#instead of writing a paper

[tilapiamafia]

Quick nasty design for for hardware to be installed on the front doors of the school.

Fun, but god i hope i don't have to make it. I just don't wanna.

[bestjeanistmonster]

Dc au- felt like being goofy

…but since Shadow is raising these plants i think we can classify this as a case of passing on generational trauma.

[thepowerofswayze]

demonstration

originally on ao3

based on this post by @fantasylandloser

pairing: art donaldson (challengers, 2024) / afab reader [gender not specified]

word count: 1.9K

warnings & info: 18+, afab reader, college era art AHHH, friends to lovers, first time together, mostly smut, oral sex (reader receiving), art is a munch obviously, reader wears a bra and skirt

summary: Catching Art up on your adventures gets hard when he doesn't get your explanations, or your hand puppet examples. Looks like you just have to show him exactly what went down. Based on this post that i could not stop thinking about. :))

☆

“Oh my god, fuck you!”

Art chuckled from where he stood, watching as you tossed the t-shirt he’d balled up and chucked at you back in his direction. It fell harmlessly to the floor a foot from him, and you glared at him as he snickered, picking it up and putting it away.

You were visiting Art, your close friend from high school, at Stanford. At that moment, you happened to be explaining how an interaction at a party at your university had gone a couple weeks before. Art never really liked listening to you talk about guys- hence, the shirt thrown directly at your face when you’d started describing this particular frat boy to him in detail- but he’d given up complaining a while ago. It was either that or be honest about why he hated it so much, and that was never going to happen. So, he tidied up his room as you explained the lead up, the flirting, the stumbling up the stairs. He fell back parallel to you on the bed as you got to the “good part”, his head by your legs and an arm over his eyes, like he could block out the imagery.

“Anyway, I didn’t think it was a big deal at first, like when we were flirting, but then I was on him, kinda like-” You took a moment to sit up straight, grinning as art groaned and propped himself up on his elbows to see you better. He watched you attempt to mimic the position with your hands, your left hand being the guy you were talking about, your right being you.

To Art, it just looked like you were mashing your hands together. He looked up from your hands to see you raising your eyebrows at him, as if to ask if he was following. “Huh?” He said.

With an exasperated sigh and without another thought, you pushed yourself up on your knees and waddled over to him, swinging a leg over his body and hovering just over his torso. For a moment, Art just watched, bewildered, as you steadied yourself with your hands on either side of his head. He let himself fall back from his elbows, hands sliding up your hips and settling at your waist, catching momentarily on the fabric of your skirt. His fingers peeked just under the hem of your shirt. Your skin tingled where he touched you.

“... Like this,” you said finally, blinking at him for a moment. “Well, uh.” You moved your hands to his chest instead, careful not to push too hard (though with the muscle he’d acquired since he’d started playing tennis for Stanford, you were sure it bothered him much less than you thought). “More like this, I guess.”

Art nodded, quickly licking his lips before asking, “Then?”

You tried not to look at his mouth. “What?”

“Then what did you do?”

It finally hit you then: what the fuck were you doing, climbing all over your best friend to ‘show him’ how you and some guy had been fooling around a couple weeks ago? That would just mean fooling around with him, obviously. That wasn’t really the plan.

But, it was too late for your common sense to kick in now. There you were, your hips hovering over his, not quite touching yet. You watched his eyes dart down to your lips, then drag slowly back up to meet your gaze. You couldn’t wait here and think about what you’d gotten yourself into and how this would change your friendship forever, though you got the feeling he’d let you take as long as you wanted.

Then what did you do?

You steeled yourself, biting your lip and watching his lips part slightly as he tracked the action with his eyes. Then you took that moment to fully sit on his lap.

You could feel his chest expand beneath your hands with his sharp inhale, his eyes snapping down to your hips, then back up to your face.

“This,” you murmured. You’d intended for it to come out cocky, maybe even a little seductive, but you could hear the breathlessness in your own voice. You were trying your best to ignore the growing pressure where your hips met his, though really, it was hopeless. 

Art’s ears were burning a bright shade of pink. The urge to gently nip at them crossed your mind, just for a moment. He cleared his throat. “Then?” His voice was almost a whisper, chest rising and falling unevenly with his nervous breathing. The way he was looking at you, like he wasn’t sure you were real…

Fuck.

You leaned forward, trying not to let your breath stutter at the friction caused by the movement, until your lips hovered just over his. Then you kissed him.

You pressed your lips together gently, lingering for a moment before pulling back by centimeters. His lips chased yours, his grip on your waist tightening ever so slightly, and you were right back on him, lips falling open against each other. A soft sound escaped him as your hips shifted against his, along with a contented sigh from you. You repeated the motion, reveling in the low groan he let out, followed by your name murmured into your mouth.

Art’s lips were soft. And he’d shaved recently, you thought, hands cupping his face. The smooth skin of his cheeks was a stark contrast to the calloused hands he was now raking over your thighs, your skirt pushed up around your hips. You broke away from his lips, kissing down his neck instead, listening to the noises he made whenever you left a mark, whenever you ground against him just right. “Shit,” he gasped. “You’re- You’re sure?”

“Yeah.” You left another kiss just below his ear, before murmuring, “What is it?”

You could feel him all but shudder beneath you. “Fuck,” he groaned, then your name, before he looked you in the eye. You resisted the urge to dive right back in. “Let me eat you out,” he said, suddenly determined, though still flushed and dazed. “Please.”

All you could say was “What?” because, surely, this was one big dream.

“Please.” His hands hadn’t stilled, still rubbing shapes into your thighs, his hips rolling up against yours. “Can I?”

Your entire body was on fire. “Okay, yeah. Yes.”

He wasted no time flipping the both of you over, laying you against the bed so he could kiss down your neck. You barely had a moment to process, your hands moving to tangle in his hair, one of his knees slotted between your legs. He tugged at the bottom of your shirt, prompting you to lift yourself slightly and help him get it off. Your bra came next. “You, too,” you murmured, pulling at his shirt and making him chuckle. He reached behind his head, tugging it off in one swift movement and abandoning it beside your shirt and bra on his freshly cleared floor.

One of his hands slid down your chest from your shoulders, enclosing one of your breasts, the thumb circling your nipple. You bit your lip and sighed, pulling him down for another kiss by the back of his neck.

