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newx-menfan · 19 days ago

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Laura Kinney isn’t the “Goodie Two Shoes” fans make her out to be…and other thoughts…

Part 1: “The CRINGE”

Let’s be honest- we all KNEW I would eventually get here…after doing write-ups on Surge, Hellion, AND Prodigy…since X-23 is one of my all time favorite characters…

If there is one thing that drives me totally NUTS about X-23 fandom though (and fandoms, in general)… it is this weird fan attitude that Laura Kinney…aka “X-23”…aka “Wolverine”… can essentially “Do No Wrong”….

She’s the “BETTER” Wolverine. The less “TOXIC” version. The PERFECT Wolverine.

You see it in comic clickbait articles ALL the time- Laura is, essentially, the PERFECT answer to all the problems of the original character….

If you happen to mention ANY sort of criticism against X-23, textually or just about the character ingeneral - “She’s a bad friend”… “She can be kind of selfish”… “she is objectively a derivative character that is based off of a more popular X-Men”…people will look at you like you just kicked their puppy or said something really cruel…

And what’s interesting to me about all of this is… X-Men is KIND OF a book essentially about very flawed people, all trying to survive. That was, after all, Marvel’s WHOLE sell for years- they had the “relatable”, “real” characters…. where DC comics had “Gods”.

You would think, with characters EATING another planet, living out problematic “antebellum” Dark Phoenix fantasies, having psychic affairs, saying the “N-word” repeatedly, starting out as villains… it’s kind of accepted that ALL OF THE OTHER X-MEN have made terrible choices at some point or have been written BADLY….

Yet if you go on X-Men twitter… you will regularly see fans yelling that Jean Grey “is the most powerful X-Men” ever, Gambit or Logan are just these perfect “girl-dad’s”, or Storm can essentially NEVER be wrong…

And the PROBLEM with this is…it’s made writing these characters ALMOST LOGISTICALLY IMPOSSIBLE…

When Jean, for example, is at GOD LEVELS and ALWAYS morally right… what can you feasibly DO with her character anymore? If you create a villain to match her insane power levels… fans will be upset and complain that the fight wasn’t “fair” and inevitably pull up some vague comic panel to argue just why Jean really should have won …If a writer decides to de-power her OR makes her go evil, fans often will inevitably view it as sexist… so how can you write Jean Grey as still relatable?

New relationships or Scott Summers dying?- Fans often get upset when writers break up the iconic Scott/Jean or Logan/Jean ships…or accuse writers of romanticizing toxic relationships…

Put her in a teaching/mentor/Headmaster role?- we saw what happened when writers tried it with Kitty, Storm, and Logan…they just became pretty boring….

Often writers solution seems to be… just killing Jean off…

This isn’t to shoot down criticisms like “Women in the Refrigerator Syndrome”, “plot armor”, ect…but I do think it’s important to talk about how… possibly… fandom has gone too far the other way… that fandom is basically guaranteeing characters will inevitably become obsolete or unusable… or cause writers to inevitably just repeat the same five stories for nostalgia sake, because they can’t do anything “new”…

This isn’t JUST female characters either- I would say characters like Gambit, Wolverine, Cyclops, Batman, and several others have pretty much the same logistical problem…they’ve been hyped up SO MUCH…that you can’t really DO ANYTHING with them anymore, for fear of angering their large fanbases….

Laura has relatively quickly developed this problem, and it seems like the shelf life of comic book characters is burning out quicker and quicker…

What is it about Laura, that makes her immune to any real criticism within her fan base, in a comic book series where it’s kind of accepted that every character is in some way…horribly flawed?

I am going to go through in these posts talking about why Laura really isn’t the perfect character readers constantly make her out to be… that she actually IS pretty similar TO Logan and a lot of the complaints against him CAN be tied to her as well… and that the biggest problem currently facing Laura AND COMICS in general right now, I would argue, is that writers are not able to admit that Laura or any of the other characters ARE sometimes wrong…or to quote Kitty Pryde…sometimes kind of a “jerk”…

———————————————————————

Part of the reason no one criticizes Laura, is because of her tremendously tragic backstory.

Essentially a modern version of “Frankenstein”; Laura is created to be a replication of the “Weapon X” experiment in miniseries “Innocence Lost”. (I know people tend to focus more on the “Pinocchio” allusions from the book, but I find the “Frankenstein” allusions more relevant…)

Sarah Kinney opts into this program, because, like Victor Frankenstein: she desires scientific exploration without ethical scrutiny.

Focused more on pushing the realms of scientific discovery instead of considering the consequences, Sarah manages to create a viable clone, with the caveat that it is female, because the “Y” gene from the sample is too damaged. It’s only when Rice, another scientist with a Wolverine-vendetta, forces Sarah to be a surrogate to Laura as punishment for her insubordination, that the ethical considerations truly start to come into play for Sarah…

Laura experiences extreme torture, radiation poisoning to activate her mutant powers, coating her claws without anesthetic, creation of the trigger scent (a pavlovian odor that causes her to black out and go berserk), forcing her to kill her Sensei and other targets (and her puppy, according to Liu…), and many other horrors while there.

