloof and loony and guides itself with impressions of the body and the imagery of absolutes. This is what is so fascinating about introverted perception functions: they deal with probability, yes, but the user experiments those probabilities as absolutes. The user will rarely focus on "all the possibilities" but on The One Possibility their powerful perception marks. We can understand the Pi functions as internal maps: one based on impressions of the body and the other, "of the soul". "The Soul" here means the archetypes of the universe. The Sun, The Warrior, The Emperor... They all masquerade as situations rise and fall over time in a never-ending cycle. A repetition. An eternal return. All closely guarded by the collective unconscious. For the introverted intuitive, the world is a constant flux of cycles that repeat themselves and can be gazed at. At least partially. As images. As impressions.

You see, the experience is as puzzling for the user as it is for our inner circle: as exhilarating as my certainties can be for me, I don't really know where they came from or what exactly do they mean. A "vibe" I get from someone can assume the form of a vivid image of them kicking someone in the balls for fun while smoking a joint. Or something less explicit: I can feel they are terrible violent people by the way they smiled. Why? Hell knows. I can just feel snakes crawling up my arms when they smile. What does that even mean? I will give you a delicate shrug. You do you, my gut told me. I trust it with my bones.

Finally, and we will follow with the songs and why they're there I promise, we need to understand something about Ni: it is narrative in nature. The impressions it deals with are composed mostly by images that serve a deeper, much bigger focal point.

Thinking on images means an acute sense of aesthetics too, of the aesthetic nature of patterns: perception means contemplation and passivity, not capable of judgement. It reminds us of The Crone, the ancient chaman who knows the secrets of the stars. Ni deals with equilibrium and divinity and the impressions evolution and society have made us grasp with the strength of a baby in need. Ni sees the egg and the snake that coils under the earth. Necessarily, a Ni-dom gets their impressions from images, because the introverted intuition deals with the disembodied triggers a sensation can awake.

Or, as Jung would eloquently put it:  

Intuition receives from the sensation only the impetus to immediate activity; it peers behind the scenes, quickly perceiving the inner image that gave rise to the specific phenomenon (…) It sees the image of a tottering man pierced through the heart by an arrow. This image fascinates the intuitive activity; it is arrested by it, and seeks to explore every detail of it.

Without further ado, the songs:

Hide - CS01 version — Dorian Concept

whispers in motion

This track is about how Ni feels. It's disorienting and elusive. It's also full of patterns. Here, it's mean to speak about the layers of abstraction behind Ni-images. This function only perceives sensorial information to generate images.

I once told a friend Ni feels like structures building themselves. Without my knowledge, action or conscious effort insights sharpen into crystalline clarity only to fragment under their own weight. Some of them don't, but I have no compromise with them. They're product of the wild energy of being a flesh machine. I judge their beauty, their soundness, their structure. And I won't ever find a way out.

The disjointed rhythms evoke this. In this moment, I become an observer, piecing together fragments of a vast structure underneath. Constantly moving from one filament to another, piecing into an unconscious web of... Something. Introverted intuition feels constantly as something that occurs outside of me, like a spider would inevitably create a web. This is a joy and a pain in the ass.

A Dark Cloud is Coming — Moby

an apocalyptic vision

This one is slow and paced and builds up to an intense ending. It's a little over the nose, isn't it? Well, the gift of prophecy can only be understood as a dangerous delusion: it bears an indistinct sense of impending doom that grows clearer with time. Yes, of course the impressions are useful. I have already stated how much I trust them... But it still gets itself into visions of doom. It feels like a constant weight on the shoulders, real or not. In a lecture, Jung (1938), speaks of a persona gifted with a second vision. Her delusions are not "of neurotic origin" and so she's not considered mentally ill. These visions, however, give her a "strong personal dissatisfaction"; she was absolutely terrified by sensations that were not entirely real and were not entirely hers.

This also delves into the very annoying, very real apocalyptic visions Ni can give the user. When under stress, they can be realistic and feel like accurate depictions of what will become reality. Here, the absolutes Pi deals with become a double-edged sword: if your always trusted perception tell you there is something off going on in the world... Will you ignore it? Exactly.

In this Album, Moby channels his reflections on contemporary life and personal torment into jagged post-punk. However, this time they emerge wrapped in a deceptive gentleness—like the smothering embrace of a down pillow, soft and suffocating all at once. This is an album about his fear of the species future. His eclectic style and the beautiful lullaby this song is felt just right.

If I Were — Vashty Bunyan

mammals yearn

My story with this song is from long ago. The first time I listened to it my hairs went up and it felt like I had discovered something of ultimate importance. I yearned. I yearned painfully and I did so because of the images in my head. The feelings they gave me. I became aware of my gut-wrenching, existentially itchy habit of contemplating (sometimes believing in) alternative realities.

