#individualized action

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[younes-ben-amara]

كيف تخلقُ الحظ في حياتك؟ مفاهيم يسيرة ذات نتائج عظيمة تجعلك ذا حظٍ أوفر

تمهيد طالعتُ أمس مقالًا بعنوان “كيف تخلق الحظ؟” لكاتبه سويكس (swyx) وقد وجدته عبر نشرة ريفايند؛ ورأيت أنه من الحسن جدًا نقله للعربية لينتفع به الناطقون باللسان العربي. تواصلت مع سويكس (swyx) عبر البريد لطلب إذنه في الترجمة وقد كان ردّه سريعًا وموافقًا على الترجمة. فإليكموها إذن. قراءة ماتعة. تمهيدكيف تخلق الحظ؟الحظ الثنائينظرية “منطقة سطح الحظ”أنواع الحظ الأربعةالعادات والإستراتيجيةعملية…

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[baph0meat]

this is the Gaza Family Funds Directory, a spreadsheet of palestinian families' gofundmes, sorted by the amount of support they've received thus far. please choose as many as you can from this list to donate to, even just a dollar.

in addition, the sheet also contains a link to a gdrive folder with designs for flyers/stickers that you can print out and place in your community. if you truly can't spare anything directly now, please consider doing this so you can get these links in front of people who can donate!

it also remains urgent to keep the people of palestine connected in the face of communication blackouts; please contribute esims! it is very easy to do and is fully explained on this page: https://gazaesims.com/

if you cannot afford the price of an esim individually, there's a campaign currently running on twitter to which you can contribute whatever you can afford ($1, $3, whatever) to a larger pool which will then be used to buy esims collectively. there's also the crips for esims for gaza fundraiser, which operates similarly. there are probably more than this! i chose these two for this post bc they are currently active + both have easily vettable proof of donation (screencaps in the qrts of the twitter campaign, financial accountability document in the crips for esims campaign.)

finally, look into local grassroots organizations in your area so you can stay in the loop on protest activity. many such orgs have accounts on instagram. if you are in the us, looking for local chapters of the PSL, the palestinian youth movement, or national students for justice in palestine can be a good start.

please, please, please: pick something here and do it. i know it can feel overwhelming and there may be an urge to tell yourself that you'll reblog this now and get around to it later. instead please choose one thing. even if it's just finding orgs in your area and following them so you'll be notified the next time there's a protest. even if it's just downloading the flyer designs and looking up a print shop where you can run off a stack of copies. make a decision to do something tangible right now, even if it's just a first step.

[rochenn]

sith afterlife looks a bit different.

[dykedvonte]

I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.

I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?

The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.

[hinamie]

- wip -

u won't see this until next month but i at least wanted to share the plans

[secretly-a-catamount]

tim drake would rather die than kill innocent people and tim drake killed hundreds of supervillain henchpeople with long-range detonation explosives that one time are two separate headcanons that, contrary to what the fandom discourse would have you believe, can actually coexist at the same time.

there’s even a psychologist term for it.

it’s called compartmentalization!

[valtsv]

perpetrator trauma is honestly so interesting and a really valuable insight into the renewal of cycles of violence

[wistfulwatcher]

emily prentiss + leaving and coming back for her family

[txttletale]

[kabutoden]

could you draw tavros bug? I looked for him but couldn't find him :[

Thx! <3 :]

i keep thinking about this ask. tavros bug. tavros bug. there is he. i think hes complaining about how people keep telling him to grow up when he's objectively never going to get to do so.

tavros...

[skydaemon]

btw if you even care the ACTUAL bad ending of wwdits is if nadja remains aimless and unfulfilled, wandering from project to project without intention or internality

[sapphic-biohazard]

I ship tyzula in a ‘this story is azula-focused and action-filled with lots of tension and conflict and drama so it’s nice she’s got a pink gf on her side’ way, and I ship maizula in a ‘this story is focused entirely on these two fucked up girls who are fucked up in different ways who then try to be less fucked up as possible for each other’ way. I also ship mailee in a ‘let’s explore azula’s deep sense of abandonment and rejection and jealousy and let her work out how platonic love is the safest for her at the moment and make her be the centre of the trio where the rest of the trio is dating’ way.

[stewy]

it’s just so frustrating when someone can only talk about a female character in terms of what she “deserves” in a greater moral sense and never about what she wants and willingly puts herself through by means of having agency and what serves her narratively