#intelligent adaptation

[thequietesthing]

i’m sorry but KAOS is like a greek mythology fanfiction AU on steroids and i love her for it.

[healerinchief]

Conversations with Sorinne - Special Episode Update

Today's episode of Conversations with Sorinne is a special update that is now live and ready for your review!

This latest episode is about being candid with myself and others, including you... as I adapt as intelligently as I can with the flow of Life. I've been feeling a bit overwhelmed in recent weeks, which led to me meditating, reflecting, writing, and reprioritizing more than usual as of late.

The most important aspect of Life that I always do my best to emphasize is Love, starting with Self-Love. Right now, I'm sensing that I would benefit a lot more in the short and long terms by putting my well-being first and foremost so that I can be of greater service to Life, including you.

Adding more balls to juggle, always requires some trial and some adapation to figure out the right balance. Some of the practices that nourish me most include coloring, writing, restorative yoga, hiking, reading, studying, and napping. I'm making more time to fit those into my daily schedule more consistently for the time being.

In this episode, I share a bit about where I'm currently at in my level of self-mastery, in an effort to be candid and to inspire you to check in with yourself as well.

Since starting this podcast I've (re)learned:

- I enjoy connecting with and supporting friends in this manner immensely

- I can achieve anything, as long as I work at it in an intelligent and balanced manner

- to be gentle with myself and have the courage to be honest with others

- it's important to attend to responsibilities that aren't as enjoyable or immediately rewarding

- to take my time and pace myself because this isn't a marathon, this is indefinite

.. and much more, including that the image I created for this podcast applies to all aspects of it, including myself. That means it's ok for me to free flow from a place of authenticity if it empowers me, because I'm a volunteer too.

It has been an immense honor creating for you. I am grateful for your support and evolution. I look forward to sharing so much more with you for a very long time. 💜

Love, Logic, and Liberty,

Sorinne - Healer in Chief

Ps. I've been posting clips on Facebook, Instagram, LinkedIn, TikTok, and Tumblr every day since the launch of this podcast. You can also find clips and full episodes on Youtube, Rumble, and Soundcloud. Just search for Conversations with Sorinne on your preferred platform to tune in any time.

Learn more about this Conversation and others at www.ConversationsWithSorinne.com.

[acultforkidswithparentaltrauma]

percy is 100% a girl dad and that little girl is more scary and powerful and sassy than that man could ever hope be and percy is extremely proud of her and also constantly worried for the well-being of everyone around her. and i will be taking absolutely ZERO criticism about it from now until forever.

[temtamtom]

I know it's very common to have Feli be a super chill/softie parent, and that makes sense. But when I think of the Renaissance and (subsequently) Feli's 20 million talents and skills, I can't imagine him not valuing academics and the arts.

Like yes, you can get 20 million piercings, dye your hair hot pink, get an ugly tramp stamp, buy a fursuit, WHATEVER. Live your life and express yourself however you want. But by god you WILL go to that piano recital, and you WILL outshine every other kid there--

[ofswordsandpens]

the show needs to let annabeth be a 12 yo girl more <3

[millidew]

rip lucy and mina you would’ve loved farcille. rip marcille you would’ve loved westenray (falin lost interest and fell asleep before finishing the book)

[canisalbus]

I just recently started following you so i don't have the full lore of your murderous gay religiously traumatized doggos, BUT, from my understanding, they are Italian and i don't know what part of Italy they are from, yet i can't help headcanoning Vasco as Tuscan, while Machete is probably from some part of Veneto. And as an Italian who has heard Tuscans and Veneto dialet, well it's an hilarious mental image.

Vasco is indeed Tuscan, Florentine to be specific. He comes from a wealthy and influential noble family that has lived in Florence for centuries. He's proud of his roots, and it's usually easy for strangers to tell where he's from. He's a resonably successful politician and has worked as an ambassador and representative of Florence on numerous occasions.

Machete is originally Sicilian (ironically about as far from Veneto as possible), although he was taken to mainland at young age and has lived in several places since then, before ending up in Rome. The way I see it, he exhibits very little local color, his demeanor and (even though Italian hadn't become a standardized language yet) way of speaking are formal, neutral and scarcely give away any hints about his personal history, at least in the 16th century canon.