Art let his hand trail from your chest down the sides of your stomach, then slotted his palm right between your legs, over your underwear. You gasped quietly, pulling away long enough for him to return his lips to your neck, your shoulders, your collar bone. You murmured a couple choice words as he started to move his palm, rubbing at your clit through the fabric. The dulled sensation was almost enough on its own, paired with the kisses he left against your chest. “Arthur,” you whined, tugging at his hair. “Don’t fucking tease me.”

A grin overtook his face at the use of his name, his hands only slowing down, tracing torturously slow circles over you. Art only snickered at your glare before hooking his fingers into the waist band of your underwear, pulling it down and leaving you in your skirt pushed up to your waist. He watched you carefully as he slid further down so that his head was between your legs. His finger only traced a line from your clit to the bottom of your hole before whatever restraint he had was gone, and his mouth was on you.

Art’s tongue flattened against you, the warmth and friction making your head fall back as your eyes fell closed. “Fuck,” you moaned, hands threading into his hair as he answered with an equally obscene noise, muffled against you. ‘Hungry’ didn’t even begin to describe him, his mouth falling into a vague rhythm, eyes closed blissfully, whining into your pussy like it was doing him just as much good as it was you.

You thought about asking him to finger you while he worked, but his tongue prodded at your entrance and almost immediately, words escaped you. You brought one hand up to your face, clasping it over your mouth to muffle your moans, but Art stopped suddenly, watching your face. You whined your confusion, and he reached out to tug at your hand. “I wanna hear you. Let me.”

You blinked at him, chest heaving, and murmured “Alright,” before watching his head dive right back between your thighs, one hand still intertwined with yours. You had no choice but to moan unabashedly, your other hand busy pulling at his hair.  His free hand was wrapped around the outside of your thigh, pushing it in towards his head, so tightly you were sure it couldn’t be comfortable. But there he was, continuing to move his tongue against you like there was nothing else he’d rather do, whining and whimpering like you were his first meal in weeks. “Fuck, Art,” you cried, barely keeping your eyes open so you could watch him move. “You’re gonna make me cum.”

He groaned at that, relenting the pressure of your thighs against his head just long enough to reply: “That’s it, baby, please.” If he had anything else to say, he couldn’t keep himself off of you long enough to finish, already pushing your thighs back against his head, nose bumping against your clit as he bobbed up and down.

It seemed like that was all it took, really. You squeezed his hand and his head embarrassingly tight as you felt yourself tip over the edge, head thrown back and eyes squeezed shut. Art kept up his rhythm as you cried out his name, your hips rolling against his face. He didn’t stop even when you’d come down, chest heaving, until you basically pushed him off, desperate for a moment of relief.

He kept a hand on your thigh, the other untangling from yours to push his blonde hair out of his eyes and look at you. He was breathing as hard as you were, you noticed. His mouth hung open as he panted, the entire bottom half of his face coated in saliva and your arousal. Fuck, he was pretty like this. “‘S good?”

You shook your head, beckoning him toward you and pulling him down by the back of his neck when he was close enough. “You’re unbelievable,” you murmured, lips against his almost before you were even done speaking. You didn’t mind the stickiness. You pulled back to look at him, then glanced down to the tent in his pants. “Lemme return the favor.”

Art let out a breathless chuckle. “I don’t think I’m gonna last that long,” he said, somewhat embarrassed. “Not if you’re the one touching me. Not after this.” He gestured to the shine still on his face, to your thighs beneath him. Your face burned, and your smile was so wide that your cheeks hurt.

You shrugged. “Lemme try anyway,” you said, before bringing his ear down to your lips, nipping at the lobe gently. “Please?”

He couldn’t say no to you.

[morganbritton132]

Tim has a school assignment where he has to write a paper about what he’d say if he could talk to a younger version of himself.

And anyways, Bruce gets a call from a very concerned teacher because Tim wrote that he’d tell his younger self to, “Kill me. Kill me with fire. I’m probably evil and I’m gonna try to kill you so kill me first.”

[mournfulroses]

Adrienne Rich, from Poems; “The Burning of Paper Instead of Children,”

[eskawrites]

so i’m rewatching bits and pieces of s4 for fic reasons and it’s hitting me all over again how and why nancy reacts to robin the way she does before and during the library scene. like! nancy has spent every season having to justify why she thinks what she does or, more often than not, fight with someone to try to pursue her theories. barb is missing and no one is listening to her. barb’s death was unfair but steve thinks they should just keep living their lives normally. she knows there’s a story with mrs driscoll but everyone, jonathan included, is telling her to drop it.

so of course in s4 when she has this idea in the back of her mind, her first instinct is to pursue it alone. even though the others are right there, and they know what’s going on. she still thinks no one will believe her, and she’d rather just do it herself than have someone try to tell her no.

and when robin comes with her nancy thinks that she was right, that robin is just another person who is going to doubt her theories and fight her about whether this is worth their time. except, robin does believe her, she’s just trying to get the information she needs to keep up with nancy. and once they finally get on the same wavelength, everything clicks. robin not only supports nancy’s theory, she takes it and runs with it, and suddenly they have the foundation they need to figure out everything.

and what gets me even more is that, from that moment on, nancy keeps robin at her side. she’s keeping an eye out for her, standing near her in the group, letting her ride shotgun. even when she doesn’t fully trust robin at pennhurst, she still chooses her. and robin proves her wrong again, so nancy keeps choosing her and keeps trusting her.

idk man i just love how strong their dynamic is, and how clear it is that this is good for both of them. for robin to have someone other than steve see her and accept her and care so deeply for her after being the odd one out at the end of s3. and for nancy to have someone finally in her corner, supporting her and believing in her without trying to get with her. they fit so well and their arc in s4 is such a treat, i love it so much

[roseworth]

jason shows this powerpoint to talia at the end of lost days

[cuubism]

literally just smut, dreamling, prince/knight dynamic, uh. lowkey virginity kink. lowkey degradation kink. yeah.

--

The war camp is dark, the tent only barely lit by a few scant candles, but Hob is wide awake.

It had been a fantastically successful battle, that day. Much needed after a string of losses. They’d absolutely destroyed the enemy, Hob’s only just managed to clean most of the blood off himself—and he’s still riding that high hours later, blood pumping, restless energy racing as he occupies himself cleaning his armor and his sword.

Technically, he could get someone else to do these menial tasks. He’s a knight, he’s of high enough rank to request it. But Hob’s always believed a man should tend to his own weapons, should know every piece of them. It’s the same reason he takes care of his own horse, and his own tack.

