#interpret it however you want but this is how i see it!

[straynoahide]

I like your explanations of our morally imperfect existence, accepting the need for help or a savior, that Christianity is also a mindful and onerous process, not a side-thought with no burden, that being raised Christian and being Christian are two entirely different things, and the personal relationship with God. I would add, Christian faith is faith in the ultimate goodness and victory, Hope unending, despite the world, despite everything, because of Him.

Everything in this universe is transactional, except God's love, which merely has to be understood, and accepted. God is perfect and needs nothing - he made us because he wants us, because he loves us, because he chooses us.

A "Christian declaring himself to be a Jew" is a schismatic and heretical form of the religion, very atypical, a Messianic Jew, and should not be used to misrepresent Christians in general.

Catechism leading up to confirmation, in many Christian denominations adult confirmation, is also a process of learning, reflection and commitment, although it is not "conversion" itself, it is part of the road towards being a full member of the Church and living in the faith, and it is for example the way i converted / re-connected.

I however, perhaps influenced by having being an atheist until the time of my actual conversion (despite having being raised Christian), have never come to actually believe in punitivistic Hellfire doctrines.

I can get the doctrinal view of the existence of a state of self-imposed separation from divinity, and of the unredeemed, but I believe two fundamental things that modulate how I interpret that: (1) there are kind and good people who are not Christian, (2) Christ helps us willingly and enthusiastically by us accepting his moral message, which is time-sensitive worldly kindness and ultimate goodness, and rejection of cruelty and tyranny when it matters, which is now.

I really don't believe that atheists, Jews, muslims or other 'pagans' are "punished" simply for not professing Christianity, the mere idea is unchristlike. Communication and truth go deeper than that. Christ, who is the Logos, emphasized content and criticized form so many times it can't be a coincidence.

I also don't conflate unredeemed and unredeemable. I think only God knows what the "restoration of all things" is and that attempts by us to see who is in eternal exclusion are meaningless, because we are partial and our view is partial so long as we are here- as Christians I believe we should, for example, reject the death penalty to be truly pro-life, and also reject "capital punishments" of the soul in our utterances of who is condemned, lest we incur in sin, because if we pronounce a soul condemned to hell, and we are wrong, what does that entail for our soul? I believe we should strive for healing, reconciliation and restorative justice on this Earth, for literally everyone. No one harms who has no god-given unmet need and is at ease, no one kills without halving their humanity. There is no other sound view of universal human dignity, to me. You can't dignify through disdain nor exclusion.

On proselytism, my views are not precisely typical or orthodox. I believe there are many ways to evangelize. I personally don't have an individual disposition towards trying to make others hold my beliefs. On the contrary, my tendency is towards compatibilization unless proven wrong. So as for evangelizing, I think there are good ways and bad ways to do it, and I think the Church has sometimes done it poorly, organizations within it often do great work however and I appreciate it, and have been part of some.

As for my personal life, I believe in doing good and in sharing knowledge as the main forms of 'showing not telling' my moral worldview. I feel more like non-proselytes in that regard, because I know I can influence people in a positive way despite them not coming to share my worldview - and that I can learn from the Other and genuinely listen, even if they aren't Christian, without needing to be insecure that it will challenge or oppose my faith.

At the end of the day, these are just my interpretations, and I've shared them with my spiritual father; there is room for discussion and differing views on punitivism and proselytism, but I remain a full member of the Roman Catholic Church and I respect my fellow Christians and those who are not because I believe highlighting the human dignity of everybody, in our work and in our words, is the most christlike thing we can do.

My favorite, and I mean FAVORITE teaching of Judaism is that proselytizing is wrong. It’s the one Christians have the hardest time understanding. That even though Judaism is an incredible part of my life, that it’s an incredible community to be apart of, that I could not care less about wether or not they choose to become apart of it. That conversion is possible, and converts are a welcome part of our community and no less Jewish than anyone else, but at the same time we do not seek out people to convert. In addition, conversion is a very serious decision, and the conversion process is lengthy and difficult.

It’s because while I love being Jewish, and I love my community, I do not think that Jewishness is required to live a happy and productive life. I know that it is not right for everyone. I know that for most, the conversion process is not something they view as worth the time and effort. And that is okay. No one HAS to be Jewish. No one should EVER be coerced, manipulated, or forced into conversion.

If someone chooses to convert, it is because THAT PERSON wanted to. They saw something of value in the teachings and community. I think that means so much more than “convert or you’re going to burn for eternity because you are a bad person.”

[tvwebs]

Excuse me? Oh no

Part 1 - curiosity

platonic!yandere!batfam x reader

Warnings: this was made with MALE reader in mind but please interpretate the gender however you like, the reader here is minor coded but no confirmed age, invasion of privacy, out of character depictions, this is a joke fic but taken seriously, mentions of kidnapping, no beta we die like jason

Dividers by aquazero

(this is a series) part one (your here) , part 2 , part 3, part 4

PLOT: you were given a phone, but your "family" can't help but feel nosy about your own privacy

You hate it here. There was no doubt to that, you have been held hostage by the Wayne's for a couple of months now and it was terrifying AND somewhat annoying. You don't these guys, you haven't met them until like when you were kidnapped, it was horrible.

They promised you can have boundaries, they broke those, privacy, you don't know they don't actually allow that, you felt like they were trying to be as considerate to you as possible for you to stay and you can't help but be in sort of awe, they are your kidnappers and despite their possessive and terrifying tendencies you felt like they geniuely cared for you (you didn't even wanna be here), so to cope with this situation you do what other people do- staying on social media.

Bruce gave you a new phone a few weeks ago and you have been obsessively using it so you could feel you have security again, not ideal nor healthy but hey, what else is there? You found a way to log in into your old Tumblr and/or Wattpad account, obviously you were trying to hide th fact from the bat family, you would be lectured for hours! So you tried to keep it in a down low, removing every search, hiding apps, deleting shit is saddening but it's for your safety and security.