[lemonavocado]

i have many many thoughts about the portrayal of elizabeth (and henry) in adaptations of frankenstein and they need to be broadcasted immediately. feverish incoherent raving about this subject under the cut. tw for very brief mention of SA

so. elizabeth lavenza. by the time of the wedding, elizabeth is rather obviously portrayed to be just as morose and brooding as victor is, she just isn't as susceptible to episodes of mania and psychosis so it doesn't seem nearly as dramatic compared to victor's trauma. she's been through the gutter herself, being an orphan for starters, then being adopted into a family and having to assume the role of caregiver in the frankenstein family because of the coercion of her dead mother to not only take her place as the maternal figure in the family but also marry her surrogate brother (or literal cousin, depending on which version you read). then her surrogate younger brother william dies, and the within weeks she has to watch her closest heterosexual life partner justine be unjustly hung by a corrupt justice system. and she vocalizes, actively, her pessimism and hopelessness in light of these many tragedies. tldr she's fucked up and rightfully so, and while she's a little less crippled by depression than victor, she still has the distinct appearance of being rather ill, listless, and tired, especially towards the end of the novel. anyways my point is in the novel, the most important thing about elizabeth is not that she's a woman and victor's bride. yes, that's obviously the purpose she was created for, but shelley went out of her way to give elizabeth an extremely definite and unique character. she's gentle and maternal like most woman in early 19th century literature, but she's also introspective, intelligent, and perceptive. she displays agency and self-awareness repeatedly (her guilt over the locket, going to the execution of justine even when alphonse tells her not to, waxing poetic on the failures of the justice system, asking repeatedly and rather pointedly if victor actually wants to go through with the marriage, obvious anxiety and solemnity concerning the wedding) we also have to take into account that elizabeth's personality is being relayed to us BY VICTOR, and he wants to see elizabeth as docile and femininely passive, even if a lot of her actions themselves in the novel actually seem to contradict that. also, i am peppering in that many people can (and have) made a genuine and convincing argument that victor and elizabeth are not in love and were groomed to accept their union by their weirdo parents - that they care for each other, but the text includes important nuances that make it evident that victor doesn't feel anything for elizabeth like that. it is a legitimate interpretation of the book - dare i say it's the correct interpretation of the relationship between victor and elizabeth. but that's another essay for another day and it's not SUPER integral to my rant here today. it just highlights the complexity of elizabeth as a character.

so. for some fucking reason, writers do not understand this when they are adapting the novel, and do not want to apply more than eight seconds of critical thinking and the absolute shallowest 3rd grader levels of reading comprehension to this character, so they simplify her from what she was in the original novel, freshly complex, opinionated, and introspective to boring useless incest lady. victor is never portrayed with the same amount of nuance he deserves in any adaptation (also another essay for another day), because adaptations also have a very surface level reading of him as "guy who was ambitious and played god which immediately cements him as an irredeemable self-aggrandizing asshole and/or a raging insufferable narcissist who's a dick to everyone around him EXCEPT for elizabeth" but at least SOME adaptations are able to kiiinnnddaaaa capture the sympathy meant to be felt for the character in the novel. not so for elizabeth. her character in basically every adaptation can be boiled down to this: "omg victor my brother let me hammer in that you are my brother. im just going to stand here and look clueless and annoyingly naive for the entire time im on screen/stage. im just a little girl and idk what's going on victor but im gonna stay blindly devoted to you and ask numerous but completely useless questions 🥺 let me stare at you with tender worry in my eyes and treat you like a child even though we have absolutely no romantic chemistry and you're an objectifying dick towards me and we have nothing in common and the audience is actively dry heaving as we sensually make out for no other reason than to have characters in this movie sensually make out. im basically a carbon copy of original-novel-henry expect super boring and super useless because im a woman which means the doylist explanation for why im here HAS TO BE ONLY for the main character to fuck me and to hold the attention of the male viewership. now time for me to get SA'd by the creechur for basically no reason" we can observe something approximating this in basically every frankenstein adaptation i've ever seen: kenneth branagh's (my enemy) 1994 film, the 2004 hallmark miniseries, the musical, and the ballet. also in the 1931 film, but that one isn't really trying to be book-accurate so it doesn't really count for this rant.