Sarah, after seeing Laura’s potential for good after Laura spares Rice’s illegitimate kid from being murdered and Laura helping track down Sarah’s kidnapped niece; tries to free Laura and destroy the facility…

Which leads to Rice coating Sarah with the trigger scent and having Laura murder her.

While Laura DOES manage to escape…she now has to live with the fact that she killed her own mother for the rest of her life…

This is pretty much the bare bones summary (I ignored Sarah’s own history of childhood trauma and abuse and the Rice subplots)….

Laura then goes to track down Sarah’s relatives in “Target X”, bonding with Megan, the angsty traumatized niece that had been kidnapped previously and develops her first real human connection.

It’s hard NOT to like Kyle’s adorable version of Laura; watching her riding on roller coasters with Megan, peeping in on people in windows, accidentally getting Megan into trouble by mimicking teachers, hanging out at the boardwalks in San Fran…. Laura is socially inept…but in a relatable way…

Things go to hell however, when it’s discovered that Debbie’s boyfriend is actually a facility agent and spying on them…

Laura fights the Sabertooth-like Kimura, saves Debbie and Megan, helps them go into hiding, and then attacks Logan with the plan to kill them both…only to get captured by Shield….and then is freed by Captain America…

Again a bare bones summary and nothing to really criticize, since Laura has little engagement with people in these situations and is the victim, despite doing some really horrible things. It’s a pretty reasonable storyline and it is, again, a modern comic retelling of “Frankenstein”…similar to “the Incredible Hulk”….

Laura is the monster of modern science, desperately seeking the answers of what it means to be human…

Sure…she kind of/sort of tries to kill Logan…but it’s understandable considering the situation…(and it’s not like Logan doesn’t have a history of trying to kill his own family members in comics…)

“NYX”…good and bad…is kind of the story that PUSHES the TRAUMA NARRATIVE to a ridiculous degree…

I get why on multiple levels…people, including Craig Kyle himself (writer of “Innocence Lost” AND ”Target X”) …HATE NYX.

And truthfully… I personally remember rolling my eyes, the first time I heard about it when it came out…

“NYX”, written by Editor Joe Quesada, was the first introduction of Laura, and technically came out BEFORE “Innocence Lost”/“Target X” but after Laura’s appearance on the tv show “X-Men Evolution”. Canonically…it’s a little more challenging but most fans AGREE NYX comes AFTER “Target X”….

Laura is in NYC and being trafficked by Zebra Daddy (yes…that IS HIS NAME IN THE BOOK…); becoming mute and withdrawn.

When a john kills himself she meets another mutant, Kiden Nixon, and joins a ragtag group of homeless mutants…there’s a whole subplot about Kiden’s dead dad…Zebra Daddy comes after Laura and she kills him to save her friends…

In the end, Laura abandons her friends (because Laura has to be a “lone wolf”); but bumps into them years later after joining the X-Men…

While I will fully admit there are parts of Laura’s story that ARE handled pretty well…there’s also A LOT of voyeuristic panty shots in the art….a ridiculous amount of hand waving…and constant over-theatrics…

———————————————————————

Laura really is that character that teeters on an edge of cringe….

“Female Clone of Wolverine”- admittedly sounds cringeworthy to a non-comic book reader… (and people who remember HOW BAD “the Clone Saga” was…)

“Dating and obsessed with a ‘Draco Malfoy-esque’ sorta toxic copy of Jean Grey”- soundscringeworthy…right?

“Tortured weapon who is forced to become a teenage sex worker out on the streets of NYC and is goth and self harms…”- 100% sounds like an over the top show on CW….

I DO OBJECTIVELY GET why, when Laura first popped up into comics, a lot of male Wolverine fans saw her as just this “edgy CW-like attempt at new readership”… (technically she was CREATED on Warner Brothers “X-Men Evo”…so that’s not totally an inaccurate summary either…)

A teenage Wolverine…with boobs…

Hell…the director of “Logan”, James Mangold, didn’t want to feature her as a teenager…because he thought it sounded like a “CW show”….

“NYX” did feel like something out of a Frank Miller, “Batman: Year One” hallucination. That’s not to say it’s a BAD comic…but it definitely reflects the era of the 2000’s where everything had to be “gritty”….female characters were all heavily sexualized…it was at a time where “Skins”, “Misfits”, and “Gossip Girl” hyped up underage teenagers doing drugs, partying, and having risky sex….

One of the covers of “NYX” literally features Kiden with a pacifier…heavily hinting at “rave culture” and “ecstasy” usage…

I know a lot of modern readers take offense to this book and Quesada…but I do see the other side of it. A big part of Millennial early counter culture WAS indie sleeze….it WAS very hedonistic…it did fit the time period it was created….

“NYX” is a as much of a product of Millennial culture as “Academy X”, “the Ultimate verse”, or Grant Morrison’s “New X-Men” was… it was the same as how “Generation X” or “Jim Lee’s X-Men” was for the 90’s…how all of Claremont’s “Uncanny” and the spinoff books were products of the 80’s culture…and how Kirby’s “X-Men” was for the 60’s…ectera, ecetera…

And the common trend with all of them? They all have some PRETTY CRINGY MOMENTS.

