so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-
but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again
(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)
i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)
weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon
(which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( )
AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward
but i suppose i was very wrong with that .__.
right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)
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/breathes. This icon is called killme003.png for the sake of this post because honestly, where yesterday I was rather demotivated from writing up more meta, I woke up today with the strength of all Aeons in existence (and... not-so-in-existence-anymore) for intense research. So I put my thoughts through the sternest 'let's try to shake and shoot up the perspective/logic/theory' process that I could manage, and it's still standing. If anything, I'm more certain than I was yesterday or a week ago, that MHY is doing something substantial, and vastly nuanced with this damned character. I thought I had big-brain thoughts on/for Guizhong, but I don't know if those hold a candle to the ones I have for Kafka (actually, they really do). My issue with this lady in wine though, I don't know where to start writing it all down. It's like 10 messy whiteboards that are hypotheses on her trailer, the words she uses therein, "Don't be afraid, listen to me, wasn't it you, who invited me?", "Destiny has thousands of faces, why does it choose to wear this one?", "Stealing a glance?" during someone's final moments during her spirit whisper? Like, come on, you can't tell me she doesn't play into fate somehow beyond what we've all obviously gathered. You can't tell me that there isn't a more authentic face that has been staring right at us this entire time. She borderline if not directly says it right to us, but we're almost taught to not listen anymore, to think that there's more to something, but what if writers are using that against us, what if this is an instance where we should take words at direct face value? On top of everything else, of course. Fate is "inevitable" and right in front of us always, after all.
God, imagine a being tied so intricately woven into fate (vastly differently from Elio, mind you), speaking quotes upon quotes about the inevitability of fate, and being tied to nihilism, and yet firmly holding some sort of faith into choice, and hounds us on it. I mean come on, one of the main quotes in the entire story of HSR are her words: "When you have the chance to make a choice, make one that you know you won't regret." And she directly tells us in her own SQ, and it is a confirmed truth and not a lie, that Kafka herself does not believe destiny to be predetermined. Now to what capacity? We don't know. But the contrast of this, the rich nuance in this drives me insane. The duality of this woman, the spider (which itself is already a duality of a creature) and the butterfly (not necessarily as juxtaposed as one would believe, it all depends on perspective), the curiosity/fascination opposite her boredom, the ease of her killing which is reinforced with the emotional distance of her submachine guns, and yet she speaks how we should "let morality be our (your) guide", which fits perfectly alongside the decision of having her wield a katana, a blade that was worn by those following the highest code of honor? Speaking of emotional distance, the way she speaks of humans and humanity feels so distant, along with her talk of fragility. God, I just, want to shake HVY very firmly and fiercely. The fact that her eyes are highly likely to be concealed (hello, red), the fact that her voice is altered consistently, and yet we're shown the depth and warmth of her actual voice, and the empathy it holds consistently around primarily one person (almost two).
I love writing meta, but I don't know where to begin. I don't know where to start, but I'll get there. I just wanted to show how messy my mind is, I suppose. It makes perfect sense in my head, I've seen the dots, I've connected them, I see you MiHoYo, and you're giving me everything my brain needs in terms of latching my claws into something. But my god, where do I start writing it all down.
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Guys, please listen to "Kronos Unveiled" from The Incredibles because that song gave me the angst Bowuigi idea that I'm about to share with you all.
(And just a quick heads up, if some of the ideas look familiar, it's because I took inspiration from this one-sided Bowuigi angst post I made a while back and The Secret Alliance Bowuigi WIP idea I talked about back in early April.)
(Adding a cut here because this might be long otherwise.)
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Okay, so after countless failed attempts of marrying Peach, Bowser decides to change his evil ways and become a good guy. Happy to see that Bowser is finally changing his ways, Luigi starts visiting Bowser to help him on this good path journey, which results in them becoming good friends (and maybe eventually become a couple, but I'll go over that more at the end). As Peach sees Luigi and Bowser's friendship (and sees that Bowser actually wants to become a better Koopa), she asks Bowser if he wants to sign a peace treaty with her as a way to bring their two kingdoms closer together, which Bowser 100% agrees to because this is something he also wants to do.