Not as mere fantasy, but as something that illuminate the present and they do so because we are plagued by impressions of our past. We have developed a collective, evolutionary, memory that makes us enjoy and be terrified of basically the same things. Bunyan’s lilting voice and bittersweet lyrics imagine a world shaped by care and gentle longing. Ni yearns to align the external world with its internal tapestry of symbols. Whatever these images are, they're much more beautiful than wherever the Ni-dom is currently dwelling. Beauty, as stated before, is a main driver for the psyche of introverted intuiters.

Ni doesn’t just seek beauty; it obsesses over it, hunts it down, and then mourns its impermanence. It creates these beautiful, impossible ideals, then leaves you stuck in a world that can’t match them.

Jung, has something insightful to say about this, actually:

 it is an aesthetic problem, a question of perception, a 'sensation'. In this way, the consciousness of his own bodily existence fades from the introverted intuitive's view, as does its effect upon others. The extraverted standpoint would say of him: 'Reality has no existence for him; he gives himself up to fruitless phantasies'

I rest my case.

Forest Nativity - Francis Bebey

this tropical ape

This song is about something I mentioned before. Ni sees the snake. Why the snake? Well, as a symbol it is connected to the earth, to clay, to water, to flexibility and longevity. The snakes are one of the most ancient evolutionary enemies of primates. It also symbolizes lost of control, danger and chaos.

We fear them with such uniformity that out brain is wired to recognize snakes in less than a second (2016). What I'm saying here is our ecosystem has influenced the way our brains react and think collectively: if we all come from the same savannah, then we have the same primal fears. The same, old, tropical fears. I, personally, think archetypes primarily arise from there. From terror.

This track is about intricate rhythms connected to instinct. Here, I only want to remind you, and me, that Ni is a function born of instinct. Of music and religion as catalysts of society. No matter what we perceive, our feet are touching the jungle's soil, always —it’s that gut feeling of “there’s something off,” the perception that always feels just outside of reality, dancing on the edge of the conscious.

This constitutes, then, a liminal zone for the psyche: trapped among excel sheets and the animal impulse, broker of ties and marriages and skin boots. Ni thrives in these liminal zones. In the in-betweens. It weaves meaning from the interplay of this forest nativity. Ni fleshes out these collective memories through narratives and images, constantly exploring this... And for a Ni-Fe, that also means the human drama.

Olsen Olsen - Sigur Rós

trascending as a sweet

Sigur Rós is a band of icelandic Post-rock. Yes, cope. Their music is ethereal, and made to be beautiful: their creative process follows first the sound and then the meaning of each track. That is a familiar feeling. Stephen King, a famous Ni-Te, describes its creative process as unplanned: he just follows his internal map. What works. What can be envisioned as beautiful. Whatever beautiful means in a given situation.

Like Ni creative process, this song goes away from mundane concerns and toward the sublime. With its otherworldly vocals and expansive melodies, It is firstly concerned with creating sensations and crafting an image. The song was written in an invented language specifically for it, one that will be revisited by the band in future songs, but is just crafted to sound beautifully.

Few tracks embody both Ni tendency to transcendence in the sublime and the irony of its prison of flesh. The ending of the song, after a long descent into imagination and memories, a childhood sweet or a card game, crashes us with the familiar low roar of a supermarket.

Buzzcut Season - Lorde

detached awareness of impermanence

I will be honest, Lorde was not my favorite during most of my life, until her EP in maori came out. I had had my head up my ass all this time about an amazing artist. Buzzcut Season was a serendipity: and in this case it talks very openly to me about the inevitable detachment I feel for the world. And about how it feels to grow up when you don't think it has any meaning. About ignoring and fantasizing.

Something I already mentioned comes to play here, a weaving of opposites. I perceive collective dissonance and their inner tension between empathy and cynicism. I am weighted down by the impossibility of eternity. Lorde's detached delivery contrasts with the emotional gravity beneath the lyrics. I knew when my childhood ended with painful clarity, and I remember the details of my particular tragedies with detail. I still struggle to find myself outside of my head.

Now, this detachment is not in an emotional sense exactly. It's of a different nature. It's more of a hyper-involvement in a symbolic layer that renders the mundane world irrelevant.

This song is about Ni's tendency to detach from the present, observing it as though from a distance. Recognizing the impermanence of everything that has ever existed and the underlying patterns that shape them, yet unable to scream in horror. The Ni-dom is at deep emotional resonance with the world’s beauty, tempered by an almost clinical awareness of its fragility.

Illusion of Seclusion - Photay

I am one, or all, or nothing

I might sound like some kind of purist here, quoting fucking Jung and all, but I do think there is value in whatever insights and further readings into typology new blood has to give. The people from Cognitive Type, for example, have very interesting takes on Ni. Its creator explains that Ni's perception is translocal: meaning all information gathered, processed and burped out as an automatic castle will be working in function of an axiom.

This is why Ni can feel so disjointed from the “now”—because it’s not just analyzing the present, it’s tying it to an entire temporal and spatial continuum.

It will always have a direction, a focus, it will follow a specific narrative. While introverted sensation knows the facts in a sort of bulleted manner, introverted intuition inevitably arranges the facts as if they were part of a thematic web. Ni has, intrinsically, a direction. A focalized pull. Even the smallest data sets of the pathway must conduct towards the completion of the spider-web.