Damian. He was the first to notice you spending much more time on your phone recently and as the little as he is, he tries peeking behind on what your doing but can't see clearly but he sees words? No texting- what is it your reading? "What is that?" He asked with a raised eyebrow and weirdly stern tone of voice, you flinched and quickly existed the app "o-oh! nothing." You are horrible at lying when it comes to Damian, he makes you feel.. uneasy.

Damian wasn't convinced as expected and he tries to grab the cellular device in your hand and with your idiotic instincts you slapped his hand away, he gasps and he turns irritated. That wasn't your best move. "How could you? All I want is to make sure you're safe and this is how you react?!" He huffs and now you're scared, like they are always so unpredictable when they are mad.

"i-im sorry." You apologized, you wish that Damian doesn't convince Bruce to put you back in the white room. It was torture, Damian scoffs and walks away, you were left shaking, what happened just now..? You just went back reading a stupid FNAF fic to calm your nerves (you are such a weirdo)

It was dinner time, you were eating in the so called "room" you were in everyday, Bruce said you weren't ready to eat at the dinner table, whatever that means. Alfred bought you your food, you thank him and he left, is the grandpa okay?

As you eat you listen in the conversation in the dinner table, "When will we ever have them eat over here?" Seemingly to be Dicks voice, he was the one that seemed to be the most clingy to you. "When they are ready." Bruce said to him in a stoic tone. You continue to listen in..

"Father, there's something I feel that needs your attention." Damian announces, oh no what is he going to do? Bruce perks his attention to Damian with the 'hm?' sound. "I feel that Y/N is hiding something from us. Just today they slapped my hand away when I asked." He said recalling the event from earlier.

Tim who was also here (don't forget him) looks confused "like what?" He asked, Damian always seemed so dramatic about you to Tim, Damian gave an annoying sigh "Their phone! They might be hiding something in their phone!" He shouted, "they shouldn't be keeping secrets from us, were family!" He continued to argue

Oh god.

"Damian calm down, I will handle this little situation later, if they are hiding something they aren't supposed to they are going back to the white room." Bruce exclaimed and/or added.

"Doesn't that seem a bit extreme Bruce?" Jason teased with a smirk in response with Bruce's statement, Jason may present himself as the most normal and gives you a lot of freedom but he is just as controlling and possessive as the others.

"of course not, it's for their own good." Jesus Christ he is so ominous and cryptic. This is the same guy that is seen as a good billionaire?, the family continue to eat and banter

While they were eating, you were stuck in a position, when Bruce mentioned the "white room" you don't wanna go back, you don't wanna go back. That place was awful. Your privacy is not valued.

They don't care about you, they just think they do. what can you even do?

[pessimisticpigeonsworld]

I've said it before, I'll say it again: I can't fucking stand the double standards of this fandom. Everytime I see someone bitch about how the Targaryens are "colonizers" I want to bash my brains out. And these posts always include the op talking about how great the Starks are and how they do no fucking wrong.

Like where are these people's media comprehension???? Do they know the basic definitions of things? Add to that the fact that most of these people also constantly call Dany a "white savior". Like literally read a dictionary and try actually reading the books!

I just saw a post where someone was saying that they hate the idea of Dany being the Prince that was Promised because her ancestors were colonizers and she's a white savior.

Instead, they wanted Jon Snow, who, you know, doesn't have any colonizer ancestry. Because the Starks were perfect angels, who took control of the North by asking nicely. And the First Men were gifted Westeros by the Children of the Forest when they arrived because they were all such good friends.

Literally anyone who read ASOIAF (and has the smallest bit of media comprehension) knows that that's the farthest thing from the truth.

The First Men were colonizers who waged outright war with the CotF for thousands of years and desecrated their sacred places. Yes, eventually they made the Pact, but that only resulted in the CotF being slowly pushed out of Westeros completely and they were eventually fully walled out of their ancestral land. They're literally dying out now, as Leaf explains to Bran in ADWD.

Now, doesn't that sound familiar? To me, that sounds an awful lot like what the European colonies did to the Indigenous peoples of the Americas. Of course it's similar, GRRM is heavily inspired by history.

The Targaryens are conquerors, not colonizers. By the time of the Conquest, they have lived in Westeros for hundreds of years. The Conquerors, their parents, and grandparents were all born and raised on Dragonstone in Westeros.

The Targaryens are a Westerosi house, just like the Starks, Martells, and Hightowers. The only difference between all these houses is the timing of their arrival in Westeros. What exactly are the implications of this belief?

And obviously Dany isn't a white savior. Essos is a very diverse continent, so is their slave system. It's class based, not race based. A large portion of the Essosi slaves looked like Dany because they were of Valyrian descent. The slaves span every ethnicity, why is that so difficult to understand? Not only do the books themselves describe the ethnicity of many of the slaves, GRRM himself came out and debunked this interpretation!

I understand not being comfortable with this kind of story to an extent. The concept of liberation efforts has been tainted by the white savior trope. However, one's personal preferences don't equal the actual content of the story!

I think the thing that pisses me off the most about people who take these stances in the ASOIAF fandom is their pseudo-intellectualism.

Each person who writes these posts believes they have better media comprehension and even superior morality than everyone else. They misapply definitions of extremely damaging ideas so smugly. They believe they are correcting the views of other readers and GRRM himself, and as such, refuse to see how gravely mistaken they are. It's as concerning as it is infuriating.

[sunnysam-my]

There's this thing about Jayvik and how their story was handled in second season that I haven't seen anyone brought up, but it makes me so... content.

You see, I don't know how many of you noticed how much Jayvik stands out among other non/semi canon gay ships. Usually when fans start to ship two main male leads together because of some deep bond, goal they are trying to achieve together and/or bromance the creators do one of two things: A) They use this opportunity to queerbate, B) They force feed us how much the characters are just good friends, especially by limiting their relationship. (Unless we're talking about Destiel, in which case they did both, at the same time, somehow.)