I’m 100% sure, in ten or twenty years, we will look back and criticize how this era of comics incorporated embarrassing parts of youth culture…or writing styles…or counter culture…

But at the same time…her backstory… DOES start to feel a bit ridiculous. It does start to feel like this manufactured, over the top modern “Oliver Twist” or “Great Expectations” to get fans to essentially accept and sympathize with this fairly new character…Like someone just took a bunch of random origin stories and dumped them together in blender, to make the ultimate “SAD” character…

Is Laura really ALL that different from ridiculous characters like Adam the X-treme? Or Birdbrain? the lost Summer brother…Vulcan?

Yet we don’t take any of those characters overly seriously…

It’s moments like watching fans debate whether it’s right or wrong to use the Codename “X-23” for example, screaming at fans who are fine with it because they realize she’s ultimately a fictional character and Marvel on some level needs “brand recognition”…that even if her backstory does deal with real topics and issues…. do you remember that Laura’s backstory is pretty comicbook-y and absurd.

As “cringy” as Laura SOUNDS on PAPER…she works because the writing ultimately did what it was supposed to do. Laura has objectively some of the BEST MODERN COMICS and even books like NYX, are pretty decently written, even if the subject matter and handling and culture are outdated from it.

Laura IS a great character…but she’s also kind of on edge of “cringy”…

And where we can kind of ACCEPT that cringe with Logan and his weird nose-less era…or Gambit referring to himself in third person… or pretty much EVERYTHING about Kitty (ninja…pirate…teenage prodigy…weird waifu for literally every male writer); Laura is this one character that you can’t criticize…or if you DO, it has to be solely around the sexualization of the character…and not the character itself…

I do understand fans getting attached to certain characters…in seeing their OWN trauma represented IN the character and reflected back…but at some point…I do think you have to see the humor of it all too…

That Laura isn’t ALL that DIFFERENT from other products of their time- like clone Superboy…FantomeX…Quentin Quire….Bloodstorm…Maggott…Adam the X-treme…

She just had better writing.

#Laura Kinney #x23 #x 23 #laura x23 #Wolverine #marvel #new xmen #x men #new x men #academy x #new x men academy x #bring back the new x men #innocence lost #target x #NYX #Craig Kyle #Joe Quesada #part 1 #Laura Kinney isn’t the “Goodie Two Shoes” fans make her out to be…and other thoughts…

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animasolaoriginal · 8 months ago

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I n n o c e n c e L o s t 🟪 1

He finds her in a brothel of all places. A chance encounter, but one that will change his life – and hers – forever.

lonely cowboy/outlaw ✖️ prostitute who's so much more than that

Chapter 1▫️2▫️3▫️4▫️5▫️6▫️7▫️8▫️9▫️10▫️11▫️12▫️13 ...

GENERAL TAGS: NSFW! Explicit! Size difference, age gap, slow burn romance. Cowboys, outlaws, prostitutes. Historical inaccuracy. Horses, guns, violence.

WORDS: 5.9k 🟪 READ ON AO3

🟪 Chapter 2

Chapter 1: The Girl

Bourbon, rum, whiskey, anything that burns on his tongue, spilling liquid fire down his throat. It all blurs in the end. There's laughter, slurs, hands slapping backs, stumbling, murmurs, more laughter. That post-heist-haze sinking into his bones. Everything whirls inside his head as he makes it up the stairs. “Gimme your best...newest,” he hears himself mumble.

Last door on the right. Somehow he makes it there, leans heavy on the door knob, twists it, almost falls as the door swings open. There he stiffens, blinks slowly, his motions so heavy, frozen in time, slow as molasses. The door closes behind him, he stares ahead, blinks again, eyelids almost stuck to his eyeballs.

And yet he sees her.

The room is dark, small, a large bathtub in one corner, a four-poster bed in the other. An old armchair next to a fireplace, the fire roaring within, the only light source. And in front of it, between the flames and the chair, kneels a girl, pale legs illuminated by the orange glow next to her, skin, so much skin, not everywhere though. Her slender torso is covered by a loose blouse, unbuttoned in the front, falling off one slim shoulder, held together by a tight corset that pushes up her small breasts, creating a cleavage that doesn't suit her. Thin arms in wide cotton, or satin, he can't be sure, it doesn't matter.

He's fixated on her bare legs. The blouse barely covers the hint of hair between her legs, peeking out despite her kneeling position, thighs pressed tightly together as she sits on the heels of her feet. Her hands rest folded on her lap, the chest is moving up and down, and his eyes wander again, to her face. Pale. Soft edges on the jaw, high cheekbones, a small straight nose, lips... full lips, pink and shiny, a tongue darting out and wetting the bottom one.

And those eyes. Big eyes, glowing in the dim light, greenish, blue maybe, like the deep sea at midnight, a wave illuminated by the moon. They look both surprised and eager, but the flutter of her nostrils tells him she is more surprised and shocked by his sudden entrance, by the unsteadiness of his large body.

She looks so young.

Something stirs within him, and not just the strain in his pants, but something more like a knot in his stomach. This is wrong. He stumbles further anyway, watching her closely. She flinches when he comes closer, but doesn't move. Somehow he makes it to the armchair, flops down in it with a heavy grunt, his belt tilting even more on his hips. He shifts his holster away. Her eyes follow him.