The previous gives birth to another characteristic of the Ni-dom, a certain idea of panpsychism and synchronicity. The psyche of Ni dominated people tends to think of the world as one. Or everything. Or nothing. But all of it for sure. It’s that nagging sense that every event, every detail, even the most mundane moment, serves a larger function in the grand scheme.

Beneath it´s solitary exterior, Ni is constantly weaving connections, weaving a web of meaning that reveals the unity behind apparent separations. For Ni, sometimes, all of the mental and physical objects are but buttons and shafts being pulled by the same forces since the beginning. Solitude is, then, an impossibility.

Os Iusti, WAB 30 — Anton Bruckner

divinity in beauty

This piece is the spiritual core of this playlist. I had the idea while giving this a listening. But first, Os Iusti comes from a bigger quote. It's from the bible, Psalms 34:30, and reads as follows:

The mouth of the righteous utters wisdom, and his tongue speaks what is just.

So this song is about prophecy and truth. Allow me to get a bit mystical with my creative depiction of how it feels to inhabit Ni. To keep it short: beauty is divinity. Transcendence and divinity are but tied to the same log and they flail against the absurd with savage strength. Ni doesn't exactly believe in the teleological nature of the universe, but it certainly acts based on this idea of repetition and symmetry. Bruckner's beautiful chorals address this with the grandeur it deserves, from a higher dimension.

But, it's also related to another dimension of divinity. This playlist, you might have noticed, is not only about condensing Ni, but condensing Ni as the dominant function of an INFJ. This choral piece also resonates with Fe’s moral blade. Its liturgical. It evokes my inner cathedral, where I constantly voice my questions of justice, duty, and alignment.

Although the Pi type is inward-turning in nature, this function:

has little inclination to make a moral problem of perception, since a strengthening of the judging functions is required fo this, only a slight differentiation of judgment is sufficient to shift intuitive perception from the purely aesthetic into the moral sphere (...) only a slight differentiation of judgment is sufficient to shift intuitive perception from the purely aesthetic into the moral sphere

and that:

It is different with the morally oriented intuitive. He reflects on the meaning of his vision, and is less concerned with developing its aesthetic possibilities than with the moral effects which emerge from its intrinsic significance

Yes, Ni is meditative and silent and won't necessarily make a fuss out of it. But just you wait. “Os Iusti” speaks not of human justice, but of cosmic harmony.

We Have a Map of the Piano - Múm

and the piano is everything

This one is more of a metaphor. The piano is... Well, everything. We are the pianos and our human drama is the piano too. Ni, sometimes, feels like having an internal map for everything that has happened under the sun. An hermetic, deeply confusing map. More often than not, the map of the piano will be much more important than the piano itself. The image will impose over reality and instead of grasping the deeper truth, I'll be chasing my own shadow.

In these archetypes, therefore, all experiences are represented which have happened on this planet since primeval times. The more frequent and the more intense they were, the more clearly focused they become in the archetype. The archetype would thus be, to borrow from Kant, the noumenon of the image which intuition perceives and, in perceiving, creates.

The map is, however, fucking alive. Do you know what cell membranes are made of? Oil and coloidal substances suspended in water: meaning, their very own structure is a fluid mosaic. Always changing, always different. The map is the same.

The collective unconscious doesn't work for the Ni-dom, we just glimpse at it with uncanny precision sometimes. Still its prisoners tho. Remember what I said about a map of absolutes, at the beginning? I am talking about one of its downsides: what happens when we fix in the wrong absolute? I will tell you what happens: nihilism and despair.

This song is about the use of the internal map to move around. The crystalline structures my mind creates without agency may not be entire useful, but they provide me with an unshakable sense of direction.

Soul Alphabet - Colleen

on the interpretation of shadows

If the former song was about the maps of everything, this one is specific to us Ni-Fe's. The map here turns on how we process emotions, how we process the world of people, the social economy. It's a soul alphabet because, yeah sure, we will read an entire room and pick out the weirdos, the nice, the disgusting and the arseholes in less than 15 minutes... But, then? Knowing and perceiving are absolutely nothing without their corresponding real object being affected.

A soul Alphabet means to know the exact words needed to open a door... Or it should, if the alphabet was not composed of archetypes and their implications. Yes, yes, they're useful, but seeing my boss as "The Emperor" and predicting his behaviour based on it can only take me so far.

You might have caught the problem a few songs back. Ni gives a lot on how to navigate relationships, but it also picks you apart. The belief that you already know what will happen is, very often, an obstacle to feel involved with your loved ones. With the world. And to accurately understand what is already going.