Arcane doesn't do that. It's not afraid to still show how affectionate Jayce and Viktor are, despite the fact it may be read as queer. It doesn't force them in intimate and romantic situations and conversations while pretending it's not affectionate. It doesn't ignore them. It allows people to interpret their relationship however we want and continues to tell the story it wants to tell.

[bumblingbabooshka]

I think Sarek and Amanda Grayson both lowkey seeing their children as little experiments in different ways is undeniably bad parenting BUT .... I mean you talk about matching each other's freak .... Like imagine for a second Sarek is like "I am going to show that Humans are just as good as Vulcans by molding this Human child and my half Human son into the perfect Vulcans - This will show that despite what society thinks of as their genetic inferiority, they're just as good as any Vulcan." and Amanda's response to that is to think "Sarek is wrong...Michael's humanity MUST be preserved...so that I can show her all the love and affection I can't show Spock and maybe through their sibling bond all my unspoken and unexpressed love can trickle down to him through her." What are you both DOOOOING!?? You guys are NUTS like PLEASE just TALK to each other and compromise about how you're going to raise your children!! [Love the drama though] So I'm imagining in my head that Sarek is severely pressuring both Spock and Michael to act as perfect Vulcans their entire lives with him or else they're failures not only in his eyes but in all of society's (because he's an ambassador and raising these children is tied irrevocably with his work as such) WHILE Amanda is secretly trying to funnel her humanity and love for Spock through Michael and as such failure to receive, express, or internalize that love is failing not only your mother but also the entire Human race. Damned if you do damned if you don't! Who do you want to disappoint more, kids?

In 'Point of Light' Amanda says that she gave Michael all of the love, joy, and affection which she wasn't "permitted" (we must question the use of the word - what stopped her from directly giving Spock this love? I'm not saying there wasn't pressure for her not to, I'm saying the word 'permitted' absolves her of any personal choice or failing in a way that's interesting to me) to give Spock and though this is on the surface level sweet and probably meant to be interpreted that way, I submit that it must be kind of fucked up to hear that your foster mother was maybe only so kind and caring to you because she felt she wasn't allowed to act that way towards her "real" son. Michael Burnham as a tool for both her parents, however unintentional, is very interesting and I'm not sure it's something canon considers (haven't watched the show, I just like imagining things). The feeling that you have to be grateful to these people for not only being your parents but being YOUR parents. For taking you in and giving you a beautiful life - you have to pay them back, you have to make them especially proud of YOU. Because they didn't HAVE to, did they? Because you're not their "real" child. In the end, it's always Spock - isn't it? The love your mother gives you is Spock's love and if only one child can enter the Vulcan Science Academy then it has to be Spock. You're the appetizer your father serves before the REAL main course and your mother's stuffed doll which represents the thing she REALLY wants to hold and you know they genuinely care about you. That's the worst part. Because you know they care and they didn't mean to hurt you and the voice in the back of your head keeps telling you that any hurt they've dealt you pales in comparison to the debt you owe them and they love you, they love you, they love you, they love you, they love you [repeat as often as need be: remember the debt]

[khaire-traveler]

Hello there! I'm very new to hellenic polytheism and came across a question that I am not sure how to approach. I would be really grateful if you could let me know your thoughts on this (please don't feel obligated or anything, tho. I know I am just a random person asking a random question 🫣). So, for a while now, I've been getting more into greek mythology and from there into fandoms that depict the deities (e.g. Epic the musical which I love a lot). Would you say it is inappropriate to seek out fanfiction or fanart (especially those including ships) in those fandoms, or should I refrain from doing that as it would be disrespectful? Or are there limits I should be aware of? Thank you so much should you choose to answer this 💜 (I apologise for missing paragraphs. I am not sure how to do those on mobile.) (Also, is there a right way to end these kinds of letters/messages/questions? Like a way to express my gratefulness?) (Sorry if none of this makes sense. I always get anxious messaging strangers, but I couldn't find answers anywhere, so I thought I'd just ask🫣)

Khaire, Melie!

Ah, yes. The age-old question. How sinful is fanfiction, exactly? /joke (wanted to start this off light-hearted)

In all seriousness, I'll start with this: If you want to know how the gods feel about it, ask them. There is no better answer than the one that comes directly from the source. I understand the nerves around asking this question; some Hellenic Polytheists feel VERY strongly about it, and honestly, seeing their strong opinions has made me doubt my own interests in such media. Remember that some rando's opinion online, however, isn't the law, regardless of how strongly they feel about it or how desperately they want you to do exactly what they're doing. Opinions are opinions; facts are facts - they are separate things. Personally - and this is MY opinion -I think never engaging with modern media depicting the gods is a little too strict of an approach, and by following that, I feel that a lot of people are banning themselves from engaging with fictional media that they might enjoy. Each piece of modern media about the gods is a creative interpretation of Greek mythology, and people have been doing this kind of thing with other religions - that they don't believe in - for AGES. It's entirely normal, even if it is kind of annoying sometimes. Now, some retellings, games, shows, etc. genuinely take things too far, in my opinion, and warp the mythology so completely that it might as well be a different story entirely. I'm bordering on a tangent, so I'll move on.

Modern media about the gods isn't an inherently abhorrent, evil thing that should always be avoided, however, but personally, I do draw the line of engagement at shipping.

First and foremost, live your life the way you want to. Engage with your practice however you wish. I'm not the law-maker of this religion - no one is - and while I might disagree with someone's approach, I'm not going to shit all over them for doing things differently from myself. Now, into my opinion. I don't think shipping gods - be it from a modern form of media or not - that you worship is appropriate, personally. In my experience, it will blur your actual perception of those gods. I've seen it happen over and over again that people confuse the fictional representation of their God in media with the actual god, then feel the need to distance themselves from the media in order to regain something they feel that they lost. Like I said, you do whatever you wish, but I find it's just better to avoid the awkwardness of shipping entirely.