He stares at the girl in front of him, immobile, waiting, patient and yet anxious. What is she waiting for? Why isn't she moving? Why is she here? When she eventually moves, only slightly, a little shift on her knees to face him, he lets out a groan, and she stops, eyes wide.

“How old are you?” he slurs, tongue heavy in his mouth.

She tilts her head, long brown waves falling over her shoulder, some strands gathering in the cleft between her pushed-up breasts. “Old enough to please you, mister,” she replies, her voice feeble and quiet, but there's a fire behind those words, uttered in confidence as if she's done it before, many times.

“Age,” he grunts again, staring at her. She holds his gaze, jaw clenching slightly.

“Eighteen,” she says quietly, her chin tilted up a bit.

He narrows his eyes, he's noticed the twitch in her folded hands, the tension in her slim shoulders. “Really?”

“Yes, sir,” she whispers, tilting her head. “Why does it matter?” she then asks, a little louder, batting those long eyelashes. “You're here to have some fun, aren't you?”

“You're young,” he simply states. Not too young, maybe, but young... young enough to make him think despite his drunken state. This is wrong. She shouldn't be here. “How long have you been here?” Done this?

“All my life, mister,” she answers, and he frowns, deep creases on his forehead that hurt inside his temples. “I was born here.” The ache grows. His head thumps to the beat of his thundering heart, mirroring the throbbing behind stiff fabric.

He leans forwards then, causing her to flinch once more, as he rests his elbows on his thighs and stares at her, scrutinizing her, takes in her young face. Pretty, no, beautiful, in spite (or because) of the rounded edges of her face. She's slender, sharp collarbones visible in the wide opening of her blouse. Those soft mounds tease him, urge him to release them from their unnaturally squished state.

His hand twitches, itches to touch her, but something holds him back. She's young. And... weirdly familiar. His eyes narrow even further as he squints at her, her small frame dark in front of the crackling fire. She shifts under his intense gaze, body stiff, hands wringing in her lap.

“Sir?” she whispers, lips moving slightly, a sweet voice like honey falling from them. Lips... full, shiny, wet, and a sudden image presses into his hazy mind. Lips parted, closed around –

He clears his throat and leans back with a grunt, wiping at his face, the scrape of his beard against his calloused palm a rough noise in the quiet of the room. He sighs deeply, lowering his hand, resting it on his upper thigh as he watches the girl.

“You shouldn't be here,” he huffs out, wetting his dry lips.

“It's my job, mister,” she says, tilting her head to the other side.

He shakes his head. “This shouldn't be a job... not for a young girl like you...”

“I'm eighteen –”

“You're a child!” he grunts, louder, rougher than intended.

She flinches, inhaling sharply, lowering her big eyes. “Do you want somebody else?” she whispers quietly, almost disappointed.

Suddenly he is aware of the noises around them, bleeding through the walls from the other rooms. Moans and cries and squeaking wood and metal. They crawl over his spine like ants, making him shiver as he stares at the small figure in front of him. Why is he here?

She is still sitting on her knees, stiff and immobile, waiting. For what? Her eyes look up at him, chin tilted, the slender column of her neck visible between her silky hair, soft skin, untouched (really?), innocent. Why is she naked below the waist?

He waves a hand at her, his arm stiff, heavy, the alcohol making everything harder to do. “Shouldn't be here,” he growls, tongue twice its size in his mouth. Does he mean her? Or him? Or both? He doesn't know. His mind is fuzzy, spinning out of control. His cock strains against his tight jeans. But his heart is protesting.

“Sir?” she asks again, blinking slowly, dark lashes batting against pale skin.

He leans back into the chair, inhaling deeply, closing his eyes, relaxing. Big mistake. Suddenly there is a warm hand on his knee, a touch like a pistol shot. He jerks awake, stares down at the girl, who has shifted, kneeling between his spread legs now, the same position, just closer, frozen in time with her other hand hanging in mid-air, ready to touch his other knee.

“What are you doing?” he grunts.

“Giving you a good time,” she replies quietly, and a shy smile curves her full lips. Lips around – He groans, rubbing his face again, his tired eyes. “You paid for this, mister. You should get something for your money.”

He shakes his head, hands back on his thighs, staring down at her. She is closer in her new position, backlit by the fire behind her, features blurring. Both hands are on his knees now, warm and small, hesitant but eager. Her pushed-up breasts nearer, the cleft between them deeper. His hands itch.

“Do you like doing this?” he utters, the words spilling without being processed in his muddled brain.

There is a flinch, a wince, a visible reaction in her tense shoulders. She swallows, her throat moves, but the smile on her lips is there, the lie tangible. “Of course, sir,” she whispers. “Let me show you how much...”

She leans up then, lifting from her knees, her hands sliding up his thighs, almost brushing against his. Actress, he thinks. Nothing more. He can't imagine –

But then he does: full lips around a variety of different – He clenches one hand into a fist, presses it to his upper thigh, straining, ignoring the tension in his stomach. The image stays. Lips, a wide mouth, bulging cheeks, closed eyes, tears streaming down a pale face, slurping sounds, helpless gurgles, muffled gasps, rough hands in her hair as her head is pushed deeper onto –

A groan escapes him. “Fuck,” he growls, shaking his head. His eyes find hers, his breath heavy, his body on edge, the strain in his pants almost unbearable, and yet...