What happens when the image of the object is as heavy in your psyche as the object itself? Which one is more beautiful? Whom did I say had a fixation with beauty? Starting to get it? It, introverted intuition,

perceives all the background processes of consciousness with almost the same distinctness as extraverted sensation registers external objects. For intuition, therefore, unconscious images acquire the dignity of things (Jung, 1921)

As I have tried to convey during this entire verborrhea: Introverted intuition is both a joy AND A PAIN IN THE ASS. More often than not I will feel utterly overwhelmed by the information I'm perceiving (shadow Se much?) and will need time to understand what, in the first place, this all means for me. Yeah, sure, I know Frederick's got a crush in this german girl because of the way he looks at her. Because I get his butterflies while he smiles. I won't necessarily care, since it's an aesthetic problem first, until I have had time to judge... And it will take a while.

It's a beautiful song, tho. Having a soul alphabet in perpetual growth IS beautiful. I find human emotions so utterly beautiful in their primal savagery, and yet, I will feel removed from them. Alienated.

I know the end - Phoebe Bridgers

do you?

Yes, of course I already saw it coming. Do I care enough? Do I want to experience it anyway? The paradox of anticipating the inevitable while wrestling with an unspoken melancholy. This is one of the many dilemmas I’ve hinted at throughout this. From here on, I’m peeling back more of the darker layers of Ni.

What does it mean to know the end? Well, for the Ni user it implies both the constant sensation that the world can't really be a surprise, and an unspoken melancholy. However, do I really, really know the end? No, I don't. Ni isn’t omniscient—it’s a trickster. It feeds you archetypes and calls them truths, maps that blur the contours of reality. This song is both about sadness and stubbornness.

I've already said Ni takes archetypes too seriously. It takes its images as real objects and not machinations of the unconscious. What if the perceived end is one of these delusions? What if it's an apocalyptic vision breed by stress and insecurities? Ni craves the grand design but struggles with nuance. It clings to archetypes—its own self-made gods. Despair isn’t in not knowing. It’s in thinking you do, it’s being so sure you’re right that you refuse to look at the details.

Just like before, the illusion of knowing is a constant danger for these types. Bridgers captures this tension. The song’s crescendo mirrors this: a widening lens that swallows the world in its entirety—hopes, fears, and all—before collapsing into the emptiness of knowing.

You see, the thing is the map will definitely loose sight of the trees.

God, turn me into a flower - Weyes Blood

aren't magnolias pretty?

Ni doesn’t scream. It doesn’t need to. Ni is forceful in its own way. It demands attention—not through volume, but through gravity. This song is about surrendering to that gravity—a dissolution of self into something purer, quieter, beyond language.

“God, turn me into a flower.” A delicate, fleeting bloom, enduring for as long as it’s meant to. Let me be found by those whom are looking for the same divinity as me. Are we not flowers already, tho? Yes, God, tune me out the horror of reality.

But this isn’t a prayer for peace. It’s also a cautionary tale. The myth of Narcissus looms large here, twisted through the lens of modernity. In an age of reflections—be they digital or mental—we often mistake the image for the thing itself. As Weyes Blood laments:

You see the reflection and you want it more than the truth You yearn to be that dream you could never get to 'Cause the person on the other side has always just been you

Ni’s greatest strength is its ability to craft those reflections—shimmering visions of what could be. But therein lies its deepest flaw: the tendency to elevate these constructs above reality, turning them into prisons. We, like Narcissus, chase the reflections we’ve gazed at: the archetypes, the futures, the images of ourselves we wish were real.

What Weyes Blood offers is a counterweight. A call to soften. To stop chasing reflections and instead bloom where we are. Flowers don’t pursue their own beauty; they simply are. Maybe that’s the secret Ni longs to uncover: divinity isn’t in the vision—it’s in the act of blooming.

Suspirium - Tom Yorke

eureka!

It’s not fear, not really. It’s more like standing at the edge of something vast and unknown, staring into it, and wondering, is this mine? Can I claim this abyss? Or does it claim me? It’s a question we’re never ready for, but that’s exactly why it sticks. The light, the heat—it’s all there. But they’re inseparable from the shadow. That’s the thing about Ni, right? We see the whole thing, the light and the dark, and we can’t look away.

Sure. Just keep moving, right? Pretend you’re not aware that you’re stuck in the same dizzying cycle. Keep dancing in the waltz, behind the wall, pretending the laughter and the old songs are enough. Pretend you’re not aching to stop, to sit in the silence and ask yourself, what’s on the other side? The truth is, it’s not the spinning that keeps us going. It’s the hope that when we stop, we’ll still be okay. That we won’t unravel. That we’ll find something whole

Then there’s the final plea: “When I arrive, will you come and find me?” The search for something or someone—answers, resolution, a sense of belonging. But Yorke wraps that in a veil of uncertainty. Will we find each other, or will we just get lost in the crowd? It feels inevitable, and yet entirely unknown. There’s a mother, pulling us back. No tomorrows, no next steps—just a final moment of peace. But is that peace something we’re even allowed to feel?

In a way, it’s a beautiful mess. The waltz, the repetition, the dance between light and dark, the questions we keep asking and never quite answering. Suspirium is a swirl, a cry, a whisper, a pull—a glimpse at something both unknowable and familiar. And maybe that's the whole point.