Besides, the repetitive motion of the cleaning is taking the edge off.

There’s another thing that can cut the edge of the battle high.

Sex.

How fortunate, then, that Hob is on good terms with so many of the working ladies of the camp.

Not that it’s really so hard to be on good terms. The bar is so low that simply not behaving like a total dick seems to do the trick—but the fact remains that when Hob calls for one of the messenger boys who hang around outside to send for whoever’s working that night, he knows someone will come by. He pays them well, he gets along with most everyone, and it’s really not that hard to get one’s prick wet under those circumstances.

He’s just finished oiling the final leather straps on his armor, is hanging it up to await the next fight, when he hears the entrance flap of the tent, to his back, swish open and shut again. The rush of cool night air into the warm, close space.

“Be right with you, luv,” he calls, tying off the last strap, and a deep, sonorous voice responds—

“Please, take your time, Ser Gadling.”

Hob whirls around, nearly falls over like a buffoon he goes so fast. Standing there is not one of the working girls he’s come to know. It is, in fact, Prince fucking Morpheus, dark hair tousled by the wind, wrapped in a long velvet cloak that sparkles like stardust where the light catches it.

“My prince,” Hob stammers, trying to decide whether he’s meant to bow and managing only a dip of the head. It’s Prince Morpheus’s fault, this awkwardness, Hob would have managed with perfect politeness the sudden arrival of one of his siblings, or even the King himself. It’s only Morpheus that fells him so. “I—”

“—called for a whore?” Morpheus finishes, quirking a brow. Hob can only describe the look in his eyes as mischievous.

Anything Hob might have possibly managed to say is derailed by the rush of interest to his dick. That look, that phrase in Morpheus’s pretty, proper mouth— and what is he implying—?

“That’s… not the word I’d use,” Hob finally manages, throat tight. “Did. Did you need something, my prince?”

“As I’ve said,” repeats Morpheus, taking a fluid step closer to him. And he’s— he’s fucking barefoot in the grass. Lord have mercy. “You called for a whore.”

Hob should step back. Instead he’s rooted to the spot. Paralyzed by a swirling mix of fear and arousal. “That’s not— you’re not—”

Morpheus keeps advancing on him, liquid and predatory. The deep vee of his robe suggests he’s wearing nothing underneath. He’s got some kind of glitter under his eyes. And he’s— he’s so beautiful. Hob has always thought so, especially on that one blessed night when—

“Do you think me not a whore?” says Morpheus. He says it with allure, almost pride, not shame. “Do you think, my knight, that I have never slunk into some lord’s bed to steal secrets? That I have never used my body to seal an alliance, when my words were not sufficient?”

Hob should be horrified at the thought of his prince debased so. Instead, the image of Morpheus on his knees flashes through his mind, and he bites the inside of his cheek to keep from whining. “That’s not— the same,” he manages.

“Is it not?” Hob’s ankles hit his bedroll and he trips back, falling on his ass and bracing himself on his elbows, and Morpheus follows him, crawling up Hob’s body in a long, sinuous movement, the velvet of his robe soft wherever it touches his skin. “People can make sex their trade for coin, but it is different when I offer myself up in exchange for goods or laws or partnerships?”

If that’s all the case, Hob should find out what Morpheus wants with him now. Instead he asks, breathless, taken in by Morpheus’s eyes, “What did you trade for, then, my prince?” Maybe Hob doesn’t care what Morpheus wants with him. Maybe he only cares that Morpheus wants him. “When you let a foreign king bed you, did you use your mouth?” He touches Morpheus’s lips with his fingertips, and Morpheus smiles, sharp and pleased. “Or did you let him fuck you?”

The thought is as jealousy-inducing as it is arousing. Hob has no right to be jealous about his prince. But.

“What I needed to,” says Morpheus. “I have learned how to bait my lures. Many kings, I have learned, like to ruin pretty young men. Do you know—” he taps a fingertip along Hob’s lips “—how many times I have ‘sold’ my virginity? Played the hapless youth desperate for an older man to teach him, to use him?”

Fuck. Fucking hell.

“And did you learn?” Hob asks, hyperfocused on every point where their bodies are touching.

Morpheus tilts his head at him, suddenly all innocence. “Learn what?”

And, well. He does know how to bait his lures, it turns out. Even knowing he’s sinking his mouth onto a hook, Hob growls and flips them, pushing Morpheus down into the sheets. Morpheus lets out a startled breath that Hob’s pretty sure is affected but still succeeds in sending a thrill through him, and a powerful sense—careful, delicate, don’t hurt him. Even though the small part of Hob’s brain that’s still checked in to reason knows well that Morpheus is the one truly in control of whatever’s going on here.

“Should I teach you, then?” he asks, dragging a hand through Morpheus’s hair— so soft. “Show you how good I can make you feel?”

“Please,” Morpheus breathes, wrapping a delicate hand around the back of his neck. Hob really hopes he isn’t going to get drawn and quartered for this. Might be worth it, though. He doesn’t want to die, but if there were a way to go… “Hob, please.”

Fuck, his name in that wanting mouth.

“Got my mouth on you last time,” he muses, the sense memory of Morpheus’s prick on his tongue rushing through him, the hard press of the palace flagstones on his knees, “think I can show you something new, now.”

“I defer to your experience,” Morpheus breathes, as Hob pulls open his heavy velvet robe. As he’d thought, Morpheus isn’t wearing anything under it, and the thought of him walking through the camp like that to get here makes Hob want to bite something. Morpheus makes him so base and irrational.

Hob hadn’t gotten nearly this far last time. Had simply pulled open the ties on Morpheus’s breeches, let his prince tug on his hair as Hob took him in his mouth. Now, he has Morpheus fully unveiled to him, like a gift, like an offering, and, just like an offering, Morpheus stretches, arches his back, long limbs in relief and his cock laying hard against the crease of his thigh. He’s so pristine, always tucked away in his palace, where Hob has been out in the trenches—literally—getting sun-tanned and rough and dirty.

Although. Not so pristine as Hob might have thought. Apparently.

“You’re beautiful,” Hob tells him. “Your body is beautiful. I can’t wait to show you what I can do with it.”

Morpheus shudders, keeps playing along with their little facade of inexperience. “Will you ruin me for other men, Robert Gadling? Defile me, destroy my reputation so no respectable lord or lady will ever dare take me as their spouse?”