She is settled between his legs, shoulders pressed against his thighs, hands inching closer to his belt. “Don't,” he hisses, and his hands grab hers, making her gasp, her lips parting, eyes widening. His long fingers curl around her smaller ones, holding her, inches from the tent in his pants. She looks startled, then confused.

“But mister...” she whispers, letting him hold her hands, her wrists. His hands are large enough to wrap around it all. Lashes flutter, the tip of her tongue sliding over her upper lip. She trembles slightly.

And then he lets go, and his hands grab her face instead, careful, as careful as he can in his dazed state. She lets out a surprised yelp but stays perfectly still as he cups her cheeks with his big hands, his fingers slipping into her soft hair, his thumbs wiping at the corners of her mouth. She holds his gaze, holds her breath.

“You look like...” he starts, quiet, a low rumble in his chest as he stares at her, his mind spinning, new and old images whirling together.

Soft lips, wet, full, strained around –

Green eyes, sparkling in the sun, a smile, a laugh like honey on his scarred soul.

“Her,” he mumbles, tilting his head, leaning closer until his nose brushes against hers. She stiffens, but doesn't move, can't move with how he holds her face. She swallows slightly, lips trembling against his thumbs.

“Who, sir?” she breathes softly, warm and cautious against his dry lips. Her eyes are on his face, taking in every detail with how close he is. Scars, wrinkles, creases, his rough beard stretching along his jaw, up his cheeks, around his lips, fluttering slightly as he breathes through his nose.

“Keira,” he finally utters, the image clear in his dazed mind. The same woman. No, not the same, similar, and a woman, not a girl. The same hair, the same small nose, the same eyes. “You look like Keira.”

And that's why it feels wrong to use her like he wanted to when he first entered the room, to be here, in this house of moans and grunts and creaking wood and metal.

The girl stares at him, lips parted, face warming under his palms. There's recognition in her deep eyes, darkened by the fire glowing behind her, the only light source. “You... knew my mother?” she whispers, barely audible, shifting back onto her knees, bare legs folded beneath her, her hands straining against his thighs.

His heart sinks and swells at the same time. Mother. Her mother. She looks like her. Like Keira. But what is she doing here? I was born here, she has said. Bound to a life of... servitude. Pleasure for others. A slave, a body to use, for money. The moans and grunts of the other rooms flood his ears, louder than before as his mind clears up, as the shock settles in.

“No,” he says apprehensively, a low hum over his dry lips, and his hands tighten around her delicate face. The girl frowns, he notices his mistake. “I mean, yes, I knew her,” he utters quietly, staring at her, gently caressing the corners of her lips with his thumbs. “I didn't know... about you...”

She blinks slowly, watching him, curiosity in her big eyes. Her lips part, a flood of questions ready to spill over them, but he lets go of her face and leans back, shaking his head.

“What happened to her?” he asks, already afraid of the answer as he drives a big hand through his messy hair.

The small figure between his legs shrinks as she sits down further on her knees, her hands leaving his thighs, resting on her lap. She lowers her eyes, inhales sharply. “I don't know,” she whispers. “She... left me here.” There's a hint of resentment in her soft voice, and he can't blame her. Anger rises in his throat like bile.

“She did what?” he hisses, leaning closer again.

She flinches, looks up. “Madam Claire said she worked here, got pregnant from a customer, gave birth to me, and then left, ran away, without me...” Her voice breaks as she retells her story, and his gut clenches.

The tiny frame in front of him shrinks even more, falls into herself, and he can't stand it. He leans in, brings his hands under her arms and lifts her up, easy, as if she was a doll, her wavy hair bouncing slightly. She struggles in his grip, but then she's sitting sideways on his lap, her very bare bottom warm against the fabric of his jeans. She stiffens when he pulls his arms around her shoulders and her against his broad chest.

“I'm sorry,” he slurs, his tongue heavier than ever.

“What for?” she breathes against his collarbone, where the buttons of his black shirt are open, revealing weathered skin.

He sighs, his hand wide on her back as he holds her, his breath making strands of her hair fly before he presses his dry lips to her warm forehead. She lets out a strangled gasp, tenses in his embrace, her hands squished between his chest and her own. “If I'd known about you – I... wouldn't have left you to this – to endure this fate...” he mutters, his heart as heavy as his tongue.

“Why do you care?” she asks, her voice quiet but curious.

“I loved your mother once, many moons ago, twenty years it must be by now,” he says into her hair, his own voice a deep thrum in her ears. “She left me, one day, and I made the mistake of letting her go. Maybe I pushed her to end up here, maybe she wanted to work like this... she's always been a free spirit, couldn't stay long at one place. I guess... I learned that from her.”

He feels her fingers digging into the fabric of his shirt as she slowly relaxes on his lap, leaning against him, warm and tiny and frail. “What do you mean?”

“I travel a lot,” he says simply, sudden images of tents and horses and wagons filling his mind. But also of masks and guns and blood and shouts, and comically large bags filled with money, cowering people, screaming women, the rattle of a train, the silent squeak of metal doors, splintering wood. And pictures of him, drawn, some more flattering than others, and his name printed all over them. Dead or alive.