This song doesn’t just ask you to feel—it asks you to exist. To sit with the weight of being, of moving through cycles you might not even understand, of carrying the light and the dark and everything in between. Ni doesn’t scream, it murmurs, and Suspirium is its hymn. Quiet, unrelenting, heavy with beauty and questions.

Is the darkness ours to take? I don’t know. But I do know that I will have to watch it.

Le Miroir - Alcest

toolkit for indirect knowledge

If Ni was a movie, Alcest would write the whole damn soudntrack. Their shimmering post-rock isn’t just music—it’s a vessel, an immersion into the space where reality blurs and meaning sharpens. Le Miroir is exactly what it claims to be: a mirror, but not the kind you glance into before heading out the door. It’s the kind that shows you and the world. The tool for looking in the corners.

This one is a mirror image in the shadow. Always slightly removed, a step back from reality, gazing at the world itself and at the veiled truths behind it. The shimmer of something more. But here’s the catch: is it a revelation, or just your own shadow staring back? Ni-users know this tension all too well—this need to decode the archetypes, to give form to the formless, to pull the unseen into sharp relief. But at what cost?

“C'est pourquoi je réfléchis.” The clever double meaning: Reflect light, reflect thoughts, reflect existence itself. Mirrors, they reveal, but only indirectly. There’s danger in that constant reflection. You can get lost in it, in the labyrinth of your own interpretations, mistaking the shimmering surface for the depths.

Alcest doesn’t give you answers. It doesn’t hold your hand. It hands you the mirror and asks, “What do you see?”

Je suis une image dans l'ombre un lieu vaguement ébloui (...) c'est pourquoi je réfléchis (...) tout ce qui passe tout ce qui change

Typewriter Lesson - Cornelius

collapse of meaning

Does Ni ever drown in its own depths? Oh, absolutely. Does Ni's ability to see patterns collapse under the weight of over-analysis? It does. If Ni is the all-seeing oracle of the psyche, then Typewriter Lesson is the moment the oracle stares so long into the abyss that it accidentally starts narrating the phone book. This track isn’t just music; it’s a chaotic exercise in over-interpretation.

Let’s get one thing straight: Typewriter Lesson isn’t “about” anything. And yet, that’s precisely why it feels so perfectly Ni. It’s a looping, rhythmic mechanism—clinical yet oddly hypnotic, a melody as sterile as it is strangely evocative. The problem is, Ni can’t leave it alone. It’s like a dog chasing its own tail, hearing the clacking keys and spinning them into grand metaphors: cycles of life! Patterns of communication! The machinery of the human mind!

But then you step back, and what’s left? A glorified typing exercise. Instructions, abbreviations, nonsense syllables. It’s like Cornelius handed you an IKEA manual and said, “Figure it out,” knowing full well you’d end up philosophizing about the meaning of furniture instead of actually assembling it.

And that’s the trap of Ni—this unbearable need to turn everything into a symbol, even when the thing itself is aggressively, stubbornly meaningless. If archetypes are Ni’s favorite playthings, then Typewriter Lesson is the moment it realizes it’s been playing with a piece of Ikea cardboard the whole time.

The beauty, of course, is in the collapse. The sheer absurdity of assigning meaning to something that refuses to hold it. Cornelius serves up a mirror here, reflecting back Ni’s own self-indulgence. You hear the keys, the repetitions, the structured chaos, and you think, Surely, this must mean something.

But does it? Really?

Staircase - Radiohead

tragically trapped

How much control does Ni really have over its webs of meaning? Is it weaving them out of choice, or is it compelled, trapped in a Sisyphean task of interpretation and reinterpretation? Staircase is about the Ni-dominated psyche staring into infinity, endlessly pulling threads, only to realize the whole thing is unraveling faster than it can be spun.

This song is a descent into chaos, into existential horror. Your mind is the delicate spider always spinning it's beautiful web. Non stop. Never-ending. The cyclical rhythm, the disjointed beats—they echo the way Ni perceives patterns in everything, yet never fully pins them down. Each step down this staircase only reveals more steps, more questions, more webs tangled into chaos.

But here’s the twist: if Ni assumes there’s a grand design, why doesn’t it ever reach the architect? Why the hesitation, the half-commitment? Because it, we, know there is no architect. This is also the saving grace; Ni is used to chaos. To nothingness. To provide the structure itself. See, this is my favorite, the collapse, or descent, is but an opportunity. Remember Little Finger?

Chaos is a lader

Radiohead’s layered production mirrors the Ni-user’s internal experience: dense, abstract, and vibrating with tension. The synths and fragmented percussion create a space where agency and inevitability blur. Is the staircase moving you, or are you moving the staircase? The song doesn’t answer—because Ni doesn’t answer. It just keeps spinning.

[ursulawhosoever]

Eu acho que estou tento uma viagem Ni nesse exato momento🧝🏾‍♀️💭

I think im having a Ni trip right now🧝🏾‍♀️💭

[rainytypology]

ATEEZ Wooyoung MBTI Analysis

- ESFP -

An in-depth analysis of an idol's MBTI type. Based on my opinion and observations, may change later. Not an expert.