“You came crawling to my bed, pretty thing,” Hob says. Nips at Morpheus’s belly, which makes him cry out, such a pretty, keening sound, and then soothes where he’d bitten with lips and tongue. “You’ve been wanting it, I think. Someone to take you down, someone to fuck you.”

“Perhaps I simply wanted to reward my favorite knight,” Morpheus says, trailing off into a groan as Hob leaves another mark low on his pelvis.

“Should have told me you were the prize for valor,” Hob says. “I’d have killed twice as many men. Come to your bedroom still covered in the blood I spilled in your name.”

Morpheus actually moans at the image. “I’d have had you that way. My knight.”

“You can have me now.” It’s tempting, to do as he did last time, and take Morpheus into his mouth. But Hob wants to do something different to him. And he has the sense that Morpheus wants something different done. “Go on. On your belly.”

Morpheus’s breath leaves him in a shuddering rush, but he does as Hob says. Hob runs his hands down over his smooth back, his ass, his wiry thighs, kneeling between them and pushing them further apart. Morpheus whines, moving his hips in little circles to get the barest amount of friction on the sheets.

“You need it so badly.” Hob parts Morpheus’s cheeks with his thumbs, rubs over his hole, and Morpheus keens. “Don’t you?”

“Yes. Yes, Hob, show me—”

Hob swipes the oil from the bag beside the bed—because yes, he is prepared for these sorts of things, if not specifically for his prince showing up—and dips his fingers in. Rubs them together to warm it, then slides one finger into Morpheus, without pause, straight to the first knuckle.

Morpheus lets out a choked gasp, fingers clenching in the sheets. The sound makes Hob’s cock twitch where it’s already straining in his breeches. “Hob—” he moans, strangled, “Hob, I—”

He starts to lift himself up, and Hob pushes him down with a hand on the back of his neck. Morpheus struggles for a moment and then goes boneless under him. Hob releases him and strokes his hair. “Good boy. You want it, don’t you?”

“Y-yes,” Morpheus says shakily, pushing back on Hob’s hand when he starts working that finger inside him. “Please. Please.”

“I’ll take care of you,” Hob promises. Having Morpheus, his prince, his beautiful prince, splayed out under him like this is heady. If he weren’t so focused on Morpheus’s reactions, he might have lost his grip on his own arousal already. “But you’re mine.”

He slides another finger in, and Morpheus moans raggedly. Hob doesn’t know if he’s truly getting overwhelmed or if he’s still trying to play the clueless virgin, but either way it’s burning through Hob’s veins. He gets Morpheus writhing on his fingers, achingly hard in his own pants, taking each of Morpheus’s pleasured, crying moans as its own prize.

Morpheus is shaking, panting, as Hob pulls his hips up, undoes the laces on his own breeches to pull out his cock, lines himself up. Morpheus presses his face into the bed, fingers tight in the sheets. Hob touches his lips to the base of his spine, tastes the sweat there. “My prince?”

Morpheus swallows hard and it still doesn’t seem to clear his throat. “I am ready.”

So Hob braces his hips and pushes in, one long slow slide. He groans at the same time as Morpheus moans, so ragged it’s almost pained. “Fuck you’re tight.”

“Well,” says Morpheus, “you are the first to have me so.”

Even aware that Morpheus is only playing at it, the words make Hob feel like he’s clinging to sanity by a thread. “You’ve been waiting so long, haven’t you?” he manages, as he starts to move, still holding Morpheus by the hips. Morpheus sighs at the slide, thighs trembling. It’s enough to make Hob obsessed. Morpheus is so tight and hot, Hob really doesn’t know how long he’s going to last, but he’s determined to give Morpheus just a bit of that ruination first. “Waiting for the right cock to fill you?”

Morpheus pushes back on him with a whine. “Yes.”

“Kept yourself as a prize for me?”

“Yes. Hob.”

Hob reaches around to take him in hand, and Morpheus cries out, bucking into his touch, pinned in place. Hob moves faster, each thrust pushing Morpheus into his grip, his breeches scraping roughly over Morpheus’s bare thighs, and it feels so base to have him like this, still clothed, taking him like a casual whore when he’s a prince. It feels wrong. But so good.

“How’s it feel?” he asks, voice gratifyingly steady. “For your first time?”

Morpheus lets out a wordless groan. Then, “Good. So much. I—” he trails off again, losing his breath. And this, too, is gratifying, reducing Morpheus, usually so eloquent, to broken sentences and simple words.

“Good, love.” Hob soothes a hand over his hip. “That’s good.”

But before Morpheus can settle, Hob increases his pace, pounding into him so hard and fast that Morpheus loses what remains of his balance and is held in place only by Hob’s hand on his hip, his arm wrapped around his belly. Each thrust pulls a sharp gasp from him, his face pushed into the sheets— and Hob’s nearly insensate with how good it is, but still he manages to pull Morpheus off in time with each thrust.

“Hob—” Morpheus chokes, “Hob, I’m—”

“You can come, love. I want to see you.”

Morpheus comes with a bitten-off cry, spilling over Hob’s hand. He’s so beautiful like that, Hob’s formal, perfect prince—crumpled in pleasure, eyes screwed shut, hair damp with sweat. It’s a collision of every illicit thought Hob’s swallowed down when he’s looked at him. In the palace, on campaign, at times when he was meant to be guarding Morpheus and when he wasn’t. He can’t last long thinking about that, seeing that, so he bends low over Morpheus’s back and kisses the back of his neck. One small, tender touch in this game of roughness and transaction, one touch before Morpheus inevitably swans back out of his tent, back to his writing and his diplomacy and his other diplomacy, and— fuck—

Hob holds Morpheus to him as he comes, wishing he could say, don’t go back to anyone else. You’re mine now, come to me. But those aren’t his words to say.

Morpheus slumps down to the bed, boneless and satisfied. Hob follows him, breathing hard against the back of his neck, finally releasing him from under his weight. Morpheus only winces a little when he pulls out, and Hob yanks off his own shirt and uses it to wipe off Morpheus’s stomach, between his thighs. Morpheus sighs, tipping his head back, a tiny smile on his face, then turns to face Hob, leaning on his arm.

Hob’s swiftly learning how weak he is for that smile on the face of the usually unreadable prince. He trails an exploratory finger along Morpheus’s jaw, up his temple, into his hair. Morpheus closes his eyes at the touch, slow and sleepy.

“Was that better than your many transactional trysts?” Hob asks. “Or do I have work to do?”