She tilts her chin up, big eyes looking at him, her lips parted slightly, long lashes grazing pale skin. He sees her better now, in the orange glow of the fire. She looks like Keira. But she's alone, left to her own devices, forced to work a profession she was born into, that she didn't choose. “What's your name, mister?”

He frowns at her innocent question, trying to forget the Wanted posters. “Ben,” he growls, a deep thrum in his throat. “And yours?”

“Nebbia,” she replies quietly, her eyes wandering over his face, her small body molded into him, warm on his lap, pointy bones digging into his thigh, pressing on his erection. Nebbia like Neigh-bee-ah, long e, more like ehh, short i, like an e, and the little ah at the end, like a soft moan. Rolls off her tongue like honey.

“Nebbia,” he repeats, her name rumbling out of him as he tries to figure out why Keira would name her daughter this. But then a smile crosses his lips. “Fog in Italian,” he whispers and watches how she nods, the same kind of smile curving her lips. He wonders if Keira has made it over the pond, finally seeing the country she always wanted to visit. But why did she leave her kid?

Free spirits can't have children pulling them down, grounding them to the earth, binding them to one place. The poor girl... If Keira knows what happened to her? What she has to do?

Full lips around –

He clears his throat, his big hands resting on her small waist. She still looks at him, somewhat hopeful, big eyes, there's innocence in them, but also something else. A shadow in her green irises. A stain.

“Why aren't you wearing any bottoms, Nebbia?” he asks quietly, his fingers teasing at the curve of her rear.

He sees her blushing, red spots dancing over her pale cheeks. She looks away, a shy smile tugging at her lips. “I figured it'd be easier for you...”

“Easier for me?”

“I heard you were drunk, very drunk,” she whispers into his neck, her fingers fidgeting with the buttons of his shirt. “And I thought –”

He stares at her. In his mind, he can see her lips straining around a variety of cocks, but he can't see her lying on her back with her legs wide open, taking any of those wretched members into her sweet little – “Have you ever...” he starts, furrowing his eyebrows. “Am I your first? Would I be your first?”

She licks her lips, then chews on them. A nod, short and jerky. Eyes dancing over his chest. The sigh that escapes his throat is both filled with anger and relief. She is young. Inexperienced, has never learned the reason why those women in the other rooms cry out in pleasure. She (her mouth) has only been used for the pleasure of others, and that fact only spurs his anger, makes the vein on his forehead pulse.

Why did they choose her to satisfy him? Gimme your best...newest, he hears himself mumble. Newest. Freshly eighteen, huh? Just come of age, open for business. (To think this filthy little brothel has actual rules and has given her time to develop is almost absurd.) He closes his eyes for a moment, relieved it was him who found her without bottoms.

Because he knows he will not soil her innocence.

“I'm gonna take you with me,” he mutters as he closes his arms a little tighter around her, holding her safely on his lap.

“What?” she breathes, trying to look up despite his bear hug.

“I can give you a better life,” he says softly, tilting his head to meet her gaze.

“Why?” Despite her innocent tone, there's doubt in her voice. Disbelief. Why would anyone want to be nice to her?

He laughs darkly. “Because you deserve it?” One of his hands moves up, caresses her warm cheek. “Unless you actually want to keep sucking dicks.”

His lewd words make her flinch, her face flushed as she looks away, takes a sharp breath, her fingers clawing at his shirt. She shifts on his thigh, her body tense. “I... don't...” she mutters under her breath.

“Do you want to come with me?” he asks, pressing his thumb under her chin to make her look up. Her eyes are wet, glistening, her lips trembling.

“Can I?” she whispers, a tiny flicker of hope in the green pools that stare at him.

He smiles, a genuine smile that lights up his rough face, deepening the dimple on his cheek. “If you want to. I can get you out of here, no one will notice anything...” he tells her quietly, watching her closely.

There's turmoil behind her eyes, shivers running down her body, her throat moves when she swallows hard. “They'll be angry with me,” she breathes, blinking, looking away, her eyebrows furrowed. “The women...”

“You don't owe them anything,” he says, the hand on her lower back applying soft pressure, fingers playing with the laces of her corset. “They may have raised you here, but they made you do heinous things that no girl your age should do! No respectable woman without her consent...”

“And the men? Some of them come here only for me...” He stiffens at her words, imagining those sleazy men, salivating at the thought of shoving their cocks down this poor girl's throat. “I bring good money...” He scoffs at that, shaking his head.

“And how much of that do you see, hm?” he asks her, tilting her chin back up so she looks at him. She inhales deeply, avoiding his gaze once more. “Yeah, that's what I thought...”

“I have a comfortable life –”

His hand closes around her throat, long fingers pressing into her skin. She stares at him, gasps, eyes wide. “Sweetheart, you're eighteen now, you're fair game. Men will do anything to you now, fill every single hole you have!” She gasps again, cheeks flushing at his blunt words. “You might have gotten used to sucking dick, but believe me, opening your legs will be a whole other ordeal.”

She frowns at that. “Is sex really that bad?” she whispers, voice feeble, bashful, he's surprised she is able to get these words out at all.