ESFP (Se - Fi - Te - Ni)

Dom: Se (Extroverted Sensing)

A perceiving function that uses our 5 senses to process the external world.

Wooyoung is always aware of the present moment, quick to react and to take action. He also pays attention to physical things such as aesthetics, the visuals of the performance, the way he looks, etc physical appearances matter a lot to him.

He enjoys photography and videography, which are pretty good activities for Se - it allows him to use his senses to make visually stimulating images and videos. Physically engaging activities seem like the best way to energize him e.g cooking and riding a bike. Cooking is great for his Se as it engages with all his senses - all the movement in cooking, tasting the foods, the aromas, watching the food cook, plating, maybe he enjoys hearing the sounds of food cooking as well and/or the way kitchen tools slightly hit each other (e.g knife on a cutting board).

This moment especially was an incredibly Se dom moment. Comparing it to Si user Jongho (Si has to step back and assess first), being the Se dom he is, Woo just went for it.

Aux: Fi (Introverted Feeling)

A judging function that uses one's own values and belief to compare and make choices

As Fi wants to be authentic, that is what Wooyoung always strives for - he always wants to express himself well, to be real. He wants people to like him for him. He returns the same gesture with others - he wants to know the real version of others. Wooyoung tries not to make assumptions at first meet since he knows he will not learn everything just from one encounter. He seems very empathetic.

Tert: Te (Extroverted Thinking)

A judging function that uses established facts and systems to make objective, working decisions.

He's quite goal oriented and takes time to plan to achieve these goals, even if it's not the most detailed. Either way, he knows how to get what he wants and works hard to reach his achievements.

Wooyoung lays down the rules as well - Te can be by the book, which Wooyoung can be sometimes. E.g when he was explaining how he found it rude when juniors would not put in the effort to correctly bow down to him and other senior artists. Wooyoung has a strong belief in being humble and kind (Fi) and wants to implement this in everyone.

Inf: Ni (Introverted Intuition)

A perceiving function that uses one's own personal insights and ideas

In his episode of "Fill in the Blank" series, Wooyoung said he wanted to use dance to convey deeper messages and emotions for others. He wants to be a sense of comfort, the light in other's darkness. He has always wanted to make an impact on others from a young age, especially considering how much he values relationships.

___

Why is he not an xSFJ or ISTJ

Both types use Si - Ne, which I do not see in Wooyoung at all...xSFJ's Fe is understandable, but Wooyoung is sometimes a bit too straightforward and honest to be using Fe in his main stack though lol.

And ISTJ just does not make sense in general for him.

___

Other analysis:

Enneagram | Birth Chart

___

Kpop typology list

[robcognitivepersonality]

Here’s the old one:

Now here’s the fixed one:

Now allow the functions working together in a type.

What would be in an INTP's mind with TiSi, how do they get the foresight to get to the other side in one shot? Is FeNe like getting people to buy in?

What about an ENTJ? How do they figure in hindsight so they'll get it one shot next time? What are they asking themselves with FiNi?

[earthling-wolf]

Ni Translocality

Metaphors & Visual Aphorisms

The Ni function compels the individual to live a slowly paced, hands-off life of observation and reflection on the information structures of the world. They are first and foremost data synthesizers that formulate image-encoded schemas from unconsciously woven patterns in reality. The Ni user will be very graphic in their consciousness, thinking in visuals and representing the world through visual metaphors. These dynamic, but geometric, relationships are registered as essential to reality's functioning and are eventually superimposed onto other life domains in a proverbial form. "A tree's branches can only grow as far up as its roots go down", "flowing water never goes stale" or "every light casts a shadow" are examples of the graphical aphorisms that may develop from this information synthesizing process. For the Ni user, the world is not comprehended through words or axioms but through these visual relationships which words help to convey to others. These relations are often symmetrical in nature --as embodied in concepts like the Taoist yin-yang symbol-- due to the abundance of symmetry observed in life itself. An elaborate worldview inescapably develops predicated on these abstracted relationships, aimed to give life predictability and continuity of narrative. The world is never seen straightforwardly by the Ni user, as reality is formed from representative structures --not rational absolutes. Knowledge, to the Ni user, is the net awareness gained by superimposing layers of these representations on reality and mapping its landscape as far and wide as possible.

The Mind & Panpsychism

And because he views reality as representation, the Ni user will constantly experience life as a perceptual sphere built from the interactions of mind and material. The world appears as a tapestry woven together by higher forces which underpin every object and substance – causing the objects themselves to feel like the outer shells or totems of fundamental forces. And a sense will often exist – as explored in phenomenology – that consciousness is the essential thing. In some form or another, the Ni user will come to embody the philosophy that the psyche has a degree of priority over the material. One way to imagine this is to say the world constellates itself to the Ni user as being built equally of “psyche” and of matter. Still, every Ni user will synthesize this felt sense in slightly different ways, with some believing that consciousness is the prime constituent of reality and others feeling we are co-creators of reality by our active participation in how it appears to us and how we ascribe meaning to the contents within it. This can lead magnetically to a type of panpsychism, where the Ni user views the contents of the mind seriously as entities, forces, energies and contours as perceivable as literal objects are to other people. These psychological images and forces will not only be present, but will also be persistent. To them the psyche has a steady-yet-fluid shape; an image and terrain that is to be explored through vision and internal perception. And while other types may arrive at similar philosophies through rationality, for the Ni user this sensation is not something deduced but instead simply uncovered, as it represents the default state of their experience. This proclivity naturally leads to an interest in meditation, eastern thought and spirituality which emphasizes these same psychic aspects and presents a philosophy of consciousness more natively aligned to their phenomenological experience.