“I would not know,” says Morpheus, a self-satisfied little smile now curling on his lips. “Considering those did not occur.”

Hob blinks hard, mind going blank. “What.”

“I spun you a story, Robert,” Morpheus says. His voice is sex-rough, his hair a mess, his gaze drags over Hob’s body with a proprietary touch. “And it is a fun story, is it not? Plying secrets from between the sheets, returning home victorious when one was thought to be had. And,” he drags a fingertip down the center of Hob’s chest, “coming back to the bed of a lover. One whom one wants to be with. To be made his again.”

Hob is still stuck on this. “Wait, are you telling me you made all that up?”

Morpheus smirks. “Do you truly think that my words would ever be insufficient to obtain what this kingdom needs? Do you think I need to use my mouth other ways to get treaties signed?”

Well, when he puts it like that.

“It was a compelling story, though,” Morpheus muses as Hob continues gaping at him. “You seemed compelled.”

“Morpheus, why?”

“I wanted to see how my favorite knight would respond to knowing other men had had me,” he says, and keeps dragging his fingers through Hob’s chest hair in self-soothing patterns. Then his expression shifts from clever to almost shy. “And. I thought that if you knew the truth, you might defer too much to me. Treat me only like your prince.”

Hob’s stomach swoops. “And… what’s the truth, then?”

“That evening at the state dinner, when someone meant me harm and you saved me…” his voice holds a note of wonder now. “That. Was the first time that I had ever.”

“What?” He can’t lie to himself, the thought of being Morpheus’s first, for real, does spark something in him. But also. Morpheus is a prince. And Hob had been…

“I had never before had cause,” Morpheus explains. “I was uninterested in marriage. And I never found anyone worth threatening my reputation over. Until…” His lips purse, stressed now. “And I wanted you so. And. You wanted me.”

Hob is speechless, running through every second of that night in his mind. Sweeping Morpheus into his arms and out of the way of a blade. Morpheus’s wide eyes staring at the slice in Hob’s arm, the blood welling there. Blinking and finding himself crowded into a side hall, Morpheus panting into his mouth, the hunger of his pretty lips, heat and adrenaline running through Hob’s body, pushing Morpheus against the wall and sinking to his knees in front of his charge, his dear, his prince to worship. The tears that had pricked at Morpheus’s eyes as Hob had taken him all the way down.

Christ.

“Does that bother you?” Morpheus asks, uncertain now.

“I’d have shown you a better time then if I’d known,” Hob says, because doesn’t he deserve to be properly taken care of? “In an actual bed.”

Morpheus lets out a little huff of a laugh, expression easing. “I enjoyed it.”

“And then…” he lets his hand come to rest low on Morpheus’s waist. “You came back for more.” He kisses Morpheus and swallows his pleased sigh. “Hungry little thing.”

Morpheus’s breath shudders, and he clings to Hob’s hair, his shoulders. Hob’s about to roll on top of him again and kiss him properly, maybe more once they’ve recovered themselves, but pauses as a realization sinks in. “Wait. Does that mean—”

“Yes, Hob. You were the first man to fuck me.” He sighs. “Use that information against me if you wish. It is out of my hands, now.”

Hob is reeling with shock, and even more so with arousal, heat flashing through his body at the mere thought that all Morpheus had pretended at, newness and learning and raw, unpracticed want, had been, at least somewhat, real. And he had let Hob have that. Catch it. Had trusted him.

“Never,” Hob swears, kissing his cheek. “I would never. You’ll be my secret. Besides. I don’t think anyone would ever believe me even if I said. Me, with you? A prince? And a gorgeous one at that?”

Morpheus runs his hands over Hob’s shoulders. “You are handsome. And very gallant. I do not see what you mean.”

“Well, that’s flattering. And I won’t tell you to take it back.”

Morpheus runs his tongue over his lower lip, eyes dark where they trace over Hob’s jaw, shoulders, chest. “I have. Wanted you from afar. For a very long time.”

Obligingly, Hob kisses him, and sweeps his hands over Morpheus’s lower back, drawing him close. “You’re a prince,” he says, breathless again with want for this wonderful being. “You can have whatever you want.”

“So,” Morpheus nuzzles at his jaw, “I may steal my way into your bed? You would not mind that, Ser Gadling?”

“Sneak in, or stay, I won’t mind. I’ll give you all my secrets.”

Morpheus hums. “And your loyalty?”

Hob thinks he means it playfully, a continuation of his ruse from before—but it comes out much more serious. His gaze finds Hob’s with a deeper wanting than when he’d swanned into Hob’s tent, all draped fabric and fluid lines of desire.

“You have it already,” Hob murmurs, and Morpheus’s pleased sigh as Hob kisses him is a balm to his soul. “My prince.”

[yasmeensh]

Zelda 2 comic sneak peek

I took out my old full-length Zelda 2 comic draft and chose a segment to make a short comic out of. It's missing context from the whole grand narrative of the entire story, but I think it gets the point across.

There were a couple potentials, and I ended up choosing the scene where Link discovers that his blood is the key to awakening Ganon. It's the most well-known plot point of the game in the LOZ fandom in general, besides the Prince of Hyrule plot. Throughout the comic, Link gets attacked by various monsters during his quest. He thought Hyrule was incredibly dangerous for merchants and travelers, but found out that it was only him encountering monsters at a high rate, thus targeted (that is not discussed in this short comic). This disturbs him a lot. And this is the scene when he discovers why he's a target. It's more than the monsters seeking revenge.

At some point in the game, the player is made to travel towards south-western Hyrule and use the Hammer on dueling peaks to enter and get a magic potion. You specifically enter the peak that is originally Level 9 in Zelda 1. I found that to be very... interesting. And suspicious. Why did the developers think "Okay lets have Link go back to the traumatizing final boss place from the first game to retrieve an item :D" It's kinda epic honestly and it gave me the idea: For the full comic, I made it that Link follows rumors and travels down there in the hopes of finding the magic book containing the revive spell, which is game-changing for the rest of his journey. Being the adventurer that he is, Link takes the risk and goes there thinking the place is long-abandoned and that Ganon probably no longer exists. Except, that isn't the case. (Okay I must add, after the revelation, Link loses his adventurous spirit and gets very serious with his quest. No longer enjoys exploring, which is all this Link is about. He starts developing Big Fears. This eventually spawns Dark Link. I wish I could make the entire comic but I know I can't T-T I should probably finish up and polish the draft and post it online for whoever is interested in a deep dive, lore-intense Zelda 2 story reimagining.)