A laugh rumbles through him as he eases his grip on her neck. “No, sex can be amazing, but with the wrong person, there can be a lot of pain and discomfort, and the consequences...” He looks at her, holds her nervous gaze. “You're so young, you deserve better than a drunken guy forcing his cock into your hole, leaving you either completely soiled and sore, or sick, or pregnant...”

She cringes and pulls a breath through her teeth, averting her eyes once more. “You talk so obscenely, mister,” she mumbles.

He breathes out another deep laugh. “It's the harsh truth, darling. That's how the world works, get used to it,” he says matter-of-factly.

“And you want me to go out into that world?” she whispers quietly.

“Trust me, out there you'll be better off than here, if you stay with the right people. I'd worry about your current world,” he mutters, listening to the noises from the other rooms, remembering, despite his haze, how run-down this building is, its clientele, and the state of the whole town.

She can't stay here. He won't leave her, now that he knows of her existence. She's Keira's kid, and unlike her mother, he will never abandon her.

Sighing deeply, he moves his hands along her body, encircling her waist, gripping her gently, before he picks her up and puts her on her feet next to the armchair. She stares at him startled, her hands immediately going down to cover her modesty. He grunts and stands up too, towering over her. She takes a cautious step back as he starts swaying, the alcohol still buzzing inside his head.

“I could really use a bath,” he growls, wiping at his eyes, trying to dispel the dizziness. The girl stands next to him, so tiny and frail, the gentle curves of her legs backlit by the fire, her soft face tilted up to look at him, her long hair cascading down her shoulders. For a moment he is mesmerized by the sight, by how naturally beautiful she is – how out of place she feels.

When he feels the strain in his jeans, he sighs again and turns away, stumbling past her towards the tub in the corner. There's already water in it, a thick layer of soapy foam even, and when he dips a few fingers into it, he notices that it's still a little warm. He can't remember it, but he must have left a good penny in this establishment, for booze, a hot bath, and the best...newest –

He turns back to her. She is still watching him, standing behind the armchair, her hands on the backrest, biting her lip. “Hey kid, you wanna join me?” he calls to her, his fingers already at the buttons of his shirt.

She inhales sharply, then walks around the armchair, her naked legs catching his eye for a moment. “I'm not a kid, mister.”

“Ben,” he corrects with a smirk, now working on undoing his belt. It creates a thud when it falls to the wooden floor, his holster and the heavy pistol pulling it down. Her eyes follow his movements as he undresses, kicks off his boots, steps out of his jeans, shrugs off his shirt. Then her feet tap over the ground as she rounds the tub and stands on the other side.

“Not a kid, Ben,” she whispers, chewing on her lips, her fingers fidgeting with the hem of her blouse as she drags it lower to cover the hint of hair between her legs.

She doesn't look away once he is completely naked in front of her, his clothes, gun and bags discarded on a chair, but he can see the red in her cheeks when her eyes flick down to his hard cock, bouncing slightly when he raises a leg and steps into the tub. The semi-warm water lulls his muscles as he sinks into it with a groan, stretching his long legs, leaning back, placing his arms on the edge, before he looks up at her.

“I meant it, Nebbia,” he says softly, tilting his head. “Come join me. I promise you don't have to do anything but sit with me.”

“I... shouldn't...” she whispers, her eyes trailing over his naked chest, half-submerged in the tub, before she looks towards the door. “We're not allowed...”

“I paid for you, didn't I?” She looks back, meeting his gaze, and he smiles at her. “Technically I can do anything to you. But I just want you to enjoy a semi-hot bath. There's still enough room,” he adds and spreads his legs, creating a space between them on the other side of the tub.

She hesitates, and he wonders why. Moments ago she seemed content to give him a good time, as she has called it, but now she is strangely coy for a prostitute who's had her throat fucked countless times before. The image of her lips strained around a cock – his cock maybe? – comes back into his mind, and he has to clench his jaw tightly to fight the urge to grab her and pull her close, do all those things to her that he has warned her about. That he's promised not to do to her.

Eventually she turns around, presenting her well-formed rear to him, those plump little cheeks, well-rounded, squeezable, the cleft between them guiding his eyes between her legs, but when her hands move up to the string holding her corset, he sighs, nodding to himself when he sees her predicament. He reaches out and tugs on the bow with one finger, loosening the tight laces slowly, carefully, and she lets him do so.

The stiff thing falls down her hips once it's loose enough, and she steps out of it, slowly turning back to him as she unbuttons the rest of her blouse and shrugs it off her slender shoulders. He can't help himself, he stares at her naked form.

Keira's kid. Half his age. He's promised her a better life.

And still he can't look away, taking in every detail of her body. How her small breasts perk, nipples hard already, the gentle slope of those mounds he wants to weigh in his big hands. How her hair falls over her shoulders, soft springy waves, silky, the same color as her mother's. His eyes trail down her chest, over the shimmer of ribs under thin skin, the flat stomach and little indent of her belly button. And that small waist, the swell of her hips, soft pale legs, cushioned thighs, and between them, the hint of hair above her sex.

Her skin is pristine, pale like alabaster, unmarked, pure.

There's a blush on her face that slowly spreads down her shoulders and between her breasts, and he has to force himself to close his eyes as she steps closer and lifts a leg to step into the tub – even though he wants nothing more than to take a peek at her sweet little cunt. Unused and innocent. He has to keep it that way.

