viktheviking1

[viktheviking1]

I need your donation urgently, friends.

My tent was bombed inside Al-Aqsa Hospital and we were forced to move to Al-Nuseirat 😭☄️☄️☄️😭😭

As you know there is no safe place they bombed our tent 🔥⛺️☄️💔💔😭😭🍉🍉🙏❤️

For the second time, we don't know where to go. I was injured in my foot and my father was injured and his condition is critical.

We do not know where to go, my family and I. Our situation is difficult. ☄️😭😭😭We have become homeless. Please donate and save my life and my family’s. Please. ☄️⛺️🔥😭😭😭

This is what they do to us, they burn tents over our heads and brag to the world. 😭😭😭☄️⛺️🔥🔥🔥Please save our lives. Look with your own eyes at the amount of pain we are exposed to.

😭💔💔💔💔💔

https://gofund.me/93f3480d

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Your donation saves my life and my father's life. Don't hesitate to donate 10 euros and you can save our lives.

https://gofund.me/93f3480d

[viktheviking1]

artist: Natalie McGuillotine

[viktheviking1]

[viktheviking1]

[viktheviking1]

📢🚨My name is Ahmed Alnabih. I am 33 years old, married, and part of a large family with three brothers and four sisters. We once lived in Gaza, where I grew up and built my life. But today, my family and I are living in a tent, in unimaginable conditions—surrounded by mud, soaked from the rain, and overwhelmed by uncertainty.☹️

The Israeli army ordered us to evacuate our home in Gaza. With heavy hearts, we fled south, taking only what little we could carry. Not long after, we received the devastating news that our house—our home—was completely destroyed. Everything I had worked for, everything that held the memories of my family, was reduced to rubble.😭😭

Now, we live in a tent, struggling to stay dry, to stay warm. The rain beats down on us as the ground turns to mud beneath our feet. The cold seeps into our bones at night, and hope feels more distant with each passing day.☹️

I never thought I would find myself in this situation, forced to rely on the kindness of strangers to survive. But here I am, asking for help, not just for myself but for my family, who have lost everything. I want to rebuild a safe home for my wife, my brothers, and my sisters. I want to give them a future, something to hold onto when everything else has been taken away.🥹

Please, if you can, donate. Every little bit brings us closer to rebuilding what we have lost and giving my family a sense of safety and dignity once more.🙏🫂❤️

Vetted by @gazavetters , my number verified on the list is ( #186 )🇵🇸

Here is love and war!

To donate click here⬇️🔗

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[viktheviking1]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[viktheviking1]

[viktheviking1]

FORGETTABLE-AU (Page 10-13)

* There must be something I'm missing!

[BEGGINING] [PREVIOUS] [CONTINUE]

[viktheviking1]

Save our life,please!! 🙏🏻🍉🥺

Emergency: Help Evacuate My Family From GAZA WAR

Hello, I am Marah from Gaza, I am 23 years old, studying at Al-Azhar University.

I am writing these words after deep thought, as the urgent need to save me and my family is beyond my ability to bear.

I would like to add that I am studying law, and I aspired to become a valuable lawyer in my country.

I wished my days would be better and that I would not live in war deprived of my most basic rights.

But the war came and destroyed all our dreams and ambitions.

We had a supermarket and my brother worked in it and our life was very happy, but it was completely destroyed and now we have no source of income.

Also, my mother suffers from an enlarged thyroid gland and diabetes. Because of what we are going through, we cannot provide any treatment; her condition is getting worse.

Also, my father had a stroke because he heard about the loss of our relatives and he also lost our home. He worked all his life to build his life home. We suffer from diseases and lack of clean water.

We are living death.

Please help me protect and help my brother, my family and my cat to bring life and hope back to them. Every donation, even if it's just $5, can make a difference. It means so much to us and our child. Please reshape their lives with love and safety, and help build new hope in them.

The difference in helping me save my family.

I feel so sad and embarrassed to ask for help, but I have no other options left. I know this is a difficult request, but I also know that there is still humanity and conscience and I believe in miracles.

Your support during this very difficult time will give us hope in the midst of devastation and despair.

If you have any questions or concerns, please don't hesitate to ask me!

My sincere regards and thank you.

‏https://gofund.me/0d8da7f1

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[viktheviking1]

kny if the Kochos were the main characters

[viktheviking1]

happy tdov my loves. don't let anyone else define your transness for you.

help trans women evacuate gaza

[viktheviking1]

clara canonically thinking about men fucking each other 24/7. she was so cool

[viktheviking1]

Save our life,please!! 🙏🏻🍉🥺

Hello again, I am Marah from Gaza, I live in war, fear and destruction, we have been living for almost a year now but we do not know how long, we have been displaced from our home more than 12 times,

every time I was displaced to another place I prayed that this would be the last, but then came the idea of ​​​​forced exit to search for safety where there is no safety, we got very tired and our bodies were exhausted, we no longer had the energy to continue, we lived hunger, thirst, cold and all the difficult conditions that humans cannot imagine,

we did not imagine that a day would come when we would live all of this, I lost my family and my childhood home, even my friends are no longer there, I was left alone!! I am looking for salvation from death, I fear death and I dread it, the idea is terrifying to leave your dreams, ambitions and the life you planned for and go from this world, we do not deny death but we do not want to live it now,

I had a beautiful life, suddenly I do not know how I lost my life, we live in a tent that can only accommodate 3 people, made of nylon that no human can bear, just standing in it for more than two minutes during the day is enough to melt you, in addition to insects, diseases and lack of privacy, imagine all this!! Can you live??