It's the first time I do a 10 page comic, so I'm going through a learning curve right now xD It's going to be experimental, but I hope you enjoy it still. Here are some WIP shots. Still a while before it's completed.

[aliceisaperson]

I think I solved what the next Starkid show is going to be…

Ok so I might have started ok slightly insane over the past few hours putting this together, some of you might think that this is a massive stretch and that I’m reaching but I honestly fully believe the Langs are leaving us all these little pieces for us to pick up and put together and I kind of feel like we should be engaging with this and trying to solve stuff. Just picture me in front of a conspiracy bird going insane it arguably adds to the aesthetic. Anyway on to the actual theory…

So we already know that Nick and Matt have multiple shows planned for the universe of the lands that are, based on the lyrics to castle on a hill we can infer that some of the shows they have ideas for are Snow White, Beauty and the Beast, and possibly the Sword in the stone. I believe that the next show they have planned is on this is list and was intentionally foreshadowed to throughout Cinderella’s castle. I think the next show is going to be Snow White and let me explain why.

Ok so let’s talk about Ragweed, specifically the scene between him and the narrator after it’s revealed the step-mother is a troll. In this scene he says two very very interesting things. The first one is something I have already seen quite a few people point out which is the line where he mentions something along the lines of how if he had 6 dwarves he would be able to kill the step-mother easily (I don’t remember what the exact line was because I don’t have access to the digital ticket anymore but it was something like that). 6 seems like a really specific number to point out and I fully believe that ragweed is one of the 7 dwarves due to this line. After this another interesting thing is said though. The Narrator begins to tease ragweed asking if he’s ever fought a troll before. Ragweed says he hasn’t specifically fought a troll but has fought a lot of goblins. We’re going to come back to this in a little bit. (A note on this I’m going off of my memory but another person has also said that they remember this line being about goblins, however if it’s not that please feel free to correct me)

Now let’s discuss something else of note. The puppets that appeared in the kickstarter announcement that did not appear in the actual show Cinderella’s castle. There are two puppets we see that do not appear in the actual show. We have this one:

As well as this one:

I think it’s really interesting that these puppets seem to be so far in development with them looking like parts of them are nearly finished only for them to not be used. I think the answer to why they’re not used is because they were never intended to be used for Cinderella’s Castle but a different show. The designs are very human like, kind of similar to Ragweed in that way, and I think it’s very possible that they are both also dwarves. Possibly even some of the 7 dwarves… I have heard some people say that maybe they were prototypes for ragweed but to me I just find this incredibly unlikely due to their vastly different designs, them being on par with Ragweed quality wise, as well as us not seeing prototypes like this with any of the other puppets in the show.

While looking to see if there was anything I missed in the original kickstarter video I noticed this shot of a table with quite a lot of maquettes.

We do see quite a few familiar faces like Crumb and Sir Hop-a-lot, but majority of them we have not seen before. Some of these seem to have similar designs to ragweed and the other humanoid puppets we saw and I think it’s possible that maybe some of those are some of the other dwarves. But wait… what’s that one in bottom left corner? It doesn’t really look like anything we’ve seen before…

Now, guys tell me if you were to guess what species this puppet was what would you guess it was? Perhaps maybe a goblin? Like the ones Ragweed said he used to fight?? I honestly believe that scene with ragweed exists almost solely to leave hints for the future Snow White show.

I think the next show is going to be Snow White due to how it seems to be foreshadowed to and due to how far parts of it seem to be in production with some of the puppets already being made as well what seems to be a lot of the marquettes made already. Somehow goblins are going to be involved in this Snow White show somehow I’m not sure how exactly, (I kind of like the idea that maybe Snow White gets turned into a goblin by the evil queen in order to have her beauty destroyed but that literally has no evidence and it’s just an idea I thought was cool) but I feel like they are purposely leaving hints for us to find, and I feel like there’s more we just haven’t picked up on yet. If anyone has anything else to add to the theory I’d love the hear them! Thats all I have for now.

[gtwshark]

red wine supernova !

based on a tweet by cooper

[eugene-da-potato]

Thinking about possible fanfic/au idea, where Paper after the end of second season decides to leave Hotel for a while to develop his own self-identity outside of his life with OJ, and OJ, living without Paper for the first time in almost a decade, realises how codependent with him he actually became and how much of his mental state were tied to Paper being by his side. Both of them learn to live without one another and find their own separated support systems and when Paper eventually comes back (because, still, all of his friends live here, duh) we're both self-sufficient but still appreaciate each other's positive traits and now are able to form functioning healthy relationships...

Yeah I think about them a lot

[nonbinary-eddie-munson]

Steve is Robins beard/no upside down AU where Robin and Steve run away and get married after Robin graduates because she gets outed in the last few weeks of highschool and its the only way to stop her parents from sending her to a christan all girls college.

Originally the cover up plan is for Robin and Steve to tell her parents that they just recently started dating and a girl in band started the rumor about Robin being a lesbian because she was jealous and hoped it would make Steve and Robin break up. They can fake date and then "break up" after Robin goes off to college in Chicago, claiming the distance was too much.

Robins mom is fully ready to accept this as fact, after all it will do so much for their status in town if her daughter marries into the Harrington family

Robins dad, on the other hand, hates the idea of his only daughter being with the son of Richard Harrington. He watched the bastard play with his sisters heart in highschool before running off to marry some rich girl and will be damned if he sees the same happen to his daughter. No it will be better if he put an end to all of this and ships her off to Mount Saint Marys so she never has to see the Harrington boy again.

Cue Robin and Steve aided by Joyce and Hopper making a plan for them to run away because Steve will be damned if all of Robins dreams are crushed because her father wants to be an over protective asshole. They decide the easiest way to stop her dad from tracking them down and forcing Robin to come home is if they get married.

So the night after graduation, Robin sneaks out of her house and steals away into the night with Steve. They drive all night until they make it to chicago as the sun is rising. Joyce has a cousin who lives in the city and is willing to let Robin and Steve stay in her spare room until they get settled.