with this understanding of elizabeth, writers then attempt to artificially generate more romance between these characters, mostly by, yes, replacing a lot of henry's role in the novel with elizabeth, hence why we see so many adaptations (1994, 2004, ballet) make elizabeth nurse victor back to health in ingolstadt instead of henry, which generates... so many problems. one problem with this is that it just sorta ruins henry's original role in the novel in one go. writers recognize that henry is supposed to be victor's character foil, but now they don't have much for him to do so he can demonstrate that role in the story since they gave all of the romantic tension moments to elizabeth. meaning that in adaptations you can tell the writers didn't really know what to do with henry because he's reduced to a comic relief bumbling idiot (1994, ballet, 2004 to an extent) with his only personality traits being "random xd" and "morals good playing god wrong!!!! 😠" (2004, musical, several independent stage adaptations). they keep him as a character foil, but just replace all of his compassion, tenderness, and devotion with elizabeth, while effectively draining henry of all of his original appeal and charm and stamping those traits onto their already stripped-of-all-nuance elizabeth. so now both henry and elizabeth are not only extremely different from their original roles in the novel but extremely, woefully less charming and complex. this especially pisses me off because it's explicitly stated in the book that henry was victor's only friend precisely because he was victor's intellectual equal, so seeing henry reduced to a smiley idiot and/or stupid generic male side character with Morals fills me with a visceral rage. writers will also sometimes make victor and henry meet in college (ballet, 1994) and try to strengthen the bond between victor and elizabeth by making it appear as though she was victor's ONLY childhood friend and companion. other times, victor and henry will be friends pre-ingolstadt (2004, musical) but most of the relationship development will be between elizabeth and victor. those two have all of the tender bonding moments while henry is just kinda inexplicably there sometimes. but i digress. this post is supposed to be about elizabeth. but IF YOU NEED A CHARACTER TO BE A SUNSHINE SOFT OPTIMISTIC LOVER FOR VICTOR IN A FRANKENSTEIN ADAPTATION, HENRY IS ABLE AND WILLING ARE YOU STEPPING ON MY BALLS

clervalstein is true. anyway

elizabeth is somehow more complex and powerful as a female character than the literal adaptations produced almost 200 years later. in adaptations, the most important thing about her is somebody else. the development of all of her character traits (which usually never go beyond standing around and looking helpless) are solely dependant on victor. she feels more like an appendage of the protagonist than an individual with thoughts and experiences separate from victor, and her character is loosely defined and flimsy so the writers can have her conform to her actions in the book whenever it's convenient and then change things up entirely that completely contradict her characterization in the book whenever it's convenient. i have no idea why the fuck this keeps happening with frankenstein adaptations (it's misogyny) and because it isn't looking like guillermo del toro's film (from what ive heard) is going to be super book accurate, i dont foresee too much of a shift in frankenstein adaptations.

look i get it. it's a movie/play/ballet which lasts like 2 hours and you have a lot to do and not a lot of time to do it. i understand you have to make sacrifices for brevity and these characters are, frankly, a lot less interesting and exciting than victor and creechur. people didn't come to see john hughes levels of charm and complexity in the side characters, they came to watch the creechur do scary shit and for victor to say IT'S ALIVE 😱 and be an evil mad scientist you love to hate. they came for their values of "it's wrong to play god!!!" and "too much ambition bad!!!" to be re-cemented even though that's not even the original point of the novel. which is why imo if you're going to adapt frankenstein in a manner that does justice to the beautiful and sublime subtlety of the original novel, it needs to be either a miniseries or a REALLY LONG film. it's a short book, but it's very eventful, and imo for an adaptation to work you have to let the audience sit with it. which is why you all need to donate to my gofundme so i can produce an honest to god frankenstein adaptation. in fact, im running for president in this year's primaries :3

just a disclaimer: im not an academic or a scholar or anything. i just like the book. i probably have no idea what the fuck im talking about. but im a very very passionate little guy and this has been my rant

[umbran6]

A Different Champion

Ok, hear me out on this - Leo should've been the champion of Hera rather than Jason. At the very least, they should've had a relatively more positive relationship in comparison to the one time they interacted in The Lost Hero.

For those who've seen my prior posts, you know I've analyzed Leo's importance in the plot. I would also further cement this in that Leo has more importance to Hera than Jason. Even from an initial viewpoint, Hera would have more motivation to help Leo considering his background. Esperanza Valdez was willing to raise her son and still love him despite her family blacklisting her for having a child as a single mother and willing to work 9-5 just so they could live. Jason was the second child of Jupiter and Beryl Grace, who this time was fully aware of her lover's divine nature, willingly having a child despite the fact that not only did it defile Hera's marriage, but it was the second child that was testament to Zeus' disregard for his Pact made among his brothers. Overall, Hera seems more likely to sympathize with Leo and Esperanza.