If you want to read fanfiction about the gods in fictional media, go for it, but I'm not personally a big fan of that. I don't know how the gods feel about it; I can't speak for them (no one can). For all I know, they could be reading the fanfiction themselves and laughing their asses off, who knows? But as a worshipper, I'm not personally comfortable with the idea of reading it. Again, do what you want with your life. If you want to read some spicy fanfic of one god with another, I'm literally not going to stop you, but make sure you're able to separate the fictional characters from the gods you actually worship before you do so - that's my advice. Too often, people end up conflating the two. When a fandom or fanfiction begins affecting your worship, practice, or even just the way you view the gods, that's when it's a problem.

I think the community has been torn on the topic of modern media for a while. Some people love it, while others utterly despise it, and you'll notice that answers will vary from person to person. In my opinion, these pieces of media become problematic when they swarm the fuck out of a small religious community that already struggles to be taken seriously. An example of this is what happened with Lore Olympus a while back. When the comic got popular, a ton of people would swarm and attack worshippers of Apollo online, calling them all sorts of extremely vile things, all because of a comic that literally wasn't even mythologically accurate. In my opinion, fandoms can get out of control sometimes, and when you're engaging with one based around the gods, I advise you to just be careful and aware. For some people, fanart and fanfiction of the gods are extremely uncomfortable, similarly to if someone were to ship Buddha with Jesus in the regard that it just...feels weird for people who actually worship those figures. Other people could care less, being able to fully separate the fictional characters from the gods they worship. Base it on your comfort, and the comfort of your gods.

I hope this helped to give you my perspective. I'm not going to tell you what is or isn't the right choice because honestly, different people will give you a different answer, and I'm anything but a religious authority. You're allowed to do as you wish, but I will always advise you to tread with caution and check in with yourself about how it feels for you personally. Reach out to your gods and directly ask them (such as through tarot, or another form of divination), "Hey, how do you feel about me engaging with this?" Asking directly is ALWAYS a good idea, in my experience. Take care, Melie. 🧡

[adultemophase]

A VERY LONG ARCANE S2 REVIEW (Not spoiler free below page break)

Firstly, these are all my opinions and everyone is entirely entitled to their own. If you hated S2? That’s fine but I didn’t. So, I will be doing a kind of general breakdown of my thoughts on each act below but first my general review is that I think in terms of overall story telling, season 1 is better.

To ME, S2 seems like more of what they initially had in mind for the show, and they just really nailed the exposition of S1. This is what I think made S1’s pacing feel a lot better - it’s all exposition for S2. Season 2 had to fit a climax and resolution for all of these characters in the same amount of time that they took to set up all of these story lines in the previous season. I genuinely think that each act could have been it’s own season but w/ how expensive the show is to make and the amount of time production took between seasons, I see how that’s not practical. Especially if they want to explore other regions sooner than 15 years from now.

TBH I really enjoyed this season. I understand some people are hating it because of the parts they don’t like but it’s still a visually stunning show with great characters. Do I think there were areas where the story fell flat? Yes. I also think given the time constraints and restriction of this being the last season, the visual story telling was very well done and a great way to move along the story without sacrificing time. I genuinely think it’s such a phenomenal feat of animation that characters expressions convey thoughts and emotions that feel real without dialogue. I still am blown away that it’s a LoL show because despite my love of league lore and characters, I never would have expected that Riot could produce such a heart wrenching show about the tragic nature of love and loss, the things we do for love, and the flaws of our own humanity.

I also think some people set their expectations WAYYY too high for the social commentary aspect of the show after s1, as far as I’m aware there was never any claim made by any part of the prod or writing team that it would be one. Idk overall, I thought it was a lot of fun and still an exceptional show. Not what I was expecting but I’m not upset about how it ended. I think it was conclusive but also not so finite that it leaves zero room for interpretation of the characters implied futures.

It is a little disheartening to see so many immediate negative reactions to it but, again, people are entitled to their own opinions and as much as I complain about people not using critical thinking skills or passing grade 9 literature - art is subjective. Animation, ESPECIALLY at this scale and complexity, is a form of art. I, as I’m sure many other’s did, found it a fulfilling end to one of my favorite shows. Yes, I wish there was more but I can’t bring myself to be disappointed with what we did get.

Below is my (again PERSONAL and NOT SPOILER FREE) 1-10 rating and my thoughts on each act (not really going to analyze anything because I need about 3-5 weeks to scrub through every episode so only my little reviews) :

ACT 1 (7/10) : I think this act is the one with the worst pacing, but I said a whole back in a previous post that I believe to some degree it was intentional. There is suddenly a war happening so I think it’s supposed to feel chaotic a bit chaotic. However I can concede to part of it just being, well, bad pacing. This act is definitely one I wish could have taken up more episodes if there were more seasons since I would prefer flushed out development as opposed to music videos at the beginning of each episode. However, for what it was, they serve their purpose narratively and relay the information that the viewer needs to know. Otherwise, as heartbreaking as the act is, I gotta put myself on blast and say that I LOVE the end sequence of ep 3 when Ambessa makes Caitlyn commander. Like it’s so daunting and cool. Ep 1 fight scene at the memorial? super sick. I also loved the development of the dynamic between Sevika and Jinx. You can feel the characters devolve into a version of themselves that truly is worse and I think that’s so fun. Most of my drop in rating is from how fast it feels.

ACT 2: 9/10

I simultaneously have so much and so little to say. I won’t talk about Isha’s death because to me it was fairly evident that she was going to die from act 1. Anyways, for me this was the most tragic act and I’m still trying to decide between this and act 3 as my favorite. I love them both, in different ways. Seeing Jinx and Vi be brought together and Vander was so touching and sad. You get a real look of how much they still care for each other despite the fact that they’re perpetually ripped apart. I’ve already made a post about the scene between Caitlyn and Vi, so I won’t just say the same thing I’ve already said. I also honestly am not upset that Vi’s “six-ish months of going insane” wasn’t drawn out. Again, I don’t LOVE the music videos, but narratively, it tells you virtually everything you need to know about what’s happened to her and where she is mentally. It’s literally a montage of her life for the past several months. As a recovering addict and someone known to self destruct, I would much rather they condense that like they did rather than draw it out and not handle it well. If you’re going to be cynical, you could say they didn’t anyways but, recovering addict, so I was more worried before the act 2 release that it would be triggering rather than handled poorly.