Carina has the same motherly warmth as Joyce, though she never married or had kids instead choosing to live with her " Capital R Roomate" Marjorie. Of course, the two women know the truth of Robin and Steves situation and as soon as the court house opens, they bear witness as Steve and Robin sign the marriage papers and offically become Steve and Robin Buckley-Harrington

They actually fought quite a bit on last names Steve insisting that he should take the last name Buckley because fuck his parents, while Robin still angry at her father wanted to become a Harrington just to spite him. Carina is the one who convinces them to hyphenate after, to her horror and amusement they suggest combining their lastnames and becoming the Buckington's (Steves idea) or the Harringley's (Robins idea)

Steve and Robin find jobs together at a local coffee shop and after Robins first semester at school working towards a degree in linguistics, Steve decides to apply for community college eventually deciding he wants to become a school councilor, he loves working with kids and hey if he can help atleast one kid all the schooling will be worth it.

Steve and Robin love the city and once they both graduate -Robin ending up adding a teaching degree in with her linguitics- they get jobs teaching at a local middle school Steve as the guidance counciler and Robin teaching French and Latin. They talk briefly about getting divorced after a few years but after almost dying in a fire together when starcourt burned down they're trauma bonded for life, honestly steve doesnt know who he was kidding thinking he'd be fine staying in Hawkins until the kids graduated while Robin went off to Chicago.

Carina and Marjorie introduce Robin and Steve to the queer scene in Chicago and Steve has his bisexual awakening. Robin becomes Steves beard just as much as he is hers. They both date around a bit, but nothing serious ever comes of it theres not many people who can handle the combined force that is "Steve And Robin Platonic With A Capital P Soulmates"

Enter professional substitute teacher/drama club advisor Eddie Munson and brand new lead journalist of the Chicago Tribune Nancy Wheeler, who are both confused, gay and unwilling to be homewreckers but cant help but to be sucked into Robin and Steves orbit all the same

[atomicami]

thank you all for 500+ on quick fix, here’s a little sneak peek of tattoo artist!abby as a treat 🫶🏻

“Do you not like it…?” You ask her quietly, quickly looking down once she’s right in front of you. You start to feel like doing this to her wasn’t a good idea after all.

Abby’s expression softens for a brief moment. “Oh, baby…” she lifts up your chin with her free hand before leaning in to plant a kiss on your cheek.

“Of course I love it. You look so fucking sexy in this.” She looks back down at the photograph before directing her attention back to you.

“But do you remember the rule I told you about these?” She asks sternly, holding the piece of film in front of you.

You avert your gaze away from her and back to the ground. “Your eyes only…” you mutter out to her.

Abby lifts your chin back up once again to face her. “That’s right, angel. My eyes only.”

She points the photograph towards her and taps the corner gently on her chest, just a few inches above her chest piece in reference to herself.

“Mine. No one else’s.”

[fromtheseventhhell]

It's crazy that people still uphold show!Sansa as a well-written character and pretend that liking her is the pinnacle of feminism when it would be infinitely more impactful to acknowledge her terrible and misogynistic writing. This is the same character who, while written by two men, was thankful for the abuse she suffered because it allowed her to grow. The same character who we had to be told was smart because the writers were too lazy to develop or show her intelligence. The same character who had to rely heavily on the men surrounding her and ended up accomplishing nothing on her own merit ( and no, thinking that she deserved to be Queen doesn't mean that she earned it). She is not well-written, she is not complex, and she is not a feminist character. Which is fine! If you enjoy her then good on you, but please stop pretending that she's something she isn't just because you feel the need to justify liking her character

[polaroidcats]

Ugly crying & the marauders generation - a pseudo-scientific approach (my marauders crying PhD abstract)

Abstract

In recent days, there have been a variety of claims as to who the prettiest and ugliest crier in the marauders generation could be. This paper aims to address the recent surge in opinions on the matter, and categorize different approaches as well as add a new approach to the scientific examination of ugliness/prettiness when it comes to crying. I hope to provide readers with an overview of the current state of research and encourage all marauders scholars to add their own and I intend to make a contribution to the discourse by committing to the bit and writing a pseudo-academic paper about it instead of actually working on my thesis.

Introduction

In the following paper, the discourse about 5 marauders era characters will be examined in regards to their various levels of perceived ugliness whilst crying. Scholars who may ask why Peter [Pettigrew] is not included in this analysis are advised to refer to acclaimed marauders ugly crying scholar @lynxindisguise's (2023) original poll on the popular blogging website "tumblr.com" which did not include Peter, but rather two non-marauders characters named Lily and Regulus. This paper will follow that approach, since Peter is the nastiest skank bitch I have ever met, I do not trust him and he is a fugly slut. The characters included in this approach are as follows: James Potter, Lily Evans, Sirius Black, Remus Lupin and Regulus Black.

Following the scientific criteria for ugly crying, as stated by lynxindisguise et. al (2023), the question of the ugliest crier can be answered by observing the crying person and assessing their ugly-levels on the following parameters: (1) unbecoming facial expressions, (2) facial swelling/blotching, (3) unsettling noises, (4) snot factor, (5) tear volume, (6) general loss of dignity, (7) glistening eyes/lashes, (8) Victorian heroine factor, (9) elegant tear-wiping, (10) post-cry glow (ibid).

Criteria (1)-(6) can be categorized as the ugly crying parameters whereas (7)-(10) are pretty crying parameters, creating a false binary between ugly and pretty crying, which may be problematised and addressed in another the paper. In contrast to lynxindisguise’s original 10 criteria to measure the aesthetics of crying, this paper proposes to add (11) explosiveness of cry as another ugly crying parameter, in order to get a more clear assessment of where on the ugly-pretty crying scale a character falls.

The ugly crying parameters

(1) Unbecoming facial expressions

James Potter is mentioned in this category by several marauders scholars: @jaylienpotter talks about his red face and ugly sobbing, @artbyace mentions his “scrunched up cry face” and @sectoren claimes “james (…) is that one handsome guy that when the waterworks get going becomes like. Cartoonishly ugly”, raising the question of upkeeping toxic masculinity in order to avoid having to witness more of James Potter’s crying “mug”.

Though James Potter features heavily in this category, another character who is also mentioned just as often is Remus Lupin: @kaaaaaaarf, @appreciatedmoron and @http-starboy all emphasise that Remus Lupin is the one with a red and blotchy face.

(2) facial swelling/blotching

While there is a definitive overlap between the categories of facial swelling/blotching, unbecoming facial expressions and snot factor, Sirius’ and Regulus’ victorian heroine complexions, which give them an advantage in the homonymous category, may be to their disadvantage in the “blotching” category. This will require further research by other scholars.