Water splashes against his stomach when she sits down opposite him, knees bent and pulled against her chest as she settles between his outstretched legs. He looks at her with a gentle smile, and she smiles back, her eyelids fluttering.

“Not bad, eh?” he laughs quietly, moving a fluff of foam towards him with his big hands, then lathers his arms with it. She just sits there on the other side of the tub, watching him.

“Do you really mean it?” she whispers after a moment of both of them just soaking in the water.

“What?” he grunts, leaning his head against the edge of the tub as he slides a little lower, using the space she's left to fully stretch his body.

“That you're going to take me with you,” she replies, her eyes scanning his face.

He sighs, his breath blowing a tuft of foam towards her. “Yes, I mean it. I won't let you stay here, objected to all these... things,” he says. “You're Keira's daughter, and even if she might not have wanted you, I will take care of you.”

She frowns, trying to ignore the sting in her heart, the flinch of her tense shoulders at his words. “But why? You don't know me! And I don't know you! Why should I go with you?”

“You wanna stay here? Rot away and die in ten years or sooner?” His voice is harsh, his eyes dark, his jaw tense. “There's no money to be made if you stay under your Madam's thumb. You'll just be another body with a bunch of holes, destined to take it all, if you want to or not. How is this a life you'd want to continue?”

She licks her lips, her arms hugging her knees tighter. “I have food and a roof above my head...” she says quietly, averting her eyes.

He scoffs. “If that's your standard, then I can assure you that you will never go hungry, always have a comfortable bed, be safe from the elements, when you come with me.”

“But why?” she asks again, finally looking back at him. “Why are you so... nice to me?” She takes a shuddering breath. “Just because I'm the kid of a love lost?”

“I thought you weren't a kid,” he teases, and she groans with a slightly exasperated smirk. “I know it's a rare thing for people to just be nice nowadays, but you can trust me. I'm a good guy,” he lies through his teeth, a glint in his eyes.

“And you expect me to believe that?” she says, shifting in the tub, extending her legs slightly, her feet brushing against his inner thighs. “I might not know how the world works, but I see the men coming here. I've seen all types. And you look like the type I might encounter on a Wanted poster.”

He raises his eyebrows, his lips twitching. “Interesting assessment, missy. And you can tell by just looking at a man's cock?”

She grunts in indignation and splashes water towards him. He laughs and shields his face with one arm. “A fine gentleman would never talk like that...” she mumbles.

His laughter gets even louder. “And you expect a fine gentleman to walk into this establishment? Do you know where you are?” She scoffs and crosses her arms in front of her chest, slowly stretching out her legs until he can feel the soles of her feet pressing right against his groin. “Careful now,” he warns.

Her cheeks are flushed, but that doesn't stop her from rubbing her foot upwards and along his hard shaft, pressing it into his lower stomach. He watches her closely, holding in a groan. And she looks right back, green eyes hard and a dark smile on her full lips. Lips around his cock. He leans back and lets out the noise he has been suppressing. Her toes curl around his tip, his breath hitches in his throat.

And he savors the moment, just a moment, a few seconds, because it feels good. She is good, doing what she does. Would be a shame to stop her now, hm? But then he leans in and lowers his hands into the water, grabbing her ankle, stopping her after all. She yelps quietly as he pulls her leg towards him, causing her to slip. Her hands squeak along the edge of the tub as she tries to hold onto it, but before her head submerges, he lets go of her, letting her leg rest on top of his thigh.

She scrambles back into a sitting position, her eyes on him, her lips parted. “I don't have a choice, do I?” she then whispers, allowing him to put his big hand on her shin, holding her there.

He smiles at her, his eyes twinkling. “Correct, sweetheart. I will force you to have a better life, no matter what,” he says quietly, rubbing his hand up her leg.

She inhales deeply and leans back, her arms resting on the edge, hands hanging off, as she relaxes in the water, under his touch, with her bare chest exposed to him. Trusting. “You're a strange man, mister... Ben,” she whispers, smiling softly as she watches him.

He grips her thigh gently, winking at her. The buzz from the alcohol is as good as gone, replaced with a different kind of vertigo. Ignoring the twitching of his cock under the water surface, he keeps his eyes on the girl in front of him, taking in her features, a strange warmth gathering in his stomach.

He came here to celebrate the successful heist, drink himself stupid and have a good fuck afterwards. He hasn't expected to meet Keira's kid here, to be this attracted to her, to tell her he wants to take her with him. But he has, is, does, all of it, he wants her by his side, wants to give her a chance at a different life, away from pleasuring strangers every night of the week.

Does he want her for himself? Maybe. But he still also genuinely wants her to be happier, be herself, have the freedom that he has. She deserves it. And he does too, selfishly so, to have her.

🟪 Chapter 2

END NOTES: Hello and welcome to my first original work (that I share with you)! Thank you for reading!

Please note that I am no expert on anything wild west/western/horses/cowboys/brothels/etc. - I write silly little love/smut stories. This story, even though it's not mentioned, is set at the end of the 1800s somewhere in the west, I'm keeping it vague on purpose, this is about Ben and Nebbia.

AO3 -- MASTERLIST -- INSPIRATION POSTS

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