Jayce coming back and tweaking out was also such a fun touch when it wasn’t explained until the next episode why he was acting that way. Like I figured it had to do with the hex crystal now fused with his body but it was still so interesting.

ACT 3: 9/10

Maybe unpopular but I LOVED this act. Everything was so visually intriguing that on my first watch I wasn’t even fully locked in just because I was focused on how good the imagery/animation is. I thought I was going to hate ep 7 because, unfortunately that leak was real (no I won’t be changing my pfp to a clown like I said I was bc I’m stubborn) but the implication to me of that episode was not “Vi dead so everything good!” it’s that they saw a kid die because of the crystals Jayce had and, in brevity, saw what the tension between the undercity and Piltover was doing to people. I am curious what happened to THAT universes Jayce but I imagine he was probably imprisoned.

Obviously, I have to address the sex scene, and honestly? I don’t mind that it’s in a jail cell BECAUSE of the very obvious parallel to how they first met. It was also done in such a wonderful way that it feels like a legitimately intimate scene between the characters and not just a “man well I suppose they need to fuck, huh.” or male gaze-y “lesbians 🤤” way.

I will be honest and say I don’t like multiverse stuff since it kind of kills the whole “arcane is cannon” thing. I also just don’t love it in general because in recent years it’s been just a cop out for companies to make more money off of IPs (see Marvel) but it makes me want to go back and rewatch s1 again to see if this has always been the plan. I don’t mind Viktor being the wizard that Jayce sees when he is a kid since they tied that up in a way thats really cool. I do think it’s an episode though that, after seeing it a couple of times, is easily skippable since it doesn’t really do a ton for the main plot. Like Ekko gets his Z drive, heimerdinger (i think?) dies, and Jayce discovers the damage hextech can do. Don’t get me wrong, I really like the episode, unfortunately it is just one that I feel like viewers can skip over upon rewatch because of the AU stuff.

Also MEL, I love her storyline with the black rose and I really hope that her putting on the Noxian clothing in the end is an indication that we will get more of her if Riot does a series based in Noxus.

[d3athmaskd1v1n3]

Could you write some general headcanons about yan Arkhamverse Riddler? Not focused on the reader, just him really.

General Yandere Riddler headcanons.

(Thanks for the request, anon! I'll do my best.)

I may mostly write yandere fics, but I totally see this man having some of those classic tsundere traits as well. He's the type of guy to deny being in love with somebody all the while he's absolutely obsessed with them.

He definitely would find a way to hack into his darling's phone and computer just so he can see whatever they're doing online. He also would totally stalk their social media if they have any.

He has a notebook filled with notes he's taken about his darling. All their habits and quirks, their schedule, random facts he's learned about them, things they're knowledgeable about as well as things they aren't so well versed in, and much more.

Hell, he'd probably try to get his hands on their medical history, old report cards from their youth, resumes they used to find work, and whatever else may give him even more information on them.

He would try to test his darling's intelligence. He just can't help himself. He wants to know if they are worthy of his love (although, if they fail, he'll still be absolutely obsessed with them.)

He would get insanely envious of anybody his darling was romantically involved with prior to getting with him. He'll think they're too stupid for his darling. So, he gets rid of them by using them as a lab rat for whatever "riddle" or puzzle he's currently working on. As you've probably guessed, they usually die in the process.

He wouldn't be as ruthless towards his darling's friends or family, but he wouldn't like them. They're still stealing his darling's attention away from him. It's no secret that this man loves attention, so he gets pretty pissed that he isn't the most important thing in his darling's life. He isn't above talking shit about these people to his darling's face, and he can get very cruel with it, too. He's kind of a bully.

If his darling tries to leave him, he will break down, asking them over and over why they're leaving him, all the while ignoring everything they say.

He just cannot acknowledge any of his own flaws or mistakes, nor is he willing to acknowledge them. He will, however, do everything in his power to prove to them how great he is in order to win them back.

I also imagine that while all this is happening, he is still also obsessed with trying to prove that he is Batman's intellectual superior, so basically now he is obsessed with two people now, just in two very different ways. Interpret that however you want.

(Again, thank you for the request! I do hope you enjoy these headcanons! Please like and reblog if you liked it!)

[dark-dragon-8]

Do you guys ever think about eighteen years old Sam, going to his first university pool party, having fun, drinking booze. While everyone else just stares at him as he takes off his shirt, only to reveal a myriad of scars across his skin.

Imagine, you're in some club/committee/Student Council and want to throw a party to accept the new freshman year students to the school. So you get permission to use the pool for a welcome party and everything's great, everyone is having fun.

But then, that one guy takes off his shirt (and the situation is actually a whole lot worse because there were a ton of girls checking him out because he was ripped) and his body is just 𝙘𝙤𝙫𝙚𝙧𝙚𝙙 in scars. And it's not like those scars that almost everyone has, like a biking scar or maybe one you get from a knife when you cut your food and aren't being careful.

No, these scars are 𝙙𝙚𝙚𝙥 and more importantly 𝘧𝘳𝘦𝘴𝘩, one of them looks like it hasn't been too long since it's finally healed, kind of fresh.

He has a gunshot wound in his shoulder (run in with law enforcement before he left).

His chest and back are 𝘧𝘪𝘭𝘭𝘦𝘥 with knife slashes and, if you look close enough, you could see a stab scar on his lower waist and another one on his collarbone near his neck.

His arms have those scratchings on them that honestly look way too deep to be human.

And just when you don't think it can get any worse, someone asks him why he isn't getting into the water (he already took off his shirt, why not take a dip) while he's a little tipsy, and his answer is "Because something (which most people hear as 𝗌𝗈𝗆𝖾𝗈𝗇𝖾) might grab my leg and try to drown me"

Everyone leave that party feeling absolutely horrified about this kid's past and vow to never inflict any harm on him and protect him from bullies for as long as they can.