However, not everyone is accepting of Bowser's newfound kindness.
So at first, Mario was very wary of this new version of Bowser because he was worried that Bowser was going to take advantage of Luigi's kindness and use him to get closer to Peach and the MK. However, after some long 1-on-1 talks with both Luigi and with Peach, he starts to realize that Bowser has actually been telling the truth and genuinely wants to stop the conflicting war between the two kingdoms.
That is, until people started to go missing.
Now at first, it wasn't very noticeable. Mario figured that all the different royals he needed to talk to were just taking a vacation or were sick and couldn't reach back out to him. However, after noticing that his close friends and very important people (i.e., Yoshi and Rosalina) were missing, that's when Mario realize that something was up.
So after about a week or so, Mario tells Peach and Luigi that he's going to visit Daisy for a week just to catch up. They haven't seen each other since the Strikers Tournament, so Mario figured that it would be a good time to travel to Sarasaland to see what the spunky and out-going princess is up to.
At least, that's what he told Peach and Luigi.
In actuality, Mario is instead going to secretly visit Professor E. Gadd. The reason? Mario needs to borrow an invention from E. Gadd that'll either help him break into Bowser's Castle and/or take pictures of what's going on behind closed doors at Bowser's Castle (as a way to prove to Peach and Luigi that Bowser's not as good as he saids he is).
And E. Gadd agrees to let Mario borrow an invention.
So after about a day of travel, Mario quietly breaks into Bowser's Castle without trouble and doesn't immediately see anything suspicious. Of course, this doesn't stop Mario from sneaking around the castle as he has this really gut-wrenching feeling that Bowser just has to be up to something.
And this is where the "Kronos Unveiled" scene really starts to come into play.
So similar to the starting scene, Mario finds this big computer in a huge and dark room, so he walks up to it. He sees that he needs a password and after guessing the password (Koopa), he has access to all the secret files of Bowser's Castle. After clicking on the "Royals" option (this would replace the "Supers" option from the movie scene), Mario discovers something really horrific.
A lot of royals have died.
No, a lot of royals have died because Bowser killed them.
The 7 kings from Super Mario Bros 3, Prince Peasley, even Rosalina and the Star Spirits from Paper Mario, Bowser has invaded dozens of lands and murdered those rulers of the said lands in an effort to make his airships more powerful.
But his plan doesn't stop there.
After some research in the computer, Mario discovers that "Operation Koopa" consists of 3 phases.
Phase 1: Bowser absorbs the power of the Super Star (like how Mario and Luigi did at the end of the Mario movie) after he stole it from the Star Spirits.
Phase 2: Bowser travels to the Mushroom Kingdom in the middle of the night with his Doom Ship (this would take place after he signs the peace treaty with Peach).
Phase 3: Bowser uses the Doom Ship (and himself since he absorbed the power of the Super Star) to destroy the Mushroom Kingdom (in an effort to force Peach to either marry him or he'll kill her).
And what's really interesting about this idea is that I have two different approaches on how this all can go.
Idea 1: Everything that I just told you guys is all Bowser's idea. Like this Bowuigi angst idea I brought up in the beginning of this post, from point A to point Z, Bowser is very willing to play the long-con if it means that Peach and/or the MK will finally become his.
OR
Idea 2: Bowser is not the one in control here, but it's actually King Boo who's making Bowser do all of these bad things (and this approach wouldn't be like the Bowuigi Secret Alliance idea I also mentioned at the beginning of this post (although, you can kind of make it like that if you really wanted to). I mean more in the sense that King Boo would full-on possess Bowser in order for him to help him (King Boo) reach his ultimate goal of taking over the entire world.
Personally, I like idea 1 a little bit better, but the pure idea of King Boo being the one who's pulling all of the strings also sounds both really intriguing and really angsty (like no joke, there's this one idea I have in regards to the E. Gadd & Peach scene where Boolossus (or some other important Boo besides King Boo) is possessing E. Gadd throughout that entire scene and Peach never realizes/notices.)
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