In addition, my father had a stroke due to the loss, and my mother also needs care due to chronic diseases and the lack of treatment, and her condition is getting worse. I am the only one who takes care of them. I really fear loss and I do not want to lose, as I lost a large part of my family, my home, my work, and my entire previous life.

Things here are more difficult than you imagined, reality is painful

We wake up every day to the smell of death, I have been surrounded by tanks and helicopters more than 4 times, each time I do not know how to survive? It seems that my death has not come yet

I do not want to die!! 🥺

Please help me save my life and get out of here, life is impossible

Your donation will save my life, it is the only way, hand in hand we can achieve the goal please

My campaing vetted by @//90-ghost

here

@//bilal-salah0

here

here

Donation link ✅

https://gofund.me/95762014

[viktheviking1]

Unreachable

Wandering mind, full of creation

Meandering lines, lost in elation 

Each stroke, I broke a little inside

Each fate, I hate. My will defied

I painted this in Feb 2022 about what it's like to be an artist with repetitive strain injury. In 2008, When I was 18, I made my first comic titled 1000 Words, it was about an artist helping a little girl with a broken family similar to my own. It received such positive feedback that I changed my Environmental Science major at UCBerkeley to Art major. Ever since then, my goal has been to tell stories with my art. Stories that are important to me. My next comic, Knite, was about a boy who wants to put the stars back into the polluted skies of China, my homeland. The comic after that, Fisheye Placebo, is a cyberpunk story about living in the age of technology, about fighting censorship and propaganda.

Unfortunately, I never got to finish Knite nor Fisheye Placebo. By the time I was 24, I was drawing day and night with no regards to my health. Not only did I get repetitive strain injury in my drawing hand, but my entire health suffered. My roommates had to rush me to the ER after fainting one night. I remember looking at my swollen right hand, my fingers like sausages, not even able to hold a pen, and just cry.

I've gone to the doctors and physical therapists. One told me I have Lupus (I do not), and another told me to put ice on it. More recently, I met a friend who happens to an amazing physical therapist and he was able to help me regain a lot of use of my hand. At my worst, I could only draw an hour a week, but now I am able to draw 2 hours a day. My hand is unlikely to fully heal, but I'm so grateful to regain what I have.

To my fellow artists who suffers the same, please know you're not alone. I can't promise that it'll get better, and it's cliche to say don't give up, but I want to keep hoping that no matter what the world throws at us, we will continue to make art.

[viktheviking1]

It’s been an emotional week. I wanted to share this encounter I had with a very hateful man on the Pittsburgh bus because it reminds me that there are brave people in this world. Let’s all do everything we can to stand up for each other.

[viktheviking1]

How to Track Your Gender Fluidity

Recently I made a post with a screenshot of my gender tracker and was asked how I track my gender’s fluidity. I’ve been meaning to make an instructional post on how to set up the app so I redownloaded the app on a spare phone to show you guys.

In this tutorial, I will explain how to edit the MoodFlow App to track the fluidity of gender including changes and intensity, how to keep the app locked so others cannot look at your data, and how tracking genderfluidity can help someone better understand their gender identity. I will also provide some alternatives if you cannot use this app.

This method of tracking can be used by genderfluid, genderfaun, genderfae, genderflor, gendersylph, genderflux, fluidflux, boyflux, girlflux, enbyflux, questioning individuals, or anyone else on the genderfluid spectrum. Some personalization may be necessary but this tutorial will cover it.

Keep reading

[viktheviking1]

Hello everyone, I am Ahmed Qandeel from the Gaza Strip, specifically Rafah l have 27 old. I have suffered since the beginning of the war, just as my people have suffered. I used to work in the West Bank as a construction worker, but when the war began, I was arrested, imprisoned, tortured and beaten without any reason. I spent 15 days there, and they were the most difficult days of my life there, away from my family, my wife and my only son, Ashraf, who is a year and a half old. On the 16th day, I was released and transferred to Gaza. When I returned to my parents, brothers, wife and son, I suffered with them from the war and hunger. Until now, I am suffering from the symptoms of imprisonment and my memory cannot forget those two weeks, the worst 15 days of my life. Since I returned to my family, I have been suffering from the expenses of the war and the high prices because I lost my job in the West Bank and I have been without work and without a source of income for 11 months. It was difficult for me to bring diapers to my son because of their scarcity in the market and their high prices. I created this link to help me meet my needs and help my family and get them out to safety outside the Strip. My son My dear Ashraf, whom I want to grow up far from wars and pain. I hope you help me and understand what I mean by him. Thank you all, my friends.

Can you support me please?

https://gofund.me/46ce1af1