Sam doesn't remember that day, however he is pleasantly surprised when everyone at school is extra nice to him and buys him extra food whenever he can't afford it (because he's broke asf).

I might actually use this for my fic (only in my fic, Dean comes to Stanford with Sam, so people might think that he's abusing him in some way, shape or form, so that'll be an interesting plot device, at least until Brady, or someone else, asks him if he's okay and he tells them how Dean helped him get away from his father, and people interpret that however the fuck they want because he doesn't care because he's a troll raised hunter raised liar).

[freewilllife]

In other words, you think Su-Won viewed marriage to Yona as a last-minute (and legitimate) alternative to murder that he half-heartedly believed in, ultimately giving up after Il rejected it?

No, I do believe that the irrational part of Soo Won that both desired to keep two of the few people that still cared for him, wanted to try this solution earnestly. Soo Won loves Hak and Yona. Or you can see it like this: Till the moment of King Il´s death...Soo Won´s box for both of these people was not closed...and he has never succeeded to close it completely till the end and not it is open again.

From the first time Hak speaks about that possibility we see that Soo Won is crying, when he thinks of Hak and Yona not being by his side. Soo Won did not even cry, when his father died...so much does he love them.

However, the likelihood of that becoming true was very small, to non-existant. And Soo Won must have been aware of it. He would not completely bet everything on it. Not if failure would mean a huge chunk of people dying.

There is also this...I do believe that Soo Won speaks the truth here...

For the first time, he might have looked at Yona as a woman...and he could imagine marrying here.

Up until now, it might be really that she was a child to him.

Who knows. Even so, he was considering murder as the other alternative. And if the chance was so slim, giving that hairpin was not a sound choice imo.

No, it surely wasn´t. But people do have desires and wishes and Soo Won wished for his two friends to stay by his side.

So it's one possibility, but here's another angle to consider: what if Su-Won genuinely believed that Hak and Yona were engaged the whole time and therefore never considered convincing Il? Because while Yona did confess her feelings to Su-Won and Hak supported the idea of their marriage, unless I am mistaken, Yona never explicitly told him that her "engagement" with Hak was off the table.

Oh, Yona did. That was directly before she confessed her feelings for Soo Won.

Yona denied the engagement here, but Soo Won didn´t buy it at first...and that was the reason, she tells him.

"The truth is, I..." and then Yona confessed her feelings.

After that Soo Won, and Yona telling him again, that she likes him, he seemed to have realized that Yona really had lied to him.

Actually, Soo Won even emphasized that he gave the hairpin to Yona pretty late in the game...So it is pretty sure, that the hairpin should signify something.

Closeness to Yona: Well, we do know now that Soo Won loving her hair, is heavily influenced by him being a descendant.

But this moment is also interesting, since Soo Won is actually trying to get close to Yona, by his own accord.

The whole chapter is funny in retrospective. Even that he gave her flowers...a flowery hairpin...as Kouka means flower...and that is the reason, he later killed her father.

I guess...this is the last time before King Il´s murder that he let´s himself be lead very strongly by his own emotions.

He is even staring at Yona and both only realize far too late that Hak is standing between them....and you could also look at it in retrospective, that the mangaka emphasized that both would never become a couple.

I interpret Soo Won denying "it" quite simple. He knew how unlikely the whole deal is...And additionally it is likely, that Soo Won had been caught by his own emotions...and he might not be very comfortable with this. that is why the sweat drop was maybe there...And Soo is surprised by his reaction ..that is why he answers in the first moment with "Huh?"

If Soo Won really tried to "act the lover"...he would have not denied it, when Hak mentioned it. And it would have been also unlikely that he had tried to get close to Yona, if he had honestly wished to kill her father...his guilt due to the murder, made him shrink back earlier...after all.

Closeness to Hak: Later we can see he is cooler, trying to persuade Hak to call him Soo Won. Also here, we can see that Soo Won wishes "closeness" to Hak...even though he considered murder? Unlikely.

Soo Won had both spent time with Hak and Yona and he considers this possibility seriously, however he still has a back up plan, if you want to think about it like this.

However, it all went absolutely wrong. The conversation between King Il and Soo Won...

Ever since Su-Won made the decision to make Yona the queen and Yona heard of it from Hak instead of him, I've been quite curious about what they'll say to one another when they finally meet face to face again. I don't know, I feel like that encounter just going to be different from all the others, intense. Because both have acknowledged her as his equal, just not directly to one another yet.

First there’s a political side. Whether Yona wants the throne, whether Su-Won really wants to pass it down. There is also the emotional side.

Yona remained calm (though disgusted) when she commented that Su-Won was selfish, but that was still from a distance. Which is why I can't shake the thought that Yona could be absolutely livid if Su-Won actually manages to enter the chalice (especially if it's with some intention to "save" Yona and "sacrifice" himself like some fear).

If it happens, can we get a scene where she slaps his face? Tells him to snap the fuck out of it? Stop making all these selfish decisions for her? To not put her on a pedestal and be so suicidal all of a sudden? That she's not a damsel in distress who needs saving, that she'll find a way to make the dragon gods to understand? Because such a scene will actually be a good subversion of expectations. Kusanagi has done it before, so this would be a great opportunity.

I mean Yona's already said it in her mind. "Don't you dare die as you please. Rely on those around you." She even said it to Hyu-ri. She just has to actually say those words to Su-Won himself.

Yona did disappoint me in the recent chapter because she became quite literally a damsel in distress (how else are we supposed to describe her in that scene), but a hypothetical scene like this would make up for it. It would return her agency. And honestly I've been dying to see a scene where Yona just lets all the resentment out instead of constantly suppressing it for the country or because she wants to be the better person. The dragon gods said she was also selfish, so let's see that side show a bit more.