This sympathy and favor is visible when you examine how Hera interacts with them, even when they were young. I always found it pretty hard to believe that Hera would pressure Beryl Grace to sacrifice Jason to sate her wrath, because Jason and Thalia were already destined for persecution - Zeus had broken the Pact of the Big Three twice. Thalia was never specifically targeted by Hera ( and the statue incident is... questionable, considering Olympus was freaking collapsing and Hera was also busy fighting Typhon), and as far as we're informed by Riordan, Hera was never particularly active in Jason's life while he was in the 5th cohort of the legion.

On a side note, Beryl Grace was an utter idiot for naming her son after the OG Jason. The OG Jason may have initially been favored by Hera for being one of the few mortal heroes without any divine parentage. However, he also severely screwed the pooch because he willingly broke his wedding vows towards Medea by attempting to marry Glauce despite all that Medea did and risked for him, to the point that its noted in most analyses of Euripides' Medea that the titular protagonist got approval from the gods for all of her actions. So yeah, Beryl painted a very big target on her son with that name. And the less said about Thalia's name, the better.

Hera spends nearly most of Leo's youth acting as his nanny while Esperanza Valdez works in the warehouse so they can stay afloat. Though most of the time Leo discussed this in the Lost Hero, he focused on the bizarre and unusual — having him use knives to cut jalapeños, prodding him to poke a snake, the whole 'burning your fingerprints into the park bench' incident, there is more to it than that. Hera doesn't just encourage the traits of a stereotypical hero, but also Leo's creativity such as him drawing the Argo II in crayons and though he wasn't aware of it, gives Leo hints as to how his future may look like. We also kind of forget that Hera still willingly helped raise Leo for Esperanza, which must've been an immense boon because she was a single mother.

Hera even performs what is quite likely the same ritual Demeter applied to Demophon so long ago — roasting him in a fireplace so Hera can burn away his mortality. Of course, it could be argued that she was doing this to strengthen Leo so she could have a stronger demigod to fight against Gaea, but either way such a possibility would benefit him more than it would for Hera. Needless to say, she must've favored Leo to the extreme if she was willing to make him, a demigod son of Hephaestus, immortal.

Furthermore - and please hear me out - let's expand on this connection. Esperanza seemed to be aware of Hephaestus's true nature as an Olympian because she knew that Leo's powers came from him, so it wouldn't be too far to say she was aware of Hera's true nature. She didn't know, however, that Hera was planning to train Leo to become a being that would defeat Gaea when she rose. She made the Queen of the Gods to promise not to intervene in their lives until Leo became aware of his true nature when Esperanza saw the fireplace scene, because Leo noted that ever that day, Tia Callida never showed up in Leo's life afterwards. So when Leo knows he is a demigod, all bets are off and Hera can finally start playing a more active role in his life.

So, now hopefully I've established that Leo should've been Hera's champion considering how she seems a lot more sympathetic to Leo. Now let's imagine how this plays out in the story. For now I'm going to specifically focus on the Lost Hero, because that's the series Hera is more prominent. Jason's memories are still wiped, Piper still thinks Jason is her boyfriend, but Leo is remarkably spared from the memory-warping effect of the Mist and is aware that Jason just straight up appeared out of nowhere.

Leo doesn't have that same edge of trust towards Jason, but that gives him a better perspective on what exactly Jason was sent out for. So he notices that Jason has a coin engraved with Latin, he uses latin terminology to describe the monsters that hunted Leo since he was young, and sees that Jason has combat skills far more advanced than an amnesiac should really have, he starts putting the pieces a lot earlier than we expect and when he is introduced to Camp Half-Blood, Leo cooks up the theory that Jason may have come from a Roman camp, and reasonably cooks up the corresponding idea that Percy is now in said Roman Camp.

When Leo figures out Jason's true origins, two things happen: he immediately tells it to Annabeth (he's not that much of a dick to hide what actually happened to her bf), and Hera conjures a specter to confirm this theory and explain why she's doing what she's doing. The whole scheme against the Earth Witch that killed Leo's mom, and that oh yeah, there's a wrench in the scheme. This concentrated method turns the gist of the quest from how the original Lost Hero presented it:

'Oh, this nebulous evil villain is going to use me as a freaking battery for her son/dragon and that sucks, so you must rescue me.' Oh yeah, and Percy is gone too, and we don't know where the freaking Tartarus he is, so there's that.