Narrowness & Convergence

Yet for all their openness towards surreal ideas about consciousness, the Ni user is not at all random or unstructured in their views. They are scarcely persuaded of most things and are instead highly cautious of ideas overall. The Ni user will have a keen eye for identifying the improbability of things and will not be prone to jump on board with things unless their inner imagery already maps out an inescapable trajectory in that direction. The Ni user is not an inciter or generator of novel things, nor is his specialty a spontaneous creativity, but is instead the holistic assimilation of trends over time, and a convergence of perspective along the most reinforced trend-lines. They generally see only one or a few trajectories stemming from a given situation and are magnetically drawn to the likeliest interpretations. Thus, the ideas the Ni user arrives at are not things he creates, but things he discovers to already be "the case"; often sourcing from an inside-out evaluation of being but just as well from a panoramic evaluation of society. In this way, the Ni user is a sort of investigator or excavator of the primordial imagery in himself and society. More than any other type, the Ni user receives a linear and direct feed of the imagery of the unconscious, and because of this convergence of focus, many Ni users across time continue to re-discover and re-articulate the same things as they unearth the same territory. As Ni users from all ages inquire into questions of being, their convergent intuition guides them to parallel answers and to convey those understandings in imagery --since image is the primary means by which that information is discovered and encoded. A canonical historical archive therefore has developed over time in the form of symbology; the encrypted patterns and representative structures that underpin reality, as collectively uncovered over time.

Symbology

In this sense, the Ni user may often find camaraderie in the symbology that has been laid down by previous pioneers for its capacity to give a form of articulation to that felt inner content. Strange as it may seem to others to believe or seriously consider such archaic and outdated emblems, the Ni user is drawn to these old images the same way the Si user is drawn to information encoded in the old earth. The Ni user may not wish to be a mystic whatsoever, and when not fully individuated may shrink away from this imagery for fear of academic reprimand. And yet they may feel as though their style of awareness drafts them inescapably into these ideas. They emerge out of themselves when any intense investigation is done or indeed even when no investigation is done. The realm of alchemical symbolism, the Tarot, ayurvedic medicine and Astrology may be studied intently for their capacity to superimpose a representation over life. Shapes also contain a powerful influence over them, and they may be drawn to sacred geometry and mandalas. Numerology may also be investigated. Over time, by studying these emblems with the intention of discovering what their true meanings are, they are slowly transformed into the likeness of those who built them. As they unearth the contents of this domain, they often become affiliated with the taxonomies used by their predecessors to try to express this underworld. However, their dabbling in these ideas may earn them a reputation as a mystic and confuse family and friends who may not understand the significance in such concepts.

Archetypes & Stereotypes

As the Ni user matures into a personal worldview, a vast archive of typicalities form by these observations. Each pattern of life is epitmoized in the psyche as an general rule or process. This leads quite inescapably to the formation of stereotypes at the local level and archetypes at the universal level --both of which are used to map reality by providing a sense of predictability. In the positive sense, this stereotyping tendency allows for life to be an iconic series of interactions between previously indexed forces and entities. The Ni user will overlay their schema onto the world and see iterations of the same substances everywhere. From this vantage point, certain social or political interactions will appear to them as clockwork; a series of eventualities stemming from two or more colliding forces. The interactions in a neighborhood may be seen through the same light, as categories are applied to each class of person and their collisions cause transformations through a sort of necessary chemistry. But as often captured by the negative sense of the word stereotype, this can lead to errors in perception where a pattern or schema is superimposed over a situation too prematurely. A person is anticipated to be a given way, due to the symbol they represent, while turning out to be quite different. And at the archetypal level, the same simplification may occur where the Ni user reduces the global situation as something emergent from a conflict between the light and dark, the masculine and feminine, an interaction of four or five elements or some other schema which neglects certain subtleties and details. This may be infuriating to those who live with the Ni user as they may feel the Ni user is oversimplifying them, or worse that they are pigeonholing people into their categories --whether of culture, class, race or gender. Many may scoff at the Ni user for depending on what they feel are outdated prejudices and not seeing things at the individual level. But the Ni user cannot ignore what larger pattern someone or something generally belongs to and will tend to incidentally synthesize life from that lens even without any actual investment or commitment to any dogma or belief system.