(3) unsettling noises

James Potter is mentioned in this category by Jaylienpotter (2023), claiming he not only hiccups when crying but also that “his cries are one of the most heartbreaking things you’ll ever hear” and similarly, artbyace states that “James loves and feels so loudly”, whereas “Sirius is silent”, both sentiments are reminiscent of znelda’s (2023) statements that James “was allowed to feel his emotions freely in a loving household” and “Sirius (…) [is] used to hide [his] feelings and [has] become stoic”.

With several other scholars, among them also @jamesunderwater (2023) raising the point that James may be the ugliest crier due to him being “the only one well adjusted enough to have access to his feelings” this raises the question of possibly introducing another category, maybe of emotional awareness/stability to be able to measure this parameter more efficiently, though emotional vulnerability may also just be a part of the unsettling noises parameter, suggesting that there is a correlation between noisiness and the existing environment being welcoming to and accepting of various expressions of emotions.

(4) snot factor

The most popular winner in the snot factor category seems to be Remus Lupin, with several scholars agreeing that his sobs are the dampest and snottiest out of all the candidates. kaaaaaaarf (2023) writes “he turnes all red and blochty and snot drips out of his nose (…) he cant (sic) not cry with his mouth open as well so there is a lot of spit”, and appreciatedmoron (2023) agrees with kaaaaaaarf on this.

It only seems right to me to include spit in the snot category as well, seeing as they’re both crying-related bodily fluids that add to the ugly-cry factor. http-starboy (2023) also mentions snot in regards to Remus Lupin, which compared to both their comments in (1) opens up the question of how unbecoming facial expressions, more particularly redness of the face and snot factor may be related, as several authors seem to write about both specifically in relation to each other. Whether this is just pure coincidence or not would need further research, for which we currently do not have enough funding. This is only one of the many research gaps in the relatively new field of marauder’s ugly crying studies, which cannot fully be addressed in this paper.

James Potter is also mentioned in the snot category, namely by the marauders scholar artbyace (2023).

(5) tear volume

Artbyace (2023) claims James Potter is “full on bawling” which can only be assumed to refer to tear volume, but the most convincing argument for tear volume comes from the acclaimed marauders scholar @fruityindividual (2023), stating that “tsunami warning tones go off in sirius’ brain anytime remus is close 2 (sic) tears” which already indicates high levels of tear volumes. The author then goes on to specify the volume by claiming that “indeed the ocean wishes rj lupin would jump in and help contribute 2 (sic) rising sea levels”, further emphasizing the volume of Remus's tears.

(6) general loss of dignity

@pastaplatypus (2023) writes about James Potter not being able to do a Melodramatic Bollywood Cry, which is perceived as inherently racist by the crier.

I would like to argue that Sirius Black also deserves to be mentioned in this category. While as of today, with less than 1 hour left to vote, 15.5% of voters agree that Sirius is the ugliest crier, the more outspoken voices all argue for different ugly criers. Due to their upbringing, I am tempted to name both Black brothers in the “loss of dignity” category and look forward to reading future contributions to this discussion.

The pretty crying parameters

(7) glistening eyes/lashes

Undoubtedly Sirius Black deserves to be mentioned in this category. I believe his dark lashes and glimmering eyes are part of what makes him the prettiest crier. Whereas Remus’s eyes also sometimes glisten or appear red, and it is usually attributed to be caused by drug consumption, which more often than not is a wrong assumption, but he happily goes along with the pretense of being a weed-smoking bad boy in order to hide his ugly crying damp tendencies.

(8) Victorian heroine factor

It almost seems superfluous to even mention Sirius (and, to a lesser degree, Regulus) Black in this category. This category was made for Sirius, as is apparent when reading lynxindisguises (2023) description of the victorian heroine factor, in response to a question by the scholar @plecotusauritus:

“the Victorian Heroine Factor is a deeply scientific assessment of the Vibes. Is this person giving tragically beautiful, windswept Victorian Heroine, sobbing gently into their hands while sprawled across a boulder or a well or a fountain of some sort? When they look up at you, do their tear-plumped lips part elegantly as a single tear slides down their cheek?”

(9) elegant tear-wiping

There hasn't been a lot of research in this area, but I would like to propose handkerchiefs with embroidered initials and family crests as another potential factor in favor of the Black brothers scoring high marks in this category as well as the Victorian heroine factor.

(10) post-cry glow

Artbyace (2023) claims “lily is always beautiful (…) even when crying”, which is echoed by znelda’s (2023) earlier claim that “Lily (…) [is] a woman and no woman is ugly when crying.”

Sirius is the other popular choice by marauders scholars for this category, with @in-flvx (2023) stating that he “handsomely handsomes while dying after 12 years of torture hell and another year in shackles”, which would mean that “a few tears would[n’t] stop him from being the hottest person in the room at all times” (ibid).

Additional parameters

I am suggesting to introduce an additional metric in order to further specify and better assess the ugly-crying levels:

(11) explosiveness of cry

@felixantares (2023) introduces the idea that Remus “is the type that very few people have been seen cry because he ignores every difficult emotion hes (sic) ever had (…) and it all explodes at once and its horrible to watch when he breaks down”, a sentiment shared by several of the other authors mentioned above in various other categories.

Further opinions & conclusions

The most popular consensus seems to be that Sirius cannot be the ugliest crier, sometimes also in direct comparison to his brother: @spindrifters (2023) answers the question of the ugliest crier with “obviously it’s regulus”, elaborating that “at least [it’s] definitely not sirius bc (sic) reg is canonically less handsome in all ways” which brings up the question if regular beauty plays into ugly crying. This is contrasted by lynxindisguises argument, that Sirius may be an ugly crier because he’s so gorgeous, and his ugly crying subverts the expectations of beauty:

“the most beautiful man alive looks hideous while crying, and his deeply awkward and perpetually damp bf (sic) is literally in his element while crying – dampness becomes him, you might say.”

This statement raises yet another question – does regular crying make the crier more or less ugly? Can an ugly crier become a pretty crier by practice or are we all born either ugly or pretty criers, condemned to this fate for life?

While this paper has given an overview of the current state of research to ugly crying/pretty crying, it has also raised many more questions. Other topics which may be addressed in future papers also include the philosophical question whether ugly crying is in the eye of the beholder and if it is possible to ugly cry without being perceived, and if it is possible to ugly cry if the person perceiving you doesn’t find it ugly. Since the research field of ugly crying is a relatively new one, we can only hope to read many more opinions on these and other topics in the future, and I look forward to reading different scholar’s approaches to these highly relevant topics.