To this:

The Witch that was involved in your mother's death has captured me so that she can use me to fuel the resurrection of her strongest fighter. So if you want to get some sweet, sweet revenge/atonement for your mom's death you have to rescue me. Also, I'm holding your friend's memories with me so if you want to help him recover who he his he will also want to join. Percy Jackson? The guy who's gone missing? I have him with me as well, so Annabeth Chase better actually help out, or he's going to die too. You're in? Okay, here's how to do it, and you better get your butt here before the Winter Solstice because that is the day the absorption process is going to finish and things will really go to hell in a hand basket.

With that single message, we actually have people that aren't just following a prophecy. Annabeth joins the party because, oh yeah, now she finally knows where her boyfriend is and is willing to stomach saving the goddess she hates the most in order to help him. Jason's in it because Hera wants his memories and wants to know why she got him involved in her gambit in the first place. Leo? We have the direct motive of him wanting to atone for his mother's death while also getting revenge against the other party that was also involved. Piper's the unexpected fourth party member/possible traitor because her dad's still being held hostage.

Now, I'm not going to delve into the full plot detail changes, but a good chunk of it remains the same with some other changes. Annabeth gets a stronger friendship with Leo on an intellectual level, because you know, the guy was able to offer her a bit of hope in finding her boyfriend. He's more cautious of Jason, but also more genuinely comforting. And finally... he's suspicious as heck of Piper, because he can feel there's something more behind her joining the quest.

But I want to focus on this scene: when Leo gets claimed by Hera as her champion. I, preferably, would imagine it takes place after she is rescued from becoming a power source for Porphyrion. Mainly because then she would have enough power to do a proper claiming and thus she can be as extra with it as possible.

I mean, imagine it. Everyone's gotten back from rescuing Hera, they're all patting themselves on the back and everyone's praising Jason, Piper, and Annabeth unwittingly ignoring Leo. Everyone's hearing about Jason fighting Porphyrion, Piper getting to free her dad from Enceladus, the surprise reveal of the search for Percy, when...

A light starts to glow above Leo's head. It's faint at first, but then it grows more vibrant and swells to cover the entire dining pavilion, swallowing him whole. Then it fades away to reveal Hera, putting a crown of laurel leaves on Leo's head, his clothing replaced with a chiton that was dyed ruby red that glimmered against the firelight from the braziers. A peacock is glowing above his head, the hundreds of eyes shining like the aurora of the north.

Leo's stunned as his mind does his best to process his new reality. Hera gives him a single, warm smile, and everyone else is staring in shock as she announces his status as her champion and gives him her divine blessing. Camp Half-Blood practically erupts in shock because this is the first time the camp has witnessed a male demigod being claimed as Hera's champion with the last guy being... the OG Jason.

I mean, the look of horror in Annabeth's eyes as she realizes one of her friends is now the champion of the goddess that she hates with a burning passion. Jason suddenly realizing that Leo was a lot more in the know of Hera's whole plot than he suspected, because why otherwise would Hera make him her champion? The members of Cabin Nine, suddenly looking at Leo with a sense of betrayal because yeah, Hera's the goddess that threw their dad off of Olympus. Leo isn't really sympathetic with them, Hephaestus had practically abandoned him for sixteen years of his life and forsaken him for eight. Piper can't exactly see him in the same light - how could she, when suddenly her friend had changed so suddenly?

All of this happens as Chiron steps forward, bowing in front of Leo and his patron before uttering these words: "Hera. Goddess of the Heavens, Protector of Men, Patron of Rulers. Hail, Leo Valdez, Champion of the Queen of Olympus."

[namibozsu]

Brain wanted me to draw umi / umei-when-in-captivity today

[enjustakelover0269]

I just spent an hour or so reading I Have No Mouth, and I Must Scream by Harlan Ellison aloud to my friend who’s never read or seen it before. He’s not paying attention and has been trying to sleep. He needs to be awake at 6am. :)

[arolesbianism]

Time for more eternal gales isat au, this time featuring Sier as Isabeau, creating a sprite I can never use next to Aris’ because despite my best efforts it would make them look tall

[bucketbender]

It would be interesting if during the next season of Solar opposites, they did a sci-fi free episode (because Zarck managed to deactivate all their technology and Aisha or something). They’d have to rely on each other’s talents alone and do their best to survive more than 2 minutes without alien ray guns or resurrection pellets.

[strangestcase]

The worst crime a version of Jekyll and Hyde can commit is be unappealing. If you aren’t anticipating the next scene no matter how unpleasant it will be then it has failed.

[quotelr]

Intelligence is the ability to adapt to change.

Stephen Hawking

[dimiotouole]

Agent 4 doodles + a lil doodle marie

I love this lil gremlin so much.

Hope we see them in Side Order