Synchronicity & Parapsychology

Another effect that often emerges from the Ni function is a belief in synchronicity. Because of how Ni registers life through a delicate tracking of "significance" --not by the rigidity of causal chains-- the Ni user will instinctively see the value in data associations that converge in theme and motif, even when the cause is yet unknown. As is often the case for both intuitive processes, the pattern is recognized first without needing to have the sensory points explicitly traced and neither does the absence of a sequential explanation make the information alignments vanish. And when Ni is especially strong, seemingly disconnected layers of existence are woven together through an entangled point; compelling many Ni users to contend with the possible existence of the acausal. Certain events or datasets may be felt as crossing different planes of reality and being inexorably related even when a surface examination would see no trace between them. They may be struck by compelling evidence for the existence of extra-sensory perception or remote viewing which allows us to see through the eyes of others or predict their thoughts. For some, relationships may be intuited to exist between oneself and previous lives. Areas of the body may be associated with certain psychic energies through emotional tapping, chakras, iridology or palmistry. Certain recurring numbers may be felt as omens of blessings or catastrophes. If these intimations persist, they can become highly suspicious and feel that certain events will come about in the near future when a given number, detail or sign suggests a karmic force is strongly at play.

-Behaviors Under Stress

Conspiracy Theories

When the Ni user falls out of mental health, their suspicions degrade further into superstitions, death omens and a persistent state of anxiety. Life becomes chaotic and unpredictable. The world will feel utterly uncertain to them and they will not be able to clearly see the cause of their own suffering or that of society. As they struggle to intuit their situation through perceptual projection, the misfortunes they experience are not interpreted as localized occurrences but are instead epitomized as emerging from some extra-personal force looming over all things. They will start to perceive a woven network of intentions behind everything, pulling the strings of society at large. It's here that we see the Ni user fabricate conspiracy theories; extraterrestrial hypotheses, occult government sects, the imminent rise of a new world order and the like. A sense exists that something unseen is making all this happen, and for once the Ni user loses their non-committal nature and becomes utterly fixated on certain interpretations of life. This will cause them great difficulty in their daily lives as the Ni user may be quickly ostracized from society for their bizarre premonitions. More than a few distressed Ni users throughout history have been branded the local lunatics; eventually growing morose and resentful for what they feel is the lack of foresight and idiocy of the common man.

Apocalyptic Visions

A different effect we often see in a distressed Ni user is a series of apocalyptic visions. They may experience nightmares, either when asleep or awake, vividly depicting scenes of war, destroyed buildings, massacres and the end of a civilization. And the Ni user may experience these sudden flashes with the same level of physicality with which they experience their waking life --making it difficult to discredit them as illusions. Here we see an unconscious projection and intrusion of their polar sensory function into their mind, causing literal sensations to trigger their nervous system without an actual cause. The relationship between intuition and sensation is a two-way street, where one can seep into the other unbidden when an excessive repression is at its breaking point --allowing their intuitions to unconsciously fabricate sensory experiences that are patterned after their thematic convergence. These unsettling images may cause them to feel that their visions are in fact pending actualities. A memento mori will settle over them. Society is on the brink of collapse; everything is headed in the worst direction and anything short of immediate correction will lead to an irreparable catastrophe.

[lunaristars]

The 8 Cognitive Functions Explained

[windudemon]

information aspects: ni (but also how do i use my ti)

in this post i will describe ni by simply polarizing si:

Where Si is detailed, Ni is abstract. Where Si is rounded, Ni is angular. Where Si is cozy, Ni is cool. Where Si is organic and realistic, Ni is synthetic and conceptual. Where Si is traditional, Ni is modern and futuristic. Where Si is layered and rich, Ni is stripped and bare. Where Si is harmonious and predictable, Ni is stark and surprising. Where Si is nurturing and familiar, Ni is detached and novel. Where Si is continuous and flowing, Ni is discrete and segmented. Where Si is comforting and whole, Ni is unsettling and fragmented. Where Si is textured, Ni is smooth. Where Si is curved and natural, Ni is linear and artificial. Where Si flows naturally, Ni snaps into place. Where Si evokes fullness, Ni evokes voids.

with information aspects you type things. for example buildings. or cars. or art movements.

[funkymbtifiction]

On INJ / Ni-dom

Here, Jung gives an example (two of them) of the highly abstract and impressionistic nature of Ni-dom (symbols) and of how INJs can be totally oblivious to reality. It's interesting that Jung states that "the fat would be in the fire" if ever an INJ shared their inner impressions with others, because it's true. I once met a young INFJ who proudly told me everything he had intuited about me despite barely knowing me ... and it freaked me out so much as a 6 that he was right on the money, I became hostile toward him and stopped talking to him. In his eagerness to become friends, he over-shared and drove me away.

[magicgail]

[nitwitthegrey]

How to tell apart INxJ

INFJ: 😑😑😑 (constant rbf)

You: "Hi!"

INFJ, 0 to 100 in a single second: "Omg hi😄😊"

INTJ: 😑😑😑 (constant rbf)

You: "Hi!"

INTJ: "😐😐😐 hi"

[tragicalwisteria]

don't ask me why i know things okay i just do.