[thenighttrain]

how did it end? is soooo painful because i actually think we got a lot less details about joever than m/tty or a lot of her previous relationships (don't bother sending asks if u disagree, i don't wanna argue) and it just adds to the weight of the disbelief in the song - everyone's asking how did it end and she doesn't really know either! which also makes songs like the black dog and i look in people's windows more painful because it's a struggle to move on and she doesnt want him to forget her either

[sysig]

How far did you get? (Patreon)

[art-is-kayos]

Sight of a Star - Blue-ish Star Ryōshū and Don Quixote

[mushyposts]

TUMBLR PLEAAASE LET ME POST THIS NOW PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE.

OF COURSE!!! This is the sort of analysis I could honestly talk about for hours, and if you have ANY more thoughts on my fic, please please PLEASE dont be scared to message me and hash it out!! I absolutely love the chance to think critically and analytically about my work.

You are absolutely not projecting, and even if you were, that would be entirely valid!! Creativity exists as a vessel for us as humans to feel, and if my writing at all helps you process any feelings you have around the themes I explore in it then I think i have more then succeeded in my task as a writer! : D

I also think that as a writer, I can put as much intent as I physically can into my writing. I can spend hours working to make sure a certain theme is perceived the specific way I want it to be, but if someone takes it a different way then I cant change that! I can take it as it is, and from there move and try to approach the theme in a different way, but people all have different live experiences that will make them see what i write differently. My experiences with parental figures, their presence, lack of, and their affection towards me will always be different to yours for example, and that means you will see how I write the parental dynamics in my writing different to how I do! Does that make sense?

Okay onto the actual analysis LMAO!! I think that people get caught up in this idea of "The choice was made for the greater good, so he should be absolved." and although yes, there is merit to understanding Hakoda didn't want to leave and was doing what he thought was the best choice for his kids and the future of his tribe its also SUPER important to understand that there were other ways.

A few things when considering the argument of Hakoda taking ALL the men, is firstly that we don't actually know how many people were in the "fleet" and there is some defence to the idea of them needing every working hand they can get, however I also think that alongside this argument is if Hakoda was doing this to protect his tribe it would have made sense to at LEAST leave enough men to defend them, or train Sokka and the other younger boys to have some form of defence.

I think the closest we get at seeing how many are in the fleet is pre-black sun, when they all meet up, and even then those numbers are skewed because of the involvement of other groups of people. EG: The swamp benders, the earthbenders and then the people who took residence at the northern airtemple. I do, however, personally believe that there should have been some men left behind to defend.

Another thing to consider is the canon timeline for when Kya dies and then when Hakoda leaves and then to canon actually is kind of inconsistent? We can assume Hakoda left around when Sokka was 13, but during the flashback of Kya's death along with the flashbacks in Bato of the water tribe where we see Hakoda leave, Sokka actually looks a lot younger. As far as I'm aware, as a show only watcher who doesnt actively intend on reading the comics, we dont really know how long the time between Kyas death and Hakoda leaving is. I even say at the start of my fic that I fucked with the canon timeline a bit to make it line up a bit better.

I think the show acknowledges Hakoda's abandonment and the complex ways thats hurt both Sokka and Katara in subtle ways. Katara very outwardly displaying her upset, albeit initially passive aggressively, she does eventually burst out, telling him "we needed you." and Hakoda apologises. Sokka is more internal, he obsesses over his ability to explain his plans, how he's perceived by his peers, an obsession with masculinity and what it means to be a man when you were never truly taught it in the first place.

I also think something that people tend to get mixed up with when it comes to critiquing Hakoda as a father, is they often equate being a bad dad, to being an abuser.

Hakoda, at least in my interpretations and I never intend for him to come off as so, isnt an abusive father. He is not a perfect father, he has made many choices that led to the long lasting hurt of his children. Speaking in the development of my own fic and how i've worked with Hakoda's character, he is an absent figure who was faced with an impossible choice and should have thought through it in more depth. He made a choice, and although its hard to fully say without a doubt he chose wrong, it had severely negative ramifications on the mental well being of his children.

Theres a lot to be said on the nuance of abuse, neglect, absent parental figures, especially fathers, and I don't want to speak TOO heavily on this because again, its such a nuanced and complex topic that I think I couldn't even begin to unwrap in tumblr reblogs. Theres some incredible fics out there exploring this with Hakoda and Sokka's dynamic, and I even have a one shot in the making all about this stuff in the canon universe seperate from my writing, but I just REALLY want to emphasise that I am so aware of how Zuko will come off to Sokka as a replacement.

I think in Zukka fics, or any fic with their dynamic, Sokka is often used as a tool for Zuko's healing, and his own trauma and negative experiences are put on the backburner in turn for Zuko's more outwardly present trauma. This is never something I want to do in my writing, I want to give a stage to each characters trauma, experiences and lives and try to show that things arent always as clean cut as they seem.

Hakoda abandoned Sokka and Katara. he left Sokka to be a man, without truly giving him the tools to do so.

Hakoda saved Zuko from death, and gave him a chance at life again.

These are two things that can exist at once, and the existence of one does not negate the other. People are a mess of good, bad, neutral, and its so hard to untangle it. Sometimes it doesnt even need to be untangled, sometimes you just need to hold the mess that people are and know it isnt a slight on you. You didnt cause the tangle, some tangles just are, yknow??

I also do personally believe in canon there are a lot of gaps that dont fully make sense in reference to Hakoda's character, and I think he honestly could have been executed a lot better in canon, so thats also something I like to consider whenever I am thinking too hard abt Hakodas character!!

I hope this made ANY sense at all. I usually have to sift through my writing like, a hundred times to get any kind of sense out of it, but truly this has been such a pleasure to write about!! : D Ur thoughts are so well written, and its incredible, as i said before, to see people picking up on the more nuanced things I'm trying to set up for future chapters!! it helps keep my steam for writing this honestly WAY bigger fic then I intended going!! : D I am MORE then happy to indulge!!!! If anything, this is indulging for ME! So thank YOU!!!

(Also, to answer ur tags, it isnt bad ur a bit mad at Hakoda!! He's flawed, thats okay! He's made mistakes just like anyone does. His just have more ramifications since he's the adult. I am a HUGE Hakoda stan and I do love him, but trying to work around canon and make him be a good father... A bit tricky!!)

I already put this on ao3 in a comment but you made me cry so you have to see it twice now. I know this entire story is Zuko-centric but I literally can't stop thinking about what this au means for Sokka.

Ok I just have to say I felt so heartbroken for Sokka here. All I could think about was how all of a sudden there's a boy in the place he's supposed to be. HE should be travelling with the men, HE should've been with them for the last three years, HE should be trusted enough with all this important stuff he should know if he is the next chief/acting chief.

He is being told this new kid has seen and done things the most skilled of warriors couldn't have done, like he is this almost untouchable standard Sokka can't reach. Then to be told he's taken Sokka's place in the tribe as Hakoda's and Batos' adopted child, teaching him how to be a man over the three years Sokka didn't even know his father, never a letter, never knowing when they would come home. Then being told by that same kid that he was only playing war. not to mention the piercings and jewellery he's adorned with.

Sokka has been the leader of the remnants of the Southern Water Tribe for three years, and due to the strict gender divides, had no one to teach him how to lead in the way a chief would. He has been the one hunting, defending, in charge of the future of their civilisation, the education of the children, which is really important in their culture. the memories of his father would be so twisted to the memories Hadoka has of Sokka. Sokka, in the months before he left, lost his mother, protecting his little sister. he then saw his father fall deep into depression, becoming very detached, and from what is described, angry and violent, not towards him, but that his still scary behaviour to witness. Then, his father left, and he was told he couldn't come, and that he was in charge of the village. Even though it was probably to boost his ego at the time more than anything, the impact on Sokka in that moment, combined into quite literally what his job becoming.

Just imagine when he finds out the secrets Zuko's hiding and how his father and Bato knew and didn't tell him. Sokka has struggled with feeling like he isn't important, as a non-bender and his relations with his sister, her being a prodigy + a bender, and his father, always feeling like he wasn't enough for his dad, not good enough, not smart enough, not needed, but the Zuko's good enough, Hakoda loves him.

Zuko, who has had an incredibly traumatic and difficult childhood, the last three years of his life is where he has found and made a spot for himself in a positive community that loves him and supports him, Sokka has become increasingly more and more isolated, and his sense of self has changed even more dramatically in the last few weeks.

Sorry for the long rant, but I could just feel Sokka's fears and insecurities screaming at me throughout the chapter. Love this work though, just cried for Sokka <3

HIII OH YOU SO GET IT!! OH YOU SOOOO GET IT!! The fic is for SURE Zuko-centric, but I have been intentionally layering on the potential for his arc to align with Sokka's in completely the opposing way. Zuko has everything Sokka wants, he has a space with the crew, the warriors. he spent the last three years with his father and Bato, bonding, developing his identity as a person alongside the tribe, welcomed in, he has gotten to be everything that Sokka has always wanted. Meanwhile, Sokka has everything that Zuko wants. Sokka was home, somewhere safe with people who cared for him and looked up to him, with his sister, away from his parents and in a position where he was in charge of his own life. Its such a twisted, complex situation where the two crave, desperately, what the other has without thinking about the context. Without thinking of what got the other to the point of having what they wanted, both in turn. IM SOOO happy to see someone talking about Sokka ohhhughhh im so fucking happy. I think a lot of people have focused on Sokka's initial attitude towards Zuko, without thinking about every single thing you've brought up in this beautifully constructed comment, of which I am really excited to eventually flesh out when I am back from hiatus. Sokka, more than anything, wants to be a warrior alongside his father. For Zuko, he doesn't think Sokka fully understands the gravity of what that would look like, especially after having experienced such a heavy loss as he had recently. (RIP king im sorry) but for Sokka, he see's a replacement. he doesnt know the nuances, not for lack of intelligence but he just literally hasnt been told and although he is owed explanation he isn't owed Zuko's story in its full, of what led Hakoda and Bato to the decision of keeping him on board. I firmly believe if Zuko had have been older, or had have been a child from any other nation, Hakoda and Bato would have not kept him. I actually go over this a lot in the early chapters where they're deciding wtf to do. It genuinely ended up being a problem of "well. No matter where we put him he's gonna get killed. How fucked up is that, safest place for this kid is LITERALLY on a warship of the enemy. great." I also think acknowledging the fact that Zuko HAS had a lot of support and comfort in the last three years whereas Sokka has not is a super important point to be made! Despite the current circumstances, and the ones that led Zuko to being in the position he is/was, Zuko did have support which Sokka lacked. TBH, if I hadve had more wiggle room and decided to fuck with canon more then I already had, I would have left a good amount of the warriors in the SWT, unlike in canon. Or had Hakoda go back to leave soldiers there when he realised they were going to be gone for longer then what I am assuming was initially planned. However I was more then aware that would SIGNIFICANTLY change the circumstances of Sokka's experiences and how it aligns with Zuko's, in canon and in the fic, so i chose against it. This is such a sporadic messy reply I am just so happy to get a comment picking up on all the stone I've been laying for a big discussion on the details of Sokka's own trauma and how its going to clash with Zuko's.

All this to say, Sokka will absolutely be getting his turn to hash out everything you've said here and I can promise you no stone will be left unturned when it comes to his trauma and life experiences!! I think a big thing I am most excited for is having the two hash it out and realise where their lives overlap, where their feelings and experiences align and managing to acknowledge that each others traumas dont cancel each other out. Zuko's experiences do not cancel out Sokka's, and Sokka's do not cancel out Zuko's.

[lumarys]

honestly one of my favorite things about the ava fandom is how many different gender headcanons there are. five different people will all have completely different interpretations of a character’s gender. can’t get this anywhere else

[applefoam]

i feel like a lot of the takes on greek mythology i'm seeing are seriously lacking in contextual awareness?